WEBVTT

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In just a moment, suspense with Lucille Ball.

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Hi, Harlow.

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Well, look who's here.

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Say, it's mighty nice of you to be sitting around all week just to hear me tell more about Auto Light.

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Oh, I haven't been waiting around all week.

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Why, I was waiting up in Oregon.

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Oh, that's swell. That's swell.

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Hey, Hap, do you know the real story about Auto Light stay full batteries?

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Sure, I know the real story about Auto Light stay full batteries.

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Needs water only three times a year in normal car use.

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What a battery. Stay full, that is.

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Why, by Cornelius, an Auto Light stay full battery has more liquid reserve than a centipede has legs,

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than an ocean has waves, than a rabbit has, well, rabbits.

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Water, whales spout it, geysers gush it, people drink it, but Auto Light stay full batteries carry good old aquapurus so long and so well,

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they take a drink about as often as you have a birthday, a wedding anniversary, and a New Year's celebration.

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Only three times a year in normal car use.

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And let me tell you something else, you'd better get an Auto Light stay full battery before...

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Before you go on some more, Harlow, let's listen to suspense.

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Suspense.

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Suspense.

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Suspense.

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Suspense.

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Suspense.

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Suspense.

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Suspense.

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Suspense.

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Suspense.

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Auto Light and its 60,000 dealers and service stations bring you Radio's outstanding theater of thrills.

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Starring tonight, Miss Lucille Ball in Anton Leder's production of A Little Piece of Rope.

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A tale well calculated to keep you in suspense.

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They said I'd never make good here in Hollywood.

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Everywhere I went it was the same story.

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Sure they'd see me, but the minute they took a look at my baby face, all I'd get was advice and excuses.

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No job.

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My last try was for a schoolgirl part.

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I was too baby faced to even land that one.

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I was walking home still wearing the school uniform that I'd bought to help me get the part when I got the idea.

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Then I remembered another thing.

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It was years ago.

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Reading an old copy of the police gazette in Grandpa's attic.

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Printed about 1880, I guess.

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With their falsely youthful faces, dressed as innocent schoolgirls, these vicious females haunt the vicinity of select young ladies' seminaries.

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And with their airs of artless girlhood, they entice and trap unwary gentlemen.

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Some from the best of families.

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It was funny then, but now, well, those gals were suckers.

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I take the exclusive gents for all they've got and give absolutely nothing.

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That's how I made good in Hollywood.

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Up to a thousand dollars a month good.

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I just take a little walk.

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I've got uniforms for all the best schools and I still have the baby face.

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So help me.

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Lots of those kids look older than I do.

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When school's out, I let some old wolf pick me up.

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They always want to park up in the hills or some other lonely place.

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I drop my compact.

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He bends over to pick it up.

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I let him have it with a special little blackjack I carry.

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Then I leave, taking their wallets and any letters I find.

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You'd be surprised if some of the letters some of them do have.

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Makes a dandy bank balance now and then.

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Them?

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Remember, I pick them old enough to have families, dignified jobs.

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Would they want to admit to chasing bobby-soxers?

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They never squawk.

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My landlady thinks I'm the ideal tenant.

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Oh, she's no trouble at all, the poor little thing.

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Infantile, you know.

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Has to take long walks every day and rest the rest of the time.

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Never any fun or dates like other pretty girls.

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Well, lucky she can afford it, I say.

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Be a county ward otherwise.

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And so sweet and quiet, uncomplaining poor little soul.

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Yes, Mrs. Tilford is a swell character witness.

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Of course, I always wear a coat over those uniforms near home.

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And I keep them locked up just in case she snoops.

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Yes, yes, I've got a nice career in Hollywood.

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That is, I did have until last month.

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You going out in this cold, Isabelle?

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Oh, this is a good heavy coat.

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Well, don't you overdo now.

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These walks are just what the doctor ordered.

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Anyway, you sure look healthy enough.

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Oh, thank heaven for that.

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Anything I can pick up for you on the way back?

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Oh, no, thanks, dearie. I got everything done.

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Goodbye now.

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Bye.

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I was dressed for Miss Cadwaller's school this time,

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and it was just letting out when I got there.

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I didn't have long to wait.

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You know, you get so you can tell by the way the cars

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move along the street if the guy's on the prowl.

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This one was driving a big black coupe,

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and he was a little younger than I liked, about 40,

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but you can't be too fussy.

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I stepped off the curb pretending to look for a bus.

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Waiting for the bus?

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Right now, I'm waiting for the bus.

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Waiting for the bus?

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Why, yes, I am.

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Which one?

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The Bel Air bus.

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Oh, I say, that's a shame.

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Why?

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I just passed it back there, broken axle.

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Oh.

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You know, I think I've seen you passing my house.

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What street do you live on?

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Cameron.

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Oh, sure. I'm just over on Bendette.

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Hop in, I'll take you home.

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Well, you're a neighbor.

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I guess it's... gee, thanks, Mr.

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Rice, Alex Rice.

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Insurance.

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How do you do?

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Like school?

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I hate it.

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School's no fun.

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I'd like... oh, I...

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What?

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Oh, excitement, danger.

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I suppose you think I'm pretty silly.

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No.

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No, I think you're the kind of girl who'll get

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excitement and danger.

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Really?

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Yes, really.

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Look, it's so early yet.

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I'd like to take the long way through the hills.

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It's pretty there now.

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Oh, yes, I'd love to.

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I think the hills are divine.

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Oh, isn't it just out of this world?

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Yes.

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Yes, indeed.

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What's the initial on your bag for?

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The initial?

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Yeah. Irma, Inez, Ingeborg.

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Oh, Ingeborg. You made that up.

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No, Swedish.

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Imogene?

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No, Irene.

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Irene Taylor.

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A pretty name for a pretty girl.

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I'll bet.

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You have beautiful hair and eyes

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and a beautiful throat.

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Wow. Throat?

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Irene, you're very...

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Oh, Mr. Rice, I dropped my compact.

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You don't need it.

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But it might get stepped on.

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You won't need it.

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But I want it now.

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All right, all right.

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Don't yell so here.

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I'll get it for you.

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Oh!

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Character, huh?

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Well, here.

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Roll back a little.

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There.

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I...

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Well, what do you know?

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Rope.

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Now, why would a guy carry a piece of rope in his inside breast pocket?

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Hmm. Nice wallet.

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Well, goodbye, Mr. Rice, and thanks for everything.

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Back home, I showered and changed

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and settled down to see what was in this wallet worth keeping.

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Only about 50 bucks.

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What made it so thick was a lot of newspaper clippings.

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Oh!

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Oh, no! It can't be!

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But it was.

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Those clippings were all about the strangler

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who'd murdered five girls in the last year,

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left them in the hills with a piece of rope around their necks

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and never a clue.

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And Alexander Rice carried his press notices.

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Alexander Rice carried a little piece of rope in his inside breast pocket,

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picked up girls, drove into the hills.

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Alexander Rice wasn't his name.

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No, his driver's license said Benjamin Carney.

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I had picked up and slugged the strangler.

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My latest sucker was the most dangerous man in the country.

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For Suspense, Auto Light is bringing you Miss Lucille Ball

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in Radio's outstanding theater of thrills, Suspense.

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Say there, neighbor, I didn't get going very well

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on those Auto Light stay-full batteries.

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Now look here, Harlow Wilcox, I want to...

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Never mind. I'm right back in there pitching.

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Gee, if I could only tell you about every one of those

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400 Auto Light, automotive, aviation, and marine products.

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That takes real breath, lots of breath.

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And while I'm not as short on taking breath as an Auto Light stay-full battery

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is on taking a drink, not by a jugful,

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even I just haven't got enough breath for that.

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Well, if you just stop talking so much...

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I can sure wind up and sound off on those Auto Light stay-full batteries, though.

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Making camels look like toppers is just the beginning with them.

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They've got oversized electrical capacity plus fiberglass insulation.

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You know what that means, my friend?

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Sure I know what that means.

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It means you should find out for yourself

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how long these batteries are bound to live.

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You'd have to hibernate like Rip Van Winkle.

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I guess you could at that if you had an Auto Light stay-full battery in your car.

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I've got an Auto Light.

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By the way, those Auto Light engineers designed that Auto Light stay-full battery

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is so darned ingenious by Cornelius

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that you could pay as little attention to your Auto Light stay-full battery

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as Rip Van Winkle did to old father time.

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Go down to your Auto Light dealer and get one right away.

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There's no better buy in batteries, my boy,

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because no better batteries be behind the byline of Barlow Billcocks.

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Now look, Billcocks, I mean Wilcocks,

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you've got bees in my bonnet now.

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If you'll only pipe down, we'll hear some more of suspense.

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And now Auto Light brings back to a Hollywood sound stage

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Miss Lucille Ball as Isabelle in a little piece of rope.

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A tale well calculated to keep you in suspense.

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At first I just shivered over my narrow escape.

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Why, if I hadn't been out to get him, he'd have gotten me.

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I'd be number six in tomorrow's headlines.

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Then I suddenly realized I was the only one who could identify him.

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I can't be silent, let him go on killing.

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I've got to go to the police station and tell them.

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I started to go out when it occurred to me I couldn't.

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I didn't dare go to the police and take the chance of exposing my own racket.

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If that ever came out, and it probably would,

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San Quentin, here I come.

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It seems they're a little stuffy about people who carry blackjacks

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and steal wallets and sell letters.

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So instead I went for a walk, a real one this time,

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and just tried to think.

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Pretty soon another thought hit me.

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He knew I could identify him by now.

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The Strangler was no fool.

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He'd have me figure it out and know the kind of place and time to look for me.

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And he'd certainly be looking for me, to kill me, to shut my mouth forever.

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I had to find a way to...

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City desk, Thompson.

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I know who the Strangler is.

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Who's this?

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I can't tell you that.

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Oh, I see. Well, what can you tell me? You know his name?

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Benjamin Carney.

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Carney?

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C-A-R-N-E-Y. 1156A Boydell Street.

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Yeah, description?

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About 40. 5'9 or 10.

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160 pounds, dark hair, eyes, skin, even features.

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Not ugly, not handsome.

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Drives a big black coupe. Lady, late model.

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Got it. Any identifying marks, mustache?

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No, nothing.

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And how do you know this guy's the Strangler?

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I just know. Goodbye.

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Hey, wait a minute, wait a minute.

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So you can trace the call?

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There had been hundreds of phony clues, and he thought mine was another.

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But surely they'd checked that name and address.

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All the way home, I had a creepy feeling he was around somewhere.

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Following me, waiting.

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Evening paper barely mentioned my call, just listed it with several others.

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Radio wasn't very much better.

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An unidentified woman phoned in a description of the killer as a 40-year-old brunette,

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medium height and weight, with no distinguishing features, driving a new black coupe.

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Police checks reveal that such a man with the name she gave had moved from the address given

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several months before the first of the Strangler murders, but there is no further trace of him.

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Investigation continues, but it is believed this is another spite accusation.

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A Portland, Oregon woman reported the Strangler as the man who entered her hen house last night and...

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No use phoning again. I didn't think a letter would help much either, but I tried.

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Being careful it couldn't be traced to me and mailed it to a newspaper that night.

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Hey, Mike, Mike, you going to the courthouse? Take this to O'Shea, will you?

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Another Strangler letter telling all.

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Why can't he just strangle letter writers? One more and I'll strangle somebody.

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Another failure. The letter wasn't even printed.

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I was getting jumpy from being cooped up like a prisoner.

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What if he couldn't find me as long as I stayed home? I was losing money every day. I didn't pull my act.

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I could leave town, but why should I give up this good thing, my perfect set up?

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I'd been doing fine. Another year I could quit the racket, make friends, invest my money, maybe even get married.

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Now this had happened. I'd never be safe. Not as long as we both lived.

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I finally faced it. I have to find him and kill him.

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This time I put an ad in the Personals column. Would he see it? I'd run it till he did.

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A.K. Rice can book your Rope Act for mutual profit. Have immediate out of town engagement. Signed Slugger.

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Rope Act. Mutual profit.

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I knew that would get him because it sounded like blackmail.

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And by pretending to fall for a shakedown, he'd hope to get close enough to kill me.

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Only it was going to be the other way around. And so our strange correspondence began. He answered right away.

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Slugger. Interested in offers? Send details box 047M298. Rice. I had him hooked. I didn't lose any time writing.

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Dear Mr. Rice, I have an invention which I think you'll want for your Rope Act.

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It's expensive, but remember, it's completely silent. And yours exclusively if we agree on terms.

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Signed Slugger. Completely silent. It's delicious. And expensive. Yes, indeed.

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Slugger. Give price and details of contract. Rice. So close now. I couldn't afford the slightest mistake now.

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Dear Mr. Rice, 5,000 cash buys complete assortment of paper and leather goods.

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Time and place of meeting must be my choice, but decide fast. I must leave town immediately. Signed Slugger.

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P.S. You should never have left that snapshot in your wallet. It's awfully good of you.

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Snapshot? I thought I... I don't know. I didn't burn it.

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So the little lady's in a jam. Needs money to hide out. And I can help her make her get away.

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Oh, I can indeed.

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Slugger. Price okay. We'll close at your convenience. Rice. I've got him. My plan was as foolproof as I could make it.

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I packed a suitcase with the kind of clothes I'd hate to be found dead in. Maybe I would be.

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And told Mrs. Milford I was taking a vacation with friends. Oh, I'm so glad, dearie.

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I said to Miss Knight yesterday, that child should have country air. City air just don't do the same for you.

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Yes, I know. It'll do me good. And you stay longer if they ask you. Don't worry about me holding the apartment for you.

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Well, thanks a lot, Mrs. Tilford. It's certainly nice of you. I have to catch that train now. Goodbye.

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Have a nice time now.

18:44.440 --> 18:52.440
I took those awful clothes to the bus depot, changed, washed, and let the soap dry on my face till it was white and shiny and ten years older.

18:52.440 --> 18:59.440
With my hair skinned back tight under an old beret, I saw a stranger in the mirror. Baby face was gone. Good.

18:59.440 --> 19:05.440
No one had noticed me, and looking like this, nobody would. Then I walked to another apartment I'd rented by phone last week.

19:05.440 --> 19:09.440
It was in a dingy neighborhood.

19:12.440 --> 19:18.440
I'm Miss Sprout. Oh, Miss Sprout. You can move right in. The people left yesterday.

19:18.440 --> 19:23.440
Here, this is the key. It's the first door at the head of the stairs. Fine, I'll go right up.

19:23.440 --> 19:28.440
It ain't clean yet. Them stairs bother me so. I'd really rather do it myself. Thank you.

19:28.440 --> 19:32.440
Well, I'll just leave you alone there.

19:34.440 --> 19:43.440
Now I was Miss Annie Sprout, librarian, and I looked as much like Isabelle Townes, baby face, as an alley cat looks like a Persian.

19:43.440 --> 19:46.440
I sat down to write the last letter.

19:46.440 --> 19:53.440
Dear Mr. Rice, come to 609 Fitzgillbert Place at 10 p.m. Friday.

19:53.440 --> 19:58.440
And don't try to come near me, or I'll scream my head off.

19:58.440 --> 20:07.440
Tap five times, come in, and stand right by the door while we make sure neither of us is double-crossing the other.

20:07.440 --> 20:10.440
Have the money in an unsealed envelope.

20:10.440 --> 20:17.440
I want that traveling money, but I'd rather take a chance on the cops than on you, so follow instructions.

20:17.440 --> 20:20.440
Slugger.

20:20.440 --> 20:29.440
You fool. You baby-faced fool.

20:37.440 --> 20:41.440
He'd have to make sure the layout was right before he'd dare attack me.

20:41.440 --> 20:45.440
And the more precautions I took, the more he'd believe I was on the level.

20:45.440 --> 20:51.440
Near the door where he'd stand, I put a chest with a lamp on it.

20:51.440 --> 20:53.440
That was my booby trap, that lamp.

20:53.440 --> 20:58.440
The room was so dimly lit, he'd have to light my lamp to look at the wallet.

20:58.440 --> 21:01.440
And when he pulled the light chain, he'd shoot himself.

21:01.440 --> 21:05.440
I had a gun fixed where the bulb should be, and the chain pulled the trigger.

21:05.440 --> 21:09.440
It was set to get him in the chest, heart if I was lucky.

21:09.440 --> 21:15.440
Dead or not, I'd leave him there for the cops, with his wallet and clippings.

21:15.440 --> 21:17.440
Pretty cute, huh?

21:17.440 --> 21:26.440
And I'd skip out the back way with all that beautiful money, go to the depot, become Isabel Townes again, safe and free.

21:26.440 --> 21:42.440
I wore gloves all the time I was there, and the suitcase with Isabel Townes' identity in it was ready by the back door.

21:45.440 --> 21:52.440
The hours passed like centuries, and the old house creaked like a sick old man in a squeaky bed.

21:52.440 --> 21:57.440
Of course, it might be the house, or it might be someone on the stairs.

21:57.440 --> 22:01.440
And then it was ten o'clock.

22:02.440 --> 22:06.440
I was standing at the other end of the room, facing the door.

22:06.440 --> 22:09.440
The light was very dim.

22:11.440 --> 22:17.440
I heard the feet coming up the stairs, or was it just the creaking of the old house?

22:17.440 --> 22:20.440
No, no.

22:47.440 --> 22:50.440
Good evening, slugger.

22:50.440 --> 22:54.440
You see, I'm prompt, slugger.

22:54.440 --> 22:57.440
Stand where you are.

22:57.440 --> 22:59.440
Certainly.

22:59.440 --> 23:01.440
Did you bring the money?

23:01.440 --> 23:05.440
Yes, indeed. Here, Miss Endel.

23:05.440 --> 23:09.440
Throw it down in the middle of the room, between us.

23:09.440 --> 23:12.440
Go ahead, Miss Endel.

23:12.440 --> 23:17.440
It'll stay there while you examine the leather goods.

23:17.440 --> 23:19.440
Do you have the wallet here?

23:19.440 --> 23:20.440
Yes.

23:20.440 --> 23:25.440
Throw the money. I can't reach it from here, you know. It's quite safe.

23:25.440 --> 23:27.440
All right.

23:27.440 --> 23:30.440
There.

23:30.440 --> 23:32.440
The wallet.

23:32.440 --> 23:34.440
Where is it?

23:34.440 --> 23:37.440
On that chest beside you by the lamp.

23:37.440 --> 23:42.440
Yes.

23:42.440 --> 23:47.440
Well, thanks, slugger.

23:47.440 --> 23:52.440
Aren't you going to look to see that everything's there?

23:52.440 --> 23:55.440
Why should I?

23:55.440 --> 23:58.440
I trust you.

23:58.440 --> 24:01.440
So long, babyface.

24:01.440 --> 24:07.440
See you around.

24:07.440 --> 24:09.440
He's gotten away, alive.

24:09.440 --> 24:11.440
He must have guessed I'd done something to the lamp.

24:11.440 --> 24:14.440
So he was still alive and still dangerous.

24:14.440 --> 24:17.440
But at least I had the money, the $5,000.

24:17.440 --> 24:20.440
I picked up the envelope and opened it.

24:20.440 --> 24:24.440
There was nothing in it but pieces of newspaper cut to the size of bills.

24:24.440 --> 24:26.440
Why, you dirty cheat!

24:26.440 --> 24:27.440
I ran to the door and opened it.

24:27.440 --> 24:29.440
I looked out, but he wasn't in there.

24:29.440 --> 24:31.440
Maybe I could catch him before he got out of the house.

24:31.440 --> 24:33.440
You won't get away with this.

24:33.440 --> 24:37.440
I stepped into the hall and before I could turn, I felt the rope around my neck.

24:37.440 --> 24:41.440
His hands were pulling it tight.

24:41.440 --> 24:59.440
Oh, baby, I told you I'd see you around, didn't I?

24:59.440 --> 25:02.440
There you are, baby.

25:02.440 --> 25:07.440
You're paid off in full.

25:07.440 --> 25:19.440
Now, I'll just go back inside.

25:19.440 --> 25:22.440
Let's see.

25:22.440 --> 25:33.440
I guess you'll be safe on the floor while we finish our business.

25:33.440 --> 25:39.440
Now, I'll take a look at that wallet, baby.

25:39.440 --> 25:42.440
You might have held out some of those clippings.

25:42.440 --> 25:44.440
I'll just turn on this light.

25:44.440 --> 26:06.440
Thank you, Lucille Ball, for a splendid performance.

26:06.440 --> 26:09.440
Miss Ball will return in just a moment.

26:09.440 --> 26:11.440
Say, Hap, you going back to Oregon?

26:11.440 --> 26:12.440
Well, how are you?

26:12.440 --> 26:15.440
That's a nice trip if you can get it with an auto light stay full battery.

26:15.440 --> 26:18.440
You know, I'd advise you to get a sign for your thumb saying,

26:18.440 --> 26:21.440
any car with auto light stay full batteries can carry me.

26:21.440 --> 26:22.440
I forgot my canteen.

26:22.440 --> 26:23.440
But, Harlow, I...

26:23.440 --> 26:25.440
Of course, you could buy an auto light stay full battery

26:25.440 --> 26:28.440
and simply insist that whoever picked you up use your battery,

26:28.440 --> 26:30.440
but you couldn't get back to Oregon that way.

26:30.440 --> 26:32.440
No, sirree, they'd never let you out of the car

26:32.440 --> 26:35.440
just so they could keep that wonderful auto light stay full battery.

26:35.440 --> 26:38.440
Let's see, after you got to Oregon, you could go to Washington, Montana,

26:38.440 --> 26:40.440
Minnesota, Maine, New York, and Florida.

26:40.440 --> 26:44.440
But, Harlow, I've been trying to tell you I've got an auto light stay full battery.

26:44.440 --> 26:49.440
Oh, well then, you know that auto light means batteries.

26:49.440 --> 26:50.440
Stay full battery.

26:50.440 --> 26:52.440
Auto light means spark plugs.

26:52.440 --> 26:54.440
Ignition engineered spark plugs.

26:54.440 --> 26:56.440
Auto light means ignition system.

26:56.440 --> 27:05.440
The lifeline of your car.

27:05.440 --> 27:07.440
And now here again is Miss Lucille Ball.

27:07.440 --> 27:10.440
It's always a great pleasure to appear on Suspense,

27:10.440 --> 27:13.440
especially when the part is so unusual and exciting.

27:13.440 --> 27:14.440
That's right, Miss Ball.

27:14.440 --> 27:16.440
The part of Isabelle tonight was very different

27:16.440 --> 27:19.440
from your regular radio role on My Favorite Husband.

27:19.440 --> 27:20.440
Ha ha, plug.

27:20.440 --> 27:21.440
Why not?

27:21.440 --> 27:22.440
Why not?

27:22.440 --> 27:25.440
Something like, uh, listen to Lucille Ball

27:25.440 --> 27:28.440
as Liz Cougar on My Favorite Husband every Saturday night.

27:28.440 --> 27:30.440
Over your favorite CBS station.

27:30.440 --> 27:31.440
All right?

27:31.440 --> 27:32.440
Wonderful.

27:32.440 --> 27:34.440
And I hope all of you will be listening next week

27:34.440 --> 27:37.440
when Suspense presents William Powell in a role

27:37.440 --> 27:40.440
that's also different from the parts he's been playing lately.

27:40.440 --> 27:43.440
He's playing a man who's just stolen a quarter of a million dollars

27:43.440 --> 27:45.440
and then finds out that...

27:45.440 --> 27:49.440
But you'll hear about it next Thursday when Suspense brings you

27:49.440 --> 27:53.440
Give Me Liberty, another gripping study in...

27:53.440 --> 28:03.440
Suspense.

28:03.440 --> 28:06.440
Lucille Ball may soon be seen in the Paramount production

28:06.440 --> 28:07.440
Sourful Jones.

28:07.440 --> 28:10.440
Barry Kroger was heard tonight in the part of The Strangler.

28:10.440 --> 28:12.440
Tonight's Suspense play was written by Virginia Cross

28:12.440 --> 28:14.440
with music composed by Lucien Morrowek

28:14.440 --> 28:16.440
and conducted by Lud Bluskin.

28:16.440 --> 28:19.440
The entire production was under the direction of Anton M. Leeder.

28:19.440 --> 28:21.440
In the coming weeks, Suspense will present such stars

28:21.440 --> 28:24.440
as John Garfield, Margaret O'Brien, Sydney Greenstreet,

28:24.440 --> 28:27.440
Agnes Moorhead, Edmund O'Brien, and many others.

28:27.440 --> 28:30.440
Make it a point to listen each Thursday to Suspense,

28:30.440 --> 28:33.440
Radio's outstanding theater of thrills.

28:33.440 --> 28:36.440
And next Thursday same time, hear William Powell in

28:36.440 --> 28:46.440
Give Me Liberty.

28:46.440 --> 28:49.440
This is the Auto Light Suspense Show.

28:49.440 --> 28:51.440
Here's your party, Miss Ball.

28:51.440 --> 28:53.440
We should all support our local community chest

28:53.440 --> 28:55.440
and their drives for funds.

28:55.440 --> 28:58.440
Money is badly needed for aid to the handicapped,

28:58.440 --> 29:03.440
child care, hospitals, clinics, and a host of other humanitarian services.

29:03.440 --> 29:06.440
Subscribe to your local community chest.

29:06.440 --> 29:09.440
Everybody benefits, everybody gives.

29:09.440 --> 29:12.440
Thank you.

29:12.440 --> 29:29.440
This is CBS, the Columbia Broadcasting System.

