1
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In just a moment, suspense with Edward G. Robinson.

2
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Boy, have I got the hiccups.

3
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I'll say you have.

4
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And the way you're sputtering, you sound like a car that needs a set of new auto lights bar clubs.

5
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No, Hap, it isn't funny. Billy, have you tried drinking a glass of water while you hold your breath?

6
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Mom, I'm so full of water now I feel...

7
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I feel like an auto light stay full battery.

8
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Men never take anything seriously.

9
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Maybe what Billy needs is a hiccup.

10
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I mean a checkup at an auto light ignition service station.

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It might help if I could get my mind on something else.

12
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Say, I know what'll make you forget those hiccups and give you a bunch of thrills to boot.

13
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Switch to auto light, Mary.

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It's time for suspense.

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Suspense.

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Auto light and its 60,000 dealers and service stations bring you Radio's Outstanding Theatre of Thrills.

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Starring tonight, Mr. Edward G. Robinson in Anton Leder's production of The Man Who Wanted to Be Edward G. Robinson.

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A tale well calculated to keep you in suspense.

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I'm making this statement in accordance with a promise to a very dear friend.

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It's a complete statement in every detail, including those matters which are to me personally most incriminating.

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Because my trust in my friend is such that I haven't the slightest concern on that score.

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Or any other.

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What follows concerns primarily two persons.

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Myself, Homer J. Hubbard, and my wife, Ada Sampsey Hubbard.

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Even when I was courting Ada, I was aware that hers was a strong and domineering personality, say the least.

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And after we were married, well, at first I put up with Ada's constant nagging and petty persecutions as best I could.

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I'd put up with them for 20 long years.

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It wasn't until a memorable evening a little over a year ago that the first dim outlines of an escape and finally a plan began to take shape in my mind.

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You see, I never was much of a one for movies, but Ada and I had gone to see a picture called Little Caesar.

30
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It was a reissue, I think they call it, with an actor in it whom I'd never even heard of before.

31
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Oh, so you thought you were right on me, huh?

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Well, get this. Nobody rats on Little Caesar, see?

33
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Everybody!

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The moment I saw that face on the screen, the minute I heard that voice, the world of reality around me simply ceased to exist.

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I lived that picture. I was Little Caesar. I was Edward G. Robinson.

36
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I was dimly conscious that my voice was like his, that even my face without my spectacles and with my hair parted differently might have been mistaken for his,

37
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but it was more than that. It was his personality that fascinated me, and that I assumed.

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Calm, assured, tough, kind of a man who made people do what he wanted done, the way he wanted it done.

39
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Walking out of the movie theatre afterward, I knew something had happened that was going to change my whole life.

40
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Well, there's a man. Oh, Caesar, they call him, and well they may.

41
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And that Edward G. Robinson, I'll wager he's no Casper Milktoast, either.

42
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Yes, dear. Is that all you have to say? Yes, dear.

43
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What does it take to arouse a little enthusiasm in you, anyway?

44
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Here you've seen a fine performance, a picture that'd get anybody in the world excited, and all you can say is, yes, dear.

45
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I wish you were half the man that Robinson is.

46
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But from that moment I no longer really cared what he'd wished to thought.

47
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I'd begun my escape into a dream world of my own making, a world in which I was Edward G. Robinson.

48
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As the weeks went by, I began to identify myself with him more and more.

49
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I imagined myself in countless dangerous situations, and when no one was looking, I imitated him and I affected his mannerisms.

50
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I would start daydreaming at my desk wondering what the other people in the office would think if I suddenly exposed this hidden side of my personality.

51
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Okay, everybody, stay where you are. You ready? Hold your hands over your heads.

52
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I don't want any monkey business, see? Now stand back there, Ryan.

53
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Any funny stuff from you and I'll let you have it.

54
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This is preposterous. What do you mean by such behavior? Is this your idea of a joke?

55
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You'll see whether it's a joke or not if you make one false move.

56
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Now, this isn't a water pistol I'm holding here, you know.

57
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You're fired. Leave this office immediately.

58
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Well, I'm getting out all right, but I'm not fired, see? I'm leaving well here. That's where you come in, Mr. Ryan.

59
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Please, please, Hubbard, be reasonable.

60
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Now shut up and do what I tell you. Keep your hands up in the air, will you? Walk over to that safe.

61
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Open it up. Get all the money out of it and put it right here on the desk in front of me. Now get moving.

62
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I don't want to have any trouble with you, Ryan. I'm going to count three, and if you're not moving when I finish, you'll never move again, see?

63
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One, two...

64
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Hubbard!

65
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What are you doing daydreaming?

66
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You'd better get busy or I shall be forced to report you to Mr. Pemberton again.

67
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Oh, oh, I'm so sorry, Mr. Ryan. I'm terribly sorry. I can't understand what could have come over me.

68
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Well, that's the way it went. At the office, walking down the street, riding home on the bus. My life outwardly, calm and well-ordered, possibly even dull.

69
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It was actually 24 hours of harrowing adventure with myself as the central figure. I saw every Edward G. Robinson picture that came out.

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It was the day after seeing Key Largo for the third time that Ada finally caught me. I was lathering my face and talking to myself.

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Okay, a rat, you asked for it. You don't come out, say we're coming to get you, see? And we're coming in shooting, see? What's that? Oh, yeah?

72
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Well, only a dirty yellow rat would say that. Okay, boys, let them have it.

73
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Well, I never. Of all the full performances I ever heard of, this beats everything. What in the world are you jabbering about in here?

74
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Oh, well, it's really nothing, dear Ada. I was just sort of trying to imitate Edward G. Robinson.

75
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You were what? Edward G. Robinson?

76
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Yeah.

77
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Oh, that's rich. You tried to imitate Edward G. Robinson.

78
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Hmm. Yeah.

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Oh, I can't stand it. Don't stop. Don't let me interrupt the performance, Mr. Movie Star. Come on, come on. Do your act for me.

80
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Well, dear, I don't see anything so funny about it.

81
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Oh, maybe you don't. But you're the only person in the world who wants to. Oh, my. I'll leave you to your rehearsing.

82
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Why don't you imitate any Bracken or Margaret or Brian? I think you'd find it easier.

83
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It was right then that I decided to kill her.

84
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For suspense, Auto Light is bringing you Mr. Edward G. Robinson in radio's outstanding theater of thrills, Suspense.

85
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Say, Mary, looks like Billy's all over those hiccups thanks to Edward G. Robinson and suspense.

86
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Shh. Don't mention hiccups again. He might get them back. Let's switch his mind to something else.

87
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Well, you know how he is about anything Auto Light makes. Let's listen to Frank Martin. That'll do the trick.

88
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Friends, money can't buy better electrical equipment for your car than Auto Light. And here's why.

89
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In the first place, Auto Light is the world's largest independent manufacturer of automotive electrical equipment,

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original factory equipment for many of the finest cars and trucks in America.

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In its 26 nationwide plants, Auto Light manufactures distributors, generators, starting motors, spark plugs, batteries, wire,

92
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not to mention such things as bumpers, die castings, horns, instruments and gauges, lights, ornamental plastics, and over 400 other products.

93
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What's more, Auto Light service stations all over the country are staffed with trained men and specialized machines

94
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to give your car the best possible electrical service.

95
00:09:03,940 --> 00:09:09,940
So friends, when your car's electrical equipment needs attention, drive into your nearest Auto Light service station

96
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or the dealer who sells your make of car and ask for original factory parts and service.

97
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Remember, Auto Light service stations are listed in your classified telephone directory under automotive electrical equipment.

98
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And now, Auto Light brings back to our Hollywood sound stage Mr. Edward G. Robinson in The Man Who Wanted to Be Edward G. Robinson.

99
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A tale well calculated to keep you in suspense.

100
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The Man Who Wanted to Be Edward G. Robinson

101
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I, uh, I might have decided to have mercy on her if she'd only let me alone.

102
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But Ada could never leave anyone alone.

103
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She ridiculed me at home and in front of our friends.

104
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Sometimes she'd let a few weeks go by without saying anything and I would think that perhaps she had forgotten.

105
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No, Ada never forgot.

106
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She would wait until we were in a group of people and then she would come out with it.

107
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Well, my dear, you mean I haven't told you about Homer's dream world?

108
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He thinks he's Edward G. Robinson.

109
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Oh, no!

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Do tell us, Mr. Homer G. Robinson, when do you think you'll be getting your next contract from Hollywood?

111
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Oh, you folks have got Homer all wrong.

112
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He's a killer at heart, just a cold-blooded killer.

113
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I want to buy a gun.

114
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Yes, sir. What kind of a gun?

115
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Well, I don't know much about guns, but that one looks all right.

116
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Yes, yes. That's a nice little gun.

117
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Yes, isn't it?

118
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2850.

119
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Do I have to have a license?

120
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Oh, not unless you're going to carry it on your person.

121
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Otherwise, we just register it for the police records under your name.

122
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What's the name?

123
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Oh, Edward G. Robinson.

124
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I beg your pardon?

125
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You heard me, Mug. Edward G. Robinson. See?

126
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I had made my plans very carefully.

127
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My plan was that her murder would look like suicide.

128
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It would be a night when the moon was full so that I could see her head on the pillow and aim carefully.

129
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I would fire the shot through the temple, quickly wipe my fingerprints from the handle of the gun, and then push it into her hand.

130
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And as the shot and buried husband, I would call Dr. Wallace.

131
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The police wouldn't come until later, and when they did, I would be ready for them.

132
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I was so busy laying my plans that I hadn't been reading the papers and had to be told the big news.

133
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Homer?

134
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Oh, I beg your pardon. Mr. Robinson.

135
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Oh, please.

136
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Would you mind passing the spinach? That is, if you're not too preoccupied with planning your next murder.

137
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Oh, please, please, Ada.

138
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Yeah, held up any banks lately, Homer?

139
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Here you are, dear.

140
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Oh, say, that reminds me, all kidding aside. Did you know that he's going to be here next week?

141
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Who?

142
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Edward G. Robinson.

143
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What?

144
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He's going to address the hobbyist convention.

145
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Oh, is that so?

146
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Yeah, sure. Well, hi. I'd like to hear him.

147
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I would too. Oh, I'd love to see what a real he-man is like. Not just a poor imitation.

148
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We went, and at first it was the most terrible this point in my life, because he wasn't tough or hard-boiled or anything like it.

149
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He seemed to be a mild-mannered little fellow, a little shy, almost like me.

150
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He talked about orchids and modern art. They were his hobbies, he said, raising orchids and collecting paintings, modern paintings.

151
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As the lecture went on, I began to understand. By the time it was over, I knew.

152
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And so, ladies and gentlemen, I consider myself twice blessed.

153
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Every man is blessed who has a hobby, but I am among the fortunate few who have two hobbies.

154
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And as the fellow said, whose fiancé had a twin sister, I love them both.

155
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Thank you, thank you very much.

156
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Later that evening, I made an excuse to get away from Ada and went down to the hotel where I knew Mr. Robinson was staying.

157
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I bribed the bellboy $1.75 to tell me which was his room.

158
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I went down the hall and knocked at the door of 708.

159
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Yeah?

160
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Western Union. Come on in.

161
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Just put it on the...

162
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Well, say, Western Union dresses their boys up pretty snappy in this town, don't they?

163
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I must apologize for adopting the subterfuge, Mr. Robinson, but I have something of the utmost importance to discuss with you.

164
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I was afraid you might not see me since, well, we've never been formally introduced.

165
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Ha, ha, ha! Formally introduced? That's all right. What is it, autograph?

166
00:14:41,940 --> 00:14:46,940
I'm afraid it's something a good deal more serious than that, Mr. Robinson.

167
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Yeah? Well, you caught me right in the middle of shaving, as you see, but if you don't mind my finishing the job while you talk, I...

168
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Come right along inside. Tell me all about it.

169
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Thank you.

170
00:14:57,940 --> 00:15:01,940
Well, now, what's on your mind?

171
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Well, Mr. Robinson, I have a problem and I feel you are the person best fitted in the world to tell me what to do.

172
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That so? Well, what is the problem?

173
00:15:12,940 --> 00:15:19,940
Well, Mr. Robinson, suppose... Of course, this is purely hypothetical.

174
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But suppose you were going to kill somebody.

175
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Kill somebody?

176
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Yes, in your own home, somebody who is, shall we say, related to you.

177
00:15:31,940 --> 00:15:37,940
Now, hold on a minute, Mr. Hubbard. Homer J. Hubbard.

178
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Mr. Hubbard, I may look like a bad guy on the screen, but when I'm not working, I'm just a plain, peace-loving citizen like anybody else.

179
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Oh, you can fool people like that. Audience night with all that talk about orchids and modern art.

180
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It was very good and I quite understand why you do it.

181
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A man in your position must have a front, of course, but you didn't fool me.

182
00:16:01,940 --> 00:16:09,940
I didn't, huh? Well, I know. Rather, I knew I could come to you and be perfectly frank.

183
00:16:09,940 --> 00:16:11,940
Yeah, about what?

184
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About the murder.

185
00:16:13,940 --> 00:16:15,940
About the what?

186
00:16:15,940 --> 00:16:24,940
Look at me, Mr. Robinson. I'm a shy, inhibited, weak, utterly ineffectual person.

187
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I have none of your assurance, your hardness, your ability to cope with any situation, to direct ruthless wha...

188
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Yeah? Well, how many times I wished I had, because for 20 years my life has been made horribly, unbearably miserable by one person.

189
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My wife.

190
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Oh, so that's the way it is. Yes. For years I bore it as best I could and then one day I thought, how would you have coped with it?

191
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And of course I knew it once. You would kill her.

192
00:16:57,940 --> 00:16:59,940
Yeah, now, wait a minute. Are you kidding me?

193
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Oh, no, no, Mr. Robinson. I wouldn't think of such a thing.

194
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Look, look here. I've even secured a gun to do it with. Hmm?

195
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Yeah, here, you better give me that. No, no, don't point it. Hand it at me by the barrel. Here.

196
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Put it over here. Safer, you know.

197
00:17:19,940 --> 00:17:25,940
Yeah, I must admit I know very little about firearms and they're quite distasteful to me.

198
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Yes, you and me both.

199
00:17:27,940 --> 00:17:29,940
You, Mr. Robinson?

200
00:17:29,940 --> 00:17:36,940
Well, I mean, small arms like that. Of course, a Tommy gun, that's different. That's the only thing to use.

201
00:17:36,940 --> 00:17:41,940
Yeah, I suppose you're right. But I didn't know where to get a Tommy gun.

202
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I was afraid even if I did, I'd never master the art of using it.

203
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Yeah, well, now you want to kill your wife, is that it? You want me to help you?

204
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If you would, Mr. Robinson, if you could spare the time, I can't tell you how grateful I'd be.

205
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Yeah, well, you know, Mr. Hubbard, you look like a pretty nice little guy.

206
00:18:04,940 --> 00:18:09,940
Well, it must really be an old battle axe to have got you in a frame of mind like this.

207
00:18:09,940 --> 00:18:13,940
All right, now I'll tell you what I'll do. I will help you.

208
00:18:13,940 --> 00:18:18,940
Oh, Mr. Robinson. Yes, but it's got to be done my way, see? It's got to be done right. You got to plan these things.

209
00:18:18,940 --> 00:18:22,940
Yeah, now, take this gat, this little flea, for instance, that you got over there.

210
00:18:22,940 --> 00:18:29,940
That's no kind of a rod to kill your wife with. Why, the caliber is all wrong. The ballistics would be all wrong.

211
00:18:29,940 --> 00:18:34,940
Fix would be on your trail just like that. Now, I got to get home. That's perfect for the job.

212
00:18:34,940 --> 00:18:39,940
Get me? I've knocked off Orson Welles, Jimmy Keag. Oh, I don't know how many guys with this.

213
00:18:39,940 --> 00:18:42,940
Now, the first thing when I get home, I'll send it to you parcel post, see?

214
00:18:42,940 --> 00:18:47,940
Would you, Mr. Robinson? Oh, sure, sure. Now, when you get it, just lay low, see?

215
00:18:47,940 --> 00:18:54,940
Now, don't do a thing till you hear from me. I'll lay this thing out for some of my boys, and then I'll get in touch with you. Okay?

216
00:18:54,940 --> 00:19:01,940
Oh, yes, Mr. Robinson. I don't know how to thank you. Ah, forget it, pal.

217
00:19:01,940 --> 00:19:03,940
What's a little moiter between friends?

218
00:19:09,940 --> 00:19:13,940
I could scarcely maintain my composure in the two days that followed.

219
00:19:13,940 --> 00:19:22,940
The second day, sure enough, the gun arrived. It was a great heavy thing, the kind that's referred to, I think, as an automatic.

220
00:19:22,940 --> 00:19:27,940
Remembering its history, I handle it with the utmost care of reverence.

221
00:19:27,940 --> 00:19:33,940
I hid it in the garage where I keep my pipe that Hader won't let me smoke in the house.

222
00:19:33,940 --> 00:19:37,940
It was the next afternoon, Saturday, that the phone rang.

223
00:19:37,940 --> 00:19:45,940
I rushed into the bedroom to answer it and close the door after me so Hader wouldn't hear in case it was.

224
00:19:45,940 --> 00:19:47,940
Hello, Homer? Yes?

225
00:19:47,940 --> 00:19:50,940
This is Eddie. Eddie?

226
00:19:50,940 --> 00:19:52,940
Yeah, yeah, you know, Eddie Robinson.

227
00:19:52,940 --> 00:19:56,940
Oh, yes, yes, Miss... uh, Eddie.

228
00:19:56,940 --> 00:19:58,940
You get that package I sent you?

229
00:19:58,940 --> 00:20:00,940
Oh, yes, yes, I got it.

230
00:20:00,940 --> 00:20:04,940
Okay, but don't fool around with it, will you, until the time comes. Kind of tricky.

231
00:20:04,940 --> 00:20:06,940
Oh, no, no, no, I won't.

232
00:20:06,940 --> 00:20:11,940
Now, listen, the bed line is tomorrow night. Midnight, got it?

233
00:20:11,940 --> 00:20:12,940
Yes.

234
00:20:12,940 --> 00:20:19,940
Now, here's the layout. Tomorrow night, you go to bed, just as always, but have that cat handy and leave the front door open, see?

235
00:20:19,940 --> 00:20:21,940
I understand.

236
00:20:21,940 --> 00:20:26,940
Oh, I say, wait a minute, I meant to ask you, is it safe to talk where you are?

237
00:20:26,940 --> 00:20:31,940
Oh, yes, yes, the phone's in the bedroom and the door is closed.

238
00:20:31,940 --> 00:20:34,940
The bedroom, huh? That's well...

239
00:20:34,940 --> 00:20:38,940
Well, now, listen, a little before midnight, you get up, see?

240
00:20:38,940 --> 00:20:42,940
When she's asleep, you take a spot just outside the bedroom door, see?

241
00:20:42,940 --> 00:20:46,940
Where you can keep an eye on her and on the front door, too, see?

242
00:20:46,940 --> 00:20:47,940
Yes.

243
00:20:47,940 --> 00:20:49,940
Well, at midnight, I'll contact you.

244
00:20:49,940 --> 00:20:54,940
We'll do your job and then make a quick getaway and you can hole up in the hide until he eats off. Get it?

245
00:20:54,940 --> 00:20:56,940
Tomorrow night, midnight.

246
00:20:56,940 --> 00:21:01,940
I'll do everything just as you say, Eddie.

247
00:21:04,940 --> 00:21:07,940
I followed his instructions to the letter.

248
00:21:07,940 --> 00:21:10,940
It seemed hours before Ada went to sleep that night.

249
00:21:10,940 --> 00:21:14,940
It seemed days until my watch finally crept around towards midnight.

250
00:21:14,940 --> 00:21:18,940
But at last, the time had come.

251
00:21:18,940 --> 00:21:22,940
I crept out of bed, got the gun out of my coat pocket,

252
00:21:22,940 --> 00:21:29,940
and took my position on the landing outside the bedroom door as he had told me to.

253
00:21:31,940 --> 00:21:34,940
And then suddenly, suddenly the phone rang.

254
00:21:34,940 --> 00:21:36,940
The plan was ruined.

255
00:21:36,940 --> 00:21:39,940
Even Edward G. Robinson couldn't have foreseen this.

256
00:21:39,940 --> 00:21:44,940
I rushed back into the bedroom hoping against hope that I could catch it before Ada woke up.

257
00:21:44,940 --> 00:21:46,940
But she already had the light on.

258
00:21:46,940 --> 00:21:52,940
Homer! What in the world are you doing prowling around at this time of night with a gun in your hand?

259
00:21:52,940 --> 00:21:54,940
I thought I heard a burglar.

260
00:21:54,940 --> 00:21:59,940
Burglar? When I've answered this phone, I want to talk to you, Homer Jeremiah Hubbard. Hello?

261
00:21:59,940 --> 00:22:01,940
Yes.

262
00:22:02,940 --> 00:22:04,940
What?

263
00:22:04,940 --> 00:22:05,940
Oh.

264
00:22:05,940 --> 00:22:06,940
What?

265
00:22:06,940 --> 00:22:07,940
Homer, there is a burglar.

266
00:22:07,940 --> 00:22:08,940
Is there?

267
00:22:08,940 --> 00:22:10,940
Someone just saw him trying to get into the house.

268
00:22:10,940 --> 00:22:11,940
Are you sure?

269
00:22:11,940 --> 00:22:15,940
Of course I am. A man just phoned that he saw the burglar.

270
00:22:15,940 --> 00:22:17,940
Well, don't just stand there.

271
00:22:17,940 --> 00:22:19,940
You've got a gun. Go on down and stop him.

272
00:22:19,940 --> 00:22:20,940
But Ada...

273
00:22:20,940 --> 00:22:23,940
Go on. Do you want us to be killed in our beds? Go on, I say.

274
00:22:23,940 --> 00:22:27,940
Oh, wait. Why do you have to spoil everything?

275
00:22:30,940 --> 00:22:32,940
There was nothing to do but go.

276
00:22:32,940 --> 00:22:36,940
I crept down the stairs in the darkness.

277
00:22:36,940 --> 00:22:39,940
I knew what Edward G. Robinson would have done.

278
00:22:39,940 --> 00:22:44,940
He would have gone down and captured the burglar without the slightest trouble and turned him over to the police.

279
00:22:44,940 --> 00:22:46,940
After giving him the beating he deserved.

280
00:22:46,940 --> 00:22:51,940
But somehow I didn't feel much like Edward G. Robinson just then.

281
00:22:51,940 --> 00:22:56,940
It was at that moment that the terrible thought occurred to me that maybe it wasn't the burglar.

282
00:22:56,940 --> 00:22:58,940
Maybe this was Edward G. Robinson.

283
00:22:58,940 --> 00:23:00,940
I had no time to pursue the thought further.

284
00:23:00,940 --> 00:23:01,940
Let him have it!

285
00:23:01,940 --> 00:23:06,940
Suddenly, suddenly there was a barrage of shots and a confused yelling of voices.

286
00:23:06,940 --> 00:23:09,940
In my terror I suppose I must have squeezed the trigger of my own gun.

287
00:23:09,940 --> 00:23:12,940
Because it began jumping and thrusting in my hand.

288
00:23:12,940 --> 00:23:17,940
I tripped on something and the next thing I knew I was tumbling headlong down the stairs and that was the last I remember.

289
00:23:25,940 --> 00:23:30,940
When I woke up Ada was holding my head in her arms and she was crying.

290
00:23:30,940 --> 00:23:34,940
They made me stay in bed for a couple of days but I really didn't mind.

291
00:23:34,940 --> 00:23:39,940
There were reporters to see me and take my picture for the paper and all kinds of people.

292
00:23:39,940 --> 00:23:42,940
Even Mr. Ryan and Mr. Pemberton came to see me.

293
00:23:42,940 --> 00:23:46,940
Ada? Well Ada was simply a changed person.

294
00:23:46,940 --> 00:23:48,940
Nothing was too good for me.

295
00:23:48,940 --> 00:23:51,940
My slightest wish was literally her command.

296
00:23:51,940 --> 00:23:58,940
If the whole thing hadn't been an accident, if I'd planned it that way, it couldn't have turned out better.

297
00:23:58,940 --> 00:24:05,940
And then, then was the final climax that afternoon when the phone rang by my bed.

298
00:24:06,940 --> 00:24:09,940
Yes? Oh yes!

299
00:24:09,940 --> 00:24:13,940
Eddie? You did, you did, huh?

300
00:24:13,940 --> 00:24:16,940
Oh nothing, nothing really.

301
00:24:16,940 --> 00:24:19,940
Yes? Oh.

302
00:24:19,940 --> 00:24:24,940
Well, about that, things have changed.

303
00:24:24,940 --> 00:24:27,940
Oh yes, they have changed quite a lot.

304
00:24:27,940 --> 00:24:31,940
I don't think we'll have to go through with it.

305
00:24:31,940 --> 00:24:33,940
Yeah, that's right.

306
00:24:33,940 --> 00:24:36,940
Oh sure, sure, she's right here. Just a minute.

307
00:24:36,940 --> 00:24:38,940
Eddie wants to talk to you, Ada.

308
00:24:38,940 --> 00:24:39,940
Eddie?

309
00:24:39,940 --> 00:24:42,940
Yeah, Eddie Robinson. Quite a pal of mine.

310
00:24:42,940 --> 00:24:44,940
You mean Edward G. Robinson?

311
00:24:44,940 --> 00:24:50,940
Oh yes, he, we had quite a little chat that night. He was in town after I let you. He got pretty chummy.

312
00:24:50,940 --> 00:24:51,940
Here, go on.

313
00:24:51,940 --> 00:24:55,940
Hello? Oh yes.

314
00:24:55,940 --> 00:25:00,940
Oh yes, Mr. Robinson. Oh I know he is.

315
00:25:00,940 --> 00:25:04,940
Oh I certainly will, Mr. Robinson.

316
00:25:04,940 --> 00:25:08,940
Yes, yes, I know I'm very lucky.

317
00:25:08,940 --> 00:25:13,940
All right, Mr. Robinson. Goodbye.

318
00:25:13,940 --> 00:25:17,940
Oh Homer, he knew all about it. He'd seen it in the papers.

319
00:25:17,940 --> 00:25:18,940
Yeah, so he said.

320
00:25:18,940 --> 00:25:24,940
And he said you were a hero. A real hero. Bigger than any movie hero that ever was.

321
00:25:24,940 --> 00:25:25,940
He did, huh?

322
00:25:25,940 --> 00:25:26,940
Oh Homer.

323
00:25:26,940 --> 00:25:32,940
Well, if Eddie Robinson says I'm a hero, I guess maybe I am.

324
00:25:32,940 --> 00:25:40,940
MUSIC

325
00:25:40,940 --> 00:25:43,940
Couldn't have turned out better, Eddie. You know how grateful I am.

326
00:25:43,940 --> 00:25:49,940
I'm a regular little Caesar around town now and my married life is all I've ever wanted to be.

327
00:25:49,940 --> 00:25:52,940
Of course, there are some things about the whole thing that confuse me a little.

328
00:25:52,940 --> 00:25:58,940
It has even occurred to me, I'll confess that you might have had more of a hand in it that was generally known,

329
00:25:58,940 --> 00:26:01,940
and that the gun you sent me might have contained blanks.

330
00:26:01,940 --> 00:26:07,940
I believe you called them because in spite of all the shooting, there wasn't one bullet hole anywhere in the house.

331
00:26:07,940 --> 00:26:10,940
And the gun had disappeared, which confused the police somewhat too.

332
00:26:10,940 --> 00:26:14,940
And the burglars might have been some of your boys playing a little joke.

333
00:26:14,940 --> 00:26:19,940
But I don't think you would do a thing like that to a pal, Eddie. Would you?

334
00:26:19,940 --> 00:26:26,940
I don't even think you would use the statement that you asked me to send you to hold over my head as a guarantee that I wouldn't try to kill Eddie again.

335
00:26:26,940 --> 00:26:28,940
Now, not that I ever would.

336
00:26:28,940 --> 00:26:33,940
Yes, but even if you did all that, Eddie, I don't really mind.

337
00:26:33,940 --> 00:26:38,940
Because as you might say yourself, what's a little joke between pals?

338
00:26:38,940 --> 00:26:46,940
MUSIC

339
00:26:46,940 --> 00:26:53,940
Thank you, Edward G. Robinson, for a splendid performance. Mr. Robinson will return in just a moment.

340
00:26:53,940 --> 00:26:57,940
My, that was a wonderful performance, wasn't it, Hap?

341
00:26:57,940 --> 00:27:01,940
Sure was. Oh, say, Billy, how are the hiccups?

342
00:27:01,940 --> 00:27:05,940
Oh, God, Dad, I think I lost them during Mr. Martin's last Auto Light commercial.

343
00:27:05,940 --> 00:27:14,940
Yeah, that's fine. Well, I guess it's time to... Oh, my gosh. Now, I've got them. Mary, turn up Frank Martin again, quick.

344
00:27:14,940 --> 00:27:23,940
Auto Light Original Factory Parts and Auto Light Service Stations work as a team to help you maintain carefree, economical performance for your car.

345
00:27:23,940 --> 00:27:35,940
So, friends, when your car's electrical system needs attention, drive into your nearest Auto Light Service Station or the dealer who sells your make of car and ask for Original Factory Parts and Auto Light Service.

346
00:27:35,940 --> 00:27:42,940
Money can't buy better electrical equipment than Auto Light. And remember, Auto Light means spark plug.

347
00:27:42,940 --> 00:27:52,940
Ignition engineered spark plug. Auto Light means batteries. Stay full, batteries. Auto Light means ignition system. The lifeline of your car.

348
00:27:58,940 --> 00:28:01,940
And now here again is Mr. Edward G. Robinson.

349
00:28:01,940 --> 00:28:09,940
It's been fun appearing in our suspense story tonight, but just so nobody gets the wrong idea, it was only a story. I'm not really so doubtful.

350
00:28:09,940 --> 00:28:20,940
Only get this. I'm telling you, see, you better listen to suspense next week, see, because Ray Milan will be hearing the story called Night Trial by William L. Stewart.

351
00:28:20,940 --> 00:28:25,940
Another gripping study in... Suspense.

352
00:28:27,940 --> 00:28:32,940
Edward G. Robinson may soon be seen in the Paramount production, Night Has a Thousand Eyes.

353
00:28:32,940 --> 00:28:39,940
Tonight's suspense play was written by Leslie Raditz with music composed by Lucian Morawick and conducted by Lud Gluskin.

354
00:28:39,940 --> 00:28:42,940
The entire production was under the direction of Anton M. Leeder.

355
00:28:42,940 --> 00:28:50,940
In the coming weeks, Suspense will present such stars as William Powell, Lucille Ball, John Garfield, Sydney Greenstreet and many others.

356
00:28:50,940 --> 00:28:55,940
Make it a point to listen each Thursday to Suspense, Radio's outstanding theater of thrills.

357
00:28:55,940 --> 00:29:02,940
And next Thursday, same time, hear Ray Milan in Night Cry.

358
00:29:07,940 --> 00:29:16,940
This is the Auto Light Suspense Show. Drive as if your life depends on it. It does. Good night. Switch to Auto Light.

359
00:29:16,940 --> 00:29:26,940
This is CBS, the Columbia Broadcasting System.

