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Suspense!

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Tonight, transcribed, Auto Light brings you Miss Joan Crawford in The Ten Years, a suspense

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play produced and directed by Anton M. Leder.

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And now, Auto Light presents Joan Crawford in a tale well calculated to keep you in suspense.

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Everyone is so good to me. I like being here, but some of the others don't, I guess.

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Do you hear? They scream sometimes like that in the night. Maybe they scream because they

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remember things. But I remember things too, especially when people come out from town

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to see me, to bring me things. But there's nothing, nothing that I want. They can't bring

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back my sister, my beautiful sister Adele. They came today, and with them they brought

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back memories of Adele, when we were children, the night that Mother died, the night we made

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the promise. Don't cry anymore, Adele. I'm afraid, Clara. We're alone. We're not alone.

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But if something happened to you... Nothing's going to happen to me. I'm going to take care

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of you. But that's what Mother said. Now she's left us too. But Adele, Mother didn't know

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that she, she wouldn't have left us if she could have helped. Promise me you won't die,

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Clara, and that whatever I do, you'll do, and that, and that you'll never leave me. I promise.

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And we'll be together always and forever. Always and forever. I promise.

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And for years I kept that promise. Adele and I were as close as anyone could be. We had

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few friends, but I didn't mind as long as she was happy. But sometimes I was frightened

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at the way she clung to me after we were grown. I was afraid of what would happen to her in

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case anything ever happened to me. And then something did happen. I met Douglas Foley.

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Adele liked him until she realized that I'd fallen in love with him. Then she hated him

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in a childish, vicious way. He tried to win her over, but it was no good. And then he

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asked me to marry him. And I said yes. That night after he'd gone, Adele was waiting for

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me in my room. Adele? Clara! Douglas told me. Adele, you're so white. You're ill. But

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you promised me. But Adele, I'm not leaving you. You're going to live with us. No, it

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won't be the same. You promised always and forever. But we were children, Adele. You

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promised. We'd be together always and forever. But Adele, I... You see... Clara! If you

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marry him, I'll never speak to you again. But we were married. And we believed that Adele

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would forgive us in time. But she didn't. She refused to see us and letters went unanswered.

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Then when we learned that my husband's new job was to take us to Europe, I first thought

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of Adele, if she would only go with us. But when we drove to her house, she refused even

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to come to the door. And we were forced to sail without her. My son Doug was born in

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Europe. And I wrote Adele a long letter telling her about him. But the letter was returned

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unopened. When Doug was just 10, we returned to America. I went directly from the station

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to Adele's house. She was working in the garden when we drove up. I was shocked at her appearance.

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Her hair had turned almost white and there was a strange look about her. I sent Doug

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to the gate to introduce himself. She looked at him in a puzzled manner. Then she saw us

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sitting in the car. And she turned and walked into the house. The next thing I remember

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was that day one month after my return home when I was put on trial for murder. For my

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husband's murder. Mrs. Foley, will you tell us again what happened the night of your husband's

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murder? My husband was working in the garden all day. When it began to grow dark, I called

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him in. But he insisted that he had something to finish. I called him several times after

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that. And then I became irritated and I gave up. I had my dinner alone and I went up to

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my bedroom. Then you do admit that you quarreled with him the night of the murder. We didn't

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quarrel. I was irritated but I said nothing to my husband. I see. Your husband's death

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was caused by a deep narrow wound in the vicinity of the heart. It is the opinion of this court

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that the instrument used might have been an ice pick. Mrs. Foley, have you any other ideas

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as to what might have inflicted this wound? No. Had your husband any enemies, Mrs. Foley?

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No. And so I was acquitted that day because of insufficient evidence. I thought Adele would

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come to see me during those awful days but she didn't. I saw her in the courtroom but

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she never looked my way. I believe it was about two months after the trial that my son

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and his friend Roy went on an all-day hiking trip to the beach. They were late getting

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back. It was almost dark when I saw Roy coming up the street. He was alone and he was running.

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Mrs. Foley! Mrs. Foley! Roy, where's Doug? He's down at the beach with her. With whom?

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Your sister. My sister? Oh, for heaven's sake, Roy. Will you tell me what this is all about?

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Well, you see, Mrs. Foley, Doug and I went down to the beach with him. It seemed that Roy

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and Doug had forgotten to take along their drinking water and they hadn't missed it until

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they'd come to a very deserted strip of the beach. Come on, Doug. Maybe we can get some

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water at that little house over there. Funny place for a house, isn't it? Yeah. Come on.

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Looks like nobody lives here. All the better. And just drink out that faucet in the yard.

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You won't have to ask nobody. Come on. Sure runs down, ain't it? Maybe the faucet isn't

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working. The garden's all dead. Sure it's working, see? Someone's just plain lazy then.

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Or maybe no one lives here. Sure they do. There's a mailbox. Maybe there's a name on it.

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Look. Miss Adele Norris. That's Mom's sister. Yeah? Well, let's drop in and see her.

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She wouldn't even know who I was. You could tell her, couldn't you? Say, maybe she'd give us

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some cake or something. No. She's mad at me and Mom. Come on, let's get out of here. Hey,

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Doug. Look at all those dead leaves on the porch. Let's have a look around. No, she might

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come out. Oh, she can't hurt you, can she? Let's peek in the window. No, Ron. Look,

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Doug. The place is all upset. It's all dirty and everything. Let's look in the rest of

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the windows. There's no one around. Here's the kitchen. Hey, look at all the dirty dishes

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piled up. Say, maybe my aunt's sick. Look, someone's coming to the window. Oh. What do

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you want? We wanted to see if you were all right. Go away. Don't you recognize me? No.

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Are you sick? No. I'm your nephew, Douglas Foley. Go away, whoever you are. I'd like to

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help you. Go away, I said. Mother wouldn't want me to leave you here like this. Who is

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your mother? I told you. Don't you remember? She's your sister. I have no sister. My sister

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died when I was 18. Roy, you go home and get my mother. My aunt's sick. I'll climb through

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this window and I'll see if there's anything I can do. You stay out of this house. Doug,

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let's both go. She doesn't want you here. She's sick. You go for my mother and hurry. If

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you come into this house, she'll be sorry. If you dare. Did you say your name is Douglas

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Foley? Yeah, that's right. Douglas Foley is dead. Forever and ever. No, don't you see?

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The one who died was my mother. Douglas Foley became between two sisters. And then he died.

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Yeah, but I'm trying to tell you. My mother and Roy isn't dead. Then I guess he'll have

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to die again. That's it. Yes. He'll have to die again. He'll have to die again. He'll

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have to die again. You're sick. You need help. I'm sick. Yes. Don't you want me to come in?

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Yes. Come in. Douglas Foley. For Suspense, Auto Light is bringing you Joan Crawford in

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the video's outstanding theater of thrills, Suspense. And now, Auto Light brings back

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to our Hollywood sound stage, Miss Joan Crawford as Clara in The Ten Years by Mel Dennelly.

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A tale well calculated to keep you in suspense. You see how clearly I remember things. I remember

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so well the horror of that moment when Doug's little friend finished telling me how he had

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left Doug there alone with my sister, Adele. And I even remember what Roy said at the end.

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So I came back to tell you, Mrs. Foley, on account of Doug made me. Now I wish I hadn't

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left him there with her. I know she's your sister and all, but I saw her face when she

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came to the window. She looked awful, Mrs. Foley. She looked awful crazy.

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I followed Roy's directions and I went by foot north along the ocean. I must have walked

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a good mile before I came to the house. The front door was standing open. There was a lamp

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burning on the table. Adele? She lay on the bed. I couldn't see her very clearly by the

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candlelight, but I could see that she was fully dressed. Her hair was undone and it

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spilled down over the pillow. For a moment I thought, I thought she was dead.

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What do you want? Adele? What do you want? It's me, Clara. Where's Douglas? He's dead.

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Adele! Your husband is dead, I tell you. I don't mean my husband. I mean my son. Where

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is he? He was murdered with a long shot. Be still! You don't know what you're saying.

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Where is my son? I haven't seen him. You have. He was here. I know that. I haven't

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seen him. Yes, you have. Try and remember. Where is he? I don't know. Yes, you do know.

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What have you done to him? Was he your son? Yes, Adele. Please. I hated him. I know.

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Where is he, Adele? He went away. Where? Where did he go? He went to the village for

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a talk. Are you telling me the truth? Yes. How long ago did he leave? I don't

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admit. Will you stop questioning me? Can't you see that I'm sick? I tell you, he went

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for a doctor. Why do you come here, Clara? After ten years? I've come to help you. I

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don't need your help. Adele, did Doug really go for the doctor? You think I'm lying? I

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don't know. But if he isn't back soon, I'm going for the police. The police? Those sack

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fools. I'm so sick, Clara. Oh, I know. I'm going to take your things off, Adele. You'll

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be more comfortable. Then when the doctor comes, if he comes... Don't you touch me!

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You're sick, Adele. Let me take your things off. No, no! Can't you leave me alone? Leave

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me alone! How do you know what's good for me after all these years? I'm in pain, Clara.

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I have a heavy pain here in my heart. When I'm tightly laced, I can almost bear it. All

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right. All right, darling. We'll leave it till the doctor comes. Will the doctor help

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me, Clara? Of course he will. Douglas Holey came between two sisters. Oh, dear. He worked

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in the garden, bending down low. I'm so tired, Clara. I know. Try and rest, Adele. Close

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your eyes. He was working in the garden, and I was on my way home. I saw him there, Clara.

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He looked the same after ten years, because he had your strength to draw from. But I was

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alone. I had grown old, and he had stayed young. Young. And then he... And then she seemed

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to doze off. Her breathing was so labored, and I thought, perhaps she'll rest more easily

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if I undress her. And I went over to the bed. She was wearing a corset. I reached over and

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I began to unhook it. She started mumbling something in her sleep. You broke your promise.

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Always and forever you were there. But she didn't wake up. Always. And I finally managed

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to take her corset off. But as I went to place it on a chair, I noticed something sticking

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out of the material. At first I thought it was a broken stay, but it was round, and one

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end was sharp. I looked closer. It was a steel knitting needle. A long steel one. And there

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was rust on it. Or was that brown stain rust? Adele had concealed a knitting needle, and

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there was proof of what I guess I'd always known. That Adele had murdered my husband.

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I dropped the needle to the floor. Then something caught my eye. It was a hand sticking out

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from beneath the bed. It was wide and still. It was a child's hand. I fell to my knees.

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Oh, Doug, Doug! And just as I reached out for him, I... I felt a sharp blow on the back

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of my head. And I fell, unconscious. I dreamed. I dreamed that Adele and I were children again.

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And that she was laughing. And we were playing an old game of ours where we tied each other

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with our bathrobe cords. And then we waited for a knight in armor to rescue us. And then

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I think it was the odor of kerosene that brought me to... The room was filled with it. Oh, my

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head was pounding. I couldn't seem to focus my eyes. I tried to raise myself to my feet,

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but I... I couldn't seem to move my arms, my legs. Suddenly I realized why. I was tied

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with a bathrobe cord. I was a child again. Adele and I were playing our games again. My

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husband and everything that had happened between Adele and me had been nothing but a bad dream.

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Oh, a feeling of relief swept over me. Suddenly I heard footsteps and the door creaked slowly

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open. And then I knew that what had happened had not been a dream, for Adele stood there

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in the doorway. Not Adele, the child who would rescue me, but Adele with gray hair who hadn't

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spoken to me for all those years. She wore a long dressing gown. She was barefoot, her

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long hair streaming about her shoulders. And there was a vague and stupid smile on her

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face. She carried a bucket in her hand and the odor of kerosene filled the room. She

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didn't seem to notice me as she went past me. She threw the liquid from the bucket onto

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the table. Adele! No, Adele! But she paid no attention to me as she left the room again.

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I struggled. I struggled wildly, but it was no use. Oh, I was tied securely and then I

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saw a still figure on the bed. It was Doug. Oh, his face was so white. He was unconscious

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and there was a deep gash at the side of his head. Then Adele came back into the room.

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She had filled that bucket to the brim and she walked toward the bed again. Clara? Adele,

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untie me. Untie you why? Adele, listen to me. This is your son, Clara. Yes, yes, Adele,

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untie me. We were looking for him and he was here all the time. Please untie me, Adele.

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I never knew your son. For years I never knew him. How old is he, Clara? He's only ten.

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He's just a boy. Adele, you're sick. Untie me and we'll go for a doctor. You want me

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to be well, Clara? Yes, untie me. Are we friends again, Clara? Yes, we're friends. I want

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to help you. But I can't forget the ten years, Clara. I must wash those years away before

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we can really be friends again. Adele, forget those years. Let me help you. Don't untie

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me. No, we can't forget them, Clara. We must wash them away. That's what I was doing. I

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was washing away the years. Your husband's gone. Your son is all that remains, Huffle.

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Then we can be sisters again. You don't know what you're doing. Untie me, Adele. But this

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isn't water that I have in this jug. No, you see, you're sick. This is what I put into

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the lamps to make them burn. No! I could burn away the years. Then that would be better.

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No, Adele, for the love of heaven, untie me. Burn away these years that remain on the

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bed. No, Adele. If I could do that with this candle, then you and I could really be friends

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again. Like when Mother was alive. We could be sisters again. Always and forever. We're

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sisters now, Adele. You're lying. We're not sisters. Adele, listen to me. We're children

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and you've tied me with this cord and now you must untie me like you used to do when

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you left me too long and I cried. You're lying. We're not sisters and we haven't been for

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years. And now I'm going to punish you for lying. Just as Mother used to punish us when

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we were children. Then she started walking unsteadily toward me. A lighted candle in one

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hand, the bucket in the other, the liquid slapping over her dressing gown as she walked.

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Do you remember the time Mother washed out my mouth with soap and she caught me in a

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fib? That's what I'm going to do to you now. Or perhaps it would be better if I burned

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you. No, no. Don't scream, Clara. Don't waken your precious son. We mustn't waken you.

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Adele, Adele, untie me. I promise you that I'll take Duggan. We'll go away. You'll never

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have to see us again. No, Clara. And she kept moving toward me, holding the lighted candle

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close to her breast. You mustn't ever lie to me again, Clara. Adele, Adele, you're

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ill. You don't know what you're doing. Wash away the years. Burn away the years. Suddenly

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I saw a tiny flicker of flame on her breast. The frilly dressing gown, she had held the

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candle too close. Her entire dressing gown was a mass of flames that spread swiftly to

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her hair. In a moment she was a blazing torch. And the ardor burning filled the room. I could

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see her face. Surprised and contorted with pain. She turned and looked towards the better

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second, the bucket flaming in her hand. But then she went screaming out the door and towards

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the steam. Adele, Adele, Adele, Adele. Mrs. Foley. Yes. You mustn't scream like that.

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I wasn't screaming. That was my sister, Adele. Yes, I know. Try not to think about it, Mrs.

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Foley. You knew my sister was burned to death, didn't you, Mrs. Willard? Oh, she was so very

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beautiful. Yes, I know. Try and rest. Is there anything I can get you before I go to bed?

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No, thank you. Well, go to sleep then. I will. Good night. Good night. And pleasant dreams.

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Was that my sister, Mrs. Willard? No, no, Mrs. Foley. It's one of the others. Oh, they

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scream because they remember things. Yes, yes, I suppose they do. Good night. Good night.

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I remember things, too. I remember. Promise me you'll never leave me, Clara, and that

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whatever I do, you'll do. I promise. Always and forever? Always and forever. I promise.

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Thank you, Joan Crawford, for a magnificent performance. Now here again is Miss Crawford.

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I want to thank Tony Leader and his wonderful cast of actors, especially Lurine Tuttle,

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who played my sister, for helping me to make my appearance on Suspense so very pleasant.

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Like all of you, I am a great Suspense fan, and I'm looking forward to hearing next week's

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story. It's another gripping study in Suspense.

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Thank you.

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Thank you.

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Thank you.

