1 00:00:00,000 --> 00:00:10,000 Yes, Roma wines taste better because only Roma selects from the world's greatest wine reserves for your pleasure. 2 00:00:10,000 --> 00:00:16,000 And now, Roma wines, R-O-M-A. Roma wines present... 3 00:00:16,000 --> 00:00:18,000 Suspense! 4 00:00:22,000 --> 00:00:27,000 Tonight, Roma wines bring you Miss Joan Bennett in Overture in Two Keys. 5 00:00:27,000 --> 00:00:32,000 A Suspense play produced, edited and directed for Roma wines by William Spear. 6 00:00:36,000 --> 00:00:42,000 Suspense! Radio's outstanding theater of thrills is presented for your enjoyment by Roma Wines. 7 00:00:42,000 --> 00:00:51,000 That's R-O-M-A. Roma wines. Those better tasting California wines enjoyed by more Americans than any other wine. 8 00:00:51,000 --> 00:00:55,000 For friendly entertaining, for delightful dining. 9 00:00:55,000 --> 00:01:03,000 Yes, right now, a glass full would be very pleasant as Roma wines bring you Joan Bennett in a remarkable tale of... 10 00:01:03,000 --> 00:01:05,000 Suspense! 11 00:01:09,000 --> 00:01:11,000 Are you feeling any better now? 12 00:01:11,000 --> 00:01:13,000 You know what I've been wondering, lying here? 13 00:01:13,000 --> 00:01:15,000 What's that, Mrs. Allen? 14 00:01:15,000 --> 00:01:16,000 Are you really a nurse? 15 00:01:16,000 --> 00:01:17,000 Why, of course. 16 00:01:17,000 --> 00:01:21,000 That stuff you keep giving me to make me sleep, it doesn't. 17 00:01:21,000 --> 00:01:24,000 You'd be asleep in no time, Mrs. Allen, if you'd only make up your mind to it. 18 00:01:24,000 --> 00:01:26,000 It's all in your mind, you know. 19 00:01:26,000 --> 00:01:29,000 That's funny. You saying that to me. 20 00:01:29,000 --> 00:01:32,000 Now then, Mrs. Allen, you mustn't keep talking. 21 00:01:32,000 --> 00:01:35,000 That's how it was with him. All in his mind. 22 00:01:35,000 --> 00:01:39,000 That's why I couldn't help him. That's why nobody in the world could help him. 23 00:01:39,000 --> 00:01:44,000 I know that now. But I couldn't bring myself to admit it until last night. 24 00:01:44,000 --> 00:01:49,000 You know where I was last night? I was at the Hollywood Bowl. 25 00:01:49,000 --> 00:01:53,000 It should have been the proudest night of my life. 26 00:01:53,000 --> 00:01:58,000 I was waiting for my husband to enter the stage and take his place as the leader of a great orchestra. 27 00:01:58,000 --> 00:02:01,000 Yes, I should have felt proud, but all I could feel was fear. 28 00:02:01,000 --> 00:02:04,000 It wasn't a new fear. It was an old fear. 29 00:02:04,000 --> 00:02:06,000 As old as our lives together. 30 00:02:06,000 --> 00:02:08,000 It began nearly two years ago. 31 00:02:08,000 --> 00:02:13,000 Ira and I had driven to the Pasadena station to meet a new pupil of his in from the East. 32 00:02:13,000 --> 00:02:17,000 I didn't have any reason to believe that this new arrival would be any different from the dozens of others 33 00:02:17,000 --> 00:02:20,000 who come every year to live with us and study music with my husband. 34 00:02:25,000 --> 00:02:28,000 Ira, I don't see him anywhere. Don't you know what he looks like? 35 00:02:28,000 --> 00:02:30,000 What's that, my dear? 36 00:02:30,000 --> 00:02:33,000 Oh, never mind. There, that looks like it might be him over there. 37 00:02:33,000 --> 00:02:37,000 Excuse me. Are you looking for Professor Whitmer? 38 00:02:37,000 --> 00:02:40,000 Oh, Professor Whitmer. Yeah, I'm Mark Allen. 39 00:02:40,000 --> 00:02:44,000 You'll have to talk to my wife. I can't hear you just now. 40 00:02:44,000 --> 00:02:46,000 Glad to know you, Mrs. Whitmer. 41 00:02:46,000 --> 00:02:47,000 How do you do? 42 00:02:47,000 --> 00:02:51,000 You know those streamlined hearing devices you see advertised in the papers all the time, Mr. Allen? 43 00:02:51,000 --> 00:02:55,000 I have one, but like an idiot, I left it at home. 44 00:02:55,000 --> 00:02:59,000 Well, that's something Beethoven would have liked to have been able to say, Professor. 45 00:02:59,000 --> 00:03:04,000 Yes. But you know, Mr. Allen, I think he'd rather have put up with being plain deaf. 46 00:03:04,000 --> 00:03:06,000 Excuse me, sir, but what about your bag, sir? 47 00:03:06,000 --> 00:03:08,000 We have our car with us, Mr. Allen. 48 00:03:08,000 --> 00:03:10,000 Right. Just take my car. 49 00:03:10,000 --> 00:03:12,000 Would you look after Mr. Allen's bag, my dear? 50 00:03:12,000 --> 00:03:16,000 I just did. It's the one right here. Just put the bags in the bag. 51 00:03:16,000 --> 00:03:17,000 Yes, ma'am. Yes, ma'am. 52 00:03:17,000 --> 00:03:18,000 Here you are. 53 00:03:18,000 --> 00:03:19,000 Oh, thank you. 54 00:03:19,000 --> 00:03:22,000 I guess we can all ride in the front, can't we? 55 00:03:22,000 --> 00:03:24,000 After you, Mrs. Whitmer. 56 00:03:24,000 --> 00:03:27,000 See, Mr. Allen, my wife takes care of everything. 57 00:03:27,000 --> 00:03:31,000 That's what poor old Beethoven needed. Good, dependable wife. 58 00:03:31,000 --> 00:03:34,000 Is this your first visit to California, Mr. Allen? 59 00:03:34,000 --> 00:03:38,000 That's right. Never been further west than Chicago before in my life. 60 00:03:38,000 --> 00:03:41,000 Well, you'll find the climate a nice change anyway. 61 00:03:41,000 --> 00:03:45,000 What about you, Mrs. Whitmer? You a native of California? 62 00:03:45,000 --> 00:03:49,000 Not exactly, but the professor and I have lived here ever since we were married. 63 00:03:49,000 --> 00:03:52,000 It's a great tragedy, a great conductor losing his earring like that. 64 00:03:52,000 --> 00:03:56,000 It doesn't worry him so much, now that he has his own protégés. 65 00:03:56,000 --> 00:03:58,000 Must be hard on you, though, sometimes. 66 00:03:58,000 --> 00:04:00,000 Why should it be hard on me? 67 00:04:00,000 --> 00:04:04,000 Oh, I just thought it might be. That's all. 68 00:04:04,000 --> 00:04:07,000 By the way, what's your first name, Mrs. Whitmer? 69 00:04:07,000 --> 00:04:09,000 Why, uh, Frenzy. 70 00:04:09,000 --> 00:04:12,000 You mind if I call you that sometimes? 71 00:04:12,000 --> 00:04:15,000 Why, of course not. You can call me anything you like, Mr. Allen. 72 00:04:15,000 --> 00:04:17,000 Ira, there's the bell. 73 00:04:17,000 --> 00:04:19,000 Huh? What's that, my dear? 74 00:04:19,000 --> 00:04:21,000 There's a train coming. Oh, oh, yes. 75 00:04:21,000 --> 00:04:41,000 Thank you, my dear. 76 00:04:41,000 --> 00:04:43,000 I hope I didn't give you a scare, Mr. Allen. 77 00:04:43,000 --> 00:04:46,000 I really shouldn't be driving without that full device. 78 00:04:46,000 --> 00:04:48,000 My dear, would you like to drive? 79 00:04:48,000 --> 00:04:52,000 If you drive, we're almost home now anyway. 80 00:04:52,000 --> 00:04:54,000 Is this where we live? 81 00:04:54,000 --> 00:04:56,000 Uh-huh. This is Brooksville. 82 00:04:56,000 --> 00:04:58,000 Nice little town we live in. 83 00:04:58,000 --> 00:05:00,000 I certainly hope you'll enjoy it, Mr. Allen. 84 00:05:00,000 --> 00:05:03,000 I'm sure I will, Frenzy. 85 00:05:10,000 --> 00:05:11,000 That's all there was to it. 86 00:05:11,000 --> 00:05:15,000 And yet, if he'd asked me to go away with him to Timbuktu that night, I'd have gone. 87 00:05:15,000 --> 00:05:17,000 But he didn't. He didn't ask me anything. 88 00:05:17,000 --> 00:05:18,000 He just watched me. 89 00:05:18,000 --> 00:05:20,000 Not like the musical genius he was supposed to be. 90 00:05:20,000 --> 00:05:23,000 He was rough and hard and strong. 91 00:05:23,000 --> 00:05:25,000 A kid from the wrong side of the tracks. 92 00:05:25,000 --> 00:05:26,000 A kid like me. 93 00:05:26,000 --> 00:05:28,000 And I was watching him. 94 00:05:28,000 --> 00:05:30,000 I was watching him all the time until one morning, 95 00:05:30,000 --> 00:05:32,000 Ira had gone into L.A. for the day. 96 00:05:32,000 --> 00:05:36,000 I was in the kitchen washing up the breakfast dishes. 97 00:05:36,000 --> 00:05:39,000 And he was supposed to be up in his room composing. 98 00:05:39,000 --> 00:05:42,000 But he wasn't composing any more than I was washing dishes. 99 00:05:42,000 --> 00:05:44,000 He was waiting for me to go up to him. 100 00:05:44,000 --> 00:05:47,000 He didn't have to wait long. 101 00:05:52,000 --> 00:05:53,000 Oh, pardon me. 102 00:05:53,000 --> 00:05:57,000 Why, uh, come on in, Mrs. Allen. 103 00:05:57,000 --> 00:05:59,000 I was looking for my husband. 104 00:05:59,000 --> 00:06:02,000 He, uh, went to the concert at the Philharmonic. 105 00:06:02,000 --> 00:06:05,000 He did? Oh, I wanted him to do an errand for me. 106 00:06:05,000 --> 00:06:07,000 Well, that's too bad. 107 00:06:07,000 --> 00:06:10,000 Oh, well, it'll have to wait until next week now, I suppose. 108 00:06:10,000 --> 00:06:14,000 He, uh, might remember and call you. 109 00:06:14,000 --> 00:06:16,000 He might? 110 00:06:18,000 --> 00:06:20,000 That's nice. What's it called? 111 00:06:20,000 --> 00:06:22,000 It's an overture. 112 00:06:22,000 --> 00:06:24,000 Overture and two keys. 113 00:06:24,000 --> 00:06:25,000 Oh. 114 00:06:25,000 --> 00:06:27,000 You asked me that before. 115 00:06:27,000 --> 00:06:29,000 At breakfast. Remember? 116 00:06:29,000 --> 00:06:31,000 Oh, yes, so I did. 117 00:06:31,000 --> 00:06:33,000 I'd forgotten. 118 00:06:33,000 --> 00:06:35,000 But look at me. 119 00:06:35,000 --> 00:06:38,000 Why, the professor would kill me if he caught me wasting your time like this. 120 00:06:38,000 --> 00:06:41,000 Maybe that's one reason you waited until he was out of the way. 121 00:06:41,000 --> 00:06:43,000 Well. 122 00:06:43,000 --> 00:06:45,000 Want to hear the other reason? 123 00:06:45,000 --> 00:06:48,000 It's been on your mind ever since that first day at the station. 124 00:06:48,000 --> 00:06:50,000 Only you figured you'd wait. 125 00:06:50,000 --> 00:06:53,000 Let me make the first move. 126 00:06:53,000 --> 00:06:56,000 It's the way a dame always figures. 127 00:06:56,000 --> 00:06:58,000 Until she meets the right guy. 128 00:06:58,000 --> 00:07:00,000 Meaning you? 129 00:07:00,000 --> 00:07:02,000 I don't mean Santa Claus. 130 00:07:02,000 --> 00:07:04,000 What does that make me? 131 00:07:04,000 --> 00:07:06,000 Come here, darling. 132 00:07:06,000 --> 00:07:09,000 You like to play hard to get, don't you? 133 00:07:12,000 --> 00:07:14,000 Am I so hard to get? 134 00:07:14,000 --> 00:07:16,000 I've been going crazy. 135 00:07:16,000 --> 00:07:18,000 What do you think I've been doing? 136 00:07:18,000 --> 00:07:20,000 When does he get back? 137 00:07:20,000 --> 00:07:21,000 Late. 138 00:07:21,000 --> 00:07:22,000 How late? 139 00:07:22,000 --> 00:07:24,000 Never before six. 140 00:07:24,000 --> 00:07:26,000 Hello, darling. 141 00:07:26,000 --> 00:07:28,000 Six o'clock came too soon that night. 142 00:07:28,000 --> 00:07:30,000 It always came too soon. 143 00:07:30,000 --> 00:07:32,000 I think I dreaded that clock more than I dreaded Ira. 144 00:07:32,000 --> 00:07:34,000 We couldn't cheat on the clock. 145 00:07:34,000 --> 00:07:38,000 But with Ira, well, taking care of Ira wasn't a problem for any Einstein. 146 00:07:38,000 --> 00:07:40,000 But Mark was the one who had to do it. 147 00:07:40,000 --> 00:07:44,000 Mark had to fix it so that earphones or no earphones, Ira would be deaf. 148 00:07:44,000 --> 00:07:46,000 As deaf as an adid. 149 00:07:46,000 --> 00:07:49,000 Sometimes I couldn't understand why Mark got the idea. 150 00:07:49,000 --> 00:07:51,000 I was a little confused. 151 00:07:51,000 --> 00:07:53,000 I was a little confused. 152 00:07:53,000 --> 00:07:57,000 Sometimes I couldn't understand why Mark got so upset over that part of it. 153 00:07:57,000 --> 00:07:59,000 He used to tell me that I never would understand. 154 00:07:59,000 --> 00:08:01,000 I wasn't a musician and I wasn't deaf. 155 00:08:01,000 --> 00:08:05,000 Well, anyway, I had plenty of other things to feel bad about. 156 00:08:05,000 --> 00:08:06,000 We both did. 157 00:08:06,000 --> 00:08:11,000 We were like two shipwrecked sailors dying of thirst and all we got to drink was salt water. 158 00:08:11,000 --> 00:08:23,000 You can stand that kind of thirst just so long. 159 00:08:23,000 --> 00:08:25,000 Hello. 160 00:08:25,000 --> 00:08:26,000 Hello, yourself. 161 00:08:26,000 --> 00:08:28,000 Keep on playing. 162 00:08:28,000 --> 00:08:29,000 Oh. 163 00:08:29,000 --> 00:08:31,000 Isn't he gone yet? 164 00:08:31,000 --> 00:08:33,000 He just called off his L.A. appointment. 165 00:08:33,000 --> 00:08:34,000 What's up? 166 00:08:34,000 --> 00:08:36,000 Oh, he thinks he's in for the flu or something. 167 00:08:36,000 --> 00:08:38,000 Anyway, he's staying home all day. 168 00:08:38,000 --> 00:08:40,000 Lock the door, baby. 169 00:08:40,000 --> 00:08:41,000 Keep the germs out. 170 00:08:41,000 --> 00:08:42,000 Mark. 171 00:08:42,000 --> 00:08:43,000 Yeah? 172 00:08:43,000 --> 00:08:44,000 He was talking about you. 173 00:08:44,000 --> 00:08:46,000 He said you decided to cut the course. 174 00:08:46,000 --> 00:08:49,000 I've taken in all about all he can teach me. 175 00:08:49,000 --> 00:08:51,000 Besides, the dough's running short. 176 00:08:51,000 --> 00:08:52,000 You're lying. 177 00:08:52,000 --> 00:08:54,000 But I'm glad you're lying. 178 00:08:54,000 --> 00:08:56,000 Mark, take me with you. 179 00:08:56,000 --> 00:08:57,000 We can go away together. 180 00:08:57,000 --> 00:08:58,000 Where? 181 00:08:58,000 --> 00:08:59,000 New York, Chicago. 182 00:08:59,000 --> 00:09:00,000 It doesn't matter. 183 00:09:00,000 --> 00:09:01,000 He'd follow us. 184 00:09:01,000 --> 00:09:02,000 You know that? 185 00:09:02,000 --> 00:09:04,000 The kind of guy who'd track us down to the end of the earth. 186 00:09:04,000 --> 00:09:05,000 I wouldn't mind. 187 00:09:05,000 --> 00:09:06,000 I would. 188 00:09:06,000 --> 00:09:08,000 I'd mind plenty. 189 00:09:08,000 --> 00:09:10,000 You mean your career as the great conductor. 190 00:09:10,000 --> 00:09:12,000 That makes me a heel, doesn't it? 191 00:09:12,000 --> 00:09:13,000 That makes you like the rest of them. 192 00:09:13,000 --> 00:09:15,000 That's all Ira thinks about, his career. 193 00:09:15,000 --> 00:09:16,000 He cares about as much for me as... 194 00:09:16,000 --> 00:09:18,000 Okay, okay. 195 00:09:18,000 --> 00:09:20,000 So far as the law is concerned, 196 00:09:20,000 --> 00:09:22,000 she's Professor Whitmer's wife. 197 00:09:22,000 --> 00:09:24,000 And there isn't anything we can do about it. 198 00:09:24,000 --> 00:09:26,000 Isn't there, Mark? 199 00:09:26,000 --> 00:09:27,000 Nothing that makes sense. 200 00:09:27,000 --> 00:09:29,000 Mark. 201 00:09:29,000 --> 00:09:31,000 Does it make any sense to you? 202 00:09:31,000 --> 00:09:33,000 I've thought about it. 203 00:09:33,000 --> 00:09:36,000 You wanted to hear me say it, though, didn't you? 204 00:09:36,000 --> 00:09:38,000 Don't look at me like that. 205 00:09:38,000 --> 00:09:40,000 Then you'd be sure I was crazy about you. 206 00:09:40,000 --> 00:09:41,000 Mark. 207 00:09:41,000 --> 00:09:43,000 Come here. 208 00:09:43,000 --> 00:09:46,000 We only didn't feel this way every time. 209 00:09:46,000 --> 00:09:48,000 But we do, don't we? 210 00:09:48,000 --> 00:09:50,000 Every time. 211 00:09:50,000 --> 00:09:53,000 Hello, darling. 212 00:09:54,000 --> 00:09:55,000 Ira. 213 00:09:55,000 --> 00:09:58,000 I must apologize for lowering myself to the role of an eavesdropper. 214 00:09:58,000 --> 00:09:59,000 Ira, please. 215 00:09:59,000 --> 00:10:01,000 Then it's also regrettable that you, Mr. Allen, 216 00:10:01,000 --> 00:10:05,000 should presume that my affliction would affect my powers of observation. 217 00:10:05,000 --> 00:10:07,000 Or, for that matter, my tolerance. 218 00:10:07,000 --> 00:10:10,000 You'll kindly make arrangements to leave my house. 219 00:10:10,000 --> 00:10:13,000 I guess that's about the way it is, Professor. 220 00:10:13,000 --> 00:10:15,000 I've already taken the liberty, or... 221 00:10:15,000 --> 00:10:19,000 Or should I say the precaution of reserving a ticket to New York. 222 00:10:19,000 --> 00:10:22,000 We have 40 minutes to get to the Pasadena station. 223 00:10:22,000 --> 00:10:23,000 Ira, I must talk to you. 224 00:10:23,000 --> 00:10:25,000 Undoubtedly, my dear. 225 00:10:25,000 --> 00:10:27,000 Mr. Allen is going to catch his train. 226 00:10:27,000 --> 00:10:29,000 I must go get the car. 227 00:10:29,000 --> 00:10:32,000 You might help Mr. Allen with his packing. 228 00:10:32,000 --> 00:10:34,000 What time do you have? 229 00:10:34,000 --> 00:10:36,000 Five to eleven. 230 00:10:36,000 --> 00:10:37,000 Yeah. 231 00:10:37,000 --> 00:10:39,000 We can just make it. 232 00:10:39,000 --> 00:10:41,000 Mark, you're not really going. 233 00:10:41,000 --> 00:10:42,000 Mark! 234 00:10:42,000 --> 00:10:43,000 It's in my music case. 235 00:10:43,000 --> 00:10:45,000 No, it's right there on the piano. 236 00:10:45,000 --> 00:10:46,000 What about the rest of your junk? 237 00:10:46,000 --> 00:10:47,000 Are you leaving that behind to sue me? 238 00:10:47,000 --> 00:10:49,000 It's only until I can send you a forwarding address. 239 00:10:49,000 --> 00:10:51,000 At least you can tell me where you're going. 240 00:10:51,000 --> 00:10:53,000 You heard him. New York. 241 00:10:53,000 --> 00:10:54,000 Where's the car now? 242 00:10:54,000 --> 00:10:55,000 Mark! 243 00:10:55,000 --> 00:10:56,000 Yeah? 244 00:10:56,000 --> 00:10:59,000 Mark, let me know if you should change your mind. 245 00:10:59,000 --> 00:11:01,000 I won't have to let you know, Franzi. 246 00:11:01,000 --> 00:11:04,000 I haven't changed my mind. 247 00:11:13,000 --> 00:11:16,000 After he left, I remember looking at the alarm clock beside his bed. 248 00:11:16,000 --> 00:11:18,000 It said eleven o'clock. 249 00:11:18,000 --> 00:11:20,000 Then I thought about what I'd be doing tomorrow at eleven o'clock. 250 00:11:20,000 --> 00:11:23,000 And the day after that, and the next week, and the next year. 251 00:11:23,000 --> 00:11:27,000 Eleven o'clock for all the rest of my life would be the time he walked out of that door. 252 00:11:27,000 --> 00:11:29,000 I wanted to cry, but I couldn't. 253 00:11:29,000 --> 00:11:31,000 I just sat there listening to the clock. 254 00:11:31,000 --> 00:11:34,000 I must have sat there without moving for hours. 255 00:11:34,000 --> 00:11:38,000 Then I heard the bell. My first thought was Ira. 256 00:11:38,000 --> 00:11:42,000 Automatically, I got up and walked downstairs to answer it. 257 00:11:44,000 --> 00:11:46,000 Good day, ma'am. You Mrs. Whitmer? 258 00:11:46,000 --> 00:11:47,000 That's right. 259 00:11:47,000 --> 00:11:49,000 Lieutenant Scott, police headquarters. 260 00:11:49,000 --> 00:11:50,000 You know this gentleman here? 261 00:11:50,000 --> 00:11:51,000 Oh, yes. 262 00:11:51,000 --> 00:11:54,000 You must get ready for some bad news, Mrs. Whitmer. 263 00:11:54,000 --> 00:11:55,000 My husband? 264 00:11:55,000 --> 00:11:57,000 Yes, ma'am. There's been an accident. 265 00:11:57,000 --> 00:12:01,000 Lieutenant, I'm an old friend of the family. Maybe you'd better let me tell her. 266 00:12:01,000 --> 00:12:03,000 You'll have to give me some address then, Mr. Allen. 267 00:12:03,000 --> 00:12:06,000 Call me here. Pasadena 1213. 268 00:12:06,000 --> 00:12:09,000 That's only a matter of the next few days, you understand? 269 00:12:09,000 --> 00:12:11,000 I'll stay in town as long as you need me. 270 00:12:11,000 --> 00:12:15,000 Pasadena 1213. All right, Mr. Allen. Good day, Mrs. Whitmer. 271 00:12:15,000 --> 00:12:16,000 Goodbye. 272 00:12:16,000 --> 00:12:17,000 Goodbye, Lieutenant. 273 00:12:17,000 --> 00:12:20,000 Mark. Oh, Mark, I thought I was never going to see you again. 274 00:12:20,000 --> 00:12:25,000 Didn't you? I think I want to sit down a minute. 275 00:12:25,000 --> 00:12:27,000 Mark, tell me, what happened? Quickly. 276 00:12:27,000 --> 00:12:30,000 It was pretty terrible. 277 00:12:30,000 --> 00:12:33,000 I told him a couple of times to take it easy. 278 00:12:33,000 --> 00:12:37,000 He must have done 70 when we hit the main drag. 279 00:12:37,000 --> 00:12:40,000 Maybe that's why I didn't recognize where we were. 280 00:12:40,000 --> 00:12:44,000 Anyway, I wouldn't have known we were that close to the crossing until I heard the bell. 281 00:12:44,000 --> 00:12:47,000 He still had time. If he'd thrown on his brakes when I hollered at him, 282 00:12:47,000 --> 00:12:50,000 it would have been all the time in the world. 283 00:12:50,000 --> 00:12:52,000 Maybe he thought he couldn't make it or maybe he just didn't hear me. 284 00:12:52,000 --> 00:12:54,000 I don't know. I just don't know. 285 00:12:54,000 --> 00:12:59,000 It was too late to grab the wheel. It was too late to do anything. 286 00:12:59,000 --> 00:13:01,000 That was when I jumped. 287 00:13:01,000 --> 00:13:02,000 Mark. 288 00:13:02,000 --> 00:13:04,000 The next thing I knew, there were cops all over the place. 289 00:13:04,000 --> 00:13:06,000 There was a dock there, too. 290 00:13:06,000 --> 00:13:10,000 I'd been here hours ago if I hadn't had to convince them that I didn't need any ambulance. 291 00:13:10,000 --> 00:13:11,000 And Ira? 292 00:13:11,000 --> 00:13:13,000 And those cops, they ask more questions. 293 00:13:13,000 --> 00:13:14,000 Mark. 294 00:13:14,000 --> 00:13:15,000 Huh? 295 00:13:15,000 --> 00:13:18,000 I asked you about Ira. 296 00:13:18,000 --> 00:13:22,000 Ira didn't need any ambulance either, Franzi. 297 00:13:22,000 --> 00:13:24,000 He was dead. 298 00:13:38,000 --> 00:13:44,000 For Suspense, Roma Wines are bringing you Joan Bennet in Overture in Two Keys. 299 00:13:44,000 --> 00:13:52,000 Roma Wines presentation tonight in radio's outstanding theater of thrills, Suspense. 300 00:13:56,000 --> 00:14:01,000 Between the acts of Suspense, this is Ken Niles for Roma Wines. 301 00:14:01,000 --> 00:14:06,000 These cold blustery evenings, there's real pleasure in staying comfortably at home, 302 00:14:06,000 --> 00:14:10,000 listening to favorite radio programs, reading by the fireplace, 303 00:14:10,000 --> 00:14:14,000 and enjoying the mellow pleasure of a fine Roma wine. 304 00:14:14,000 --> 00:14:19,000 Yes, better tasting Roma California wines, Sherry, Port, or Muscatel, 305 00:14:19,000 --> 00:14:24,000 add warmth and friendliness to quiet evenings and informal entertaining. 306 00:14:24,000 --> 00:14:30,000 And because Roma wines taste better, more Americans enjoy Roma than any other wine. 307 00:14:30,000 --> 00:14:35,000 Roma wines taste better because Roma begins with choicest grapes. 308 00:14:35,000 --> 00:14:39,000 Then with patient skill and America's finest winemaking resources, 309 00:14:39,000 --> 00:14:44,000 Roma guides these choice grapes unhurriedly to tempting taste perfection. 310 00:14:44,000 --> 00:14:49,000 Later, along with Roma wines of years before, this rich grape treasure 311 00:14:49,000 --> 00:14:54,000 awaits selection from the world's greatest wine reserves for your pleasure. 312 00:14:54,000 --> 00:14:59,000 So share with your friends these better tasting Roma wines. 313 00:14:59,000 --> 00:15:01,000 Insist on Roma. 314 00:15:01,000 --> 00:15:04,000 R-O-M-A. Roma Wines. 315 00:15:04,000 --> 00:15:09,000 And now Roma wines bring back to our Hollywood soundstage Joan Bennett 316 00:15:09,000 --> 00:15:14,000 as Franzi Whitmer with Howard Duff as Mark Allen in Overture and Two Keys, 317 00:15:14,000 --> 00:15:19,000 a tale well calculated to keep you in suspense. 318 00:15:19,000 --> 00:15:31,000 They held the inquest at the house, 319 00:15:31,000 --> 00:15:34,000 took the coroner less than three minutes to return the verdict. 320 00:15:34,000 --> 00:15:41,000 Accidental death. 321 00:15:41,000 --> 00:15:44,000 I thought we should wait, but Mark said it wouldn't make any difference. 322 00:15:44,000 --> 00:15:46,000 If people were going to talk, they'd talk anyway. 323 00:15:46,000 --> 00:15:49,000 So a couple of weeks later we drove down to Yuma and got married. 324 00:15:49,000 --> 00:15:53,000 During the ceremony I felt a little like laughing, much more like crying. 325 00:15:53,000 --> 00:15:57,000 And let me tell you, if you ever get married in one of those Yuma wedding chapels, 326 00:15:57,000 --> 00:16:00,000 you both feel like crying too. They do business day and night. 327 00:16:00,000 --> 00:16:06,000 On the outside there are neon lights and on the inside everything is artificial lilies in an organ. 328 00:16:06,000 --> 00:16:09,000 And do you, Franzi Whitmer, take this man as your lawfully wedded husband 329 00:16:09,000 --> 00:16:10,000 to have him hold from this day forward? 330 00:16:10,000 --> 00:16:12,000 I do. 331 00:16:12,000 --> 00:16:17,000 And do you, Mark Allen, take this woman as your lawfully wedded wife? 332 00:16:17,000 --> 00:16:19,000 Mark. 333 00:16:19,000 --> 00:16:20,000 What? 334 00:16:20,000 --> 00:16:21,000 I do, I do. 335 00:16:21,000 --> 00:16:24,000 I repeat, do you, Mark Allen, take this woman 336 00:16:24,000 --> 00:16:35,000 as your lawfully wedded husband to have him hold from this day forward? 337 00:16:35,000 --> 00:16:38,000 Poor Mark. I kidded him afterwards about fluffing his lines 338 00:16:38,000 --> 00:16:40,000 and he acted very serious about the whole thing 339 00:16:40,000 --> 00:16:43,000 and tried to make out that he didn't hear that particular part. 340 00:16:43,000 --> 00:16:46,000 Well, I guess every man thinks that those words are written just to make him nervous 341 00:16:46,000 --> 00:16:49,000 and every woman thinks they are written just for her. 342 00:16:49,000 --> 00:16:51,000 At least I know I did. 343 00:16:51,000 --> 00:16:54,000 At first we were as happy as any two people could possibly be 344 00:16:54,000 --> 00:16:59,000 and then it wasn't that anything changed, but I began to worry about Mark. 345 00:16:59,000 --> 00:17:02,000 It was as though we were expecting something. 346 00:17:02,000 --> 00:17:04,000 Sometimes when he thought I wasn't watching him 347 00:17:04,000 --> 00:17:07,000 it almost seemed as though we were listening to something. 348 00:17:07,000 --> 00:17:09,000 A couple of nights ago we had the party. 349 00:17:09,000 --> 00:17:11,000 It was kind of a send-off for Mark's debut at the Bowl. 350 00:17:11,000 --> 00:17:15,000 And it was a very Tony affair, all the long head. 351 00:17:15,000 --> 00:17:19,000 You can just imagine my humiliation, Mr. Allen, 352 00:17:19,000 --> 00:17:22,000 right in the middle of Mimi's death scene too. 353 00:17:22,000 --> 00:17:27,000 And afterwards he had the nerve to tell me there was nothing wrong with his voice. 354 00:17:27,000 --> 00:17:31,000 It was stage fright. Oh, I could have slaughtered that tenor. 355 00:17:31,000 --> 00:17:34,000 If you'll excuse me, Madam Tetra, I think my wife wants me. 356 00:17:34,000 --> 00:17:36,000 Oh, dear darling. 357 00:17:36,000 --> 00:17:38,000 Frank, can't we get rid of these people? 358 00:17:38,000 --> 00:17:40,000 Eventually, I suppose. 359 00:17:40,000 --> 00:17:42,000 Here comes Donnelly. Maybe he'll know how to cut it short. 360 00:17:42,000 --> 00:17:44,000 Well, it looks like a good party. 361 00:17:44,000 --> 00:17:47,000 You see, Mrs. Allen, you get an important manager 362 00:17:47,000 --> 00:17:49,000 and all the important artists visit your home. 363 00:17:49,000 --> 00:17:51,000 Now can you get them all out of my home? 364 00:17:51,000 --> 00:17:54,000 Well, now you can't disappoint your public, Mark. 365 00:17:54,000 --> 00:17:57,000 What about playing something to sort of wind up the evening? 366 00:17:57,000 --> 00:18:00,000 How about the overtone? I know it won't sound on the piano, 367 00:18:00,000 --> 00:18:02,000 but after all it is a fa... 368 00:18:02,000 --> 00:18:04,000 Now where is he going? 369 00:18:04,000 --> 00:18:06,000 You asked him to wind up the evening, didn't you? 370 00:18:06,000 --> 00:18:09,000 But how can I make an announcement if he doesn't tell me what he's going to play? 371 00:18:09,000 --> 00:18:17,000 Shh! 372 00:18:17,000 --> 00:18:42,000 All right, I'll get it. 373 00:18:42,000 --> 00:18:44,000 Of course it wasn't anything important. 374 00:18:44,000 --> 00:18:46,000 Phone calls that come at a moment like that never are. 375 00:18:46,000 --> 00:18:49,000 It was just someone who wanted to wish Mark good luck tomorrow night. 376 00:18:49,000 --> 00:18:51,000 I said thanks and hung up. 377 00:18:51,000 --> 00:18:53,000 It wasn't until I was halfway back up the stairs 378 00:18:53,000 --> 00:18:57,000 that I knew something had gone wrong. 379 00:18:57,000 --> 00:18:59,000 Oh, my dear, you should have seen his face. 380 00:18:59,000 --> 00:19:01,000 It looked more like a stroke to me. 381 00:19:01,000 --> 00:19:02,000 What happened? 382 00:19:02,000 --> 00:19:04,000 There's nothing to be alarmed over, Mrs. Allen. 383 00:19:04,000 --> 00:19:05,000 Where's my husband? 384 00:19:05,000 --> 00:19:07,000 He's upstairs, resting. 385 00:19:07,000 --> 00:19:08,000 What's the matter with him? 386 00:19:08,000 --> 00:19:11,000 Nothing at all, my dear. Really nothing at all. 387 00:19:11,000 --> 00:19:14,000 He was a little overtired, so he went upstairs. 388 00:19:14,000 --> 00:19:18,000 If you ask me, Mrs. Allen, it's a plain case of stage fright. 389 00:19:18,000 --> 00:19:20,000 Well, I was telling him... 390 00:19:20,000 --> 00:19:21,000 I didn't wait for the rest. 391 00:19:21,000 --> 00:19:24,000 When I found him, he was just lying there staring into the darkness. 392 00:19:24,000 --> 00:19:29,000 I wanted to hold him in my arms and tell him that no matter what, he was my guy. 393 00:19:29,000 --> 00:19:30,000 But I didn't. 394 00:19:30,000 --> 00:19:40,000 I didn't say a word, neither did he. 395 00:19:40,000 --> 00:19:44,000 It seemed like a long while later when I woke up. 396 00:19:44,000 --> 00:19:45,000 I didn't want to wake up. 397 00:19:45,000 --> 00:19:49,000 I was tired, dead tired, so tired that waking up hurt me all over. 398 00:19:49,000 --> 00:19:53,000 Only this time, it hurt more than usual. 399 00:19:53,000 --> 00:19:55,000 Then suddenly, I was sitting upright in bed, 400 00:19:55,000 --> 00:19:57,000 with a chill running straight up my spine. 401 00:19:57,000 --> 00:19:58,000 The sound came from the music room. 402 00:19:58,000 --> 00:20:02,000 I fumbled for the light, but that didn't tell me anything I didn't know already. 403 00:20:02,000 --> 00:20:03,000 Mark's bed was empty. 404 00:20:03,000 --> 00:20:05,000 Somehow, I got out of bed and walked downstairs. 405 00:20:05,000 --> 00:20:09,000 I kept walking, until I was standing outside the music room door. 406 00:20:09,000 --> 00:20:12,000 Standing at the bar of judgment, I would have still said the same prayer, 407 00:20:12,000 --> 00:20:17,000 that the door would be locked, but it wasn't locked. 408 00:20:17,000 --> 00:20:20,000 The room was in darkness, except for the small lamp on the floor. 409 00:20:20,000 --> 00:20:24,000 In there, looking like something out of a horror picture, sat my husband. 410 00:20:24,000 --> 00:20:27,000 I couldn't see his face, only his hands flying up and down in the lamplight. 411 00:20:27,000 --> 00:20:29,000 His knuckles were wet with blood. 412 00:20:29,000 --> 00:20:35,000 Mark! Mark! Mark! 413 00:20:35,000 --> 00:20:37,000 Oh, darling. Darling, I had to do it. I had to do something. 414 00:20:37,000 --> 00:20:39,000 Talk to me. Keep on talking to me. 415 00:20:39,000 --> 00:20:40,000 What do you want me to say? 416 00:20:40,000 --> 00:20:42,000 Just keep talking. And hold my hand. 417 00:20:42,000 --> 00:20:45,000 Your hands, oh darling, look at your hands. 418 00:20:45,000 --> 00:20:47,000 Mark, tell me what's wrong. I don't understand. 419 00:20:47,000 --> 00:20:50,000 Everything was fine until I left the room to answer the phone. 420 00:20:50,000 --> 00:20:53,000 Was it a phone, Belle? I didn't hear any phone. 421 00:20:53,000 --> 00:20:54,000 Mark! 422 00:20:54,000 --> 00:20:58,000 I wouldn't have even known you'd come upstairs if it hadn't been for your perfume. 423 00:20:58,000 --> 00:21:02,000 Even then, I didn't believe it. Then I... I came down here. 424 00:21:02,000 --> 00:21:04,000 I played like this. 425 00:21:04,000 --> 00:21:06,000 I came here. 426 00:21:06,000 --> 00:21:08,000 And I played louder. 427 00:21:08,000 --> 00:21:10,000 I still couldn't hear. 428 00:21:10,000 --> 00:21:12,000 I couldn't hear! 429 00:21:12,000 --> 00:21:14,000 I couldn't hear! 430 00:21:14,000 --> 00:21:18,000 Darling, don't, don't. You're all right now. 431 00:21:18,000 --> 00:21:21,000 Mark, it's awfully late. 432 00:21:21,000 --> 00:21:22,000 What time is it? 433 00:21:22,000 --> 00:21:24,000 Four o'clock in the morning. 434 00:21:24,000 --> 00:21:27,000 That's funny. You do it too. 435 00:21:27,000 --> 00:21:29,000 What did I do? 436 00:21:29,000 --> 00:21:32,000 Listen to see if your watch is going. 437 00:21:32,000 --> 00:21:35,000 Must be a reflex action. Even he did it. 438 00:21:35,000 --> 00:21:37,000 Mark! 439 00:21:37,000 --> 00:21:42,000 It always reminded me of Nelson putting his telescope to his blind eye. 440 00:21:42,000 --> 00:21:46,000 I don't suppose you understand about that. 441 00:21:46,000 --> 00:21:50,000 Even if you'd loved him, you'd never have known what it meant for a musician... 442 00:21:50,000 --> 00:21:51,000 to be deaf. 443 00:21:51,000 --> 00:21:54,000 Mark, there's only one thing I know or care about. 444 00:21:54,000 --> 00:21:57,000 I don't care about anything else in this world. I just don't care. 445 00:21:57,000 --> 00:21:58,000 Fran? 446 00:21:58,000 --> 00:22:00,000 Yes? 447 00:22:00,000 --> 00:22:01,000 You know, don't you? 448 00:22:01,000 --> 00:22:03,000 Yes, Mark. 449 00:22:03,000 --> 00:22:06,000 You've always known, haven't you? 450 00:22:06,000 --> 00:22:08,000 Yes, I suppose I have. 451 00:22:08,000 --> 00:22:11,000 I'm sorry, Fran, for you. 452 00:22:11,000 --> 00:22:16,000 Oh, Mark, I told you I don't care. I don't care about anything but you. 453 00:22:16,000 --> 00:22:20,000 It has an awful sound. Murder. 454 00:22:20,000 --> 00:22:37,000 As I sat watching him walk across the great stage of the Hollywood Bowl, I wanted to pray. 455 00:22:37,000 --> 00:22:39,000 But I knew I hadn't even the right to do that. 456 00:22:39,000 --> 00:22:42,000 All I could do was think of what he must be thinking. 457 00:22:42,000 --> 00:22:44,000 How he must have timed it to the split second. 458 00:22:44,000 --> 00:22:48,000 How he must have snipped the wire on the earphone so Ira wouldn't notice it. 459 00:22:48,000 --> 00:22:52,000 How he must have felt when they were coming to the railroad crossing and he heard the warning bell and Ira couldn't. 460 00:22:52,000 --> 00:22:55,000 Ira couldn't hear anything. Mark had planned it that way. 461 00:22:55,000 --> 00:23:24,000 He had killed my husband because he couldn't hear a little bit. 462 00:23:24,000 --> 00:23:31,000 Play. 463 00:23:31,000 --> 00:23:58,000 Play. 464 00:23:58,000 --> 00:24:03,000 Why don't you play? 465 00:24:03,000 --> 00:24:05,000 Play. 466 00:24:05,000 --> 00:24:07,000 Play. 467 00:24:07,000 --> 00:24:17,000 Play. 468 00:24:17,000 --> 00:24:19,000 Let me through, please. Please, I have to get through. 469 00:24:19,000 --> 00:24:22,000 I'm sorry, lady. Mr. Allen isn't receiving any visitors. 470 00:24:22,000 --> 00:24:23,000 I'm his wife. 471 00:24:23,000 --> 00:24:27,000 Oh, of course. This way, Miss Allen. 472 00:24:27,000 --> 00:24:29,000 Oh, thank heaven. 473 00:24:29,000 --> 00:24:33,000 That's all right, Doctor. Mrs. Allen, the press are outside. 474 00:24:33,000 --> 00:24:34,000 You must talk to them. 475 00:24:34,000 --> 00:24:35,000 Mark. 476 00:24:35,000 --> 00:24:36,000 I heard the bell. 477 00:24:36,000 --> 00:24:39,000 Darling, it's all right. It's all right. I'm here with you. It's me, Franzie. 478 00:24:39,000 --> 00:24:44,000 Didn't you hear it? The candor ring as I entered the stage. 479 00:24:44,000 --> 00:24:54,000 It was the bell. 480 00:24:54,000 --> 00:24:58,000 It took us an hour to get him to make any sense and then suddenly he was all right. 481 00:24:58,000 --> 00:25:00,000 As all right as I have ever seen him in my life. 482 00:25:00,000 --> 00:25:05,000 The doctor was as pleased as an old midwife and insisted that it was the sedative that had done the trick. 483 00:25:05,000 --> 00:25:10,000 I wish he'd been right. But you see, by then I was beginning to see what was wrong with Mark. 484 00:25:10,000 --> 00:25:13,000 And I knew that all the doctors in the world wouldn't do him any good. 485 00:25:13,000 --> 00:25:16,000 But I still dared to hope that somehow I could. 486 00:25:16,000 --> 00:25:18,000 All right, come on, let's go. 487 00:25:18,000 --> 00:25:20,000 Don't you want me to drive home? 488 00:25:20,000 --> 00:25:21,000 I'm okay now. 489 00:25:21,000 --> 00:25:24,000 Oh, Mark. 490 00:25:24,000 --> 00:25:26,000 Oh, you mustn't cry, baby. I'm okay now. 491 00:25:26,000 --> 00:25:29,000 Well, that's why I can cry, you goof. 492 00:25:29,000 --> 00:25:30,000 Mark. 493 00:25:30,000 --> 00:25:31,000 Yeah. 494 00:25:31,000 --> 00:25:35,000 Let's go away from here, right away to Canada or someplace for a year, longer if you want. 495 00:25:35,000 --> 00:25:38,000 Even if you don't even look at a note of music, it doesn't matter. 496 00:25:38,000 --> 00:25:41,000 You'll be right away from everything and then it won't happen anymore. I know it. 497 00:25:41,000 --> 00:25:45,000 If you'll only get away, right away. Even from me, if that would help. 498 00:25:45,000 --> 00:25:47,000 Where should we go? Florida? New York? 499 00:25:47,000 --> 00:25:48,000 Oh, darling. 500 00:25:48,000 --> 00:25:51,000 You know, it's about time you saw something else but palm trees. 501 00:25:51,000 --> 00:25:54,000 Let's make it New England. Up around Vermont or something. 502 00:25:54,000 --> 00:25:56,000 We'll have to get you a sleeping bag or you'll die of cold. 503 00:25:56,000 --> 00:25:57,000 I love you. 504 00:25:57,000 --> 00:25:58,000 Me too. 505 00:25:58,000 --> 00:25:59,000 Why don't you let me drive? 506 00:25:59,000 --> 00:26:01,000 You can't with one hand. 507 00:26:01,000 --> 00:26:02,000 I can too. 508 00:26:02,000 --> 00:26:06,000 Mark, you know, I was wondering, can you get double sleeping bags in Vermont? 509 00:26:06,000 --> 00:26:08,000 Mark, Mark, you better slow down if you... 510 00:26:08,000 --> 00:26:10,000 Yeah, maybe Canada. 511 00:26:10,000 --> 00:26:12,000 Mark, we're coming to the crossing. There's a train. 512 00:26:12,000 --> 00:26:13,000 They say it's quiet up there. 513 00:26:13,000 --> 00:26:14,000 Mark! 514 00:26:14,000 --> 00:26:18,000 They say you can almost hear how quiet it is some places in the woods up there. 515 00:26:18,000 --> 00:26:19,000 Mark! 516 00:26:19,000 --> 00:26:21,000 Mark! 517 00:26:37,000 --> 00:26:39,000 That's how the music ended. 518 00:26:39,000 --> 00:26:42,000 They told me today that he was dead before they got us to the hospital. 519 00:26:42,000 --> 00:26:46,000 I'm going to live. Isn't that swell? 520 00:27:06,000 --> 00:27:07,000 Suspense. 521 00:27:07,000 --> 00:27:13,000 Presented by Roma Wines. R-O-M-A. Roma. America's favorite wines. 522 00:27:13,000 --> 00:27:18,000 This is Ken Niles returning to our stage with a lovely star of tonight's Suspense play. 523 00:27:18,000 --> 00:27:24,000 Glamorous favorite of movie-going millions but a newcomer to Suspense fans, Miss Joan Bennett. 524 00:27:24,000 --> 00:27:29,000 Welcome to the Suspense family, Joan, and congratulations. Your performance was wonderful. 525 00:27:29,000 --> 00:27:34,000 Thank you, Ken, but I'd like to share some of the compliments with Howard Duff who played the composer so wonderfully. 526 00:27:34,000 --> 00:27:41,000 And as a token of our appreciation, here's a gift basket of Roma Wines from Roma, America's greatest vintner. 527 00:27:41,000 --> 00:27:43,000 Thank you, Ken, and thanks to Roma. 528 00:27:43,000 --> 00:27:52,000 Among the fine Roma Wines in your gift basket, Joan, is Roma Muscatel, a wine to add warmth to your welcome when friends drop in. 529 00:27:52,000 --> 00:27:55,000 A delightful taste treat with desserts, too. 530 00:27:55,000 --> 00:28:00,000 Rich in the tempting fragrance and distinctive taste of the world-famous Muscat grape, 531 00:28:00,000 --> 00:28:09,000 better-tasting Roma Muscatel is a mellow, satisfying wine born in California, praised by Americans from coast to coast. 532 00:28:09,000 --> 00:28:11,000 Yes, Ken, Roma Muscatel certainly is delicious. 533 00:28:11,000 --> 00:28:17,000 And here's why, Joan. Roma Muscatel, like all Roma wines, begins with choicest grapes. 534 00:28:17,000 --> 00:28:27,000 Then Roma Vintner Skill and America's finest winemaking resources guide these luscious grapes unhurriedly to tempting taste perfection. 535 00:28:27,000 --> 00:28:36,000 Later, along with Roma wines of years before, this rich grape treasure awaits selection from the world's greatest wine reserves for your pleasure. 536 00:28:36,000 --> 00:28:40,000 No wonder more Americans enjoy Roma than any other wine. 537 00:28:40,000 --> 00:28:44,000 You've convinced me. And now may I remind our listeners of something? 538 00:28:44,000 --> 00:28:48,000 1946 saw the worst epidemic in 30 years of infantile paralysis. 539 00:28:48,000 --> 00:28:53,000 We must fight this brutal child crippler and guarantee medical care and treatment to all victims. 540 00:28:53,000 --> 00:28:58,000 Join the March of Dimes. Send your dimes and dollars to care of your local March of Dimes headquarters today. 541 00:28:58,000 --> 00:29:00,000 Thank you and good night. 542 00:29:00,000 --> 00:29:05,000 Joan Bennett appeared through the courtesy of Diana Productions, producers of The Secret Beyond the Door. 543 00:29:05,000 --> 00:29:10,000 Tonight's suspense play was written by Pamela Wilcox and Malvin Wald. 544 00:29:10,000 --> 00:29:17,000 Next Thursday, same time, you will hear Roddy McDowell as star of Suspense. 545 00:29:17,000 --> 00:29:36,000 Produced and directed by William Spear for the Roma Wine Company of Fresno, California. 546 00:29:36,000 --> 00:29:45,000 Stay tuned for the thrilling adventures of the FBI in Peace and War following immediately over most of these stations. 547 00:29:45,000 --> 00:29:49,000 This is CBS, the Columbia Broadcasting System.