WEBVTT

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Now, Roma wines, R-O-M-A.

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Made in California for enjoyment throughout the world.

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Roma wines present, Suspense.

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Music

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Ever hear of a man named Eberman?

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Matthew Eberman, his name was.

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He had his name in the papers quite a lot, Matthew did.

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It's kind of a funny story concerning Matthew too.

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Had to do with murder.

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Matthew was an ugly guy.

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Ugly is a mud fence and he hated that.

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He hated everyone telling him how ugly he was.

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Why, ever since he was a kid.

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I won't play if I have to be Matthew's partner.

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He's so awful looking it makes me sick to have to look at him with those terrible big hands.

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Well, I won't play.

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And I'll tell him so to his face.

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Matthew Eberman?

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You're the ugliest, most horrible looking boy I've ever seen.

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You're double ugly.

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That's what you are.

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Look at you.

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Look at you.

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Double ugly, double ugly, double ugly.

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Music

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Sometimes Matthew would cry.

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He'd go home and beat his big fists into his pillow and nearly choke getting the sobs out of him.

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Don't cry, Matthew.

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What do you care what they say?

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Friends don't matter unless they love you for yourself.

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Don't cry, dear mother loves you.

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Mother thinks you're a wonderful boy.

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There, there, now don't you cry.

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And then Matthew wouldn't cry.

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It was a funny thing too.

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He came from a good family, enough money, education.

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And if he hadn't been so ugly, if he hadn't been, his voice would have been kind of pleasant to listen to.

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One time I remember he got alone okay with just his voice.

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It was at a masquerade.

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After he got the costume and the mask all on, his mother said,

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Why, I hardly know my old boy.

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All dressed up like that.

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Why he ever went, I don't know.

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He wanted to be with people, I guess.

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Anyway, he did go to the party and he danced with all the girls in the place.

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And one girl was so beautiful.

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Some lovely Duchess, maybe from a hundred or two hundred years ago.

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Like a soft cloud of ruffles and lace and the scent of magic clung all about her.

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Who are you?

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Someone who's in love with you.

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A masqueraded, sorrowmatic.

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It's perfectly all right to fall in love with a stranger.

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Someone you haven't the slightest idea who it is.

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What do you mind if I fall in love with you?

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It's a masquerade.

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I've never said it before.

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I love you.

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Who are you?

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I love you.

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Who are you?

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I'll tell you who I am if you'll tell me who you are.

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Ladies and gentlemen, unmasked.

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Come on, take off your mask.

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Well, it doesn't matter now.

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Here, I'll take mine off first.

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No.

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Well, remove yours.

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No.

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Oh, you silly, you must.

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Take it off.

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I'll take it off of you myself.

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No, no, don't, please don't.

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I will, I will.

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I love you.

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Matthew Everman.

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Lovely dama, lovely dama.

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Some lovely duchess.

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The soft cloud of lace and the scent of magic all about her.

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Matthew's mother died.

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Matthew went away from town.

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It was after that that he had to do with murder.

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More suspense?

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Just told you about him as a boy, so maybe you could understand him later on.

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You see, he never knew a soul to talk to, except some of the men who worked in the same plant where he did.

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He got a job there in this plant throwing sacks into a truck.

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At lunchtime, Matthew would listen to the other men talking, his big hands opening and closing regularly.

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You know what I think?

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I think it's better to be married no matter what.

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That's right, handsome.

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Still, lots of men don't get married.

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That's right.

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Hey, you ain't married, are you, Everman?

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No.

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Oh? How come, Everman?

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I don't know.

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I thought I'd never get married.

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I thought women married only good-looking men.

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Shucks, ever mind if a woman had married me, one ought to marry you.

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I never know anyone to marry.

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Well, my ball and chain will fix that.

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I tell you what, come up to the house sadly night.

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Yeah, Everman's the one I was telling you about that don't know no one to marry, Hazel.

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Why, Mr. Everman, ain't you ashamed?

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There's lots of girls around that should die and then get married.

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Ain't you never wanted a home?

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Now, look at our little place. Ain't it cute?

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A man needs a woman's touch and vice versa.

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Yeah, that's the truth, Everman.

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Sure. Now, look at handsome here, Mr. Everman.

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He wasn't no use to himself at all all alone.

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And now we got a really good life worked out.

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Oh, now, Hazel, honey, don't force.

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Oh, that's all right. Let her talk.

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I would have anyway, Mr. Everman.

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Handsome don't haul no water with me.

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The fat wife talked and Matthew listened.

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And he began to wonder if maybe there wasn't something in what she said.

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It was lonesome.

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He could quit the plant if he wanted. He had all that money.

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His mother left him when he died.

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He only worked because it was so lonesome.

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And then Hazel said...

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Now, well, let's see. Who'd be a good girl for you?

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What high do you go for?

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Um, Sally Smart.

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No, I'm no Sally Mason.

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Sally Mason.

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A big, easy-going blonde.

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Like a soft cloud of ruffles and lace in the scent of my...

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No, no.

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It's getting a little mixed up.

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Anyway, Hazel arranged for them to meet at a party at her house.

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She had all the men and their wives from the plant,

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and a guy named Letty played the piano.

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Played piano like old-time movies.

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Everybody had a swell time except Matthew.

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He sat alone over in one corner of the porch.

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He heard the screen door open and close

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and a big bunch of white that was Sally moved over to him.

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Well, there you are, Mr. Everman.

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What do you mean by running away from the party?

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I'm your date tonight, aren't I?

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Sure, but I thought maybe you'd want to be with some of those fellas

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and talk more, you know. I'm pretty quiet.

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Oh, I don't mind.

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I think that's the mark of a gentleman.

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Gorgeous night, huh?

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Isn't it?

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You know, I think nature's just about the grandest thing in the world,

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don't you? Huh?

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Oh, trees and flowers and all.

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Ain't so many flowers around here, though.

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I like sunshine and clean scenery all around, don't you? Huh?

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I get so lonesome here. Lonesome for a girl.

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That is, of course, if you aren't married.

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I get lonesome, too.

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You do? I never thought men got lonesome.

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I thought it was only girls. Men can get out.

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I get lonesome.

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Oh, sure. Sure, I remember now. Hazel told me.

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You're afraid you're too ugly-looking.

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What are you laughing at?

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I do get lonesome, and that's the reason.

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Only you're not to laugh.

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Oh, my goodness, I wasn't laughing.

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Except it's funny to think of a man being so...

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Say, I didn't mean to hurt your feelings.

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I'm lonesome, too, ain't I?

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You've got the biggest hands I ever seen.

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You think I'm pretty, do you?

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Oh, I get so lonesome.

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Matthew couldn't get it out of his head about this funny girl.

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You think I'm pretty?

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He didn't even know.

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He couldn't even remember what she looked like when he went to work the next day.

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And when he started to get his lunch, there was something over by the gate that he'd never noticed before.

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Something pink and fresh.

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His big hands opened and closed.

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It was Sally, all in pink organ, like a pink balloon at a children's party.

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Oh, I guess you're surprised to see me, aren't you, Mr. Everman?

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I guess I am.

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I thought maybe you might like a little home-fixed lunch.

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Does it look good, huh?

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We can eat over here in the shade, if you don't mind having a lady as company.

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I was all alone today, and that's why I come.

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Look at here.

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I even got some chocolate cream for after.

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You like them?

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Uh-huh.

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I do.

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I do myself.

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Hey, ain't this a cute bracelet?

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Huh?

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Little tiny bells.

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Must be hard work to make a thing like that now, don't you think?

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Oh, say, have one of those sandwiches, Mr. Everman.

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They're gorgeous.

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Sally chatted away, all in pink, and self-consciously turned her wrist to make the little bells tinkle.

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Matthew ate steadily, silently, big, thick sandwiches.

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Just like a party, ain't it?

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After a while, it was time to go back to work.

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Matthew stood up and didn't know what to say.

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Just looked.

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Sally's face was kind of shiny from the heat, and the pink had gone limp and bunched.

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But a breeze picked up the loose strands of her hair, her foot twisted like a little girl.

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You know, you never once called me by name.

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It's Sally.

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I know.

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Oh, call me by name.

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I like being called by name.

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I will.

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Can't you do it now?

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Oh, it won't hurt now.

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I gotta go back to work.

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Okay.

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So long.

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So long.

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You look pretty in pink.

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Why, say I'm awful glad you like it.

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It's one of my favorite colors.

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I'm in their wives as a client watch the romance develop.

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Gonna get hitched, Mr. Abberman?

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It's better to get married no matter what.

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No matter what.

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Matthew never asked Sally to marry him until the day he saw her out by the fence where she lived

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talking to Lefty, the man who'd played the piano at Handsome's party the first night they met.

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He saw Lefty pinch her cheek and he heard Sally laugh.

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Oh, Lefty, you say the silliest things.

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No, you can't expect a girl to take me into the area.

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Oh, no, don't! Stop that!

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Oh, come on.

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You're terrible!

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You take your hands off me.

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What's the matter? You don't know.

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You take your hands off me!

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Oh, Matthew, look what you've done to Lefty.

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Why, you knocked him out cold.

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You're not to fool around with guys like that.

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I don't like the woman I'm gonna marry fooling around with guys like that.

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Marry? Oh, Matthew.

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Why, that's the one thing in the whole wide world I always wanted to be.

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Matthew took his bride to Niagara Falls.

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There was only one thing, the bracelet.

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Matthew wondered what he could do about that.

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The little house was a white cottage,

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located pretty much by itself quite a distance from the plant.

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Sally had to walk a good way to see any of the people she used to know.

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How's married life, Sally?

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Oh, say, it's the grandest thing.

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You should come by and see it, pay us a social call.

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Yeah, I hear you got a nice place to live.

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Yeah, flowers and a tree.

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You simply got to come and see it.

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And the men and their wives at the plant did come and see it.

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They sat around the house and put their feet on things

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and spilled cigar ashes on the floor and talked loud and common.

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Matthew didn't say a word. He just sat and listened,

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looked at the mess they'd made.

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It stayed a long time. Matthew thought they never would go.

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Now that you know the way, don't be strangers.

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Oh, don't worry.

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Yeah, we'll be back, Will. Also, now that we know the way.

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Good night.

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Good night.

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See you soon.

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Good night.

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Matthew looked at the rugs and the foot marks on the chairs.

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The place looked ugly.

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Imagine, entertaining folks in your very own home.

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They won't come again.

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Why not?

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Look at the rug.

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Oh, that ain't nothing. I'll just run the sweeper over it and you'll...

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They're not coming again.

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But a house ain't nothing without folks coming in.

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We got each other.

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Oh, yes, but...

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They never had another party.

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Maybe Matthew saw his own face in the ashes on the floor.

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The house grew quiet, and Sally got nervous.

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Oh, it's just that we sit here and sit here and don't say a word, Matthew.

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I get lonesome. Can't we have a party? Huh?

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Can't we go to other people's parties, then? Can't we do that?

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The yard grew up in weeds, and the flowers didn't do so well, and the tree didn't grow.

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Even the smoke from the plant seemed to find its way over to the house.

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The white got gray, and it got black in splotches, and the paint peeled.

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Matthew lived. Sally put on weight.

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See the pretty pink ribbon? I got to match my hair.

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The lady at the dime store said blonde hair got awful dingy looking, so I got this bottle of stuff.

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Only a dime. Look how brightens up the color of my hair. Huh?

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Oh, have a chocolate cream, Matthew. These creams come from the dime store, too.

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I can't even notice the difference from the ones you used to buy me.

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He walked away. He always walked away.

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He wanted to tell Sally how much he wanted to be close to her, but he couldn't.

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She filled the house with frilly things, and all the fussy doodads would go with it.

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You just won't believe what I got to show you, Matthew.

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It's just like Joanne Crawford had in the magazine. Look, it's a genuine toy poodle.

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Just like a little ball of fur, ain't he?

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Hello, beautiful.

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Mmm, such a wondrous little lollipop. My baby.

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Would you like a little chocolate cream like the one we used?

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Oh, Matthew, eat your scream. Look at him eat them creams.

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Would you like them? Don't you hear? Oh, another one.

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And you tasty geese. Huh?

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Oh, no, no, no, no, no, no, no, no, no. No, Mommy's eating marshmallow in my son's park. What is it, baby?

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What's the matter, Mommy, you little bitch?

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Matthew walked away.

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Watch the canaries jump on their perch, Matthew.

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Hey, hey, hey. I just don't understand those birds, Matthew.

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They don't sing a song like canaries are supposed to.

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No, no, no, no, no, no.

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Now you knocky bad boy, scaring your yutzy sisters like that.

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I just won't talk to you again.

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You almost had that funny face in the muddies.

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Your mommy didn't mean to hurt the feeling.

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Oh, Matthew, isn't it a scream?

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Ha ha!

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Here, little angel, here, little furry angel.

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Let's divide it. A chocolate cream, huh?

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Yeah, it's free, though.

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Oh, no, no, no!

16:36.000 --> 16:37.500
Don't mess me all up!

16:37.500 --> 16:38.500
Oh, for goodness...

16:38.500 --> 16:39.500
Oh, look at that, Matthew!

16:39.500 --> 16:41.500
All down my negative cheeks!

16:41.500 --> 16:42.500
Here, now.

16:42.500 --> 16:44.500
There, you just go and sit in your puppy's lap.

16:44.500 --> 16:47.500
I guess it's in the daddy's lap, ain't it, baby doll?

16:47.500 --> 16:49.500
There, there, there, there, there, there!

16:49.500 --> 16:50.500
Oh!

16:50.500 --> 16:52.500
Oh, Matthew, you hit him!

16:52.500 --> 16:55.500
Oh, Matthew, don't do that way!

16:55.500 --> 16:58.000
What are you crying for, Sally?

16:58.000 --> 17:00.000
You shouldn't have hit him!

17:00.000 --> 17:01.500
Oh, look at him!

17:01.500 --> 17:03.000
Don't you cry, little angel.

17:03.000 --> 17:04.500
Say your mommy won't eat her.

17:04.500 --> 17:06.000
No.

17:07.500 --> 17:09.000
Look at Matthew.

17:09.000 --> 17:11.500
He's just like a kid, ain't he?

17:13.000 --> 17:14.500
I think maybe...

17:14.500 --> 17:17.500
Maybe kids wouldn't make it so lonesome.

17:17.500 --> 17:19.000
No!

17:21.000 --> 17:25.000
Matthew got up, went and stood by the window and looked out.

17:26.000 --> 17:29.000
I like the house, but I get lonesome.

17:29.000 --> 17:30.000
Lonesome?

17:30.000 --> 17:32.000
In your own home?

17:32.500 --> 17:36.000
Why go to those awful parties with ashes and foot marks on the chairs

17:36.000 --> 17:38.000
and the men with their arms around Sally?

17:38.000 --> 17:39.500
She shouldn't have allowed that.

17:39.500 --> 17:41.000
She belonged to him.

17:41.000 --> 17:43.000
She was the only person who ever did belong to him.

17:43.000 --> 17:45.000
Hadn't she come to him in the plant yard that day?

17:45.000 --> 17:47.500
Hi there, Mr. Everman!

17:47.500 --> 17:49.500
Sure she had. She liked him.

17:49.500 --> 17:52.500
You're the only one that's afraid you're too ugly!

17:55.500 --> 17:58.500
She shouldn't be singing that song that Lefty plays.

17:58.500 --> 18:01.500
That Lefty pinching her cheek and laughing at him.

18:01.500 --> 18:03.000
She shouldn't have allowed that.

18:03.000 --> 18:05.000
Oh, mom, just get the angel head.

18:05.000 --> 18:06.500
Oh, little baby, why don't you...

18:06.500 --> 18:08.500
You wanted her to leave that dog alone.

18:08.500 --> 18:10.000
Oh, mommy, okay.

18:10.000 --> 18:11.500
Why couldn't she treat him like that?

18:11.500 --> 18:13.000
Oh, little baby.

18:13.000 --> 18:15.500
Matthew looked out the window.

18:15.500 --> 18:17.500
It's too bad about the paint and the smoke

18:17.500 --> 18:20.500
that came over from so far from the plant,

18:20.500 --> 18:22.500
the weeds all around.

18:22.500 --> 18:24.500
He was surprised to see the tree look bigger.

18:24.500 --> 18:26.500
Maybe he hadn't noticed the tree for a long time.

18:27.500 --> 18:29.000
Matthew!

18:29.000 --> 18:30.000
Yeah?

18:30.000 --> 18:31.500
What are you doing, Matthew?

18:31.500 --> 18:33.000
Thinking.

18:33.000 --> 18:34.500
Oh.

18:34.500 --> 18:36.500
He looked at her.

18:36.500 --> 18:40.500
Where was that pink and fresh thing he'd seen before at the plant?

18:40.500 --> 18:44.000
The face shining from the heat and the loose strands of hair caught in the breeze.

18:44.000 --> 18:45.500
Someone's called me by name.

18:45.500 --> 18:47.500
I like being called by name.

18:47.500 --> 18:50.500
A big, fat, blonde lump.

18:50.500 --> 18:52.500
Oh, these creams come from the dining store

18:52.500 --> 18:54.500
and you can't even tell the difference.

18:54.500 --> 18:57.500
Where was that pink and fresh thing by the gate?

18:58.500 --> 19:01.500
Sally was standing by the canary cage and wiggling her wrist again.

19:01.500 --> 19:04.500
She hadn't done that for a long time since Niagara Falls.

19:04.500 --> 19:07.000
Look, Matthew, I found that bracelet with the bells on it.

19:07.000 --> 19:08.500
I thought it might make the canaries sing.

19:08.500 --> 19:10.500
Come on, birdie do.

19:11.500 --> 19:13.500
Do you think they're sick, Fafio?

19:13.500 --> 19:16.500
I've never seen them so quiet before.

19:16.500 --> 19:18.500
Listen to the bells, birdie baby.

19:18.500 --> 19:20.500
Tinkle, tinkle, tinkle, tinkle.

19:20.500 --> 19:23.500
Matthew's hands were opening and closing at his sides.

19:23.500 --> 19:26.500
Like they were grasping for something to hold and never finding it.

19:26.500 --> 19:29.500
I just don't understand those birds at all.

19:29.500 --> 19:31.500
You've gotten fat, Sally.

19:31.500 --> 19:33.500
Oh, it don't matter. I don't care.

19:33.500 --> 19:35.500
Nobody cares if a married woman gets fat.

19:35.500 --> 19:37.500
That's what Hazel says. I like Hazel. She's good company.

19:37.500 --> 19:39.500
I don't get down her way much now, though.

19:39.500 --> 19:42.500
Her ankles swell up from these French heels.

19:42.500 --> 19:44.500
Cute shoes, though, ain't they, Matthew?

19:44.500 --> 19:46.500
Makes the foot look small.

19:46.500 --> 19:49.500
Her ankles swell up, but it does make the foot look small.

19:49.500 --> 19:51.500
Her wrists swell up, too.

19:51.500 --> 19:53.500
I don't know what's wrong with them either.

19:53.500 --> 19:58.500
Oh, I wish I could get these birds to sing.

20:01.500 --> 20:05.500
Oh, I'm bored.

20:05.500 --> 20:07.500
Aren't you happy with me, Sally?

20:07.500 --> 20:10.500
Yeah, but we never do anything.

20:10.500 --> 20:13.500
Oh, I get crazy here all the time.

20:13.500 --> 20:17.500
I just get so I can't stay still another minute or I'll scream.

20:17.500 --> 20:22.500
If we had some kids, then maybe we'd mean more to each other.

20:22.500 --> 20:24.500
Have something to talk to each other about.

20:24.500 --> 20:26.500
Kids is awful good company.

20:26.500 --> 20:29.500
And then conversation about kids is good company.

20:29.500 --> 20:31.500
And good talk between a man and his wife.

20:31.500 --> 20:34.500
Matthew wanted to run. He wanted to kick the wool's tail out of his pants.

20:34.500 --> 20:36.500
Kick the wool's tail out of the house down anything.

20:36.500 --> 20:40.500
La, la, la, la, la, la, la, la, la, la.

20:40.500 --> 20:42.500
Mommy's little baby normal so far.

20:42.500 --> 20:44.500
No, no, no, no, no, no, no, no, no, no, no, no.

20:44.500 --> 20:48.500
Where was that terrace that it's seen once upon a time?

20:48.500 --> 20:51.500
Some lovely duchess maybe from 100 or 200 years ago.

20:51.500 --> 20:52.500
I can't even know my own name.

20:52.500 --> 20:55.500
Now, there's no reason you can't tell me who you are.

20:55.500 --> 20:57.500
Your mask, I'll do it for you.

20:57.500 --> 20:59.500
Look at you.

20:59.500 --> 21:03.500
Maybe if he grabbed Sally, held her so close,

21:03.500 --> 21:04.500
that would make a difference.

21:04.500 --> 21:06.500
The ugliest, funniest boy I've ever seen.

21:06.500 --> 21:08.500
If you ever met.

21:08.500 --> 21:11.500
Why did it have to turn out this way?

21:11.500 --> 21:14.500
They said that a man ought to be married no matter what.

21:14.500 --> 21:18.500
I think nature's the grandest thing in the world, isn't it?

21:18.500 --> 21:20.500
To get so lonesome.

21:20.500 --> 21:23.500
We can't, we mean more to each other.

21:23.500 --> 21:26.500
Can't we go out? Can't we go out?

21:26.500 --> 21:28.500
Can't we go out?

21:28.500 --> 21:30.500
We can only stop all that noise.

21:30.500 --> 21:32.500
If we only just get a minute to think without all that noise.

21:32.500 --> 21:34.500
Then we could get out.

21:34.500 --> 21:37.500
That's right.

21:37.500 --> 21:41.500
Sally was so fat, Matthew stuffed his mouth full of dime store chocolates,

21:41.500 --> 21:44.500
one after the other, one after the other, one after the other.

21:44.500 --> 21:46.500
The whole room began to turn.

21:46.500 --> 21:49.500
Matthew! Matthew!

21:51.500 --> 21:56.500
Big fat blouse, all covered in pink.

21:56.500 --> 22:01.500
Matthew!

22:08.500 --> 22:11.500
Look what you've done!

22:11.500 --> 22:13.500
Just look what you've done!

22:13.500 --> 22:16.500
Matthew looked around the room, no trees, no flowers.

22:16.500 --> 22:18.500
The canaries and the dog were quiet.

22:18.500 --> 22:21.500
Matthew, they were like kids to me.

22:21.500 --> 22:23.500
Little helpless babies.

22:23.500 --> 22:26.500
You, just look at your hands.

22:26.500 --> 22:28.500
They're red, all red and wet.

22:28.500 --> 22:32.500
You! You're so ugly!

22:33.500 --> 22:36.500
The big blind was still as could be.

22:36.500 --> 22:38.500
Except their wrists.

22:38.500 --> 22:40.500
Her face hated him.

22:40.500 --> 22:42.500
She said he was ugly.

22:42.500 --> 22:44.500
Ugly!

22:44.500 --> 22:46.500
Can't you even say that you're sorry, Matthew?

22:46.500 --> 22:49.500
Matthew! Don't do like that with your hands!

22:49.500 --> 22:51.500
No! I don't want you near me, hear me?

22:51.500 --> 22:55.500
You get those awful pans of yours all over my negligee.

22:55.500 --> 22:58.500
Matthew! Matthew! Put your hands down!

22:58.500 --> 23:00.500
No! No!

23:12.500 --> 23:15.500
Those carpenter boys sure know what to do with their hammers, don't they?

23:15.500 --> 23:17.500
Listen.

23:17.500 --> 23:19.500
I guess they're getting ready for in the morning.

23:19.500 --> 23:22.500
Cutting down a tree to build a thing like that.

23:22.500 --> 23:27.500
Well, that's the story of Matthew Everman, I guess.

23:27.500 --> 23:30.500
There's just one thing that I'd like to ask you, please.

23:30.500 --> 23:33.500
Sure, sure. Anything you want.

23:33.500 --> 23:35.500
What can we do for you?

23:35.500 --> 23:38.500
Well, my name, it's all right to print that, but...

23:38.500 --> 23:39.500
Sure, sure.

23:39.500 --> 23:42.500
I guess maybe you wonder how I could tell you all this.

23:42.500 --> 23:45.500
Like I was talking about somebody else.

23:45.500 --> 23:51.500
Well, it's because Matthew Everman wasn't ever a person I really wanted to be.

23:51.500 --> 23:54.500
He was somebody I knew and I didn't like.

23:54.500 --> 23:58.500
I hated him, just like everybody else did.

23:58.500 --> 24:00.500
Because he was ugly.

24:00.500 --> 24:04.500
There's no excuse for what he did for old Matthew.

24:04.500 --> 24:09.500
And he makes so many lonely people.

24:09.500 --> 24:11.500
And he makes ugly people too.

24:11.500 --> 24:14.500
Ugly and mean on the inside.

24:14.500 --> 24:18.500
I guess the best thing would be if everybody would...

24:18.500 --> 24:22.500
Wouldn't it be a nice world? If people would...

24:22.500 --> 24:26.500
My name, see, that's all right, but no pictures, please.

24:26.500 --> 24:28.500
No pictures, no papers.

24:28.500 --> 24:32.500
You know, it means an awful lot to me. You understand, don't you?

24:32.500 --> 24:34.500
There won't be any pictures in the papers, will there?

24:34.500 --> 24:36.500
Just promise me that and I'll be so grateful.

24:36.500 --> 24:44.500
No pictures.

25:07.500 --> 25:10.500
Suspense.

25:10.500 --> 25:14.500
Double Ugly, starring Lloyd Nolan, presented by Roma Wines.

25:14.500 --> 25:16.500
That's R-O-M-A.

25:16.500 --> 25:23.500
Roma Wines. Those better tasting wines, enjoyed by more Americans than any other wines.

25:23.500 --> 25:28.500
Yes, Roma Wines taste better because Roma starts with natural juices,

25:28.500 --> 25:33.500
gently pressed from luscious grapes gathered in California's choicest vineyards.

25:33.500 --> 25:37.500
With ancient skills and the world's greatest winemaking resources,

25:37.500 --> 25:43.500
Roma master vintners guide this great treasure unhurriedly to tempting taste perfection.

25:43.500 --> 25:49.500
Then these better tasting wines are placed with mellow Roma wines of years before.

25:49.500 --> 25:56.500
And from these, the world's greatest reserves of fine wines, Roma later selects for your pleasure.

25:56.500 --> 26:00.500
With a holiday weekend coming up, be sure you offer your guests

26:00.500 --> 26:07.500
their choice of glorious Roma California sherry, rich Roma port and golden Roma muscatel.

26:07.500 --> 26:13.500
Serve cool. Or if they prefer a tall, cool drink, make it a Roma wine and soda.

26:13.500 --> 26:18.500
Remember, Roma wines taste better. That's R-O-M-A.

26:18.500 --> 26:22.500
Roma Wines. America's largest selling wines.

26:22.500 --> 26:27.500
Lloyd Nolan appeared to the courtesy of 20th Century Fox producers of Kiss of Death.

26:27.500 --> 26:30.500
Tonight's suspense play was by George Lloyd.

26:30.500 --> 26:36.500
Next Thursday, same time, you will hear Edmund O'Brien, a star of Suspense,

26:36.500 --> 26:42.500
produced and directed by William Spear for the Roma Wine Company of Fresno, California.

26:42.500 --> 26:57.500
This is CBS for Columbia Broadcasting System.

