WEBVTT

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And now, Roma Wines, R-O-M-A, made in California for enjoyment throughout the world.

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Roma Wines present Suspense.

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Tonight, Roma Wines bring you Miss Judy Garland as star of Drive-In,

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a suspense play produced, edited, and directed for Roma Wines by William Spear.

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Suspense, radio's outstanding theater of thrills, is presented for your enjoyment by Roma Wines.

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That's R-O-M-A, Roma Wines, those excellent California wines that can add so much pleasantness to the way you live,

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to your happiness in entertaining guests, to your enjoyment of everyday meals.

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Yes, right now, a glass full would be very pleasant,

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as Roma Wines bring you Judy Garland in a remarkable taste of the world.

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Suspense.

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I wish I hadn't let Ruth talk me into serving that last car that came into the drive-in that rainy night.

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It was late and I was tired.

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I'd been on my feet all day carrying heavy trays,

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hopping to it with impatient people glaring their headlights on and off in my eyes.

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Heaven knows there are a lot of impatient people in Hollywood.

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We carhops don't have an easy time of it.

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Talk about your mail carriers.

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Well, we're the same, raining or blowing or boiling hot.

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We've got to get through with that tray and know the reason why.

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Tired, hungry people who sit back in their car expecting a million dollars worth of service for a ten-cent tip.

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Why do we do it?

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Sure, there are other ways of making a living in Hollywood,

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but not many that hold that glittering promise that maybe someday, somehow, maybe someone will say...

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Why, that girl looks like Lana Turner.

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Yes, at least her hair's done up that way.

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I think I could use her, Renée.

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The musical version of the Four Sides saga, or she'd be great in color.

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I think I'll ask her to come out to the studio.

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Yes, I know.

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Maybe it doesn't happen often, but there's always the chance.

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And there's always that hope.

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That's what keeps us going, I guess.

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But there are other things that can happen in the drive-in that aren't on the menu.

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Like that rainy night I was telling you about when I let Ruth talk me into serving that last car that came in.

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Milly, Milly, Milly, listen, please take his order, will you?

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I've got three cars.

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Oh, look at the clock, will you?

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It's nearly midnight. I'm off already.

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Oh, please, Milly, just this once more. My date's waiting. I'll do the same for you.

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What's the matter with him?

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What's the matter with him? Can he read, please do not honk your horn? It looks clear enough to me.

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It's a doctor's car. You see, he's probably in a rush. Anyway, you've got nobody waiting for you.

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Oh, all right.

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Oh, gee, thanks, Mille.

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Fried bread.

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It was true. I had no one waiting for me.

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Only the bus that was going to take me to Glendale where I lived alone in an apartment.

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So I buttoned up my raincoat and took a menu over to the car.

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Good evening.

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Never mind the menu.

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There's some black coffee, a pot of it, and a ham sandwich. Please hurry.

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When I took his order over to the car, the window was rolled up a little too far and it interfered with the tray, so I reached in to wind it down.

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When I touched the handle, it felt wet, kind of sticky, too, but I didn't think anything about it.

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I got the tray firmly set and then I looked at my hand. It was as red as blood.

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I looked up quickly at him.

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Oh, I'm sorry. I'm Dr. Morgan. I just had an emergency in the car.

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Oh, an accident?

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Yes, sunset and vine. Quite a crash. I just happened by and I took one of them to the hospital.

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Oh, gee, that's a shame.

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Yes, it's too bad.

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I walked back trying to wipe the blood from my hand with a paper napkin.

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It gave me a creepy feeling to have somebody's blood on my hand.

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Then I went in to wash.

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I was trying to keep close track of the time and I was a little worried for fear the big drive-in clock wasn't right.

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It sometimes ran slow.

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So I took a coin from my apron pocket. I figured it was worth a nickel not to miss that last bus to Glendale.

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I walked over to the pay phone and I was about to drop the nickel and I looked out and he was leaning on the horn and beckoning to me at the same time.

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I put the nickel back in my pocket and hurried out to him.

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I'm sorry, but I'm in a hurry. I haven't time for this coffee to cool off. I'll take the sandwich with me.

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How much do I owe you?

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Oh, it'll be 42 cents.

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Here you are.

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Thank you.

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I hope I didn't interrupt your phone call. It wasn't important, was it?

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No, I was just checking on the time. I don't want to miss my bus.

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There was a clock right over your head.

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Well, that's usually wrong.

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I have the time. It's about four minutes to 12.

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Oh, I'm going to miss my bus.

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What time does it leave?

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At midnight from Hollywood and La Brea.

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Hop in. I'll take you. I'm going right past there.

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Oh, would you? I'll take the train. I'll be right back. I might still be able to make it.

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Okay.

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In my hurry to unhook the tray from the window, I gave it a jerk and it fell crashing to the ground. Oh dear.

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Ruth!

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Yeah?

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I'm going to miss my bus.

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Go ahead. I'll get it. I'll get it.

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We picked the things up quickly and Ruth went off with the tray.

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I started to run around the other side of the car when I noticed something shining on the ground.

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It was one of the shakers that had fallen from the tray. I picked it up and started toward the drive-in.

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Why don't you just put that in your pocket? You can return it tomorrow. Come on. You're going to miss your bus.

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I put the shaker in my apron pocket and I rushed over to the other side of the car.

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He opened the door for me and I was just about to get in when I hesitated.

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I wasn't used to doing this kind of thing.

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The other girls sometimes let their customers drive them home, but I never did.

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Still, he looked so decent and I...

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Come on. You'll miss it.

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Then he reached out as if to help me in and I thought that he was really concerned about my missing the bus.

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Because he seemed to pull me into the car.

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First thing I knew, I was sitting beside him.

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Then the door slammed and we were driving home.

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I was a little uneasy, but when I thought it's only a few blocks, I won't be in the car long.

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I suppose you're in a hurry because someone's waiting for you.

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No, I live alone. But I'd hate to walk back to Glendale in this rain.

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You won't have to walk.

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Well, this is very nice of you. I appreciate it.

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Not at all.

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Would you mind rolling up that window on your side? There's a draft.

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Oh, of course.

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Oh, you can let me off at that corner over there.

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All right.

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Anywhere along here will be all right.

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This is fine. Right over there by the stop sign.

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Wait a minute, you're going through the stop signal.

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Am I?

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Yes, but I'll get off over there by the other one.

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My bus! You're turning the wrong way.

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Am I?

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Yes, this goes out of the way.

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Does it?

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Let me out of here.

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You thought you were pretty smart, didn't you?

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I don't know what you mean. Please let me out of this car.

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You went right to the phone. You thought I wouldn't see you.

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The phone? But I was calling about the time. Honest I was.

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The time. With that clock over your head.

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But that clock's wrong sometimes. Besides, who would I call?

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Why should I call anyone about you?

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I'm sorry. I'm sorry.

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You were going to catch a bus.

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You were going straight to the police. That's where you were going.

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But why? Why should I go to the police?

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You know why.

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No, really, I don't.

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Because you saw it.

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You saw his blood.

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No, you don't.

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There.

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You won't need to try to open that door again.

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I'm sorry.

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Now we'll be getting along.

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For Suspense, Roma Wines are bringing you Judy Garland in Drive-In.

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Roma Wines presentation tonight in radio's outstanding theater of thrills, Suspense.

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Between the acts of Suspense, this is Ken Niles for Roma Wines.

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One week from tonight, Thanksgiving dinner will be gone but not forgotten.

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And now Roma wines bring back to our Hollywood Soundstage Judy Garland as Mildred, with Raymond E. Lewis as the man in Drive-In.

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A tale well calculated to keep you in suspense.

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After I made that last try to get out, he broke the handle of the door.

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All the strength seemed to go out of my body.

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I just sat there as we drove on. We passed a few people and some cars in the next blocks.

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And I thought of calling out, but then I knew why he'd asked me to roll up the window when I'd first gotten into the car.

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Then we were at the mouth of the canyon, and I could see the road dark and lonely up ahead.

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The car twisted and swerved. My arm ached from his strong fingers that had dug into it when I tried to jump out.

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I looked at him from the corner of my eye.

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He hadn't seemed like a criminal back at the drive-in, and he didn't seem like one now.

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His jaw was black from needing a shave, still his face, well it wasn't like a criminal at all.

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I was so tired.

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Quit staring at me.

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Oh look, I didn't know anything about you, honest, I didn't. Please let me go.

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You know something about me now.

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Well I won't tell anybody, whatever it is, I promise I won't.

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A woman's promises. Remind me to tell you a story about a woman and promise.

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Oh, let me out, please let me out right here.

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It's a long way back to Glendale.

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That's all the better. It'll take me hours to get back and you'll be miles away by then.

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I'm not taking any chances with you, Finn.

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Please let me out, I've got to get back.

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You said no one was waiting for you. You live alone, don't you? No one will miss you.

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We both heard the siren then. He looked quickly in the rear vision mirror.

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Then he took a gun from his pocket and he turned to me.

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If that's for us then we'll stop, remember just this.

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I've used this gun before tonight and I can use it again if I have to.

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If I'm taken you'll go first. Now listen, I'm a doctor and you're a nurse.

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We're headed for an emergency. If you want to live you won't try to pull anything.

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You're on awful fast for a wet night, aren't you?

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Followed you up from Hollywood.

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I'm Dr. Morgan, officer. This is Nurse Johnson, emergency call.

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I see your identification.

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He fumbled through his pockets with one hand holding the gun in my ribs with the other.

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A motorcycle cop looked over at me. I thought for a moment I could signal him with my eyes.

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But then I knew he wasn't looking at my face. He was looking down at my white starched blouse which you could see under my raincoat.

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He thought I was a nurse, he said.

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Ah, here you are.

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Okay Doc, sorry I stopped you.

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Hey, just a minute.

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What's the matter?

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Just wanted to tell you, rain started to slide up their ways. Take it easy.

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Thanks, I will.

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You're not Dr. Morgan, are you?

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What do you say?

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Then we came on the landslide. It wasn't a big one, but it made a terrible mess of the road.

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It didn't slow down and the car swerved crazily as it slipped from one side of the highway to the other.

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Suddenly I felt as though the whole rear end had slipped down.

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I looked over at him. He was tense. His lung was turned white as he clutched the wheelie. He shoved the car into reverse.

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I hoped it had never moved.

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It didn't. We were stuck, hopelessly stuck.

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But what a luck.

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Suddenly the car was filled with light. A car had come around the curb behind us. This might be my chance.

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Remember, I still have this gun. Don't try anything.

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Say, we're stuck here. Could you give us a push?

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We'll have some California hospitality, will you?

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I'll have to get out.

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I'll have to put something under the wheel. You stay here.

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I'll stay there.

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There were some bushes by the side of the road. If I could reach them, I could perhaps run up the side of the hill and hide.

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Then in the morning make my way back down the canyon.

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I carefully turned the handle of the door. I could see him in the mirror.

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He was at the back of the car.

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I eased the door gently open, put one foot out. I was just sliding out when I heard him.

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You're not going anyplace.

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Come here, give me the raincoat.

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Why?

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I need something dry to stuff under this wheel.

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But I...

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You won't be needing it. Come on.

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He practically ripped it off my back.

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Wouded into a ball and bent it down and stuffed it under the wheel.

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The gun stuck out of his back pocket. If I could get it, if I could lay my hands on it, I held my breath and reached out.

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I'd seen it so far, but I finally touched it.

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Then I snatched it from his pocket swiftly.

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Give me the gun.

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I'm going. You can't stop me now.

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Can't I?

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No. You stay right where you are. I won't hurt you. All I want to do is get home. I'm going, but if you follow me, I'll...

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You'll what?

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I'll kill you.

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I don't think you will.

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Yes, I will. You think I'm afraid.

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Aren't you?

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No. I don't care what happens to you. You're a murderer. You killed somebody.

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I thought you didn't know anything about me.

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I didn't, but I do now and I'm going to tell the police.

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You stay where you are. No, don't. I'm not afraid. I'll shoot.

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Too bad I used up all of those tonight. You could have filled me full of holes.

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Now give me that gun and get in the car.

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Are you going to kill me?

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What do you think?

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We were nearing the top of the canyon now. The road was very steep. The rain had let up. It was just drizzling now.

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Even though he hadn't answered my question, I knew the answer. He was going to kill me.

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I wouldn't get back home tonight. Not tonight or any other night.

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It was funny. I sometimes used to hate that little apartment of mine where nothing ever happened.

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But tonight, and then for some strange reason I thought about Ruth.

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What would she say tomorrow when I didn't show up at work?

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And I wondered where they'd find my body.

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Well, here we are. Let's look out the mountain.

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The top of the world.

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Suddenly we came over the crest of the hill and way down below the city stretched out for miles.

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Millions of lights glittering in the rain. For a moment I forgot everything. It was the most beautiful sight I'd ever seen.

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Ever been up here before?

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No.

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Nice, isn't it?

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Yes.

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I used to come up here with a girl once. We used to sit and talk for hours.

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Come on. We'll get a better view if we get out.

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I knew it was foolish to argue with him, so I followed him.

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But as he walked over towards the edge I became frightened. It was such a steep drop.

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Well? Come on.

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I'm afraid to get so close to the edge.

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You won't fall.

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Look. That's Los Angeles over there. That bright line of lights is Western Avenue.

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I went to school somewhere along in there. I used to get in all sorts of trouble at school, but I got by and managed.

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Everyone said I'd grow out of it.

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Over that way towards the ocean, that's Westwood. That's where she lived. This girl I was telling you about.

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That was the best part of my life, I guess.

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That's when they said marriage and a wife would straighten me out.

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Marriage and a wife would straighten me out in Westwood, they said.

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Does your wife still live there?

20:24.000 --> 20:27.000
No. She's dead.

20:27.000 --> 20:29.000
I'm sorry.

20:29.000 --> 20:33.000
You needn't be. I killed her.

20:33.000 --> 20:36.000
Why?

20:36.000 --> 20:41.000
Because she couldn't keep her promises.

20:41.000 --> 20:44.000
Did you kill her tonight?

20:44.000 --> 20:47.000
No.

20:47.000 --> 20:50.000
A long time ago.

20:50.000 --> 20:54.000
The jury said I was insane.

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But I think it was the sanest thing I ever did.

20:58.000 --> 21:02.000
They put me in an asylum.

21:02.000 --> 21:07.000
Do you know what it's like being locked up year after year when you know there's nothing wrong with you?

21:07.000 --> 21:11.000
No. No, I don't.

21:11.000 --> 21:14.000
It isn't good.

21:14.000 --> 21:17.000
You'd do anything to get out.

21:17.000 --> 21:20.000
Anything.

21:20.000 --> 21:22.000
Anything at all.

21:22.000 --> 21:28.000
I knew. I knew if I could keep him talking, maybe a car would come along. Maybe something would happen. It was my only chance.

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What were you thinking about?

21:30.000 --> 21:34.000
You killed someone else tonight, didn't you?

21:34.000 --> 21:36.000
Yes.

21:36.000 --> 21:38.000
Dr. Morgan?

21:38.000 --> 21:42.000
Yes. He was one of the men who thought I was insane.

21:42.000 --> 21:44.000
Why did you do it?

21:44.000 --> 21:49.000
I wanted his car to get away and I didn't want to be locked up anymore.

21:49.000 --> 21:52.000
But they'll catch you.

21:52.000 --> 21:59.000
No. They won't find the doctor for several days. I saw to that.

21:59.000 --> 22:01.000
How can you be so sure?

22:01.000 --> 22:04.000
I do things thoroughly.

22:04.000 --> 22:07.000
What are you going to do now?

22:07.000 --> 22:11.000
First I'm going to...

22:11.000 --> 22:17.000
And then I guess I'll go south.

22:17.000 --> 22:20.000
I knew what he meant by that pause.

22:20.000 --> 22:24.000
I started to back away slowly. I'd made a mistake by reminding him in the present.

22:24.000 --> 22:28.000
My hands went instinctively to my apron pocket for something to defend myself with.

22:28.000 --> 22:31.000
I knew there was a pencil there. It was sharp.

22:31.000 --> 22:34.000
Maybe I could scratch him or hurt him some way with it.

22:34.000 --> 22:39.000
But when I reached for it, I felt something else. Instead, something cold and hard.

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I was puzzled for a moment and then I remembered.

22:42.000 --> 22:44.000
There was a shaker I'd picked up at the drive-in.

22:44.000 --> 22:46.000
Stand still.

22:46.000 --> 22:48.000
Then he started moving toward me.

22:48.000 --> 22:51.000
Me with only a pencil and a shaker to defend myself with.

22:51.000 --> 22:54.000
It's too bad I came into that drive-in tonight.

22:54.000 --> 22:56.000
Why did you?

22:56.000 --> 23:00.000
I was hungry because I hadn't eaten for a long time.

23:00.000 --> 23:03.000
Weren't you afraid someone would see you?

23:03.000 --> 23:05.000
No alarm had gone out.

23:05.000 --> 23:06.000
How did you know?

23:06.000 --> 23:08.000
I knew.

23:08.000 --> 23:11.000
If only you hadn't rolled that window down.

23:11.000 --> 23:13.000
Well, if you're sorry, why don't you let me go?

23:13.000 --> 23:18.000
It's too late. What's that?

23:18.000 --> 23:22.000
With his sudden movement, his arms were around me in a tight embrace.

23:22.000 --> 23:25.000
I started to scream, but suddenly his lips closed over mine.

23:25.000 --> 23:28.000
He kissed me, brushing my head back roughly.

23:28.000 --> 23:35.000
I could scarcely breathe and I felt the car's headlights on us like a spotlight.

23:35.000 --> 23:38.000
Just look at this view, will you?

23:38.000 --> 23:40.000
I'll have to do this in a picture sometime.

23:40.000 --> 23:43.000
Can't you see you're interrupting something?

23:43.000 --> 23:45.000
Come on, drive on, will you?

23:45.000 --> 23:48.000
Okay, okay. And in all this rain,

23:48.000 --> 23:57.000
I'm sure people would have some more fun.

23:57.000 --> 23:59.000
He held me a moment longer.

23:59.000 --> 24:02.000
When the car had gone, he released me.

24:02.000 --> 24:06.000
My pencil had fallen to the ground and I was left with only the shaker in my hand.

24:06.000 --> 24:09.000
I fingered it nervously and then I felt the top coming off.

24:09.000 --> 24:11.000
I felt the content spilling in my hand.

24:11.000 --> 24:12.000
What have you got in your hand?

24:12.000 --> 24:13.000
Nothing.

24:13.000 --> 24:14.000
Give it to me.

24:14.000 --> 24:15.000
No!

24:15.000 --> 24:16.000
Give it to me!

24:16.000 --> 24:19.000
He pulled me toward him. We were moving to the edge of the cliff,

24:19.000 --> 24:23.000
but my other hand was free and I threw the contents of the shaker into his face.

24:23.000 --> 24:26.000
His hands flew to his face in an effort to clear his eyes,

24:26.000 --> 24:29.000
but I knew it was too late. The pepper had blinded him.

24:29.000 --> 24:34.000
He lunged out for me, but I stepped aside quickly and he slipped in the mud.

24:34.000 --> 24:36.000
His hands went out to steady himself.

24:36.000 --> 24:38.000
He clawed frantically at them.

24:38.000 --> 24:52.000
Then I saw him falling over backwards, over the edge.

24:52.000 --> 25:17.000
Then my strength gave way and I felt myself sinking down to the ground.

25:17.000 --> 25:20.000
I don't know how long I must have been there,

25:20.000 --> 25:23.000
but when I came to it was raining again.

25:23.000 --> 25:27.000
I was soaked to the skin and there was mud caked in my hair.

25:27.000 --> 25:30.000
There was no one in sight.

25:30.000 --> 25:36.000
The lights of Los Angeles stretched out in a pattern peacefully below.

25:36.000 --> 25:40.000
And I knew that somewhere at the foot of those hills was Glendale.

25:40.000 --> 25:46.000
And my apartment rose slowly to my feet,

25:46.000 --> 25:50.000
and I started back to other road.

25:50.000 --> 25:58.000
Somehow everything that had happened seemed unreal, like a dream.

25:58.000 --> 26:19.000
I think that the way he kissed me to keep me from crying out.

26:19.000 --> 26:21.000
Suspense.

26:21.000 --> 26:24.000
Presented by Roma Wines, R-O-M-A.

26:24.000 --> 26:29.000
Selected for your pleasure from the world's greatest reserves of fine wines.

26:29.000 --> 26:34.000
And now it's curtain call time for tonight's suspense star, Judy Garland.

26:34.000 --> 26:36.000
Judy, you were grand.

26:36.000 --> 26:39.000
We hope you enjoyed your part tonight as much as we did your performance.

26:39.000 --> 26:40.000
Thank you, Ken.

26:40.000 --> 26:43.000
As a matter of fact, playing the part of a waitress tonight was a treat.

26:43.000 --> 26:46.000
I just pictured myself knee deep in juicy steaks.

26:46.000 --> 26:50.000
That reminds me, Judy, as a waitress you deserve a tip.

26:50.000 --> 26:52.000
And here's the best tip I know.

26:52.000 --> 26:55.000
Make Thanksgiving dinner really outstanding.

26:55.000 --> 26:58.000
Serve Grand Estate California Burgundy or Sauterne.

26:58.000 --> 27:02.000
For Grand Estate wines presented by Roma, America's greatest vendor,

27:02.000 --> 27:05.000
are the ultimate in wine excellence.

27:05.000 --> 27:10.000
Yes, the brilliant clarity, full fragrance, and mellow taste of Grand Estate wines

27:10.000 --> 27:12.000
please the most discriminating guests.

27:12.000 --> 27:14.000
Well, I know that my guests would agree with you.

27:14.000 --> 27:19.000
And Judy, there's a reason Grand Estate Burgundy and Sauterne are distinctively better.

27:19.000 --> 27:24.000
Because for Grand Estate wines, Roma selects only the choicest grapes.

27:24.000 --> 27:29.000
Then the priceless skill of Roma Master Vintners, necessary time,

27:29.000 --> 27:36.000
and America's finest winemaking resources guide this choice grape treasure to rich taste luxury.

27:36.000 --> 27:40.000
So remember, when you serve Grand Estate wines, you serve the finest.

27:40.000 --> 27:42.000
The crowning achievement of Vintner skill.

27:42.000 --> 27:44.000
Well, that's a real tip, Ken.

27:44.000 --> 27:46.000
And so you can follow it, Judy.

27:46.000 --> 27:50.000
And here with Roma's compliments is your gift basket of Grand Estate wine.

27:50.000 --> 27:51.000
Well, thank you.

27:51.000 --> 27:56.000
And while I'm giving out thanks, let me give a great big portion with love and kisses

27:56.000 --> 27:59.000
to my great and good friend Bill Spear for his magical direction

27:59.000 --> 28:02.000
and to Raymond Lewis for playing the man so wonderfully.

28:02.000 --> 28:03.000
Well, thanks to you, Judy.

28:03.000 --> 28:06.000
And to Metro-Goldwyn-Mayer, producers of the yearling,

28:06.000 --> 28:08.000
for their cooperation in making you available to us tonight.

28:08.000 --> 28:11.000
Next week we'll have Chester Morris as star of Suspense.

28:11.000 --> 28:14.000
Oh, he's one of my favorite actors. I won't miss it. Good night.

28:14.000 --> 28:19.000
Tonight's Suspense play was written by Mel Denelli and Muriel Roy Bolton.

28:19.000 --> 28:25.000
Next Thursday, same time, you will hear Chester Morris as star of Suspense.

28:25.000 --> 28:54.000
Presented by the Roma Wine Company of Fresno, California.

28:55.000 --> 28:57.000
Ladies and gentlemen, in the coming weeks,

28:57.000 --> 29:02.000
Suspense will present such stars as Cary Grant, Olivia de Havilland,

29:02.000 --> 29:07.000
Alfred Hitchcock, Joseph Cotton, Roddy McDowell, and many others.

29:07.000 --> 29:10.000
Make it a point to listen each Thursday to Suspense,

29:10.000 --> 29:33.000
radio's outstanding theater of thrills.

29:33.000 --> 29:37.000
Suspense is broadcast from coast to coast and to our men and women overseas

29:37.000 --> 29:42.000
by shortwave and through the worldwide facilities of the Armed Forces Radio Service.

29:42.000 --> 30:11.000
This is CBS, the Columbia Broadcasting System.

