WEBVTT

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Now, Auto Light and its 60,000 dealers and service stations present Suspense.

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Tonight, Auto Light brings you Academy Award winner, Miss Claire Trevor in The Light Switch,

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a suspense play produced and directed by Anton M. Leder.

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Friends, it's the peanuts, popcorn, and baseball season, and the time to replace worn-out narrow

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gap spark plugs with a set of those revolutionary new wide gap Auto Light resistor spark plugs.

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You'll get smooth idling, more positive firing on leaner gas mixtures, actually saving on

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gas.

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And yes, these winning benefits are all made possible by a newly developed 10,000 ohm resistor

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built right into every Auto Light resistor spark plug.

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This exclusive Auto Light resistor makes practical a wider spark gap setting, and that's what

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does the trick.

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What's more, Auto Light resistor spark plugs with this exclusive Auto Light resistor cut

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down on radio and television interference.

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So folks, see your Auto Light dealer and have him replace old worn-out narrow gap spark plugs

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with a set of the new Auto Light resistor spark plugs.

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Remember, you're always right with Auto Light.

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And now, Auto Light presents Claire Trevor in a tale well calculated to keep you in Suspense.

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Every window was locked now.

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Every jet of gas was on full.

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There was nothing impulsive left in me.

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My actions were purely mechanical.

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I moved as if guided by a subconscious force.

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I selected a light fixture near the door, tapped the globe with an ashtray until it

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broke and the glass fell to my feet.

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For an instant, the naked little wires that had made up the filament seemed to hypnotize

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me.

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At 730, when he switches on the lights, those tiny wires will cause the spark that'll blow

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everything I despise in the world out of my life.

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Everything I despise, everything I loathe, and yet everything I love.

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The gas in the little room was beginning to make my eyes smart and I realized I had to

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get out of there.

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I started to open the door when something told me to stop.

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It was lucky.

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I pressed my ear against the panel.

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I could hear voices outside.

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People were talking in the hall.

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I'd have to wait.

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Wait.

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Couldn't get panicky.

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Just had to wait, that was all.

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I thought of shutting off the gas, but they'd be gone in a second.

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Seconds.

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It seemed like hours before the vices finally died away.

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I heard a hall door shut behind them.

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Now I had to be fast.

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Gas was beginning to make me feel strange.

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I listened for an instant more, then turned the knob and started out just in time to see

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two men getting off the elevator.

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Stepped inside again and shut the door.

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I have to wait.

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I don't know how long I'd been waiting.

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I tried to piece together what had happened.

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How I'd gotten here.

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I was getting dizzy.

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The skit, web, it all started with skits.

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My head was whirling.

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Lights were flashing in front of my eyes.

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Lights like the ones down on East Main Street on the burlesque marquee next door to Skit

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Webb's office.

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I'd never been down on Main Street before.

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I remember it was a strange, dirty...

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It frightened me.

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I remember running upstairs to Skit's office.

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Hello.

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Is this the office of Mr. Webb, private detective?

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That's what the sign says.

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Who are you?

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I'm Mrs. John Winston.

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I'm in a hurry, so I'll make it clear exactly what I want.

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There's a banker named John Winston.

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Your husband?

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Yes.

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Now, Mr. Webb, I'm certain there is nothing wrong, you understand?

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I just want to check, that's all.

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I want you to watch John for a few days, then we'll just forget the whole thing.

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Better start at the beginning.

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I don't think that's important.

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It is to me.

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I call it background.

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Mr. Webb, I came here to tell you what to do, not to be questioned.

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Perhaps I should point out that I could certainly have afforded a more, shall we say, prosperous

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agent.

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Yeah.

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Let's say prosperous.

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I've been married a long time, and John has never given me any reason to believe that there

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was anything or anyone else, you understand?

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You mean until lately?

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I mean never.

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In other words, out of a clear sky, I begin to suspect something.

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I'm here to hire a private detective, not to listen to your insinuations.

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If you don't want or need the job, there are others.

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Sure, I need the job.

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We both know that.

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Don't we, Mrs. Winston?

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Hello.

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Hello, Mrs. Winston.

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Can you talk?

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I mean, are you alone?

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Yes.

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Who is this?

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This is Webb, Skid Webb.

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Remember last week?

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Who?

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Skid Webb, the private investigator you hired.

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Oh, yes.

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I'd like to talk to you about something.

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I'm sorry.

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I'm sorry.

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I'm sorry.

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I'm sorry.

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I'm sorry.

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I'm sorry.

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I'm sorry.

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I'm sorry.

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I'm sorry.

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I'm sorry.

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I'm sorry.

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I'm sorry.

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Oh, yes.

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I'd almost forgotten about that.

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I'm afraid I was acting quite foolishly that day.

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I had some sort of a silly argument with John about his working so late.

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You understand?

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What I call about, Mrs. Winston, is that I've been tearing John Boy all week.

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I think maybe you might have something after all.

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You don't mean that.

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You lie.

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No, Mrs. Winston.

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I really mean it.

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You lie.

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Do you hear me?

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You lie.

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You're a liar.

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Oh.

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Oh, my God.

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Oh, my God.

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Oh, my God.

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Oh, my God.

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Oh, my God.

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Eight.

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Hello?

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Hello.

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Hello, is this Mr. Webb?

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Well, well, Mrs. Winston.

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I didn't expect that hear from you again.

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Mr. Webb, tell me.

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Where was he?

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What was her name?

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Do you know that?

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Take it easy.

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Look.

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First, you come into the office and give me no information.

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Then when I dig something up for you, you throw a tantrum.

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What's with that?

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All right.

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I'm sorry.

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I'll try to be more sensible.

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Now, tell me.

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Well, it's going to take a little time before I can make a definite report.

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A little time.

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a little time and a lot more work.

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But I hired you to do a simple...

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Well, want your dough back?

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No. No, I'd like you to find out anything you can.

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Okay. I'd play it my way just for a short time.

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As soon as I can, I'll give you some definite information.

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All right. But I want you to tell me everything as it goes along, Mr. Webb.

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Okay. And why not just call me Skip?

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I'd rather leave it at Mr. Webb, if you don't mind.

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No, I don't mind.

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No, I never want to call you Skip.

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I... my head... throbbing... splitting...

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I was on the floor... gas...

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730... 730, it would be all over.

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The gas, I could smell it.

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Horrible. No, it wasn't gas.

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It was wisteria.

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Yes, the odor of wisteria, as it was in the park that day.

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I was standing on the edge of a walk near a bed of white tulips in the wisteria.

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I love wisteria.

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Have you been waiting long, Mrs. Winston?

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No.

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Now, come on, let's go over that bench.

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What do you have?

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Well, John Boy seems to have pretty well settled down on one gal.

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Another woman? I don't believe you, Mr. Webb.

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Girls, perhaps, but not another woman.

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Okay. Well, you can't tell yet, anyway.

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You're making the whole thing up.

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Then forget it.

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It's your type, that guy.

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I said forget it. Look, Mrs. Winston, I don't take that from anyone.

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You think just because you came down to the bench, I'm not going to let you?

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Look, Mrs. Winston, I don't take that from anyone. You think just because you came down

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Main Street and you were hiring a two-bit snoop?

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Just a minute, Mr. Webb.

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I'm not through yet.

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Just because I don't have a plushie suite on the west side,

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you think that's the biggest case I've ever had?

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Sure, I've got a cheap office and a rundown joint.

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Sure, I've had better times. Let me tell you about that.

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I'm not interested in your past, and I thoroughly resent your insolence.

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Ever hear of Juanita Cole, Mrs. Winston? No?

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Well, I guess you wouldn't have. Juanita had an insurance deal.

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Filled the room with gas and hooked up a cigarette lighter to an alarm clock,

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so that at a certain time, the lighter would spark and blow the whole joint up.

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Would have worked too, except the clock stopped.

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Yeah, it was a clever stunt. You know who broke the case?

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I did. Yeah, me, the two-bit snoop you wanted to hire.

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And I can name other cases just as big.

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Mr. Webb, I don't see what all of this has to do with me,

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but if you're quite through now, I...

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Oh, you don't, huh? Well, I'll tell you.

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I'm sick of this high and mighty routine you've been giving me.

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I've got you pegged, Mrs. Winston.

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I know what's going on inside that head of yours.

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You told me you were 32. In your case, that means maybe 40.

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That's not true. You know, you're slipping.

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You can't face it. What do you mean?

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Your husband, he's lost interest. No.

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You've been put on a shelf. He's found somebody else. You can't take it.

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Shut up! Shut up!

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Okay. I guess that covers it.

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And don't bother firing me. I quit.

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What? Get yourself another boy.

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No. No, no, no. No, you can't quit.

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I already have. But I'm depending on you.

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You can't leave me now. I've got to find out.

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Please. Please, I need you. I need somebody.

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That's no lie. You've got to help me.

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Well, maybe. That depends on you.

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On me? Maybe if you were to climb down

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off that high horse, I... Oh, I will. I will. Anything.

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Okay. Okay. All I know so far is that instead of being at a board meeting,

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like he told you last Wednesday night, remember?

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Where was he? Had dinner at the Gourmet private room.

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After that, I lost him. What... what did she look like?

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Typical. On about 25. Theatrical looking.

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Pretty well put together. Oh, stop it!

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Why don't you ask me? What else?

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She met him for lunch on Friday. I think she may be in a show downtown.

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That's all I know now, but I'll keep checking.

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Yes. Yes. Yes. Keep checking.

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But you've got to promise not to get all hot and bothered until we're ready to move.

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I promise, Mr. Webb, I'll be as cold as ice.

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Mrs. Winston, Skid Webb. This is it. Oh.

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John Boy's girlfriend is a dame named Terry Williams,

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an ex-chorister from the Latin club. Ex, since she nailed on to John Boy, that is.

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Go ahead. She's living at a hotel downtown.

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Now, look, you can do one or two things. Either rush right down there, tip them off,

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now clam up, or play it clever and wait for the kill.

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I'll be clever. Okay.

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It's a pretty good joint, sort of upper-middle, the Bren Carlton.

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Thank you, Skid. Shouldn't be long now.

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I'll let you know when at a crucial time, you know what I mean. Then we'll...

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Hotel Bren Carlton. Oh, yes. Bren Carlton. Oh.

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Do you have a Terry Williams there?

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Uh, Terry Williams? Yes. Yes, apartment 504. I'll ring her.

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Never mind.

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After I hung up, all the strength seemed to drain out of me. I

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leaned heavily against the nightstand and the lamp fell to the floor.

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For one instant, after the globe had broken, the light glowed on.

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That's how life was. There was always a final spark after the brightness was gone.

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John. Now I knew what I was going to do about John and me. No long, drawn-out divorce.

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I was going to kill him. I'd be clever enough even for Skidweb, but John would die.

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For suspense, Auto Light is bringing you Claire Trevor in Radio's outstanding theater of thrills, Suspense.

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Hmm.

13:58.180 --> 14:00.100
Say, Harlow, it's the ninth inning.

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50,000 people have. I can't resist it. I'll tell them.

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Tell them what, Harlow?

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Here goes. Take out those old narrow gap spark plugs. Go to bat with a set of wide gap Auto

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Light resistor spark plugs. They make your engine idle smoother, give better performance on leaner

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gas mixtures, actually save gas. By that newly developed 10,000 ohm Auto Light resistor found

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in no other automotive type spark plug increases electrode life 200% and more.

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Harlow, the slugger is up.

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It's a four-bagger half and so are sensational wide gap Auto Light resistor spark plugs.

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What's more, that exclusive Auto Light resistor cuts down on radio and television interference,

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too. So see your Auto Light dealer and get a set of those remarkable, irresistible, sensational,

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new wide gap Auto Light resistor spark plugs today.

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Come on now, Harlow. We got to switch from baseball to suspense.

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And now, Auto Light brings back to our Hollywood sound stage, Claire Trevor as Mrs. Winston in

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the light switch, a tale well calculated to keep you in suspense.

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I could hear the steady hiss of gas, the gas filling the room. The trap I'd set for my husband,

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John and his girlfriend wasn't working out the way I'd planned.

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I had to get out of the room. My plan was falling to pieces. My life falling to pieces.

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Like a person drowning. I was remembering.

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You?

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What were you expecting?

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I told you not to come here. John hired a private nurse to be with me all the time.

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Is that why I didn't get my husband?

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Of course not. Come inside and be quiet. I'm all right, Mr. Webb. I've been trying to contact you

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anyway.

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To pay me? My expenses have been running up, you know. I figure maybe a couple hundred would be...

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Oh, forget that. Do you want to make some good money?

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You kidding?

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Skit, I'm very clever now. Very clever.

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Switch?

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I'll play it any way you like. You say where and when and I'll stay quiet. But first I've got to

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trust you. And I don't now. Why? I've given you the straight all along. When the time is right,

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we'll be able to put John Boy right where he belongs.

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Fine, but all I have gotten from you is hearsay. Certainly you gave me the name Terry Williams and

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I checked myself.

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You didn't?

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I didn't do anything. Just found out she lived in 504. But still she could be any girl. I've got to know.

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Oh. Well, uh, what do you want?

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I want to see them myself.

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Huh?

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Well, now look, this is just about impossible. They're very cagey. The only reason I can tag

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them is because I know my business. That is unless you want to take the chance of tipping the whole

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thing off.

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No, I just want to see them at the Bren Carlton.

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Well, I haven't caught them there myself yet.

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All right, Skit. Until then, you are off the payroll.

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Well, it may not be as easy as all that.

17:13.420 --> 17:20.420
How much if I can? I'm not a mind reader, you know. I can't tell what they're going to do before they do it.

17:20.420 --> 17:23.060
500. And from then on, I won't question you.

17:23.060 --> 17:27.380
I don't know. It may take a week, maybe a month. I don't have much to go on.

17:27.380 --> 17:30.500
Please understand. I have to know myself.

17:30.500 --> 17:32.660
How about last week's dough? Can you get it now?

17:32.660 --> 17:33.160
Yes.

17:33.160 --> 17:37.940
Huh. I'll do my best. You go get what you owe me.

17:37.940 --> 17:44.940
You wait here in the hall.

17:54.220 --> 17:54.720
Hello.

17:54.720 --> 17:58.720
Skit, you told me you were going to call this morning. I've been sitting by the phone all day.

17:58.720 --> 18:02.340
Well, I didn't have anything to report this morning, but I do now. I was just going to call you.

18:02.340 --> 18:03.220
Tell me quickly.

18:03.220 --> 18:05.940
You called me yesterday and said that John Boy was going away for a weekend.

18:05.940 --> 18:06.440
Yes.

18:06.440 --> 18:12.440
Well, get the 500 bucks ready. I was able to tap a phone conversation. Pretty tricky job, too.

18:12.440 --> 18:12.940
Go ahead.

18:12.940 --> 18:19.940
He's picking Terry Williams up in a taxi tonight at 715. They'll arrive at her apartment around 730 for dinner. Got that?

18:19.940 --> 18:20.440
Yes.

18:20.440 --> 18:23.940
Okay. You wait in your car across the street. I'll join you there.

18:23.940 --> 18:24.440
All right.

18:24.440 --> 18:26.940
Now listen, don't lose your head and mess up the whole deal.

18:26.940 --> 18:27.440
No, I won't.

18:27.440 --> 18:31.940
I may be a little late. I've got to tell them this afternoon to make sure everything runs right. So they may beat me there.

18:31.940 --> 18:37.940
If they do, you can watch them go in. But wait for me. Be clever, Mrs. Winston. Clever.

18:41.940 --> 18:45.940
Yes, get clever. You'll never know how clever.

18:49.940 --> 18:57.940
I managed to get away from my nurse, came here, got the key from one of the pigeonholes when the desk clerk wasn't looking, and let myself in.

18:57.940 --> 19:04.940
Apartment 504. Terry Williams' apartment. That's clever, Mr. Webb.

19:04.940 --> 19:11.940
Then I locked the windows, turned on the gas, and cracked a light bulb so it would spark when the lights were switched on.

19:11.940 --> 19:15.940
And now, now you'll see how clever I am at 730 when they...

19:15.940 --> 19:24.940
730. I've got to get out. The door. The door. I've got to get to that door.

19:24.940 --> 19:29.940
Are you kidding, Eva? Of course she's drunk.

19:29.940 --> 19:31.940
I tell you, she ain't, Harry.

19:31.940 --> 19:33.940
Oh, look at her eyes. She's loaded.

19:33.940 --> 19:35.940
The lights. Don't turn on the lights.

19:35.940 --> 19:37.940
They're already on, honey.

19:37.940 --> 19:39.940
Where am I? How did I get here?

19:39.940 --> 19:45.940
You got me there, baby. Eva and I just got off the elevator and there you were, stagging up and down the hall like a...

19:45.940 --> 19:48.940
The hall? I got into the hall. What room is this?

19:48.940 --> 19:53.940
Why, it's our room, honey. You fold it right in front of our door. I'm Eva and this here is...

19:53.940 --> 20:00.940
Harry. Harry and Eva, honey. You remember Harry and Eva Vaudeville played all the big time, Palace Chicago Detroit, you remember?

20:00.940 --> 20:01.940
No, she don't, Harry.

20:01.940 --> 20:02.940
Well, why don't she?

20:02.940 --> 20:04.940
Please, I mean, what's the number of this room?

20:04.940 --> 20:05.940
505.

20:05.940 --> 20:08.940
Oh, then 504 is next door.

20:08.940 --> 20:13.940
Yeah, that's real smart. Yeah, 504 is next door. Then comes 503, 502, 50...

20:13.940 --> 20:15.940
Please help me up. I've got to...

20:15.940 --> 20:19.940
That's where you come from? 504? Terry having a party or something?

20:19.940 --> 20:21.940
No, no. That isn't where I came from.

20:21.940 --> 20:24.940
Oh, fine girl, Terry. She was overdue, you know.

20:24.940 --> 20:27.940
Hey, hey, if Terry's having a party, maybe we ought to drop in.

20:27.940 --> 20:28.940
Oh, no.

20:28.940 --> 20:33.940
Why not? We haven't seen much of her since she started running around with her new boyfriend. Come on!

20:33.940 --> 20:37.940
No, I mean, there's no party there and I didn't come from there.

20:37.940 --> 20:39.940
Then how do you know there's no party there?

20:39.940 --> 20:43.940
Please help me up. I've got to get out of here right now.

20:43.940 --> 20:49.940
I don't know, honey. You don't look so good to me. Why don't you just lie down a few minutes and then maybe it's...

20:49.940 --> 20:51.940
Four minutes? What time is it?

20:51.940 --> 20:56.940
It's time for a drink. That's what time it is. Now you wait just right here and I'll get it.

20:56.940 --> 20:58.940
Oh, please tell me what time it is.

20:58.940 --> 21:00.940
Oh, about 7.30.

21:00.940 --> 21:02.940
No, I mean the exact time.

21:02.940 --> 21:05.940
See, you're pretty particular, honey. Okay.

21:05.940 --> 21:09.940
It's exactly 7.26. Not good enough for you?

21:09.940 --> 21:12.940
Four minutes. I've got to leave.

21:12.940 --> 21:15.940
You've got to help me out of here right now. Do you understand? Right now.

21:15.940 --> 21:17.940
Help me up, I tell you.

21:17.940 --> 21:21.940
Well, okay, honey. Okay. Don't get so upset. Here.

21:21.940 --> 21:23.940
Oh, thank you.

21:23.940 --> 21:25.940
Well, here you are, girls. Here's your drink.

21:25.940 --> 21:26.940
No, thanks. I don't care.

21:26.940 --> 21:28.940
Come on, sit down and drink it. Do you do it?

21:28.940 --> 21:29.940
No, please.

21:29.940 --> 21:30.940
I said sit down.

21:30.940 --> 21:32.940
Oh, why'd you want to push her, Harry?

21:32.940 --> 21:34.940
Well, what's with this babe anyway?

21:34.940 --> 21:37.940
I don't know, but she don't look so hot to me. Maybe we ought to send for a doctor.

21:37.940 --> 21:39.940
I don't need a doctor.

21:39.940 --> 21:43.940
Hey, wait a minute. I just figured out what's wrong with you.

21:43.940 --> 21:46.940
What? You're unhappy. That's what's wrong.

21:46.940 --> 21:50.940
And that's something I can't stand to see anybody unhappy.

21:50.940 --> 21:52.940
Well, we've got just the thing for that, Eva and me.

21:52.940 --> 21:54.940
We'll give you a little routine.

21:54.940 --> 21:56.940
Yes, sir. It'll snap you right out of it in no time.

21:56.940 --> 21:57.940
Come on, Eva.

21:57.940 --> 22:00.940
Oh, I'm just wild about Harry.

22:00.940 --> 22:01.940
Come on, Eva. Come on.

22:01.940 --> 22:04.940
Oh, I'm just wild about Harry.

22:04.940 --> 22:07.940
And Harry's wild about me.

22:07.940 --> 22:08.940
Now watch this stuff, honey.

22:08.940 --> 22:10.940
Those heavenly pieces.

22:10.940 --> 22:13.940
Stop it! Stop it!

22:13.940 --> 22:16.940
Well, how about that? How about that?

22:16.940 --> 22:18.940
We're giving her class and all she can say is stop that now.

22:18.940 --> 22:19.940
Look here, sister.

22:19.940 --> 22:21.940
Oh, let her alone, Harry. Can't you see she don't feel s...

22:21.940 --> 22:24.940
Here, honey. You let me help you.

22:24.940 --> 22:25.940
There.

22:25.940 --> 22:29.940
Now, the door. Maybe. Maybe what you need is a drink.

22:29.940 --> 22:31.940
Well, what do you think I offered her a couple of minutes ago?

22:31.940 --> 22:34.940
That ain't what she needs. She's loaded already. What she needs is air.

22:34.940 --> 22:37.940
Air. That's right. Air. What I need is some air.

22:37.940 --> 22:39.940
Let's go out and get some air.

22:39.940 --> 22:41.940
Well, what's wrong with just opening the window?

22:41.940 --> 22:43.940
Oh.

22:43.940 --> 22:46.940
Ha-ha! Hey, Eva. Look.

22:46.940 --> 22:50.940
Terry and that new boyfriend getting out of a cab.

22:50.940 --> 22:51.940
Now we can have a party.

22:51.940 --> 22:54.940
I don't want a party. I want to get out right now.

22:54.940 --> 22:56.940
Can't you understand? Get me out of here.

22:56.940 --> 22:58.940
Harry, maybe we better get her out of here.

22:58.940 --> 22:59.940
I'm kind of worried about her.

22:59.940 --> 23:01.940
Yes, we must get out.

23:01.940 --> 23:03.940
We got to help her downstairs, Harry.

23:03.940 --> 23:06.940
Oh, how come we always get tangled up with freaks like this?

23:06.940 --> 23:07.940
Please help me.

23:07.940 --> 23:08.940
Come on, Harry. Come on.

23:08.940 --> 23:14.940
Oh.

23:14.940 --> 23:16.940
And finally we were out in the hall,

23:16.940 --> 23:18.940
and Harry started to ring for the elevator.

23:18.940 --> 23:21.940
Only John would be coming up on the elevator.

23:21.940 --> 23:23.940
I insisted we take the stairs.

23:23.940 --> 23:25.940
Told them elevators made me dizzy.

23:25.940 --> 23:28.940
I knew they thought I was crazy, but I didn't care what they thought.

23:28.940 --> 23:32.940
Just as we reached the lobby, I caught sight of John's gray coat

23:32.940 --> 23:36.940
disappearing into the elevator, and she was right behind him.

23:36.940 --> 23:39.940
Even Harry tried to drag me with them to the bar down the street,

23:39.940 --> 23:42.940
but I refused, and they went on without me.

23:42.940 --> 23:44.940
I waited in the lobby.

23:44.940 --> 23:48.940
The indicator over the elevator door stopped at the fifth floor.

23:48.940 --> 23:52.940
They were just getting out of the elevator,

23:52.940 --> 23:56.940
and now they must be walking down the hall.

23:56.940 --> 24:00.940
I could almost see John fitting the key.

24:00.940 --> 24:09.940
I walked quietly out of the hotel lobby to my car down the street.

24:09.940 --> 24:12.940
I felt better now.

24:12.940 --> 24:37.940
As I let myself in the front door, I knew I'd done everything right.

24:37.940 --> 24:41.940
I'd been clever, and now there was only one thing to remember.

24:41.940 --> 24:46.940
I must act shocked when they call me to tell me John is dead.

24:46.940 --> 24:48.940
John!

24:48.940 --> 24:49.940
Hello, dear.

24:49.940 --> 24:50.940
John!

24:50.940 --> 24:52.940
Yes, I came back for my coat.

24:52.940 --> 24:55.940
Incidentally, where is it? The gray one.

24:55.940 --> 24:58.940
I was positive it was in the hall closet, but I can't find it.

24:58.940 --> 25:00.940
Who could have taken it?

25:00.940 --> 25:02.940
Did someone borrow it?

25:02.940 --> 25:05.940
Darling, what's the matter?

25:05.940 --> 25:07.940
I thought you...

25:07.940 --> 25:09.940
Where have you been, dear?

25:09.940 --> 25:11.940
Oh, you shouldn't worry me like this.

25:11.940 --> 25:14.940
You didn't have your coat?

25:14.940 --> 25:15.940
But I just told you.

25:15.940 --> 25:20.940
I started on my trip and discovered I left it behind, so I came back for it.

25:20.940 --> 25:24.940
Please, dear, you mustn't get so upset about trifles.

25:24.940 --> 25:29.940
You're not well, and here you go running around when you're not supposed to leave the house.

25:29.940 --> 25:32.940
Really, I've tried to be considerate with you, but I...

25:32.940 --> 25:35.940
You have been considerate, John.

25:35.940 --> 25:38.940
Very considerate.

25:38.940 --> 25:41.940
You've been a perfect husband.

25:46.940 --> 25:49.940
The police will be here any minute.

25:49.940 --> 25:52.940
When I called, they said they'd be right over.

25:52.940 --> 25:55.940
It's strange how it all worked out.

25:55.940 --> 26:02.940
He intended to make a lot of money off me, but I never had a chance to give him the 500.

26:02.940 --> 26:08.940
He thought he was so clever, but all he made was expenses.

26:09.940 --> 26:11.940
And I...

26:11.940 --> 26:15.940
I thought I was being clever, too.

26:16.940 --> 26:19.940
I killed two people.

26:19.940 --> 26:23.940
Terry Williams and her boyfriend.

26:23.940 --> 26:32.940
Skit web.

26:37.940 --> 26:40.940
Thank you, Claire Trevor, for a splendid performance.

26:40.940 --> 26:41.940
Oh, Miss Trevor.

26:41.940 --> 26:42.940
Yes, Mr. Wilcox.

26:42.940 --> 26:44.940
Remember what you said at rehearsal?

26:44.940 --> 26:48.940
You mean that some women don't know a spark plug from a hill of beans?

26:48.940 --> 26:49.940
That's right.

26:49.940 --> 26:52.940
Well, just in case you're one of those women, I went out to my car and got a spark plug.

26:52.940 --> 26:53.940
Oh.

26:53.940 --> 26:55.940
Now, you see how you can tell the difference?

26:55.940 --> 26:57.940
Oh, why, of course.

26:57.940 --> 27:01.940
On this spark plug you handed me, it plainly says, auto light resistor.

27:01.940 --> 27:04.940
And I doubt whether a hill of beans is marked at all.

27:04.940 --> 27:05.940
I doubt it, too.

27:05.940 --> 27:10.940
And besides, a hill of beans is not made by Auto Light, which makes more than 400 products

27:10.940 --> 27:15.940
for cars, trucks, airplanes, and boats in 28 auto light plants from coast to coast.

27:15.940 --> 27:18.940
Yes, sir, and Auto Light also makes complete electrical systems

27:18.940 --> 27:20.940
for many makes of America's finest cars.

27:20.940 --> 27:24.940
Batteries, spark plugs, generators, starting motors, coils, distributors.

27:24.940 --> 27:29.940
All engineered to fit together perfectly, work together perfectly, because they're a perfect team.

27:29.940 --> 27:33.940
So, folks, don't accept electrical parts that are supposed to be as good.

27:33.940 --> 27:36.940
Ask for and insist on Auto Light original factory parts

27:36.940 --> 27:40.940
at your neighborhood service station, car dealer, garage, or repair shop.

27:40.940 --> 27:43.940
Remember, you're always right with Auto Light.

27:43.940 --> 27:53.940
And now here again is Miss Claire Trevor.

27:53.940 --> 27:58.940
It's been a pleasure to appear here tonight with this great cast of suspense actors and actresses.

27:58.940 --> 28:01.940
And I'm expecting almost as much pleasure from listening next week

28:01.940 --> 28:07.940
when radio's outstanding theater of thrills brings you Jimmy Stewart in Revenge,

28:07.940 --> 28:10.940
another gripping study in...

28:10.940 --> 28:16.940
Suspense!

28:16.940 --> 28:19.940
Claire Trevor will soon be seen co-starring with Fred McMurray

28:19.940 --> 28:22.940
in Borderline Productions forthcoming picture, Borderline.

28:22.940 --> 28:25.940
Tonight's suspense play was written by Richard Vodra

28:25.940 --> 28:29.940
with music composed by Lucian Morrowak and conducted by Leith Stevens.

28:29.940 --> 28:33.940
The entire production was under the direction of Anton M. Lieder.

28:33.940 --> 28:37.940
In the coming weeks, suspense will present such stars as Frederick March, Joan Crawford,

28:37.940 --> 28:40.940
Agnes Moorhead, John Lund, and many others.

28:40.940 --> 28:43.940
Make it a point to listen each Thursday to Suspense!

28:43.940 --> 28:46.940
Radio's Outstanding! Theater of Thrills.

28:46.940 --> 28:53.940
And next Thursday same time here, James Stewart in Revenge.

28:53.940 --> 28:56.940
You can buy Auto Light resistor spark plugs, Auto Light staple batteries,

28:56.940 --> 29:00.940
Auto Light electrical parts at your neighborhood Auto Light dealers.

29:00.940 --> 29:02.940
Switch to Auto Light. Good night.

29:02.940 --> 29:07.940
This is CBS, the Columbia Broadcasting System.

