WEBVTT

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And now, Auto Light and its 60,000 dealers and service stations present...

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Suspense!

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Tonight, Auto Light brings you Mr. Dana Andrews in...

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If the Dead Could Talk, a suspense play produced and directed by Anton M. Lieder.

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Friends, you know what happens when you take a fish out of water? Sure, it dies.

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Well, by Cornelius, the same thing happens when your car's battery runs out of water.

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It lies right down and quits. No water, no light.

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So, what did the Auto Light people do?

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They made the Auto Light stay full battery with an extra large liquid reserve.

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Gave it more room for more water.

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Result? The Auto Light stay full battery needs water only three times a year in normal car use.

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Think of it. Auto Light stay full batteries need water only three times a year in normal car use.

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Just like that, Auto Light practically eliminates one of your major battery bothers.

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So, friends, be right with Auto Light. Switch to an Auto Light stay full battery tomorrow.

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And now, Auto Light presents Dana Andrews in a tale well calculated to keep you in suspense.

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They'll never know how it happened. No one will ever know.

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I knew I was going to have to kill him almost from the first. That's how I am.

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That's what my blood is. I couldn't change it even if I tried.

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We were on a circus train, the three of us in the Trapeze Act, going from Tulsa to St. Louis.

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Fran had asked me to come and sit with her, but she had something to tell me.

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When I went over, she was staring out the window into the night.

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And the dim train lights made her features kind of soft and blurred.

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And I stood watching her getting all choked up like I always did,

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wanting to freeze this picture of her in my brain with all the other pictures.

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Then she saw my reflection on the window glass and she turned.

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Oh, Joe. Hi.

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Sit down, Joe. Sure. What's the secret?

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Joe, I can't keep it inside me a second longer. If I do, I'll bust.

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Tommy and me have been talking about getting married.

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You're cute.

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Well, honey, did you tell him?

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As she told me. Congratulations.

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That's all? Just congratulations?

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Well, you know Joe's a man of few words.

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So what do you think, Joy Boy? At least we'll be able to keep her in the act now.

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That's probably the only reason he's marrying me.

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Well, the way I figured, it had to be one of us.

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Joe, you're my pal. I couldn't let it happen to you.

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Well!

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And then Tommy threw his arm across my shoulder.

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I felt every nerve in my body tighten up like somebody was turning a screw.

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And I thought, so this is how your life goes smash.

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Rattling through the night on a dinky train with a circus fat lady sitting across the aisle munching chocolates.

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I didn't know what I was going to do. Not then.

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At first I tried to go on just like before.

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When we got to St. Louis, Tommy and me shared a room in a theatrical hotel like always.

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And the three of us went on through our routines on the high trapeze like always.

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Yeah, that part was the same.

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That part was as natural as breathing.

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But the other things, like the looks they gave each other, they're long walks together.

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Nothing worked for me.

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Drinking myself blind, taking out a different girl in the show every night of the week.

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Nothing worked.

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I still woke up in the middle of the night, shivering, my heart pounding and crying her name.

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Fran! Fran! Fran!

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Joe, Joe, what's wrong?

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Huh? Oh.

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Uh, nothing's wrong.

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You were yelling in your sleep.

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I'm okay.

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You sure?

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Yeah. Yeah, I'm okay.

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What are you getting dressed for? It's the middle of the night.

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I'm going for a walk.

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But, Joe...

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Look, I want to go for a walk, so I'm going for a walk.

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Joe, Fran and I were noticing.

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Noticing what?

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We've been going at this night life pretty hot and heavy lately.

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For a fellow who works on a trapeze 60 feet up and without a net, ladies and gentlemen.

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Well, that's not so good, Joe.

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What's the matter? You afraid someday I won't catch you, Tommy?

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Look, why don't you take it a little easier, kid? It's all right to have a good time.

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Good time? So that's what I'm having.

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What do you know?

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I walked the dark, empty streets for hours.

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I didn't know where I went or why.

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Why did it have to be him and Fran over and over again?

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Why did it have to be him and not me?

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And then it was like coming out of a sleep almost.

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I realized that for a long time I'd been looking through the lighted window of an all-night pawn shop,

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looking at a gun.

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At first I started walking away fast.

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Then I turned back and went into the shop.

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Yes, sir. What can I do for you?

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That revolver in the window there, the black one next to the binoculars.

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Oh, yes, that's the beauty, ain't it?

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Yeah, I want it.

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Good enough. Can't go wrong on that one.

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You got your permit, of course.

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No, I'm just passing through town. I didn't have time to get one.

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Well, I'm sorry, mister, but I can't help you.

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I've got a hundred dollar bill that says you can.

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You've just bought yourself a gun.

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It was after three in the morning when I got back to the hotel.

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The gun was in my top coat pocket.

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As I walked through the lobby, the circus fat lady was sitting on the big sofa

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counting the faces that went through the revolving door.

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She stopped me as I went past her.

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Turning in, Joe?

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Yeah.

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Lucky you can sleep. Wish I could sleep.

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I started for the elevator and then it hit me.

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How dumb can a guy be, walking into the lobby like that,

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being seen going up to the room?

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Is that all you want, Joe? That he should be dead?

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No matter what happened to you?

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Don't you want friends? Don't you want to live?

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I turned back and started out again.

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No, Patsy, I guess I won't go upstairs after all.

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Oh?

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Nothing to do till tomorrow afternoon anyhow.

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Maybe I'll take in an all-night show.

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I haven't seen a show since I was a little girl.

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Can't fit in the seat.

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I went around to the back of the hotel.

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Tommy and me roomed three stories up next to the rusty fire escape.

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It was so quiet there, I could hear the pounding inside my head.

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The first rung of the fire escape was a good ten feet off the ground.

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I jumped for it and pulled it down.

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It made enough noise to wake up half the building.

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I scrambled up into the shadows.

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I expected the lights to start going on in every window.

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But nothing happened.

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So, when I started up the fire escape,

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I started up for Tommy.

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I reached the landing.

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The room was dark.

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The window was closed.

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I tried raising it, but it was locked.

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Why did everything have to go bad for me?

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Wait a minute.

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He never locked the window before. Why did he lock it now?

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What was he afraid of?

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How could he know what was inside me?

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Suddenly I had to do something, so I smashed the window with my fist.

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I didn't care. Let him know it was me.

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Let him know what was coming.

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I reached in, unlocked the window, went over the sill.

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I took the gun out of my pocket.

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I could feel the blood running warm down my arm.

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And then I saw that he was gone.

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The room was empty.

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I sat down on the bed.

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I felt weak in my knees.

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I sat there a long time, numb.

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Then I heard a key in the door.

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It was him. He'd come back.

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I put the gun back in my pocket.

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I held it there.

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The door swung open.

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I saw him framed in the light from the hall.

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And I thought, now, do it now.

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For suspense, Auto Light is bringing you Mr. Dana Andrews.

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In radio's outstanding theater of thrills, Suspense.

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Ab, you know this spell of freezing weather that drifted over sunny California by mistake last week?

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I'll see.

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Well, by Cornelius, I haven't had so much fun since my Auto Light stay full battery last needed water.

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And that's a mighty long time ago.

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You mean you enjoyed the cold, Harlow?

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Yes, I did.

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Listen, I was purring along up in the mountains in my Auto Light equipped car, you see,

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when I spied a stricken stranger stuck in the snow.

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He had on a raccoon coat and a coon skinned cap,

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and he was looking under the hood of his car, muttering,

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Water, water everywhere, not a drop in my battery.

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Friend, I said to this shivering shambles,

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if you had an Auto Light stay full battery in that thirst-starved convertible,

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you'd be singing How Deep is the Ocean instead of How Dry I Am.

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What do you mean, asks he?

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I said that Auto Light stay full batteries have an extra large liquid reserve.

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Auto Light stay full batteries, I said, need water only three times a year in normal driving.

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You get that, pal? Only three times a year.

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And then I explained that thanks to extra plates and special fiberglass insulation,

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Auto Light stay full batteries have extra power and extra long life, too.

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But Harlow, did you get the poor fellow unstuck?

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Sure did. I just happened to have an extra Auto Light stay full battery in my trunk.

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I handed it to him until he could get one of his own at his nearest Auto Light dealers.

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I'll sure switch to Auto Light, he said as he zoomed off,

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and I answered, you're right with Auto Light.

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Right, Harlow, but right now, suspense.

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And now, Auto Light brings back to our Hollywood soundstage,

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Mr. Dana Andrews as Joe, in a tale well calculated to keep you in suspense.

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I held the gun in my pocket.

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The door swung open and I saw him framed in the light from the hall.

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And I thought, now, do it now.

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When did you come back, Joe?

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A while ago.

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Where's the lights, Joe?

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Don't turn the lights on, Tommy.

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What's the matter with you?

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I said...

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What have you got against lights?

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How can you just sit there in the dark?

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You know, Fran and I wonder what happened to you.

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We were out looking for you.

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I held tight to the gun in my pocket.

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I followed him with it as he moved around the room,

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stopping at the dresser to comb his hair,

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whistling because he was getting franned and it was such a good feeling.

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And all I had to do was just squeeze the trigger.

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Come on in.

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Say, honey, fact tells me that...

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Oh, you got back, Joe.

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Yeah.

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Yeah, what did you do to yourself?

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Look at that arm, Tommy.

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His arm, it's bleeding.

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I didn't notice that.

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Joe, you take your coat off.

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I'll get some towels and a maculacrome from the bathroom.

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What did you do, get yourself in a brawl?

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Not exactly.

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Tommy, where's the maculacrome? Hurry up.

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I'll show you where it is.

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Get your coat off, Joey.

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Here.

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I hurried to the dresser,

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dug the gun out of my pocket and put it in the drawer.

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Fran came back with an arm full of stuff.

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Her fingers started to probe my arm

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while she was rolling up my sleeve.

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Look what this guy did to himself.

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Joey, you big silly kid, you.

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What are you fighting for?

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Tommy, get a...

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Hey, what happened to this window?

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Well, that's how I cut myself just now.

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I thought it was stuck.

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You know me, long on muscles and short on brains.

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Well, it's all right.

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Just a little cut.

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Our boy's gonna be all right, Tommy.

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The show goes on, doesn't it, Joey?

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Sure, sure.

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What a sweet, helpless guy this is.

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We gotta take better care of our boy, Tommy.

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Yeah.

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You know, our Joey's just a great big kid.

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He likes to go on adventures with silly blondes,

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but there's nobody got wrists like this man

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to catch my Tommy when he flies through the air

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with the greatest of ease.

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You know, Joe,

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I wouldn't trust Tommy's life in anybody's hands but yours.

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And she leaned over me and I could smell her hair.

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And her warm breath danced around my eyes.

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And him and that whistling, why shouldn't he whistle?

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He had the world. He had Fran.

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There. How's that feel, Joey?

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Her talking into my face, smoothing my hair.

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Now, don't you punch any more windows in the nose, you understand?

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Didn't she see what she was doing to me?

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Didn't they see what was happening to me?

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How could two people be so blind? Couldn't they see?

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Feel better, Joey.

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I asked you.

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Leave me alone. Leave me alone!

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So I went walking in the streets again,

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burning inside like a guy with 105 fever,

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still smelling the perfume in her hair,

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still hearing her whistling,

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still hearing her voice in my head.

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It was after four in the morning when I got back to the hotel.

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Nobody in the lobby.

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Nobody but the room clerk taking a snooze at the desk.

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This time, Tommy was in bed asleep.

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I sat on the edge of the bed for a long time,

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listening to his breathing.

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Then I went to the drawer and got the gun.

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I laid it aside for a moment

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and then I scattered the stuff on the drawer like a burglar would.

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He was looking for something.

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Then I went over to where his pants were hanging on a chair.

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I guess I got a little excited as I grabbed for the pants, the chair fell over.

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I waited, my heart hammering away like it was trying to break loose.

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But he didn't wake up.

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I found his wallet and his pants,

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then his watch on the nightstand.

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Then I went over to the broken window, looked down.

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It was dark, a lot of sound.

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Tomorrow all the cops in the city would be looking for the burglar

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who came up the fire escape and killed his victim when caught in the act.

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I went back to the dresser for the gun.

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I went over to the bed.

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I wouldn't let him take her away from me.

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Simple as that.

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I raised the gun barrel level with his head.

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My finger curled around the trigger.

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I felt a tiny nerve start throbbing in my wrist.

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I squeezed the trigger.

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What is this?

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Are you Joe?

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Yeah, yeah.

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What a bad Joe.

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Okay.

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When Tommy had gone back to sleep, I broke open the gun.

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It was empty.

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But it had been loaded before.

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They must have found the gun after I left.

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But why had they taken the bullets?

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I didn't understand.

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How could they know anything?

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All of a sudden I was afraid.

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I put the wallet and the wristwatch back.

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I put the gun back in the drawer.

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What was I going to do?

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I flopped down on the bed and tried to think.

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But somewhere along the line I fell asleep.

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I slept until almost noon.

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When I woke up, Tommy was gone.

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I dressed and went down the hall to Fran's room.

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She was gone.

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At the desk, they didn't know what had happened to them.

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I went down to the armory where we were playing.

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They went around there.

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It was getting close to the matinee.

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I went to the dressing room.

16:53.000 --> 16:55.000
No sign of either of them.

16:55.000 --> 16:57.000
Then, just a few minutes before we'd go on,

16:57.000 --> 17:00.000
the door burst open and they were standing there.

17:00.000 --> 17:03.000
We thought we weren't going to make it.

17:03.000 --> 17:04.000
That's no kidding.

17:04.000 --> 17:05.000
Where were you?

17:05.000 --> 17:08.000
Just feast your eyes on the little gold object

17:08.000 --> 17:14.000
third finger left hand, sometimes called a wedding ring.

17:14.000 --> 17:18.000
Well, aren't you at least going to say bon voyage, weren't you?

17:18.000 --> 17:19.000
Sure, sure.

17:19.000 --> 17:24.000
Best of everything.

17:24.000 --> 17:26.000
Fran left a change into her costume

17:26.000 --> 17:33.000
and Tommy started getting ready, happy as a lark.

17:33.000 --> 17:36.000
And I felt the heat choking me till I couldn't breathe,

17:36.000 --> 17:39.000
burning in me like fire.

17:39.000 --> 17:42.000
Then I realized something that sent the cold shivers through me.

17:42.000 --> 17:44.000
If I went up on that trapeze today

17:44.000 --> 17:47.000
and if his life depended upon my catching him,

17:47.000 --> 17:49.000
he would die.

17:49.000 --> 17:51.000
It made me sick thinking about it.

17:51.000 --> 17:53.000
Everybody's got to have some kind of belief.

17:53.000 --> 17:56.000
I grew up different, not like most people.

17:56.000 --> 17:58.000
The only belief I had was the act.

17:58.000 --> 18:00.000
I had to keep the act clean.

18:00.000 --> 18:02.000
I couldn't let it happen that way.

18:02.000 --> 18:04.000
But it would happen.

18:04.000 --> 18:07.000
If I went up there, it would happen.

18:07.000 --> 18:08.000
Three minutes.

18:08.000 --> 18:10.000
Okay.

18:10.000 --> 18:13.000
Well, we'd better be getting out of here, Joey.

18:13.000 --> 18:14.000
Well, Joe, come on, come on.

18:14.000 --> 18:15.000
They're not going.

18:15.000 --> 18:16.000
What?

18:16.000 --> 18:17.000
What are you talking about?

18:17.000 --> 18:18.000
I'm not going on.

18:18.000 --> 18:19.000
Can't you understand English?

18:19.000 --> 18:20.000
What, Joey?

18:20.000 --> 18:21.000
I'm not going on.

18:23.000 --> 18:26.000
He couldn't do anything with me and time was running out.

18:26.000 --> 18:27.000
He left and I thought,

18:27.000 --> 18:29.000
what I'd better do is just pack and leave

18:29.000 --> 18:31.000
and never see either of them again.

18:31.000 --> 18:34.000
Then just beyond the door, I heard him whispering to somebody.

18:34.000 --> 18:36.000
I knew what it was.

18:36.000 --> 18:38.000
He was putting her to work on me.

18:38.000 --> 18:39.000
I didn't want to see her.

18:39.000 --> 18:42.000
I went to close the door, but she was already standing there,

18:42.000 --> 18:44.000
her hand on the doorknob.

18:44.000 --> 18:46.000
But it was the wrong hand.

18:46.000 --> 18:48.000
It was the hand with a ring on it.

18:48.000 --> 18:50.000
His ring.

18:50.000 --> 18:52.000
Is it something to do with the act, Joe?

18:52.000 --> 18:54.000
No, nothing with the act.

18:54.000 --> 18:55.000
Well, then...

18:55.000 --> 18:56.000
Don't ask me to go out there, Fran.

18:56.000 --> 18:58.000
You know we can't go on without you.

18:58.000 --> 18:59.000
Well, do what you can.

18:59.000 --> 19:00.000
Fake those triple plays.

19:00.000 --> 19:02.000
Look pretty and swing hard.

19:02.000 --> 19:03.000
Just don't ask me to go out there.

19:03.000 --> 19:05.000
Joey, what's wrong with you lately?

19:05.000 --> 19:06.000
Look, don't...

19:06.000 --> 19:07.000
I'm worried about you.

19:07.000 --> 19:10.000
You've been acting so funny the last week or so.

19:10.000 --> 19:12.000
What were you doing with a gun, Joey?

19:12.000 --> 19:13.000
I...

19:13.000 --> 19:15.000
We found it in your dresser last night.

19:15.000 --> 19:17.000
Scared me to death.

19:17.000 --> 19:19.000
I made Tommy take the bullets out.

19:19.000 --> 19:21.000
I just bought it for protection, that's all.

19:21.000 --> 19:23.000
Protection from what?

19:23.000 --> 19:26.000
Joey, you've been so moody, so melancholy.

19:26.000 --> 19:29.000
I'm so afraid you might hurt yourself.

19:29.000 --> 19:32.000
You think that's why I bought the gun, to hurt myself?

19:32.000 --> 19:34.000
Gosh, I hope not.

19:34.000 --> 19:35.000
I could...

19:35.000 --> 19:36.000
It's our cue.

19:36.000 --> 19:38.000
Come on, Joel.

19:38.000 --> 19:40.000
She moved up close to me.

19:40.000 --> 19:43.000
Her hand touched the side of my face.

19:43.000 --> 19:44.000
Soft and warm.

19:44.000 --> 19:46.000
We'll be waiting for you.

19:46.000 --> 19:48.000
We won't go on without you.

19:50.000 --> 19:52.000
She left.

19:52.000 --> 19:54.000
I didn't know what to feel.

19:54.000 --> 19:57.000
Inside me, some of the hate was unwinding.

19:57.000 --> 19:59.000
I didn't want to hate him.

19:59.000 --> 20:01.000
I began thinking maybe I could...

20:01.000 --> 20:03.000
I could get by today after all.

20:03.000 --> 20:06.000
And after today, I'd just beat it and never see him again.

20:06.000 --> 20:10.000
I began thinking how lucky it was that everything had gone wrong last night.

20:10.000 --> 20:12.000
I started for the door.

20:14.000 --> 20:19.000
And then I saw the two of them behind some props, kissing each other.

20:19.000 --> 20:21.000
While they were waiting for me.

20:21.000 --> 20:24.000
I'd never seen him kissing her before.

20:24.000 --> 20:27.000
I felt cold and empty.

20:27.000 --> 20:29.000
I went back into the dressing room.

20:29.000 --> 20:34.000
On the table was the tube of Vaseline I used to hold my hair in place.

20:34.000 --> 20:37.000
I stuck the tube into the waistband of my trunks.

20:37.000 --> 20:40.000
I didn't worry anymore about hurting the act.

20:51.000 --> 20:53.000
The act went off like clockwork.

20:53.000 --> 20:55.000
It always did.

20:55.000 --> 20:57.000
It was such second nature to us by now.

20:57.000 --> 21:01.000
The precision climb up the ladders to the two little takeoff platforms.

21:01.000 --> 21:03.000
Me on one side of the ring.

21:03.000 --> 21:05.000
The two of them on the other.

21:05.000 --> 21:08.000
I felt good like I always felt up here.

21:08.000 --> 21:12.000
I knew what was going to happen, but I wasn't fighting it anymore.

21:12.000 --> 21:14.000
When it came, it came at so long.

21:14.000 --> 21:16.000
And then it was time.

21:18.000 --> 21:20.000
All the easy stuff was over.

21:20.000 --> 21:22.000
We were ready for our big specialty.

21:22.000 --> 21:24.000
Tommy's Triple Somersault.

21:24.000 --> 21:29.000
Ladies and gentlemen, your kind attention, please.

21:29.000 --> 21:39.000
It is once again my privilege to present the most breathtaking trapeze stunt in all the world.

21:39.000 --> 21:43.000
I was already on the lower trapeze, lolling on the crossbar.

21:43.000 --> 21:47.000
It was Tommy's stunt, so no one noticed me.

21:47.000 --> 21:52.000
I reached up into the waistband of my trunks and flicked the cap off the tube of grease.

21:52.000 --> 21:57.000
I pinched the tube and a coil of Vaseline spurted into my palm.

21:57.000 --> 22:02.000
I greased my wrists until they were as slippery as a pair of heels.

22:02.000 --> 22:05.000
That was where he was going to hang on to.

22:05.000 --> 22:08.000
Where he was going to try to hang on.

22:08.000 --> 22:11.000
...the great Joseph.

22:11.000 --> 22:15.000
The slightest miss will mean instant death.

22:15.000 --> 22:17.000
Tommy signaled that he was ready.

22:17.000 --> 22:19.000
I was ready too.

22:22.000 --> 22:26.000
I turned lazily on the bar until my head hung down.

22:26.000 --> 22:30.000
I was dangling by my legs, flexing my arm.

22:30.000 --> 22:34.000
My eyes running over the row upon row of tiny upturned faces.

22:34.000 --> 22:37.000
It was a matter of seconds now.

22:37.000 --> 22:40.000
Five thousand pairs of eyes watching.

22:40.000 --> 22:43.000
Five thousand hearts starting to speed up.

22:43.000 --> 22:45.000
Even the peanut and popcorn boys had stopped.

22:45.000 --> 22:50.000
Just the roll of the drums building up louder and louder.

22:50.000 --> 22:54.000
Without looking, I knew Fran was putting on Tommy's blindfold.

22:54.000 --> 22:57.000
For another second, I'd swing around and face them.

22:57.000 --> 22:59.000
And begin the count.

22:59.000 --> 23:01.000
I began turning.

23:03.000 --> 23:05.000
What happened? I turned quickly.

23:05.000 --> 23:07.000
Fran was alone on the platform.

23:07.000 --> 23:09.000
For a split second, I couldn't figure it out.

23:09.000 --> 23:11.000
And then I saw Tommy falling through the air.

23:11.000 --> 23:14.000
He grabbed at a guy wire as he passed and he held on.

23:14.000 --> 23:17.000
He slid down the wire spiraling down in a sickening crazy corkscrew.

23:17.000 --> 23:20.000
Down all the way to the bottom but never letting go.

23:20.000 --> 23:22.000
He landed in a huddle at the bottom.

23:22.000 --> 23:24.000
Then he picked himself up.

23:24.000 --> 23:26.000
So he was all right. Nothing broken.

23:26.000 --> 23:31.000
Except the way he held his hand, you could tell it was as raw as if he'd cut it open with a knife.

23:31.000 --> 23:34.000
I swung around and looked up at Fran.

23:34.000 --> 23:36.000
She caught my eye and formed the words,

23:36.000 --> 23:38.000
My fault with her lips.

23:38.000 --> 23:40.000
And then, sorry.

23:40.000 --> 23:43.000
Then she had made him slip.

23:43.000 --> 23:45.000
She had kept him from swinging out on that trapeze.

23:45.000 --> 23:47.000
But why? I swung back.

23:47.000 --> 23:50.000
All of a sudden, I wanted to get down. I wanted to get away.

23:50.000 --> 23:52.000
But while my back was turned to her,

23:52.000 --> 23:55.000
she must have passed along the signal because suddenly I heard...

23:55.000 --> 23:57.000
Ladies and gentlemen,

23:57.000 --> 24:04.000
this unforeseen accident will not in any way change our spectacular triple somersault.

24:04.000 --> 24:10.000
The event will continue with the great Thomas's understudy,

24:10.000 --> 24:20.000
The Lovely Frances.

24:20.000 --> 24:22.000
I guess at first I was just too shocked to think.

24:22.000 --> 24:24.000
This was something I'd never figured out.

24:24.000 --> 24:27.000
Sure, she'd done the trick before, but then there was a split second

24:27.000 --> 24:30.000
in which she signaled me to drop my head and begin the count.

24:30.000 --> 24:34.000
And then before I could get my own desperate signal back to her to stop, not to go ahead,

24:34.000 --> 24:38.000
the black mask had dropped over her eyes and I was cut off from her.

24:38.000 --> 24:41.000
Fran, don't do it! Don't do it!

24:41.000 --> 24:44.000
But the drums had already begun that thunder.

24:44.000 --> 24:46.000
My voice couldn't reach her now.

24:46.000 --> 24:50.000
She'd swung the empty trapeze out into space.

24:50.000 --> 24:52.000
The count had begun.

24:52.000 --> 24:55.000
One as she let go.

24:55.000 --> 24:59.000
Two as the trapeze made its mark.

24:59.000 --> 25:02.000
Three as it returned.

25:02.000 --> 25:07.000
Twice more the empty trapeze would swing out and then on its return she would grab it.

25:07.000 --> 25:11.000
Fran, don't do it! Don't do it!

25:11.000 --> 25:14.000
But I knew she could only hear the drums

25:14.000 --> 25:21.000
if there were only some way to stop the drums.

25:21.000 --> 25:35.000
I heard the terrified roar of thousands of throats and I knew it was death.

25:35.000 --> 25:40.000
And who is the next of kin of the deceased?

25:40.000 --> 25:43.000
Look, officer, I told you I'm only the manager of this outfit.

25:43.000 --> 25:47.000
Why don't you ask those two over near the body? They know all about it. They're part of the act.

25:47.000 --> 25:51.000
I told you I'd get to them. Now, how exactly did the deceased...

25:51.000 --> 25:56.000
Listen, officer, why so many questions? It wasn't murder, you know. It was just an accident.

25:56.000 --> 25:59.000
Slipped and fell off the trapeze.

25:59.000 --> 26:02.000
I guess it was the excitement of seeing Tommy take that bad spill.

26:02.000 --> 26:06.000
Why can't you just put it down as an accident and let it go?

26:06.000 --> 26:10.000
Look, I'm only following the rules, mister. I don't tell you how to run your circuits.

26:10.000 --> 26:15.000
Yeah, yeah, but when you're all finished with your questions it'll still add up to the same thing.

26:15.000 --> 26:20.000
An aerialist named Joe Crosby was accidentally killed while giving a performance.

26:20.000 --> 26:22.000
Just as simple as that.

26:22.000 --> 26:26.000
Yeah, poor Joe himself couldn't tell you any more.

26:26.000 --> 26:52.000
Even if the dead could talk.

26:52.000 --> 26:58.000
Thank you, Dana Andrews, for a splendid performance. Mr. Andrews will return in just a moment.

26:58.000 --> 26:59.000
Uh, Harrow?

26:59.000 --> 27:00.000
Yes, Hap?

27:00.000 --> 27:01.000
A question.

27:01.000 --> 27:02.000
Shoot.

27:02.000 --> 27:03.000
Do you ever run out of words?

27:03.000 --> 27:10.000
Oh, now, Hap, be sensible. How could any guy run out of words with those sensational auto-lights stay full batteries to talk about?

27:10.000 --> 27:11.000
I got my answer.

27:11.000 --> 27:20.000
Why, Hap, those auto-lights stay full batteries have the start of a jackrabbit, the power of a bulldozer, and the life of a redwood all wrapped up in one.

27:20.000 --> 27:25.000
And to top it all off, they need water only three times a year in normal car use.

27:25.000 --> 27:28.000
So, friends, when you buy a battery, buy the best.

27:28.000 --> 27:29.000
Switch to auto-light.

27:29.000 --> 27:36.000
Makers of over 400 automotive, aviation, and marine products in 27 plants from coast to coast.

27:36.000 --> 27:39.000
Auto-light, the lifeline of your car.

27:39.000 --> 27:42.000
Always remember, auto-light means batteries.

27:42.000 --> 27:43.000
Stay full batteries.

27:43.000 --> 27:45.000
Auto-light means spark plugs.

27:45.000 --> 27:48.000
Ignition engineered resistor spark plugs.

27:48.000 --> 27:50.000
Auto-light means ignition systems.

27:50.000 --> 27:52.000
The lifeline of your car.

27:59.000 --> 28:02.000
And now here again is Mr. Dana Andrews.

28:02.000 --> 28:06.000
My thanks to Tony Leeder for the opportunity of appearing again on Suspense.

28:06.000 --> 28:09.000
There's always a pleasant and rewarding experience.

28:09.000 --> 28:15.000
And you'll have a pleasant and rewarding experience, I'm sure, next week when radio's Outstanding Theatre of Thrills brings you Robert Montgomery

28:15.000 --> 28:19.000
in another gripping study in Suspense.

28:20.000 --> 28:24.000
Dana Andrews appears through the courtesy of Samuel Goldwyn, producers of Enchantment.

28:24.000 --> 28:28.000
Tonight's Suspense play was adapted by Larry Marcus from the short story by William Irish.

28:28.000 --> 28:32.000
Music was composed by Lucian Morrowek and conducted by Lud Bluskin.

28:32.000 --> 28:36.000
The entire production was under the direction of Anton M. Leeder.

28:36.000 --> 28:45.000
In the coming weeks, Suspense will present such stars as Fibber McGee and Molly, Charles Lawton, James Wyman, James Mason, and many others.

28:45.000 --> 28:52.000
Make it a point to listen each Thursday to Suspense, Radio's Outstanding Theatre of Thrills.

28:52.000 --> 29:06.000
Next Thursday same time, hear Robert Montgomery.

29:06.000 --> 29:14.000
Remember, you're right with auto light. So switch to auto light. Good night.

29:14.000 --> 29:29.000
This is CBS, the Columbia Broadcasting System.

