1 00:00:00,000 --> 00:00:10,000 Roma wines, R-O-M-A, Roma wine company of Fresno, California bring you Suspense. 2 00:00:10,000 --> 00:00:18,340 Tonight, Roma wines bring you Miss June Havoc in Stand In, a suspense play produced, edited, 3 00:00:18,340 --> 00:00:22,740 and directed for Schenley by William Spear. 4 00:00:22,740 --> 00:00:27,860 Suspense, radio's outstanding theater of thrills. 5 00:00:27,860 --> 00:00:30,800 This is presented for your enjoyment by Roma wines. 6 00:00:30,800 --> 00:00:32,600 That's R-O-M-A. 7 00:00:32,600 --> 00:00:38,400 Roma wines, those better tasting California wines enjoyed by more Americans than any other 8 00:00:38,400 --> 00:00:40,020 wine in the world. 9 00:00:40,020 --> 00:00:44,920 And thanks to this tremendous popularity, you can now serve Roma wine more often. 10 00:00:44,920 --> 00:00:49,800 Roma prices have been reduced to save you money on every bottle you and your friends 11 00:00:49,800 --> 00:00:50,800 enjoy. 12 00:00:50,800 --> 00:00:54,160 We'll tell you more about this money saving opportunity later on. 13 00:00:54,160 --> 00:01:03,080 And now, Roma wines bring you Miss June Havoc in a remarkable tale of Suspense. 14 00:01:03,080 --> 00:01:04,080 She's here. 15 00:01:04,080 --> 00:01:05,080 Diana, get W.S.C. 16 00:01:05,080 --> 00:01:06,080 Tell him, will you? 17 00:01:06,080 --> 00:01:07,080 Okay. 18 00:01:07,080 --> 00:01:10,280 Jensen, take on those 40 Western Union boys that were supposed to come out and sing, Here 19 00:01:10,280 --> 00:01:11,280 Comes the Bride. 20 00:01:11,280 --> 00:01:12,280 Very good, sir. 21 00:01:12,280 --> 00:01:13,280 And everybody take it easy now. 22 00:01:13,280 --> 00:01:14,280 Keep calm. 23 00:01:14,280 --> 00:01:15,280 What do you want to do? 24 00:01:15,280 --> 00:01:16,280 Give her a nervous breakdown? 25 00:01:16,280 --> 00:01:17,280 Right this way, boys. 26 00:01:17,280 --> 00:01:18,280 Hello, darling. 27 00:01:18,280 --> 00:01:19,280 Hello, everybody. 28 00:01:19,280 --> 00:01:20,280 Madame is home again. 29 00:01:20,280 --> 00:01:33,160 I was always the way with Madame, a grand entrance for her and utter confusion for everybody 30 00:01:33,160 --> 00:01:34,160 else. 31 00:01:34,160 --> 00:01:35,160 She was rotten and spoiled. 32 00:01:35,160 --> 00:01:36,160 But what could you do? 33 00:01:36,160 --> 00:01:37,160 On the screen, she looked like an angel. 34 00:01:37,160 --> 00:01:42,920 And she was the top box office door of the biggest studio in Hollywood. 35 00:01:42,920 --> 00:01:43,920 Everybody heard the story by now. 36 00:01:43,920 --> 00:01:48,040 Of course, that is the nine day wonders version that the newspapers carried. 37 00:01:48,040 --> 00:01:52,160 But there are only two people in the world who know the real story. 38 00:01:52,160 --> 00:01:53,760 And I'm one of them. 39 00:01:53,760 --> 00:01:56,400 You see, I was her stand in. 40 00:01:56,400 --> 00:01:59,920 This particular little caper all began just before her latest picture was supposed to 41 00:01:59,920 --> 00:02:01,480 go in front of the cameras. 42 00:02:01,480 --> 00:02:05,960 And she suddenly decided she simply couldn't bear to be making only $10,000 for a whole 43 00:02:05,960 --> 00:02:09,000 week's work and took off to Florida. 44 00:02:09,000 --> 00:02:12,000 Nobody heard a word of her for two months except in the newspapers. 45 00:02:12,000 --> 00:02:16,400 Little things like she'd married her fifth husband and lost $40,000 in one night at Roulette 46 00:02:16,400 --> 00:02:20,440 and bought an old Spanish monastery and was going to bring it back to Hollywood stone 47 00:02:20,440 --> 00:02:21,440 by stone. 48 00:02:21,440 --> 00:02:27,320 And then all of a sudden she was coming back that very day with husband and monastery and 49 00:02:27,320 --> 00:02:29,120 everything and everybody had to jump. 50 00:02:29,120 --> 00:02:33,320 Loretta knew had been waiting all afternoon and going not so quietly crazy, particularly 51 00:02:33,320 --> 00:02:36,200 Mike Fawkes, her publicity agent, and me. 52 00:02:36,200 --> 00:02:39,880 I was having a whole duplicate set of dresses fitted so we could start the picture the minute 53 00:02:39,880 --> 00:02:41,160 she got back. 54 00:02:41,160 --> 00:02:44,480 She swept in and I took a look at the new husband. 55 00:02:44,480 --> 00:02:49,160 And the minute I saw him I knew there was going to be trouble because he wasn't taking 56 00:02:49,160 --> 00:02:50,160 it well. 57 00:02:50,160 --> 00:02:52,160 He wasn't taking it at all well. 58 00:02:52,160 --> 00:02:55,240 Madame, for the love of Pete, where have you been? 59 00:02:55,240 --> 00:02:58,360 WC's been blowing his top all day in the newspapers blowing... 60 00:02:58,360 --> 00:03:00,880 Oh now Michael, darling, everything's been taken care of. 61 00:03:00,880 --> 00:03:04,880 I sent WC a big box of orchids from the airport and I brought a few of the newspaper boys 62 00:03:04,880 --> 00:03:05,880 along with me. 63 00:03:05,880 --> 00:03:06,880 You did? 64 00:03:06,880 --> 00:03:07,880 Hello, Pocodile. 65 00:03:07,880 --> 00:03:09,240 Listen, I want to talk to you first. 66 00:03:09,240 --> 00:03:10,240 I wanted to give you a... 67 00:03:10,240 --> 00:03:13,240 Oh by the way, everybody, this is my new husband, Dennis O'Brien. 68 00:03:13,240 --> 00:03:14,560 He blew me out. 69 00:03:14,560 --> 00:03:15,560 We've all been four seaters. 70 00:03:15,560 --> 00:03:16,560 He's gorgeous. 71 00:03:16,560 --> 00:03:17,560 Gorgeous. 72 00:03:17,560 --> 00:03:18,560 Such an improvement on Roman at us. 73 00:03:18,560 --> 00:03:20,560 Say hello to the folks, Danny, huh? 74 00:03:20,560 --> 00:03:21,560 Hello. 75 00:03:21,560 --> 00:03:23,560 Say, how about a couple of nice pictures of the bride and groom, huh? 76 00:03:23,560 --> 00:03:24,560 Oh, well darling, I think that's a splendid idea. 77 00:03:24,560 --> 00:03:25,560 Come on, Dennis, come on. 78 00:03:25,560 --> 00:03:26,560 A little to one side, I think, darling. 79 00:03:26,560 --> 00:03:27,560 Leading over perhaps. 80 00:03:27,560 --> 00:03:28,560 That's right. 81 00:03:28,560 --> 00:03:29,560 Not too far into the picture. 82 00:03:29,560 --> 00:03:30,560 Where you say? 83 00:03:30,560 --> 00:03:31,560 There. 84 00:03:31,560 --> 00:03:32,560 Isn't that about right, boys? 85 00:03:32,560 --> 00:03:33,560 Oh, that's fine. 86 00:03:33,560 --> 00:03:34,560 Now, one of you alone, Madame. 87 00:03:34,560 --> 00:03:35,560 Oh, certainly. 88 00:03:35,560 --> 00:03:36,560 You can go now, Dennis. 89 00:03:36,560 --> 00:03:37,560 I'll join you a little later, darling. 90 00:03:37,560 --> 00:03:38,560 Just look around the house. 91 00:03:38,560 --> 00:03:39,560 Make yourself at home. 92 00:03:39,560 --> 00:03:44,560 Thanks. 93 00:03:44,560 --> 00:03:45,560 Hold it, Madame. 94 00:03:45,560 --> 00:03:46,560 Thank you. 95 00:03:46,560 --> 00:03:47,560 Goodbye. 96 00:03:47,560 --> 00:03:50,560 Madame, I was wondering about your hair. 97 00:03:50,560 --> 00:03:53,560 Are you going to wear it up in the computer? 98 00:03:53,560 --> 00:03:54,560 Oh, I am tray-beat. 99 00:03:54,560 --> 00:03:56,560 Lawrence and I, mine is party was beaucoup. 100 00:03:56,560 --> 00:03:57,560 Madame, I wonder... 101 00:03:57,560 --> 00:03:58,560 Oh, Diana, darling, I hardly noticed you. 102 00:03:58,560 --> 00:03:59,560 The new dress is coming. 103 00:03:59,560 --> 00:04:00,560 That one you have on looks lovely, dear. 104 00:04:00,560 --> 00:04:01,560 You look lovely, too. 105 00:04:01,560 --> 00:04:02,560 Well, thanks, Madame. 106 00:04:02,560 --> 00:04:03,560 I was wondering... 107 00:04:03,560 --> 00:04:04,560 Please, will you go? 108 00:04:04,560 --> 00:04:05,560 Diana, dear, I shall have to go. 109 00:04:05,560 --> 00:04:06,560 I'll see you later. 110 00:04:06,560 --> 00:04:07,560 I'll see you later. 111 00:04:07,560 --> 00:04:09,560 Please, will you go? 112 00:04:09,560 --> 00:04:12,560 Diana, dear, I shall have to go and have that awful ordeal with WC and the Schwartzes will 113 00:04:12,560 --> 00:04:13,560 be here... 114 00:04:13,560 --> 00:04:14,560 Oh, certainly. 115 00:04:14,560 --> 00:04:15,560 Good night, Madame. 116 00:04:15,560 --> 00:04:18,560 You see what I mean? 117 00:04:18,560 --> 00:04:23,560 I won't say I didn't hate her, because I did. 118 00:04:23,560 --> 00:04:25,560 But I was used to it by now. 119 00:04:25,560 --> 00:04:30,560 With a living and better than pounding a typewriter or getting mauled in a modeling agency. 120 00:04:30,560 --> 00:04:34,560 And I made my way back to the big gloomy house to the study where I left my things. 121 00:04:34,560 --> 00:04:37,560 As I opened the door, I saw her husband, Dennis. 122 00:04:37,560 --> 00:04:42,560 He was standing with his back to me in the semi-darkness, looking out the big French 123 00:04:42,560 --> 00:04:44,560 windows that lead to the formal garden. 124 00:04:44,560 --> 00:04:49,560 He turned his head a little when I came in and then back again, staring out the window. 125 00:04:49,560 --> 00:04:53,560 But even from where I stood, I could see that his big shoulders were bunched into knots. 126 00:04:53,560 --> 00:04:55,560 I could kill you when you're like that, Maggie. 127 00:04:55,560 --> 00:04:58,560 What do you think I am, one of your great dames that you can haul around on a leash and 128 00:04:58,560 --> 00:04:59,560 put through polytrich? 129 00:04:59,560 --> 00:05:00,560 But I... 130 00:05:00,560 --> 00:05:01,560 I'm not listening now, Maggie. 131 00:05:01,560 --> 00:05:02,560 I'm telling you. 132 00:05:02,560 --> 00:05:04,560 Cut it out, cut it out or I'll sew help me some night. 133 00:05:04,560 --> 00:05:05,560 I'll murder you. 134 00:05:05,560 --> 00:05:07,560 Well, I'm sorry, Mr. O'Brien. 135 00:05:07,560 --> 00:05:08,560 I didn't mean it. 136 00:05:08,560 --> 00:05:09,560 Huh? 137 00:05:09,560 --> 00:05:12,560 Oh, I thought it was Maggie. 138 00:05:12,560 --> 00:05:13,560 So I gather. 139 00:05:13,560 --> 00:05:14,560 Excuse me. 140 00:05:14,560 --> 00:05:15,560 Oh, that's all right. 141 00:05:15,560 --> 00:05:16,560 Forget it. 142 00:05:16,560 --> 00:05:18,560 I know you didn't mean it. 143 00:05:18,560 --> 00:05:19,560 No. 144 00:05:19,560 --> 00:05:20,560 That's where you're wrong, sister. 145 00:05:20,560 --> 00:05:21,560 Oh? 146 00:05:21,560 --> 00:05:24,560 I meant every word of it. 147 00:05:24,560 --> 00:05:32,560 I looked at him, handsome, weak, and violent. 148 00:05:32,560 --> 00:05:34,560 And I think I saw it all right then. 149 00:05:34,560 --> 00:05:39,560 For one split second of flash of intuition, the future lit up in front of me like a marquee 150 00:05:39,560 --> 00:05:55,560 sign, a sign in big red letters that said, murder. 151 00:05:55,560 --> 00:06:08,400 For suspense, Roma wines are bringing you June Havoc in stand-in. 152 00:06:08,400 --> 00:06:12,920 I don't have the right face for the screen, but I've got everything else. 153 00:06:12,920 --> 00:06:13,920 And Denny knew it. 154 00:06:13,920 --> 00:06:16,200 I didn't keep it a secret from him either. 155 00:06:16,200 --> 00:06:18,160 Not that I had to flaunted at him. 156 00:06:18,160 --> 00:06:22,400 He was married to a slightly sagging movie queen at least 10 years older than I was. 157 00:06:22,400 --> 00:06:25,000 And he was only human. 158 00:06:25,000 --> 00:06:26,360 Not that I said anything either. 159 00:06:26,360 --> 00:06:29,000 For a week, I hardly spoke to him. 160 00:06:29,000 --> 00:06:33,520 First because it was smart, and then being Madame Stand-In because I was busy. 161 00:06:33,520 --> 00:06:38,520 There was all the flurry of getting the picture started, costumes and tests and so on, and 162 00:06:38,520 --> 00:06:40,040 finally the Academy Award dinner. 163 00:06:40,040 --> 00:06:42,440 Perhaps the less said about that, the better. 164 00:06:42,440 --> 00:06:46,600 It was Olivia de Hadland who got the award, of course, not Madame. 165 00:06:46,600 --> 00:06:50,440 And she found out about it just before the dinner and threw all fwing-ding. 166 00:06:50,440 --> 00:06:53,840 But we got her out of there and brought her home before she caused too much damage. 167 00:06:53,840 --> 00:06:57,080 And Mike called a doctor and he gave her a sedative. 168 00:06:57,080 --> 00:07:03,600 Then Denny and I were alone for the first time, all alone in that big rambling mausoleum 169 00:07:03,600 --> 00:07:04,600 of a house. 170 00:07:04,600 --> 00:07:05,600 Diane? 171 00:07:05,600 --> 00:07:06,600 Yes? 172 00:07:06,600 --> 00:07:08,600 Come over here, won't you? 173 00:07:08,600 --> 00:07:09,600 I'm all right here. 174 00:07:09,600 --> 00:07:11,600 Then I'll come over there. 175 00:07:11,600 --> 00:07:13,600 I'm not used to these big spaces. 176 00:07:13,600 --> 00:07:15,880 But keep a little space, huh, Denny? 177 00:07:15,880 --> 00:07:17,440 I'm not used to no space. 178 00:07:17,440 --> 00:07:18,440 I know. 179 00:07:18,440 --> 00:07:20,600 I've got no business even looking at you. 180 00:07:20,600 --> 00:07:21,600 But... 181 00:07:21,600 --> 00:07:22,600 But what? 182 00:07:22,600 --> 00:07:26,640 For a week now, I've been watching you, thinking about you. 183 00:07:26,640 --> 00:07:27,640 I know. 184 00:07:27,640 --> 00:07:28,640 Do you? 185 00:07:28,640 --> 00:07:29,640 Did you? 186 00:07:29,640 --> 00:07:33,800 Well, those things don't usually happen to just one person, Denny. 187 00:07:33,800 --> 00:07:34,800 It takes two. 188 00:07:34,800 --> 00:07:35,800 Diane... 189 00:07:35,800 --> 00:07:36,800 Oh, wait a minute, Denny. 190 00:07:36,800 --> 00:07:37,800 Why? 191 00:07:37,800 --> 00:07:40,640 There are a couple of things we'd better get straight. 192 00:07:40,640 --> 00:07:41,640 All right. 193 00:07:41,640 --> 00:07:46,880 Oh, Denny, you poor big, beautiful character, you. 194 00:07:46,880 --> 00:07:49,000 Why did you have to marry her? 195 00:07:49,000 --> 00:07:53,000 Well, things look a little different sometimes from where you are, and they do when you get 196 00:07:53,000 --> 00:07:54,000 there. 197 00:07:54,000 --> 00:07:55,000 And where were you? 198 00:07:55,000 --> 00:07:56,800 I was a lifeguard. 199 00:07:56,800 --> 00:07:58,280 Just as simple as that. 200 00:07:58,280 --> 00:07:59,960 And you thought this looked even easier? 201 00:07:59,960 --> 00:08:04,080 Well, there wasn't anyone else, and I thought, well, Hollywood, glamour, luxury. 202 00:08:04,080 --> 00:08:07,560 I might even get a break myself if funny things have happened. 203 00:08:07,560 --> 00:08:08,560 Now you know. 204 00:08:08,560 --> 00:08:09,560 Yeah. 205 00:08:09,560 --> 00:08:10,560 Now I know. 206 00:08:10,560 --> 00:08:14,560 But you still want those things that you married her for, don't you? 207 00:08:14,560 --> 00:08:16,760 Sure, I suppose so. 208 00:08:16,760 --> 00:08:19,920 But I want something else now. 209 00:08:19,920 --> 00:08:20,920 Me? 210 00:08:20,920 --> 00:08:21,920 Yeah. 211 00:08:21,920 --> 00:08:22,920 Sure. 212 00:08:22,920 --> 00:08:27,600 You got what you want, but I haven't. 213 00:08:27,600 --> 00:08:29,280 And I'm not settling for anything less. 214 00:08:29,280 --> 00:08:32,120 I'm not going to be the little girl that you see when you want to and then come back and 215 00:08:32,120 --> 00:08:33,880 lie around in your swimming pool. 216 00:08:33,880 --> 00:08:35,440 I want a swimming pool too. 217 00:08:35,440 --> 00:08:38,920 Well, maybe there's a way we can have it together. 218 00:08:38,920 --> 00:08:39,920 Sure. 219 00:08:39,920 --> 00:08:42,240 There is a way. 220 00:08:42,240 --> 00:08:44,160 What way are you thinking about? 221 00:08:44,160 --> 00:08:48,120 A way that people like us would never want to take. 222 00:08:48,120 --> 00:08:49,120 Hmm. 223 00:08:49,120 --> 00:08:51,160 I suppose we did. 224 00:08:51,160 --> 00:08:53,160 It would be different. 225 00:08:53,160 --> 00:08:56,160 Is that a deal? 226 00:08:56,160 --> 00:08:57,160 Sure. 227 00:08:57,160 --> 00:09:00,160 That's a deal. 228 00:09:00,160 --> 00:09:03,160 Casual. 229 00:09:03,160 --> 00:09:04,160 The light touch. 230 00:09:04,160 --> 00:09:07,160 But it was there just the same. 231 00:09:07,160 --> 00:09:08,920 We never spoke about it after that. 232 00:09:08,920 --> 00:09:12,880 Things went along and, well, I'm only human too. 233 00:09:12,880 --> 00:09:15,880 But there was always that understanding between us. 234 00:09:15,880 --> 00:09:19,920 All that time we were just waiting, I guess, for what they call in the crime stories the 235 00:09:19,920 --> 00:09:21,320 opportunities. 236 00:09:21,320 --> 00:09:25,200 And then on the last week of the shooting schedule on Madame's new picture, it came. 237 00:09:25,200 --> 00:09:29,080 There was only one more take before we knocked off that day so I was free to go home. 238 00:09:29,080 --> 00:09:33,160 But everybody else was jumpy and irritable as usual, particularly Madame. 239 00:09:33,160 --> 00:09:34,160 And then I saw Demi walking down the stage. 240 00:09:34,160 --> 00:09:35,160 Don't blame me for holding up the picture. 241 00:09:35,160 --> 00:09:36,160 You're the director. 242 00:09:36,160 --> 00:09:37,160 I'm not. 243 00:09:37,160 --> 00:09:38,160 Oh, please, Madame. 244 00:09:38,160 --> 00:09:39,160 Are they ready any time you say? 245 00:09:39,160 --> 00:09:40,160 Make it ten minutes. 246 00:09:40,160 --> 00:09:41,160 Well, really. 247 00:09:41,160 --> 00:09:42,160 Okay, fellas, move in for the close-up. 248 00:09:42,160 --> 00:09:43,160 Oh, hello there, Maggie. 249 00:09:43,160 --> 00:09:44,160 Oh, it's you. 250 00:09:44,160 --> 00:09:45,160 Yeah, when are you quitting? 251 00:09:45,160 --> 00:09:46,160 Oh, Dennis, how do I know? 252 00:09:46,160 --> 00:09:50,160 I'm not the director. 253 00:09:50,160 --> 00:09:51,160 I'm merely the star. 254 00:09:51,160 --> 00:09:54,160 You know, we're supposed to be aboard the yacht by 730. 255 00:09:54,160 --> 00:09:55,160 There'll be people waiting. 256 00:09:55,160 --> 00:09:56,160 All right, all right. 257 00:09:56,160 --> 00:09:57,160 Let them wait. 258 00:09:57,160 --> 00:09:58,160 Yeah, but yesterday you said... 259 00:09:58,160 --> 00:09:59,160 Oh, yesterday, yesterday I said one thing. 260 00:09:59,160 --> 00:10:00,160 Today I am working. 261 00:10:00,160 --> 00:10:02,120 Now shut up and leave me alone. 262 00:10:02,120 --> 00:10:03,120 Don't talk to me that way, Maggie. 263 00:10:03,120 --> 00:10:04,120 What? 264 00:10:04,120 --> 00:10:05,120 I'm your husband, remember? 265 00:10:05,120 --> 00:10:06,120 Yes. 266 00:10:06,120 --> 00:10:07,120 And I've had about all of that. 267 00:10:07,120 --> 00:10:08,120 I can stand, too. 268 00:10:08,120 --> 00:10:09,120 Now you get out of here. 269 00:10:09,120 --> 00:10:10,120 Do you hear me? 270 00:10:10,120 --> 00:10:11,120 Get out of here. 271 00:10:11,120 --> 00:10:12,120 Okay, Maggie. 272 00:10:12,120 --> 00:10:13,120 And you might start looking for a good divorce lawyer. 273 00:10:13,120 --> 00:10:14,120 I think you're going to need one. 274 00:10:14,120 --> 00:10:17,120 All right, come on, now. 275 00:10:17,120 --> 00:10:18,120 Hello. 276 00:10:18,120 --> 00:10:19,120 What? 277 00:10:19,120 --> 00:10:20,120 Oh, hello, darling. 278 00:10:20,120 --> 00:10:23,920 Let's take a little stroll out of the gate, shall we? 279 00:10:23,920 --> 00:10:24,920 I could use some fresh air. 280 00:10:24,920 --> 00:10:25,920 Come on. 281 00:10:25,920 --> 00:10:28,920 We'll shut out the big stage door here. 282 00:10:28,920 --> 00:10:29,920 Okay. 283 00:10:29,920 --> 00:10:35,440 Well, it doesn't look like I have much longer, does it? 284 00:10:35,440 --> 00:10:36,440 Not much. 285 00:10:36,440 --> 00:10:38,120 Now or never. 286 00:10:38,120 --> 00:10:40,800 I'm not quite sure I know what you're talking about, Dennis. 287 00:10:40,800 --> 00:10:41,800 Let's quit kidding ourselves. 288 00:10:41,800 --> 00:10:42,800 You know what I'm talking about. 289 00:10:42,800 --> 00:10:43,800 If she divorces me, we're finished. 290 00:10:43,800 --> 00:10:44,800 All right, I'm finished. 291 00:10:44,800 --> 00:10:47,800 So if we are ever going to do anything, it's got to be now. 292 00:10:47,800 --> 00:10:48,800 All right, let's quit kidding ourselves. 293 00:10:48,800 --> 00:10:49,800 Are we going to do anything? 294 00:10:49,800 --> 00:10:50,800 I would, if I knew how. 295 00:10:50,800 --> 00:10:51,800 There's the guard at the gate. 296 00:10:51,800 --> 00:10:52,800 Good evening, Mr. O'Brien. 297 00:10:52,800 --> 00:10:53,800 Miss Burke? 298 00:10:53,800 --> 00:10:54,800 Hey, madame, can I please have your autograph? 299 00:10:54,800 --> 00:10:55,800 I'm afraid you got the wrong gal, sonny. 300 00:10:55,800 --> 00:10:56,800 I'm not madame. 301 00:10:56,800 --> 00:10:57,800 You can't fool me, madame. 302 00:10:57,800 --> 00:10:58,800 You're shooting that picture, Carmelita. 303 00:10:58,800 --> 00:10:59,800 Oh, come on, Peter, will you? 304 00:10:59,800 --> 00:11:00,800 I even see you in the same dress lots of times. 305 00:11:00,800 --> 00:11:01,800 Oh, sure, they fixed me up to look like madame, but I'm not. 306 00:11:01,800 --> 00:11:02,800 I'm only your stand-in. 307 00:11:02,800 --> 00:11:03,800 Stand-in? 308 00:11:03,800 --> 00:11:04,800 Come on, darling. 309 00:11:04,800 --> 00:11:05,800 I'm not madame. 310 00:11:05,800 --> 00:11:13,800 Wait a minute. 311 00:11:13,800 --> 00:11:16,800 Look, sonny. 312 00:11:16,800 --> 00:11:20,800 They got to have somebody standing in there so they can focus everything just right, and 313 00:11:20,800 --> 00:11:21,800 that's me. 314 00:11:21,800 --> 00:11:24,800 Then when they're ready to shoot the scene, madame comes out all fresh and pretty in place. 315 00:11:24,800 --> 00:11:25,800 Have you seen her? 316 00:11:25,800 --> 00:11:26,800 Oh, you sure look like her, though. 317 00:11:26,800 --> 00:11:27,800 Well, that's what they pay me for. 318 00:11:27,800 --> 00:11:28,800 Diane. 319 00:11:28,800 --> 00:11:29,800 What? 320 00:11:29,800 --> 00:11:30,800 That's it. 321 00:11:30,800 --> 00:11:31,800 That's the how right there. 322 00:11:31,800 --> 00:11:32,800 The what? 323 00:11:32,800 --> 00:11:33,800 How. 324 00:11:33,800 --> 00:11:34,800 The kid just told us just now. 325 00:11:34,800 --> 00:11:35,800 How do you? 326 00:11:35,800 --> 00:11:36,800 Sure. 327 00:11:36,800 --> 00:11:37,800 Out of the mouths of babes. 328 00:11:37,800 --> 00:11:38,800 How to murder your wife. 329 00:11:38,800 --> 00:11:39,800 The whole thing would take about 20 minutes. 330 00:11:39,800 --> 00:11:40,800 But it had to be timed and planned to the split second. 331 00:11:40,800 --> 00:11:41,800 We planned it for the last day and the last shot of the picture. 332 00:11:41,800 --> 00:11:42,800 When everybody let down and get sort of half hysterical at the idea that the thing is finally 333 00:11:42,800 --> 00:11:43,800 over. 334 00:11:43,800 --> 00:11:44,800 Shooting schedule was made for us. 335 00:11:44,800 --> 00:11:45,800 The last shot with madame was on an enormous set of a kitchen table. 336 00:11:45,800 --> 00:11:46,800 Oh, that's great. 337 00:11:46,800 --> 00:11:47,800 It was a great idea. 338 00:11:47,800 --> 00:11:48,800 It was a great idea. 339 00:11:48,800 --> 00:11:49,800 Oh, dear. 340 00:11:49,800 --> 00:11:50,800 Oh, my dear. 341 00:11:50,800 --> 00:11:51,800 Oh, my dear. 342 00:11:51,800 --> 00:11:52,800 Oh, my dear. 343 00:11:52,800 --> 00:11:53,800 Oh, my dear. 344 00:11:53,800 --> 00:11:54,800 Oh, my dear. 345 00:11:54,800 --> 00:11:55,800 Oh, my dear. 346 00:11:55,800 --> 00:11:56,800 Oh, my dear. 347 00:11:56,800 --> 00:11:57,800 Oh, my dear. 348 00:11:57,800 --> 00:11:58,800 Oh, my dear. 349 00:11:58,800 --> 00:12:05,800 Oh, my dear. 350 00:12:05,800 --> 00:12:12,800 Oh, my dear. 351 00:12:12,800 --> 00:12:17,800 Oh, my dear. 352 00:12:17,800 --> 00:12:24,800 Oh, my dear. 353 00:12:24,800 --> 00:12:31,800 Oh, my dear. 354 00:12:31,800 --> 00:12:38,800 Oh, my dear. 355 00:12:38,800 --> 00:12:43,800 Oh, my dear. 356 00:12:43,800 --> 00:12:50,800 Oh, my dear. 357 00:12:50,800 --> 00:12:57,800 Oh, my dear. 358 00:12:57,800 --> 00:13:04,800 Oh, my dear. 359 00:13:04,800 --> 00:13:09,800 Oh, my dear. 360 00:13:09,800 --> 00:13:16,800 Oh, my dear. 361 00:13:16,800 --> 00:13:23,800 Oh, my dear. 362 00:13:23,800 --> 00:13:30,800 Oh, my dear. 363 00:13:30,800 --> 00:13:31,800 You're leaving, Guzlany? 364 00:13:31,800 --> 00:13:32,800 Yeah, I got my orders. 365 00:13:32,800 --> 00:13:35,800 She said to call her when you're ready. 366 00:13:35,800 --> 00:13:36,800 Okay. 367 00:13:36,800 --> 00:13:37,800 Night, Guzlany. 368 00:13:37,800 --> 00:13:38,800 Night. 369 00:13:38,800 --> 00:13:39,800 Seven minutes. 370 00:13:39,800 --> 00:13:40,800 Seven minutes were gone. 371 00:13:40,800 --> 00:13:41,800 Now he'd be passing the gauze. 372 00:13:41,800 --> 00:13:46,800 Good night, Mr. O'Brien. 373 00:13:46,800 --> 00:13:47,800 Night. 374 00:13:47,800 --> 00:13:52,800 And now he'd be walking down the studio street and turning the corner at the other end of 375 00:13:52,800 --> 00:13:55,800 stage one and strolling over to the gauze at the main gate. 376 00:13:55,800 --> 00:13:56,800 Oh, hello, Mr. O'Brien. 377 00:13:56,800 --> 00:13:57,800 Going home now? 378 00:13:57,800 --> 00:13:58,800 I wish I knew. 379 00:13:58,800 --> 00:13:59,800 You married Matt? 380 00:13:59,800 --> 00:14:00,800 I know what you mean. 381 00:14:00,800 --> 00:14:01,800 Well, I got my orders and all I can do is carry him out. 382 00:14:01,800 --> 00:14:02,800 Ours is not to question why, huh? 383 00:14:02,800 --> 00:14:03,800 Yeah, that's right. 384 00:14:03,800 --> 00:14:04,800 I'm going to get my orders. 385 00:14:04,800 --> 00:14:05,800 I'm going to get my orders. 386 00:14:05,800 --> 00:14:06,800 I'm going to get my orders. 387 00:14:06,800 --> 00:14:07,800 I'm going to get my orders. 388 00:14:07,800 --> 00:14:08,800 I'm going to get my orders. 389 00:14:08,800 --> 00:14:09,800 I'm going to get my orders. 390 00:14:09,800 --> 00:14:10,800 I'm going to get my orders. 391 00:14:10,800 --> 00:14:11,800 You're going to get your orders? 392 00:14:11,800 --> 00:14:12,800 I am and I will get them. 393 00:14:12,800 --> 00:14:13,800 We're going to do a reception for you. 394 00:14:13,800 --> 00:14:14,800 Oh, that's great. 395 00:14:14,800 --> 00:14:15,800 That's great. 396 00:14:15,800 --> 00:14:16,800 I'll get my orders. 397 00:14:16,800 --> 00:14:17,800 What happened, Mr. O'Brien? 398 00:14:17,800 --> 00:14:18,800 You're going home now, aren't you? 399 00:14:18,800 --> 00:14:19,800 Yes. 400 00:14:19,800 --> 00:14:20,800 Oh, thanks. 401 00:14:20,800 --> 00:14:21,800 Good evening, Mr. O'Brien. 402 00:14:21,800 --> 00:14:22,800 Yes. 403 00:14:22,800 --> 00:14:23,800 Good evening. 404 00:14:23,800 --> 00:14:24,800 I was going home in the morning. 405 00:14:24,800 --> 00:14:25,800 Yes. 406 00:14:25,800 --> 00:14:26,800 That's right. 407 00:14:26,800 --> 00:14:27,800 You're waiting for Madame. 408 00:14:27,800 --> 00:14:28,800 Yup. 409 00:14:28,800 --> 00:14:29,800 She told me to wait until exactly eleven o'clock and if she wasn't out here to go on home 410 00:14:29,800 --> 00:14:30,800 so I got ten or fifteen minutes to kill. 411 00:14:30,800 --> 00:14:31,800 Take her in. 412 00:14:31,800 --> 00:14:32,800 Oh, thanks. 413 00:14:32,800 --> 00:14:33,800 Don't mind if I do. 414 00:14:33,800 --> 00:14:34,800 He'd stay there now. 415 00:14:34,800 --> 00:14:35,800 He'd stay there until it was time. 416 00:14:35,800 --> 00:14:42,800 Just five minutes before, I had passed that same guard on the safe door. 417 00:14:42,800 --> 00:14:44,800 Good night, Miss Burke. 418 00:14:44,800 --> 00:14:47,800 Good night. 419 00:14:47,800 --> 00:14:51,800 And I had walked down the same studio street and passed the same guard at the main gate. 420 00:14:51,800 --> 00:14:53,800 Well, finally knocking off, eh, Miss Burke? 421 00:14:53,800 --> 00:14:54,800 That's right. Good night. 422 00:14:54,800 --> 00:14:57,800 Yeah, good night, Miss Burke. Good night. 423 00:14:57,800 --> 00:15:00,800 I had walked straight ahead, as though I was going to the bus line. 424 00:15:00,800 --> 00:15:05,800 And then, when I was out of sight of the main gate, I ducked up a little side street that runs along the west end of the lot. 425 00:15:05,800 --> 00:15:07,800 I kept in the shadows now, watching every move. 426 00:15:07,800 --> 00:15:09,800 About a hundred feet from the corner, there's another gate. 427 00:15:09,800 --> 00:15:11,800 It's usually locked and never used. 428 00:15:11,800 --> 00:15:14,800 But they'd been shooting in exterior and they'd taken the gate off the hinges. 429 00:15:14,800 --> 00:15:19,800 There were barricades across the entrance and a watchman would pass by every fifteen minutes and then round up the corner. 430 00:15:19,800 --> 00:15:23,800 He was passing now. I waited in the shadows. 431 00:15:23,800 --> 00:15:27,800 Now, he was gone. Now. Now was the time. 432 00:15:27,800 --> 00:15:29,800 I took a quick look around. There was no one in sight. 433 00:15:29,800 --> 00:15:34,800 I dashed to the gate and was over the barricades in an instant and running as softly as I could to the back of stage one. 434 00:15:34,800 --> 00:15:37,800 A big door at the back where they move in the scenery and the flats was open about a foot. 435 00:15:37,800 --> 00:15:38,800 We'd seen to that. 436 00:15:38,800 --> 00:15:44,800 And I squeezed in and I made my way behind the scenes to Madame's dressing room. 437 00:15:44,800 --> 00:15:47,800 I opened the door and closed it behind me. 438 00:15:47,800 --> 00:15:51,800 And then I knew for sure that Denny had been there and done his part. 439 00:15:51,800 --> 00:15:56,800 She was lying on the floor with the marks of his big hand still on her throat. 440 00:15:56,800 --> 00:15:59,800 She was dead. 441 00:16:04,800 --> 00:16:11,800 It was 1057. I had on the costume with the veil over my face and there was nothing to do but wait. 442 00:16:11,800 --> 00:16:15,800 Wait there, shot up in a little room with a dead woman. 443 00:16:15,800 --> 00:16:18,800 For them to call her and for me to play her part. 444 00:16:18,800 --> 00:16:24,800 I tried not to look at her lying there and finally... 445 00:16:24,800 --> 00:16:27,800 We're all ready, Madame. 446 00:16:30,800 --> 00:16:32,800 I waited for the steps to die away. 447 00:16:32,800 --> 00:16:34,800 And then I opened the door. 448 00:16:34,800 --> 00:16:38,800 As Denny had said, it was now or never. 449 00:16:38,800 --> 00:16:41,800 I walked out and took my place on the set. 450 00:16:41,800 --> 00:16:43,800 I nodded my head. 451 00:16:43,800 --> 00:16:45,800 Rolling. 452 00:16:45,800 --> 00:16:48,800 Feet. 453 00:16:48,800 --> 00:16:54,800 Action. 454 00:16:54,800 --> 00:16:58,800 Out of the corner of my eye, I caught the camera on the big boom. 455 00:16:58,800 --> 00:17:01,800 Slowly beginning to pull back. 456 00:17:01,800 --> 00:17:03,800 It seemed a million miles away. 457 00:17:03,800 --> 00:17:06,800 I began walking down the aisle of the cathedral. 458 00:17:06,800 --> 00:17:10,800 There was no sound so I was getting direction all the way. 459 00:17:10,800 --> 00:17:12,800 And that was Madame. 460 00:17:12,800 --> 00:17:14,800 Slowly now. 461 00:17:14,800 --> 00:17:20,800 Slowly. Remember your overwhelmed with grief. 462 00:17:20,800 --> 00:17:22,800 Now you kneel. 463 00:17:22,800 --> 00:17:24,800 That's it. 464 00:17:24,800 --> 00:17:28,800 Now you clasp your hands together. 465 00:17:28,800 --> 00:17:31,800 Now cast your eyes upward. 466 00:17:31,800 --> 00:17:34,800 That's it. Perfect. 467 00:17:34,800 --> 00:17:36,800 Now hold it. 468 00:17:36,800 --> 00:17:38,800 A little longer. 469 00:17:38,800 --> 00:17:41,800 A little longer. 470 00:17:41,800 --> 00:17:42,800 Cut. 471 00:17:42,800 --> 00:17:44,800 That's all boys. 472 00:17:49,800 --> 00:17:50,800 That was all. 473 00:17:50,800 --> 00:17:53,800 I had to keep myself from running as I started back to the dressing room. 474 00:17:53,800 --> 00:17:55,800 But when I got there, I sprinted. 475 00:17:55,800 --> 00:17:57,800 Around the corner and out to the big door. 476 00:17:57,800 --> 00:17:58,800 Denny's car was there all right. 477 00:17:58,800 --> 00:18:01,800 With the back door open and I slipped into it and laid down on the floor of the back seat. 478 00:18:01,800 --> 00:18:03,800 It was 11 o'clock. 479 00:18:03,800 --> 00:18:05,800 Now it looks like my time's up. 480 00:18:05,800 --> 00:18:06,800 Yes. 481 00:18:06,800 --> 00:18:08,800 Couple of minutes after 11. 482 00:18:08,800 --> 00:18:09,800 Guess she's not coming, huh? 483 00:18:09,800 --> 00:18:10,800 Guess not. 484 00:18:10,800 --> 00:18:12,800 Well, orders is orders. 485 00:18:12,800 --> 00:18:15,800 Yes, that's right Mr. O'Brien. 486 00:18:15,800 --> 00:18:18,800 I could hear his steps coming over to the car. 487 00:18:18,800 --> 00:18:22,800 And then getting in and then we were starting off. 488 00:18:22,800 --> 00:18:24,800 Good night Mr. O'Brien. 489 00:18:24,800 --> 00:18:26,800 Good night. 490 00:18:32,800 --> 00:18:33,800 You back there Diane? 491 00:18:33,800 --> 00:18:36,800 Yes. I'm here. 492 00:18:36,800 --> 00:18:38,800 Well we made it baby. 493 00:18:38,800 --> 00:18:40,800 We made it. 494 00:18:47,800 --> 00:18:49,800 We knew they probably wouldn't find her till the next day. 495 00:18:49,800 --> 00:18:53,800 Even a director wouldn't dare disturb her if he got no answer at the dressing room door. 496 00:18:53,800 --> 00:18:54,800 And that's what happened. 497 00:18:54,800 --> 00:18:58,800 We got the news about mid-morning and of course everybody in the lot was grief stricken. 498 00:18:58,800 --> 00:19:04,800 And that afternoon everybody who'd be on the Carmelita set or had anything to do with Madame was called into projection room A. 499 00:19:04,800 --> 00:19:07,800 That's when we first met Lieutenant Malone. 500 00:19:07,800 --> 00:19:12,800 I know you folks all feel bad about this. 501 00:19:12,800 --> 00:19:15,800 But we might as well lay it on the line. 502 00:19:15,800 --> 00:19:17,800 The lady's dead. 503 00:19:17,800 --> 00:19:21,800 And someone who was on that set is the one who killed her. 504 00:19:21,800 --> 00:19:25,800 Now, you're the husband aren't you, Dennis O'Brien? 505 00:19:25,800 --> 00:19:27,800 That's right. 506 00:19:27,800 --> 00:19:30,800 Well, you know how we work these things. 507 00:19:30,800 --> 00:19:33,800 Motive and opportunity. 508 00:19:33,800 --> 00:19:35,800 And just off hand Mr. O'Brien. 509 00:19:35,800 --> 00:19:38,800 You practically got a corner on the motive, Marcus. 510 00:19:38,800 --> 00:19:40,800 I suppose I have. 511 00:19:40,800 --> 00:19:42,800 Oh, but Lieutenant, a dozen people saw Dennis. 512 00:19:42,800 --> 00:19:44,800 Mr. O'Brien leave the set before she was killed. 513 00:19:44,800 --> 00:19:46,800 Before she made the last shot. 514 00:19:46,800 --> 00:19:48,800 And he was out talking to the guard the whole time after that. 515 00:19:48,800 --> 00:19:50,800 And then he went straight home and he couldn't have done it. 516 00:19:50,800 --> 00:19:53,800 Yeah, I know. It's a good alibi. 517 00:19:53,800 --> 00:19:54,800 Awful good. 518 00:19:54,800 --> 00:19:57,800 But how do you know some stranger didn't kill her? 519 00:19:57,800 --> 00:20:01,800 Maybe she fell asleep in the dressing room after the shot and some prowler... 520 00:20:01,800 --> 00:20:05,800 Nah, nah, nah. It just doesn't feel right. 521 00:20:05,800 --> 00:20:08,800 You got the film of that last shot you made. 522 00:20:08,800 --> 00:20:10,800 Yeah, we got it here. 523 00:20:10,800 --> 00:20:13,800 Let's see it, huh? 524 00:20:13,800 --> 00:20:17,800 Will you run that last camo lead to take again, please? 525 00:20:17,800 --> 00:20:20,800 Here we go. 526 00:20:22,800 --> 00:20:24,800 That's it, madam. 527 00:20:24,800 --> 00:20:26,800 Slowly now. 528 00:20:26,800 --> 00:20:28,800 Slowly. 529 00:20:28,800 --> 00:20:30,800 Remember you. 530 00:20:30,800 --> 00:20:31,800 What was that? 531 00:20:31,800 --> 00:20:33,800 That's me giving directions. 532 00:20:33,800 --> 00:20:35,800 It was supposed to be a silent shot. Of course, that won't be used. 533 00:20:35,800 --> 00:20:37,800 There'll be music to cover that. 534 00:20:37,800 --> 00:20:39,800 Well, let's hear it anyway. 535 00:20:39,800 --> 00:20:41,800 Whatever you say. 536 00:20:44,800 --> 00:20:46,800 That's it. Perfect. 537 00:20:46,800 --> 00:20:48,800 Hold it. 538 00:20:48,800 --> 00:20:50,800 A little longer. 539 00:20:50,800 --> 00:20:52,800 Just a little longer. 540 00:20:52,800 --> 00:20:54,800 Cut! 541 00:20:54,800 --> 00:20:56,800 That's all there is to it. 542 00:20:56,800 --> 00:20:58,800 Yeah. Not much there. 543 00:20:58,800 --> 00:21:02,800 My lieutenant, nobody in the studio would have touched a hair of madame's head. 544 00:21:02,800 --> 00:21:04,800 We all loved her so much. 545 00:21:04,800 --> 00:21:10,800 Yeah, you better learn a little more about the picture business before you start throwing wild accusations around. 546 00:21:10,800 --> 00:21:13,800 I think you got something there, Mike. 547 00:21:13,800 --> 00:21:15,800 Maybe I'll do that. 548 00:21:15,800 --> 00:21:17,800 Maybe I'll just do that little thing. 549 00:21:23,800 --> 00:21:25,800 A month went by. 550 00:21:25,800 --> 00:21:29,800 Of course, Denny and I didn't dare see much of each other, but things were going along. 551 00:21:29,800 --> 00:21:31,800 I'd even had a couple of small parts. 552 00:21:31,800 --> 00:21:36,800 On the strength of all the publicity about madame, somebody discovered that maybe I did have the right face for the scream. 553 00:21:36,800 --> 00:21:39,800 And then one day we got a call to go to projection room A. 554 00:21:39,800 --> 00:21:42,800 And there was Lieutenant Malone again. 555 00:21:42,800 --> 00:21:45,800 Just make yourselves comfortable, folks. 556 00:21:45,800 --> 00:21:47,800 I've got something to show you. 557 00:21:47,800 --> 00:21:49,800 I hope it's more than you had the last time. 558 00:21:49,800 --> 00:21:51,800 Yeah, Mike, yeah. 559 00:21:51,800 --> 00:21:54,800 I've been learning the picture business, like you said. 560 00:21:54,800 --> 00:21:56,800 I've learned a lot, too. 561 00:21:56,800 --> 00:22:02,800 All about silent shots and sound shots and wild track and dubbing and stand-ins. 562 00:22:02,800 --> 00:22:04,800 What? 563 00:22:04,800 --> 00:22:07,800 You were madame stand-in, weren't you, Miss Burke? 564 00:22:07,800 --> 00:22:09,800 Yes, I was. 565 00:22:09,800 --> 00:22:11,800 Uh-huh. 566 00:22:11,800 --> 00:22:13,800 You looked quite a lot like her, too. 567 00:22:13,800 --> 00:22:15,800 Well, a little, I suppose. 568 00:22:15,800 --> 00:22:19,800 Oh, you'd fool me, all right, if your back was turned. 569 00:22:19,800 --> 00:22:23,800 Well, I've been fooling around down in the cutting rooms. 570 00:22:23,800 --> 00:22:27,800 I never realized before how much stuff got thrown away. 571 00:22:27,800 --> 00:22:29,800 I made a little collection of it. 572 00:22:29,800 --> 00:22:31,800 I want to show it to you. 573 00:22:31,800 --> 00:22:33,800 Here we go. 574 00:22:33,800 --> 00:22:42,800 ... 575 00:22:42,800 --> 00:22:45,800 That is a wild soundtrack. 576 00:22:45,800 --> 00:22:48,800 You make that separate and mix it in after you've made your film, right? 577 00:22:48,800 --> 00:22:53,800 You can make sound without pictures just the same as you can make pictures without sound, right? 578 00:22:53,800 --> 00:22:57,800 Now, that day you folks were making that last shot of Carmelita, 579 00:22:57,800 --> 00:23:02,800 the sound engineers were sort of slap happy, it being the last day and all, 580 00:23:02,800 --> 00:23:05,800 and so they just pushed their microphones out of the way. 581 00:23:05,800 --> 00:23:09,800 But they forgot to turn off the sound, 582 00:23:09,800 --> 00:23:15,800 and they pushed that mic right up against madame's dressing room before the last shot. 583 00:23:15,800 --> 00:23:19,800 And the cameraman was running some test film, and here's what he got. 584 00:23:19,800 --> 00:23:23,800 I found this in a cutting room trash bin. 585 00:23:26,800 --> 00:23:29,800 Close the door, Danny. 586 00:23:29,800 --> 00:23:30,800 Yes, that's it. 587 00:23:30,800 --> 00:23:32,800 You sit down, make yourself comfortable. 588 00:23:32,800 --> 00:23:33,800 No, thanks. 589 00:23:33,800 --> 00:23:35,800 Oh, don't be silly. There's just one more take, and then we'll talk. 590 00:23:35,800 --> 00:23:36,800 You're not going to make it though, Maggie. 591 00:23:36,800 --> 00:23:37,800 What do you mean? 592 00:23:37,800 --> 00:23:39,800 I mean, you're through, Maggie. You're through. 593 00:23:39,800 --> 00:23:46,800 I'm finished. 594 00:23:46,800 --> 00:23:50,800 Well, I guess that's it. 595 00:23:50,800 --> 00:23:54,800 Huh, Mr. O'Brien? Miss Burke? 596 00:23:54,800 --> 00:24:10,800 Yes. Yes, I guess that's it. 597 00:24:10,800 --> 00:24:15,800 I haven't seen Danny since the trial. I wonder if I'll see him afterwards. 598 00:24:15,800 --> 00:24:18,800 If what the preachers say is right, I suppose I will. 599 00:24:18,800 --> 00:24:21,800 And of course madame will be down there too. 600 00:24:21,800 --> 00:24:26,800 I can't think of any worse punishment than being her stand-in through all eternity. 601 00:24:26,800 --> 00:24:48,800 So I suppose that's what I'll get. 602 00:24:48,800 --> 00:24:56,800 Suspense presented by Roma Wines, R-O-M-A, Roma, America's favorite wines. 603 00:24:56,800 --> 00:25:00,800 In a moment, we'll hear again from June Havoc, star of tonight's suspense play. 604 00:25:00,800 --> 00:25:05,800 Meanwhile, this is Truman Bradley with a suggestion that you try Roma Wines 605 00:25:05,800 --> 00:25:10,800 and discover for yourself the important difference, the extra taste luxury 606 00:25:10,800 --> 00:25:14,800 that makes Roma America's most preferred wine. 607 00:25:14,800 --> 00:25:18,800 You'll find that Roma Wines taste better because Roma alone 608 00:25:18,800 --> 00:25:22,800 selects from the world's greatest reserves of fine wines. 609 00:25:22,800 --> 00:25:26,800 You will also find that you now pay less for Roma's premium quality, 610 00:25:26,800 --> 00:25:31,800 that you actually save up to 20% on these better tasting wines. 611 00:25:31,800 --> 00:25:34,800 Tomorrow, buy a supply of Roma California Sherry, 612 00:25:34,800 --> 00:25:40,800 that perfect appetizer before dinner, that gracious gesture when friends drop in. 613 00:25:40,800 --> 00:25:43,800 This is June Havoc. Suspense is one of my favorite programs, 614 00:25:43,800 --> 00:25:45,800 and I got a real thrill appearing on it tonight. 615 00:25:45,800 --> 00:25:49,800 I'm going to be listening to next week's suspense show when Elliot Reid will be the star. 616 00:25:49,800 --> 00:25:51,800 Thanks a lot and good night. 617 00:25:51,800 --> 00:25:56,800 June Havoc will soon be seen opposite George Raft in the United Artists Production Intrigue. 618 00:25:56,800 --> 00:26:00,800 Tonight's suspense play was by Robert Richards and Pamela Wilcox. 619 00:26:00,800 --> 00:26:06,800 Next Thursday, same time, you will hear Mr. Elliot Reid as star of Suspense. 620 00:26:06,800 --> 00:26:24,800 Produced by William Spear for the Roma Wine Company of Fresno, California.