WEBVTT

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In just a moment, suspense with William Powell.

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Oh, Hap, here comes Harlow Wilcox.

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I'll bet he forgets I already have two sets of Auto Light Resistor Spark plugs

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and tries to high pressure me into buying another one.

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Well, hello there, friends.

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Hello, Mr. Wilcox.

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Hey, Hap, you look a little worried.

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Car not running right, maybe?

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Why?

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Spark plug trouble?

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Not at all.

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Ah, listen, pal, what you need is a set of those sensational new ignition engineered Auto Light Resistor Spark plugs.

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But Harlow...

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Why, the get-up-and-go a spark-weary engine gets from Auto Light Resistor Spark plugs will turn your gloom to glee.

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Look, Harlow, I already have it.

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Why, when you replace your old narrow gap spark plugs with wide gap Auto Light Resistor Spark plugs,

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by Cornelius, you can actually tell the difference in your car.

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Your engine idles smoother.

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Harlow, Harlow, wait a minute.

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I'll listen to you and my engine later, but...

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But right now, let's listen to suspense.

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Suspense!

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Auto Light and its 60,000 dealers and service stations bring you Radio's outstanding theater of thrills.

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Starring tonight, William Powell in Anton Leder's production of Give Me Liberty,

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a tale well calculated to keep you in suspense.

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I embezzled a quarter of a million dollars.

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I want you to know that needed brains, planning, patience.

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I devoted three years of my life to the trick, and I got away with it.

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Two hundred and fifty thousand dollars.

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Of course, they caught me very easily, but they couldn't find the money.

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So they handcuffed me, brought me back to stand trial.

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The judge was as big a fool as the others.

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Seven years is a long time, Mr. French.

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The insurance company will agree to a much lighter sentence if you will reveal where you've hidden that money.

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But I only smile.

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So my right wrist was handcuffed to the left wrist of a detective,

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and they put me aboard a train bound for the penitentiary.

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I could see that the detective had instructions to soften me up.

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He was much, much too kind.

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You're comfortable, Mr. French? You want a magazine? Anything?

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Well, I'd like to be able to lift my hand without raising yours into the air.

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Can't you guard me without being quite so attached to me?

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Sure, I guess we can work that out.

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Tell you what, you sit next to the window.

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I'll kind of box you in.

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And that way you can wear the cuffs all by yourself and nobody loses.

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Thank you.

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Let me get my keys.

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There.

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Off for me, on to you.

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I wonder if I've made a good change. Feels clumsy.

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You get the hang of it in no time at all.

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The biggest trouble is when you read a paper.

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Five inches of chain don't give you much room to turn a page.

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And I'd better leave the newspaper for a less constricting occasion.

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I'll have seven years for reading.

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Seven years?

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And a quarter of a million.

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Say, how smart does a guy have to be to get his hooks on so much lettuce?

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Would you like some of it?

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No, you're kidding.

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Well, let's make a deal.

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You drop the key to those things on the floor.

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Then go have yourself a nice lunch.

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Sure. And when do I see Mr. French again?

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When I meet you to pay off.

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I wouldn't be taking kind of a chance there, would I?

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This is a stupid conversation and I was only making words.

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I looked out at the fields and brooks and houses rushing past.

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I wouldn't see these things for seven years.

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Not counting time off for good behavior.

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But then I'd be free again.

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And I'd have my quarter million.

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Not a bad salary, huh?

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I'd use my brains for myself this time.

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Suddenly...

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Everybody hold on! There's a lot of train on the track!

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French.

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Are you all right?

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I'm sorry.

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I...

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I beat a car.

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I gotta get out of here.

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A car lay on its side. In flames.

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And those passengers that could move scrambled through the broken windows.

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Paying no attention to a helpless man in handcuffs.

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French. French.

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Give me a hand.

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That was the detective. His legs pinned by the wreckage.

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You move, will you?

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You want to see me roasted?

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What can I do with my hands like this?

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Where do you carry the key?

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What do you want with a key?

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You can pull me out by an arm, can't you?

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You can grab me by the head.

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Get the kid at full will both die here if I can't use my hands!

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You can use them good enough.

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Where's the key?

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I... I can't find it.

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French, it ain't in my pocket.

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Look on the floor.

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You're a liar.

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French, my shoes are on fire. Please.

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The only weapon was a suitcase.

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I kicked him in the face.

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I crashed my suitcase on his head.

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And he didn't have the key.

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I emptied his pockets down to the last crumb of tobacco.

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But a fire kept closer.

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He hadn't the key to the handcuffs.

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And I wanted it.

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Because this wouldn't be an escape.

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This would be a disappearance.

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Oh, what a chance. What a chance!

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I'd have my liberty.

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And I'd have my money.

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There's somebody in my car, but that car is also being owned in there!

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I threw away his pistol.

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I wouldn't need a gun. I used my head.

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I squeezed my college ring on his finger.

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I switched wallets.

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Is there anybody in that car?

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Pete, this way! Over here!

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There was a conductor out there.

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A crowd of passengers.

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I got to the opposite side of the car.

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No one. Not a soul.

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And there wasn't a splinter of glass left in the window.

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I slid down the side of the car,

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cleared the wheels,

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and struck the ground running.

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A few moments, a few hundred steps,

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and I was safe in the darkness.

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I was free.

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They'd think I was dead.

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And I had a quarter of a million dollars.

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For Suspense, Auto Light is bringing you William Powell

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in radio's outstanding theater of thrills, Suspense.

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Hap, my friend, have you ever heard a conversation between two cars?

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Two cocks? Harlow, Wilcox, are you crazy?

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Crazy like a fox.

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Listen, a sorrowful looking sedan came up to me on the street the other day

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and said, p-p-pardon me, pal,

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but have you got a papotent pill for a sput-puttering engine

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that keeps popping along on poor firing spark plugs?

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Well, this car had sure come to the right man, old A-L-R-S-P, Wilcox.

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A-L-R-S-P?

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A-L-R-S-P for Auto Light Resistor Spark Plugs, of course.

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Oh.

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Well, before I could answer this fumbling foredoor,

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up glides a cute coupé with a mellow murmur,

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and says, say, chum, if you want to hum and hustle on the highway,

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if you want to idle smooth as a satin slipper,

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if you want better luck with lean gas mixtures, actually save gas,

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why, switch your narrow gap plugs for a set of those wonderful,

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sensational wide gap Auto Light Resistor Spark Plugs.

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What's more, continues this chatty convertible,

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Auto Light Resistor Spark Plugs cut down spark plug interference

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with radio and television reception.

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Really, the spark plug of the future.

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Why, I was talking to a delighted television set yesterday...

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Wait a minute, wait a minute, Harlow.

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Now you've got a car talking to a television set.

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By Cornelius Hap, television sets, cars, and everybody

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are talking about Auto Light Resistor Spark Plugs.

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And no wonder, because new Auto Light Resistor Spark Plugs

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have a 10,000 ohm resistor ignition engineered right into the spark plug

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and a wider spark gap setting that means smoother idling

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and gas dollars saved.

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Auto Light Resistor Spark Plugs fit any make and size of car,

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and don't forget, Auto Light Resistor Spark Plugs are backed

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by the reputation of Auto Light and the over 400 automotive,

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marine, and aviation parts made by the Auto Light people.

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Pipe that.

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Okay, okay, but right now, let's pipe suspense.

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And now, Auto Light brings back to our Hollywood sound stage

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William Powell as Earl French in Give Me Liberty.

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A tale well calculated to keep you in suspense.

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It's Ben.

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My first job after escaping was to break out of those manacles.

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I sat on a wheat field, holding my hands overhead

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so the blood would run through my hands and wrists and leave them slim.

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It didn't work.

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I tried that until my shoulders were in agony, and it didn't work.

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I couldn't snap the chain.

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I twisted it.

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I pulled at it.

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I had to fling my hands apart, and it wouldn't break.

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I rubbed it against stones until my skin was torn and bleeding,

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and it wouldn't break.

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By this time, it was morning, and I was pretty desperate.

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I found a match in my pocket.

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I went into the woods that boarded the field and built a fire.

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First, the chain grew hot, and then my wrists.

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But I held them over the fire until I couldn't keep back the scream.

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And not until then would I believe that I needed help.

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I pushed through the wheat and the corn beyond it,

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and I stumbled down a slope in a barnyard.

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Down, Jack, down!

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A woman was standing near one of the hen houses,

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pan of chicken feet in her hand.

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What do you want?

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There was nothing to say.

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She had seen the handcuffs.

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Come on, speak up.

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What do you want?

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I'm innocent, I swear to you. I'm innocent.

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Where are you from? How did you get away?

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Well, I...

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We were going up to the prison, and there was an accident.

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Well, what do you want from me?

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Could you lend me a file?

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And if you could spare some food, I'll be glad to pay for...

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You don't have to pay me for anything.

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Wait here, Jack, they're watching.

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The fool went into the house,

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and the dog sat down on its belly and placed its nose between its paws.

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And its eyes never left my face for an instant.

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And then through the stillness,

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I heard the cracking of an old-fashioned wall telephone,

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and I knew what she was doing.

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I ran, I ran like a whirlwind.

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I couldn't get them off.

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I couldn't get the handcuffs off.

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I couldn't get anything to eat.

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I couldn't show myself.

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Do you know what it means to say food all about you

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and not be able to buy it?

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Don't tell me I could have eaten corn and fruit and roots.

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I can tell you the nature of every dog in that area

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and the feel of every barbed wire fence

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and the spang and roar of every rifle and shotgun.

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That was him, Harry.

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That was him down at the brush, and he ran to the other side.

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I crept into a village one night

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and forced up the window of a hardware store.

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I wanted a file, just a file.

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Do you know what they carry in hardware stores these days?

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Glassware, kitchen gadgets,

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garden tools, seeds, ovens, rat poisons, dresses.

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And then I moved behind a counter

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and I saw a man with a gun in his hand.

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He was a man of the law.

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And then I moved behind a counter.

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A hardware store has to have a file somewhere.

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And my foot struck a wire, stretched across the floor.

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How tired have you been?

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Have you ever been so tired

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that your eyes felt like stones in your head?

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So weary that your jaw hung slack

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and your tongue seemed thick and heavy in your mouth?

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Ah, there were times when I thought I'd die.

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And on the evening of the fourth day of my liberty,

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I crawled quietly to the garbage cans

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back of a roadside diner

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and began to paw about for something I could eat.

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There was a step behind me, a world about.

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It was a boy.

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We looked at each other for a long moment.

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He was waiting for me to speak.

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I said, hello, Sonny.

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Hello.

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You live in this neighborhood?

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Yeah.

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I don't. I'm traveling.

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With handcuffs on.

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Oh, these?

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Yeah, a friend put the money for a joke.

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Say, that gives me an idea, Sonny.

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Would you do me a big favor?

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Depends upon how big.

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Well, big to me, anyway.

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Sonny, it's worth $10 to be able to have these handcuffs off

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before my friend shows up.

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Look, can you get me a file or chop them off of an axe

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or something like that so I can have a laugh on him?

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No.

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Look, I'll let you keep them. They're fun.

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No.

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Oh.

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Well, then, would you do something else for me?

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Depends.

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I'm a little embarrassed about going into the lunch wagon like this.

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Look, would you step in there and buy a few hamburgers for me?

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How much?

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Same $10.

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For a couple of hamburgers?

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Then maybe you'd change your mind about the file.

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Let's see the money.

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I got it right here in my pocket, ready to jump into your hand.

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Hey, there are lots of things that a boy can buy with $10.

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Ah, there we are.

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How do I know it's good?

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Don't you trust me?

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Drop it on the ground.

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Drop it? Why?

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You drop it and back away.

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Then I'll pick it up.

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Oh, say, that's very smart.

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How's that? Far enough?

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I guess.

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He picked it up and began to walk around the diner.

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But when he was out of reach, he broke into a run.

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Pop, there's a cop in the back.

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Pop, I'm going with 10.

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Pop, if there's a cop in the back, I'm going with 10.

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Well?

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I got away.

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And I couldn't tear them off. I couldn't.

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I had $250,000 buried away, and it was worthless to me.

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Do you know what can be bought with a quarter of a million?

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By a man's soul can be bought for less than a quarter of a million dollars.

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And I couldn't buy a 10-cent file.

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I couldn't buy a 10-cent file.

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And I couldn't buy a 10-cent file.

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I spent that night in a nest of cast-off railway ties

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attached to a siding.

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When I opened my eyes in the morning, I had company.

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There was a hobo sitting on the top of my fortress-like bedroom.

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A very unusual-looking hobo in blue jeans and a navy coat.

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She was counting my money, smoothing each bill with loving care.

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She grinned when she saw I was awake.

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Good morning, Chum.

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You sleep like an honest man.

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What's the matter, Chum?

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Never speak till they bring your orange juice?

15:44.000 --> 15:47.000
Listen, I'm in trouble. I want you to help me.

15:47.000 --> 15:49.000
To get the bracelets off?

15:49.000 --> 15:50.000
Yeah.

15:50.000 --> 15:52.000
Ah, Chum, wouldn't that be kind of silly?

15:52.000 --> 15:55.000
I might lose all this hard-earned dough.

15:55.000 --> 15:57.000
Look, there's more where that came from.

15:57.000 --> 15:58.000
A lot more.

15:58.000 --> 16:00.000
I'll make you rich.

16:00.000 --> 16:02.000
Yeah, I heard that one before.

16:02.000 --> 16:03.000
So long, Chum.

16:03.000 --> 16:05.000
Listen. Listen to me.

16:05.000 --> 16:07.000
I got a quarter of a million dollars.

16:07.000 --> 16:09.000
Yeah, I get feelings like that, too.

16:09.000 --> 16:10.000
Come back, will you? It's true.

16:10.000 --> 16:12.000
Don't you read the papers?

16:12.000 --> 16:13.000
I'm Earl French.

16:13.000 --> 16:14.000
Never heard of you.

16:14.000 --> 16:16.000
And where would you get that much dough?

16:16.000 --> 16:18.000
Look, go into town and buy one of the newspapers

16:18.000 --> 16:20.000
six days ago. That'll tell you.

16:20.000 --> 16:21.000
Tell me what?

16:21.000 --> 16:23.000
You don't even know how to read anymore?

16:23.000 --> 16:25.000
Earl French, the embezzler.

16:25.000 --> 16:27.000
I stole $250,000.

16:27.000 --> 16:29.000
Uh-huh, and you're wearing those things

16:29.000 --> 16:31.000
so you won't pick your own pocket.

16:31.000 --> 16:33.000
Don't try to be clever.

16:33.000 --> 16:35.000
I died in the train wreck near Scottsville.

16:35.000 --> 16:37.000
You're so sure about that, Chum.

16:37.000 --> 16:39.000
You croaked only a few days ago.

16:39.000 --> 16:41.000
No, you fool. They only think I did.

16:41.000 --> 16:43.000
Now, you get those newspapers.

16:43.000 --> 16:45.000
You come back here with a file and some food.

16:45.000 --> 16:47.000
No, no, no. Don't order me around, Chum.

16:47.000 --> 16:49.000
If you're a corpse, I won't take it from you.

16:49.000 --> 16:51.000
If you're not a corpse, I'll poke you in the eye.

16:51.000 --> 16:53.000
Just play it easy, huh?

16:53.000 --> 16:55.000
Yeah, maybe I'll be back.

16:55.000 --> 16:57.000
Could happen.

16:59.000 --> 17:03.000
I waited for her all through that long, blistering day,

17:03.000 --> 17:07.000
crouching within those four walls of railway ties.

17:07.000 --> 17:09.000
I laid there like a trapped animal.

17:09.000 --> 17:11.000
And yet I knew she'd be back.

17:11.000 --> 17:13.000
She couldn't resist it.

17:13.000 --> 17:15.000
Cheap little thing like that.

17:15.000 --> 17:17.000
I knew she'd be back.

17:17.000 --> 17:21.000
Chum, it seems you were a very important guy in your time.

17:21.000 --> 17:23.000
Ah, you saw the papers.

17:23.000 --> 17:25.000
Yeah, and I got good news for you.

17:25.000 --> 17:27.000
Mr. French, you're now burnt to a crisp.

17:27.000 --> 17:29.000
That's the way they found you in the train.

17:29.000 --> 17:31.000
Recognize me by the ring on my finger?

17:31.000 --> 17:33.000
Yeah. Well, you're dead all right.

17:33.000 --> 17:35.000
You and 250 grand.

17:35.000 --> 17:37.000
Well, we'll come to that later.

17:37.000 --> 17:39.000
You get to work with the file.

17:39.000 --> 17:41.000
No, no, no, no. You're giving orders again.

17:41.000 --> 17:43.000
And I told you I don't like it.

17:43.000 --> 17:45.000
Give me that file.

17:45.000 --> 17:48.000
And that's where it stays until you lead me to my share of that dough.

17:48.000 --> 17:50.000
Oh, you'll get it. You'll get it.

17:50.000 --> 17:52.000
Chum, listen to Mama.

17:52.000 --> 17:54.000
I can pick up 500 fish by turning in an escaped prisoner,

17:54.000 --> 17:57.000
or you can dig up that treasure chest

17:57.000 --> 18:00.000
and buy this file for half the plunder.

18:00.000 --> 18:02.000
That's 400 miles away.

18:02.000 --> 18:04.000
That's a fair distance.

18:04.000 --> 18:07.000
But I can't ride a train or a bus with these on my wrists.

18:07.000 --> 18:10.000
That's okay, Chum. We'll walk.

18:10.000 --> 18:12.000
400 miles?

18:12.000 --> 18:14.000
Since. I've done it before.

18:14.000 --> 18:16.000
You've seen it? Not at night.

18:16.000 --> 18:18.000
How do I eat? Where will I sleep?

18:18.000 --> 18:20.000
You'll sleep in the woods and I'll bring the grub to you.

18:20.000 --> 18:23.000
Me, I'll sleep in town where I'll be snug and safe.

18:23.000 --> 18:26.000
Don't take this file from me, Chum.

18:26.000 --> 18:29.000
Not till I see my half of that dough.

18:37.000 --> 18:39.000
And that's how it was.

18:39.000 --> 18:42.000
That same evening we started a walk.

18:42.000 --> 18:44.000
At first it wasn't so bad.

18:44.000 --> 18:46.000
It gave me time to think.

18:46.000 --> 18:48.000
And I knew I'd think of something.

18:49.000 --> 18:52.000
You know, there's kind of a sneaky look about you.

18:52.000 --> 18:54.000
What?

18:54.000 --> 18:57.000
You figure that in 400 miles a lot of things can happen.

18:57.000 --> 18:59.000
Oh, no, no.

18:59.000 --> 19:01.000
After all, I want to do what's fair.

19:01.000 --> 19:03.000
Let's split.

19:03.000 --> 19:06.000
If we don't, I'll split your skull and don't kid yourself that I won't,

19:06.000 --> 19:08.000
little Chum.

19:08.000 --> 19:12.000
I've been waiting a long time for a break like this.

19:18.000 --> 19:20.000
We walked.

19:20.000 --> 19:25.000
But the handcuffs digging so deep into my flesh that I began to believe they were a part of me.

19:25.000 --> 19:27.000
Yeah, she brought me food.

19:27.000 --> 19:30.000
But she wouldn't come close enough to hand it to me.

19:30.000 --> 19:33.000
And every time I reached for anything, it was torture.

19:33.000 --> 19:37.000
My hands on wrists were a mass of misery.

19:37.000 --> 19:39.000
As though her pet animal were on a leash.

19:39.000 --> 19:43.000
My friend always walked six paces behind me.

19:43.000 --> 19:45.000
She was too smart.

19:45.000 --> 19:47.000
And I realized that I had to get away from her.

19:47.000 --> 19:49.000
And soon.

19:49.000 --> 19:51.000
And the morning I decided to do it,

19:51.000 --> 19:54.000
she found me a shack to hole up in.

19:54.000 --> 19:58.000
I could hardly wait for her to leave and go back into town.

19:58.000 --> 20:00.000
Yeah, this shack looks good.

20:00.000 --> 20:02.000
I'll meet you back here tonight.

20:02.000 --> 20:04.000
All right. See you tonight.

20:04.000 --> 20:06.000
That's the way I like you, Chum.

20:06.000 --> 20:08.000
Nice and agreeable.

20:08.000 --> 20:10.000
Why not? Why shouldn't I be?

20:10.000 --> 20:12.000
See you tonight, as usual.

20:12.000 --> 20:15.000
Sure there isn't anything special you'd like me to bring you to eat?

20:15.000 --> 20:17.000
No, nothing special.

20:17.000 --> 20:21.000
Say, Chum, I think you better turn around.

20:21.000 --> 20:22.000
Why?

20:22.000 --> 20:23.000
Because!

20:23.000 --> 20:40.000
When I awoke, with a dull ache filling my head,

20:40.000 --> 20:43.000
I found myself neatly trussed up.

20:43.000 --> 20:46.000
I could move a little, but not enough to get three.

20:46.000 --> 20:49.000
Talk about female intuition.

20:49.000 --> 20:51.000
She had guessed that I was going to try to get away from her,

20:51.000 --> 20:53.000
and she beat me to it.

20:53.000 --> 20:55.000
But I didn't give up, though.

20:55.000 --> 20:58.000
She'd have to make one mistake.

20:58.000 --> 21:01.000
How the next night, we'd stop for a rest.

21:01.000 --> 21:03.000
Hey, uh, French.

21:03.000 --> 21:04.000
Yeah?

21:04.000 --> 21:07.000
How can you be sure that dough is still there?

21:07.000 --> 21:08.000
It's safe.

21:08.000 --> 21:10.000
How do you know? What kind of a place you hide it in?

21:10.000 --> 21:11.000
You'll see.

21:11.000 --> 21:13.000
Hey, don't you trust me?

21:13.000 --> 21:17.000
Of course. As much as you trust me.

21:17.000 --> 21:21.000
And it's time we stopped playing this little game.

21:21.000 --> 21:22.000
Now, get out that file.

21:22.000 --> 21:24.000
When I see the dough, little Chum...

21:24.000 --> 21:25.000
Take them off, will you?

21:25.000 --> 21:26.000
How long do you think I'm going to...

21:26.000 --> 21:27.000
Shut up! Shut up!

21:27.000 --> 21:29.000
You'll wake up the neighbors.

21:29.000 --> 21:31.000
Now, move!

21:31.000 --> 21:32.000
No.

21:32.000 --> 21:33.000
I said move!

21:33.000 --> 21:34.000
No.

21:34.000 --> 21:35.000
That money's mine.

21:35.000 --> 21:37.000
And you'll never see it unless I want you to.

21:37.000 --> 21:39.000
And we'll go to it the way I say.

21:39.000 --> 21:41.000
Chum, you're making me mad.

21:41.000 --> 21:43.000
You get out that file and take these off.

21:43.000 --> 21:45.000
Go on, get it out.

21:45.000 --> 21:46.000
I can give orders, too.

21:46.000 --> 21:48.000
What do you think of yourself? An animal trainer?

21:48.000 --> 21:50.000
Now, that's not a bad idea.

21:50.000 --> 21:52.000
Is it? But it happens that I'm not an animal.

21:52.000 --> 21:54.000
And it happens that...

21:55.000 --> 21:57.000
What's that for?

21:58.000 --> 22:00.000
You can't frighten me with a knife.

22:00.000 --> 22:02.000
I wouldn't try.

22:02.000 --> 22:05.000
You use that on me and we both lose out.

22:05.000 --> 22:08.000
Whenever my own man used to beat one of us kids,

22:08.000 --> 22:10.000
he always said the same thing.

22:10.000 --> 22:14.000
He said, never use a switch thicker than your thumb.

22:14.000 --> 22:16.000
It breaks the skin but no bones.

22:16.000 --> 22:18.000
A kid can go on working.

22:18.000 --> 22:20.000
A switch?

22:20.000 --> 22:22.000
Yeah, like this one.

22:22.000 --> 22:24.000
Nice and green and limber.

22:25.000 --> 22:27.000
That's all a knife is for.

22:27.000 --> 22:29.000
I wouldn't use a knife on a buddy.

22:29.000 --> 22:31.000
You won't use that either.

22:31.000 --> 22:32.000
Put it down.

22:32.000 --> 22:36.000
You know, this is something I wanted to do ever since I found you sleeping in those railroad ties.

22:36.000 --> 22:38.000
You gonna get up?

22:38.000 --> 22:40.000
No.

22:40.000 --> 22:42.000
This'll hurt.

22:42.000 --> 22:45.000
I'll kill you someday. I swear I'll kill you.

22:45.000 --> 22:47.000
I once had a husband like you.

22:47.000 --> 22:50.000
Brave enough outside but once anybody put on the pressure...

22:50.000 --> 22:51.000
You talk too much.

22:51.000 --> 22:53.000
Go on, I'm calling your bluff.

22:53.000 --> 22:55.000
I'm sick of hearing you talk.

22:55.000 --> 23:14.000
It's all right.

23:14.000 --> 23:16.000
We walked.

23:16.000 --> 23:18.000
God, how I hated her.

23:18.000 --> 23:20.000
And she...

23:20.000 --> 23:26.000
Well, she was sure she'd beat me down altogether because she didn't even bother now to taunt me anymore.

23:26.000 --> 23:29.000
She was very quiet after that.

23:29.000 --> 23:32.000
And a little careless.

23:32.000 --> 23:36.000
I stopped now and then and she'd bump into me in the darkness.

23:36.000 --> 23:41.000
But she'd always stop dreaming before I could get my hands on her.

23:41.000 --> 23:43.000
Well...

23:43.000 --> 23:46.000
All things must end.

23:46.000 --> 23:51.000
Our pilgrimage ended one morning when I said...

23:51.000 --> 23:52.000
Here it is.

23:52.000 --> 23:53.000
What?

23:53.000 --> 23:54.000
The money.

23:54.000 --> 23:56.000
Where?

23:56.000 --> 23:57.000
We're standing over it.

23:57.000 --> 24:01.000
You up to some sneaky trick again? We're standing in the middle of a highway. You didn't do any digging here, chum.

24:01.000 --> 24:06.000
Look, there's a culvert running under the road here. A 24-inch pipe.

24:06.000 --> 24:08.000
Come into the ditch. I'll show you.

24:08.000 --> 24:11.000
You didn't stick that dough into the pipe.

24:11.000 --> 24:12.000
Must have washed away.

24:12.000 --> 24:17.000
It's not in the pipe. It's in a deep crevice between the pipe and the concrete.

24:17.000 --> 24:18.000
Pull out some of those stones.

24:18.000 --> 24:19.000
You pull them out.

24:19.000 --> 24:21.000
What, with these hands?

24:21.000 --> 24:23.000
Why, I can't touch anything without screaming.

24:23.000 --> 24:25.000
Pull them out.

24:25.000 --> 24:30.000
French, sir, help me if this is a gag.

24:30.000 --> 24:32.000
She believed me. She had to.

24:32.000 --> 24:34.000
She saw the truth in my eyes.

24:34.000 --> 24:37.000
The money was there, my quarter of a million.

24:37.000 --> 24:39.000
She bent over to tug at the stones.

24:39.000 --> 24:42.000
She turned her back to me for the first time.

24:42.000 --> 24:45.000
And that was it. That was the mistake I was waiting for.

24:45.000 --> 24:49.000
I sprang forward and I crushed her hand down on her head.

24:49.000 --> 24:51.000
The back of her neck. Her head.

24:51.000 --> 24:53.000
The pain. The pain on my wrist.

24:53.000 --> 24:56.000
But I didn't care. I didn't care.

25:03.000 --> 25:06.000
My hands. My hands.

25:06.000 --> 25:09.000
Covered with blood.

25:09.000 --> 25:12.000
Her blood. Mine.

25:14.000 --> 25:17.000
She was dead.

25:17.000 --> 25:19.000
But I couldn't move.

25:19.000 --> 25:22.000
My hands. My poor hands.

25:22.000 --> 25:26.000
I had to wait until the shot drained out of them.

25:26.000 --> 25:31.000
Finally I reached into her pockets for the file.

25:31.000 --> 25:33.000
It isn't there.

25:33.000 --> 25:35.000
It must be in this one.

25:35.000 --> 25:38.000
No. No.

25:38.000 --> 25:40.000
Not.

25:40.000 --> 25:42.000
No.

25:42.000 --> 25:44.000
No file.

25:44.000 --> 25:46.000
She hasn't got a file.

25:46.000 --> 25:48.000
She never had one.

25:48.000 --> 25:50.000
Ah, that sheet.

25:50.000 --> 25:52.000
That dirty little sheet.

25:55.000 --> 25:57.000
Come on.

25:57.000 --> 25:59.000
Come on.

25:59.000 --> 26:01.000
Come on, little children.

26:01.000 --> 26:03.000
Come on.

26:03.000 --> 26:05.000
Come out, you babies.

26:05.000 --> 26:07.000
Two hundred and fifty thousand.

26:07.000 --> 26:09.000
Beautiful little babies.

26:09.000 --> 26:11.000
Come on.

26:17.000 --> 26:19.000
I can't get a hold of it.

26:21.000 --> 26:25.000
I need a few inches.

26:25.000 --> 26:28.000
I can't. I can't.

26:28.000 --> 26:32.000
With these handcuffs on, I need one arm free.

26:32.000 --> 26:34.000
You handcuffs, you.

26:34.000 --> 26:39.000
I'll break this chain if I have to rip my hands off.

26:39.000 --> 26:41.000
I'll get that money.

26:41.000 --> 26:43.000
I must have my money.

26:43.000 --> 26:45.000
I want my money.

26:45.000 --> 26:55.000
I must have my money. I want my money.

27:05.000 --> 27:07.000
My money.

27:07.000 --> 27:09.000
It's my money.

27:09.000 --> 27:11.000
That's the way I found him, Chief.

27:11.000 --> 27:13.000
Sitting in the ditch beside a dead girl.

27:13.000 --> 27:15.000
And babbling like an idiot.

27:31.000 --> 27:34.000
Thank you, William Powell, for a splendid performance.

27:34.000 --> 27:37.000
Mr. Powell returns in just a moment.

27:37.000 --> 27:39.000
Well, Hap, my friend, now that you...

27:39.000 --> 27:41.000
Harlow, Harlow, I've been trying to tell you,

27:41.000 --> 27:45.000
I already have two complete sets of auto light resistor spark plugs.

27:45.000 --> 27:47.000
Congratulations.

27:47.000 --> 27:50.000
Everyone should have a complete set of auto light resistor spark plugs.

27:50.000 --> 27:53.000
Those modern miracles of auto light ignition engineers.

27:53.000 --> 27:56.000
Those monuments to tireless auto light research.

27:56.000 --> 27:59.000
So, friends, why not drive down to your nearest auto light dealer tomorrow,

27:59.000 --> 28:03.000
early tomorrow, and get your car a set of auto light resistor spark plugs.

28:03.000 --> 28:05.000
They're sensational.

28:05.000 --> 28:08.000
And not because I said so either, but because they really are.

28:08.000 --> 28:11.000
Auto light means spark plugs.

28:11.000 --> 28:14.000
Ignition engineered resistor spark plugs.

28:14.000 --> 28:16.000
Auto light means batteries.

28:16.000 --> 28:18.000
Stay full, batteries.

28:18.000 --> 28:20.000
Auto light means ignition system.

28:20.000 --> 28:22.000
The lifeline of your car.

28:28.000 --> 28:30.000
And now here again is William Powell.

28:30.000 --> 28:33.000
My thanks to the fine cast of suspense actors

28:33.000 --> 28:37.000
who helped to make my appearance here so pleasant an experience.

28:37.000 --> 28:41.000
I'm a regular listener to radio's outstanding theater thrills,

28:41.000 --> 28:46.000
and I'll be tuned in next time to hear John Garfield in Death Sentence,

28:46.000 --> 28:48.000
another gripping study in...

28:48.000 --> 28:50.000
Suspense.

28:52.000 --> 28:55.000
William Powell appeared by arrangement with Metro-Bulwin-Mayer Studios,

28:55.000 --> 28:58.000
producers of the Technicolor production The Three Musketeers,

28:58.000 --> 29:01.000
starring Lana Turner, Gene Kelly, June Allison, and Van Heflin.

29:01.000 --> 29:03.000
Tonight's suspense play was written by Herb Meadow

29:03.000 --> 29:05.000
with music composed by Lucian Mora-Wacken,

29:05.000 --> 29:07.000
conducted by Lut Bluskin.

29:07.000 --> 29:09.000
Anne Morrison played the part of the hobo.

29:09.000 --> 29:12.000
The entire production was under the direction of Anton M. Leder.

29:15.000 --> 29:17.000
This is the Auto Light Suspense Show.

29:17.000 --> 29:19.000
Subscribe to your local community chest.

29:19.000 --> 29:22.000
Everybody benefits. Everybody gives.

29:22.000 --> 29:23.000
Good night.

29:23.000 --> 29:36.000
This is CBS, the Columbia Broadcasting System.

