WEBVTT

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Suspense!

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For the perfect prelude to gracious dining, for distinguished entertaining, for rare taste

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pleasure, serve a Cresta Blanca California Sherry.

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That's C-R-E-S-T-A.

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V-L-A-N-C-A.

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Cresta Blanca.

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Cresta Blanca.

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Yes, the knowing tongue has discovered that the world produces no finer sherry than Cresta

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Blanca.

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And there's a Cresta Blanca Sherry for every taste, for every occasion.

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Yes, it's smart before dinner to pour delightfully dry Cresta Blanca Dry Watch.

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And after dinner, to serve creamy rich Cresta Blanca Triple Cream.

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Shenley's Cresta Blanca Wine Company, Livermore, California.

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And now, with Mr. Donald O'Conner as star, Shenley brings you Radio's outstanding theater

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of thrills.

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Suspense!

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Presented by Roma Wines.

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That's R-O-M-A.

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Roma Wines for your everyday enjoyment.

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Tonight, Roma Wines of Fresno, California bring you Donald O'Conner in Smiley, a suspense

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play produced, edited, and directed for Shenley by William Spear.

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For 22 years, I was without trouble.

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I got along with people.

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They liked me.

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They called me Smiley because that's the way it was with me.

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My eyes, I mean.

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Laughing, the way I always was inside.

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And then I had this thing with the woman and the laugh went out of my eyes and out of my

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insides.

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That's when I learned that thing or two, especially about women, that's when I learned that some

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women don't even have the right to live.

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It was on my day off and sort of late at night and I was just walking along the street, not

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going anywhere in particular or even thinking anything much.

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Sort of whistling to myself and walking along the street.

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What do you want?

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Me?

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Why, why nothing, nothing at all.

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You've been following me.

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Oh no, I haven't been following you.

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What are you looking at me that way for?

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What are you looking at me and smiling that way for?

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I just smile at everybody, lady.

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Go away, don't come near me.

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Shut up.

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Hey.

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Shut up.

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That was when the cop grabbed me and they threw me into jail just because she lied about

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me.

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She said I was bothering her.

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She said I hit her.

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She said I was staring at her.

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She said I was following her, probably going to rob her.

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And they all believed it too.

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They didn't say so, but they were all thinking about those women that got killed lately.

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I know.

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So they believed the woman and about my hands.

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They didn't believe that either.

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They thought I was funny about my hands, about hands nobody understands.

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Nobody.

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The defendant will rise.

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Gerald Smythe, do you have anything to say before this court pronounces sentence?

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Well, I'm a decent man, Judge.

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I got a job.

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I'm a decent working man.

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I didn't follow her.

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I didn't hit her.

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I didn't do anything she says.

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The jury has disagreed with you, Mr. Smythe.

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You say you have a job?

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Yes, sir.

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What kind of a job?

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I'm a dishwasher.

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Dishwasher, huh?

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Let me see your hands.

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Oh, sure.

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Oh, they're nice.

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I keep them that way.

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Order, please, order.

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Yes, I see.

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They're long and smooth and white.

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I keep them this way.

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Mr. Smythe, you will find that lying does not help you in this court.

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Your hands may be indeed are everything you say, but they are certainly not the hands

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of a working man, least of all a dishwasher.

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I sentence you to two years and six months in the county prison.

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I didn't blame the judge.

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I was there in the first place because of the woman, only because of her, and I worked

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out my time with my hands.

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My hands are still long, but they're not smooth.

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They're not white.

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They're not pretty anymore.

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It was November when I got out, cold, cold outside, and I was cold inside.

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I had no place to go except back to the Busy Bee Cafe in Curly.

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All the way back to town, I thought of Curly.

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His hands weren't like mine.

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They were short and stubby, but golly, they were good.

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The way he used them, I mean.

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Whatever he was doing, slapping pie dough or handling a side of beef or choking the

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life out of a chicken, he was purely good.

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I walked into the kitchen, and there he was working.

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He didn't see me because I was behind him, but after a while he must have felt me because

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he jumped like he was shot.

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What do you want?

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I want my job back.

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What you j-?

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Smiley.

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Smiley.

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Smiley.

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Good Lord, man, I didn't know-

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Yeah, Curly, it's me.

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How about that job?

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Hey, you remember you ran out on me once.

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Yeah, I drew a blank.

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Yeah, yeah, you should do a big one.

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You look different somehow.

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Wait a minute.

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Your face, your eyes, they changed, Smiley.

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Well, what did you do?

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Quit laughing.

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You might say that.

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You purely might.

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I changed.

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My hands, too.

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See?

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They're better, huh?

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Yeah, they're not the same either.

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Hey, remember how you used to ride me about that hot water, and how I even bought rubber

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gloves once?

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Well, look.

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Look, Curly.

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Hot water.

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Now, that's hot.

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Now, watch.

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You fool, that's pure steam.

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Now, what are you trying to do, kid yourself?

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I'm just proving I'll keep the water hot.

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I don't need to worry about my hands now.

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Yeah, well, look, you better have something to eat, huh?

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We'll talk about hot water later.

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Say, Curly, where is it?

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Well, well, well, laughing boy is back.

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Where you been, honey?

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Off on the bum?

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What's the matter with your happy friend, Curly?

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One of us hateful women taking over the high road.

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Why don't you say something, one of you?

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Smiley don't feel good cooking.

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Now, you better get back in front.

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We might get a customer.

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You don't want me around.

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That's all right with me.

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Smiley, what's with you?

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You haven't changed that much, have you?

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You and Cookie used to be...

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She reminds me of a dame.

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Well, why not?

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She is a dame.

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I've been in jail, Curly.

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Oh?

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A dame sent me there.

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Yeah?

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I don't like dames, Curly.

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I don't like dames.

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I tried to tell him about it, but I knew I couldn't make him understand.

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Still, I couldn't get it out of my mind.

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It was still there while I was talking to him, while he was taking me up to his rooms

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to show me where I could stay.

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All the time, it was there for good now.

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I knew that.

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Well, here we are, fella.

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Home.

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And there's the extra bed I was telling you about.

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Yeah, be it ever, so humble, this is it.

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Ah, look, shit, look, you've had a rough ride, sure.

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Now, you stay here with me as long as you want.

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Get some rest, then we start fresh, huh?

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Hey, maybe you want to be a fry cook now.

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Oh, thanks.

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Hey, maybe if you could teach me to use your hands, I mean, the way you do, I mean, maybe

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I can learn to use them right.

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Yeah, you betcha.

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Look, you forget what's happened and we get to work.

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Check.

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It's all over.

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Maybe it is and maybe it isn't.

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Look here, out there on the street.

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Well, look, kid, this housing pitch is rough.

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If you're looking for scenery, you ain't going to get it here.

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What do you see out there?

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Eh, a view that's worth just about one-tenth what I paid for it.

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It stinks.

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I don't mean that.

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You see that, Dean?

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Yeah.

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You know something about her, Curly?

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She could get dead.

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Huh?

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There's maybe a thousand windows around here and a bullet from any one of them would get

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her dead.

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And it'd be pretty hard to find out who did it.

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Yeah, now look, kid, you don't like women and I don't blame you, but you can't go around

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putting slugs in people.

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Even dames are.

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That'd pay off like keeping your water too cool did.

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Only you'd get more than any two and a half years.

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Yeah.

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But all I'd have to do is raise the window, aim, and a dead dame.

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Get away from that window.

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I don't know about you.

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I just don't know.

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What's the matter with you smiling?

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I told you.

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I just don't like dames.

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Curly's face was as white as a clean apron.

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He was mad a little and scared, but I still couldn't explain to him what it took me two

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and a half years to figure that a man works hard.

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And when he works, he's got some pay coming.

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All the time I was in jail, I knew I wasn't about to get a nickel for all the work of

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digging and shoveling and laying concrete.

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And the one thing I was proud of was room, my hands.

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And I figured to collect some pay for that work if it was the last thing I ever did.

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And I figured it out good.

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Guess what the pay ought to be.

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One woman, one dead dame.

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I couldn't explain it to Curly.

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I guess I didn't have to.

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He thought I was nuts.

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Anyway, he drove me like a slave, but I didn't mind.

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I was learning.

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Let's see now.

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Two apple, one peach.

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Better make it two.

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Two coconut, one chocolate.

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Ah, well, what we got that ought to hold them.

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How many of those peaches, Smiley?

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Oh, sure, Curly.

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Here you are.

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Yeah, thanks.

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Boy, oh, boy.

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Gee, Curly, the way you handle things.

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What do you mean?

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Well, the way you pour fruit from that can and the way you're putting the rim on that

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pie crust and the way you knead the dough and...

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Oh, you know how to use your hands.

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Hey, Smiley, listen, your hands are the most important things you got in the kitchen.

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You've got to learn to squeeze hard and you've got to know just when to use the most delicate

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touch.

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Hands are important.

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Oh, I wish I could use mine the way you use yours, Curly.

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You're good.

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Yeah, well, it takes a long time, Smiley, but you'll learn.

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Your hands got strong when you were up there.

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Yeah, what I mean is you'll learn how to use them, kid.

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Yeah.

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I can get along all right, only...

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Only what?

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Cookie.

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Oh, you're letting that dame get you down?

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Oh, forget it.

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I wish she was gone, Curly.

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I'm afraid.

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Good morning, gentlemen.

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The world can now be fed.

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Lovely Cookie has arrived.

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Yeah, fine.

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Well, you better get that front end lined up, chicken.

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It's time to open.

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Sure.

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Oh, Smiley, honey.

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Smiley, say hello to the pretty lady.

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Beat it.

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Smiley.

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Okay, Cookie, take off.

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Oh, Curly, Smiley didn't say good morning.

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My day will be ruined.

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Oh, nuts.

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Brother, ain't that a whip?

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Hey, Cookie, why don't you leave the kid alone?

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He's had a tough time.

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He doesn't feel good.

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Well, why doesn't he smile anymore?

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That's all.

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Just let him smile.

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Well, the last time he smiled, the dame, he picked up a fistful of stretch at the county

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farm.

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Now, you remind him of her.

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He quit smiling.

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Oh, is that so?

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Well, I'm used to being treated like a human, see?

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And just because a guy's nuts...

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All right, all right, Cookie, get to work.

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Okay, but you just remember, one of these days we're gonna have a showdown and it'll

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be either him or her.

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Okay, but you just remember, one of these days we're gonna have a showdown and it'll

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be either him or her.

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Take it easy.

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You just remember, someday it'll be him or me.

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I heard what Cookie said.

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I stood right outside the door and heard her.

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Someday it'll be him or me.

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There was a weight like a two-story building in my stomach and my hands were going open

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and shut, open and shut.

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And I knew she was right.

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Me or her.

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For Suspense, Roma Wines are bringing you Donald O'Connor in Smiley.

13:59.880 --> 14:09.640
Roma Wines presentation tonight in Radio's outstanding theater of thrills, Suspense.

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Suspense, Radio's outstanding theater of thrills is presented by Roma.

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That's R-O-M-A, Roma Wines, from the world's greatest reserves of fine wines.

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Have you ever thought how easy it is to turn a casual call by friends or neighbors into

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a delightful party?

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Simply set out some fruit, cheese or nuts, and delicious Roma California wine.

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Yes, these are the inexpensive ingredients of real enjoyment.

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The simplest occasion takes on a festive note when you pour better tasting Roma wine.

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So enjoy golden Roma muskacelle or glowing Roma port after dinner or whenever guests

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drop in.

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As you savor the mellow goodness of these delicious Roma wines, you will understand why

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more Americans enjoy Roma than any other wine.

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So for an everyday family treat or for smart hospitality, serve better tasting Roma wines.

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That's R-O-M-A, Roma Wines, America's largest selling wines.

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And now Roma Wines bring back to our Hollywood sound stage, Vereen Tuttle as Cookie, Sydney

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Miller as Curly, and starring Donald O'Connor as Smiley, who continues a narrative well

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calculated to keep you in suspense.

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It added up.

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I was going to get my pay, but now it wasn't just some day, some time.

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It was a particular day.

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Cookie.

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And soon when I went inside, my hands were still going like that, open and shut, open

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and shut.

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And all day I just watched Curly and the way he used his hands.

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His technique, as he called it, the way he squeezed when he had to.

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It was so important, the technique, I mean.

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You had to squeeze just right, just right.

16:30.680 --> 16:37.360
Hey, Smiley, what are you doing, kid?

16:37.360 --> 16:42.160
I'm just squeezing mashed potatoes out of this bag, making designs like you do on cakes.

16:42.160 --> 16:43.840
That's great, great.

16:43.840 --> 16:46.680
What kind of design do you call that?

16:46.680 --> 16:48.720
It's just a hand, I guess.

16:48.720 --> 16:49.720
Hand?

16:49.720 --> 16:51.920
Oh, brother, that hand couldn't do much.

16:51.920 --> 16:54.080
Look how fat you got it up at the thumb.

16:54.080 --> 16:56.880
That I guess I squeezed too hard.

16:56.880 --> 16:59.960
Smiley, you'll be all right, kid.

16:59.960 --> 17:00.960
You stay with it.

17:00.960 --> 17:01.960
Well, laughing boys growing up.

17:01.960 --> 17:06.000
This little Smiley is going to be a pastry cook.

17:06.000 --> 17:07.640
Lay off the kid, Cookie.

17:07.640 --> 17:08.640
Lay off.

17:08.640 --> 17:09.640
I told you.

17:09.640 --> 17:10.640
I know, Curly, I know when I told you.

17:10.640 --> 17:11.960
Let the boy take care of himself.

17:11.960 --> 17:13.560
Yeah, Curly, take it easy.

17:13.560 --> 17:14.560
It's all right now.

17:14.560 --> 17:17.160
Well, how do you like that?

17:17.160 --> 17:18.160
It's all right.

17:18.160 --> 17:22.520
Gee, are we going to be friends now, Smiley?

17:22.520 --> 17:24.380
We can try.

17:24.380 --> 17:26.160
How do you like this design, Cookie?

17:26.160 --> 17:27.160
That?

17:27.160 --> 17:28.160
Oh, well, it's okay.

17:28.160 --> 17:29.160
What is it?

17:29.160 --> 17:30.160
It's a hand.

17:30.160 --> 17:31.160
A hand?

17:31.160 --> 17:33.160
Yeah, a hand, he calls it.

17:33.160 --> 17:34.160
Oh, sure.

17:34.160 --> 17:36.160
See, these are the fingers here.

17:36.160 --> 17:38.160
They're awful long for fingers.

17:38.160 --> 17:40.160
Oh, I don't know.

17:40.160 --> 17:42.160
See, look at my hand.

17:42.160 --> 17:44.160
My fingers are long.

17:44.160 --> 17:46.160
Yeah, yeah, they are.

17:46.160 --> 17:48.160
It's just that you don't notice.

17:48.160 --> 17:51.160
People don't notice dishwasher's hands.

17:51.160 --> 17:54.160
That's why I'm going to be a fry cook and a pastry cook.

17:54.160 --> 17:58.160
Then they won't be cracked and dirty like they are now.

17:58.160 --> 18:02.160
They'll stay soft and strong too as soon as I get to be a cook.

18:02.160 --> 18:04.160
Sure, sure they will, Smiley.

18:04.160 --> 18:09.160
Well, now that you two are very lovey-dovey, how about breaking it up, huh?

18:09.160 --> 18:10.160
I want to get home.

18:10.160 --> 18:13.160
You mean you really go home when you're through here?

18:13.160 --> 18:14.160
Of course I go home.

18:14.160 --> 18:15.160
Where do you go?

18:15.160 --> 18:17.160
Oh, lots of places.

18:17.160 --> 18:22.160
Tonight I got a date with Johnny Mac, the singing sensation out at the Natural Pass.

18:22.160 --> 18:24.160
I got to go out there and meet him.

18:24.160 --> 18:25.160
The Natural Pass?

18:25.160 --> 18:26.160
Yeah.

18:26.160 --> 18:29.160
That's the joint at 7-Eleven Greengrove.

18:29.160 --> 18:31.160
7-Eleven Natural Pass.

18:31.160 --> 18:32.160
I'll give you a...

18:32.160 --> 18:33.160
Get it?

18:33.160 --> 18:34.160
Yeah, yeah, get it.

18:34.160 --> 18:35.160
What kind of guy is he?

18:35.160 --> 18:36.160
You got to go to him.

18:36.160 --> 18:37.160
Oh, he's working.

18:37.160 --> 18:38.160
He can't come in here.

18:38.160 --> 18:39.160
He must have a peal.

18:39.160 --> 18:41.160
You ain't kidding, brother.

18:41.160 --> 18:43.160
How do you get out to this joint, you hitchhiker?

18:43.160 --> 18:44.160
You're kidding?

18:44.160 --> 18:49.160
I take a bus to the end of the line, call a cab from the drugstore and go on out.

18:49.160 --> 18:51.160
Class.

18:51.160 --> 18:53.160
How about that, Smiley, class?

18:53.160 --> 18:54.160
Yeah.

18:54.160 --> 18:56.160
I guess a crooner would rate it.

18:56.160 --> 18:57.160
Yeah, yeah.

18:57.160 --> 19:01.160
Well, you better get that front end cleaned up, Cookie, if you're going to meet this Johnny Songbird.

19:01.160 --> 19:03.160
I guess I better.

19:03.160 --> 19:06.160
Boy, on the day I quit slinging hash.

19:06.160 --> 19:08.160
Have a good time, Cookie.

19:08.160 --> 19:10.160
Have a good time.

19:15.160 --> 19:18.160
It would all depend on why you quit slinging hash.

19:18.160 --> 19:20.160
Being glad about it, I mean.

19:20.160 --> 19:26.160
When an idea puts a saddle on your brain and starts riding, and it's purely funny how many other ideas it picks up.

19:26.160 --> 19:29.160
Like Cookie going to the natural pass.

19:29.160 --> 19:31.160
It just fit in with everything.

19:31.160 --> 19:36.160
I quick finished my work and told Curly I had something to do and took off like a kid on the last day of school.

19:36.160 --> 19:39.160
You know, sort of slow until I got outside.

19:39.160 --> 19:44.160
And then I wanted to whoop and jump up and down like I had springs instead of muscles.

19:44.160 --> 19:48.160
I couldn't do all that, but I could walk fast, and I did.

19:48.160 --> 19:51.160
I went up to the room and got my money and changed clothes.

19:51.160 --> 19:56.160
And I went down and rented a car and drove out to the end of the bus line.

19:56.160 --> 19:58.160
I stopped and waited.

19:58.160 --> 20:04.160
I guess I waited an hour and a half watching all the buses hoping that that dame wouldn't cross me up.

20:04.160 --> 20:06.160
She didn't.

20:11.160 --> 20:13.160
Goodnight, honey.

20:13.160 --> 20:18.160
Goodnight.

20:20.160 --> 20:21.160
Cookie!

20:21.160 --> 20:22.160
Who is it?

20:22.160 --> 20:23.160
It's me, Smiley.

20:23.160 --> 20:26.160
Oh, what are you doing out here?

20:26.160 --> 20:31.160
Oh, I just wanted to get out of town for a while, so I rented a car.

20:31.160 --> 20:34.160
When I got out here, I remembered what you said about coming out.

20:34.160 --> 20:36.160
I thought I'd just wait for you.

20:36.160 --> 20:41.160
Oh, Smiley, honey, you've got more stalls than Santa Anita.

20:41.160 --> 20:43.160
You're a true planet, ain't you?

20:43.160 --> 20:46.160
You could be a sweet guy, you know that.

20:46.160 --> 20:49.160
Come on, I'll take you to the club.

20:49.160 --> 20:50.160
How far is it?

20:50.160 --> 20:51.160
About a mile and a half.

20:51.160 --> 20:53.160
Let's go.

20:57.160 --> 21:00.160
I guess you could be a sweet guy.

21:00.160 --> 21:03.160
I guess I added you up wrong.

21:03.160 --> 21:06.160
It's possible.

21:06.160 --> 21:08.160
You're a funny guy, Smiley.

21:08.160 --> 21:09.160
You think so?

21:09.160 --> 21:12.160
Yeah, I don't quite get you.

21:12.160 --> 21:13.160
You're making cracks again.

21:13.160 --> 21:15.160
No, I'm serious. Really, I am.

21:15.160 --> 21:19.160
You don't smile like you used to, and usually it seems to...

21:19.160 --> 21:22.160
Well, anyway, I didn't expect this from you.

21:22.160 --> 21:25.160
I lost the smile, I guess. Maybe for good.

21:25.160 --> 21:28.160
In the way you're always talking about your hands.

21:28.160 --> 21:29.160
What about my hands?

21:29.160 --> 21:32.160
You make like they're the most important things in the world.

21:32.160 --> 21:33.160
And they're not, is that it?

21:33.160 --> 21:37.160
Well, it's according to how you look at it, I guess.

21:37.160 --> 21:40.160
Now, look, Smiley, no passes.

21:40.160 --> 21:44.160
No, no passes. I wanted to hear this. You said...

21:44.160 --> 21:46.160
Why, I didn't say nothing just to touch your hands.

21:46.160 --> 21:49.160
I remember. You said they aren't important.

21:49.160 --> 21:52.160
Well, not exactly. They're kind of nice.

21:52.160 --> 21:54.160
They're form-good, if you know what I mean.

21:54.160 --> 21:57.160
But after all, they're just hands like anybody else's.

21:57.160 --> 21:59.160
No, uh-uh. They're good hands.

21:59.160 --> 22:02.160
And since I came back, I've learned how to use them right.

22:02.160 --> 22:04.160
Yeah, Smiley, yeah.

22:04.160 --> 22:08.160
They're more important things than hands.

22:08.160 --> 22:09.160
Yeah?

22:09.160 --> 22:13.160
Yeah. Women, for instance.

22:13.160 --> 22:16.160
Women. That's a laugh.

22:16.160 --> 22:19.160
Cookie, do you know why my hands are rough and red now?

22:19.160 --> 22:21.160
Do you know why I don't smile? Women.

22:21.160 --> 22:26.160
Oh, Smiley, I've been around. I know how you feel.

22:26.160 --> 22:30.160
Golly, if women aren't important, where are they?

22:30.160 --> 22:34.160
Cookie, there's only one way to find out if hands are more important,

22:34.160 --> 22:36.160
or if a woman is.

22:36.160 --> 22:39.160
You have to make the test, Cookie.

22:39.160 --> 22:40.160
What's more important?

22:40.160 --> 22:42.160
You said no passes, Smiley.

22:42.160 --> 22:46.160
I'm not passing, Cookie. I'm not passing. I mean this.

22:46.160 --> 22:53.160
Wait a minute. Take it easy. Smiley. Oh, Smiley.

22:53.160 --> 22:56.160
Women. Women. More important.

22:56.160 --> 23:00.160
I'll show you what's important. Women.

23:07.160 --> 23:12.160
Payday. For two years in jail, one dead day, the whole world changed.

23:12.160 --> 23:15.160
For a minute, my hands were going open and shut like this.

23:15.160 --> 23:18.160
My technique was perfect, absolutely perfect.

23:18.160 --> 23:21.160
They weren't satisfied with my hands, but they'd have to get used to it.

23:21.160 --> 23:26.160
All I wanted inside, like, was payday, and this was the day.

23:26.160 --> 23:28.160
I looked around to be sure no cars were coming.

23:28.160 --> 23:30.160
I took her out of the car and dragged her into the bushes,

23:30.160 --> 23:32.160
where she wouldn't be found for a while.

23:32.160 --> 23:38.160
I lifted her. I felt good, purely good,

23:38.160 --> 23:42.160
like I'd worked very hard for something and finally got paid.

23:42.160 --> 23:47.160
All debts were paid. Everybody, including Smiley, was even with the world.

23:47.160 --> 23:51.160
It was wonderful, just plain wonderful.

23:51.160 --> 23:53.160
The only thing was, I couldn't tell Curly,

23:53.160 --> 23:57.160
because even though he'd understood the technique part of it,

23:57.160 --> 24:01.160
the rest of it was something he wouldn't get.

24:01.160 --> 24:06.160
But could he have seen me use my hands, he'd have been proud.

24:06.160 --> 24:08.160
I know it.

24:08.160 --> 24:13.160
I took the car back to the U Drive, paid the man, collected my deposit, and went home.

24:13.160 --> 24:18.160
It was still early, and Curly was up.

24:18.160 --> 24:23.160
Oh, hi. Where'd you go, kid?

24:23.160 --> 24:27.160
Oh, just around. I got some fresh air. I didn't think you'd be up.

24:27.160 --> 24:30.160
Oh, sure. It ain't late.

24:30.160 --> 24:33.160
Maybe I'd better get to bed, though. Big day tomorrow.

24:33.160 --> 24:35.160
Okay, I'll be with you in a minute.

24:35.160 --> 24:37.160
Hey, you know, Smiley, I've been thinking.

24:37.160 --> 24:40.160
I've been thinking that you should maybe move over to this stove.

24:40.160 --> 24:43.160
Oh, swell. I won't have to work in hot water anymore.

24:43.160 --> 24:45.160
Is that? Oh, no, no, no.

24:45.160 --> 24:49.160
I'll get another pearl diver. You can come over with me.

24:49.160 --> 24:51.160
Hey, look at you.

24:51.160 --> 24:52.160
What's the matter with me?

24:52.160 --> 24:55.160
Oh, nothing. I just noticed you're making with the eyes again the way you used to.

24:55.160 --> 24:57.160
What happened, fella?

24:57.160 --> 25:01.160
I don't know. I didn't think about it. Why?

25:01.160 --> 25:03.160
Well, this is wonderful. Yeah.

25:03.160 --> 25:06.160
I'll bet Cookie will be surprised to see you.

25:06.160 --> 25:07.160
Cookie?

25:07.160 --> 25:12.160
Sure. One of her beefs is you don't smile. Danes don't like you to be grouchy.

25:12.160 --> 25:14.160
Wait till she sees you like this. Yeah.

25:14.160 --> 25:19.160
Who could that be this time of night? How do I know?

25:19.160 --> 25:23.160
Mr. Smithrift. Oh, you're here. Hello, Mr. Smith.

25:23.160 --> 25:24.160
Smythe, not Smith.

25:24.160 --> 25:28.160
I'm from the U Drive. When you brought the car back tonight, you left this pocketbook in it.

25:28.160 --> 25:31.160
Had 15 fish in it. Thought the lady might want it.

25:31.160 --> 25:34.160
Oh. Well, yeah. Thank you very much.

25:34.160 --> 25:37.160
Forget it. Come see us again.

25:37.160 --> 25:40.160
Hey, what's this? Are you a drive yet? A dame's purse.

25:40.160 --> 25:42.160
You were on the town, weren't you?

25:42.160 --> 25:45.160
Yeah, yeah. I guess so. I'll give it back tomorrow.

25:45.160 --> 25:48.160
Who is she? Do I know her?

25:48.160 --> 25:50.160
Just a dame.

25:50.160 --> 25:53.160
At least she could make you smile again.

25:53.160 --> 25:58.160
Oh, come on. I'll turn out the light next year. She'll sleep.

25:58.160 --> 26:01.160
Yes, Smythe. You're doing all right.

26:01.160 --> 26:04.160
You stick to your work and we'll make a real team.

26:04.160 --> 26:07.160
Remember the technique. Technique.

26:07.160 --> 26:09.160
Hey, Smythe, will you answer me something now?

26:09.160 --> 26:11.160
Sure, Curly. What is it?

26:11.160 --> 26:14.160
What happened to that crazy idea you had when you got out of the pokey?

26:14.160 --> 26:18.160
Remember you was telling me how you could put the blast on a dame?

26:18.160 --> 26:21.160
Hey, Smythe, look at me. Smythe, you didn't...

26:21.160 --> 26:24.160
Ah, that's crazy.

26:24.160 --> 26:25.160
What, Curly?

26:25.160 --> 26:30.160
I always said you had to be whacked up to get in the restaurant business. I'm just proving it.

26:30.160 --> 26:32.160
I thought for a minute you'd...

26:32.160 --> 26:35.160
Oh, I'm nuts.

26:35.160 --> 26:41.160
Oh, boy, this bed feels good.

26:41.160 --> 26:44.160
I really need to sleep.

26:44.160 --> 26:49.160
Imagine me thinking you'd be crazy enough to bump off a dame.

26:49.160 --> 26:51.160
Well, good night, Smythe.

26:51.160 --> 26:55.160
Good night, Curly. Good night.

26:55.160 --> 26:56.160
Good night, mate.

26:56.160 --> 26:57.160
Sweet dreams.

26:57.160 --> 26:59.160
Hey, what are you doing?

26:59.160 --> 27:02.160
Hey, Smythe, take your hands off my face.

27:02.160 --> 27:04.160
Stop it.

27:04.160 --> 27:06.160
Smythe, what are you...

27:06.160 --> 27:08.160
Smythe!

27:08.160 --> 27:10.160
I'm sorry.

27:17.160 --> 27:20.160
Oh, I didn't mean to do that. I hadn't planned on it at all.

27:20.160 --> 27:23.160
I didn't want to hurt Curly. He was my friend.

27:23.160 --> 27:25.160
We were going to go places together, him and me.

27:25.160 --> 27:29.160
I was learning his techniques, and then I got scared and did that.

27:29.160 --> 27:32.160
All on account of a woman. Every bit of it.

27:32.160 --> 27:34.160
It was a woman who started it.

27:34.160 --> 27:38.160
If it hadn't been for her, I wouldn't have had to show my hands to that judge,

27:38.160 --> 27:41.160
and he wouldn't have looked at them, and maybe he wouldn't have sent me up.

27:41.160 --> 27:46.160
My hands. Look at them. They're back in condition.

27:49.160 --> 27:53.160
I've had over six months to sit here and do nothing.

27:53.160 --> 27:57.160
Just watch Pop out there pace up and down.

27:57.160 --> 28:00.160
He's been keeping track of the days for me.

28:00.160 --> 28:02.160
He told me this morning,

28:02.160 --> 28:07.160
Two more days, son. Two more days.

28:07.160 --> 28:10.160
Just two more days.

28:10.160 --> 28:13.160
I wish it was longer.

28:13.160 --> 28:18.160
My hands are so pretty again, and now they're strong,

28:18.160 --> 28:21.160
and they've got a lot of technique.

28:21.160 --> 28:24.160
If I was out there,

28:24.160 --> 28:28.160
I would tell him what I could do with hands like these.

28:44.160 --> 28:46.160
Suspense!

28:46.160 --> 28:50.160
Smiley! Starring Donald O'Connor and brought to you by Roma Wines.

28:50.160 --> 28:57.160
That's R-O-M-A. Roma Wines. America's largest selling wines.

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Donald O'Connor may soon be seen in the Universal International Production,

30:03.160 --> 30:05.160
Something in the Wind.

30:05.160 --> 30:08.160
Tonight's Suspense Play was by Charles Glenn.

30:08.160 --> 30:14.160
Next Thursday, same time, you will hear John Lund as star of Suspense.

30:14.160 --> 30:20.160
Produced and directed by William Spear for the Roma Wine Company of Fresno, California.

30:20.160 --> 30:35.160
This is CBS for Columbia Broadcasting System.

