WEBVTT

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Yes, Roma wines taste better because only Roma selects from the world's greatest wine

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reserves for your pleasure.

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And now Roma wines, R-O-M-A, Roma wines present Suspense.

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Tonight Roma wines bring you Mr. Van Heflin in Three Blind Mice, a suspense play produced,

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edited and directed for Roma Wines by William Spear.

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Suspense, radio's outstanding theater of thrills is presented for your enjoyment by Roma Wines.

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That's R-O-M-A, Roma wines, those better tasting California wines enjoyed by more Americans

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than any other wine, for friendly entertaining, for delightful dining.

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Yes, right now a glass full would be very pleasant as Roma wines bring you Van Heflin

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in a remarkable tale of Suspense.

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Lockwood, Bentley and Walt's Publishing, it still said it on the big brass name play.

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Going down.

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Oh, good evening Mr. Lockwood.

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Good evening.

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Sure, the elevator operators were nice to me, most of the office boys remembered to knock

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on my door before they came in and even some of the stenographers still spoke to me.

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But everybody else above the rank of junior story reader knew it was just a question of

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time before that big brass name play in the lobby came down and another one went up in

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its place, Bentley and Walt's Publishing.

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No more Lockwood.

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If ever a man hated his partners, I did.

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Main forcer.

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I went out of the building and across the street to the Savoy Fidenna.

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Even the head waiter must have heard the rumor he gave me the dime sized table over in the

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corner that's generally reserved for out of town ribbon clerks.

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It's all right, Bob, there'll be another day.

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I'd gotten to coffee and dessert when I saw Helen Conover.

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Well, that just about summed it up.

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There were two things that I wanted in this world to get my hands back on that corporation

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and Helen Conover.

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Well, she saw me and I waved to her and she waved back and started over to my table.

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She was head of our promotion department.

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She was smart and ambitious and she could have personally modeled for any pin up art

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that you ever saw.

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But she was reserving anything along that line for my partner, Dick Walsh.

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Okay, sister, there'll be another day.

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Hello, Arthur.

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Dining alone?

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Yes, it's a habit that I could break it under the right conditions.

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Oh, but you're all finished.

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That's all right.

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I'm just a big book publisher.

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I've got nothing to do.

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Well, if it's not against office regulations to have dinner with the boss.

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Regulations?

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Well, they never bothered you now, did they?

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No, Arthur, let's keep this clean.

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Does Madame wish to order?

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Yes, the steak dinner, please.

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No soup and no potatoes.

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Very good, madam.

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You're working kind of late, aren't you?

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Not working.

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Dick wanted me to see him off on the train.

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Train?

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Where's he going?

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Chicago.

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What for?

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Business, I suppose.

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Didn't he tell you?

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You know, they never tell me anything anymore.

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Well, it wasn't anything very important, I guess.

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Well, I'd know even less if it had been.

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Maybe you can tell me about Sam.

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About Sam?

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Did he get his report from the doctor?

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Oh, yes, he did, as a matter of fact.

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How is it?

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I'm afraid it's pretty bad.

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How bad?

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Well, it's his heart, all right.

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They don't give him much more time.

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Six months at the most.

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Well, that means they'll have to work fast.

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Or I will.

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What?

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Wouldn't you say so?

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Arthur, I don't understand you.

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I just told you that one of your partners has only six months to live and you don't even

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seem to care.

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Look, let's be grown up about it, at least.

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Sam Bentley and Dick Walsh have been trying to ease me out of the firm for the last year.

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Now Sam's going to kick off.

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Why should I care?

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You really hate him, don't you?

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Me?

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I don't hate anybody.

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I just hope he kicks off tonight instead of waiting six months and the Dick Walsh's train

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runs into the Hudson River.

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That's all.

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I don't hate anybody.

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I just wish they were dead.

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Oh, Arthur, how can you?

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What's the matter with that?

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I wish my partners were out of the way and you wish...

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Well, I know what you wish, too, only I'm honest about it and you're not.

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This isn't a very pleasant conversation.

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There's always a better one.

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For instance, what are you doing tonight?

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I'm going home and get a good night's sleep for a change.

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By the way, how long is Dick going to be away?

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About a week.

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You'll be kind of lonely, won't you?

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I don't see why I should.

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That's what I was thinking.

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You know, I've always had a sort of a yen for you, Helen.

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Why, Mr. Lockwood, why don't people tell me these things?

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People don't have to tell people like you those things.

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Now that you mention it, I do seem to have noticed a sort of a leer every so often.

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That wasn't any leer, baby, that was the real McCoy.

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Look, Arthur, this may sound kind of corny, but I'm in love with Dick and he's in love

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with me.

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It does.

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What?

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Sound corny.

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Why doesn't he marry you?

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You know why.

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Sure, that wife that won't divorce him.

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You know, he's been using that one for the last ten years.

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Please, Arthur, I'd rather not talk about it.

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Okay, okay, not to change the subject, but what do you expect to get out of it?

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Get out of what?

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The reorganisation, the big day when they kick old Arthur out of the firm.

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You think maybe they'll make you a vice president?

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I really don't know what you're talking about, Arthur.

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Well, you ought to think about it, because you can never tell, I might be able to make

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you an even better proposition.

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I'm afraid I'm not interested in your propositions, Arthur.

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Any of them.

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Okay, baby, there'll be another day.

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It was mostly bluff and she knew it, but there was one thing that she didn't know.

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There was a chance that my smart partners had actually been holding out on me, and if

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they had, the way our incorporation papers were drawn, then I could really mail them.

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Well, I'd been snooping through the files at night lately, and I'd already dug up a

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couple of things, and this night I went back at it again.

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I let myself into the side door of the building and walked up the two flights to the office.

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Everything was dark and deserted, barely make out the long lines of desks.

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And then I saw the light under Sam's door, and I crossed the office very quietly and listened.

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Hmm, nothing.

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I tapped on the door.

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Still nothing, so I opened it, and there was Sam.

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There was Sam, leaning back in his chair and staring at me with those cold and slightly

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protruding blue eyes, much the way he always did.

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But tonight, there was a small hole in the right side of his head, and Sam Bentley was

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dead.

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The gun was lying on the carpet where it had fallen out of his hand.

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It was his, all right.

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I recognized it.

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His other hand had fallen against an open drawer of the desk, and his wristwatch was

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broken.

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It had stopped at five after eight, and I picked up the phone to call the police.

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And then I noticed a letter on his desk.

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It was addressed to Richard Walsh.

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Well, I put up the phone and looked at that letter, and then I opened it.

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Well, it was about what I figured.

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The doctor's report on his heart, the usual all-around apology, and then a detailed explanation

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of how Dick Walsh could use the corporate insurance to pay off Sam's family for his

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share of the business, and then take it over himself, because Sam didn't want me to have

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any part of it.

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The signature was a little scrawly, but it was Sam's, all right.

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So there it was, the double cross.

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And yet it's funny, but almost before I got through reading it, I knew the answer.

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I looked at that broken wristwatch of his again.

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Five after eight, it said.

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An hour later, I was home in bed, sleeping like a baby, knowing that Dick Walsh, too,

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was going to die.

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I strolled into the office the next morning, about 10, just to be on the safe side.

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But of course, they'd already found him.

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All over the office, there were little huddles that broke up frantically in my approach.

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Well, I played it for what it was worth and headed for the largest and most important

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huddle, the executive huddle outside of Sam's door.

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They were all there, including Helen Conover.

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And she was looking pretty sick.

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Well, what is all this?

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Just a minute, who are you?

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Oh, I'm Arthur Lockwood, also.

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What's all this about?

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Oh, just wait here, please, Mr. Lockwood.

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What's going on here, anyway?

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Somebody robbed the till?

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Arthur.

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What?

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Arthur, it's Sam.

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What?

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His heart?

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No, he was shot.

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Shot?

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Arthur, the police say it's murder.

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Will you come in, please, Mr. Lockwood?

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Yes, certain.

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The captain would like to see you again, too, please, Miss Count, Arthur.

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Oh, yes, all right.

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Well, we went in.

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Sam was still there.

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But by this time, somebody had thrown a towel over his face.

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Big gangling guy came across the room toward me with his hand out.

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Mr. Lockwood?

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Yes.

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The captain gave him his homicide.

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Is... is that Sam, Sam Bentley?

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Yes.

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I know it must be something of a shock to you, sir, but I'm afraid I'm going to have

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to ask you a few questions.

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Oh, yes, of course.

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Please go right ahead.

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Know anybody who want to kill your partner, Mr. Lockwood?

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Are you sure it was... I mean, I mean, couldn't it have been suicide?

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Why would he want to kill himself?

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Well, he's been pretty depressed lately.

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His health has been bad.

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Only yesterday he got a report from his doctor that he probably wouldn't live more than six

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months.

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No, won't hold, Mr. Lockwood.

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Not unless you figure that Bentley shot himself and then carried the gun into your other partner's

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office.

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That's Mr. Walsh, isn't it?

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Mr. Walsh.

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Yes.

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Was that surprising?

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Why, yes, it...

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Do you mean the two found the gun in... in Mr. Walsh's office?

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In the wall safe.

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How many people have the combination of that safe, Mr. Lockwood?

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Why, just the three of us, I think.

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The three partners.

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We each have a safe, but somebody else has to have the combination, too, just in case...

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Well, you know...

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Did you trust your partners, Mr. Lockwood?

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Well, captain, I'll be frank with you.

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There hasn't been a great deal of love lost between us lately, but, yes, we trusted each

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other in our own way.

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Where were you at ten after seven, Mr. Lockwood?

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I was having dinner at the Savoy across the street.

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You can prove that, I suppose?

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Yes, of course.

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As a matter of fact, Miss Conover here came over and later joined me.

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I understand Miss Conover was seeing your other partner, Mr. Walsh, off on the 735 in

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Chicago.

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Yes, so she told me yes.

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You're sure of the train time?

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Yes, of course.

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Well, it's the one Dick Walsh always takes to Chicago.

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But why this interest in time?

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Have you set the time of the... of when it happened?

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Bentley's watch was broken.

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It stopped at ten after seven.

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Oh.

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Either of you see this before?

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Where did that come from?

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Recognize it?

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Yes, of course, that's Mr. Walsh's watch charm.

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He keeps losing it.

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He loses it all the time.

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Yes, he does.

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We found it in the chair behind Bentley's body.

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Oh, now wait a minute, Captain.

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You don't seriously mean to suggest that...

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How does it add up to you?

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Well, I mean that watch charm doesn't mean anything.

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It's true that he did lose it all the time, but he could have lost it in here any time.

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Not in a chair, Mr. Lockwood.

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It wouldn't stay there very long, not without being found.

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Oh, Captain, there must be some mistake.

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There must be.

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You can go now, Miss Conover.

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But please.

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I said you could go now, Miss Conover.

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Come on, Helen.

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I guess that's it, Harry.

11:44.520 --> 11:45.520
I guess it is.

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Better call Chicago and issue a warrant.

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You're under arrest for a suspicion of murder.

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No, it's...

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All right, all right.

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It's nothing now.

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She's just fainted.

11:57.120 --> 12:09.160
For Suspense, Roma Wines are bringing you Van Heflin in Three Blind Mice.

12:09.160 --> 12:14.040
Roma Wines' presentation tonight in radio's outstanding theater of thrills, Suspense.

12:14.040 --> 12:27.240
between the acts of suspense this is Ken Niles for Roma wines next time you have

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their welcome serve delicious Roma California sherry

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port or muscatel delightful with cheese nuts cake or any tasty snack you're sure

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to please every guest with better tasting Roma wines for Roma wines are

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favorites from coast to coast enjoyed by more Americans than any other wine the

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reason Roma wines taste better because Roma starts with choices grapes because

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Roma with patient skill and America's finest wine making resources guides

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these naturally finer grapes unhurriedly to tempting taste perfection because

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Roma then places this luscious grape treasure with Roma wines of years before

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pleasure so insist on Roma roma Roma wines made in California for enjoyment

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throughout the world and now Roma wines bring back to our Hollywood soundstage

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Van Heflin as Arthur Lockwood with Kathy Lewis as Helen Conover in free blind

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mice a tale well calculated to keep you in suspense

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the defendant will rise and face the court

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does the defendant wish to make a statement before sentences pass if not

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we will proceed Richard Leonard Walsh having been tried and found guilty of

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the murder of Samuel Bentley in the first degree you are hereby remanded to

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the custody of the warden of the state penitentiary where at such time as the

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state shall deem appropriate you will be executed in the manner of scribe by law

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it's a nice way of getting along in the publishing business if you're lucky one

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of your partners commit suicide you rig the evidence to frame the other partner

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for his murder net result a new firm Arthur Lockwood incorporated Arthur

14:48.920 --> 14:53.600
Lockwood be me of course there were the usual appeals and the thing dragged on

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but that didn't worry me I had other things to think about and number one on

14:58.120 --> 15:04.120
that list was Helen Conover but there I'll admit I was surprised because Dick

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knew that he'd been framed and must have suspected me and Helen was supposed to

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be a mother with big well I played it very carefully the paternal approach the

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sorrowing friend dinner in the theater and stuff like that but never a word

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never a wrong word or gesture and then one night about a week before Dick Walsh

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was scheduled to be executed I just brought Helen home from a sedate little

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tour of some of our most upper crust hot boxes and we were at her apartment

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this well evening Arthur you've been awfully sweet to me well it's the least

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I can do Helen oh you mustn't feel that way Arthur what way but you but you sort

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of owe me something oh you're something well why should I it's just that I I know

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how you feel and if you do well yes I think so you've been awfully brave about

15:48.680 --> 15:54.080
it but I I think I know Arthur once you said that something I said was corny

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remember yes I remember it was it wasn't even true you want you weren't in love

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with him afraid I'm a pretty heartless little girl Arthur I'm afraid I love

16:06.880 --> 16:11.480
myself too much to be really in love with anybody that's not heartless that's

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just honest you know that that tease to be executed next week don't you yes then

16:19.360 --> 16:25.280
he's not much good to me now is he even if he did want to marry me now you know

16:25.280 --> 16:34.040
I'm heartless and cold-blooded and cruel I ought to but I don't know I don't have

16:34.040 --> 16:42.960
to be that way I can be other ways what are the ways like this

16:50.640 --> 16:56.320
that was that I didn't care about anything after that even marriage we

16:56.320 --> 16:59.840
made a quick trip down to Virginia where names in the publishing business wouldn't

16:59.840 --> 17:04.520
mean a thing even hours and it was all very quiet no publicity no fuss nothing

17:04.520 --> 17:08.680
when we got back we took a little place in these 50s although of course she kept

17:08.680 --> 17:11.800
her apartment I kept mine it had to be that way for a while at least until

17:11.800 --> 17:16.400
after Dick's execution and the things had cooled down a bit well I knocked off

17:16.400 --> 17:21.360
early at the office that day for the looks of the thing and Helen was already

17:21.360 --> 17:28.360
home when I got any particular reason no no no particular reason

17:28.360 --> 17:34.960
penny for your thoughts darling my thoughts oh nothing special I guess I

17:34.960 --> 17:40.040
was just thinking I don't know that I know what you were thinking about dick

17:40.040 --> 17:46.000
he's going to die tonight well maybe I was I don't know well I'm glad you did

17:46.000 --> 17:48.920
come home anyway darling because I wanted to have a little talk with you

17:48.920 --> 17:53.320
sure about what you really shouldn't let it bother you you know like what bother

17:53.320 --> 17:58.840
me the execution why should it bother me he killed a man didn't he why should I

17:58.840 --> 18:06.280
worry about what the law does to him are you so sure so sure of what so sure that

18:06.280 --> 18:14.040
he did kill a man right then it hit that all the time I've been thinking how slick

18:14.040 --> 18:18.640
everything was something was wrong terribly wrong that all this time she'd

18:18.640 --> 18:23.600
been playing with me like a smart young cat with a silly blind old mouse

18:23.600 --> 18:29.000
pretty nice and one of them dead and another with him as good as dead and I

18:29.000 --> 18:34.760
was left all the evidence and everything wasn't like dick to do a thing like that

18:34.760 --> 18:42.680
you don't think he killed him Arthur do you remember oh it's a long time ago you

18:42.680 --> 18:46.720
asked me what I expected to get out of it if Sam and Dick squeezed you out of

18:46.720 --> 18:54.080
the firm yeah I remember and you said you might have a better proposition well

18:54.080 --> 19:01.800
I've decided what I want sure you really want to be a vice president we can fix

19:01.800 --> 19:05.640
that easy enough although I sort of had the idea that you'd be pulling out after

19:05.640 --> 19:12.560
a while now that we're married your price list no I'm afraid a vice

19:12.560 --> 19:16.080
presidency isn't at all what I have in mind and I don't know where you got the

19:16.080 --> 19:23.640
idea that I'd be pulling out of the firm ever all right what do you want I want a

19:23.640 --> 19:33.400
full partnership Arthur a partnership yes that's a strange well we are partners

19:33.400 --> 19:40.240
now in a way you're my wife no I mean a real partnership a corporate partnership

19:40.240 --> 19:44.160
look Helen you're asking me out of a clear sky to give you a half a share in a

19:44.160 --> 19:52.280
million dollar business yes well I that'll take some thinking about yes I

19:52.280 --> 19:59.680
suppose it will I'm saying it was strange about that evidence for instance

19:59.680 --> 20:04.120
there was the letter what letter the letter that was on Sam's desk when he

20:04.120 --> 20:09.880
killed himself it disappeared you must be crazy am I and what about the

20:09.880 --> 20:15.320
wristwatch when he died it said five after eight but when they found him it

20:15.320 --> 20:21.120
said ten after seven and the gun it was lying on the carpet by his hand but

20:21.120 --> 20:26.400
somehow it got into Dick's wall safe you knew all that and you let an innocent

20:26.400 --> 20:36.520
man go to the chair you are priceless I let an innocent man go to the chair you

20:36.520 --> 20:42.720
know of course that a wife can't testify against her husband oh no no a wife can't

20:42.720 --> 20:50.800
be forced to testify against her husband but she can if her conscience all right

20:50.800 --> 20:58.720
what do you want I thought I'd mentioned it the partnership I see now you're not

20:58.720 --> 21:04.320
going to be unreasonable about it are you darling no Helen I'm not going to be

21:04.320 --> 21:14.520
unreasonable she'd even turned her back on me now she was gazing out of the

21:14.520 --> 21:20.200
window dreaming of the future her future just the way she planned it I couldn't

21:20.200 --> 21:24.000
guess how she knew she must have been hiding somewhere and seen me but that

21:24.000 --> 21:27.520
didn't matter much now I only knew that I was right back where I'd started from

21:27.520 --> 21:32.400
the business slipping out of my hands and someday no business and no Helen I

21:32.400 --> 21:37.280
had to think fast and act fast it was a bronze statuette on the end table I

21:37.280 --> 21:42.800
picked it up and hefted it it was just about right so I stepped over behind her

21:42.800 --> 21:49.560
the officers then will be just exactly the same except for that darling you

21:49.560 --> 21:53.000
won't mind that will you duck

21:54.920 --> 22:02.240
I hit her hard but not too hard because this was one suicide that was going to

22:02.240 --> 22:06.040
come off right I carried her out to the kitchen and propped her up in the chair

22:06.040 --> 22:09.920
in front of the kitchen table and then I went into the bathroom got some towels

22:09.920 --> 22:14.560
that wouldn't leave any marks and I tied her hands and feet and gagged her so

22:14.560 --> 22:19.040
that even if she did come to in a few minutes it wouldn't matter all I had to

22:19.040 --> 22:22.520
do was come back in a couple of hours and put the towels we make everything

22:22.520 --> 22:26.680
look just as natural as I could was a risk those two hours and I knew it the

22:26.680 --> 22:30.720
whole thing was a risk but it was the best I could do I looked at her once

22:30.720 --> 22:37.720
more before I left she hadn't moved a muscle and then I turned on the gas

22:42.360 --> 22:47.200
by the time I got back to my apartment I was shaking all over this time I had

22:47.200 --> 22:52.120
really killed somebody but why would anybody connect me with it I told

22:52.120 --> 22:55.800
myself why would anybody think it was anything but suicide she had the motive

22:55.800 --> 23:00.240
this day of all days everybody knew that she was in love with watch and even if

23:00.240 --> 23:07.160
her marriage to me came out the motive would still hold and then they the doorbell

23:07.160 --> 23:11.760
rang I jumped the foot at first I wasn't gonna answer it and then I thought I'd

23:11.760 --> 23:16.240
better whoever it was would establish that I was here at home and that I could

23:16.240 --> 23:24.240
brush them off before I had to leave hello mr. Lockwood busy why no no no

23:24.240 --> 23:34.240
come right in thanks right here have a seat cigar thanks pretty good cigar

23:34.240 --> 23:40.920
must be doing pretty well for yourself nowadays better let me light it myself

23:40.920 --> 23:48.800
you seem kind of nervous well you know how it is I mean today the oh mean your

23:48.800 --> 23:54.280
partner Walsh going to the hot seat I try not to think about it but well yeah

23:54.280 --> 23:59.840
you'll be sitting down there pretty soon now pretty soon they say it doesn't hurt

23:59.840 --> 24:06.760
I don't know you ever see one look do we have to talk about it makes you feel

24:06.760 --> 24:15.480
kind of bad I wouldn't wonder why did you do it lock one do what frame it I

24:15.480 --> 24:21.320
don't know what you're talking about sure you do you change the time stash the

24:21.320 --> 24:27.480
gun tore up the suicide note in fact as I was saying you framed him no Walsh

24:27.480 --> 24:30.840
killed him you you know he did he was convicted of killing him all the evidence

24:30.840 --> 24:35.560
was that he killed him oh sure Walsh killed him all right what Walsh killed

24:35.560 --> 24:41.920
him he told us he did just today but it was uh they look what is this Walsh

24:41.920 --> 24:47.000
killed him framed it to look like suicide then you came along and pinned it

24:47.000 --> 24:51.040
back on Walsh where it belonged in the first place he gave us a full confession

24:51.040 --> 24:56.920
just this afternoon then then you so I don't know whether we ought to thank you

24:56.920 --> 25:02.720
for making it easy for us so try to pin a wrap on you but the DA is willing to

25:02.720 --> 25:09.000
let it go so all right with me he wants a statement though oh sure sure anything

25:09.000 --> 25:16.480
anything you say by the way what about that dame what what dame the one in your

25:16.480 --> 25:23.640
office that was supposed to be sweet on walls we want her the worst way you why

25:23.640 --> 25:29.400
accessory to murder she was in it up to over years

25:29.760 --> 25:35.360
yeah so that was all that's how she had known and I'd taken my life on my hand

25:35.360 --> 25:39.680
for nothing she was up there dying right now I was murdering it while Gibbons sat

25:39.680 --> 25:44.400
there risking my life to do something that the law would have done for me maybe

25:44.400 --> 25:50.080
it still wasn't too late but Gibbons just sat there talking and talking and talking

25:50.080 --> 25:55.400
well you were you just go down there to the DA's office and give him that

25:55.400 --> 26:01.800
statement eh sure sure tomorrow the very first thing you know you sure are a heel

26:01.800 --> 26:06.520
knock one but you're a lucky heel

26:08.400 --> 26:13.000
it's ten blocks away I didn't dare take a cab I didn't dare even run for fear

26:13.000 --> 26:17.480
that somebody would see me and remember in case it was too late by the time I got

26:17.480 --> 26:21.920
there I was gasping for breath of swine so I'd run every second so I let myself

26:21.920 --> 26:25.440
in the smell of gas he can just like a brick wall I put my handkerchief over my

26:25.440 --> 26:31.360
face and rushed in I threw open the window shut off the gas she was sitting

26:31.360 --> 26:36.760
there just as I left her well I got her up on the table I dragged it over toward

26:36.760 --> 26:40.040
the window I got the gag out of her mouth and I began working her arms

26:40.040 --> 26:44.800
artificial respiration I knew that much I worked over by that window until it was

26:44.800 --> 26:49.080
wet was running down my face but I couldn't tell I couldn't tell yet the

26:49.080 --> 26:52.440
towels that I tied her feet with were still there but I I didn't bother with

26:52.440 --> 26:55.760
them or anything else I just kept working over up and down up and down as

26:55.760 --> 27:06.200
though yes as though my life depended on it it did I'm afraid you're too late

27:06.200 --> 27:11.840
Lachwin I'm afraid your wife is dead

27:18.600 --> 27:25.320
he was a smart cop that Givens he knew a lot he says now he's pretty sure it

27:25.320 --> 27:33.480
doesn't hurt the electric care I mean well tonight I'm gonna find out

27:33.480 --> 27:49.400
you

27:49.400 --> 27:57.920
suspense presented by Roma wines our OMA Roma America's favorite wine well this

27:57.920 --> 28:01.040
is Ken Niles bringing back to our microphone the distinguished star of

28:01.040 --> 28:05.240
tonight's suspense play Van Heflin Van you played the part of a publisher

28:05.240 --> 28:10.080
tonight how about publishing a few tips on Roma wines well with wine like Roma

28:10.080 --> 28:15.360
Ken all you need to do is publish the facts well fact number one is that Roma

28:15.360 --> 28:19.760
America's greatest vintner has asked me to present you with this basket of Roma

28:19.760 --> 28:23.520
wines for your wonderful performance tonight well that's a very good beginning

28:23.520 --> 28:29.120
Ken my my thanks to you and to Roma a fact number two Van is that your friends

28:29.120 --> 28:33.880
will enjoy the Roma California sherry in your gift basket for gold and amber

28:33.880 --> 28:38.960
fragrant Roma sherry with tempting nut-like taste is the perfect first call

28:38.960 --> 28:43.520
to dinner the ideal wine for entertaining anytime right Ken but tell

28:43.520 --> 28:47.600
the people why Roma sherry is so good give them the facts my boy the facts

28:47.600 --> 28:52.960
all right you are professor Heflin the fact number three Roma sherry like all

28:52.960 --> 28:58.920
Roma wines begins with California's choices greats then Roma vintners with

28:58.920 --> 29:04.000
America's finest wine making resources guide these select grapes unhurried lay

29:04.000 --> 29:08.880
it to tempting taste perfection and place them with Roma wines of years

29:08.880 --> 29:14.920
before later Roma selects from this vast taste treasure the world's greatest wine

29:14.920 --> 29:19.560
reserves for your pleasure Ken you're hired thank you and good night

29:19.560 --> 29:23.560
Van Heflin may currently be seen in Metro-Goldwyn-Mayer's Technicolor musical

29:23.560 --> 29:28.640
till the clouds roll by with Van Johnson Judy Garland and Frank Sinatra tonight's

29:28.640 --> 29:32.800
suspense play was written by Kenneth Pettis and Robert Richards next Thursday

29:32.800 --> 29:38.200
same time you will hear mr. Glenn Ford as star of suspense

29:38.200 --> 29:42.400
produced and directed by William Spear for the Roma Wine Company of Fresno

29:42.400 --> 29:59.240
California this is CBS the Columbia broadcasting system

