1 00:00:00,000 --> 00:00:05,000 In just a moment, suspense with Van Heflin. 2 00:00:05,000 --> 00:00:07,000 Hi, Mr. Martin. 3 00:00:07,000 --> 00:00:09,000 Hello, Frank. What are you doing out here? 4 00:00:09,000 --> 00:00:12,000 I've been fishing, and not for auto light customers this time, App. 5 00:00:12,000 --> 00:00:19,000 Auto light customers? No, I don't think you'll find many cars in the middle of the bay. Auto light was just a spot for us, either. 6 00:00:19,000 --> 00:00:25,000 No cars, but there's plenty of auto light in power boats. You know, more auto light ignition systems are used in marine craft than any other brand? 7 00:00:25,000 --> 00:00:28,000 Old reliable is the first thought of boat owners, too, eh? 8 00:00:28,000 --> 00:00:31,000 It'd be hard to get back to town if you had a breakdown out here. 9 00:00:31,000 --> 00:00:34,000 Yeah, we wouldn't get back to hear your suspense show if that happened. 10 00:00:34,000 --> 00:00:38,000 Well, tie up alongside, and let's listen to it here. I've got my portable. 11 00:00:49,000 --> 00:00:51,000 Suspense. 12 00:00:51,000 --> 00:00:54,000 Suspense. 13 00:00:56,000 --> 00:01:03,000 Auto light and its 60,000 dealers and service stations bring you Radio's outstanding theater of thrills. 14 00:01:03,000 --> 00:01:10,000 Starring tonight, Mr. Van Heflin in Anton Leder's production of Song of the Heart. 15 00:01:10,000 --> 00:01:21,000 A tale well calculated to keep you in. Suspense. 16 00:01:21,000 --> 00:01:26,000 Well, you explain all that to the officer in the car, ma'am. Thank you. 17 00:01:26,000 --> 00:01:31,000 Yeah, can I help you? Please. I, uh... For what? 18 00:01:31,000 --> 00:01:35,000 I have a confession to make. A confession? 19 00:01:35,000 --> 00:01:40,000 Please, are you the officer that I'd tell it to? Well, do I guess. 20 00:01:40,000 --> 00:01:44,000 My name is Neil Wilson. I live with Tanta Alice. 21 00:01:44,000 --> 00:01:49,000 Aunt Alice at 265 West 19th Street. All right. So? 22 00:01:49,000 --> 00:01:56,000 Last night, I guess it was early this morning, I killed Tanta Alice. 23 00:01:56,000 --> 00:02:00,000 Mike. Yes? You better get this. All right. 24 00:02:00,000 --> 00:02:05,000 Go on. You killed your, uh, Tanta Alice? Yes. How? 25 00:02:05,000 --> 00:02:09,000 I took a pillow and smothered. Go on. 26 00:02:09,000 --> 00:02:13,000 Could I tell you about it? I mean, all about it? Sure. 27 00:02:13,000 --> 00:02:16,000 Well, I have a fine job. I'm the general manager of the Hand Desk Company. 28 00:02:16,000 --> 00:02:19,000 I've been with them ever since I got out of school. 29 00:02:19,000 --> 00:02:25,000 I'm an orphan. I live with my aunt, with Tanta Alice. You live with your aunt? 30 00:02:25,000 --> 00:02:30,000 Yes, I don't remember my parents. They died when I was just a little boy in an accident. 31 00:02:30,000 --> 00:02:34,000 Tanta Alice brought me up. She was like my own mother. 32 00:02:34,000 --> 00:02:39,000 Why did you kill her? I guess I should start when I met Muriel Jones. 33 00:02:39,000 --> 00:02:45,000 That was... That was only last Sunday at the annual company picnic. 34 00:02:45,000 --> 00:02:51,000 It was the first time I'd ever been to one. Usually I spent Sunday afternoons with Tanta Alice. 35 00:02:51,000 --> 00:02:56,000 Everyone was at the picnic, from shipping clerks to executives, everyone. 36 00:02:56,000 --> 00:02:59,000 But I sat off to the side by myself, and... 37 00:02:59,000 --> 00:03:03,000 Well, that's the afternoon that I met Muriel. 38 00:03:03,000 --> 00:03:08,000 Having a good time? What? Oh, yes, thank you. 39 00:03:08,000 --> 00:03:11,000 Isn't it a lovely day? Yes, it is. 40 00:03:11,000 --> 00:03:15,000 I'm Muriel Jones, accounting department. How do you do? 41 00:03:15,000 --> 00:03:21,000 I'm Neil Wilson. Yes, I know. Do you mind if I sit down here? 42 00:03:21,000 --> 00:03:24,000 Oh, no, please do. Thank you. 43 00:03:24,000 --> 00:03:27,000 It's really a beautiful day, isn't it? 44 00:03:27,000 --> 00:03:31,000 What are you staring at? Well, I didn't... 45 00:03:31,000 --> 00:03:35,000 Don't you like my blouse? Oh, yes, very much. I wasn't staring. 46 00:03:35,000 --> 00:03:38,000 It's a present. A gift from a friend. Oh, really? 47 00:03:38,000 --> 00:03:40,000 Mm-hm. I'm sorry. 48 00:03:40,000 --> 00:03:45,000 I like it because I've been told I have pretty shoulders. 49 00:03:45,000 --> 00:03:48,000 Do you think so? Yes. Yes, I do. 50 00:03:48,000 --> 00:03:51,000 Did you come alone? Yes. 51 00:03:51,000 --> 00:03:55,000 So did I. I had several invitations, but I turned them down. 52 00:03:55,000 --> 00:03:57,000 Why? Did I turn them down? 53 00:03:57,000 --> 00:04:00,000 Because I knew you were going to be here. 54 00:04:00,000 --> 00:04:02,000 Really? Mm-hm. 55 00:04:02,000 --> 00:04:06,000 I've seen you at the office. You always look so happy. 56 00:04:06,000 --> 00:04:10,000 I wanted to meet you and see if you were. 57 00:04:10,000 --> 00:04:13,000 Well, I'm flattered. You should be. 58 00:04:13,000 --> 00:04:16,000 Most of the time, all the men chase after me. 59 00:04:16,000 --> 00:04:20,000 This is the first time I ever did anything like this. 60 00:04:20,000 --> 00:04:24,000 Got a cigarette? Oh, yes, I'm sorry. 61 00:04:24,000 --> 00:04:26,000 Here you are. Thanks. 62 00:04:26,000 --> 00:04:29,000 Match? Yeah. 63 00:04:31,000 --> 00:04:33,000 Thanks. 64 00:04:33,000 --> 00:04:36,000 Don't you smoke? Not just now. Thank you. 65 00:04:36,000 --> 00:04:40,000 Would you like to take me home? 66 00:04:40,000 --> 00:04:44,000 Well, yes, I would. 67 00:04:44,000 --> 00:04:47,000 Should we go now? All right. 68 00:04:47,000 --> 00:04:51,000 Aren't you going to help me up? Yes, I'm sorry. 69 00:04:51,000 --> 00:04:54,000 Why, Mr Wilson, how strong you... 70 00:04:57,000 --> 00:05:00,000 You smell of sunshine. 71 00:05:00,000 --> 00:05:04,000 What a pretty speech. Do you always kiss young ladies when you first meet them? 72 00:05:04,000 --> 00:05:07,000 I never have before. You never met a young lady like me before? 73 00:05:07,000 --> 00:05:09,000 No, no, I haven't. 74 00:05:09,000 --> 00:05:13,000 Don't kiss me any more here. Take me home. 75 00:05:20,000 --> 00:05:24,000 I've been out with girls before, but nothing ever came of any of it. 76 00:05:24,000 --> 00:05:28,000 I'm too introverted, I guess, to make the first move. 77 00:05:28,000 --> 00:05:33,000 And the ladies that I had known previously were not the kind who'd make the move for me. 78 00:05:33,000 --> 00:05:36,000 But Muriel did. 79 00:05:36,000 --> 00:05:39,000 And I thought that that meant that she loved me. 80 00:05:39,000 --> 00:05:44,000 We drove for a while when we left the picnic, and then I took her home. 81 00:05:44,000 --> 00:05:46,000 I like your car. 82 00:05:46,000 --> 00:05:49,000 Would you like to go for a ride tomorrow? 83 00:05:49,000 --> 00:05:51,000 You mean you'll pick me up in the morning, drive me to work? 84 00:05:51,000 --> 00:05:53,000 Well, I'd like to. Isn't that sweet? 85 00:05:53,000 --> 00:05:56,000 About 7.45? All right. 86 00:05:56,000 --> 00:05:58,000 I'll have some coffee ready if you like. 87 00:05:58,000 --> 00:06:01,000 Would you like having your morning coffee with me? 88 00:06:01,000 --> 00:06:04,000 Oh, I'm afraid I couldn't. Thanks a lot, though. 89 00:06:04,000 --> 00:06:07,000 It'll be all right. My girlfriend lives here with me. 90 00:06:07,000 --> 00:06:11,000 Oh, no, no, it's not that. I mean, I always have breakfast with Aunt Alice. 91 00:06:11,000 --> 00:06:15,000 Who? My Aunt Alice. I call her Tuntie. That means Aunt. 92 00:06:15,000 --> 00:06:17,000 Oh. 93 00:06:17,000 --> 00:06:21,000 And this silly way, standing out here like we didn't have a place to go. 94 00:06:21,000 --> 00:06:23,000 Won't you come in for a few minutes? 95 00:06:23,000 --> 00:06:26,000 Well, I'd like to. Thanks, Karen. 96 00:06:26,000 --> 00:06:28,000 I know you'll excuse the looks of the house. 97 00:06:28,000 --> 00:06:31,000 I left this morning before I had a chance to straighten things up. 98 00:06:31,000 --> 00:06:33,000 You just sit down there. OK. 99 00:06:33,000 --> 00:06:36,000 Here, I'll put these things in the other room. 100 00:06:36,000 --> 00:06:39,000 Is there anything I can get you? 101 00:06:39,000 --> 00:06:42,000 No, thanks. I'm... It's very comfortable. 102 00:06:42,000 --> 00:06:44,000 That's good. 103 00:06:46,000 --> 00:06:48,000 This is nice. 104 00:06:49,000 --> 00:06:51,000 You're beautiful. 105 00:06:51,000 --> 00:06:53,000 Thank you. 106 00:06:53,000 --> 00:06:56,000 Just for saying nice things like that. 107 00:06:59,000 --> 00:07:01,000 Muriel. 108 00:07:01,000 --> 00:07:03,000 Muriel, I... What? 109 00:07:03,000 --> 00:07:05,000 I've never known anyone like you. 110 00:07:05,000 --> 00:07:08,000 You're just saying that. No, no, that's true. 111 00:07:08,000 --> 00:07:10,000 Do you believe in love at first sight? Yes. 112 00:07:10,000 --> 00:07:12,000 So do I. 113 00:07:12,000 --> 00:07:15,000 I knew a girl and a fellow once who got married three days after they met. 114 00:07:15,000 --> 00:07:18,000 That was love at first sight, wasn't it? Yes, I'm sure it was. 115 00:07:18,000 --> 00:07:21,000 Is that the way you feel about me? Yes, yes, it is. 116 00:07:21,000 --> 00:07:24,000 I knew the first time I saw you it would be like this, didn't you? 117 00:07:24,000 --> 00:07:27,000 I... I hoped it would be. Give me a kiss. 118 00:07:30,000 --> 00:07:33,000 Will you marry me? Why, Mr. Wilson, how sudden. 119 00:07:33,000 --> 00:07:36,000 No, will you marry me? I should be delighted. 120 00:07:41,000 --> 00:07:44,000 I drove home without knowing where I was going. 121 00:07:44,000 --> 00:07:48,000 I felt as though... as though I'd never breathed before that day. 122 00:07:48,000 --> 00:07:52,000 I felt that I was the luckiest man in the world. 123 00:07:54,000 --> 00:07:57,000 Neil, dear? Oh, yes, Aunt Alice. 124 00:07:57,000 --> 00:08:01,000 Did you have a nice day at the picnic, dear? Oh, I had a wonderful day. 125 00:08:01,000 --> 00:08:04,000 Well, aren't you going to kiss me? Oh, sure. 126 00:08:04,000 --> 00:08:07,000 Why, Neil, dear, what's that on your mouth? What? Where? 127 00:08:07,000 --> 00:08:10,000 It looks to me like lip rouge. Where? On your mouth, dear. 128 00:08:10,000 --> 00:08:13,000 And on your cheek, too. Why, Neil, dear. 129 00:08:13,000 --> 00:08:16,000 Well, I... It was... You'd better let me wipe it off. 130 00:08:16,000 --> 00:08:19,000 Who is the girl? Do I know her? 131 00:08:19,000 --> 00:08:22,000 Her name is Muriel Jones. She works at the office in the accounting department. 132 00:08:22,000 --> 00:08:25,000 How is it that I've never met her if you've known her so long? 133 00:08:25,000 --> 00:08:29,000 Well, I haven't. I just met her today. You just met her? And she? 134 00:08:29,000 --> 00:08:32,000 Well, it... 135 00:08:32,000 --> 00:08:35,000 Dandy Alice, it was love at first sight. Was it, dear? 136 00:08:35,000 --> 00:08:38,000 Yes, we're going to be married. 137 00:08:38,000 --> 00:08:41,000 When, dear? Well, pretty soon, I think. 138 00:08:41,000 --> 00:08:44,000 Am I going to meet her? Yes, I'll bring her here to dinner tomorrow night. 139 00:08:44,000 --> 00:08:47,000 All right, dear, all right. We'll have a nice dinner for her. 140 00:08:47,000 --> 00:08:50,000 Well, you'll like her, Tandy Alice. She's a wonderful girl. 141 00:08:50,000 --> 00:08:53,000 I'm sure she is, dear. I'm sure. You better get some sleep now. 142 00:08:53,000 --> 00:08:57,000 Tomorrow is a work day, you know. Is there something special you'd like for breakfast? 143 00:08:57,000 --> 00:09:00,000 I won't be having breakfast here in the morning, Tandy Alice. 144 00:09:00,000 --> 00:09:03,000 Muriel's fixing coffee for me at her house. Just coffee? 145 00:09:03,000 --> 00:09:06,000 Well, that's not enough breakfast for a man with a day's work to do. 146 00:09:06,000 --> 00:09:10,000 Oh, coffee's plenty. But you've never had just coffee for breakfast, Neil, dear. 147 00:09:10,000 --> 00:09:14,000 No, it's enough. Thanks, anyway. All right. All right, then. 148 00:09:14,000 --> 00:09:17,000 I'll just have a little fruit juice here for you before you leave. 149 00:09:17,000 --> 00:09:20,000 No, no, never mind, Tandy Alice. You can sleep in the morning. 150 00:09:20,000 --> 00:09:23,000 I'm having breakfast with Muriel. 151 00:09:30,000 --> 00:09:33,000 I don't know what time it was when I woke up that night. 152 00:09:33,000 --> 00:09:36,000 I'd been dreaming of Muriel. 153 00:09:36,000 --> 00:09:39,000 I remember the street lights were out. 154 00:09:39,000 --> 00:09:42,000 What woke me was some music from downstairs. 155 00:09:42,000 --> 00:09:44,000 Tandy Alice hadn't gone to bed yet. 156 00:09:44,000 --> 00:09:47,000 She was playing one of her old phonograph records. 157 00:09:47,000 --> 00:09:50,000 It was a sweet, sad record. 158 00:09:50,000 --> 00:09:54,000 And it's a song that I'll never forget as long as I live. 159 00:09:54,000 --> 00:09:58,000 For suspense, Autolight is bringing you Mr. Van Heffelen 160 00:09:58,000 --> 00:10:03,000 in radio's outstanding theater of thrills, Suspense. 161 00:10:11,000 --> 00:10:13,000 Sweet little radio you have there. 162 00:10:13,000 --> 00:10:16,000 I'm not sure if you've ever heard of it. 163 00:10:16,000 --> 00:10:18,000 I've heard it before. 164 00:10:18,000 --> 00:10:20,000 It's a very old radio. 165 00:10:20,000 --> 00:10:25,000 Sweet little radio you have there. I'm sure glad we met you, Mr. Martin. 166 00:10:25,000 --> 00:10:28,000 Dad and I wouldn't miss Van Heffelen for anything. 167 00:10:28,000 --> 00:10:31,000 He is great, isn't he? You can always count on him for a top performance. 168 00:10:31,000 --> 00:10:34,000 Just like Autolight Resistor Sparkplugs, ain't we? 169 00:10:34,000 --> 00:10:37,000 Yes, Hap. And right now you can get Autolight Resistor Sparkplugs 170 00:10:37,000 --> 00:10:39,000 almost anywhere in the United States. 171 00:10:39,000 --> 00:10:43,000 It's sensational why no other sparkplug will give and maintain such performance. 172 00:10:43,000 --> 00:10:47,000 You know, Autolight Ignition engineered a 10,000 ohm resistor 173 00:10:47,000 --> 00:10:51,000 right into the Autolight Sparkplug that permits a wider spark gap setting 174 00:10:51,000 --> 00:10:54,000 and maintains it far longer than any other sparkplug. 175 00:10:54,000 --> 00:10:58,000 The Autolight Resistor Sparkplug is the best thing that's happened in sparkplugs in years. 176 00:10:58,000 --> 00:11:01,000 A great new development of Autolight Ignition engineers 177 00:11:01,000 --> 00:11:04,000 working with the country's leading car and truck manufacturers. 178 00:11:04,000 --> 00:11:06,000 They make a world of difference, all right. 179 00:11:06,000 --> 00:11:09,000 I know. Just had a set installed in my car. 180 00:11:09,000 --> 00:11:12,000 Yes, millions are switching to the new Autolight Resistor Sparkplugs 181 00:11:12,000 --> 00:11:15,000 now available at Autolight dealers the country over. 182 00:11:15,000 --> 00:11:17,000 Avast with the sales talk, mates. 183 00:11:17,000 --> 00:11:19,000 Here's Van Heflin in suspense again. 184 00:11:20,000 --> 00:11:24,000 And now Autolight brings back to our Hollywood sound stage 185 00:11:24,000 --> 00:11:28,000 Mr. Van Heflin as Neo in Song of the Heart. 186 00:11:28,000 --> 00:11:33,000 A tale well calculated to keep you in suspense. 187 00:11:36,000 --> 00:11:40,000 You went to sleep when your aunt was playing this record. 188 00:11:40,000 --> 00:11:42,000 He's up to the end of the day. He met the girl. 189 00:11:42,000 --> 00:11:43,000 Yes, that's right. 190 00:11:43,000 --> 00:11:45,000 What happened the next day? 191 00:11:45,000 --> 00:11:49,000 Well, the next day when I got up in the morning, Tante Alice was already up. 192 00:11:49,000 --> 00:11:52,000 I don't know, maybe she hadn't even been asleep. 193 00:11:52,000 --> 00:11:55,000 The table was set for two in the breakfast room. 194 00:11:55,000 --> 00:11:57,000 The toaster was out, my fruit juice was on the table 195 00:11:57,000 --> 00:12:00,000 and she was frying bacon when I came downstairs. 196 00:12:03,000 --> 00:12:04,000 Good morning, Neil, dear. 197 00:12:04,000 --> 00:12:05,000 Good morning. 198 00:12:05,000 --> 00:12:06,000 You're early, aren't you? 199 00:12:06,000 --> 00:12:08,000 Breakfast will be ready in just a moment. 200 00:12:08,000 --> 00:12:11,000 I'm not having breakfast at home. I told you that last night. 201 00:12:11,000 --> 00:12:15,000 Oh, that was last night, Neil, dear. Today is another day. 202 00:12:15,000 --> 00:12:19,000 I'm having breakfast with Muriel. I have to go now. I'll see you this evening. 203 00:12:19,000 --> 00:12:21,000 We'll have a nice dinner, Neil, dear. 204 00:12:21,000 --> 00:12:23,000 I'm bringing Muriel home for dinner with me. 205 00:12:23,000 --> 00:12:26,000 Tonight? Oh, dear, that's hardly warning enough. 206 00:12:26,000 --> 00:12:29,000 You said last night that you wanted to meet her. 207 00:12:29,000 --> 00:12:31,000 But so soon, dear? 208 00:12:31,000 --> 00:12:35,000 Now listen to me. I'm bringing a girl home for you to meet. I love this girl. 209 00:12:35,000 --> 00:12:39,000 I want you to be nice to her. I don't want a fiasco like the last time. 210 00:12:39,000 --> 00:12:41,000 Neil, please, dear. 211 00:12:41,000 --> 00:12:43,000 I don't want you pouting and sulking this time. 212 00:12:43,000 --> 00:12:45,000 I don't want to have to apologize for your actions. 213 00:12:45,000 --> 00:12:49,000 I think that will be all, Neil, dear. I think that's enough. 214 00:12:49,000 --> 00:12:52,000 If you aren't going to behave yourself properly, now just say so now 215 00:12:52,000 --> 00:12:54,000 and we'll not come home for dinner. That's up to you. 216 00:12:54,000 --> 00:12:57,000 I'm only thinking of you. Now, don't be cross. 217 00:12:57,000 --> 00:13:01,000 Give me a big smile like you used to when you were a bad little boy. 218 00:13:01,000 --> 00:13:02,000 All right. How's that? 219 00:13:02,000 --> 00:13:04,000 Oh, you can do better than that. 220 00:13:04,000 --> 00:13:07,000 Oh, please, Tondi, Alice, I'm late. I'll see you at dinner. 221 00:13:07,000 --> 00:13:10,000 All right, dear. You call me from the office if you decide to bring her home for dinner. 222 00:13:10,000 --> 00:13:14,000 We'll be home for dinner. I'm telling you now, I don't have to call you from the office. 223 00:13:14,000 --> 00:13:16,000 You call me, dear. 224 00:13:23,000 --> 00:13:27,000 You see, the last time I tried to bring a girl home, Tondi, Alice had acted just the same way. 225 00:13:27,000 --> 00:13:30,000 She'd behaved so badly that I'd never done it again. 226 00:13:30,000 --> 00:13:33,000 That had been after the junior class party at high school. 227 00:13:33,000 --> 00:13:36,000 It's 13 years ago and I'd never done it again. 228 00:13:36,000 --> 00:13:41,000 I waited for Muriel after work that evening and we drove toward my home together. 229 00:13:41,000 --> 00:13:46,000 Hold your head still so I can kiss you. 230 00:13:48,000 --> 00:13:50,000 Let's get married tomorrow. 231 00:13:50,000 --> 00:13:51,000 Why, Mr. Wilson, our son... 232 00:13:51,000 --> 00:13:52,000 No, really. 233 00:13:52,000 --> 00:13:53,000 Well, what about your Aunt Alice? 234 00:13:53,000 --> 00:13:54,000 What about her? 235 00:13:54,000 --> 00:13:56,000 She won't be angry at me, stealing you away from me. 236 00:13:56,000 --> 00:13:58,000 Why should she be? 237 00:13:58,000 --> 00:14:02,000 Well, the way she's hung on to you. For instance, why doesn't she live by herself? 238 00:14:02,000 --> 00:14:05,000 Well, I don't know. We've been together so long, I guess. 239 00:14:05,000 --> 00:14:09,000 Sure, but after all, she's only your aunt. You've got a life of your own to lead. 240 00:14:09,000 --> 00:14:11,000 She's got enough money to live by herself. 241 00:14:11,000 --> 00:14:14,000 It's not money. She's quite wealthy. 242 00:14:14,000 --> 00:14:16,000 How did you know she had money? 243 00:14:16,000 --> 00:14:19,000 Oh, I heard someone at the office talk about it. 244 00:14:19,000 --> 00:14:24,000 Look, incidentally, Aunt Alice might act a little strangely when I bring you in the house. 245 00:14:24,000 --> 00:14:26,000 Just don't pay any attention to her. 246 00:14:26,000 --> 00:14:30,000 If she tries to do anything or say anything to upset you, promise me that now. 247 00:14:30,000 --> 00:14:31,000 I promise you. 248 00:14:31,000 --> 00:14:35,000 I can understand her being upset at someone taking you away from her, though. 249 00:14:35,000 --> 00:14:38,000 After all, it takes one to know one. 250 00:14:44,000 --> 00:14:48,000 The rest of the ride home we didn't talk nearer to sat close to me. 251 00:14:48,000 --> 00:14:50,000 She held my hand and hers. 252 00:14:54,000 --> 00:14:55,000 I'll take your coat. 253 00:14:55,000 --> 00:14:56,000 Oh, thank you. 254 00:14:56,000 --> 00:14:58,000 Come on, let's go into the living room. 255 00:14:58,000 --> 00:14:59,000 What's that playing? 256 00:14:59,000 --> 00:15:01,000 Oh, that's the phonograph. 257 00:15:01,000 --> 00:15:03,000 Pretty old machine, isn't it? 258 00:15:03,000 --> 00:15:06,000 Well, actually, yeah, it's the record scratching. 259 00:15:06,000 --> 00:15:08,000 That's what she was playing last night. 260 00:15:08,000 --> 00:15:09,000 What is it, French? 261 00:15:09,000 --> 00:15:12,000 Yes, Tante Alice has a collection of old records. 262 00:15:12,000 --> 00:15:15,000 This is the first time she's played them in years since I was in high school. 263 00:15:15,000 --> 00:15:16,000 Where is she? 264 00:15:16,000 --> 00:15:18,000 I don't know, she must be in the kitchen. 265 00:15:18,000 --> 00:15:20,000 Well, I might as well sit down and get... 266 00:15:20,000 --> 00:15:22,000 Oh, I forgot to ask you. 267 00:15:22,000 --> 00:15:24,000 Are my seams straight? 268 00:15:24,000 --> 00:15:26,000 What? Oh. 269 00:15:26,000 --> 00:15:28,000 Yes, they look straight. 270 00:15:28,000 --> 00:15:29,000 They look straight. 271 00:15:29,000 --> 00:15:31,000 So hard to keep your stockings straight. 272 00:15:31,000 --> 00:15:33,000 I never can get mine long enough. 273 00:15:33,000 --> 00:15:36,000 Well, good evening, working people. 274 00:15:36,000 --> 00:15:38,000 Oh, good evening, Tante Alice. 275 00:15:38,000 --> 00:15:40,000 And this must be Mabel. 276 00:15:40,000 --> 00:15:42,000 No, no, it's Muriel. 277 00:15:42,000 --> 00:15:45,000 Muriel, this is my aunt, Miss Alice Tremble. 278 00:15:45,000 --> 00:15:48,000 Tante Alice, this is Murie, Miss Muriel Jones. 279 00:15:48,000 --> 00:15:49,000 How do you do? 280 00:15:49,000 --> 00:15:51,000 Oh, please sit down. Dinner will be ready soon. 281 00:15:51,000 --> 00:15:54,000 Is the phonograph too loud? I was just playing some old records. 282 00:15:54,000 --> 00:15:56,000 Yes, it is a little loud, Tante Alice. 283 00:15:56,000 --> 00:15:58,000 Hey, that's better. 284 00:15:58,000 --> 00:16:00,000 Is there anything I can do to help? 285 00:16:00,000 --> 00:16:02,000 No, no, that's all right, dear. 286 00:16:02,000 --> 00:16:05,000 Just last minute things like the gravy, I'll do them in a bit. 287 00:16:05,000 --> 00:16:08,000 I'll just sit here with you two young people for a while. 288 00:16:08,000 --> 00:16:12,000 Oh, my, I've had a day preparing to meet Neil's latest young lady. 289 00:16:12,000 --> 00:16:14,000 He always does this to me. 290 00:16:14,000 --> 00:16:16,000 Calls suddenly in the middle of the afternoon and says, 291 00:16:16,000 --> 00:16:18,000 I'm bringing a young lady home for dinner. 292 00:16:18,000 --> 00:16:19,000 Why do you say... 293 00:16:19,000 --> 00:16:22,000 Most of me wants to marry, as though he thinks. 294 00:16:22,000 --> 00:16:24,000 As he said, he wants to marry you. 295 00:16:24,000 --> 00:16:26,000 Be careful of him. He's a devil that way. 296 00:16:26,000 --> 00:16:28,000 Tante Alice, please, now that's not true. 297 00:16:28,000 --> 00:16:31,000 Can you imagine wanting to get married before you really get to know someone? 298 00:16:31,000 --> 00:16:33,000 Did Neil tell you we're going to get married? 299 00:16:33,000 --> 00:16:35,000 He did ask you then. 300 00:16:35,000 --> 00:16:37,000 Oh, Neil, shame on you. 301 00:16:37,000 --> 00:16:38,000 Shall we have our dinner? 302 00:16:38,000 --> 00:16:40,000 In a moment, dear, in a moment. 303 00:16:40,000 --> 00:16:42,000 You poor little girl. 304 00:16:42,000 --> 00:16:45,000 And Neil has been acting the darned one with you also. 305 00:16:45,000 --> 00:16:47,000 You poor dear. 306 00:16:47,000 --> 00:16:51,000 Well, excuse me, I'll let you hear some of my records while I make the gravy. 307 00:16:52,000 --> 00:16:53,000 Would you like me to help? 308 00:16:53,000 --> 00:16:55,000 No, no, you stay with the young lady. 309 00:16:55,000 --> 00:16:57,000 Muriel, is it? 310 00:16:57,000 --> 00:16:59,000 I can handle things alone, just once. 311 00:16:59,000 --> 00:17:03,000 And after all, if she should ever come back here again, 312 00:17:03,000 --> 00:17:06,000 I want her to think kindly of us. 313 00:17:13,000 --> 00:17:15,000 Wasn't that a nice dinner? 314 00:17:15,000 --> 00:17:17,000 Very nice, thank you. 315 00:17:17,000 --> 00:17:19,000 Did you enjoy your dinner, Neil dear? 316 00:17:19,000 --> 00:17:21,000 Yes, it was very nice, Tante Alice. 317 00:17:21,000 --> 00:17:23,000 Would you like a cigarette? 318 00:17:23,000 --> 00:17:24,000 Thanks. 319 00:17:24,000 --> 00:17:28,000 Neil dear, don't you think you should take the girl home now, 320 00:17:28,000 --> 00:17:29,000 so that we can go to bed? 321 00:17:29,000 --> 00:17:31,000 Well, you can go, Tante Alice. 322 00:17:31,000 --> 00:17:33,000 We'll sit here for a while. 323 00:17:33,000 --> 00:17:34,000 Well, all right. 324 00:17:34,000 --> 00:17:36,000 I'm very tired. 325 00:17:36,000 --> 00:17:37,000 Good night, young lady. 326 00:17:37,000 --> 00:17:40,000 I do hope you stop in and see us again some day. 327 00:17:40,000 --> 00:17:43,000 I'm always delighted to meet Neil's friend. 328 00:17:45,000 --> 00:17:48,000 Neil dear, you haven't oiled my door. 329 00:17:48,000 --> 00:17:50,000 What am I going to do with her? 330 00:17:50,000 --> 00:17:51,000 What am I going to do? 331 00:17:51,000 --> 00:17:53,000 I don't think I've ever been treated that way. 332 00:17:53,000 --> 00:17:55,000 I'm sorry, darling, please believe me. 333 00:17:55,000 --> 00:17:56,000 I'm sorry, but what can I do? 334 00:17:56,000 --> 00:17:57,000 How can I get rid of her? 335 00:17:57,000 --> 00:17:58,000 Just leave. 336 00:17:58,000 --> 00:17:59,000 When we're married, we'll leave. 337 00:17:59,000 --> 00:18:00,000 Oh, she'll follow us. 338 00:18:00,000 --> 00:18:02,000 I'm all she has in the world. 339 00:18:02,000 --> 00:18:04,000 I wish she were dead. 340 00:18:04,000 --> 00:18:05,000 Neil. 341 00:18:04,000 --> 00:18:05,000 No, I wish she were dead. 342 00:18:05,000 --> 00:18:06,000 What good is she to anyone? 343 00:18:06,000 --> 00:18:09,000 Hanging on for dear life to me, holding me, 344 00:18:09,000 --> 00:18:12,000 afraid that I'll go out on my own and have my own life 345 00:18:12,000 --> 00:18:14,000 and that she'll have no part of it. 346 00:18:14,000 --> 00:18:16,000 Oh, sure, she's been good to me and she's worked for me, 347 00:18:16,000 --> 00:18:19,000 but I've been good to her too and I've helped her. 348 00:18:19,000 --> 00:18:20,000 We'll go away together. 349 00:18:20,000 --> 00:18:21,000 She won't follow us. 350 00:18:21,000 --> 00:18:23,000 Have you enough money? 351 00:18:23,000 --> 00:18:24,000 Well, I think so. 352 00:18:24,000 --> 00:18:25,000 Yes, I have enough. 353 00:18:25,000 --> 00:18:27,000 And then there's always her money. 354 00:18:27,000 --> 00:18:28,000 She has it lying all over the house. 355 00:18:28,000 --> 00:18:29,000 She doesn't believe in banks. 356 00:18:29,000 --> 00:18:30,000 You could take some of that. 357 00:18:30,000 --> 00:18:32,000 I think that's fair. 358 00:18:32,000 --> 00:18:35,000 Oh, listen, we better be quiet. 359 00:18:35,000 --> 00:18:36,000 She'll hear us. 360 00:18:36,000 --> 00:18:38,000 I'll turn the phonograph on then. 361 00:18:38,000 --> 00:18:39,000 She won't. 362 00:18:42,000 --> 00:18:43,000 You're right, though. 363 00:18:43,000 --> 00:18:44,000 About what? 364 00:18:44,000 --> 00:18:46,000 What use is she? 365 00:18:46,000 --> 00:18:48,000 She has money, but she doesn't need. 366 00:18:48,000 --> 00:18:50,000 She's unhappy living alone. 367 00:18:50,000 --> 00:18:52,000 It would kill her to live alone. 368 00:18:52,000 --> 00:18:54,000 I hate to say this, dear. 369 00:18:54,000 --> 00:18:56,000 I won't live in the same house with her. 370 00:18:56,000 --> 00:18:57,000 No, no, I don't blame you. 371 00:18:57,000 --> 00:19:01,000 I was thinking, there are a lot of people whose time's finished. 372 00:19:01,000 --> 00:19:02,000 Yeah. 373 00:19:02,000 --> 00:19:04,000 You know, they've done all they're good for. 374 00:19:04,000 --> 00:19:08,000 I read once where Eskimos put their aged people on ice floes 375 00:19:08,000 --> 00:19:09,000 and push them out into the ocean. 376 00:19:09,000 --> 00:19:13,000 No ceremony, no sorrow, just that it's the end of their time 377 00:19:13,000 --> 00:19:15,000 of usefulness, and that's that. 378 00:19:15,000 --> 00:19:16,000 Neil. 379 00:19:16,000 --> 00:19:19,000 You know, it would be doing her a favor. 380 00:19:19,000 --> 00:19:20,000 She wouldn't know. 381 00:19:20,000 --> 00:19:25,000 Well, you did say she wouldn't live long without you, Neil. 382 00:19:25,000 --> 00:19:27,000 She'd probably die of loneliness. 383 00:19:27,000 --> 00:19:29,000 She's never been alone. 384 00:19:29,000 --> 00:19:33,000 And if she is going to follow us, like you said, 385 00:19:33,000 --> 00:19:35,000 then I'm sorry I can't marry you, Neil. 386 00:19:35,000 --> 00:19:37,000 And that's hard for me to say because I love you. 387 00:19:37,000 --> 00:19:40,000 I don't think I've ever been in love before. 388 00:19:40,000 --> 00:19:41,000 Never before you. 389 00:19:41,000 --> 00:19:44,000 I need you, Mary, very badly. 390 00:19:44,000 --> 00:19:48,000 I think that we should have the opportunity to make good with our lives. 391 00:19:48,000 --> 00:19:49,000 Sure we should. 392 00:19:49,000 --> 00:19:50,000 But how? 393 00:19:50,000 --> 00:19:53,000 As gently as possible. 394 00:19:53,000 --> 00:19:54,000 Yes. 395 00:19:54,000 --> 00:19:55,000 I think... 396 00:19:55,000 --> 00:19:56,000 What? 397 00:19:56,000 --> 00:20:02,000 Well, after she's asleep tonight, just put a pillow over her face. 398 00:20:02,000 --> 00:20:04,000 No one will ever know. 399 00:20:04,000 --> 00:20:07,000 It would be doing her a favor, Neil. 400 00:20:07,000 --> 00:20:09,000 Look, they couldn't tell. 401 00:20:09,000 --> 00:20:11,000 I mean, they... 402 00:20:11,000 --> 00:20:12,000 How could they? 403 00:20:12,000 --> 00:20:13,000 She's old. 404 00:20:13,000 --> 00:20:14,000 She's smothered and asleep. 405 00:20:14,000 --> 00:20:15,000 Yeah, that's right. 406 00:20:15,000 --> 00:20:18,000 Then we could use her money to go away. 407 00:20:18,000 --> 00:20:19,000 After all, she won't need it. 408 00:20:19,000 --> 00:20:20,000 That's true enough. 409 00:20:20,000 --> 00:20:22,000 It's here in the house? 410 00:20:22,000 --> 00:20:23,000 Well, all of it. 411 00:20:23,000 --> 00:20:26,000 It's in cash, $5,000 or something. 412 00:20:26,000 --> 00:20:29,000 Mary, look, you do love me now, don't you? 413 00:20:29,000 --> 00:20:31,000 No, no, I do. 414 00:20:31,000 --> 00:20:32,000 Kiss me. 415 00:20:32,000 --> 00:20:33,000 What was that? 416 00:20:33,000 --> 00:20:35,000 Oh, Tante Alice. 417 00:20:35,000 --> 00:20:37,000 Yes, Neil, dear. 418 00:20:37,000 --> 00:20:40,000 I was listening to the record playing. 419 00:20:40,000 --> 00:20:42,000 I'm so glad your children enjoyed it. 420 00:20:42,000 --> 00:20:45,000 Isn't it a lovely song? 421 00:20:45,000 --> 00:20:46,000 You know what it means? 422 00:20:46,000 --> 00:20:47,000 No. 423 00:20:47,000 --> 00:20:48,000 No, I don't. 424 00:20:48,000 --> 00:20:50,000 Turn it off, please, Neil, dear. 425 00:20:50,000 --> 00:20:52,000 Yes, all right. 426 00:20:52,000 --> 00:20:54,000 Oh, I... 427 00:20:54,000 --> 00:20:57,000 I feel so odd tonight. 428 00:20:57,000 --> 00:21:01,000 I think I should like to tell you a story before I go to sleep. 429 00:21:01,000 --> 00:21:05,000 Would... would the girl mind? 430 00:21:05,000 --> 00:21:06,000 Go ahead. 431 00:21:06,000 --> 00:21:12,000 That record tells a story about a boy and his mother. 432 00:21:12,000 --> 00:21:18,000 The boy lived at home with his mother, and the boy met a girl. 433 00:21:18,000 --> 00:21:22,000 And the mother didn't like the girl and warned the boy away from her. 434 00:21:22,000 --> 00:21:27,000 But the girl used all her wiles on the boy, and the boy turned against his mother. 435 00:21:27,000 --> 00:21:33,000 And the girl told him that proof of his love for her would be that he killed his mother. 436 00:21:33,000 --> 00:21:39,000 And proof of the killing would be that he brought the girl, his mother's heart. 437 00:21:39,000 --> 00:21:45,000 And so the poor boy killed his mother and took her heart to bring it to the girl. 438 00:21:45,000 --> 00:21:52,000 And on the way, he stumbled and fell, and the heart escaped his hands. 439 00:21:52,000 --> 00:21:58,000 And before he could get to his feet again, or even see if he was injured from the fall, 440 00:21:58,000 --> 00:22:03,000 the heart spoke, and the heart said to him, 441 00:22:03,000 --> 00:22:08,000 Are you hurt, my son? 442 00:22:08,000 --> 00:22:12,000 I cried when I heard that song the first time. 443 00:22:12,000 --> 00:22:14,000 Such a sad... 444 00:22:14,000 --> 00:22:17,000 You'd better go to sleep now. It's late. 445 00:22:17,000 --> 00:22:20,000 Good night, dear, dear. 446 00:22:20,000 --> 00:22:28,000 Sleep well. Sleep well. 447 00:22:28,000 --> 00:22:31,000 What an unpleasant story. 448 00:22:31,000 --> 00:22:34,000 She knows all sorts of things, like that fable sort of. 449 00:22:34,000 --> 00:22:37,000 She gets older, she quotes them to me at great length. 450 00:22:37,000 --> 00:22:40,000 Will it take a long to go to sleep now? 451 00:22:40,000 --> 00:22:53,000 Oh, no, no. She's told me a story now. She'll go right to sleep now. 452 00:22:53,000 --> 00:22:59,000 We sat there and waited, not saying anything, not touching one another, just waiting. 453 00:22:59,000 --> 00:23:03,000 Finally, after about an hour, Muriel suddenly kissed me. 454 00:23:03,000 --> 00:23:06,000 She kissed me hard and she held me close to her. 455 00:23:06,000 --> 00:23:09,000 Then I got up and I walked quietly over to Tanta Alice's door. 456 00:23:09,000 --> 00:23:13,000 I opened it and I walked into her bedroom. 457 00:23:13,000 --> 00:23:15,000 She was sleeping on her back. 458 00:23:15,000 --> 00:23:18,000 I took a pillow from her chaise and then... 459 00:23:18,000 --> 00:23:22,000 Just as I was about to put it over her face, I thought I saw her eyes move. 460 00:23:22,000 --> 00:23:24,000 Waited. 461 00:23:24,000 --> 00:23:28,000 No, I was mistaken. She was sleeping soundly, just as she always did. 462 00:23:28,000 --> 00:23:33,000 I lowered the pillow softly over her mouth and nose and I held it there. 463 00:23:33,000 --> 00:23:37,000 Watched her chest until there was no movement from her breathing. 464 00:23:37,000 --> 00:23:40,000 Then I opened her bureau drawer and took out her money box. 465 00:23:40,000 --> 00:23:43,000 Then Muriel and I left the house. 466 00:23:43,000 --> 00:23:44,000 All right? 467 00:23:44,000 --> 00:23:45,000 Yes, yes, all right. 468 00:23:45,000 --> 00:23:48,000 And don't feel badly. You did a good thing. 469 00:23:48,000 --> 00:23:50,000 It's just like a mercy killing. It was for her own good. 470 00:23:50,000 --> 00:23:51,000 I know that. 471 00:23:51,000 --> 00:23:54,000 We've got each other now in a whole life to live together without any interference. 472 00:23:54,000 --> 00:23:55,000 I know. 473 00:23:55,000 --> 00:23:57,000 I'll drive. Poor baby, you're upset. 474 00:23:57,000 --> 00:23:59,000 All right. 475 00:23:59,000 --> 00:24:00,000 Can I have the keys? 476 00:24:00,000 --> 00:24:01,000 Yes, yes, right here. 477 00:24:01,000 --> 00:24:02,000 Oh. 478 00:24:02,000 --> 00:24:03,000 What? 479 00:24:03,000 --> 00:24:05,000 Did you take the pillow off her face? 480 00:24:05,000 --> 00:24:07,000 No, no, no, I forgot. 481 00:24:07,000 --> 00:24:11,000 Run back and do it. You can leave the box on the seat. 482 00:24:11,000 --> 00:24:36,000 Hurry now. 483 00:24:36,000 --> 00:24:39,000 I heard the car leave and I knew what it meant. 484 00:24:39,000 --> 00:24:42,000 I didn't do anything about it. I just stood there. 485 00:24:42,000 --> 00:24:44,000 I wanted to cry. 486 00:24:44,000 --> 00:24:48,000 I didn't go into Tanta Alice's room. I just stood there. 487 00:24:48,000 --> 00:24:52,000 After a while, I opened the front door again. 488 00:24:52,000 --> 00:24:55,000 Went and sat down on the steps and waited for the light to come. 489 00:24:55,000 --> 00:25:01,000 And all night long I heard the record playing in my brain and I heard Tanta Alice sing. 490 00:25:01,000 --> 00:25:03,000 And the heart spoke. 491 00:25:03,000 --> 00:25:05,000 And the heart said to him, 492 00:25:05,000 --> 00:25:12,000 Are you hurt, my son? 493 00:25:12,000 --> 00:25:13,000 That it? 494 00:25:13,000 --> 00:25:14,000 That's it. 495 00:25:14,000 --> 00:25:16,000 I'll type it up for him to sign. 496 00:25:16,000 --> 00:25:17,000 All right, Mike. 497 00:25:17,000 --> 00:25:19,000 She's driving my car, but I don't care. 498 00:25:19,000 --> 00:25:22,000 I mean, if you want to catch her, she's driving my car. 499 00:25:22,000 --> 00:25:24,000 We'll catch her. 500 00:25:24,000 --> 00:25:26,000 What do I do now? 501 00:25:26,000 --> 00:25:29,000 You come with me. 502 00:25:29,000 --> 00:25:31,000 Funny you're coming in here this morning. 503 00:25:31,000 --> 00:25:34,000 Although, of course, we'd have had a routine investigation anyway. 504 00:25:34,000 --> 00:25:37,000 Because the pillow was still on her face? 505 00:25:37,000 --> 00:25:39,000 Well, yeah. 506 00:25:39,000 --> 00:25:43,000 Although she might have had a heart attack or the pillow might have smothered her without her knowing it, 507 00:25:43,000 --> 00:25:45,000 most accidental deaths are pretty strange. 508 00:25:45,000 --> 00:25:48,000 Much stranger than the planned ones. 509 00:25:48,000 --> 00:25:54,000 No, I meant that you didn't look at the room very closely when you went in there to kill your aunt. 510 00:25:54,000 --> 00:25:56,000 Yeah, in here. 511 00:25:56,000 --> 00:26:00,000 What do you mean that I didn't look at the room very closely? 512 00:26:00,000 --> 00:26:02,000 Your aunt was a pretty smart cookie. 513 00:26:02,000 --> 00:26:08,000 I guess she was really looking out for you, warning you with that song, anticipating what you were planning. 514 00:26:08,000 --> 00:26:10,000 We were over there this morning. 515 00:26:10,000 --> 00:26:13,000 The door was open, the prowl car spotted it and went to see what was cooking. 516 00:26:13,000 --> 00:26:16,000 Must have been after you left to come down here. 517 00:26:16,000 --> 00:26:20,000 They found your aunt's body, but they turned in a sort of routine report. 518 00:26:20,000 --> 00:26:22,000 Routine? 519 00:26:22,000 --> 00:26:24,000 Yeah, this case looked open and shut. 520 00:26:24,000 --> 00:26:29,000 Because right next to the bed on her night table, in her own handwriting, 521 00:26:29,000 --> 00:26:33,000 your Tanta Alice left a suicide note. 522 00:26:33,000 --> 00:27:01,000 Thank you, Van Heflin, for a splendid performance. 523 00:27:01,000 --> 00:27:05,000 Mr. Heflin will return in just a moment. 524 00:27:05,000 --> 00:27:08,000 Boy, that show was a knockout. 525 00:27:08,000 --> 00:27:10,000 Well, thanks for letting us listen, Frank. 526 00:27:10,000 --> 00:27:12,000 Always glad to do a friend a favor. 527 00:27:12,000 --> 00:27:14,000 You must have lots of friends, Frank. 528 00:27:14,000 --> 00:27:19,000 You do plenty of folks a favor, telling them about auto light resistor spark plugs. 529 00:27:19,000 --> 00:27:24,000 Well, Hap, every car owner who switches to auto light resistor spark plugs does himself a favor. 530 00:27:24,000 --> 00:27:30,000 When you replace your narrow gap spark plugs with the sensational new wide gap auto light resistor spark plugs, 531 00:27:30,000 --> 00:27:32,000 you can tell the difference in your car. 532 00:27:32,000 --> 00:27:36,000 You've got advantages like smoother idling and saving gas. 533 00:27:36,000 --> 00:27:41,000 So, always remember, auto light means spark plugs. 534 00:27:41,000 --> 00:27:44,000 Ignition engineered resistor spark plugs. 535 00:27:44,000 --> 00:27:46,000 Auto light means batteries. 536 00:27:46,000 --> 00:27:48,000 Stay full, batteries. 537 00:27:48,000 --> 00:27:51,000 Auto light means ignition systems. 538 00:27:51,000 --> 00:28:01,000 The lifeline of your car. 539 00:28:01,000 --> 00:28:03,000 And now here again is Mr. Van Heflin. 540 00:28:03,000 --> 00:28:11,000 It's always a great pleasure to join Tony Leader and his fine cast of Suspense actors on radio's outstanding theater of thrills. 541 00:28:11,000 --> 00:28:19,000 And speaking of thrills, there are plenty in store for you next week when Suspense brings you wonderful Madeline Carroll in The Morrison Affair, 542 00:28:19,000 --> 00:28:26,000 another gripping study in Suspense. 543 00:28:26,000 --> 00:28:35,000 Mr. Van Heflin appeared by arrangement with Metro-Golden-Mayer, producers of Julia Misbehaves, starring Greer Garson and Walter Pidgeon. 544 00:28:35,000 --> 00:28:39,000 Lorraine Tuttle played the part of Tanta Alice and Betty Lou Gerson was Muriel. 545 00:28:39,000 --> 00:28:47,000 Tonight's Suspense play was written by Elliot Lewis with music composed by Lucian Morawick and conducted by Lud Luskin. 546 00:28:47,000 --> 00:28:52,000 The entire production was under the direction of Anton M. Leader. 547 00:28:52,000 --> 00:29:04,000 Next Thursday, same time, you will hear Madeline Carroll in The Morrison Affair. 548 00:29:04,000 --> 00:29:07,000 This is the auto light Suspense show. 549 00:29:07,000 --> 00:29:08,000 Go slow. 550 00:29:08,000 --> 00:29:11,000 Death and danger travel in fast company. 551 00:29:11,000 --> 00:29:12,000 Good night. 552 00:29:12,000 --> 00:29:15,000 Switch to auto light. 553 00:29:15,000 --> 00:29:21,000 This is CBS where 99 million people gather every week, the Columbia Broadcasting System.