1 00:00:00,000 --> 00:00:07,000 In just a moment, suspense with Ann Southern. 2 00:00:07,000 --> 00:00:12,520 Dilly, turn that radio down. How can we play bridge? 3 00:00:12,520 --> 00:00:13,520 Okay, Ma. 4 00:00:13,520 --> 00:00:17,800 I like the auto light show, but not too loud. Whose deal is it, May? 5 00:00:17,800 --> 00:00:22,760 Mine, Mary. My husband Ed always listens, too. When he's home on Thursdays, our house 6 00:00:22,760 --> 00:00:24,600 sounds just like his service station. 7 00:00:24,600 --> 00:00:25,600 I know what you mean. 8 00:00:25,600 --> 00:00:29,440 Tonight's probably spark plug night. You'd think the announcer with his commercials would 9 00:00:29,440 --> 00:00:33,600 be enough, but no. It's switched to auto light resistor. 10 00:00:33,600 --> 00:00:37,440 Spark plug. I know. Batteries and ignition systems. 11 00:00:37,440 --> 00:00:40,440 Well, Dara, what are you dreaming about? 12 00:00:40,440 --> 00:00:45,400 Oh, auto light? You mean the show with Ann Southern? Oh, Mary, tell Billy to turn up 13 00:00:45,400 --> 00:00:47,840 the radio again. I wouldn't miss the suspense for a... 14 00:00:47,840 --> 00:00:50,320 Billy, will you turn the radio up? Your Aunt Dara went... 15 00:00:50,320 --> 00:00:51,320 Yes, ma'am. 16 00:00:51,320 --> 00:01:15,400 Suspense. Auto light and its 60,000 dealers and service stations bring you Radio's outstanding 17 00:01:15,400 --> 00:01:21,440 theater of thrills, starring tonight, Miss Ann Southern, in Anton Leder's production 18 00:01:21,440 --> 00:01:46,720 of The Quiet Man, a tale well calculated to keep you in suspense. 19 00:01:46,720 --> 00:01:52,080 What do you have? 20 00:01:52,080 --> 00:01:55,560 Vermin and soda with a twist of lemon. 21 00:01:55,560 --> 00:02:00,320 Okay, coming right up. Say, your name Margie? 22 00:02:00,320 --> 00:02:02,320 Yeah. How'd you know? 23 00:02:02,320 --> 00:02:06,920 You generally come in here with a heavy set guy, black wavy hair, wears a big diamond? 24 00:02:06,920 --> 00:02:07,920 Yeah. 25 00:02:07,920 --> 00:02:10,880 Yeah, he was in a while ago. Said to tell you he'd be late, but for you to be sure and 26 00:02:10,880 --> 00:02:11,880 wait for him. 27 00:02:11,880 --> 00:02:16,640 But I can't wait. I gotta get home to my... I gotta get home. How late do you say he'd 28 00:02:16,640 --> 00:02:17,640 be? 29 00:02:17,640 --> 00:02:18,640 Oh, pardon now. 30 00:02:18,640 --> 00:02:22,360 Oh, for crying out loud. Okay, give me some nickels. 31 00:02:22,360 --> 00:02:23,360 Here. 32 00:02:23,360 --> 00:02:26,360 Here you are. 33 00:02:26,360 --> 00:02:28,360 Thanks. 34 00:02:28,360 --> 00:02:45,720 Hello? Mr. Banning, please. Yeah, Mr. Arthur Banning. 35 00:02:45,720 --> 00:02:56,000 Arthur? Margie. I'm gonna be late for supper. Yeah, I ran into a girl I used to know at 36 00:02:56,000 --> 00:03:00,840 Lincoln High. She wants me to have a drink with her. Yeah. And say, will you pick up 37 00:03:00,840 --> 00:03:05,360 some hamburger on the way home and start the potatoes? I'll be there as quick as I can. 38 00:03:05,360 --> 00:03:06,360 Bye. 39 00:03:06,360 --> 00:03:09,360 Here's your drink. 40 00:03:09,360 --> 00:03:13,840 Well, here's mud in your eye. 41 00:03:13,840 --> 00:03:18,960 Um, there's a young fellow down at the end of the bar wants to buy you one. 42 00:03:18,960 --> 00:03:19,960 No, thanks. 43 00:03:19,960 --> 00:03:22,000 Well, it looks like a nice guy. 44 00:03:22,000 --> 00:03:24,240 That tall blonde fellow over by the mirror? 45 00:03:24,240 --> 00:03:26,720 Another. And you got a whole lot to kill. 46 00:03:26,720 --> 00:03:29,120 Is he... he isn't drunk, is he? 47 00:03:29,120 --> 00:03:33,520 Nah, he's had a few, but he always carries it good. It might help pass the time. 48 00:03:33,520 --> 00:03:36,600 Say, what's it to you, anyway? 49 00:03:36,600 --> 00:03:39,440 Five bucks. I'd sure appreciate it. 50 00:03:39,440 --> 00:03:42,920 He offered you five bucks to get me to have a drink with him? 51 00:03:42,920 --> 00:03:54,720 He is kind of good-looking. Well, okay. Sure, what the heck, I'll have a drink with him. 52 00:03:54,720 --> 00:04:02,760 Okay, so you're married. Nothing wrong with having a drink together. So what? I figure 53 00:04:02,760 --> 00:04:04,880 what your old man don't know won't hurt him. 54 00:04:04,880 --> 00:04:08,400 I said I'd have a drink with you. If you've got any other ideas, I'll buy my own. 55 00:04:08,400 --> 00:04:11,720 Oh, now, don't get me wrong, honey. I spotted you as a good kid the minute you ankle in 56 00:04:11,720 --> 00:04:17,000 here. You just like excitement, that's all. And I'm the guy that can dish it out. 57 00:04:17,000 --> 00:04:22,720 Yeah. Yeah. You see, I'm a private eye. Yeah, no kidding, 58 00:04:22,720 --> 00:04:25,360 like you hear about on the radio. Gee, what a break for me. 59 00:04:25,360 --> 00:04:27,960 You just stick around me, honey, and you'll get plenty of excitement. 60 00:04:27,960 --> 00:04:30,920 Yeah, I'll bet. You know, you take this new client of mine 61 00:04:30,920 --> 00:04:36,360 now, bet you anything he makes the headlines tomorrow. Ten to one, he'll murder his wife. 62 00:04:36,360 --> 00:04:39,280 Oh, yes, sure. He hired me to find out if his wife's been 63 00:04:39,280 --> 00:04:43,040 stepping out. I felt kind of sorry for the guy. He probably doesn't have the money to 64 00:04:43,040 --> 00:04:46,560 take her out himself. He's a bank teller at Second National. 65 00:04:46,560 --> 00:04:51,480 Bank teller? Bank teller? My... What's his name? 66 00:04:51,480 --> 00:04:55,840 Honey, no, no, that stuff's confidential. Matter of fact, I'm not supposed to talk about 67 00:04:55,840 --> 00:04:59,440 cases at all. Oh, go on. I won't tell anybody. 68 00:04:59,440 --> 00:05:03,760 Well, you don't look like the kind of babe that blabs everything she knows. How about 69 00:05:03,760 --> 00:05:04,760 that drink? Sure. 70 00:05:04,760 --> 00:05:10,840 Hey, Charlie, two over here. In the works. You know, he sort of gave me the creeps. This 71 00:05:10,840 --> 00:05:17,720 guy sat there eating his lunch calm as you please and all the time figuring how to kill 72 00:05:17,720 --> 00:05:20,200 his wife. How'd you know what he was figuring? 73 00:05:20,200 --> 00:05:24,840 Well, for one thing, he didn't want evidence for a divorce. He sort of looked at me funny 74 00:05:24,840 --> 00:05:30,160 and said, I just want to know, that's all. If Margie is stepping out, I'll take care 75 00:05:30,160 --> 00:05:32,000 of it my own way. Margie? 76 00:05:32,000 --> 00:05:36,560 Yeah, yeah, that's his wife's name, Margie. Hey, what's the matter? 77 00:05:36,560 --> 00:05:41,560 Nothing. Nothing at all. Hey, you don't look so good. Maybe you drank the last one too 78 00:05:41,560 --> 00:05:47,080 fast. No, no, I'm fine. I'm just naturally pale, that's all. You were saying about this 79 00:05:47,080 --> 00:05:49,600 client you figure he's going to murder his wife? 80 00:05:49,600 --> 00:05:53,000 Oh, sure, sure. It's in her back. Either that or suicide. 81 00:05:53,000 --> 00:05:55,600 Suicide? But he's more the type for murder. 82 00:05:55,600 --> 00:06:00,600 Oh, one of those big, brutal guys. Sort of mean looking, huh? 83 00:06:00,600 --> 00:06:06,200 Quiet, Marcie. Kind doesn't have much to say. Those are the guys you got to watch. 84 00:06:06,200 --> 00:06:08,240 But why? Because they never let you know what they're 85 00:06:08,240 --> 00:06:11,680 really thinking. Not until it's too late. They don't? 86 00:06:11,680 --> 00:06:14,640 You know, most guys, when they find their wives stepping, they'll raise cane. Maybe 87 00:06:14,640 --> 00:06:18,120 they'll even get a divorce. But they don't get sore enough to murder. 88 00:06:18,120 --> 00:06:20,800 Yeah. But these quiet fellas, you know, they put 89 00:06:20,800 --> 00:06:25,120 the little woman on a pedestal. You wouldn't catch them out with other women, not in a 90 00:06:25,120 --> 00:06:29,080 million years. And when they discover they're one and only has been kicking up her heels. 91 00:06:29,080 --> 00:06:33,200 The whole brother, watch out. The worst of it is they go on acting like 92 00:06:33,200 --> 00:06:38,320 nothing's wrong, you see. And all of a sudden, wanko. They explode. 93 00:06:38,320 --> 00:06:42,200 They explode? Yeah. You know, like I always say, beware the 94 00:06:42,200 --> 00:06:47,680 quiet man. Like this new client of mine, for example. Calm. You never met anybody calmer. 95 00:06:47,680 --> 00:06:49,680 But I'll bet. What does he look like? 96 00:06:49,680 --> 00:06:54,720 Oh, well, just about average, I guess. Brown hair, getting sort of thin on the top. 97 00:06:54,720 --> 00:06:58,560 A little bit stoop-shouldered. Medium height? Wear glasses? 98 00:06:58,560 --> 00:07:02,240 Yeah. Yeah, you know him? No. No, I don't know any of the boys. 99 00:07:02,240 --> 00:07:04,240 Excuse me. Hey, where you going? 100 00:07:04,240 --> 00:07:08,240 I gotta make a phone call. Just remember something. Don't go away. I'll be right back. 101 00:07:08,240 --> 00:07:10,240 Oh. 102 00:07:10,240 --> 00:07:12,240 Jesus. 103 00:07:12,240 --> 00:07:14,240 Oh. 104 00:07:14,240 --> 00:07:16,240 Ralph? 105 00:07:16,240 --> 00:07:18,240 Margie. 106 00:07:18,240 --> 00:07:20,240 I can't see you this afternoon. 107 00:07:20,240 --> 00:07:26,040 No, I'm not sorry about you being late. But whatever you do, don't come into Charlie's 108 00:07:26,040 --> 00:07:31,040 place. Yeah, that's where I am now. You bet there's something wrong. There's plenty wrong. 109 00:07:31,040 --> 00:07:36,040 Either this guy I'm talking to is crazy, or else Arthur's planning to murder me. 110 00:07:50,040 --> 00:07:55,520 For suspense, Auto Light is bringing you Miss Anne Southern in Radio's outstanding 111 00:07:55,520 --> 00:07:58,520 theater of thrills, Suspense. 112 00:08:06,520 --> 00:08:09,520 Well, Dora, we're down 200 on that hand. 113 00:08:09,520 --> 00:08:14,520 Oh, are we? It's easy to see there's no playing bridge with you girls with Suspense on. 114 00:08:14,520 --> 00:08:18,520 So let's stop playing and switch to Auto Light spark plugs or whatever for the rest of the 115 00:08:18,520 --> 00:08:23,520 half hour, huh? Oh, Mary, I could kiss you. You're such an understanding sister-in-law. 116 00:08:23,520 --> 00:08:26,520 And I don't want to miss a single word. What about you, May? 117 00:08:26,520 --> 00:08:30,520 Dora, did you know that my husband knows Frank Martin, the Auto Light salesman? 118 00:08:30,520 --> 00:08:33,520 He does? Well, then let's listen to Mr. Martin. 119 00:08:33,520 --> 00:08:38,520 Right now you can get Auto Light resistor spark plugs almost anywhere in the United States. 120 00:08:38,520 --> 00:08:43,520 They're sensational. Why, no other spark plug will give and maintain such performance. 121 00:08:43,520 --> 00:08:48,520 Auto Light worked with leading car and truck manufacturers, and they ignition engineered 122 00:08:48,520 --> 00:08:53,520 a 10,000 ohm resistor right into the Auto Light spark plug that permits a wider spark gap 123 00:08:53,520 --> 00:08:57,520 setting and maintains it far longer than another spark plugs. 124 00:08:57,520 --> 00:09:01,520 Actually, when you replace your narrow gap spark plugs with a set of wide gap Auto Light 125 00:09:01,520 --> 00:09:05,520 resistor spark plugs, you can tell the difference in your car. 126 00:09:05,520 --> 00:09:09,520 Oh dear. And I think that I'll hear every word of that again from Ed when I get home. 127 00:09:09,520 --> 00:09:14,520 Now here's the simple low down. As a result of the wide gap in the resistor spark plugs, 128 00:09:14,520 --> 00:09:19,520 you can change an idle smoother, you have better luck with lean gas mixtures and save gas. 129 00:09:19,520 --> 00:09:24,520 And within established limits, you reduce spark plug interference with radio and television reception. 130 00:09:24,520 --> 00:09:30,520 Yes, and today you can get the resistor spark plug from almost any of Auto Light's 60,000 dealers. 131 00:09:30,520 --> 00:09:33,520 That's the biggest spark plug news in years. 132 00:09:33,520 --> 00:09:38,520 And now Auto Light brings back to our Hollywood sound stage, Miss Anne Southern as Margie, 133 00:09:38,520 --> 00:09:43,520 in Beware the Quiet Man, a tale well calculated to keep you in. 134 00:09:43,520 --> 00:09:45,520 Suspend. 135 00:09:57,520 --> 00:10:01,520 I stood there in the phone booth a minute after I hung up. I wasn't scared exactly, 136 00:10:01,520 --> 00:10:06,520 but I had to let those words sink in. Either this guy I'm talking to is crazy, 137 00:10:06,520 --> 00:10:13,520 or else Arthur's planning to murder me. I went back to the bar. I had to find out. 138 00:10:13,520 --> 00:10:17,520 Oh, beautiful. I thought you got a lot. Sit down, sit down. 139 00:10:17,520 --> 00:10:21,520 Thanks. Now about this fella, the one who's going to murder his wife. 140 00:10:21,520 --> 00:10:25,520 Oh, let's scan the shop, Tuck. I want to hear about you. I don't even know your name. 141 00:10:25,520 --> 00:10:28,520 Did he say what made him think she was stepping out? 142 00:10:28,520 --> 00:10:32,520 Ah, she's supposed to belong to some bridge club the bank tell his wife's got up. 143 00:10:32,520 --> 00:10:37,520 But friends of his saw her downtown a couple of times on our bridge days. 144 00:10:37,520 --> 00:10:38,520 Is that all? 145 00:10:38,520 --> 00:10:42,520 You know, honey, you're pretty smart. You make like you're really interested in that guy's work. 146 00:10:42,520 --> 00:10:43,520 Oh, but I am. 147 00:10:43,520 --> 00:10:47,520 You know, I had a little doll once I thought plenty. I would have married her maybe, 148 00:10:47,520 --> 00:10:50,520 but only every time I started talking about her case, she shut me up. 149 00:10:50,520 --> 00:10:53,520 Never mind about your little dolls. What about this guy? 150 00:10:53,520 --> 00:10:55,520 Hey, you're jealous. What do you know? 151 00:10:55,520 --> 00:10:57,520 I'm not jealous. I only want to know. 152 00:10:57,520 --> 00:11:00,520 It's okay, honey. It's okay. Sure, a cute little doll like you 153 00:11:00,520 --> 00:11:03,520 doesn't want to hear a guy spouting off about another dame. 154 00:11:03,520 --> 00:11:04,520 Yeah, maybe I had a few too many. 155 00:11:04,520 --> 00:11:09,520 I just want to hear about this bank teller. Have you met his wife maybe? 156 00:11:09,520 --> 00:11:11,520 No, but he showed me a picture of her. 157 00:11:11,520 --> 00:11:15,520 Oh, then you know what she looks like. 158 00:11:17,520 --> 00:11:18,520 Hey, what's so funny? 159 00:11:19,520 --> 00:11:22,520 Never mind the jokes on me. 160 00:11:23,520 --> 00:11:27,520 Maybe you better not have many more to drink. You're acting kind of screwy. 161 00:11:27,520 --> 00:11:31,520 Oh, I feel wonderful. Well, here's to you. 162 00:11:31,520 --> 00:11:35,520 A long life. A long, long life. 163 00:11:35,520 --> 00:11:37,520 Yeah, down the hatch. 164 00:11:40,520 --> 00:11:42,520 Yeah, poor little Margie. 165 00:11:42,520 --> 00:11:45,520 You know, you showed me a snapshot of her in her bathing suit. 166 00:11:45,520 --> 00:11:47,520 Oh, boy, was she stacked. 167 00:11:47,520 --> 00:11:52,520 As a matter of fact, about your height and build, 168 00:11:52,520 --> 00:11:54,520 you're blonde like you too. 169 00:11:54,520 --> 00:11:56,520 Was she as pretty as I am? 170 00:11:56,520 --> 00:11:58,520 I couldn't see her face. It's kind of blurred. 171 00:11:58,520 --> 00:12:01,520 He's bringing me a better picture of her tomorrow. 172 00:12:01,520 --> 00:12:04,520 Oh, I think I'd like another drink. 173 00:12:04,520 --> 00:12:06,520 You know, honey, you better start taking vitamins or something. 174 00:12:06,520 --> 00:12:07,520 You're pale as a sheet. 175 00:12:07,520 --> 00:12:09,520 I said I wanted another drink. 176 00:12:09,520 --> 00:12:12,520 Oh, sure. Hey, Charlie, two more the same, huh? 177 00:12:13,520 --> 00:12:15,520 Yeah, poor little Margie. 178 00:12:15,520 --> 00:12:17,520 You know, that's one thing I could never figure out. 179 00:12:17,520 --> 00:12:19,520 The cute little dolls with flirtatious eyes 180 00:12:19,520 --> 00:12:23,520 always pick some homely, quiet gink when it comes to settling down. 181 00:12:23,520 --> 00:12:27,520 And the handsome he-man who has to beat off the James with a club, 182 00:12:27,520 --> 00:12:28,520 what does he do? 183 00:12:28,520 --> 00:12:30,520 He marries a drab little pigeon. 184 00:12:30,520 --> 00:12:33,520 Yeah, that's why we get so many axe murders, I guess. 185 00:12:33,520 --> 00:12:34,520 Axe murders? 186 00:12:34,520 --> 00:12:35,520 Only in this case he'll use a gun. 187 00:12:35,520 --> 00:12:37,520 But he doesn't have a... 188 00:12:37,520 --> 00:12:40,520 I mean, most bank clerks don't own guns. 189 00:12:40,520 --> 00:12:42,520 Oh, well, this one does. Now. 190 00:12:43,520 --> 00:12:44,520 Give me a light, will you? 191 00:12:44,520 --> 00:12:46,520 Yeah, sure. 192 00:12:46,520 --> 00:12:48,520 There you are. 193 00:12:48,520 --> 00:12:51,520 Hey, maybe if you lay off for booze, honey, 194 00:12:51,520 --> 00:12:53,520 take a tonic or something, you'll feel better. 195 00:12:53,520 --> 00:12:55,520 Look at your hands, they're trembling. 196 00:12:55,520 --> 00:12:57,520 How do you know he has a gun? 197 00:12:57,520 --> 00:13:00,520 Oh. Oh, I get it. 198 00:13:02,520 --> 00:13:03,520 Why don't you tell me? 199 00:13:03,520 --> 00:13:04,520 Tell you what? 200 00:13:04,520 --> 00:13:05,520 You got a squeamish stomach. 201 00:13:05,520 --> 00:13:07,520 All this talk about guns and shooting. 202 00:13:07,520 --> 00:13:08,520 No, honey, I'm sorry. 203 00:13:08,520 --> 00:13:10,520 I won't say one more word about it, I promise. 204 00:13:10,520 --> 00:13:12,520 I'm not squeamish and I don't need vitamins. 205 00:13:12,520 --> 00:13:15,520 I want to know how you know this bank teller guy has a gun. 206 00:13:15,520 --> 00:13:18,520 All right, so I'm going to a pawn shop and buy one. 207 00:13:18,520 --> 00:13:20,520 You know, honey, I could really go for you. 208 00:13:20,520 --> 00:13:22,520 It's a funny thing we never even introduced ourselves. 209 00:13:22,520 --> 00:13:23,520 That's something we got to do. 210 00:13:23,520 --> 00:13:25,520 My name's Clusen, Lem Clusen. 211 00:13:25,520 --> 00:13:26,520 What's yours? 212 00:13:26,520 --> 00:13:28,520 You mean that man bought a gun and now he's home 213 00:13:28,520 --> 00:13:30,520 waiting to murder his wife in cold blood? 214 00:13:30,520 --> 00:13:31,520 Oh, no, no. 215 00:13:31,520 --> 00:13:33,520 He won't do anything until he gets my report. 216 00:13:33,520 --> 00:13:34,520 Oh. 217 00:13:34,520 --> 00:13:36,520 You see, tomorrow I check with her friends to see 218 00:13:36,520 --> 00:13:38,520 if she's been going to Bridge Club like she's supposed to. 219 00:13:38,520 --> 00:13:39,520 Yeah. 220 00:13:39,520 --> 00:13:41,520 And I meet my client for lunch and get a picture of him, 221 00:13:41,520 --> 00:13:42,520 aren't you? 222 00:13:41,520 --> 00:13:42,520 Mm-hmm. 223 00:13:42,520 --> 00:13:43,520 And I take it around to the downtown bars 224 00:13:43,520 --> 00:13:46,520 to find out if she's been seen with anybody. 225 00:13:46,520 --> 00:13:49,520 And then I give my client the report when he gets off work. 226 00:13:49,520 --> 00:13:50,520 Yeah. 227 00:13:50,520 --> 00:13:51,520 And then? 228 00:13:51,520 --> 00:13:54,520 And if his suspicions are right, and they usually are, 229 00:13:54,520 --> 00:13:56,520 it's all over but the shooting. 230 00:13:56,520 --> 00:13:57,520 The shooting? 231 00:13:57,520 --> 00:13:58,520 Yeah. 232 00:13:58,520 --> 00:13:59,520 Bang, bang, honey. 233 00:13:59,520 --> 00:14:00,520 That's all. 234 00:14:00,520 --> 00:14:01,520 Bang, bang. 235 00:14:01,520 --> 00:14:03,520 Say, what'd you say your name was? 236 00:14:03,520 --> 00:14:04,520 I've got to get home. 237 00:14:16,520 --> 00:14:17,520 Hello, dear. 238 00:14:17,520 --> 00:14:18,520 Hello, Arthur. 239 00:14:18,520 --> 00:14:20,520 I was beginning to worry about you. 240 00:14:20,520 --> 00:14:23,520 Well, I really couldn't help being late for dinner. 241 00:14:23,520 --> 00:14:25,520 I wanted to leave, but May Belle, that's her name, 242 00:14:25,520 --> 00:14:27,520 you know the girl I used to go to school with, 243 00:14:27,520 --> 00:14:28,520 she kept talking yatcha to yatcha, 244 00:14:28,520 --> 00:14:31,520 and I just couldn't walk out on her in the middle of a sentence. 245 00:14:31,520 --> 00:14:32,520 That's all right. 246 00:14:32,520 --> 00:14:33,520 I didn't mind. 247 00:14:33,520 --> 00:14:34,520 Say, the potatoes are all ready, like you told me. 248 00:14:34,520 --> 00:14:35,520 Shall I... 249 00:14:35,520 --> 00:14:36,520 No, no, I'll hurry dinner. 250 00:14:36,520 --> 00:14:38,520 You just sit down and read the paper. 251 00:14:38,520 --> 00:14:40,520 Well, why, thank you, dear. 252 00:14:40,520 --> 00:14:41,520 You all right? 253 00:14:41,520 --> 00:14:42,520 You look a little flushed. 254 00:14:42,520 --> 00:14:43,520 Oh, I'm fine. 255 00:14:43,520 --> 00:14:45,520 I was just rushing, that's all. 256 00:14:45,520 --> 00:14:47,520 Be ready in a minute. 257 00:14:47,520 --> 00:14:50,520 Did you have a hard day, darling? 258 00:14:50,520 --> 00:14:51,520 Oh, usual. 259 00:14:51,520 --> 00:14:54,520 People are taking out more money these days than they're putting in. 260 00:14:54,520 --> 00:14:56,520 Yeah, prices are awful, aren't they? 261 00:14:56,520 --> 00:14:57,520 Hmm. 262 00:14:59,520 --> 00:15:00,520 Nothing unusual? 263 00:15:00,520 --> 00:15:03,520 I mean, nothing happened today? 264 00:15:03,520 --> 00:15:05,520 Oh, a funny thing. 265 00:15:05,520 --> 00:15:07,520 The man came rushing in this morning, 266 00:15:07,520 --> 00:15:09,520 first thing the doors were opened, 267 00:15:09,520 --> 00:15:11,520 wanted to withdraw all the money from their joint account 268 00:15:11,520 --> 00:15:13,520 before his wife beat him to it. 269 00:15:13,520 --> 00:15:15,520 Seems she was leaving him for another man. 270 00:15:15,520 --> 00:15:16,520 Oh, how awful. 271 00:15:16,520 --> 00:15:17,520 Oh, yeah. 272 00:15:17,520 --> 00:15:19,520 While he was there, she appeared. 273 00:15:19,520 --> 00:15:21,520 You should have heard her carry on. 274 00:15:21,520 --> 00:15:22,520 Ha! 275 00:15:22,520 --> 00:15:23,520 She was a real shrew. 276 00:15:23,520 --> 00:15:24,520 Well, what happened? 277 00:15:24,520 --> 00:15:25,520 Oh, nothing. 278 00:15:25,520 --> 00:15:27,520 He didn't say a word. 279 00:15:27,520 --> 00:15:28,520 He was a gentleman. 280 00:15:28,520 --> 00:15:32,520 But I'll bet if he'd had a gun, he'd have killed her. 281 00:15:32,520 --> 00:15:33,520 Oh, well. 282 00:15:33,520 --> 00:15:36,520 Seems things like that happen all the time. 283 00:15:36,520 --> 00:15:38,520 Newspapers full of it. 284 00:15:40,520 --> 00:15:42,520 Are you mad at me, Arthur? 285 00:15:42,520 --> 00:15:43,520 Hmm? 286 00:15:43,520 --> 00:15:44,520 Are you mad at me? 287 00:15:44,520 --> 00:15:46,520 Am I mad at you? 288 00:15:46,520 --> 00:15:47,520 Oh, I know. 289 00:15:47,520 --> 00:15:48,520 Should I be? 290 00:15:48,520 --> 00:15:51,520 Arthur, darling, I've got something to confess. 291 00:15:51,520 --> 00:15:52,520 Well, fire away. 292 00:15:52,520 --> 00:15:54,520 I didn't go to Bridge Club last week. 293 00:15:54,520 --> 00:15:55,520 No? 294 00:15:55,520 --> 00:15:58,520 I thought you'd die before you gave up Bridge. 295 00:15:58,520 --> 00:15:59,520 Oh. 296 00:15:59,520 --> 00:16:02,520 Really, honey, you look awfully seedy. 297 00:16:02,520 --> 00:16:03,520 No, I'm fine. 298 00:16:03,520 --> 00:16:04,520 I feel fine. 299 00:16:04,520 --> 00:16:06,520 I had sort of a quarrel with Lorraine. 300 00:16:06,520 --> 00:16:09,520 I didn't want to tell you because you're always talking about 301 00:16:09,520 --> 00:16:11,520 how women can't get along with each other. 302 00:16:11,520 --> 00:16:14,520 Instead of going to Bridge Club, I went shopping. 303 00:16:14,520 --> 00:16:15,520 Instead. 304 00:16:15,520 --> 00:16:16,520 Fine. 305 00:16:16,520 --> 00:16:19,520 Only I hope you didn't go over the budget. 306 00:16:19,520 --> 00:16:20,520 Oh, no. 307 00:16:20,520 --> 00:16:21,520 That's good. 308 00:16:21,520 --> 00:16:24,520 I always said Bridge was a waste of time. 309 00:16:24,520 --> 00:16:26,520 Then you're not angry about anything? 310 00:16:26,520 --> 00:16:27,520 Why, no. 311 00:16:27,520 --> 00:16:28,520 Why should I be? 312 00:16:28,520 --> 00:16:29,520 Oh, Arthur. 313 00:16:29,520 --> 00:16:31,520 What's the matter now? 314 00:16:31,520 --> 00:16:34,520 I don't deserve a swell husband like you. 315 00:16:34,520 --> 00:16:36,520 Oh, I'm not so hot. 316 00:16:36,520 --> 00:16:38,520 You always do the dinner dishes 317 00:16:38,520 --> 00:16:40,520 and bring me my breakfast in bed on Sunday mornings. 318 00:16:40,520 --> 00:16:42,520 The only morning you have to sleep. 319 00:16:42,520 --> 00:16:45,520 Arthur, I'd feel terrible if anything ever happened to us. 320 00:16:45,520 --> 00:16:47,520 What's going to happen? 321 00:16:47,520 --> 00:16:49,520 Suppose some day you got real mad and exploded. 322 00:16:49,520 --> 00:16:50,520 Exploded? 323 00:16:50,520 --> 00:16:51,520 Yeah. 324 00:16:51,520 --> 00:16:53,520 What if you got a gun and shot me dead? 325 00:16:53,520 --> 00:16:56,520 Oh, for heaven's sakes, Margie, where do you get those crazy ideas? 326 00:16:56,520 --> 00:16:59,520 You mean no matter how mad you got, 327 00:16:59,520 --> 00:17:02,520 no matter what I did to make you mad, you wouldn't shoot me dead? 328 00:17:02,520 --> 00:17:05,520 Margie, you know I'd rather die than hurt one hair on your head. 329 00:17:05,520 --> 00:17:07,520 Oh, Arthur, not suicide. 330 00:17:07,520 --> 00:17:09,520 Say, how many drinks did you and Maybel have? 331 00:17:09,520 --> 00:17:12,520 Arthur, I want you to know I'm going to change. 332 00:17:12,520 --> 00:17:14,520 I'm going to be a better wife from now on. 333 00:17:14,520 --> 00:17:17,520 I'll stay home all the time and darn your socks. 334 00:17:17,520 --> 00:17:18,520 You? 335 00:17:18,520 --> 00:17:20,520 Darn your socks? 336 00:17:20,520 --> 00:17:22,520 You just wait and see. 337 00:17:22,520 --> 00:17:24,520 I'll get up every morning and make you breakfast. 338 00:17:24,520 --> 00:17:26,520 Oh, Margie, you know you won't do any of those things. 339 00:17:26,520 --> 00:17:27,520 I will, too. 340 00:17:27,520 --> 00:17:29,520 Nonsense. Women like you never change. 341 00:17:29,520 --> 00:17:32,520 I will, too. I'll change right away. Tomorrow. 342 00:17:32,520 --> 00:17:34,520 Besides, I don't want you to. 343 00:17:34,520 --> 00:17:36,520 Oh, come here, baby. 344 00:17:36,520 --> 00:17:39,520 I want you to stay just exactly the way you are right now. 345 00:17:39,520 --> 00:17:41,520 Just exactly, Arthur? 346 00:17:41,520 --> 00:17:44,520 I love you very much. Just the way you are. 347 00:17:44,520 --> 00:17:46,520 Oh, Arthur. 348 00:17:48,520 --> 00:17:51,520 That reminds me, I made an appointment for you tomorrow at 10. 349 00:17:51,520 --> 00:17:52,520 You're having your picture taken. 350 00:17:52,520 --> 00:17:53,520 My picture? 351 00:17:53,520 --> 00:17:55,520 I shot a photo of that old snapshot of you today. 352 00:17:55,520 --> 00:17:56,520 The one we took at the beach. 353 00:17:56,520 --> 00:17:58,520 It was so dog-eared he couldn't see what you looked like, 354 00:17:58,520 --> 00:18:01,520 and I realized we didn't have a single decent picture of you at all, so... 355 00:18:01,520 --> 00:18:03,520 But why have it taken tomorrow? 356 00:18:03,520 --> 00:18:07,520 Well, the studio next to the bank is having a special advertising the new 60-minute service. 357 00:18:07,520 --> 00:18:08,520 60-minute service? 358 00:18:08,520 --> 00:18:11,520 Yeah. That way I can pick up the finished picture before I go to lunch. 359 00:18:11,520 --> 00:18:12,520 I don't want my picture taken. 360 00:18:12,520 --> 00:18:13,520 Well, now you're being silly. 361 00:18:13,520 --> 00:18:14,520 I won't. I won't do it. 362 00:18:14,520 --> 00:18:15,520 Oh, honey, what's the matter? 363 00:18:15,520 --> 00:18:17,520 Don't touch me. I won't have my picture taken. I won't. 364 00:18:17,520 --> 00:18:19,520 Good night. 365 00:18:25,520 --> 00:18:27,520 Sort of gave me the creeps, this guy. 366 00:18:27,520 --> 00:18:30,520 Sat there eating his lunch, calm as you please. 367 00:18:30,520 --> 00:18:33,520 All the time figuring how to kill his wife. 368 00:18:34,520 --> 00:18:36,520 Quiet, Marcy. 369 00:18:36,520 --> 00:18:38,520 That's the kind you gotta watch. 370 00:18:38,520 --> 00:18:40,520 Never let you know what they're really thinking. 371 00:18:41,520 --> 00:18:44,520 All of a sudden, wangle, they explode. 372 00:18:44,520 --> 00:18:46,520 Bang, bang, that's all. 373 00:18:46,520 --> 00:18:47,520 Bang, bang. 374 00:18:47,520 --> 00:18:50,520 Oh, no. There must be some mistake. 375 00:18:50,520 --> 00:18:53,520 Arthur wouldn't hurt me. He wouldn't. 376 00:18:53,520 --> 00:18:55,520 I won't think about it. 377 00:18:55,520 --> 00:18:57,520 I'll take a sleeping powder and go to bed. 378 00:18:57,520 --> 00:19:00,520 The gun. He did buy a gun. 379 00:19:00,520 --> 00:19:02,520 It's all true. 380 00:19:02,520 --> 00:19:04,520 Every word of it's true. 381 00:19:18,520 --> 00:19:20,520 Hello? Ralph. 382 00:19:20,520 --> 00:19:22,520 I told you never to call me here. 383 00:19:22,520 --> 00:19:24,520 No, no, it isn't all right. 384 00:19:24,520 --> 00:19:26,520 Arthur bought a gun hole. 385 00:19:26,520 --> 00:19:28,520 Arthur bought a gun home last night. 386 00:19:28,520 --> 00:19:29,520 Yes, a gun. 387 00:19:29,520 --> 00:19:31,520 He claimed he was keeping it for a friend. 388 00:19:31,520 --> 00:19:32,520 That's all he'd say. 389 00:19:32,520 --> 00:19:34,520 Here, I think so. 390 00:19:34,520 --> 00:19:36,520 Just a minute, I'll look. 391 00:19:36,520 --> 00:19:38,520 Ralph, the gun's gone. 392 00:19:38,520 --> 00:19:40,520 He must have taken it to work. 393 00:19:40,520 --> 00:19:42,520 Oh, well, don't you see? 394 00:19:42,520 --> 00:19:44,520 As soon as he finds out for sure, he'll kill... 395 00:19:44,520 --> 00:19:46,520 No, no, no, no, no. 396 00:19:46,520 --> 00:19:48,520 I never want to hear from you again. 397 00:19:49,520 --> 00:19:51,520 I've got to think. I've got to think. 398 00:19:51,520 --> 00:19:55,520 Oh, not the doorbell. 399 00:19:58,520 --> 00:20:00,520 Oh, Lorraine. 400 00:20:00,520 --> 00:20:02,520 Well, who'd you expect, darling? 401 00:20:02,520 --> 00:20:04,520 Frankenstein. 402 00:20:04,520 --> 00:20:06,520 Aren't you going to invite me in? 403 00:20:06,520 --> 00:20:07,520 I was just going out. 404 00:20:07,520 --> 00:20:08,520 Don't be silly. You're not dressed. 405 00:20:08,520 --> 00:20:09,520 I'm in a hurry, Lorraine. 406 00:20:09,520 --> 00:20:11,520 So am I. I'm late at the beauty shop now. 407 00:20:11,520 --> 00:20:13,520 But I was driving past anyway, so I thought I'd drop in 408 00:20:13,520 --> 00:20:15,520 and give you the latest on the girls at the bridge club. 409 00:20:15,520 --> 00:20:16,520 Well, some other day. 410 00:20:16,520 --> 00:20:18,520 Honestly, Margie, this is choice. 411 00:20:18,520 --> 00:20:20,520 You know what I heard about Mrs. Dentler? 412 00:20:20,520 --> 00:20:22,520 You know she's the wife of Ben Dentler, 413 00:20:22,520 --> 00:20:24,520 the new teller at the bank, the one from Chicago. 414 00:20:24,520 --> 00:20:25,520 Lorraine, if you don't mind... 415 00:20:25,520 --> 00:20:27,520 Oh, that's right. You haven't met her. 416 00:20:27,520 --> 00:20:29,520 Of course, you haven't been around lately. 417 00:20:29,520 --> 00:20:31,520 Well, she's kind of a pretty little thing 418 00:20:31,520 --> 00:20:33,520 in a plucked eyebrow sort of way. 419 00:20:33,520 --> 00:20:36,520 But you should hear what her husband told my husband. 420 00:20:36,520 --> 00:20:37,520 Lorraine, I... 421 00:20:37,520 --> 00:20:40,520 Of course, I promised Ed I wouldn't breathe a word. 422 00:20:40,520 --> 00:20:42,520 You're trying out loud, Lorraine. 423 00:20:42,520 --> 00:20:44,520 Well, what brought that on? 424 00:20:44,520 --> 00:20:46,520 I haven't time to stand and gossip. 425 00:20:46,520 --> 00:20:48,520 What's wrong with you today anyway? You're as nervous as a cat. 426 00:20:48,520 --> 00:20:50,520 I'm all right, perfectly all right, but here it is, 10.30. 427 00:20:50,520 --> 00:20:52,520 10.30? Good heavens, I'm a half-hour late. 428 00:20:52,520 --> 00:20:53,520 Well, good-bye. 429 00:20:53,520 --> 00:20:54,520 I've got to run. 430 00:20:54,520 --> 00:20:57,520 Oh, darling, be sure and read the Gazette tomorrow. 431 00:20:57,520 --> 00:20:59,520 They're running a story about our bridge benefits. 432 00:20:59,520 --> 00:21:00,520 Okay, good-bye. 433 00:21:00,520 --> 00:21:01,520 Pictures and everything. 434 00:21:01,520 --> 00:21:03,520 They didn't have time to take a new picture, 435 00:21:03,520 --> 00:21:05,520 but I gave them one we took at the Valentine party. 436 00:21:05,520 --> 00:21:07,520 The one I was in? They're publishing it? 437 00:21:07,520 --> 00:21:08,520 Why, sure. 438 00:21:08,520 --> 00:21:10,520 And it won my picture in the paper. 439 00:21:10,520 --> 00:21:13,520 But yours was the only flattering one in the group. 440 00:21:13,520 --> 00:21:15,520 The reporter picked you out right away. 441 00:21:15,520 --> 00:21:17,520 He seemed quite smitten. 442 00:21:17,520 --> 00:21:18,520 He? 443 00:21:18,520 --> 00:21:21,520 Oh, yes, yes, he asked all about you. 444 00:21:21,520 --> 00:21:24,520 Of course, I told him that you didn't come to meetings very often. 445 00:21:24,520 --> 00:21:27,520 The Gazette doesn't use men reporters for society. 446 00:21:27,520 --> 00:21:29,520 Well, they do now, dear. 447 00:21:29,520 --> 00:21:31,520 He didn't sound much like a reporter, though. 448 00:21:31,520 --> 00:21:33,520 He kept calling me, honey. 449 00:21:33,520 --> 00:21:35,520 Tall, blonde, fast talker? 450 00:21:35,520 --> 00:21:36,520 Well, yes. 451 00:21:36,520 --> 00:21:37,520 And you gave him my picture? 452 00:21:37,520 --> 00:21:38,520 Well, of course. 453 00:21:38,520 --> 00:21:39,520 What was his name? 454 00:21:39,520 --> 00:21:43,520 Oh, well, that's the funny name. 455 00:21:43,520 --> 00:21:46,520 I think it was Clusen, Lem Clusen. 456 00:21:46,520 --> 00:21:58,520 But, Charlie, it's a matter of life and death. 457 00:21:58,520 --> 00:22:00,520 I've got to get a hold of Lem before noon. 458 00:22:00,520 --> 00:22:01,520 Well, like I said, he ain't been in. 459 00:22:01,520 --> 00:22:03,520 You sure he never told you where he works? 460 00:22:03,520 --> 00:22:05,520 No, he's come short for some private detective outfit. 461 00:22:05,520 --> 00:22:07,520 Oh, give me some nickels, lots of nickels. 462 00:22:07,520 --> 00:22:09,520 I got some telephoning to do. 463 00:22:09,520 --> 00:22:13,520 At me, detective agency. 464 00:22:13,520 --> 00:22:15,520 You have a man named Clusen working for you. 465 00:22:15,520 --> 00:22:16,520 Lem Clusen? 466 00:22:16,520 --> 00:22:17,520 No. 467 00:22:17,520 --> 00:22:18,520 Thanks. 468 00:22:18,520 --> 00:22:23,520 Brandon agency, I want Mr. Clusen, Lem Clusen. 469 00:22:23,520 --> 00:22:29,520 Oh, yeah, I guess I have the wrong number. 470 00:22:29,520 --> 00:22:32,520 Hawkshawks, detectives, I'm looking for a man named Lem Clusen. 471 00:22:32,520 --> 00:22:37,520 No, I don't want to hire you to find him. 472 00:22:37,520 --> 00:22:40,520 But you're the last one in the book he's got. 473 00:22:40,520 --> 00:22:48,520 Okay, sorry. 474 00:22:48,520 --> 00:22:49,520 No luck? 475 00:22:49,520 --> 00:22:50,520 No. 476 00:22:50,520 --> 00:22:53,520 I just remembered, Lem said the guy he worked for just opened up in town. 477 00:22:53,520 --> 00:22:56,520 Probably ain't no phone book yet. 478 00:22:56,520 --> 00:23:00,520 Go on, kid, get out of here. 479 00:23:00,520 --> 00:23:04,520 Ah, that fresh kid, just because I won't let him in here peddling his papers, he yells in the door. 480 00:23:04,520 --> 00:23:05,520 Did he say banks to you, son? 481 00:23:05,520 --> 00:23:07,520 He yells in here every darn day. 482 00:23:07,520 --> 00:23:09,520 Hey, wait, wait, hey, you didn't finish your drink, huh? 483 00:23:09,520 --> 00:23:10,520 Newsy, Newsy. 484 00:23:10,520 --> 00:23:11,520 Oh, I told him. 485 00:23:11,520 --> 00:23:13,520 Hey, boy, hey, newspaper, boy. 486 00:23:13,520 --> 00:23:15,520 Give me a, boy, boy. 487 00:23:15,520 --> 00:23:17,520 Hey, you, boy. 488 00:23:17,520 --> 00:23:18,520 Paper, lady? 489 00:23:18,520 --> 00:23:20,520 Did you say suicide? 490 00:23:20,520 --> 00:23:22,520 Right in the second national bank. 491 00:23:22,520 --> 00:23:23,520 You want a paper? 492 00:23:23,520 --> 00:23:24,520 Yeah, here. 493 00:23:24,520 --> 00:23:26,520 Guy's wife steps out with another joke. 494 00:23:26,520 --> 00:23:29,520 So the poor dope says goodbye, Margie, and pulls the trigger. 495 00:23:29,520 --> 00:23:30,520 Here you are, lady. 496 00:23:30,520 --> 00:23:31,520 Bank suicide. 497 00:23:31,520 --> 00:23:32,520 Read all about it. 498 00:23:32,520 --> 00:23:34,520 Well, well, if it isn't Margie. 499 00:23:34,520 --> 00:23:36,520 Get away from me, Lem Clusen. 500 00:23:36,520 --> 00:23:37,520 Heard you were looking for me. 501 00:23:37,520 --> 00:23:38,520 Well, here I am. 502 00:23:38,520 --> 00:23:39,520 Boy, have I got a lot to tell you. 503 00:23:39,520 --> 00:23:40,520 Let me alone. 504 00:23:40,520 --> 00:23:41,520 I want to read. 505 00:23:41,520 --> 00:23:42,520 Oh, that write-up's no good. 506 00:23:42,520 --> 00:23:43,520 Here, give it here. 507 00:23:43,520 --> 00:23:44,520 There, that's better. 508 00:23:44,520 --> 00:23:46,520 Now, come on into Charlie's, and I'll give you the inside. 509 00:23:46,520 --> 00:23:48,520 Give me back my paper, you murderer. 510 00:23:48,520 --> 00:23:49,520 Murderer? 511 00:23:49,520 --> 00:23:50,520 Hey, wait a minute. 512 00:23:50,520 --> 00:23:51,520 Oh, I get it. 513 00:23:51,520 --> 00:23:54,520 You figure he bumped himself off on account of my report. 514 00:23:54,520 --> 00:23:55,520 That's a screwy part. 515 00:23:55,520 --> 00:23:56,520 He didn't even wait for the report. 516 00:23:56,520 --> 00:23:57,520 I got it right here in my pocket. 517 00:23:57,520 --> 00:23:58,520 Take your hand off my arm. 518 00:23:58,520 --> 00:24:00,520 Oh, look, honey, now, come on. 519 00:24:00,520 --> 00:24:02,520 You're coming into Charlie's if I have to drag you. 520 00:24:02,520 --> 00:24:03,520 Why don't you leave me alone? 521 00:24:03,520 --> 00:24:05,520 I figured you'd be so. 522 00:24:05,520 --> 00:24:08,520 Nice popping off the way I did in Charlie's yesterday. 523 00:24:08,520 --> 00:24:09,520 But how did I know who you were? 524 00:24:09,520 --> 00:24:10,520 Here we are. 525 00:24:10,520 --> 00:24:12,520 Hey, Charlie, two bourbon highs, double. 526 00:24:12,520 --> 00:24:13,520 I don't want a drink. 527 00:24:13,520 --> 00:24:18,520 Should have seen my face this morning when that screwy friend of yours gave me the picture of your bridge club. 528 00:24:18,520 --> 00:24:19,520 Oh, never mind. 529 00:24:19,520 --> 00:24:21,520 And there you were, as real as life and just as cute. 530 00:24:21,520 --> 00:24:25,520 I says to myself, why, you dumb ox, you got that little doll worried sick. 531 00:24:25,520 --> 00:24:32,520 And then when I read in the paper about my client giving your husband the gun to keep for fear he'll use it on himself, I think, holy cow. 532 00:24:32,520 --> 00:24:34,520 What did you say? 533 00:24:34,520 --> 00:24:38,520 And then I think I bet she figures I planned the whole thing just to scare her. 534 00:24:38,520 --> 00:24:39,520 What do you mean? 535 00:24:39,520 --> 00:24:40,520 Oh, now, don't try to kid me, Margie. 536 00:24:40,520 --> 00:24:44,520 You know you figured that client of mine was your husband, that he was going to bump you off. 537 00:24:44,520 --> 00:24:45,520 You mean he wasn't? 538 00:24:45,520 --> 00:24:47,520 No, no, your name's Banning, isn't it? 539 00:24:47,520 --> 00:24:48,520 Yeah. 540 00:24:48,520 --> 00:24:51,520 But my client's name was Dendler, Benjamin Dendler. 541 00:24:51,520 --> 00:24:54,520 Funny thing, his wife being named Margie, too. 542 00:24:54,520 --> 00:24:56,520 Yeah, I never thought he'd do it anyway. 543 00:24:56,520 --> 00:24:58,520 Oh, I think I'd like that drink after all. 544 00:24:58,520 --> 00:25:00,520 Well, here's to us, honey. 545 00:25:00,520 --> 00:25:03,520 So that's the gossip Lorraine was trying to tell me. 546 00:25:03,520 --> 00:25:05,520 Dendler, the teller from Chicago. 547 00:25:05,520 --> 00:25:07,520 You know, I've been thinking a lot about you, Margie. 548 00:25:07,520 --> 00:25:09,520 And Arthur really was keeping the gun for a friend of his. 549 00:25:09,520 --> 00:25:14,520 I'll tell you what, honey, I know a quiet little spot across town where we can eat, dance, anything we want. 550 00:25:14,520 --> 00:25:16,520 You might have told me about Dendler. 551 00:25:16,520 --> 00:25:19,520 It's a cute little place, baby. They've got a knocked-out band and what a floor show. 552 00:25:19,520 --> 00:25:21,520 I wonder why Arthur wouldn't talk to me about it. 553 00:25:21,520 --> 00:25:22,520 Well, what do you say? 554 00:25:22,520 --> 00:25:24,520 Say? To what? 555 00:25:24,520 --> 00:25:27,520 Well, you and me, honey, our date. 556 00:25:27,520 --> 00:25:32,520 Oh, you're asking me to step out with you? 557 00:25:32,520 --> 00:25:34,520 Well, why not? 558 00:25:34,520 --> 00:25:35,520 How about my husband? 559 00:25:35,520 --> 00:25:39,520 Oh, that mousy little guy. We got nothing to worry about from him. 560 00:25:39,520 --> 00:25:42,520 But I thought you always said, beware the quiet man. 561 00:25:42,520 --> 00:25:44,520 You never know what they're really thinking. 562 00:25:44,520 --> 00:25:45,520 But, listen... 563 00:25:45,520 --> 00:25:46,520 No buts. 564 00:25:46,520 --> 00:26:09,520 If you'll pardon me, Mr. Lemclouson, I'm going home and start his supper. 565 00:26:09,520 --> 00:26:12,520 Thank you, Anne Southern, for a splendid performance. 566 00:26:12,520 --> 00:26:15,520 Miss Southern will be back in just a moment. 567 00:26:15,520 --> 00:26:19,520 Dora, I apologize. That show was better than a sixth No Trump had. 568 00:26:19,520 --> 00:26:22,520 Why, Mary, first thing you know, you'll be in Ed's class, 569 00:26:22,520 --> 00:26:26,520 quacking about auto-light resistor spark plugs like Donald Duck. 570 00:26:26,520 --> 00:26:31,520 Deal me a great big hand, Mary, and watch me get back that 200 we went down. 571 00:26:31,520 --> 00:26:34,520 You know, I must get me a set of those spark plugs. 572 00:26:34,520 --> 00:26:39,520 Why not? Ask Ed tomorrow to put a set of those auto-light resistor spark plugs in your car. 573 00:26:39,520 --> 00:26:43,520 Oh, well, then, May, will you tell Ed I'll be over tomorrow? 574 00:26:43,520 --> 00:26:44,520 I certainly will. 575 00:26:44,520 --> 00:26:48,520 My old car is going to get auto-light resistor spark plugs, too. 576 00:26:48,520 --> 00:26:52,520 Yes, switching to auto-light is safe, sane, sound, sober judgment, 577 00:26:52,520 --> 00:26:55,520 and a sure way to spark plug satisfaction. 578 00:26:55,520 --> 00:26:58,520 That's why everybody's switching to auto-light. 579 00:26:58,520 --> 00:27:00,520 Auto-light means resistor spark plugs. 580 00:27:00,520 --> 00:27:03,520 Ignition engineered spark plugs. 581 00:27:03,520 --> 00:27:05,520 Auto-light means batteries. 582 00:27:05,520 --> 00:27:07,520 Stay full, batteries. 583 00:27:07,520 --> 00:27:09,520 Auto-light means ignition systems. 584 00:27:09,520 --> 00:27:14,520 The lifeline of your car. 585 00:27:20,520 --> 00:27:23,520 And now here again is Miss Anne Southern. 586 00:27:23,520 --> 00:27:26,520 I've enjoyed this appearance on Suspense very much. 587 00:27:26,520 --> 00:27:29,520 And as a regular Suspense listener, I'm looking forward to next week 588 00:27:29,520 --> 00:27:34,520 when Martha Scott stars in Crisis, a powerful study in... 589 00:27:34,520 --> 00:27:39,520 Suspense. 590 00:27:46,520 --> 00:27:50,520 Anne Southern appears by courtesy of Metro-Goldwyn-Mayer Studios, 591 00:27:50,520 --> 00:27:54,520 producers of Julia Misbehaves, starring Walter Pigeon and Greer Garson. 592 00:27:54,520 --> 00:27:57,520 Tonight, Suspense play was written by Toby Hall, 593 00:27:57,520 --> 00:28:01,520 with music composed by Lucian Morawick and conducted by Lud Bluscombe. 594 00:28:01,520 --> 00:28:04,520 The entire production was under the direction of Anton M. Lieder. 595 00:28:04,520 --> 00:28:10,520 Next Thursday, same time, you will hear Martha Scott in Crisis. 596 00:28:16,520 --> 00:28:20,520 This is the auto-light Suspense show calling the people of the USA. 597 00:28:20,520 --> 00:28:21,520 Here's your potty, sir. 598 00:28:21,520 --> 00:28:24,520 Thank you. This is Care, Incorporated. 599 00:28:24,520 --> 00:28:29,520 It's been nine years now, nine years, since Europe's people have been able to live decently, 600 00:28:29,520 --> 00:28:31,520 buy clothes to wear, get enough to eat. 601 00:28:31,520 --> 00:28:34,520 That's a long time. It's far too long. 602 00:28:34,520 --> 00:28:36,520 Our government is doing something about it. 603 00:28:36,520 --> 00:28:40,520 Its long-range program will help restore economic prosperity. 604 00:28:40,520 --> 00:28:44,520 But there won't be any immediate direct help for the people who are hungry today. 605 00:28:44,520 --> 00:28:47,520 They can look only to us, to you and me. 606 00:28:47,520 --> 00:28:49,520 We can send help through Care. 607 00:28:49,520 --> 00:28:55,520 The 40,000 calories of food, good food, in a Care package goes a long way. 608 00:28:55,520 --> 00:28:58,520 Because Care is non-profit, government approved, 609 00:28:58,520 --> 00:29:01,520 it will deliver your package in Europe for just $10. 610 00:29:01,520 --> 00:29:07,520 $10 sent to Care will supplement rations of a family of four Europeans for a month. 611 00:29:07,520 --> 00:29:13,520 Won't you help? Remember the name and address, Care, C-A-R-E, New York. 612 00:29:13,520 --> 00:29:15,520 Good night. Switch to auto-light. 613 00:29:15,520 --> 00:29:29,520 This is CBS, the Columbia Broadcasting System.