WEBVTT

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And now, Auto Light and its 60,000 dealers and service stations present...

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Suspense!

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Tonight, Auto Light brings you James Mason and Pamela Colino in Agatha Christie's, Where

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There's a Will, a suspense play produced and directed by Anton M. Leader.

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Friends, have you ever been in a dilemma, I mean in a fix, like having to get started

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in a hurry and your motor won't turn over?

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Well, what you need is an Auto Light, stay full battery, that dandy dynamic battery you

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can definitely depend on.

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Why by Cornelius an Auto Light, stay full battery needs water only three times a year

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in normal car use?

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You can say bravura for that aqua pura, plenty of extra liquid reserve, yes siree, and it

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has extra plates in every cell, that means longer life and stronger life.

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What's more, those plates are protected against loss by fiberglass insulation.

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I can't say enough about Auto Light stay full batteries, those marvelous marvels with more

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liquid reserve than Hollywood has stars.

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So get wise, get an Auto Light stay full.

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Remember, you're right with Auto Light.

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And now, Auto Light presents James Mason and Pamela Collino in, a tale well calculated

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to keep you in suspense.

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And now Mr. Jepson, you really must let me make you a whiskey and soda, I have some excellent

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scotch.

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Never mind that Ridgeway, I've come to find out when you can raise 10,000 pounds.

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I see, yes I see, well Mr. Jepson, 10,000 pounds is a great deal of money.

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That's what's needed to cover your notes.

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Yes, that's right.

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But you know Mr. Jepson, you might just let me write you one more IOU and try again.

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Your luck's run out, Ridgeway.

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Well, I wasn't much of a gambler anyhow, was I?

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Perhaps it's just as well I've learned my lesson.

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How long, Mr. Jepson, would you say I have to raise the money?

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Four weeks.

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I see, four weeks.

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And if I should fail to raise the money?

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Hmm?

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I see.

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Well, you make yourself very clear, Mr. Jepson.

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But then perhaps all's not lost.

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Mrs. Harter, my aunt, has had the foresight to draw up a new will, making me her heir.

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The money was to go to a niece, my cousin Miriam, but now a new will's been drawn up.

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Aunt Mary finds me much more satisfactory than poor Miriam.

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The very spirit of solicitude I am, forever inquiring about her health, about her poor

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weak heart.

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Four weeks.

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Is that right, Mr. Jepson?

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That's right, Ridgeway.

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Or else.

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I see.

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Or else.

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That's when it began.

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That, plus the fortunate circumstance of the new will in my favor, decided me on my plan.

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Now murder wouldn't look right.

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Nobody else living in the house but Aunt Mary and I, and Elizabeth the maid.

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And since I would benefit by 40,000 pounds, no, murder would not look right.

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Besides, I was fond of Aunt Mary.

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Well, a day or so after Mr. Jepson's visit, there occurred to me a rather whimsical idea

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for a practical joke.

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The first thing was to determine the degree of weakness of Aunt Mary's weak heart.

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And so I arranged an appointment for her with Dr. Menell, the heart specialist in Harley

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Street.

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Just have a chair, Mr. Ridgeway.

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Thank you, Dr. Menell.

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Now, Mr. Ridgeway, as you requested, I have gone over your Aunt Mrs. Heart thoroughly.

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Yes.

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And there is a heart weakness.

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How dreadful.

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But not terribly serious, Charles, Dr. Menell says.

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But my poor dear Aunt Mary.

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Dear Charles.

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Naturally, you're shocked, Mr. Ridgeway.

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But with the least care, she'll live to be 90, I should think.

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However, her mind must be kept well distracted.

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Mind distracted?

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Yes.

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Distraction for the mind and no sudden shocks.

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That's most important.

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No sudden shocks.

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I see.

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Well, thank you, Doctor.

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Not at all.

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Out this way, my private exit.

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No use going through the waiting room again, eh?

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Well, good day, Mrs. Heart.

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Good day, Doctor.

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Goodbye, Doctor.

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Oh, I'd say, Ridgeway.

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Yes?

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I minimized your aunt's condition just a bit.

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Didn't want to alarm her.

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You understand.

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Yes, of course.

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But what I said about no shocks, no frights, most important, a good fright might very well

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carry her off.

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I see.

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I see.

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Well, thank you, Doctor.

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The next step was the radio.

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Aunt Mary must have a radio.

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But Charles, you know I don't care for new fangled things.

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We've got on quite well without a wireless.

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I don't see why.

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We should have one now.

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But don't you remember what Dr. Menell said, Aunt Mary?

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The mind distracted, well distracted.

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Those were his very words.

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You know, I'm only thinking of your heart.

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I know you are, dear Charles.

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That's better, Aunt Mary.

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That's more like yourself.

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You are a comfort to me, Charles.

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Thank you, Aunt Mary.

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Now about the radio.

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But really, Charles.

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Now, now, now, you really ought to trust my judgment.

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I'm a bit of an expert on radio, you know.

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Before the war, I even had a small sender station of my own.

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Some of the equipment's still in one of my boxes somewhere about.

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So you see, I know.

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But the waves, Charles, the electric waves, they might affect me.

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There's no more electricity about it than there is about an electric light.

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Radio waves aren't electric.

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But Charles, I...

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Well, I must say, it makes a frightful noise.

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Oh, we'll have it tuned in a minute.

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Here we are.

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What is it?

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It's Spanish, Aunt Mary.

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Madrid, propaganda.

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There's France.

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What do you think of that?

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You can tune in the whole world, the whole world.

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You see, Aunt Mary, radio waves converging from all over the world on this little box.

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From Madrid, Paris, New York, and beyond.

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Beyond!

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Who knows how far beyond?

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Well, I must say, Charles, you're quite poetic about it.

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Am I?

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Yes.

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Yes, I suppose I am.

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That was the first inkling I had that my little practical joke was going to be fun.

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The acting and coaxing poor dear Aunt Mary along bit by bit.

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Every evening, she'd sit by the radio, listening to the news on the BBC home service and the

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classical music on the third program.

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Then one morning, I attached a wire into the radio while she was still in bed, ran it along

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under the carpet into the small empty room of the sitting room where the radio stood,

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took the hand microphone left over from my amateur sending gaze and hooked it to the

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other end of the wire.

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And everything was all ready.

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That evening, I backed the car out of the garage and started off my regular Wednesday

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evening of bridge.

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But I drove only a short way, then parked behind a hedge and walked back to the house.

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I let myself in the side door and went into the small room of the sitting room where Aunt

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Mary sat alone listening to the radio.

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It was the third program, a program of Beethoven.

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I opened the door the slightest crack.

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The moment had come.

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And I felt my heart beating with strange emotion.

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I saw in my mind's eye Aunt Mary and the dimly lit sitting room.

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And I almost felt the mood she must be feeling as she sat dreamily immersed in the shifting

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strains of music.

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I picked up the microphone and.

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Mary, can you hear me, Mary?

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This is Patrick.

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What?

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This is Patrick, your husband speaking from the other side.

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I am coming for you soon.

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Will you be ready, Mary?

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Patrick.

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For suspense, Auto Light is bringing you James Mason and Pamela Colino in radio's outstanding

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theater of thrills, Suspense.

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Say, Hap, I spent Washington's birthday telling my young nephew the story of George Washington.

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What a great man he was, how he always told the truth.

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Well, it was nice to see, Harlow.

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This younger generation should know about George Washington.

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And to illustrate, I told him how I always tell the truth about Auto Light's day full

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batteries.

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Those marvelous, wonderful get up and get batteries with the extra reserve of water.

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My son, I told him, a camel is practically dehydrated compared to an Auto Light stay

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full battery because an Auto Light stay full battery needs water only three times a year

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in normal car use.

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But Harlow, you were telling your nephew.

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Always tell the truth, I told him.

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Like I tell the people about the punchy power for peppy performance packed in an Auto Light

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stay full battery because of that ample sample of H2O.

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Yes, by Cornelius, I told him an Auto Light stay full battery needs water only three times

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a year in normal car use.

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That extra liquid reserve means longer life and stronger life.

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I told him about the fiberglass insulation between plates that adds months to the life

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of an Auto Light stay full battery.

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Well, I'm sure the kid learned a lot about George Washington.

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But wait, here's suspense.

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And now, Auto Light brings back to our Hollywood soundstage, James Mason, who will be joined

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by his wife, Pamela Colino in Where There's a Will, a tale well calculated to keep you

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in.

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After I'd spoken with the voice of Aunt Mary's dead husband, I waited a moment.

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Then very cautiously, I looked into the sitting room.

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Aunt Mary was sitting bolt upright, transfixed.

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Then a sob broke from her as she looked toward the radio, which was now innocently transmitting

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the BBC third program again.

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I had to bite my lips to keep from laughing.

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But Aunt Mary said nothing about her experience.

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So I was obliged the fourth morning after that at breakfast to say casually, Oh, I say

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Aunt Mary.

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Yes, Charles.

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I was just wondering, last evening.

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Yes, Charles.

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Aunt Mary, who's that funny old boy up in the spare room?

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The picture, that is.

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You know, the picture over the mantelpiece, the old boy with the beaver and the side whiskers.

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Well, really, Charles, your tone is most disrespectful.

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I'm sorry.

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It's your uncle, Patrick Charles, my late husband.

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Oh, I say I'm sorry.

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I had no idea.

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After all, I never did know him, Aunt Mary.

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Very well, Charles.

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You see, I wondered.

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It was queer.

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Queer?

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What's queer?

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Are you trying to say something, Charles?

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Oh, no, no, no, not really.

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It's nothing.

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Nothing that makes any sense.

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I mean, I wish you would tell me what it was that made you ask me about the picture of

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your uncle.

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Well, if you will have it, I fancied I saw him.

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Saw him?

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The man in the picture, I mean, looking out of the end window when I was coming up the

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drive last night.

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What?

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Yeah.

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And later on, I happened to drift into the spare room and there was the picture up over

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the mantelpiece, the same man.

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It's all quite easy to explain, really, I expect, subconscious and all that.

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I must have noticed the picture before without realizing it and then just fancied the face

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in the window.

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Aunt Mary, is something the matter?

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Oh, my husband's face.

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Did you see it in the end window?

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Why, yes.

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Why?

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Only that that was Patrick's, your late uncle's dressing room, Charles.

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The very absurdity of the story I made poor Aunt Mary believe was the fun, the clever

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roundabout way I played my role.

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The following Wednesday night, I pretended to play off, to go and play bridge again.

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I concealed myself in the room off the sitting room just as before, took up the microphone

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and spoke from the other world in the same sepulchral tones.

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Mary, on Friday, I shall come for you.

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Friday at half past nine.

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At half past nine.

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Do not be afraid.

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There will be no pain.

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Be ready, Mary.

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When I came into her bedroom the next morning, Aunt Mary was speaking to Elizabeth in a most

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businesslike manner.

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Now here you are, Elizabeth.

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I want you to take this letter I've written.

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Yes, ma'am.

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I wrote it last evening.

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If anything should happen Friday evening, you understand me?

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Yes, ma'am.

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Friday evening?

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But that's my night out.

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So it is, and you go right ahead.

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However, if anything shall have happened by the time you get back on Saturday, I want

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this letter delivered to Dr. Mayham.

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Yes, ma'am.

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Now, the top left-hand drawer of my bureau, it's locked.

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The long key with the white label.

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Everything in the drawer is ready.

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Ready, ma'am.

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For my burial.

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Oh, ma'am.

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Oh, what are you saying?

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I thought you was in a site better health.

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Oh, ma'am.

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Never mind that, Elizabeth.

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Don't be maudlin'.

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Oh, ma'am.

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Elizabeth, did I ever tell you how much I've left you in my will?

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Oh, no, ma'am.

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Well, I can't seem to remember it was 50 pounds in the old will, but did I raise it

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to 100?

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Well, at any rate, I want you to have 100 pounds.

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I'll have to look into it.

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But if anything should happen before I do, then Mr. Charles will see to it.

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Did I hear my name mentioned, dear Aunt Mary?

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Oh, good morning, Charles.

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Yes, I was just saying to Elizabeth, I don't know if I've left her 50 or 100 pounds, but

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if anything should happen to me, it's to be 100 pounds.

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Well, I must say, that's a gloomy thing to be thinking about.

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Oh, Mr. Charles, sir, she's been carrying our most awful just now.

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What's this?

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That's enough, Elizabeth.

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You may go now.

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Yes, ma'am.

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Yes, ma'am.

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Well, now, just what in the world is all this about?

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Would you tell me just what's going to happen to dear Aunt Mary?

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Charles, what do you plan to be doing Friday evening?

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Friday evening?

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Well, as a matter of fact, the Ewing's asked me to go in and play bridge.

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But if you'd rather I stayed at home...

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No, no, Charles, actually, I'd prefer to be alone.

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Well, just as you wish.

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You know, I think I'll have Mr. Hopkinson send me the will.

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I want to find out about the bequest to Elizabeth.

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It's either 50 or 100 pounds.

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The rest, dear Charles, of course, goes to you.

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Yes, dear Aunt Mary, whatever you say.

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Friday evening, I'd picked that night because I knew it was Elizabeth's night off and I

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wanted to be sure there was no one about.

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Friday evening, at eight o'clock, I drove away, waited for an hour to elapse, then slipped

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back into the house.

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I looked through the crack in the door and saw Aunt Mary sitting in the high-backed chair

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beside the radio.

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As I listened, the nine o'clock news ended and a program of music was about to begin.

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It was a quarter past nine, 15 minutes till the appointed time for the arrival of the

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dead Patrick.

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This time I did not touch the microphone.

16:34.440 --> 16:39.040
I went upstairs, opened a camphor chest of old clothes in the spare room, took a tube

16:39.040 --> 16:47.960
of spirit gum from my pocket and bent forward intently in front of a mirror.

16:47.960 --> 16:55.880
Sharp on the instant of half past nine, there was a fumbling at the outer door of the house

16:55.880 --> 16:59.920
and the front door slowly opened.

16:59.920 --> 17:05.000
And then there were slow, halting footsteps along the short hall to the sitting room where

17:05.000 --> 17:09.480
an old woman waited.

17:09.480 --> 17:16.720
And then the sitting room door opened.

17:16.720 --> 17:21.840
The time has come, Mary.

17:21.840 --> 17:32.780
Patrick, I'm ready.

17:32.780 --> 17:35.640
My practical joke had worked to perfection.

17:35.640 --> 17:40.020
Aunt Mary's poor old heart couldn't stand the strain of seeing her dead husband Patrick

17:40.020 --> 17:43.440
arrive in person to carry her off into the spirit world.

17:43.440 --> 17:48.280
I stepped over the body, which had fallen dangerously near the burning fire in the grate.

17:48.280 --> 17:52.720
I took the poker and thrust some folds of paper that were lying in the ash into the

17:52.720 --> 17:58.040
fire to bring up a blaze, and in the blaze burned the false beard and side whiskers.

17:58.040 --> 18:02.880
I detached the wire, fixed into the radio, and took wire and microphone upstairs.

18:02.880 --> 18:07.120
I undressed and replaced Uncle Patrick's old-fashioned suit of clothes in the camphor

18:07.120 --> 18:11.040
chest in the spare room where I'd found it.

18:11.040 --> 18:22.880
Then I dressed again and went off to play bridge at the Ewing's.

18:22.880 --> 18:23.880
Two days later.

18:23.880 --> 18:24.880
This is Mrs. Hart.

18:24.880 --> 18:28.520
I mean, this was Mrs. Hart's residence.

18:28.520 --> 18:31.520
Oh, just a moment.

18:31.520 --> 18:34.600
It's Mr. Jepson, sir.

18:34.600 --> 18:36.000
All right, I'll take it.

18:36.000 --> 18:37.000
You may go, Elizabeth.

18:37.000 --> 18:38.000
Yes, sir.

18:38.000 --> 18:39.000
Ridgeway here.

18:39.000 --> 18:40.000
Anything wrong?

18:40.000 --> 18:41.000
Not yet.

18:41.000 --> 18:48.360
I just wanted you to know that I read about it in the Daily Standard, Ridgeway.

18:48.360 --> 18:52.160
A pity about poor dear Aunt Mary, don't you think, Mr. Jepson?

18:52.160 --> 18:53.160
A pity?

18:53.160 --> 18:56.880
And let me remind you, you have one week left.

18:56.880 --> 18:58.320
I haven't forgotten.

18:58.320 --> 19:02.880
Once the newspapers announce my inheritance of 40,000 pounds, I'll have no difficulty

19:02.880 --> 19:03.880
borrowing.

19:03.880 --> 19:05.880
And then I'll pay up.

19:05.880 --> 19:06.880
Good.

19:06.880 --> 19:09.000
Only remember this, Ridgeway.

19:09.000 --> 19:13.200
You don't pay up and I send you to the same place you sent to your Aunt Mary.

19:13.200 --> 19:14.200
You understand?

19:14.200 --> 19:19.320
Or maybe it wouldn't be quite the same place, Ridgeway, now that you've got murder on your

19:19.320 --> 19:20.320
soul.

19:20.320 --> 19:21.320
Understand?

19:21.320 --> 19:24.320
I understand, Mr. Jepson.

19:24.320 --> 19:34.000
And then, that evening, Dr. Mannell came to the house.

19:34.000 --> 19:36.440
I really did think you'd want to see this.

19:36.440 --> 19:38.400
You say Elizabeth brought it to you?

19:38.400 --> 19:39.400
Yes.

19:39.400 --> 19:42.320
She said it was one of Mrs. Harter's last requests that she do so.

19:42.320 --> 19:44.800
As a matter of fact, I do seem to remember.

19:44.800 --> 19:50.120
Yes, and I do recall seeing her give Elizabeth some such envelope as that.

19:50.120 --> 19:51.680
You've read the contents?

19:51.680 --> 19:52.960
That's what's queer.

19:52.960 --> 19:56.800
Here, suppose you have a look for yourself.

19:56.800 --> 19:59.120
All right.

19:59.120 --> 20:08.000
Tonight, Wednesday, at 9.15, I have distinctly heard the voice of my dead husband.

20:08.000 --> 20:13.040
He told me that he would come for me on Friday night at 9.30.

20:13.040 --> 20:18.560
If I should die on that day and at that hour, I should like the facts made known so as to

20:18.560 --> 20:25.880
prove beyond question the possibility of communicating with the spirit world, Mary Harter.

20:25.880 --> 20:29.320
What do you make of it?

20:29.320 --> 20:30.320
I hardly know.

20:30.320 --> 20:32.200
It's a coincidence, to say the least.

20:32.200 --> 20:36.240
She did die at nearly that very hour, 9.30 Friday night.

20:36.240 --> 20:38.160
But I don't understand.

20:38.160 --> 20:45.160
In the circumstances, an autopsy is desirable, you understand, purely as a metal form.

20:45.160 --> 20:46.160
Yes.

20:46.160 --> 20:47.160
Yes, of course.

20:47.160 --> 20:50.960
Why not?

20:50.960 --> 20:57.640
Of course, everything must be done according to form.

20:57.640 --> 20:59.560
What's the matter with you, Charles?

20:59.560 --> 21:03.440
Have you lost your sense of humor?

21:03.440 --> 21:08.640
Finally, five days later.

21:08.640 --> 21:10.640
Mr. Hopkinson is here to see you, sir.

21:10.640 --> 21:11.640
Thank you, Elizabeth.

21:11.640 --> 21:12.640
That'll be all.

21:12.640 --> 21:13.640
Yes, sir.

21:13.640 --> 21:14.640
Good morning, Mr. Ridgeway.

21:14.640 --> 21:15.640
Fightful morning.

21:15.640 --> 21:22.040
Listen, about Mrs. Harter's, my aunt's will...

21:22.040 --> 21:26.080
I did not quite understand your insistent messages to me, Mr. Ridgeway.

21:26.080 --> 21:30.280
You seem to be under the impression the late Mrs. Harter's will was in our keeping.

21:30.280 --> 21:31.280
Why, yes.

21:31.280 --> 21:33.160
I've often heard my aunt say as much.

21:33.160 --> 21:34.160
Oh, quite so.

21:34.160 --> 21:36.160
It was in our keeping.

21:36.160 --> 21:37.160
Was?

21:37.160 --> 21:38.160
That is what I said.

21:38.160 --> 21:42.080
Mrs. Harter wrote to us, however, asking that it be forwarded to her.

21:42.080 --> 21:43.480
There seemed to be some haste to the matter.

21:43.480 --> 21:46.440
At any rate, we got it out to her at once.

21:46.440 --> 21:50.440
She would have received it on Friday, the day of her death.

21:50.440 --> 21:53.440
I do seem to remember her making mention of it.

21:53.440 --> 21:55.200
Something about the bequest to Elizabeth.

21:55.200 --> 21:57.040
She wanted to check the amount.

21:57.040 --> 21:59.480
It must be about the house somewhere then.

21:59.480 --> 22:02.160
Elizabeth has been through Mrs. Harter's personal effects, I believe.

22:02.160 --> 22:03.160
Yes, just a moment.

22:03.160 --> 22:04.160
I'll call her.

22:04.160 --> 22:05.160
Elizabeth!

22:05.160 --> 22:06.160
Yes, Mr. Charles?

22:06.160 --> 22:08.160
Elizabeth, come here a moment, please.

22:08.160 --> 22:09.160
Yes, sir.

22:09.160 --> 22:13.440
Elizabeth, when you went through Mrs. Harter's things, was her will among them?

22:13.440 --> 22:14.440
No, sir.

22:14.440 --> 22:15.440
You're sure, Elizabeth?

22:15.440 --> 22:16.440
Yes, sir.

22:16.440 --> 22:19.440
You see, I know what it looked like.

22:19.440 --> 22:23.920
The poor mistress had it in her hand the very evening of her death when she sent me out.

22:23.920 --> 22:25.400
You're sure of that?

22:25.400 --> 22:26.760
Oh, yes, sir.

22:26.760 --> 22:30.000
She pointed out that about the £50 to me, sir.

22:30.000 --> 22:32.000
She said as she told you to give me the other £50.

22:32.000 --> 22:34.440
Not that I mentioned it to press you, sir.

22:34.440 --> 22:35.440
No, no, no, no, of course not.

22:35.440 --> 22:38.480
The will was in a long blue envelope, sir.

22:38.480 --> 22:39.480
Quite right.

22:39.480 --> 22:44.240
The same blue envelope, Mr. Charles, sir, was lying on the radio table by her chair

22:44.240 --> 22:48.720
the morning after, but empty, sir.

22:48.720 --> 22:53.440
It was the envelope in which I dispatched the will to your aunt, Mr. Ridgeway.

22:53.440 --> 22:57.680
Mr. Ridgeway, was there a fire in the Great on Friday evening?

22:57.680 --> 22:59.160
Yes, of course.

22:59.160 --> 23:00.160
I see.

23:00.160 --> 23:02.560
What are you driving at, Hopkinson?

23:02.560 --> 23:05.680
I'm afraid, Mr. Ridgeway, only one conclusion is possible.

23:05.680 --> 23:08.320
Your aunt sent for her will in order to destroy it.

23:08.320 --> 23:09.320
What?

23:09.320 --> 23:10.320
I'm sorry, Mr. Ridgeway.

23:10.320 --> 23:11.320
But why?

23:11.320 --> 23:12.320
Why?

23:12.320 --> 23:17.280
You, uh, you had no disagreement with your aunt, Mr. Ridgeway?

23:17.280 --> 23:18.280
Not at all.

23:18.280 --> 23:20.800
We were on the most affectionate terms right up to the end.

23:20.800 --> 23:23.800
Of course, quite.

23:23.800 --> 23:25.560
Mr. Ridgeway, you will understand.

23:25.560 --> 23:28.200
Under the circumstances, we were obliged to investigate.

23:28.200 --> 23:29.200
Investigate?

23:29.200 --> 23:30.200
What do you mean?

23:30.200 --> 23:33.640
It happens that there is a former will of Mrs. Harter still extant.

23:33.640 --> 23:38.360
By it, Mrs. Harter leaves everything to her niece, to your cousin, Miriam.

23:38.360 --> 23:39.360
To Miriam?

23:39.360 --> 23:41.360
Yes, but...

23:41.360 --> 23:46.360
As for the more recent will sent by me before her death to Mrs. Harter, it must have been

23:46.360 --> 23:48.360
burned in the Great.

23:48.360 --> 23:49.360
Burned?

23:49.360 --> 23:51.360
The will was burned.

23:51.360 --> 23:54.360
Mr. Charles, can I get you something?

23:54.360 --> 23:56.920
No, no, I'll be all right.

23:56.920 --> 23:58.360
You may go on, Elizabeth.

23:58.360 --> 23:59.360
Yes.

23:59.360 --> 24:02.640
I'll run along too, Mr. Ridgeway, if there is nothing further.

24:02.640 --> 24:05.200
No, I'll, um, I'll telephone.

24:05.200 --> 24:06.200
Quite.

24:06.200 --> 24:08.760
Yet there would seem to be little use for that.

24:08.760 --> 24:11.400
We've notified your cousin, Miriam, of her inheritance.

24:11.400 --> 24:14.600
As a matter of fact, I'm surprised you didn't know all this yourself.

24:14.600 --> 24:18.200
You see, we sent word round to the press yesterday.

24:18.200 --> 24:22.200
Well, um, good day, Mr. Ridgeway.

24:22.200 --> 24:24.360
Good day.

24:24.360 --> 24:30.640
I remembered some folds of paper that I thrust into the fire to make it blaze up and burn

24:30.640 --> 24:36.320
the false beard and side whiskers with which I'd frightened an old lady to death.

24:36.320 --> 24:38.880
And then I remembered something falling.

24:38.880 --> 24:40.600
A paper.

24:40.600 --> 24:42.360
A will.

24:42.360 --> 24:47.880
From an old woman's fingers as she stood frozen in terror too near the fire.

24:47.880 --> 24:51.600
I saw the fire again consuming something.

24:51.600 --> 24:52.600
Consuming the will.

24:52.600 --> 24:53.600
Oh, my cleverness.

24:53.600 --> 25:00.600
Your maid said you went in, but I thought she was lying.

25:00.600 --> 25:03.040
I don't like liars, Ridgeway.

25:03.040 --> 25:04.040
Mr. Jepson.

25:04.040 --> 25:05.920
I read the papers.

25:05.920 --> 25:09.040
I read who's going to inherit your aunt's money.

25:09.040 --> 25:10.880
I don't like liars.

25:10.880 --> 25:15.720
But I did think I was going to inherit or, or, or why would I have killed her?

25:15.720 --> 25:16.720
You killed her?

25:16.720 --> 25:17.720
Of course.

25:17.720 --> 25:19.600
Oh, so you did kill her.

25:19.600 --> 25:21.120
How many times do you want me to say it?

25:21.120 --> 25:22.760
I believe that'll do.

25:22.760 --> 25:25.280
All right, Inspector, that's what I wanted you to hear.

25:25.280 --> 25:26.280
Come in.

25:26.280 --> 25:27.280
What?

25:27.280 --> 25:28.280
Bring in the maid, too.

25:28.280 --> 25:30.720
That was very clever of you, Mr. Jepson.

25:30.720 --> 25:33.560
I must confess, I had my doubts.

25:33.560 --> 25:36.920
Now, Mr. Ridgeway, you'd better come along.

25:36.920 --> 25:38.280
But I was only joking.

25:38.280 --> 25:39.280
Young woman.

25:39.280 --> 25:40.360
Yes, sir?

25:40.360 --> 25:42.800
You heard Mr. Ridgeway say he killed his aunt?

25:42.800 --> 25:45.120
I did, sir, but he must have been joking.

25:45.120 --> 25:46.120
He was...

25:46.120 --> 25:47.120
Never mind.

25:47.120 --> 25:48.120
That's enough.

25:48.120 --> 25:52.800
By the way, Mr. Ridgeway, you'll be interested to know, and I'm sure that we check with

25:52.800 --> 25:55.200
Dr. Menell on the autopsy.

25:55.200 --> 26:00.280
According to his report, your aunt's heart was so weak, she could not have lived another

26:00.280 --> 26:01.280
month.

26:01.280 --> 26:06.000
What... what are you laughing at?

26:06.000 --> 26:08.080
That's your joke, old man.

26:08.080 --> 26:11.080
Oh, your joke.

26:11.080 --> 26:12.080
Yes.

26:12.080 --> 26:18.320
It's just funny, isn't it?

26:18.320 --> 26:19.320
Very funny.

26:19.320 --> 26:49.080
Thank you, James Mason and Pamela Colino for a splendid performance.

26:49.640 --> 26:51.680
Now, Harlow Wilcox.

26:51.680 --> 26:57.760
Friends, Autolite stay full batteries need water only three times a year in normal car

26:57.760 --> 26:58.760
use.

26:58.760 --> 27:04.400
And they're made by Autolite men who make over 400 products for cars, trucks, airplanes,

27:04.400 --> 27:08.280
and boats in 28 Autolite plants from coast to coast.

27:08.280 --> 27:14.040
Yes, siree, Autolite also makes complete electrical systems for many makes of America's finest

27:14.040 --> 27:15.040
cars.

27:15.040 --> 27:19.040
Batteries, spark plugs, generators, starting motors, coils, distributors.

27:19.040 --> 27:24.960
All ignition engineered to fit together perfectly, work together perfectly, because they're a

27:24.960 --> 27:26.800
perfect team.

27:26.800 --> 27:31.400
So folks, don't accept electrical parts that are supposed to be as good.

27:31.400 --> 27:37.000
Ask for and insist on Autolite original factory parts at your neighborhood service station,

27:37.000 --> 27:39.920
car dealer, garage, or repair shop.

27:39.920 --> 27:51.040
Remember you're always right with Autolite.

27:51.040 --> 27:56.080
Now here again is James Mason and wife Pamela Colino.

27:56.080 --> 28:01.720
I hope you both enjoyed being on suspense tonight and especially you, Mrs. Mason, even

28:01.720 --> 28:03.520
though the part of Elizabeth was small.

28:03.520 --> 28:05.360
Oh yes, it was a lot of fun.

28:05.360 --> 28:09.080
You see, James and I learned a long time ago that it's not how loud the part is, but how

28:09.080 --> 28:10.960
much fun you have playing it.

28:10.960 --> 28:15.000
Besides, next time Tony Leader has promised to find a script for me in which James can

28:15.000 --> 28:17.080
play a butler or a cat or something.

28:17.080 --> 28:18.800
How about that, Mrs. Mason?

28:18.800 --> 28:20.680
I'm looking forward to it.

28:20.680 --> 28:27.800
And we're looking forward to, to next week when Joan Fontaine will star in The Lovebirds,

28:27.800 --> 28:38.040
another gripping study in suspense.

28:38.040 --> 28:43.680
James Mason and Pamela Colino have just completed the book, The Cats in Our Lives.

28:43.680 --> 28:48.600
Tonight's suspense play was adapted from the Agatha Christie story by William Fifield.

28:48.600 --> 28:52.560
Music was composed by Lucien Morrowek and conducted by Lud Gluskin.

28:52.560 --> 28:56.920
The entire production was under the direction of Anton M. Leader.

28:56.920 --> 28:58.480
Now here is great news.

28:58.480 --> 29:03.520
Beginning March 1st, Suspense on Television may be seen in many areas of the country,

29:03.520 --> 29:11.960
Tuesdays at 9.30 p.m. Eastern Time.

29:11.960 --> 29:17.320
You can buy auto light electrical parts, auto light resistor spark plugs, auto light staple

29:17.320 --> 29:20.200
batteries at your neighborhood auto light dealer.

29:20.200 --> 29:22.000
Switch to auto light.

29:22.000 --> 29:24.400
Good night.

29:24.400 --> 29:40.040
This is CBS, the Columbia Broadcasting System.

