WEBVTT

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And now, Roma Wines, R-O-M-A, Roma Wines presents...

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Suspense.

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Tonight, Roma Wines bring you Robert Taylor, in the house in Cypress Canyon.

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A suspense play produced, edited, and directed for Roma Wines by William Spear.

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Suspense. Radio's outstanding theater of thrills is presented for your enjoyment by Roma Wines.

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That's R-O-M-A, Roma Wines.

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Those better tasting California wines enjoyed by more Americans than any other wine.

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For friendly entertaining, for delightful dining.

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Yes, right now, a glass full would be very pleasant,

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as Roma Wines bring you Robert Taylor, star of nightly shows.

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A very pleasant, as Roma Wines bring you Robert Taylor, star of Metro-Goldwyn-Mayer's undercurrent,

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in a remarkable tale of...

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Suspense.

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Merry Christmas, Jerry. How's the real estate business?

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Kind of early with your greeting, aren't you, Sam?

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Well, I gotta get them in sometime. I may not see you again until next Christmas.

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If the real estate racket gets any crazier, I'll be dead by next Christmas.

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I'm glad you could get up here, though, Sam.

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What's on your mind, Jerry?

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You'll probably shoot me when you hear it, Sam, because I'm probably nuts.

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But, dog on it, you're a detective and you're my pal, and I just had to tell somebody.

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You sound like it's serious.

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That's just it. I don't know what it is, Sam, but...

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Now, listen, you know we're agents for a group of houses up in Cypress Canyon,

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those places that were started before the war and never got finished?

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Oh, yeah. All they got in were the foundations, just concrete and a couple of beams.

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Well, they've been finished now.

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In fact, I'm putting up the for rent on the last of them today.

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What do you want, police protection from the mob?

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Yeah. Listen, Sam, this house that I'm talking about, it's got a number now, 2256.

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But before, when the men went back to work on it about three months ago,

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well, they just started when the foreman on the job brought me a shoe box

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that he'd found up on a beam.

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And this box had a, what do you call it, a manuscript in it, a story kind of, all written out.

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Well, he gave me the thing. I read it. I didn't think much about it. I put it in my desk.

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But the other day, and I happened to drive by there, I saw the number on the house

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and what the house looked like. I thought of this manuscript.

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Well, I don't like it. That's all. There's something funny about it.

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What's funny about it?

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Well, mind you, this thing was found in an unfinished house in Cypress Canyon,

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a house that was only just started building.

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Well, listen, Sam, I want to read it to you if you've got the time, and you'll see what I mean.

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All right, shoot.

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Well, here's how it begins.

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To whom it may concern, my reasons for setting down on paper what follows here

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will be abundantly clear to anyone into whose possession it may fall.

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First, let me say that I'm a very ordinary person.

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My name is James A. Woods. I'm 35 years old, by profession a chemical engineer.

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My wife, Ellen, was a schoolteacher when I met and married her in Indiana seven years ago.

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There's nothing in the past life of either one of us to suggest remotely any cause or reason

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for the dreadful thing that has invaded our lives.

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Our married life has been in no way different from that of millions of other

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averaged, reasonably happy, and congenial families.

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Three months ago, I was ordered by my firm to take charge of a rather minor project

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in Los Angeles, Hollywood to be exact.

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The order was a sudden one.

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There had been no time to secure accommodations, and conditions being what they are,

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the inevitable result was that until the day before yesterday,

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we'd been living in the cramped quarters of one of those characteristic California motels.

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Needless to say, most of our spare time had been devoted to a search for something more

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permanent and comfortable, but the fruits of these efforts had been financially,

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and in every other way, a geometrical progression of discouragement.

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Until last Saturday afternoon, only four days before Christmas,

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we were driving into town on our way to a movie when Ellen saw it.

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Jim, look!

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What?

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That sign in front of that real estate office.

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Oh, yeah.

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Don't you see what it says? For rent, furnished, two-bedroom house, close in, immediate occupancy.

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Yeah.

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Aren't you going to stop?

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Oh, Ellen, you know what a sign like that would mean right out in plain sight in front of a real estate office.

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Oh, yeah, but Jim...

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Either they want $600 a month or...

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We'll never know until we ask.

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If it's any good at all, there are probably 50 people fighting for it right back there now.

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Well, honey, there's no harm in trying now, is there?

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You really want to go back?

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Oh, it's probably foolish, but what can we lose?

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Well, okay.

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Oh, darling, come on, cheer up. How do you know? Maybe our luck's changed.

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Maybe fate's going to give us a nice new house for a Christmas present.

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Come in.

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Oh, uh, we're sorry to bother you, but we just happened to see that for rent sign outside.

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Oh, yeah, I hung it outside just this minute.

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Is... is the house available?

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Why, sure, sure it is.

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Uh, let me introduce myself. My name is James A. Woods, and this is my wife, Ellen.

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Howdy-do.

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Wow. Looks like it's fixing to rain.

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Yes, so it does, doesn't it?

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Well, it was one of those things.

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The real estate agent had just been authorized to rent the place by mail that morning,

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and he'd hardly had time to look at it himself and put up his sign when we drove up.

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It was just an ordinary little California house about halfway up Cypress Canyon,

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number 2256, just an ordinary, undistinguished little house.

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The agent didn't know much about it.

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Construction on it had been stopped by the war, and it had just been completed and furnished lately.

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It had been vacant while somebody's estate was being settled, and now it was owned by a bank in Sacramento.

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Of course, we didn't...

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We got this key in the mail along with the authorization to rent.

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Only one there is. Of course, you can have duplicates, May.

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It seems to stick a little. Oh, no, there it is.

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It doesn't sound as though that door had ever been opened.

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Well, a little oil on the hinges will fix that all right.

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Oh, sure.

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Now, now here's your living room.

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Furniture's a little dusty, of course. You've got to expect that.

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It's good furniture, though, you see? Benson Brothers.

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Yes, uh-huh.

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Now, over here's a little den. Panel, you see? Radio, fireplace.

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Really a very attractive little room, particularly for a man.

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Uh-huh, yeah.

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Now, the bedroom's off the living room here. Everything's all on one floor, you understand?

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It's quite nice, I think. Yes.

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You can see you get the morning sun here. There's a view of the canyon through these fun windows.

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We got the cross-pens.

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That's about all there was to it.

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It wasn't the best place in the world. It was small and badly built, but what would you have done?

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We took it with as little inspection as that.

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It was the Saturday before Christmas.

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And the very same evening, we were struggling up the steps from the road with suitcases and boxes and armloads of clothes

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and all the endless bric-a-brac that people collect and never know they have until they move.

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Ellen began unpacking, and I began moving things around and taking the worst of the pictures off the wall,

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doing all the little things that everybody does when they move into a new place and try to give it something of their own.

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Don't be such a sourpuss. You know, it's a roof over our heads for Christmas.

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That's more than we ever thought we'd get, isn't it?

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Now, what in the world are we gonna do with those two pictures?

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Why don't we just leave them where they are?

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Jim, we can't. They're too awful.

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Well, all right. Put them in the closet, then.

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I can't. Both the closets are jammed full.

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No, I mean the other one in the little alcove off the den.

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At least there's a door there. I suppose it's a closet. I don't know.

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That isn't a commentary on the housing problem, huh?

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A woman moving into a house without even knowing where all the closets are.

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Take the pictures down, will you, honey? Bring them in here.

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Okay, okay.

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Guess you'll have to help me with this door. I can't get it open.

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Let me see it.

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Of course you can't, silly. It's locked.

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Where are those keys we found in the desk?

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Here they are.

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Hmm.

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Nope. Not this one.

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Sure, this one won't work.

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Well, feels like an awful solid door for a closet.

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Oh, and that's one solid door in the house.

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Well, this one won't do it either.

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Well, we'll just have to get a locksmith up here on Monday.

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I'll put the pictures behind the desk, okay?

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Yeah, yeah, all right.

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Jim, if you could just help me move this armchair, huh?

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Oh, Ellen, will you let it go until tomorrow? You know what time it is?

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Oh, but, honey, I'd like to get the place looking just a little bit.

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Yeah, but it's almost midnight. In fact, it's exactly...

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What was that?

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Tomcat, I guess, out in the brush somewhere.

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Sounded near.

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Oh, hope that doesn't go on all night.

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There's much we can do about it.

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Come on, Ellen, I'm dead tired.

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All right, Jim, all right.

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Where'd you put the toothpaste, honey?

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It's right in the medicine cabinet.

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Oh, yeah.

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Jim, we ought to get some firewood tomorrow.

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You know I fire in that living room and make all the difference in the world.

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Make can, Sunday.

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Well, Monday, then.

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Jim, I think red curtains are what we need, don't you?

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Mm-hmm, mm-hmm.

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You know, just at least for the living room.

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Anyway, the ones in there now have just got to come down.

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Yeah, I suppose they do.

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What do you think of red?

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Well, I guess it's all...

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Jim.

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That's some Tomcat.

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Jim, it...

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it sounded in the house.

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Oh, now, how could it be in the house, Ellen?

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We've been over every inch of the house.

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Except the closet.

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Now, how could a cat or anything else be in a closet

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that's been locked up for over a year?

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Oh, I don't know.

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It's probably under the house of a wildcat or mountain lion or something.

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I hear they have them in California.

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Jim, I don't like it.

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Well, neither do I like it,

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but there's nothing we can do about it tonight.

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Well, maybe we ought to call somebody, the police or some neighbors.

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Oh, don't be silly, Ellen. You act like a kid.

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Come on, let's go to bed, huh?

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Well, all right. I suppose it is silly.

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Jimmy, did you lock the door?

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Yeah, yeah, yeah.

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Can I turn out the lights now?

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Yeah, all right.

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Good night, Ellen. Sleep tight.

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Good night, Jim.

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I don't know what time it was.

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Perhaps an hour, perhaps only a half hour later.

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My mind was in that hazy borderland

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between sleep and a dream.

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It's still part of consciousness.

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Then I was awake.

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Ellen, are you all right?

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Yes.

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Did you have a nightmare or something?

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No.

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I heard it, too.

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Well, that didn't sound like any cat.

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Put on the light.

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Yeah.

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It seemed to be out there, Jim,

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in the house somewhere.

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I'm going to look into this.

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Jim, you be careful.

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Come on. Where's my shotgun?

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In the den, I think.

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Jim.

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What?

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There's something wet.

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What? Wet?

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Running from under the closet door.

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Sticky.

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Ellen, don't. Don't touch it.

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I had to.

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Jim,

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it's blood.

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For Suspense,

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Roma Wines are bringing you Robert Taylor

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in the house in Cypress Canyon.

11:49.000 --> 11:51.000
Roma Wines presentation tonight in radio's

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outstanding theater of thrills,

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Suspense.

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Between the acts of Suspense,

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this is Ken Niles for Roma Wines.

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These days before Christmas

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are busy ones indeed.

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Yet smart hostesses everywhere

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find time for shopping

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and distinguished home entertaining later.

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The secret?

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Magnificent grand estate wines.

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Presented by Roma,

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America's greatest vintner,

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Make your holiday welcome,

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effortless, and in perfect taste.

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The brilliant clarity,

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full fragrance, and mellow taste

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of grand estate wines

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please discriminating people everywhere.

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For grand estate wines,

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limited bottleings by Roma

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are born of choicest grapes,

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then patiently guided to

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Delight your guests

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with grand estate California wines

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for entertaining, medium sherry,

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ruby port, or golden muscatel.

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For dining, burgundy or sotern.

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So insist on grand estate wines

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and enjoy the crowning achievement

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And now Roma Wines

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bring back to our Hollywood sound stage

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Robert Taylor as James A. Woods

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with Kathy Lewis as his wife Ellen

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in the house in Cypress Canyon.

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A tale well calculated

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to keep you in suspense.

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It cannot be too difficult to understand

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from the foregoing

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why I've taken the pains to set down

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in writing the events related here.

13:49.000 --> 13:51.000
To find in one's newly rented house

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a closet which cannot be opened

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is in itself certainly no great cause

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for alarm. But to be awakened

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in the stillness of the night by unearthly

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cries within that house,

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to find oozing from under that

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closet door something that is

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unquestionably blood,

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that's another matter.

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Perhaps others might have been braver

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than we. Suffice it only to say

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that we got out of the house in something very close

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to a panic and only returned when we

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had the moral support of two stalwart

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Los Angeles policemen. You just moved in here

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you say? That's right officer. You can see we're

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still unpacking. And the place has been

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empty right along before that? Yeah, I don't know much

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about that part of it. You could check all that with a real estate

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agent though. Well, where is

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this closet? Oh, it's right

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in here officer.

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And the blood, the blood is...

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Where? Where's the blood?

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Jim?

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Sir, I swear to you there was blood on the floor less than an hour ago.

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I saw it.

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It was running out from under that door.

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We heard that noise and we got up and then we saw it.

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The door was locked. Locked huh?

14:53.000 --> 14:55.000
Well, it seems to be alright now.

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Hey,

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you folks aren't trying to be funny are you?

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Isn't there

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anything in it? No ma'am,

15:03.000 --> 15:05.000
there is not. Look officer, we're

15:05.000 --> 15:07.000
reputable people. You can call my firm, they'll tell you all about me.

15:07.000 --> 15:09.000
There's nothing wrong with this closet.

15:09.000 --> 15:11.000
The walls are solid.

15:11.000 --> 15:13.000
No trap doors. You think I'm lying?

15:13.000 --> 15:15.000
I didn't say that mister.

15:15.000 --> 15:17.000
Oh, you probably

15:17.000 --> 15:19.000
did hear some sort of a noise and you got a little

15:19.000 --> 15:21.000
panicky and... What about the blood?

15:21.000 --> 15:23.000
It got on my hand.

15:23.000 --> 15:25.000
It isn't there now, is it?

15:25.000 --> 15:27.000
Yes.

15:27.000 --> 15:29.000
Why?

15:29.000 --> 15:31.000
I feel it.

15:31.000 --> 15:33.000
Now you folks just take it easy.

15:33.000 --> 15:35.000
You know you're liable to hear all kinds of

15:35.000 --> 15:37.000
noises up in these canyons at night?

15:37.000 --> 15:39.000
You're from the East you say?

15:39.000 --> 15:41.000
Yeah,

15:41.000 --> 15:43.000
I'm sorry officer.

15:43.000 --> 15:45.000
That's alright, that's alright.

15:45.000 --> 15:47.000
If you have any real trouble, call on us anytime.

15:47.000 --> 15:49.000
Alright. Well, good night.

15:49.000 --> 15:51.000
Good night. Good night.

15:51.000 --> 15:53.000
Hey,

15:53.000 --> 15:55.000
you ought to have this door

15:55.000 --> 15:57.000
fixed. That's enough to scare

15:57.000 --> 15:59.000
you. Yeah, we're going to have it

15:59.000 --> 16:07.000
fixed.

16:07.000 --> 16:09.000
We didn't say much

16:09.000 --> 16:11.000
about it after that. There wasn't much that could

16:11.000 --> 16:13.000
be said. The next

16:13.000 --> 16:15.000
day I went down to a lot and bought a little

16:15.000 --> 16:17.000
Christmas tree and some trimmings and we tried

16:17.000 --> 16:19.000
to pretend we were cheerful, but

16:19.000 --> 16:21.000
there was an uneasiness between us that had never

16:21.000 --> 16:23.000
been there before. Ellen

16:23.000 --> 16:25.000
seemed tired and listless.

16:25.000 --> 16:27.000
Several times during the day I noticed

16:27.000 --> 16:29.000
her washing her hands with a

16:29.000 --> 16:31.000
brush, scrubbing the one that had

16:31.000 --> 16:33.000
touched the blood.

16:33.000 --> 16:35.000
That night we each took a sleeping pill and

16:35.000 --> 16:37.000
went to bed.

16:43.000 --> 16:45.000
It was sometime after midnight when

16:45.000 --> 16:47.000
I was suddenly wide awake and staring

16:47.000 --> 16:49.000
into the darkness. In

16:49.000 --> 16:51.000
some way I knew at once and instinctively

16:51.000 --> 16:53.000
what had awakened me. Ellen

16:53.000 --> 16:55.000
was not in her bed nor in the room.

16:55.000 --> 16:57.000
The nameless thing I feared

16:57.000 --> 16:59.000
gripped at my heart until I could scarcely breathe.

16:59.000 --> 17:01.000
I

17:01.000 --> 17:03.000
opened the bedroom door and started through the house putting

17:03.000 --> 17:05.000
on every light that I could find.

17:05.000 --> 17:07.000
There was not much to search but I searched thoroughly.

17:07.000 --> 17:09.000
The living room, the kitchen, bathroom,

17:09.000 --> 17:11.000
day and even the garage.

17:11.000 --> 17:13.000
And all the time the dread of looking

17:13.000 --> 17:15.000
where I knew at last I must look.

17:15.000 --> 17:17.000
For I think I knew from the

17:17.000 --> 17:19.000
very first time where I'd find her.

17:21.000 --> 17:23.000
It must have been a full minute that I

17:23.000 --> 17:25.000
stood before that closet door.

17:25.000 --> 17:27.000
Then

17:27.000 --> 17:29.000
I opened it.

17:29.000 --> 17:31.000
She stood there

17:31.000 --> 17:33.000
rigid, her arms at her sides,

17:33.000 --> 17:35.000
the fingers extended like claws.

17:35.000 --> 17:37.000
Her hair was over her face, her eyes stared out

17:37.000 --> 17:39.000
of it. Her lips were drawn back in

17:39.000 --> 17:41.000
a grin like an animal at bay.

17:41.000 --> 17:43.000
For a moment I was frozen with the horror

17:43.000 --> 17:45.000
of it. I

17:45.000 --> 17:47.000
stretched out my hand.

17:47.000 --> 17:49.000
Very deliberately she turned her

17:49.000 --> 17:51.000
head and sunk her teeth until they met into the flesh

17:51.000 --> 17:53.000
of my forearm.

17:53.000 --> 17:55.000
I'd raised my hand to strike at her

17:55.000 --> 17:57.000
but already she'd relaxed her

17:57.000 --> 17:59.000
hold and gone utterly limp.

17:59.000 --> 18:01.000
She would have fallen unless I'd caught her.

18:01.000 --> 18:03.000
I carried her

18:03.000 --> 18:05.000
into the bedroom and laid her on the bed.

18:05.000 --> 18:07.000
Strangely at that moment my only

18:07.000 --> 18:09.000
thought was how I might revive her.

18:09.000 --> 18:11.000
Until I saw that it was

18:11.000 --> 18:13.000
not a faint but a sleep that she'd

18:13.000 --> 18:15.000
fallen into. Sleep as

18:15.000 --> 18:17.000
deep and heavy as though she'd been drugged.

18:17.000 --> 18:19.000
And so I left her.

18:19.000 --> 18:21.000
But for me

18:21.000 --> 18:23.000
that night there

18:23.000 --> 18:25.000
was no sleep.

18:35.000 --> 18:37.000
Jim?

18:37.000 --> 18:39.000
Yes, Ellen?

18:39.000 --> 18:41.000
Oh,

18:41.000 --> 18:43.000
what are you doing up so early?

18:43.000 --> 18:45.000
Oh, I got a little restless. I'd make some coffee.

18:45.000 --> 18:47.000
Oh.

18:47.000 --> 18:49.000
Oh.

18:49.000 --> 18:51.000
I had the most wonderful

18:51.000 --> 18:53.000
sleep.

18:53.000 --> 18:55.000
And I feel so rested.

18:55.000 --> 18:57.000
Do you?

18:57.000 --> 18:59.000
Jim.

18:59.000 --> 19:01.000
What? What's the matter with your arm?

19:01.000 --> 19:03.000
Oh, I just hurt it.

19:03.000 --> 19:05.000
Well, honey, it's terribly swollen.

19:05.000 --> 19:07.000
Let me see it.

19:07.000 --> 19:09.000
No, it's all right, Ellen. Oh, it isn't all right.

19:09.000 --> 19:11.000
You've got to see Dr. Wesley right away.

19:11.000 --> 19:13.000
Sure, I will. No, now you promised me, Jim,

19:13.000 --> 19:15.000
that you'll go the first thing this morning.

19:15.000 --> 19:17.000
How'd it happen?

19:17.000 --> 19:19.000
Why, uh, there was a dog.

19:19.000 --> 19:21.000
A dog? Yeah, I

19:21.000 --> 19:23.000
heard him trying to chew through the screen door.

19:23.000 --> 19:25.000
I went out to chase him away and he

19:25.000 --> 19:27.000
bit me.

19:27.000 --> 19:29.000
You mean there

19:29.000 --> 19:31.000
was all that racket and I didn't even

19:31.000 --> 19:33.000
wake up?

19:33.000 --> 19:35.000
No, Ellen, you didn't even wake up.

19:35.000 --> 19:37.000
It was clear to me that

19:37.000 --> 19:39.000
Ellen knew nothing of what had transpired

19:39.000 --> 19:41.000
the night before.

19:41.000 --> 19:43.000
I went to my office that morning and

19:43.000 --> 19:45.000
made a pretense of going over routine

19:45.000 --> 19:47.000
business, if only to restore my mind to

19:47.000 --> 19:49.000
some semblance of calm by the sight

19:49.000 --> 19:51.000
and sound of common familiar things.

19:51.000 --> 19:53.000
Pain in my arm had become a persistent,

19:53.000 --> 19:55.000
dull throbbing.

19:55.000 --> 19:57.000
I made a late appointment with Dr. Wesley.

19:57.000 --> 19:59.000
He treated my arm with something as

19:59.000 --> 20:01.000
simple as a needle.

20:01.000 --> 20:03.000
I was told that the pain was

20:03.000 --> 20:05.000
nothing. He treated my arm with something

20:05.000 --> 20:07.000
of an arched eyebrow and he said

20:07.000 --> 20:09.000
Well, I've never seen

20:09.000 --> 20:11.000
anything quite like it before.

20:11.000 --> 20:13.000
That is such a rapid onset of

20:13.000 --> 20:15.000
infection.

20:21.000 --> 20:23.000
It was dark when I left his office. I hadn't

20:23.000 --> 20:25.000
realized it was so late.

20:25.000 --> 20:27.000
Driving home my car seemed sluggish

20:27.000 --> 20:29.000
until I saw the needle on the dashboard

20:29.000 --> 20:31.000
and realized that I was pushing it to the utmost of its

20:31.000 --> 20:33.000
speed. I was racing home to prevent

20:33.000 --> 20:35.000
something before it was

20:35.000 --> 20:37.000
too late, before the darkness had conspired

20:37.000 --> 20:39.000
against me. For somehow

20:39.000 --> 20:41.000
I already knew with certainty that it was the

20:41.000 --> 20:43.000
darkness and the night that I had to fear.

20:43.000 --> 20:45.000
The curves of the canyon

20:45.000 --> 20:47.000
seemed endless.

20:47.000 --> 20:49.000
And then the cold fear leaked up inside

20:49.000 --> 20:51.000
me. My house

20:51.000 --> 20:53.000
too was dark.

20:53.000 --> 20:55.000
I went slowly up the stone steps

20:55.000 --> 20:57.000
from the road, looking, praying

20:57.000 --> 20:59.000
for some sign of light or light.

20:59.000 --> 21:01.000
There was none.

21:01.000 --> 21:03.000
The house was empty.

21:03.000 --> 21:05.000
Ellen was gone.

21:05.000 --> 21:07.000
I looked with the same

21:07.000 --> 21:09.000
self-torturing thoroughness, and in that

21:09.000 --> 21:11.000
closet first of all, knowing as I did

21:11.000 --> 21:13.000
so that was hopeless.

21:13.000 --> 21:15.000
And so, alone

21:15.000 --> 21:17.000
in that empty house, I waited.

21:17.000 --> 21:19.000
Powerless and helpless

21:19.000 --> 21:21.000
now. Deadened

21:21.000 --> 21:23.000
in thought and will, empty as the

21:23.000 --> 21:25.000
house itself.

21:25.000 --> 21:27.000
Save only for the overwhelming sense of a terrible

21:27.000 --> 21:29.000
foreboding.

21:29.000 --> 21:31.000
For some time in the early hours of the

21:31.000 --> 21:33.000
morning, I snapped on the radio,

21:33.000 --> 21:35.000
shortwave.

21:35.000 --> 21:37.000
Why, surely a minor question

21:37.000 --> 21:39.000
now. I only know that I did.

21:39.000 --> 21:41.000
And then I heard it.

21:41.000 --> 21:43.000
Car 58, Car 58, go to

21:43.000 --> 21:45.000
Laurel Canyon, the 4000 block.

21:45.000 --> 21:47.000
A report that a man has been injured or

21:47.000 --> 21:49.000
attacked. The condition thought to be critical.

21:49.000 --> 21:51.000
Ambulance will follow.

21:51.000 --> 21:53.000
That is all.

21:53.000 --> 21:55.000
I was there almost before the police,

21:55.000 --> 21:57.000
edging my way through the little crowd, staring down

21:57.000 --> 21:59.000
at the man lying there in his white uniform under

21:59.000 --> 22:01.000
the streetlight. Yeah, the milkman

22:01.000 --> 22:03.000
poor guy. I heard him scream, but when I got

22:03.000 --> 22:05.000
here, just like this, it's nothing

22:05.000 --> 22:07.000
but assault. Stand back, stand back, please,

22:07.000 --> 22:09.000
please stand back.

22:09.000 --> 22:11.000
Well, you again. I heard it on the

22:11.000 --> 22:13.000
radio. I lived just down the road. Yeah,

22:13.000 --> 22:15.000
yeah, I remember. What

22:15.000 --> 22:17.000
happened? Well, take a look.

22:17.000 --> 22:19.000
Maybe you can tell us.

22:21.000 --> 22:23.000
He was dead. And he was lying on

22:23.000 --> 22:25.000
his back. And his throat had been

22:25.000 --> 22:27.000
torn out as though by the fangs

22:27.000 --> 22:29.000
of some wild animal.

22:39.000 --> 22:41.000
It is now Christmas Eve.

22:41.000 --> 22:43.000
Or rather, Christmas morning,

22:43.000 --> 22:45.000
for it's a little after midnight.

22:45.000 --> 22:47.000
I've been waiting here.

22:47.000 --> 22:49.000
Here in

22:49.000 --> 22:51.000
the stillness of this empty house for nearly

22:51.000 --> 22:53.000
24 hours, waiting for the end.

22:55.000 --> 22:57.000
Already once tonight, I've heard that dreadful

22:57.000 --> 22:59.000
wailing cry somewhere in the hills.

23:01.000 --> 23:03.000
I've nailed up the closet door, but that I

23:03.000 --> 23:05.000
know is childish, useless.

23:07.000 --> 23:09.000
My arm is horribly swollen and turning

23:09.000 --> 23:11.000
black, but

23:11.000 --> 23:13.000
that's nothing. It's another

23:13.000 --> 23:15.000
end that I foresee, as surely

23:15.000 --> 23:17.000
as other men foresee the rising of the sun.

23:17.000 --> 23:19.000
I hear the cry again.

23:19.000 --> 23:21.000
It's nearer now.

23:21.000 --> 23:23.000
I shall leave these notes in a sealed

23:23.000 --> 23:25.000
envelope and put it in a shoebox,

23:25.000 --> 23:27.000
in the hope that someone will give

23:27.000 --> 23:29.000
credence to these dark and terrible

23:29.000 --> 23:31.000
events, if indeed such nameless

23:31.000 --> 23:33.000
horrors can ever yield to mortal

23:33.000 --> 23:35.000
understanding.

23:35.000 --> 23:37.000
As for myself,

23:37.000 --> 23:39.000
I feel no longer any fear

23:39.000 --> 23:41.000
or even sorrow.

23:41.000 --> 23:43.000
Only a desire that the end

23:43.000 --> 23:45.000
and the thing that I must do

23:45.000 --> 23:47.000
may come soon.

23:47.000 --> 23:49.000
And it will be soon,

23:49.000 --> 23:51.000
I know.

23:51.000 --> 23:53.000
Yes.

23:53.000 --> 23:55.000
But there is someone at the door.

23:55.000 --> 23:57.000
Sam!

24:07.000 --> 24:09.000
Someone at the door.

24:09.000 --> 24:11.000
What do you make of it, Sam?

24:11.000 --> 24:13.000
It's quite a yarn.

24:13.000 --> 24:15.000
But what of it?

24:15.000 --> 24:17.000
That's what I'm for. Now listen, that's not

24:17.000 --> 24:19.000
quite all of it.

24:19.000 --> 24:21.000
Clip to it's a newspaper clip.

24:21.000 --> 24:23.000
Listen, Hollywood December

24:23.000 --> 24:25.000
the 26th. Police reported

24:25.000 --> 24:27.000
what was apparently a case of murder

24:27.000 --> 24:29.000
and suicide in Cypress

24:29.000 --> 24:31.000
Canyon, sometime in the early

24:31.000 --> 24:33.000
hours of the morning.

24:33.000 --> 24:35.000
The victims were James A. Woods,

24:35.000 --> 24:37.000
a chemical engineer, and his

24:37.000 --> 24:39.000
wife Ellen. Preliminary

24:39.000 --> 24:41.000
investigation indicates that Mrs.

24:41.000 --> 24:43.000
Woods was killed by the blast

24:43.000 --> 24:45.000
of a shotgun in the hands

24:45.000 --> 24:47.000
of her husband, who then turned the weapon

24:47.000 --> 24:49.000
upon himself. That she fought

24:49.000 --> 24:51.000
desperately for her life, however,

24:51.000 --> 24:53.000
was evidenced by the disorder of the room

24:53.000 --> 24:55.000
and the severe lacerations

24:55.000 --> 24:57.000
inflicted upon her husband about

24:57.000 --> 24:59.000
the neck and arms.

24:59.000 --> 25:01.000
This is the second tragedy to be reported

25:01.000 --> 25:03.000
in Cypress Canyon within 24

25:03.000 --> 25:05.000
hours, the other being the

25:05.000 --> 25:07.000
unexplained death of Frank Polanski,

25:07.000 --> 25:09.000
a milkman.

25:09.000 --> 25:11.000
Well, no such murders or whatever

25:11.000 --> 25:13.000
they were ever occurred, if that's what's worrying

25:13.000 --> 25:15.000
you. The clipping, well,

25:15.000 --> 25:17.000
you have those things printed up, you know.

25:17.000 --> 25:19.000
Oh, no, it's not that, Sam. That story was

25:19.000 --> 25:21.000
found in an unfinished house in Cypress

25:21.000 --> 25:23.000
Canyon. No number, no nothing, just

25:23.000 --> 25:25.000
a framework. Now

25:25.000 --> 25:27.000
that house is finished. When I drove by

25:27.000 --> 25:29.000
it today, but that's what stopped me,

25:29.000 --> 25:31.000
Sam, because it all fits.

25:31.000 --> 25:33.000
Now that it's finished, it is the house

25:33.000 --> 25:35.000
in the story, the same construction, the same

25:35.000 --> 25:37.000
vines and creepers on the lawn, even the

25:37.000 --> 25:39.000
numbers. So what, a guy who knows roughly

25:39.000 --> 25:41.000
what this house is going to be like, writes a yarn

25:41.000 --> 25:43.000
and loses it or something. Did he know the place

25:43.000 --> 25:45.000
was going to be listed for rental today, the

25:45.000 --> 25:47.000
Saturday before Christmas? Oh, Jerry,

25:47.000 --> 25:49.000
coincidence.

25:49.000 --> 25:51.000
Two bits you find the guy next door is a

25:51.000 --> 25:53.000
ghost story writer or something, and he's been wondering

25:53.000 --> 25:55.000
for a year what happened to that thing he wrote.

25:55.000 --> 25:57.000
OK.

25:57.000 --> 25:59.000
OK, coincidence.

26:01.000 --> 26:03.000
I'm sorry I bothered you, Sam.

26:03.000 --> 26:05.000
Don't be silly, I liked it. It's a good yarn.

26:05.000 --> 26:07.000
Is that the

26:07.000 --> 26:09.000
for rent sign you were talking about?

26:09.000 --> 26:11.000
Oh, yeah, yeah, I'm going to put it up outside now.

26:11.000 --> 26:13.000
Uh-huh.

26:13.000 --> 26:15.000
Well, so long, Jerry, and Merry Christmas again.

26:15.000 --> 26:17.000
Well, thanks, Sam.

26:17.000 --> 26:19.000
I guess I was kind of

26:19.000 --> 26:21.000
silly, all right. Listen, when a

26:21.000 --> 26:23.000
guy named whatever it is Woods

26:23.000 --> 26:25.000
with a wife named Ellen comes in to rent

26:25.000 --> 26:27.000
that place from you, then you can start

26:27.000 --> 26:29.000
worrying. Yeah.

26:29.000 --> 26:35.000
So long, Sam. So long, Jerry.

26:35.000 --> 26:37.000
Come in.

26:39.000 --> 26:41.000
Oh, we're sorry to bother

26:41.000 --> 26:43.000
you, but we just happened to see that for rent

26:43.000 --> 26:45.000
sign outside. Yeah, I hung

26:45.000 --> 26:47.000
it out just this minute. Is

26:47.000 --> 26:49.000
the house available?

26:49.000 --> 26:51.000
Oh, sure, sure it is.

26:51.000 --> 26:53.000
Let me introduce myself. My

26:53.000 --> 26:55.000
name is James A. Woods, and

26:55.000 --> 26:57.000
this is my wife, Ellen.

26:57.000 --> 26:59.000
How do.

26:59.000 --> 27:01.000
Wow.

27:01.000 --> 27:03.000
Looks like it's fixed into

27:03.000 --> 27:05.000
rent. Yes,

27:05.000 --> 27:29.000
it does, doesn't it?

27:29.000 --> 27:31.000
Suspense.

27:31.000 --> 27:33.000
Presented by

27:33.000 --> 27:35.000
Roma Wines, R-O-M-A,

27:35.000 --> 27:37.000
Roma Wines, selected for your

27:37.000 --> 27:39.000
pleasure from the world's greatest reserves

27:39.000 --> 27:41.000
of fine wines.

27:41.000 --> 27:43.000
Tonight's show marks the third

27:43.000 --> 27:45.000
birthday of Suspense on the Air,

27:45.000 --> 27:47.000
and this is Ken Niles asking our star

27:47.000 --> 27:49.000
of the evening, Robert Taylor, to help us celebrate.

27:49.000 --> 27:51.000
Why didn't you tell me before, Ken, if I'd

27:51.000 --> 27:53.000
only known I'd have baked a cake. Well, Bob,

27:53.000 --> 27:55.000
all suspense parties are surprise

27:55.000 --> 27:57.000
parties. As an old hand on

27:57.000 --> 27:59.000
suspense, you know that in our

27:59.000 --> 28:01.000
plays the tables are usually turned

28:01.000 --> 28:03.000
on the star. So tonight,

28:03.000 --> 28:05.000
although it's our birthday, we're going to give you

28:05.000 --> 28:07.000
a present. Here it is, a

28:07.000 --> 28:09.000
gift basket of Grand Estate California

28:09.000 --> 28:11.000
wines from Roma,

28:11.000 --> 28:13.000
America's greatest vintner,

28:13.000 --> 28:15.000
to our distinguished anniversary guest,

28:15.000 --> 28:17.000
Robert Taylor. Thanks, Ken, you turn a nice

28:17.000 --> 28:19.000
table. And you can set a nice

28:19.000 --> 28:21.000
table with Grand Estate Burgundy

28:21.000 --> 28:23.000
in your basket, Bob, for

28:23.000 --> 28:25.000
Grand Estate Burgundy means rare

28:25.000 --> 28:27.000
dining pleasure, adds

28:27.000 --> 28:29.000
memorable distinction to holiday dinner.

28:29.000 --> 28:31.000
Even everyday

28:31.000 --> 28:33.000
meals are outstanding in taste

28:33.000 --> 28:35.000
when Grand Estate Burgundy is served.

28:35.000 --> 28:37.000
Yes, all Grand Estate

28:37.000 --> 28:39.000
wines presented by Roma

28:39.000 --> 28:41.000
are limited bottlings of outstanding

28:41.000 --> 28:43.000
taste excellence. That I know about

28:43.000 --> 28:45.000
Grand Estate wines, Ken. But did you know

28:45.000 --> 28:47.000
that for Grand Estate wines, Roma

28:47.000 --> 28:49.000
selects only the choicest grapes.

28:49.000 --> 28:51.000
Then the ancient skill of Roma

28:51.000 --> 28:53.000
master vintners, necessary

28:53.000 --> 28:55.000
time, and America's finest

28:55.000 --> 28:57.000
winemaking resources, guide

28:57.000 --> 28:59.000
the cuvee of this grape treasure to

28:59.000 --> 29:01.000
rich taste luxury.

29:01.000 --> 29:03.000
That's why discriminating wine users

29:03.000 --> 29:05.000
everywhere look to Grand Estate

29:05.000 --> 29:07.000
wines as the crowning achievement

29:07.000 --> 29:09.000
of vintner skill. Reason enough.

29:09.000 --> 29:11.000
And now, Ken, who's all set to star

29:11.000 --> 29:13.000
on Suspense next Thursday? It's that

29:13.000 --> 29:15.000
very wonderful actress and wonderful girl,

29:15.000 --> 29:17.000
Miss Susan Peters. Susan

29:17.000 --> 29:19.000
will appear as a young lady in straitened

29:19.000 --> 29:21.000
circumstances, who finds herself mistaken

29:21.000 --> 29:23.000
for a very rich young lady,

29:23.000 --> 29:25.000
and who is forced into continuing the

29:25.000 --> 29:27.000
deception with murder

29:27.000 --> 29:29.000
as a result. I'll certainly make it a point to listen.

29:29.000 --> 29:31.000
And before I go, I'd like to thank

29:31.000 --> 29:33.000
this really great company of actors who have

29:33.000 --> 29:35.000
played with me tonight, and particularly Kathy

29:35.000 --> 29:37.000
Lewis, who played Ellen. Thank you, Bob.

29:37.000 --> 29:39.000
Tonight's original Suspense play

29:39.000 --> 29:41.000
was written by Robert L. Richards.

29:41.000 --> 29:43.000
Next Thursday, same time,

29:43.000 --> 29:45.000
you will hear Miss Susan Peters as

29:45.000 --> 29:47.000
star of Suspense.

29:49.000 --> 29:51.000
Produced by William Spear for

29:51.000 --> 29:53.000
the Roma Wine Company of Fresno,

29:53.000 --> 29:55.000
California.

29:55.000 --> 29:57.000
This is CBS, the Columbia

29:57.000 --> 30:23.000
Broadcasting System.

