WEBVTT 00:00.000 --> 00:07.960 Yes, Roma wines taste better because only Roma selects from the world's greatest wine 00:07.960 --> 00:11.280 reserves for your pleasure. 00:11.280 --> 00:20.440 And now Roma wines, R-O-M-A, Roma wines present Suspense. 00:20.440 --> 00:28.480 Tonight, Roma wines bring you Mark Stevens in Tree of Life, a suspense play produced, 00:28.480 --> 00:34.200 edited and directed for Roma Wines by William Spear. 00:34.200 --> 00:40.600 Suspense, radio's outstanding theater of thrills is presented for your enjoyment by 00:40.600 --> 00:42.360 Roma Wines. 00:42.360 --> 00:50.080 That's R-O-M-A, Roma wines, those better tasting California wines enjoyed by more Americans 00:50.080 --> 00:55.080 than any other wine, for friendly entertaining, for delightful dining. 00:55.080 --> 01:01.240 Yes, right now a glass full would be very pleasant as Roma wines bring you Mark Stevens 01:01.240 --> 01:09.160 in a remarkable tale of Suspense. 01:09.160 --> 01:10.160 Everything went wrong. 01:10.160 --> 01:13.840 From the very beginning, everything that possibly could went wrong. 01:13.840 --> 01:22.320 Because you see, I'd already planned, planned for quite a while to kill my wife. 01:22.320 --> 01:28.520 The first thing was the doors. 01:28.520 --> 01:32.600 That's funny too because that was the thing that impressed me the most about the new place, 01:32.600 --> 01:33.600 the doors. 01:33.600 --> 01:38.680 The house was a double bungalow, twin apartments really, white stucco with two doors in the 01:38.680 --> 01:39.680 front center. 01:39.680 --> 01:44.680 The doors were exactly alike, made of modern yellow wood studded with nails. 01:44.680 --> 01:48.200 The nails spread out in a Tree of Life pattern. 01:48.200 --> 01:49.920 Tree of Life. 01:49.920 --> 01:54.720 I can still see Helen standing with her slim elegance figure silhouetted against the door 01:54.720 --> 01:58.920 and her hair blending with its warm color and her blue eyes burning with that strange 01:58.920 --> 02:01.520 acquisitive fire I'd once mistaken for passion. 02:01.520 --> 02:04.240 Isn't it a beautiful door, Jimmy? 02:04.240 --> 02:06.160 I really think I'm clever to have found it, don't you? 02:06.160 --> 02:08.680 You know it's definitely the smartest place we've ever had. 02:08.680 --> 02:12.160 Well don't just stand there darling, come on, come on, you'll possibly love the inside. 02:12.160 --> 02:16.240 You see, see Jimmy, the entrance hall and the living room can be thrown into one. 02:16.240 --> 02:18.040 Jimmy, we can have some stunning parties. 02:18.040 --> 02:19.920 Bedroom from the back? 02:19.920 --> 02:21.480 Three rooms, small dressing room, two baths. 02:21.480 --> 02:24.400 Of course we'll have to buy some new furniture to go with the house. 02:24.400 --> 02:26.520 Most of our old pieces simply won't belong. 02:26.520 --> 02:28.480 Softly dark back here. 02:28.480 --> 02:30.760 Oh nonsense darling, it's just cloudy today. 02:30.760 --> 02:33.600 Besides you'll love it when you want to sleep late on Sunday. 02:33.600 --> 02:35.960 That's why I'm giving you the center room, I'm taking the front one with the dressing 02:35.960 --> 02:36.960 room. 02:36.960 --> 02:37.960 The corner room with the three windows? 02:37.960 --> 02:41.120 Oh well that'll be the guest room, Mom and the girls will be coming in every so often, 02:41.120 --> 02:42.120 you know. 02:42.120 --> 02:44.000 Then you'll want to bring home some of your business associates. 02:44.000 --> 02:45.000 I never have. 02:45.000 --> 02:47.760 Oh but don't you see, now you can. 02:47.760 --> 02:50.720 Jimmy Dawson, I'm not going to let you be an old stick in the mud anymore. 02:50.720 --> 02:52.720 We're going to have a wonderful winter darling. 02:52.720 --> 02:56.600 There's a young couple in the other part, their name is Roxborough, I think that's what 02:56.600 --> 02:57.600 the agent said. 02:57.600 --> 03:01.160 Anyway, I saw her from a distance, she seemed to be a perfectly stunning brunette, just 03:01.160 --> 03:02.160 our sort. 03:02.160 --> 03:04.600 I imagine the four of us will do lots of things together. 03:04.600 --> 03:08.200 Oh darling, admit it, the house is priceless, isn't it? 03:08.200 --> 03:14.520 Yeah, yeah of course Helen, but isn't there a small room somewhere where I might do some... 03:14.520 --> 03:15.520 Painting? 03:15.520 --> 03:16.520 Well, yes. 03:16.520 --> 03:21.800 We've discussed this before, it's not healthy for you to bring your work home with you. 03:21.800 --> 03:24.280 Besides it's much too lovely a house to mess up. 03:24.280 --> 03:29.040 Oh I don't mean advertising there Helen, I want to try some real work, well creative 03:29.040 --> 03:30.040 work. 03:30.040 --> 03:31.880 I've told you what I think about it, Jimmy. 03:31.880 --> 03:37.240 I want to make your home your castle darling, I want it to be a place for you to relax away 03:37.240 --> 03:39.280 from work. 03:39.280 --> 03:41.800 We must concentrate now on gracious living. 03:41.800 --> 03:46.200 Of course it's your home, if you feel you must. 03:46.200 --> 03:48.160 No, no Helen, skip it. 03:48.160 --> 03:53.200 Of course darling, from now on it's gracious living, remember? 03:53.200 --> 04:03.480 Sure, gracious living. 04:03.480 --> 04:08.440 I'd already begun to make some plans for Helen, for killing Helen that is, when we moved into 04:08.440 --> 04:10.760 the new house two weeks later. 04:10.760 --> 04:13.480 I rode the interurban to work that day and left the car with Helen. 04:13.480 --> 04:17.760 She said she needed it to move some of our smaller, more breakable treasures. 04:17.760 --> 04:21.680 I offered to stay and help her with the moving, but Helen said I'd be in the way. 04:21.680 --> 04:26.840 I ate dinner in town and rode the interurban back, walked the seven blocks to my new home. 04:26.840 --> 04:29.440 I hated it more with each step I took. 04:29.440 --> 04:34.500 When I got there the shades were down, the lights were out on both sides, which meant 04:34.500 --> 04:36.000 Helen was out again. 04:36.000 --> 04:40.440 I stood outside for a while not wanting to go in. 04:40.440 --> 04:43.640 Suddenly I started up the steps, but the doors made me pause. 04:43.640 --> 04:46.400 I suddenly realized I didn't know which was my door. 04:46.400 --> 04:47.960 I felt like a fool. 04:47.960 --> 04:52.520 Suppose I were to go barging in on the Roxboroughs, or whatever the name was. 04:52.520 --> 04:55.440 Certainly they'd think I was a fool. 04:55.440 --> 04:57.600 All I could do was choose one of the doors. 04:57.600 --> 05:04.120 I was just fumbling at the lock with my key, and when the door opened from the inside I 05:04.120 --> 05:10.120 couldn't see the man who opened it very well, but I could see the gun he held in his hand. 05:10.120 --> 05:13.720 It was the biggest gun I've ever seen in my life. 05:13.720 --> 05:14.720 Come in. 05:14.720 --> 05:15.720 Why I... 05:15.720 --> 05:16.720 Come in. 05:16.720 --> 05:22.920 After he closed the door, the man with the gun switched on the lights. 05:22.920 --> 05:23.920 Hey, what... 05:23.920 --> 05:26.120 Then I saw the other one. 05:26.120 --> 05:28.720 He was big with a lot of black hair and an angry face. 05:28.720 --> 05:30.160 He had a gun too. 05:30.160 --> 05:32.680 Kept fooling with it, spinning the cylinder. 05:32.680 --> 05:36.760 He was standing in front of the couch trying to hide something, something lying there covered 05:36.760 --> 05:37.760 with an overcoat. 05:37.760 --> 05:44.440 But I knew what it was, I saw the hand trailing down on the floor, a woman's hand. 05:44.440 --> 05:45.920 And just who are you? 05:45.920 --> 05:46.920 I'm... 05:46.920 --> 05:49.560 You heard him, who are you? 05:49.560 --> 05:50.560 Is that my wife? 05:50.560 --> 05:52.040 So you're Roxborough, huh? 05:52.040 --> 05:54.640 You're supposed to be halfway to Chicago by now. 05:54.640 --> 05:55.640 Roxborough? 05:55.640 --> 05:56.640 Well, well. 05:56.640 --> 05:58.240 Cute, ain't he? 05:58.240 --> 05:59.920 Curly hair and everything. 05:59.920 --> 06:00.920 Real cute. 06:00.920 --> 06:03.000 Look, I made a mistake, you see... 06:03.000 --> 06:04.000 What do you know about that? 06:04.000 --> 06:05.720 He thinks he made a mistake, Rico. 06:05.720 --> 06:07.880 What kind of mistake you think you made, Curly? 06:07.880 --> 06:09.960 What kind of a mistake? 06:09.960 --> 06:13.320 You fix this thing all up with our boss today to time the alibi, the works, and then you 06:13.320 --> 06:15.560 walk in right in the middle of it. 06:15.560 --> 06:18.600 Ho ho, you made a mistake, all right, Curly? 06:18.600 --> 06:21.000 The biggest mistake you ever made in your life. 06:21.000 --> 06:23.920 Maybe the last too, Enrico. 06:23.920 --> 06:25.640 Maybe the last. 06:25.640 --> 06:26.640 Who knows? 06:26.640 --> 06:34.160 For a minute they both just stood and looked at me. 06:34.160 --> 06:36.920 Oh, I'd made a mistake, all right. 06:36.920 --> 06:40.480 Here I'd gone and stumbled in on a job being done by a couple of hired killers. 06:40.480 --> 06:42.720 The job of killing his wife for Roxborough. 06:42.720 --> 06:43.720 My neighbor Roxborough. 06:43.720 --> 06:46.720 And they thought I was Roxborough. 06:46.720 --> 06:47.720 Even that wasn't the worst. 06:47.720 --> 06:52.120 As long as they thought I was Roxborough, though, I might be able to make a deal. 06:52.120 --> 06:57.120 But if they ever found out I wasn't Roxborough, the end of the line, I had to be Roxborough. 06:57.120 --> 06:58.120 Any last words, Curly? 06:58.120 --> 06:59.120 Oh, wait a minute. 06:59.120 --> 07:00.120 Honest, I... 07:00.120 --> 07:01.120 I made a mistake. 07:01.120 --> 07:02.120 You said that. 07:02.120 --> 07:05.920 We don't like those kind of mistakes in our business. 07:05.920 --> 07:08.100 You can see how that would be, can't you? 07:08.100 --> 07:11.280 But listen, if it wasn't a mistake, why else would I come home right when... 07:11.280 --> 07:12.520 Oh, you can say it. 07:12.520 --> 07:13.560 It don't matter now. 07:13.560 --> 07:16.120 Right when we're knocking off your wife, huh, Curly? 07:16.120 --> 07:18.000 I bet you I know. 07:18.000 --> 07:20.000 I bet she likes to play hero, Enrico. 07:20.000 --> 07:21.000 Hero? 07:21.000 --> 07:23.240 Sure, you come home, you find burglars. 07:23.240 --> 07:24.240 That's us. 07:24.240 --> 07:26.760 And we just knocked off your wife, so you knock us off. 07:26.760 --> 07:27.760 You're a hero. 07:27.760 --> 07:28.760 Get it? 07:28.760 --> 07:31.120 You ought to be in Hollywood, bud, where they pay for that stuff. 07:31.120 --> 07:34.120 Only, you better tell Curly that I ain't making it up. 07:34.120 --> 07:37.120 Because the poor guy tried that on us once, Curly. 07:37.120 --> 07:38.960 The poor guy. 07:38.960 --> 07:40.800 But I couldn't have meant anything like that. 07:40.800 --> 07:41.800 I don't even have a gun. 07:41.800 --> 07:43.280 I ain't even got a jackknife. 07:43.280 --> 07:45.480 Listen, we can make some kind of a deal. 07:45.480 --> 07:46.760 There's a rod in the desk. 07:46.760 --> 07:47.760 Maybe you figured I'm using that. 07:47.760 --> 07:48.760 Huh, Curly? 07:48.760 --> 07:51.080 Hey, wait a minute, Enrico, wait a minute. 07:51.080 --> 07:52.640 Curly here said something about a deal. 07:52.640 --> 07:53.640 I don't like deals. 07:53.640 --> 07:55.300 The boss don't like deals. 07:55.300 --> 07:56.300 I like the other way. 07:56.300 --> 07:57.300 It's cleaner all around. 07:57.300 --> 07:58.300 Turn around, Curly. 07:58.300 --> 07:59.300 No, wait a minute. 07:59.300 --> 08:00.300 Relax, relax. 08:00.300 --> 08:04.600 I just want to frisk you this time. 08:04.600 --> 08:08.520 He started going over my pockets and that was all right. 08:08.520 --> 08:10.920 Until he came to my wallet and took it. 08:10.920 --> 08:11.920 My wallet. 08:11.920 --> 08:16.280 Driver's license, social security card, every identification under the sun to prove I wasn't 08:16.280 --> 08:18.280 Roxborough but James Dawson. 08:18.280 --> 08:21.240 If he ever looked inside, it was finished. 08:21.240 --> 08:23.400 I had to do something to distract his attention. 08:23.400 --> 08:24.400 I had to do it right then. 08:24.400 --> 08:25.400 Hey, where you going? 08:25.400 --> 08:28.400 Oh, I, I just, just wanted to look. 08:28.400 --> 08:29.400 At her? 08:29.400 --> 08:30.400 Yeah. 08:30.400 --> 08:34.520 Baby Curly thinks we don't know our jobs, huh, Max? 08:34.520 --> 08:35.520 Go ahead. 08:35.520 --> 08:36.520 Take a look. 08:36.520 --> 08:37.520 Take a good look. 08:37.520 --> 08:41.240 Might be somebody you know. 08:41.240 --> 08:42.760 I walked over to the couch. 08:42.760 --> 08:45.000 I lifted the coat off her face. 08:45.000 --> 08:46.000 I looked. 08:46.000 --> 08:48.280 And I put the coat back again. 08:48.280 --> 08:50.160 I felt sick. 08:50.160 --> 08:53.200 I hadn't needed more than that one look to know she was dead. 08:53.200 --> 08:55.640 And I knew something else. 08:55.640 --> 08:59.360 I knew that my chances of getting out of this alive had just gone down about 90 percent. 08:59.360 --> 09:00.360 Well, satisfied? 09:00.360 --> 09:01.360 He looks kind of sick, Max. 09:01.360 --> 09:02.360 Maybe he's the sensitive type. 09:02.360 --> 09:03.360 You know, these sensitive guys are funny. 09:03.360 --> 09:04.360 They don't mind having it done. 09:04.360 --> 09:05.360 Oh, no, that don't worry them a bit. 09:05.360 --> 09:06.360 But the guy that does it because he needs a few bucks, he's just a big ape. 09:06.360 --> 09:07.360 A guy with no feelings. 09:07.360 --> 09:08.360 Ain't that right, Curly? 09:08.360 --> 09:09.360 I'm not complaining. 09:09.360 --> 09:10.360 He's not complaining? 09:10.360 --> 09:11.360 Well, that's something anyway, huh, Max? 09:11.360 --> 09:12.360 He's not complaining. 09:12.360 --> 09:13.360 Oh, that's good. 09:13.360 --> 09:14.360 But a minute ago, he was talking about a deal. 09:14.360 --> 09:15.360 I like to think about it. 09:15.360 --> 09:16.360 He's got a lot of money. 09:16.360 --> 09:17.360 He's got a lot of money. 09:17.360 --> 09:18.360 He's got a lot of money. 09:18.360 --> 09:19.360 He's got a lot of money. 09:19.360 --> 09:20.360 He's got a lot of money. 09:20.360 --> 09:29.840 He's got a lot of money. 09:29.840 --> 09:30.840 We got work to do. 09:30.840 --> 09:32.300 We can talk about deals later. 09:32.300 --> 09:33.940 And I still say no deal. 09:33.940 --> 09:36.640 Maybe we ought to ask Curly. 09:36.640 --> 09:39.740 You want us to finish the job up right, don't you, Curly? 09:39.740 --> 09:40.740 Oh, sure. 09:40.740 --> 09:41.740 Ask Curly. 09:41.740 --> 09:43.400 Finish the job? 09:43.400 --> 09:44.400 Sure. 09:44.400 --> 09:45.460 Collect the ice. 09:45.460 --> 09:46.460 He don't know what that means. 09:46.460 --> 09:47.460 Do you, Curly? 09:47.460 --> 09:50.600 The jewelry, the silverware, the stuff that makes it look like burglars. 09:50.600 --> 09:51.600 Remember? 09:51.600 --> 09:52.600 Oh. 09:52.600 --> 09:53.600 Oh, yeah. 09:53.600 --> 09:54.600 Where do you keep it? 09:54.600 --> 09:57.900 Why, uh, her bedroom, I guess. 09:57.900 --> 09:58.900 Your guess? 09:58.900 --> 10:03.260 Oh, these sensitive guys are great guesses, but you better have guessed right, Curly. 10:03.260 --> 10:04.260 Come on inside. 10:04.260 --> 10:07.380 All right, now where is it? 10:07.380 --> 10:11.300 I, uh, I think the dressing table. 10:11.300 --> 10:12.300 Take a look, Rico. 10:12.300 --> 10:13.300 Yeah. 10:13.300 --> 10:15.740 Well, well, looky here. 10:15.740 --> 10:17.180 He guessed it right on her nose. 10:17.180 --> 10:19.060 Oh, Curly, sharp, sharp he is. 10:19.060 --> 10:21.340 And there's some real pretty ice here, too. 10:21.340 --> 10:24.220 I bet this was her engagement ring, huh, Curly? 10:24.220 --> 10:25.220 You got the stuff? 10:25.220 --> 10:26.220 You don't have to talk about it. 10:26.220 --> 10:28.700 Oh, you got the wrong attitude, Curly. 10:28.700 --> 10:30.820 You knew this was part of the deal. 10:30.820 --> 10:32.540 We get part of our cut out of this stuff. 10:32.540 --> 10:34.740 Hey, I'll tell you what I did with that sapphire, Max. 10:34.740 --> 10:35.740 What sapphire? 10:35.740 --> 10:37.340 The Allison job, the place you got the garnets. 10:37.340 --> 10:38.340 Oh, yeah, yeah. 10:38.340 --> 10:40.020 I had it made into a pen for my kid. 10:40.020 --> 10:41.940 I gave it to her for graduation. 10:41.940 --> 10:43.260 She was crazy about it. 10:43.260 --> 10:44.260 Your kid? 10:44.260 --> 10:45.260 Sure. 10:45.260 --> 10:47.420 I didn't swell kids, boy and a girl. 10:47.420 --> 10:48.420 Smart, too. 10:48.420 --> 10:49.980 Maybe that's the trouble with these sensitive guys. 10:49.980 --> 10:50.980 How many go? 10:50.980 --> 10:51.980 No kids. 10:51.980 --> 10:52.980 I wanted four. 10:52.980 --> 10:53.980 But she didn't, huh? 10:53.980 --> 10:56.580 Well, that's the way it goes sometimes. 10:56.580 --> 11:00.140 I bet she'd have figured it a little different if she'd have known how it was going to turn 11:00.140 --> 11:03.300 out for her, huh, Curly? 11:03.300 --> 11:04.300 Yeah. 11:04.300 --> 11:05.580 Yeah, maybe she would. 11:05.580 --> 11:06.580 All right, now listen. 11:06.580 --> 11:07.580 We got work to do. 11:07.580 --> 11:08.580 The rest of the house. 11:08.580 --> 11:09.580 Now, about that deal. 11:09.580 --> 11:10.580 Never mind that deal. 11:10.580 --> 11:11.580 What are we going to do with him while we're working? 11:11.580 --> 11:13.580 I'd leave him in here. 11:13.580 --> 11:16.500 You wouldn't try to holler or anything like that, would you, Curly? 11:16.500 --> 11:17.500 Oh, no. 11:17.500 --> 11:18.500 No, I won't. 11:18.500 --> 11:19.500 There you see? 11:19.500 --> 11:20.500 I told you. 11:20.500 --> 11:21.500 He's sharp, sharp. 11:21.500 --> 11:22.500 He's going to think over the deal while we're gone. 11:22.500 --> 11:23.500 I tell you, I don't like him. 11:23.500 --> 11:24.500 How do you know? 11:24.500 --> 11:25.500 You haven't heard it. 11:25.500 --> 11:26.500 Oh. 11:26.500 --> 11:27.500 Now, listen, Curly. 11:27.500 --> 11:29.540 There's two ways. 11:29.540 --> 11:31.220 The first is Rico's way. 11:31.220 --> 11:32.220 Quick and clean. 11:32.220 --> 11:33.220 You know what I mean? 11:33.220 --> 11:34.220 Yeah, I know. 11:34.220 --> 11:35.620 The other way, you pay us five grand. 11:35.620 --> 11:38.260 But I haven't got $5,000. 11:38.260 --> 11:41.460 With a setup like this, with the business you got, you can raise it and you're better 11:41.460 --> 11:42.460 too. 11:42.460 --> 11:43.980 I like my way better. 11:43.980 --> 11:44.980 You see what I mean, Curly? 11:44.980 --> 11:45.980 Think it over. 11:45.980 --> 11:46.980 Come on, Rico. 11:46.980 --> 11:49.980 Well, maybe I'd better stay here and watch him. 11:49.980 --> 11:51.980 If you watch him, who's going to watch me? 11:51.980 --> 11:54.220 I see what you mean. 11:54.220 --> 11:56.700 And don't try nothing funny, Curly. 11:56.700 --> 12:04.540 Because I still like my way better. 12:04.540 --> 12:05.980 I like my way better. 12:05.980 --> 12:09.860 He knew he wasn't kidding, so did I. 12:09.860 --> 12:11.340 It already killed once tonight. 12:11.340 --> 12:16.420 There was already one dead body in that house that could be just as easy be another. 12:16.420 --> 12:30.060 There could be me. 12:30.060 --> 12:34.740 For Suspense, Roma Wines are bringing you Mark Stevens in Tree of Life. 12:34.740 --> 12:48.500 Roma Wines presentation tonight in radio's outstanding theater of thrills, Suspense. 12:48.500 --> 12:53.020 Between the acts of Suspense, this is Ken Niles for Roma Wines. 12:53.020 --> 12:57.140 Here's an easy way to return the compliment of the friendly hospitality you've enjoyed 12:57.140 --> 12:58.820 over the holidays. 12:58.820 --> 13:04.460 Simply invite your holiday hosts to an open house and delight them with Roma California 13:04.460 --> 13:05.460 wines. 13:05.460 --> 13:11.980 Yes, you're sure to please every guest with better tasting Roma Sherry, Port or Muscatel 13:11.980 --> 13:17.020 because more Americans enjoy Roma than any other wine. 13:17.020 --> 13:18.460 The reason? 13:18.460 --> 13:24.220 Roma wines taste better because Roma starts with choicest grapes because Roma Wintner 13:24.220 --> 13:31.220 skill and America's finest winemaking resources guide this grape treasure unhurriedly to tempting 13:31.220 --> 13:33.260 taste perfection. 13:33.260 --> 13:38.380 Because Roma selects at peak taste richness from the world's greatest wine reserves for 13:38.380 --> 13:40.020 your pleasure. 13:40.020 --> 13:44.300 No wonder Roma wines are America's favorites. 13:44.300 --> 13:52.940 So for smart, gracious hospitality at your thank you party, be sure to serve Roma, R-O-M-A, 13:52.940 --> 13:56.700 Roma Wines by America's greatest Wintner. 13:56.700 --> 14:02.380 And now Roma Wines bring back to our Hollywood soundstage, Mark Stevens in Tree of Life, 14:02.380 --> 14:09.980 a tale well calculated to keep you in suspense. 14:09.980 --> 14:20.860 So there I sat waiting, locked in the bedroom by a couple of hired killers while I ransacked 14:20.860 --> 14:22.340 the house for loot. 14:22.340 --> 14:26.380 All because I just moved into a two family house with two front doors that had that Tree 14:26.380 --> 14:30.320 of Life design on each one exactly alike. 14:30.320 --> 14:34.020 All because these gunmen thought I was my neighbor Roxborough who had hired them to 14:34.020 --> 14:35.020 kill his wife. 14:35.020 --> 14:37.460 Well, they'd done their best all right. 14:37.460 --> 14:40.700 There was the dead body on the couch in the front room right now. 14:40.700 --> 14:43.260 That was why I had to make a deal somehow. 14:43.260 --> 14:44.980 A dead body. 14:44.980 --> 14:49.380 And more than that, if I did manage to put it over, I had to have money to get away. 14:49.380 --> 14:52.980 Because I knew I had to go away, far away for a long time. 14:52.980 --> 14:54.300 They had my wallet. 14:54.300 --> 14:57.940 There was just the off chance there might be some in the room here somewhere. 14:57.940 --> 14:58.940 She must have had money. 14:58.940 --> 15:01.700 I started going over the room with a fine tooth comb. 15:01.700 --> 15:06.140 The closet, inside of shoes, hat boxes, under the mattress, any place in every place that 15:06.140 --> 15:07.620 a woman might be liable to hide money. 15:07.620 --> 15:11.780 In the bottom bureau drawer I found a leather pocketbook. 15:11.780 --> 15:16.820 It had two affectionate notes from some guy named Steve and that was all. 15:16.820 --> 15:18.380 I gave up. 15:18.380 --> 15:21.780 I went back to sit down in front of the dressing table again. 15:21.780 --> 15:24.140 I knocked something on the floor. 15:24.140 --> 15:29.180 There was a powder box, one of those musical things that keeps playing some gimmick tune 15:29.180 --> 15:30.900 over and over until they run down. 15:30.900 --> 15:33.860 There was powder and little heaps spilled on the floor. 15:33.860 --> 15:36.180 There was something else. 15:36.180 --> 15:38.180 Buried in all that powder is what I'd been looking for. 15:38.180 --> 15:39.660 A roll of bills. 15:39.660 --> 15:40.660 Nearly $400. 15:40.660 --> 15:45.860 I just had about time to put the stuff in my pocket when I heard the two gunmen galloping 15:45.860 --> 15:46.860 down the hall. 15:46.860 --> 15:47.860 What do you think you're doing in there? 15:47.860 --> 15:48.860 Hold it Rico. 15:48.860 --> 15:49.860 All right, what's the idea? 15:49.860 --> 15:50.860 I, I, I'm not sure. 15:50.860 --> 15:51.860 I'm not sure. 15:51.860 --> 15:54.300 All right, what's the idea? 15:54.300 --> 15:56.020 I, I, I'm just a little nervous I guess. 15:56.020 --> 15:58.220 I knocked that thing on the floor, see. 15:58.220 --> 16:00.140 Well put it back together again. 16:00.140 --> 16:01.140 Sure, sure. 16:01.140 --> 16:02.620 What do you know? 16:02.620 --> 16:03.620 He's nervous. 16:03.620 --> 16:05.180 What are you nervous about, Curly? 16:05.180 --> 16:06.820 My wife's got one of them things too. 16:06.820 --> 16:08.420 Made me get it for our last Christmas. 16:08.420 --> 16:09.900 Did it make you nervous like Curly? 16:09.900 --> 16:11.900 Curly ain't nervous about that. 16:11.900 --> 16:15.900 You got a way to get that five grand, Curly? 16:15.900 --> 16:18.460 I can't get, can't get the cash right away. 16:18.460 --> 16:21.780 Well, uh, maybe we could take a note, huh Rico? 16:21.780 --> 16:22.780 Huh? 16:22.780 --> 16:23.780 Oh, oh yeah, a note. 16:23.780 --> 16:24.780 Sure, maybe we could. 16:24.780 --> 16:36.100 Come on Curly, you're gonna come out here and write us a nice little note, all right? 16:36.100 --> 16:39.140 Now sit down there at the desk. 16:39.140 --> 16:40.140 Make yourself real comfortable. 16:40.140 --> 16:42.540 Maybe you better tell him how that note should go. 16:42.540 --> 16:45.620 Oh yeah, yeah, yeah, maybe I should. 16:45.620 --> 16:51.020 Now Curly, all you gotta do is write us a nice little note telling, uh, telling how 16:51.020 --> 16:52.540 you killed your wife. 16:52.540 --> 16:53.540 How I? 16:53.540 --> 16:54.540 Killed my wife? 16:54.540 --> 16:57.340 He don't think he did kill his wife. 16:57.340 --> 16:59.380 I mean, thanks Wade then. 16:59.380 --> 17:02.900 But if I did that, you could blackmail me. 17:02.900 --> 17:03.900 You could keep blackmailing me. 17:03.900 --> 17:06.940 Hey, you see, I told you it was sharp. 17:06.940 --> 17:11.660 You know, this thing has gotta be said right so one can believe it, right Curly? 17:11.660 --> 17:13.860 Yeah, yeah, that's right. 17:13.860 --> 17:14.860 That's right. 17:14.860 --> 17:19.620 Now, you're gonna sit right down there and write how you and your wife was always getting 17:19.620 --> 17:21.180 in your hair, you know? 17:21.180 --> 17:25.900 You was always having fights and finally, uh, well you had a real big one tonight and 17:25.900 --> 17:28.060 you hit her over the head with a bottle. 17:28.060 --> 17:29.780 Only you hit her a little too hard, see? 17:29.780 --> 17:30.860 Is that how she... 17:30.860 --> 17:34.060 You don't think we use these things unless we have to, do you? 17:34.060 --> 17:35.060 Too noisy. 17:35.060 --> 17:38.060 We don't want to cause you no trouble, understand Curly? 17:38.060 --> 17:41.380 We just want to be sure you do raise that five grand, see? 17:41.380 --> 17:47.900 Yeah, I see, but, well, if it came to a showdown, how would you explain the note? 17:47.900 --> 17:49.500 Very sharp, very sharp. 17:49.500 --> 17:51.180 See what I mean, Rico? 17:51.180 --> 17:56.340 Curly wants to know, if we turn him in, how do we tell the cops we got the note? 17:56.340 --> 17:57.340 Easy. 17:57.340 --> 18:00.580 We make a deal with a guy who's gotta take a ramp for burglary anyway, says he burgled 18:00.580 --> 18:04.220 this place too and found the note we bought it from. 18:04.220 --> 18:05.220 Get it? 18:05.220 --> 18:06.220 I get it. 18:06.220 --> 18:07.220 Then start writing. 18:07.220 --> 18:11.420 For a minute, I sat there thinking. 18:11.420 --> 18:13.700 I wasn't too worried about the handwriting. 18:13.700 --> 18:17.340 The chances that Roxborough had been fool enough to write anything in his own hand that these 18:17.340 --> 18:19.340 mugs had ever seen was pretty slim. 18:19.340 --> 18:24.620 And it couldn't do me any harm writing a confession in another man's name. 18:24.620 --> 18:27.020 So I began to write. 18:27.020 --> 18:30.580 And I stopped thinking about Roxborough and his wife. 18:30.580 --> 18:34.260 Began thinking about Helen in five wasted years. 18:34.260 --> 18:39.220 The opportunities missed, the friends lost, the time gone down the drain. 18:39.220 --> 18:42.740 All because of Helen and what she thought was gracious living. 18:42.740 --> 18:44.460 Gracious living. 18:44.460 --> 18:49.020 When I got through it, it was a pretty good note. 18:49.020 --> 18:50.020 I see it. 18:50.020 --> 18:51.020 Yeah, huh? 18:51.020 --> 18:52.020 Okay. 18:52.020 --> 18:56.980 It almost sounds like you met it, Curly. 18:56.980 --> 18:57.980 I did. 18:57.980 --> 18:58.980 Okay. 18:58.980 --> 18:59.980 Sign it. 18:59.980 --> 19:00.980 Huh? 19:00.980 --> 19:02.980 I said sign it. 19:02.980 --> 19:06.580 Sign it? 19:06.580 --> 19:08.500 I couldn't sign it. 19:08.500 --> 19:10.300 I didn't know Roxborough's first name. 19:10.300 --> 19:11.900 They'd know that. 19:11.900 --> 19:15.140 But one thing they'd be sure to know, I could have cried. 19:15.140 --> 19:19.860 To get this far, freedom almost incited, and then to have it end this way, I just sat there 19:19.860 --> 19:20.860 holding the pen. 19:20.860 --> 19:21.860 What's the matter? 19:21.860 --> 19:22.860 Cold feet? 19:22.860 --> 19:23.860 I... 19:23.860 --> 19:24.860 Yeah, yeah, maybe. 19:24.860 --> 19:25.860 Come on, sign it. 19:25.860 --> 19:26.860 Well, I... 19:26.860 --> 19:32.140 And not K. Roxborough like that little printed note you sent the boss. 19:32.140 --> 19:33.900 The full name. 19:33.900 --> 19:37.300 Not K. Roxborough, the full name. 19:37.300 --> 19:39.340 What's the K for, Curly? 19:39.340 --> 19:40.340 Kenneth? 19:40.340 --> 19:41.340 No. 19:41.340 --> 19:42.340 No, it's Kendall. 19:42.340 --> 19:45.580 Is that all? 19:45.580 --> 19:49.020 No, that's not all. 19:49.020 --> 19:51.940 Oh, no, the $5,000. 19:51.940 --> 19:53.100 That's the idea. 19:53.100 --> 19:55.340 That's my sharp boy, the five grand. 19:55.340 --> 19:59.060 Well, I don't know where I can lay my hands on that much cash tonight. 19:59.060 --> 20:02.540 Well, cash was sort of what we had in mind, Curly. 20:02.540 --> 20:03.540 I could write you checks. 20:03.540 --> 20:04.540 No checks. 20:04.540 --> 20:05.540 Hey, wait a minute. 20:05.540 --> 20:06.540 Wait a minute. 20:06.540 --> 20:07.540 I think he's got something there. 20:07.540 --> 20:10.260 Yeah, he could date it ahead. 20:10.260 --> 20:13.260 He could say he gave it to his wife for a mink coat or something, and it was stolen 20:13.260 --> 20:15.540 by them nasty burglars. 20:15.540 --> 20:19.380 You could think up something, couldn't you, Curly? 20:19.380 --> 20:20.380 You better. 20:20.380 --> 20:22.300 Why can't we get the cash from him tomorrow? 20:22.300 --> 20:24.660 Because Curly's got to be in Chicago tonight for sure. 20:24.660 --> 20:29.500 If the cops nab him for this job, what good is that little note he just wrote us, huh? 20:29.500 --> 20:30.980 Oh, yeah. 20:30.980 --> 20:33.900 Okay, Curly, write a check. 20:33.900 --> 20:34.900 Sure. 20:34.900 --> 20:35.900 Sure. 20:35.900 --> 20:36.900 To cash. 20:36.900 --> 20:37.900 Yeah. 20:37.900 --> 20:38.900 Five grand. 20:38.900 --> 20:41.900 Five... five thousand. 20:41.900 --> 20:44.900 Kendall, Roxborough. 20:44.900 --> 20:45.900 Okay. 20:45.900 --> 20:49.500 Now we're going to do you a favor, Curly. 20:49.500 --> 20:51.580 We're going to take you down and put you on that next train to Chicago. 20:51.580 --> 20:53.940 How do we know we won't take a powder and never come back? 20:53.940 --> 20:55.660 And leave this nice business of his? 20:55.660 --> 20:58.140 Oh, Curly wouldn't do that, would you, Curly? 20:58.140 --> 20:59.140 No. 20:59.140 --> 21:00.140 Of course not. 21:00.140 --> 21:01.140 Okay, then let's go. 21:01.140 --> 21:04.460 I don't like sticking around here with that. 21:04.460 --> 21:05.760 She can't hurt you. 21:05.760 --> 21:07.900 She can't hurt nobody. 21:07.900 --> 21:17.500 Even Curly, if he's smart. 21:17.500 --> 21:20.700 They went around wiping off fingerprints, even mine. 21:20.700 --> 21:22.780 They were very good about that. 21:22.780 --> 21:27.860 They snapped off the lights, opened the door, snapped that behind them, too. 21:27.860 --> 21:34.060 Harvey, are you sure this is the Dalton's new place? 21:34.060 --> 21:36.260 Why, no, he said you were. 21:36.260 --> 21:39.900 I heard their voices first, then I saw them. 21:39.900 --> 21:40.900 Lillian and Harvey Reynolds. 21:40.900 --> 21:44.500 I tried to step back, out of the street light, but the two gunmen pushed me forward. 21:44.500 --> 21:46.500 I just kept my head down and prayed. 21:46.500 --> 21:49.500 Oh, I didn't see you. 21:49.500 --> 21:50.500 Excuse me. 21:50.500 --> 21:51.500 What's the matter, Lil? 21:51.500 --> 21:52.500 I bumped into someone. 21:52.500 --> 21:53.500 Come on, let's go home. 21:53.500 --> 21:54.500 I want to know who I bumped into. 21:54.500 --> 21:55.500 You know, it's awfully dark, but he looks like Jimmy. 21:55.500 --> 21:56.500 Hey, are you Jimmy? 21:56.500 --> 21:57.500 No. 21:57.500 --> 21:58.500 You see, Lil, come on, let's go home. 21:58.500 --> 21:59.500 I think he's Jimmy. 21:59.500 --> 22:00.500 Who are you? 22:00.500 --> 22:01.500 I'm Jimmy. 22:01.500 --> 22:02.500 Jimmy? 22:02.500 --> 22:03.500 Jimmy? 22:03.500 --> 22:04.500 Jimmy? 22:04.500 --> 22:05.500 Jimmy? 22:05.500 --> 22:06.500 Who are your friends, Jimmy? 22:06.500 --> 22:07.500 They're not Jimmy. 22:07.500 --> 22:08.500 They're not my friends. 22:08.500 --> 22:09.500 Must be relatives. 22:09.500 --> 22:10.500 Don't you think so, Harvey? 22:10.500 --> 22:11.500 Must be relatives. 22:11.500 --> 22:12.500 Oh, come on, Lil, let's go home. 22:12.500 --> 22:13.500 Sounds like Jimmy. 22:13.500 --> 22:14.500 If you're not Jimmy, where is Jimmy? 22:14.500 --> 22:15.500 I don't know. 22:15.500 --> 22:16.500 Oh. 22:16.500 --> 22:17.500 Well, I'm going to find Jimmy. 22:17.500 --> 22:18.500 I beg your pardon, madam. 22:18.500 --> 22:19.500 I think I know where he is. 22:19.500 --> 22:20.500 What? 22:20.500 --> 22:21.500 Where is he? 22:21.500 --> 22:22.500 Where's Jimmy? 22:22.500 --> 22:23.500 You're just a little mixed up. 22:23.500 --> 22:24.500 Now, if you go five blocks up the street, then four blocks over, you'll find Jimmy. 22:24.500 --> 22:25.500 I'm going to find Jimmy. 22:25.500 --> 22:26.500 I'm going to find Jimmy. 22:26.500 --> 22:27.500 I'm going to find Jimmy. 22:27.500 --> 22:28.500 I'm going to find Jimmy. 22:28.500 --> 22:29.500 I'm going to find Jimmy. 22:29.500 --> 22:36.500 I'm going to find Jimmy. 22:36.500 --> 22:37.500 I'm going to find Jimmy. 22:37.500 --> 22:38.500 Where's Jimmy? 22:38.500 --> 22:39.500 You're just a little mixed up. 22:39.500 --> 22:40.500 Now, if you go five blocks up the street, then four blocks over, it's the big yellow 22:40.500 --> 22:41.500 house on the corner. 22:41.500 --> 22:42.500 Come on, Harvey. 22:42.500 --> 22:43.500 I told you we'd find Helen and Jim. 22:43.500 --> 22:44.500 Don't run it, Lil. 22:44.500 --> 22:45.500 I want to go home. 22:45.500 --> 22:46.500 I sure feel sorry for Jimmy if she finds him. 22:46.500 --> 22:55.500 So do I. 22:55.500 --> 22:56.500 We drove down the station. 22:56.500 --> 23:00.740 Found the next train for Chicago in about 45 minutes. 23:00.740 --> 23:02.500 One of them went in with me while I got my ticket. 23:02.500 --> 23:08.500 And we just stood out there in the darkness on the platform and waited. 23:08.500 --> 23:14.300 When the train finally pulled in, they walked me down to my car and stood there with me 23:14.300 --> 23:17.300 in the vestibule until the train was ready to pull out. 23:17.300 --> 23:21.100 Take it easy now, Curly. 23:21.100 --> 23:22.100 And about that check. 23:22.100 --> 23:23.100 Yeah. 23:23.100 --> 23:24.100 It better be good. 23:24.100 --> 23:25.100 Yeah. 23:25.100 --> 23:36.460 And if it ain't, we'll be waiting for you when you come back. 23:36.460 --> 23:38.060 What did I care where they'd be? 23:38.060 --> 23:39.060 I was free. 23:39.060 --> 23:40.060 I was going to Chicago all right. 23:40.060 --> 23:41.060 But from there, I was going to catch a train to Detroit. 23:41.060 --> 23:44.820 From there, I was going to cross the Canadian border. 23:44.820 --> 23:46.820 I was never coming back because I'd made it. 23:46.820 --> 23:49.820 I was free, free. 23:49.820 --> 23:56.020 I got in Chicago all right. 23:56.020 --> 24:00.580 I got a train to Detroit last night. 24:00.580 --> 24:04.900 I was walking through the observation car, not paying much attention to anything except 24:04.900 --> 24:07.940 the receipt when somebody slapped me on the shoulder. 24:07.940 --> 24:10.140 Well, well, well, if it isn't Dawson. 24:10.140 --> 24:11.140 Huh? 24:11.140 --> 24:12.140 Oh, yes. 24:12.140 --> 24:13.500 Maybe you don't know me, Mr. Dawson. 24:13.500 --> 24:16.020 I know you, at least by sight. 24:16.020 --> 24:18.820 I'm your next door neighbor, Kent Roxborough. 24:18.820 --> 24:19.820 Kent Roxborough. 24:19.820 --> 24:20.820 Mm-hmm. 24:20.820 --> 24:24.900 Well, well, small world these days, isn't it? 24:24.900 --> 24:29.180 I suppose you're out this way on business like me. 24:29.180 --> 24:30.740 I stayed over in Chicago last night. 24:30.740 --> 24:33.100 Got a good room for a change, too. 24:33.100 --> 24:37.620 Then I thought I might just as well clear up a couple little things out in Detroit. 24:37.620 --> 24:40.020 Listen, Roxborough, I got to talk to you. 24:40.020 --> 24:41.020 Of course, old man. 24:41.020 --> 24:42.020 Come on, let's find a seat. 24:42.020 --> 24:43.020 No, no, no, not here. 24:43.020 --> 24:44.020 What's the matter, old boy? 24:44.020 --> 24:45.020 Trouble? 24:45.020 --> 24:48.540 Listen, I ran into those men last night. 24:48.540 --> 24:49.540 My mistake. 24:49.540 --> 24:52.500 Those men you sent to see your wife. 24:52.500 --> 24:53.500 What? 24:53.500 --> 24:55.780 What in the world are you talking about? 24:55.780 --> 24:56.780 I never sent any... 24:56.780 --> 24:57.780 Okay, it's all right. 24:57.780 --> 24:59.780 I understand why you did it. 24:59.780 --> 25:04.300 I was thinking of doing the same thing myself, but I walked in on my mistake. 25:04.300 --> 25:05.300 They told me all about it. 25:05.300 --> 25:07.380 They thought I was you. 25:07.380 --> 25:12.020 Let's you and me take a little stroll out onto the observation platform, Dawson. 25:12.020 --> 25:15.020 Yeah, yeah, sure. 25:15.020 --> 25:21.700 No, what's all this, Dawson? 25:21.700 --> 25:23.100 I tell you, it was a mistake. 25:23.100 --> 25:25.100 The doors, they're exactly alike. 25:25.100 --> 25:28.300 Yeah, yeah, I remember. 25:28.300 --> 25:29.300 I walked in. 25:29.300 --> 25:30.300 They thought I was you. 25:30.300 --> 25:31.300 They'd already done it. 25:31.300 --> 25:34.300 They thought I'd come back to double crossings. 25:34.300 --> 25:37.980 So they made me sign a confession that I'd done it in your name. 25:37.980 --> 25:38.980 Confession? 25:38.980 --> 25:40.740 Oh, it's all right. 25:40.740 --> 25:42.380 It's in my handwriting, not yours. 25:42.380 --> 25:44.140 I even got your first name wrong. 25:44.140 --> 25:46.540 I had to write them a check, too. 25:46.540 --> 25:47.540 High thousand dollars. 25:47.540 --> 25:52.060 You say they... they'd done it. 25:52.060 --> 25:53.060 You know that. 25:53.060 --> 25:55.660 Yeah, yeah, I saw her. 25:55.660 --> 25:58.020 So I'm going away, Canada. 25:58.020 --> 26:00.020 I'm never coming back. 26:00.020 --> 26:01.020 Yeah. 26:01.020 --> 26:04.580 Now, you're going away all right, Dawson. 26:04.580 --> 26:05.580 No. 26:05.580 --> 26:06.580 No, don't shoot. 26:06.580 --> 26:07.580 There's something else. 26:07.580 --> 26:08.580 They didn't... 26:08.580 --> 26:09.580 Oh! 26:09.580 --> 26:10.580 They... they didn't... 26:10.580 --> 26:11.580 They didn't... 26:11.580 --> 26:23.740 They found me beside the tracks this morning. 26:23.740 --> 26:28.180 They say I may live until tonight, maybe even a little longer. 26:28.180 --> 26:30.340 I guess I can't blame him. 26:30.340 --> 26:31.340 The cops picked him up. 26:31.340 --> 26:32.340 He'll get his. 26:32.340 --> 26:35.740 So will those two hired killers. 26:35.740 --> 26:40.440 I guess he thought he had to do it once he knew that I knew. 26:40.440 --> 26:44.700 I guess I can't blame anyone but myself. 26:44.700 --> 26:50.300 I guess it's what you call retribution, because I had planned to kill my wife. 26:50.300 --> 26:53.420 I'd have done it, too, I guess. 26:53.420 --> 26:59.660 But what he didn't give me time to tell him was that it wasn't me that got the wrong door. 26:59.660 --> 27:01.220 It was the gunman. 27:01.220 --> 27:02.940 It wasn't me that got into his house. 27:02.940 --> 27:06.380 It was the gunman that got into mine. 27:06.380 --> 27:08.060 It wasn't his wife they killed. 27:08.060 --> 27:11.100 It was mine. 27:11.100 --> 27:12.100 Gracious living. 27:12.100 --> 27:14.980 Helen had always talked about it. 27:14.980 --> 27:18.180 Now gracious dying. 27:18.180 --> 27:30.620 I guess that's what you'd call it. 27:30.620 --> 27:35.100 Retribution. 27:35.100 --> 27:43.380 Suspense. 27:43.380 --> 27:47.740 Now this is Ken Niles making a curtain call with the star of tonight's Suspense play, 27:47.740 --> 27:48.740 Mark Stevens. 27:48.740 --> 27:54.540 Mark, I'm sure that Mr. Webster gave the world the word suspense just to describe a dramatic 27:54.540 --> 27:56.460 performance such as you've given us here tonight. 27:56.460 --> 27:58.060 Oh, thank you very much, Ken. 27:58.060 --> 27:59.980 It was a wonderful part. 27:59.980 --> 28:03.580 I've noticed that you make it a custom here on Suspense to provide your guests with the 28:03.580 --> 28:05.860 most wonderfully dramatic roles. 28:05.860 --> 28:09.060 And there's another Suspense custom I'm sure you'll enjoy. 28:09.060 --> 28:13.140 Each week we present our star with a gift basket of Roma wines. 28:13.140 --> 28:17.260 This is yours, Mark, with the compliments of Roma, America's greatest vendor. 28:17.260 --> 28:19.140 Oh, and a pleasant custom it is too. 28:19.140 --> 28:23.260 Well, pleasantest of all is the enjoyment you share with friends when you serve the 28:23.260 --> 28:26.660 delicious Roma California Port in your basket. 28:26.660 --> 28:30.340 For Roma Port adds warmth to any welcome. 28:30.340 --> 28:34.620 Roma Port is the favorite of millions for evening entertaining. 28:34.620 --> 28:37.460 And Roma Port is so easy to serve. 28:37.460 --> 28:40.220 All you do is pour and hospitality reign. 28:40.220 --> 28:43.540 Oh, it sounds like Roma Port is a host's best friend. 28:43.540 --> 28:44.820 Indeed it is, Mark. 28:44.820 --> 28:46.700 And Roma Port tastes so good. 28:46.700 --> 28:50.980 In fact, all Roma wines are famous for better taste. 28:50.980 --> 28:52.500 And here's the reason. 28:52.500 --> 28:57.700 Roma vintners with ancient skill and America's finest winemaking resources guide the rich 28:57.700 --> 29:01.460 treasure of choicest grapes to tempting taste perfection. 29:01.460 --> 29:07.060 Then at peak taste richness, Roma selects from the world's greatest reserves of fine wines 29:07.060 --> 29:08.780 for your pleasure. 29:08.780 --> 29:13.220 No wonder more Americans enjoy Roma than any other wine. 29:13.220 --> 29:16.620 Well, the popularity of Roma wine speaks for itself, Ken. 29:16.620 --> 29:19.020 And thank you very much and good night. 29:19.020 --> 29:22.500 Tonight's Suspense play was written by J. Douglas Ware. 29:22.500 --> 29:27.300 Mark Stevens will soon be seen in the 20th Century Fox Technicolor production, I Wonder 29:27.300 --> 29:29.340 Who's Kissing Her Now. 29:29.340 --> 29:35.180 Next Thursday, same time, you will hear Mr. Dan Douriez as star of Suspense. 29:35.180 --> 29:40.060 Produced and directed by William Spear for the Roma Wine Company of Fresno, California. 29:40.060 --> 29:57.500 This is CBS, the Columbia Broadcasting System.