WEBVTT

00:00.000 --> 00:07.440
Yes, Roma wines taste better because only Roma selects from the world's greatest wine

00:07.440 --> 00:10.760
reserves for your pleasure.

00:10.760 --> 00:19.400
And now Roma wines, R-O-M-A, Roma wines present Suspense.

00:19.400 --> 00:28.680
Tonight Roma wines bring you Chester Morris as star of The Strange Death of Gordon Fitzroy,

00:28.680 --> 00:36.000
a Suspense play produced, edited, and directed for Roma wines by William Spear.

00:36.000 --> 00:43.360
Suspense, radio's outstanding theater of thrills, is presented for your enjoyment

00:43.360 --> 00:45.440
by Roma wines.

00:45.440 --> 00:54.240
That's R-O-M-A, Roma wines, those better tasting California wines enjoyed by more Americans

00:54.240 --> 00:59.520
than any other wine, for friendly entertaining, for delightful dining.

00:59.520 --> 01:04.600
Yes, right now a glass full would be very pleasant as Roma wines bring you Chester

01:04.600 --> 01:14.280
Morris in a remarkable tale of Suspense.

01:14.280 --> 01:20.320
I saw it once in a mirror in the police emergency hospital.

01:20.320 --> 01:23.000
I never saw it again.

01:23.000 --> 01:27.040
When they set me up, I smashed the mirror in my cell the first day.

01:27.040 --> 01:29.480
They never dared to put in another.

01:29.480 --> 01:33.760
The chaplain came and tried to talk to me about it a few times, and then a prison medic.

01:33.760 --> 01:37.640
But I turned over in my bunk and didn't answer.

01:37.640 --> 01:40.520
After a while they stopped coming.

01:40.520 --> 01:43.440
Three and a half years.

01:43.440 --> 01:45.720
Almost every night I dream it wasn't like that.

01:45.720 --> 01:48.520
Wake up crying I was so happy.

01:48.520 --> 01:53.280
And then put up my hand in the dark to feel them and know that it was.

01:53.280 --> 01:59.000
It would always be three and a half years.

01:59.000 --> 02:01.320
Waiting and hating.

02:01.320 --> 02:06.320
Waiting to get out and hating one guy in particular and everybody in general.

02:06.320 --> 02:09.320
Waiting and hating.

02:09.320 --> 02:15.880
It was a cold windy day in November the day I left.

02:15.880 --> 02:18.920
The guard opened the gate and gave me the usual corny send off.

02:18.920 --> 02:21.480
Well Mr. Malone I hope you enjoyed your stay here.

02:21.480 --> 02:24.200
Callers up make a reservation anytime.

02:24.200 --> 02:27.120
I went on through and didn't answer.

02:27.120 --> 02:28.920
I didn't even look at it.

02:28.920 --> 02:33.560
For three and a half years I hadn't looked at anybody.

02:33.560 --> 02:38.320
I didn't want anybody looking at me and I didn't look at anybody else.

02:38.320 --> 02:41.920
My coat collar was pulled up and my hat pulled down and I walked towards the river to the

02:41.920 --> 02:46.200
little park there and hung around waiting for it to get dark.

02:46.200 --> 02:48.960
I knew what I was doing all right.

02:48.960 --> 02:51.040
I was going to kill a man.

02:51.040 --> 02:54.200
But first I was waiting for it to get dark.

02:54.200 --> 02:58.520
When it was I went up into town and caught a train for New York that got me into Grand

02:58.520 --> 03:01.240
Central about 815.

03:01.240 --> 03:04.880
In the station I went to a phone booth and called Sam Braggen.

03:04.880 --> 03:07.160
Then I went down there.

03:07.160 --> 03:09.080
Sam lived in a walk up off Hudson Street.

03:09.080 --> 03:11.320
A good dark street.

03:11.320 --> 03:13.480
A hallway too.

03:13.480 --> 03:14.480
Dark stairs.

03:14.480 --> 03:17.480
The third floor.

03:17.480 --> 03:18.480
Dark.

03:18.480 --> 03:23.480
Who is it?

03:23.480 --> 03:26.480
Hello Sam.

03:26.480 --> 03:27.480
Johnny.

03:27.480 --> 03:31.920
Oh Johnny you old son of a gun you.

03:31.920 --> 03:32.920
Hello Sam.

03:32.920 --> 03:34.520
Well what are you standing there for?

03:34.520 --> 03:35.520
Come on in come on.

03:35.520 --> 03:37.520
Wait let me turn on the light.

03:37.520 --> 03:38.520
No.

03:38.520 --> 03:39.520
All right Sam.

03:39.520 --> 03:40.520
You're having coke.

03:40.520 --> 03:41.520
I will see it in hours later.

03:41.520 --> 03:42.520
Oh Johnny.

03:42.520 --> 03:43.520
Johnny.

03:43.520 --> 03:44.520
Johnny.

03:44.520 --> 03:55.480
I shouldn't have hit him but I couldn't stop myself when I saw that book of horror and

03:55.480 --> 04:01.000
pity that I knew I'd always see from now on when anybody saw my face.

04:01.000 --> 04:05.640
My awful scarred twisted nightmare of a face.

04:05.640 --> 04:06.640
My face.

04:06.640 --> 04:16.880
I closed the door and got Sam into the front room and onto the couch.

04:16.880 --> 04:21.320
And then I got the phone and called Fran's old number because I couldn't stop myself

04:21.320 --> 04:24.320
from that either.

04:24.320 --> 04:27.320
Hello.

04:27.320 --> 04:30.040
Is Miss Thompson there?

04:30.040 --> 04:31.040
Miss Frances Thompson?

04:31.040 --> 04:32.040
No she ain't.

04:32.040 --> 04:35.040
Well is her mother there?

04:35.040 --> 04:36.520
No they've gone away.

04:36.520 --> 04:37.800
You know where I can get in touch with them?

04:37.800 --> 04:39.280
No I don't.

04:39.280 --> 04:45.920
Well do you know if they're coming back sometime?

04:45.920 --> 04:48.480
I hadn't expected anything different.

04:48.480 --> 04:51.880
I don't know why it should have made me so mad.

04:51.880 --> 04:56.160
When I turned around Sam was just beginning to come out of it over on the couch.

04:56.160 --> 04:59.640
Oh you.

04:59.640 --> 05:01.840
Yeah remember?

05:01.840 --> 05:04.080
You have no call to do that Johnny.

05:04.080 --> 05:05.320
I know.

05:05.320 --> 05:06.320
I'm sorry.

05:06.320 --> 05:10.800
I said I'm sorry.

05:10.800 --> 05:14.560
I guess I've been so long where I wanted to and couldn't that I took out the whole three

05:14.560 --> 05:18.440
and a half years on the first guy I could.

05:18.440 --> 05:19.440
I'm sorry.

05:19.440 --> 05:20.440
Yeah I'm sorry too Johnny.

05:20.440 --> 05:25.920
You want to talk about it?

05:25.920 --> 05:27.920
Turn out the lights Sam.

05:27.920 --> 05:28.920
Sure.

05:28.920 --> 05:29.920
Okay.

05:29.920 --> 05:30.920
Thanks.

05:30.920 --> 05:31.920
Where's Fran?

05:31.920 --> 05:32.920
Fran?

05:32.920 --> 05:33.920
You remember Fran.

05:33.920 --> 05:36.520
Oh yeah yeah you and her.

05:36.520 --> 05:37.520
Where is she?

05:37.520 --> 05:40.520
Gee Johnny I don't know.

05:40.520 --> 05:44.160
Don't kid me she's with Gordy Fitzroy isn't she?

05:44.160 --> 05:45.160
Isn't she?

05:45.160 --> 05:47.920
I swear Johnny I swear I don't know what Fran's been doing.

05:47.920 --> 05:50.280
I ain't heard nothing of Fran for a couple of years.

05:50.280 --> 05:51.280
Alright.

05:51.280 --> 05:53.280
Alright I'll find out.

05:53.280 --> 05:57.160
Didn't she come to see you up there?

05:57.160 --> 06:02.680
Yeah at first she did but I didn't see her.

06:02.680 --> 06:06.560
They got lights on you when you see people up there Sam.

06:06.560 --> 06:09.720
I only want to see Fran in the dark.

06:09.720 --> 06:12.160
Yeah yeah sure.

06:12.160 --> 06:13.480
Where's Gordy Fitzroy?

06:13.480 --> 06:14.480
I don't know Johnny.

06:14.480 --> 06:16.440
He's uh he's still around isn't he?

06:16.440 --> 06:19.280
Oh sure sure I hear he's got another place uptown.

06:19.280 --> 06:21.920
Yeah I bet.

06:21.920 --> 06:24.320
What's the angle Johnny?

06:24.320 --> 06:26.280
You sure you didn't hear nothing?

06:26.280 --> 06:31.880
To tell you the truth Johnny it was so long since you was in touch I uh I heard you got

06:31.880 --> 06:34.520
uh three to five and that's about all.

06:34.520 --> 06:37.720
Okay I'll tell you the rest.

06:37.720 --> 06:40.520
Is it how that happened?

06:40.520 --> 06:44.200
Yeah it's how that happened.

06:44.200 --> 06:48.480
You remember the gang around here in the old days you, Sam, Gordy Fitzroy and Fran and

06:48.480 --> 06:53.440
me that always ran together when we were kids and Fran went to City College and I got into

06:53.440 --> 06:57.400
a little trouble and Gordy inherited that jewelry store from his uncle.

06:57.400 --> 06:58.400
You remember all that?

06:58.400 --> 07:00.360
Oh sure I remember you were all good kids.

07:00.360 --> 07:04.680
Yeah well it was about a year after the last time I saw you.

07:04.680 --> 07:05.680
Gordy was having trouble.

07:05.680 --> 07:11.680
He owed a lot of dough to the bookies and had to hock his jewelry store to pay off and

07:11.680 --> 07:13.160
then he had a bright idea.

07:13.160 --> 07:14.760
Georgia did?

07:14.760 --> 07:19.600
Yeah he had about 10 or 15 grand worth of assorted rocks in his safe at the store.

07:19.600 --> 07:26.560
We were going to crack it and peddle the rocks and collect the insurance too and split 50-50.

07:26.560 --> 07:31.280
I was going to do the job but I made him come with me and of course we had to blow the safe

07:31.280 --> 07:33.720
to make it look right.

07:33.720 --> 07:36.040
Well something went wrong.

07:36.040 --> 07:42.200
I used too much soup or something and it blew in my face.

07:42.200 --> 07:43.200
In my face.

07:43.200 --> 07:45.960
Oh so that's how.

07:45.960 --> 07:48.800
Yeah only that wasn't all.

07:48.800 --> 07:53.760
When I came out of it Gordy was still there but he'd ratted on me to save his own skin.

07:53.760 --> 07:57.760
There were cops all over the place and Gordy was telling him how he'd caught me in the

07:57.760 --> 08:00.880
act of blowing his safe and knocked me cold or something.

08:00.880 --> 08:03.760
And the cops couldn't make up their minds between patting him on the back and kicking

08:03.760 --> 08:04.760
me in the belly.

08:04.760 --> 08:06.840
We were doing plenty of both.

08:06.840 --> 08:12.600
Oh he was quite a little hero there Gordy was.

08:12.600 --> 08:14.720
Gee Junie.

08:14.720 --> 08:15.920
He did that?

08:15.920 --> 08:17.640
He did better than that.

08:17.640 --> 08:20.880
He even testified at my trial.

08:20.880 --> 08:23.520
Even Fran believed him I guess.

08:23.520 --> 08:26.100
She said she didn't but I don't know.

08:26.100 --> 08:31.280
So I got three to five and lucky that.

08:31.280 --> 08:33.400
I was all bandages then.

08:33.400 --> 08:37.680
I didn't know how bad it really was till after the trial.

08:37.680 --> 08:42.680
And then they took him off.

08:42.680 --> 08:46.760
I only saw it once Sam.

08:46.760 --> 08:49.400
I never dared look at it again.

08:49.400 --> 08:50.400
Gee.

08:50.400 --> 08:55.400
What are you going to do Junie?

08:55.400 --> 08:56.400
What do you think?

08:56.400 --> 08:57.400
Yeah but look.

08:57.400 --> 08:58.400
Look that's bad Junie.

08:58.400 --> 09:01.760
Why they'd pin it on you before you got off at the subway.

09:01.760 --> 09:03.280
Not the way I'm going to do it.

09:03.280 --> 09:06.040
You got a way to do it?

09:06.040 --> 09:07.040
Yeah.

09:07.040 --> 09:18.640
I got a way.

09:18.640 --> 09:23.480
For Suspense, Roma Wines are bringing you Chester Morris in the strange death of Gordon

09:23.480 --> 09:24.480
Fitzroy.

09:24.480 --> 09:39.400
Roma Wines presentation tonight in radio's outstanding theater of thrills, Suspense.

09:39.400 --> 09:44.240
Between the acts of Suspense this is Ken Niles for Roma Wines.

09:44.240 --> 09:49.640
Today was a memorable Thanksgiving and here's a tip on how to give tempting first meal flavor

09:49.640 --> 09:52.560
to your Thanksgiving dinner leftovers.

09:52.560 --> 09:56.960
Serve those leftovers with delicious Roma California wine.

09:56.960 --> 10:02.960
For both robust Roma Burgundy and glorious Roma Sauternes have tantalizing taste harmonies

10:02.960 --> 10:09.440
with food that bring out all the subtle hidden flavors in any meat or foul, hot or cold.

10:09.440 --> 10:16.120
Yes, better tasting Roma Wines make simple turkey hash and epicures delight.

10:16.120 --> 10:18.520
And Roma Wines do taste better.

10:18.520 --> 10:22.080
For Roma starts with California's choicest grapes.

10:22.080 --> 10:27.720
Roma skill and America's finest winemaking resources guide this great treasure to tempting

10:27.720 --> 10:29.560
taste perfection.

10:29.560 --> 10:35.800
Then Roma selects at peak taste richness from the world's greatest wine reserves for your

10:35.800 --> 10:37.300
pleasure.

10:37.300 --> 10:39.080
And here's a holiday tip.

10:39.080 --> 10:42.280
Take advantage of present low Roma prices.

10:42.280 --> 10:46.520
Tomorrow buy Roma by the case and save.

10:46.520 --> 10:52.440
That's R-O-M-A. Roma, America's favorite wine.

10:52.440 --> 10:58.560
And now Roma Wines bring back to our Hollywood soundstage Chester Morris as Johnny Malone

10:58.560 --> 11:01.440
in the strange death of Gordon Fitzroy.

11:01.440 --> 11:16.400
A tale well calculated to keep you in suspense.

11:16.400 --> 11:17.800
Sam was always a good gee.

11:17.800 --> 11:21.280
He let me shack up there and he helped me out.

11:21.280 --> 11:26.600
He found out where Gordy Fitzroy lived alone in a little house on Long Island and how he

11:26.600 --> 11:31.400
always caught the same train that got him out there about 1030 every night.

11:31.400 --> 11:35.040
He made the contact with a guy that was going to fix me up the package too.

11:35.040 --> 11:38.480
It was about a week later that I went around to collect it.

11:38.480 --> 11:44.400
It was a little basement watch repair shop off Avenue C. At least that was the guy's

11:44.400 --> 11:45.400
front.

11:45.400 --> 11:50.640
He was a dried up little guy with thick glasses and he was working over some kind of a clock.

11:50.640 --> 11:51.640
Yeah?

11:51.640 --> 11:54.840
You want something?

11:54.840 --> 11:56.400
I'm Pete Jones.

11:56.400 --> 11:58.080
Pete Jones?

11:58.080 --> 11:59.280
Yeah.

11:59.280 --> 12:01.120
You got something for me, haven't you?

12:01.120 --> 12:02.120
I don't know.

12:02.120 --> 12:03.880
I'd have to look.

12:03.880 --> 12:05.400
Sam Braggen sent me.

12:05.400 --> 12:07.440
I don't know no Sam Braggen.

12:07.440 --> 12:09.680
I don't go by names in here.

12:09.680 --> 12:11.200
What do you go by?

12:11.200 --> 12:12.480
I just remember.

12:12.480 --> 12:13.960
Well, start remembering.

12:13.960 --> 12:15.800
Let me take a look at you.

12:15.800 --> 12:17.800
I said I'm Pete Jones.

12:17.800 --> 12:18.800
Okay.

12:18.800 --> 12:20.800
I guess you're the guy.

12:20.800 --> 12:23.800
Where do I put up the sign?

12:23.800 --> 12:24.800
What sign?

12:24.800 --> 12:25.800
You got to go on back.

12:25.800 --> 12:30.160
I don't want no one coming in while we're going.

12:30.160 --> 12:32.920
Come on.

12:32.920 --> 12:41.320
Where is it?

12:41.320 --> 12:42.320
You're looking at it.

12:42.320 --> 12:43.320
That suitcase.

12:43.320 --> 12:44.520
Well, open it up.

12:44.520 --> 12:45.840
I want to see it.

12:45.840 --> 12:49.280
That suitcase ain't made to be opened up no more, bud.

12:49.280 --> 12:50.280
Okay.

12:50.280 --> 12:51.280
How do you work it?

12:51.280 --> 12:53.440
You see the slide and that snap lock?

12:53.440 --> 12:54.440
Yeah.

12:54.440 --> 12:56.400
You push it just once.

12:56.400 --> 13:00.440
When you do that, it's time to blow in three hours.

13:00.440 --> 13:01.560
What'll it do?

13:01.560 --> 13:04.040
Like the atom bomb, bud.

13:04.040 --> 13:05.840
Like the atom bomb.

13:05.840 --> 13:09.960
Listen, you ain't mixed up in any kind of politics, are you?

13:09.960 --> 13:12.440
Like that Christian Front Gang or anything?

13:12.440 --> 13:13.440
No.

13:13.440 --> 13:16.040
Because I don't do that kind of work.

13:16.040 --> 13:17.040
Dangerous.

13:17.040 --> 13:18.040
This is strictly business.

13:18.040 --> 13:19.040
Personal.

13:19.040 --> 13:20.040
Okay.

13:20.040 --> 13:22.720
You know what this job is going to cost you?

13:22.720 --> 13:24.680
One C was what I was told.

13:24.680 --> 13:25.680
No.

13:25.680 --> 13:26.680
Two C's.

13:26.680 --> 13:28.720
Is that the way you always do business?

13:28.720 --> 13:30.080
Materials are going up.

13:30.080 --> 13:32.080
Well, I'll give you one and a half and a working over.

13:32.080 --> 13:34.040
Now, what'll it be?

13:34.040 --> 13:36.160
I'll take the one and a half.

13:36.160 --> 13:37.160
Three hours, you said.

13:37.160 --> 13:38.160
Yeah.

13:38.160 --> 13:39.160
Three hours.

13:39.160 --> 13:40.760
Well, here's your dough.

13:40.760 --> 13:41.920
And this thing better work right.

13:41.920 --> 13:51.280
If it don't give satisfaction, wise guy, bring it back.

13:51.280 --> 13:53.960
Three hours would give me plenty of time.

13:53.960 --> 13:58.320
I went out to Gordy Fitzroy's house in Long Island the next night, about 9.30, an hour

13:58.320 --> 14:00.360
before he'd get home.

14:00.360 --> 14:03.200
The place was dark like it should have been.

14:03.200 --> 14:05.920
I went around back where there was a kitchen window.

14:05.920 --> 14:10.320
I jimmied it and stepped inside with my suitcase full of trouble.

14:10.320 --> 14:14.800
For a minute, I stood and listened and almost thought I heard something.

14:14.800 --> 14:17.440
Nerves, I guess.

14:17.440 --> 14:18.440
Imagination.

14:18.440 --> 14:21.600
Upstairs, under his bed would be the best place.

14:21.600 --> 14:23.840
But first, I wanted to set it.

14:23.840 --> 14:27.280
I put my flash on the slot, slide lock and pushed it like the guide said.

14:27.280 --> 14:29.560
But it wouldn't move.

14:29.560 --> 14:30.880
I tried again.

14:30.880 --> 14:32.680
And it moved the wrong way.

14:32.680 --> 14:36.040
It must have got pushed by mistake earlier sometime.

14:36.040 --> 14:39.920
And then I heard the buzzing sound it was making.

14:39.920 --> 14:43.200
I gave a wild look around and saw a space behind the stove and threw it in there and

14:43.200 --> 14:44.200
started for the window.

14:44.200 --> 14:48.200
I was about halfway out when I felt the blast and something hit me in the face.

14:48.200 --> 14:49.200
And that was all.

14:49.200 --> 15:09.440
It was funny, but I came to sitting in a chair.

15:09.440 --> 15:12.400
Just sitting there in a room I'd never seen before.

15:12.400 --> 15:13.400
It was dark.

15:13.400 --> 15:17.440
Just a little light coming in from the street.

15:17.440 --> 15:19.840
Then I looked around a little and saw the bed.

15:19.840 --> 15:21.720
I knew it must be a hospital.

15:21.720 --> 15:23.720
And I remembered.

15:23.720 --> 15:26.640
But it couldn't have been too bad.

15:26.640 --> 15:30.360
They couldn't have to operate or I'd be in bed and feeling sick.

15:30.360 --> 15:36.040
But there I was just sitting in one of those hospital night shirts and bathrobes.

15:36.040 --> 15:37.040
Just sitting.

15:37.040 --> 15:39.040
And then the door opened.

15:39.040 --> 15:40.040
The doctor and the nurse.

15:40.040 --> 15:41.040
Psychic, throwing a shock.

15:41.040 --> 15:42.040
I just had to keep trying.

15:42.040 --> 15:43.040
That's all.

15:43.040 --> 15:44.040
Well, how's the patient this evening?

15:44.040 --> 15:48.040
Don't turn on the lights, Doc.

15:48.040 --> 15:53.600
Well, oh, what's that you said?

15:53.600 --> 15:56.680
I said don't turn on the lights.

15:56.680 --> 15:58.640
I like it better in the dark.

15:58.640 --> 16:00.720
How did you know I was your doctor?

16:00.720 --> 16:02.100
I guessed.

16:02.100 --> 16:03.100
You are, aren't you?

16:03.100 --> 16:04.100
Yes, yes, yes.

16:04.100 --> 16:05.100
How am I?

16:05.100 --> 16:06.100
You seem to be fine now.

16:06.100 --> 16:07.100
The bulls outside?

16:07.100 --> 16:08.100
The who?

16:08.100 --> 16:09.100
Coppers.

16:09.100 --> 16:10.100
Police.

16:10.100 --> 16:11.100
Oh, the police.

16:11.100 --> 16:15.000
They were here, but they're not around anymore.

16:15.000 --> 16:17.000
You got tired, huh?

16:17.000 --> 16:19.000
Yes, I guess they did.

16:19.000 --> 16:21.000
Thanks for telling me.

16:21.000 --> 16:23.000
Well, it's nice to see you feeling so well.

16:23.000 --> 16:24.000
I'll drop by in the morning.

16:24.000 --> 16:25.000
We'll have a long talk.

16:25.000 --> 16:27.000
Oh, yeah, sure, in the morning.

16:27.000 --> 16:32.000
There were socks and shirts in the bureau.

16:32.000 --> 16:35.000
I don't know what they were.

16:35.000 --> 16:38.000
I don't know what they were.

16:38.000 --> 16:41.000
There were socks and shirts in the bureau.

16:41.000 --> 16:43.720
There were shoes and a suit and a hat and overcoat in the closet.

16:43.720 --> 16:47.000
They weren't mine, but what did I care?

16:47.000 --> 16:49.580
Because the cops must have quit watching me for the night, and that meant I could break

16:49.580 --> 16:50.580
out of here.

16:50.580 --> 16:55.560
There was no time for any fancy suitcase jobs now.

16:55.560 --> 16:59.080
If I was going to get Gordy Fitzroy before the cops got me, I had to go after him and

16:59.080 --> 17:02.240
give it to him face to face.

17:02.240 --> 17:05.920
I put on the duds and got out into the hall and down a back stairway and out through the

17:05.920 --> 17:08.400
basement without anybody even seeing me.

17:08.400 --> 17:10.880
I knew where I could get a gun and I got it.

17:10.880 --> 17:16.240
And then, then all of a sudden I was thinking about Fran.

17:16.240 --> 17:17.240
I knew I was washed up.

17:17.240 --> 17:21.320
I knew they'd get me for what I was going to do to Gordy, but before that I wanted to

17:21.320 --> 17:22.320
see her.

17:22.320 --> 17:26.080
I just wanted to see her.

17:26.080 --> 17:29.680
I took a chance that the old dame on the phone might have been brushing me off here tonight,

17:29.680 --> 17:35.040
and I went into a booth and dialed a number.

17:35.040 --> 17:36.040
Hello?

17:36.040 --> 17:37.040
Fran?

17:37.040 --> 17:38.040
Yes?

17:38.040 --> 17:39.040
Who's this?

17:39.040 --> 17:40.040
Fran, it's, it's Johnny.

17:40.040 --> 17:41.040
Johnny Malone.

17:41.040 --> 17:42.040
Johnny?

17:42.040 --> 17:43.040
Oh, Johnny!

17:43.040 --> 17:44.040
Yeah, yeah, me too.

17:44.040 --> 17:45.040
Out?

17:45.040 --> 17:46.040
Yeah.

17:46.040 --> 17:53.040
Fran, I, I want to see you.

17:53.040 --> 18:04.040
I want to see you the worst way, but you're not going to get away with this.

18:04.040 --> 18:05.040
The worst way, but...

18:05.040 --> 18:08.040
But what, Johnny?

18:08.040 --> 18:10.040
Did you know what happened?

18:10.040 --> 18:12.040
Yes, Johnny, I know.

18:12.040 --> 18:13.040
No, no, I mean all of it.

18:13.040 --> 18:14.040
How bad it was?

18:14.040 --> 18:15.040
Yes, Warden told me.

18:15.040 --> 18:16.040
He even showed me pictures.

18:16.040 --> 18:17.040
He did?

18:17.040 --> 18:18.040
Did you get my letters?

18:18.040 --> 18:19.040
Yeah, I got them, but I tore them up.

18:19.040 --> 18:20.040
Why?

18:20.040 --> 18:21.040
Because I didn't want to know what was in them, maybe.

18:21.040 --> 18:22.040
Because I didn't want to even think about you after what happened.

18:22.040 --> 18:23.040
I don't know.

18:23.040 --> 18:24.040
I don't know.

18:24.040 --> 18:25.040
I don't know.

18:25.040 --> 18:26.040
I don't know.

18:26.040 --> 18:27.040
I don't know.

18:27.040 --> 18:28.040
I don't know.

18:28.040 --> 18:29.040
I don't know.

18:29.040 --> 18:30.040
I don't know.

18:30.040 --> 18:31.040
I don't know.

18:31.040 --> 18:32.040
I don't know.

18:32.040 --> 18:33.040
I don't know.

18:33.040 --> 18:34.040
I don't know what happened.

18:34.040 --> 18:35.040
Then, then they stopped coming.

18:35.040 --> 18:36.040
Well, I joined the Red Cross.

18:36.040 --> 18:37.040
I've been away for two years.

18:37.040 --> 18:38.040
Oh.

18:38.040 --> 18:39.040
You're, you're sure you want to see me, friend?

18:39.040 --> 18:40.040
Of course I do.

18:40.040 --> 18:41.040
Listen, Johnny, I'll meet you now at Jack's, the old place.

18:41.040 --> 18:42.040
No.

18:42.040 --> 18:43.040
No, it's too bright there, friend, too much light.

18:43.040 --> 18:44.040
Oh, all right, where?

18:44.040 --> 18:45.040
Down on your corner, Hudson Street.

18:45.040 --> 18:46.040
Ten minutes.

18:46.040 --> 18:47.040
All right, Johnny.

18:47.040 --> 18:48.040
I'll be there.

18:48.040 --> 19:08.560
I waited in the shadows in the doorway.

19:08.560 --> 19:12.400
My heart seemed to be going crazy and I could hardly breathe.

19:12.400 --> 19:15.000
I forgot all about Gordy Fitzroy and what I was going to do.

19:15.000 --> 19:17.960
I, I didn't even care anymore.

19:17.960 --> 19:20.480
Maybe something could be worked out.

19:20.480 --> 19:24.400
Maybe Fran and I could somehow.

19:24.400 --> 19:26.440
And then I heard her coming down the street.

19:26.440 --> 19:27.440
I looked.

19:27.440 --> 19:29.600
It was her, all right.

19:29.600 --> 19:31.480
I was scared now.

19:31.480 --> 19:35.040
I just waited where I was trying to get my breath.

19:35.040 --> 19:37.720
She got to the corner and looked around.

19:37.720 --> 19:40.080
And then she stood there for a minute under the street light.

19:40.080 --> 19:43.280
And I walked up and went up behind her.

19:43.280 --> 19:44.680
I laid my hand on her arm.

19:44.680 --> 19:45.680
That's all.

19:45.680 --> 19:51.800
I laid my hand on her arm and she whirled around and looked at me full in the face.

19:51.800 --> 19:55.360
Get away from me.

19:55.360 --> 19:57.520
Get away.

19:57.520 --> 19:59.320
Get away.

19:59.320 --> 20:01.120
Get away.

20:01.120 --> 20:02.120
I ran.

20:02.120 --> 20:03.120
I just ran.

20:03.120 --> 20:04.440
I was so torn up inside.

20:04.440 --> 20:06.560
I didn't know what I felt.

20:06.560 --> 20:09.480
There were tears dripping out of my twisted eye sockets.

20:09.480 --> 20:13.200
And then, then I stopped.

20:13.200 --> 20:15.440
All right.

20:15.440 --> 20:17.280
She lied to me.

20:17.280 --> 20:19.280
She didn't know what had happened and she didn't care.

20:19.280 --> 20:22.200
And when she saw it, she was like all the rest.

20:22.200 --> 20:23.200
No, right?

20:23.200 --> 20:27.080
And if she could dish it out that way, she could take it that way.

20:27.080 --> 20:30.400
I wasn't going to leave her behind either.

20:30.400 --> 20:33.440
I went around the block and back to her house.

20:33.440 --> 20:36.600
I went up the steps and into the vestibule.

20:36.600 --> 20:39.200
It was dark in there.

20:39.200 --> 20:41.280
Good and dark.

20:41.280 --> 20:44.760
I waited.

20:44.760 --> 20:50.480
It was nearly half an hour before I heard her coming up the steps.

20:50.480 --> 20:53.880
Hello, Fran.

20:53.880 --> 20:54.880
Johnny.

20:54.880 --> 20:57.720
Oh, Johnny, why are you hiding here in the dark?

20:57.720 --> 20:58.720
Why did you do it?

20:58.720 --> 21:02.800
I waited and waited and you never even showed up and I was...

21:02.800 --> 21:07.120
You had your chance, Fran.

21:07.120 --> 21:08.680
And now it's this.

21:08.680 --> 21:09.680
Johnny!

21:09.680 --> 21:19.280
I ran out on the street, through the valley to the courtyard, the building next door and

21:19.280 --> 21:21.240
over the fence and through another alley.

21:21.240 --> 21:22.560
I was on the next street.

21:22.560 --> 21:28.760
There was a cab coming and I hailed him.

21:28.760 --> 21:29.760
Where to?

21:29.760 --> 21:30.760
Just drive uptown.

21:30.760 --> 21:31.760
I'll tell you where later.

21:31.760 --> 21:32.760
Okay.

21:32.760 --> 21:35.680
The next on the list was Gordon Fitzroy.

21:35.680 --> 21:39.280
There was no use calling the house on Long Island.

21:39.280 --> 21:45.440
I know I'd blown that guy high, but I had to find him before morning.

21:45.440 --> 21:46.440
I tried to think.

21:46.440 --> 21:49.200
There must be somebody who'd know where he was.

21:49.200 --> 21:51.760
He was staying in town now, probably.

21:51.760 --> 21:52.760
A cabbie.

21:52.760 --> 21:53.760
Sure.

21:53.760 --> 21:57.760
One of the cabbies up around where his store was ought to know.

21:57.760 --> 21:59.640
I tapped on the glass behind the driver.

21:59.640 --> 22:01.560
He slid it back without looking around.

22:01.560 --> 22:03.880
You know where you want to go now?

22:03.880 --> 22:09.560
Listen, is the RECAB stand up around 53rd and Lakes?

22:09.560 --> 22:10.560
It sure is.

22:10.560 --> 22:12.120
Well, that's where I want to go.

22:12.120 --> 22:13.120
Okay.

22:13.120 --> 22:14.120
You're taking me right home.

22:14.120 --> 22:15.120
Yeah?

22:15.120 --> 22:16.120
That's your stand?

22:16.120 --> 22:17.120
Sure.

22:17.120 --> 22:19.160
I just happened to get a fare down here tonight.

22:19.160 --> 22:21.920
Well, then maybe you're just the guy I want to talk to.

22:21.920 --> 22:22.920
Me?

22:22.920 --> 22:23.920
About what?

22:23.920 --> 22:27.360
There's a jewelry store up around there named Fitzroy's.

22:27.360 --> 22:29.160
Yeah, that's right.

22:29.160 --> 22:30.160
Gordon Fitzroy.

22:30.160 --> 22:31.520
Yeah, an old pal of mine.

22:31.520 --> 22:32.520
You know him?

22:32.520 --> 22:33.520
Yeah.

22:33.520 --> 22:34.520
I've seen him.

22:34.520 --> 22:35.520
I've seen him.

22:35.520 --> 22:36.520
I've seen him.

22:36.520 --> 22:37.520
I've seen him.

22:37.520 --> 22:38.520
I've seen him a few times.

22:38.520 --> 22:39.520
You don't know where I can get a hold of him, do you?

22:39.520 --> 22:40.520
I mean, where he's living now?

22:40.520 --> 22:41.520
No, I don't, Gordon.

22:41.520 --> 22:42.520
To tell you the truth, I ain't seen him around lately.

22:42.520 --> 22:44.520
I think his partner runs the business mostly now.

22:44.520 --> 22:46.520
Oh, he's got a partner.

22:46.520 --> 22:47.520
Oh, yeah.

22:47.520 --> 22:48.520
Know his name?

22:48.520 --> 22:49.520
Let me see.

22:49.520 --> 22:50.520
No, it's...

22:50.520 --> 22:53.520
It's right on a store there.

22:53.520 --> 22:54.520
Begins with a Z.

22:54.520 --> 22:55.520
A Zellman.

22:55.520 --> 22:56.520
That's a Zellman.

22:56.520 --> 22:58.520
Face named Fred, I think.

22:58.520 --> 23:00.200
You can stop right here.

23:00.200 --> 23:04.480
I want to make a phone call.

23:04.480 --> 23:07.480
Wait for me.

23:07.480 --> 23:10.480
OK.

23:10.480 --> 23:13.840
Hello?

23:13.840 --> 23:19.600
Uh, Mr. Zellman?

23:19.600 --> 23:21.520
Yeah?

23:21.520 --> 23:34.200
Well, I'm sorry to bother you this time of night, Mr. Zellman, but I'm an old pal of

23:34.200 --> 23:35.200
Gordon Fitzroy.

23:35.200 --> 23:38.520
I've been trying to find him, but his house in Long Island doesn't answer.

23:38.520 --> 23:41.440
Yeah, I guess it does.

23:41.440 --> 23:42.440
Could you tell me where he is?

23:42.440 --> 23:45.440
Why, he's had an accident.

23:45.440 --> 23:46.440
An accident?

23:46.440 --> 23:47.440
Uh-huh.

23:47.440 --> 23:48.440
He's in the hospital.

23:48.440 --> 23:49.440
Oh, gee, that's terrible.

23:49.440 --> 23:52.880
Oh, gee, that's too bad.

23:52.880 --> 23:54.680
I'd like to see him, though.

23:54.680 --> 23:55.680
What hospital is he in?

23:55.680 --> 24:01.160
Why, uh, the Jefferson Hospital, room 508.

24:01.160 --> 24:03.160
The Jefferson Hospital?

24:03.160 --> 24:04.160
Thanks.

24:04.160 --> 24:08.720
The Jefferson Hospital.

24:08.720 --> 24:10.520
I got it now.

24:10.520 --> 24:12.640
Well, that was the hospital I'd been in.

24:12.640 --> 24:14.920
I was almost sure.

24:14.920 --> 24:17.600
So Gordy had been in his house when I blew it.

24:17.600 --> 24:20.200
And they'd taken us both there.

24:20.200 --> 24:23.920
Why else would he have had an accident just the same time as me?

24:23.920 --> 24:27.200
Maybe he was right on the same floor all the time.

24:27.200 --> 24:30.640
Maybe right in the next room to mine.

24:30.640 --> 24:33.720
Just so he was still alive, that's all.

24:33.720 --> 24:37.360
Because now I wanted to give it to him face to face.

24:37.360 --> 24:40.680
Jefferson Hospital was way out in Long Island, and I knew I wouldn't be able to pay the fare,

24:40.680 --> 24:41.680
but that didn't worry me.

24:41.680 --> 24:46.360
When we got there, I just stepped out of the cab with a gun in my hand.

24:46.360 --> 24:48.480
You want me to wait?

24:48.480 --> 24:49.480
No.

24:49.480 --> 24:50.480
No, beat it.

24:50.480 --> 24:51.720
What about me fare, Dick?

24:51.720 --> 24:53.260
This is your fare.

24:53.260 --> 24:54.800
What is this, a stick?

24:54.800 --> 24:55.800
Hey!

24:55.800 --> 24:56.800
You're... you're...

24:56.800 --> 24:57.800
It's nothing.

24:57.800 --> 24:58.800
I'm nobody.

24:58.800 --> 24:59.800
Now beat it.

24:59.800 --> 25:04.000
It was the same place, all right.

25:04.000 --> 25:06.240
I got in through the basement just like I'd got out.

25:06.240 --> 25:07.240
I went up the same stairs.

25:07.240 --> 25:09.320
I remember now, five flights.

25:09.320 --> 25:10.320
The same floor.

25:10.320 --> 25:15.280
Only this time there was an old dame, a nurse, sitting there at the desk.

25:15.280 --> 25:18.840
I had my gun out and down at my side before I even spoke to her.

25:18.840 --> 25:21.160
Well, where did you come from?

25:21.160 --> 25:22.720
I want to see the guy in 508.

25:22.720 --> 25:24.320
I'm sorry, but visiting hour...

25:24.320 --> 25:26.280
I know all about that.

25:26.280 --> 25:27.280
Take me to 508.

25:27.280 --> 25:28.280
You wouldn't.

25:28.280 --> 25:29.280
Yes, I would, sister.

25:29.280 --> 25:30.280
Now get moving.

25:30.280 --> 25:31.280
We went down the hall.

25:31.280 --> 25:32.280
In 508 she stopped, but I poked her with a rod.

25:32.280 --> 25:33.280
Oh, please don't.

25:33.280 --> 25:34.280
She opened the door ahead of me.

25:34.280 --> 25:35.280
It was a room just like mine, but it was dark.

25:35.280 --> 25:36.280
Just a little street light coming in the window.

25:36.280 --> 25:37.280
Oh, please don't.

25:37.280 --> 25:38.280
I made a move to the right.

25:38.280 --> 25:39.280
I'm going to go to the left.

25:39.280 --> 25:40.280
I'm going to go to the right.

25:40.280 --> 25:41.280
I'm going to go to the left.

25:41.280 --> 25:42.280
I'm going to go to the left.

25:42.280 --> 25:45.280
Just a little street light coming in the window.

25:45.280 --> 25:46.280
Oh, please don't.

25:46.280 --> 25:47.280
I made a move inside.

25:47.280 --> 25:51.840
And then I slugged her.

25:51.840 --> 25:53.800
I looked around.

25:53.800 --> 25:57.200
I couldn't see much yet, but the bed was empty.

25:57.200 --> 26:04.200
I moved on into the room and then I saw him standing in a door.

26:04.200 --> 26:05.560
But somebody must have tipped him off.

26:05.560 --> 26:07.800
He was dressed.

26:07.800 --> 26:10.920
He had a gun in his hand.

26:10.920 --> 26:12.520
I fired, but nothing happened.

26:12.520 --> 26:13.800
It was glass.

26:13.800 --> 26:14.800
Glass.

26:14.800 --> 26:16.680
Somebody had snapped on the lights.

26:16.680 --> 26:19.720
I whirled around looking for him, and then I saw him.

26:19.720 --> 26:23.000
But in a mirror, it was me.

26:23.000 --> 26:25.000
Me with his face.

26:25.000 --> 26:27.320
His face.

26:27.320 --> 26:33.160
They must have come up behind me.

26:33.160 --> 26:35.120
I didn't even remember.

26:35.120 --> 26:38.840
I was in bed and half-doped, and the room was full of medics and cops.

26:38.840 --> 26:40.640
But I knew.

26:40.640 --> 26:44.040
Gordy and me had both been in that house.

26:44.040 --> 26:47.240
Only the way he got it, they couldn't even find him.

26:47.240 --> 26:48.240
Only me.

26:48.240 --> 26:50.160
And they thought I was Gordy.

26:50.160 --> 26:54.560
And they fixed up my face from pictures the way they do to make me look like Gordy.

26:54.560 --> 26:56.680
And Fran had believed me.

26:56.680 --> 26:58.640
That's why she screamed at me.

26:58.640 --> 27:01.520
Because she thought I was Gordy and she knew what he'd done to me.

27:01.520 --> 27:03.560
Oh, I knew.

27:03.560 --> 27:06.160
I knew all right.

27:06.160 --> 27:10.360
Without even hearing them talking in their low voices there beside my bed.

27:10.360 --> 27:11.360
I knew.

27:11.360 --> 27:15.120
Apparently the shock, the explosion and all was just too much for him.

27:15.120 --> 27:18.720
Yes, he was here for 21 months while we rebuilt his face.

27:18.720 --> 27:21.200
You know, he never spoke a word until today.

27:21.200 --> 27:24.600
Well, he's due for another shock now.

27:24.600 --> 27:27.400
He's wanted for murder.

27:27.400 --> 27:30.440
I never even told them who I really was.

27:30.440 --> 27:32.440
What was the use?

27:32.440 --> 27:47.440
Suspense.

27:47.440 --> 27:53.800
Presented by Roma Wines, R-O-M-A, Roma, America's favorite wines.

27:53.800 --> 27:57.880
This is Ken Niles bringing back to our suspense microphone the star of the evening, Chester

27:57.880 --> 27:58.880
Morris.

27:58.880 --> 28:04.040
Tell me, Chester, after so convincing a performance as a first rate heel, don't you find it difficult

28:04.040 --> 28:06.880
to resume being the really nice guy we know you are?

28:06.880 --> 28:08.120
Oh, not at all, Ken.

28:08.120 --> 28:12.840
You know, I just whispered, Abracadabra, and the villain in me disappeared.

28:12.840 --> 28:18.280
Well, I might have known since you're one of Hollywood's most accomplished amateur magicians.

28:18.280 --> 28:21.600
Would you make me disappear if I asked how's tricks?

28:21.600 --> 28:24.960
Now, Ken, I'd like to, but I don't know any tricks that good.

28:24.960 --> 28:27.480
Well, Chester, here's a trick you want to know.

28:27.480 --> 28:32.160
It's a trick in taste magic, and the only props you need are glasses and delicious Roma

28:32.160 --> 28:33.480
California sherry.

28:33.480 --> 28:38.720
Then, when guests drop in, you simply pour and presto, hospitality reigns.

28:38.720 --> 28:41.920
Well, that's a trick anyone can master, Ken, with Roma sherry.

28:41.920 --> 28:46.760
Right, Chester, for Roma sherry is the keynote of gracious entertaining, the popular first

28:46.760 --> 28:48.360
call for dinner.

28:48.360 --> 28:51.040
That's because Roma sherry is better tasting.

28:51.040 --> 28:56.920
In fact, all Roma wines taste better because Roma starts with choicest grapes, skillfully

28:56.920 --> 29:02.320
and unhurriedly guiding this grape treasure with America's finest winemaking resources

29:02.320 --> 29:04.520
to tempting taste perfection.

29:04.520 --> 29:10.040
Then, at the moment of peak taste richness, Roma selects from the world's greatest wine

29:10.040 --> 29:12.680
reserves for your pleasure.

29:12.680 --> 29:16.960
No wonder more Americans enjoy Roma than any other wine.

29:16.960 --> 29:18.720
Well, you're right, Ken, no wonder.

29:18.720 --> 29:23.560
And Chester, so you may practice this taste magic at home and delight your guests, here

29:23.560 --> 29:26.160
from Roma is a gift basket of Roma wines.

29:26.160 --> 29:29.400
Well, thank you, Ken, and thanks to Roma.

29:29.400 --> 29:33.560
And now before I return to my top hats and rabbits, Ken, who will I be hearing on suspense

29:33.560 --> 29:34.560
this time next week?

29:34.560 --> 29:36.840
You'll be hearing Robert Taylor.

29:36.840 --> 29:38.960
Next week is our anniversary show for us.

29:38.960 --> 29:42.560
Roma will be beginning its fourth year of presenting suspense.

29:42.560 --> 29:47.080
It was Cary Grant who was our first star, and each year on our anniversary, Cary has

29:47.080 --> 29:48.080
appeared.

29:48.080 --> 29:50.720
This year, however, he'll be away from town.

29:50.720 --> 29:52.040
We'll present him later.

29:52.040 --> 29:53.560
Next week, it'll be Bob Taylor.

29:53.560 --> 29:55.720
Wonderful, and what kind of a story will Bob do, Ken?

29:55.720 --> 29:59.800
Well, it'll be a suspense play that involves him in a Christmas story with some of the

29:59.800 --> 30:04.040
eeriest and most inexplicable twists imaginable.

30:04.040 --> 30:06.720
It'll take all the magician in you to explain it away.

30:06.720 --> 30:08.680
Well, I'll certainly be listening.

30:08.680 --> 30:12.360
Chester Morris will soon be seen in the Columbia picture Inside Story.

30:12.360 --> 30:16.680
Tonight's suspense play was written by Bruce Cassidy and Robert L. Richards.

30:16.680 --> 30:22.600
Next Thursday, same time, you will hear Mr. Robert Taylor as star of Suspense.

30:22.600 --> 30:26.760
Produced and directed by Williams-Fear for the Roma Wine Company of Fresno, California.

30:26.760 --> 30:53.760
This is CBS, the Columbia Broadcasting System.

