WEBVTT

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And now, Roma Wines, R-O-M-A, made in California for enjoyment throughout the world.

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Roma Wines presents Suspense.

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Tonight, Roma Wines bring you Mr. Jack Carson, a star of Easy Money,

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a Suspense play produced, edited, and directed for Roma Wines by William Spear.

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Suspense, radio's outstanding theater of thrills, is presented for your enjoyment by Roma Wines.

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That's R-O-M-A, Roma Wines, those excellent California wines that can add so much pleasantness to the way you live,

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to your happiness in entertaining guests, to your enjoyment of everyday meals.

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Yes, right now, a glass full would be very pleasant,

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as Roma Wines bring you Jack Carson in a remarkable tale of Suspense.

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The night I'm telling about, that Easy Money was hanging up there somewhere, just waiting to fall right into my lap.

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I didn't even know it.

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All I knew was I had business elsewhere.

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I was playing the piano at Mario's over in Brooklyn, but that night I slipped out early.

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I didn't even tell Ellen I'd just left.

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Because for the first time in 14 years, I had a purpose in life, a plan, an objective, and I wanted to think.

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I was sitting in Gus's grill over a cup of coffee, still thinking.

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When I looked up suddenly, and there was Ellen.

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Hmm. Where'd you come from?

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I followed you. I think I'll have something to eat too.

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A girl can sure work up an appetite chasing a man.

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Look, go away, will you? I'm depressed.

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That's all the more reason you need me, darling.

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The food here is terrible. Some of Gus's customers have to be treated for shock.

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Let's go somewhere else.

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This is the only place where my credit's still good.

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I stopped at your rooming house yesterday. Somebody said you had to move.

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If you need money, Paul, why didn't you tell me?

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Because I'm through taking money from you.

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You're only borrowing it.

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Look, this is a terrible blow to my pride, darling, but for the tenth time will you marry me?

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Nope.

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Why not? It'd make me terribly happy.

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You'd be happy for a month and miserable for the rest of your life.

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Is this a kind way of telling me that you don't love me?

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You're never out of my mind.

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Just walking in the street, I get lonely for you.

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Then marry me, Paul.

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I'd be good for you. I'd always be nagging you and driving you to work harder and get someplace.

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I'm just exactly where I belong, walling a piano at Mario's for those lecherous leg breakers.

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I know better.

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You know, a couple of times I was there when you stayed after closing.

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You thought you were all alone, and I heard you playing.

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How did you ever get like this?

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You're imagining things.

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Well, you never tell me anything about yourself.

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Paul, when I stopped at your room yesterday, I saw something on the floor that kind of puzzled me.

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Did it?

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Uh-huh. A page torn out of last week's Destiny magazine.

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What's so puzzling about that?

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It was all carefully folded.

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You know, it looked like something you'd been carrying in your pocket.

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I thought maybe you dropped it, so I brought it along.

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What would I want that for?

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I don't know.

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It's just a full page ad about the diary of Martha Lathrop that's starting next week.

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It says, after ten years abroad, Martha Lathrop has just come back to America.

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Her authoritative books have opened the secret doors of politics.

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Her keen mind has alerted America on world affairs and punctured the stuffed shirts of important men.

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Now read the sensational story behind all her stories.

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Extraordinary woman.

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Yeah.

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Oh, well.

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You didn't answer my question yet.

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Which question?

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The only one that really interests a woman.

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Are you going to marry me?

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I'm already married.

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You're married?

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That happens to men, you know.

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Why didn't you ever tell me, Paul?

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Because it's something that happened a long time ago. It's 14 years since I last saw her.

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14 years?

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And you never did anything about it?

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There was nothing I could do until now.

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Until Martha came back to this country.

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Martha?

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You mean this woman in...

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Yeah, yeah. She's my wife.

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Martha Lathrop? Your wife?

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I'm going to see her tonight.

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But why? In all these years, why didn't you ever...

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Because sometimes marriage really seems to mean what it says.

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Till death do us part.

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I left Ellen and went up there.

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She was living in a big converted brownstone on Gramercy Plate, overlooking the park.

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The door was opened by a rough-looking character who would have been a lot more convincing as a private dick than as a butler.

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Which is what he was apparently supposed to be.

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For a moment I wondered if he knew anything about me.

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If this watchdog might be the one person she could have told to warn him against me.

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But of course I was wrong.

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Not with her pride, not her, not Martha.

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Yes?

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I want to see Miss Lathrop.

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You have an appointment?

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No, but...

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Then you can't see her.

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You're not a waiter, madam.

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Without an appointment you can't see her. Nobody can see her.

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Miss Lathrop is a very sick woman.

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Sick?

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The newspapers didn't say anything about it.

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Never mind what the newspapers said. You heard what I said.

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Well look, just give her this watch. I'll wait.

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What about the watch?

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Well just give it to her. I think she'll see me. It has her name in it.

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Oh. Something you found?

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Uh, yeah. Something I found.

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He took the watch and went upstairs.

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I knew the watch would work because Martha herself had given it to me as a wedding present.

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I knew exactly how it would work, up to a point.

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And if she still wouldn't give me what I wanted, I was ready for that too.

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But there was something about the whole setup that I didn't get.

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The house itself, dark and somber as a prison.

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The pug ugly butler.

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The part about her being sick. It didn't fit. It just didn't fit with what I knew about Martha Lathrop.

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I sat down in the living room to wait.

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It almost jumped out of my skin.

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It was a big bird like a parrot, a macaw or mackaw, whatever it's called,

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peering at me through the bars of a cage.

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I remembered now reading about how some big game hunter had given it to her.

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It was big and bright colored and mean looking with a green stripe between its eyes,

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which gave a really quite startling impression that the thing was wearing spectacles.

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I was still staring at it when I turned and I saw Martha.

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For the first time in fourteen years.

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She was pale, thinner than I remembered, but with the same hard intense blue eyes.

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The same air of cold condescension, but it was something else.

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Suddenly I knew what it was.

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It was fear.

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A look of hidden fear that was almost shocking to me,

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who had almost known Martha as utterly even cruelly fearless.

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I was in for another shock.

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She didn't speak to me, she spoke to the butler.

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Robert, have you searched him?

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Not yet, Miss Lathrop.

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Please do.

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Turn around.

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What's the idea?

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I said turn around.

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Well, he's all right, Miss Lathrop.

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Very well, you may go now, Robert.

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Yes, Miss Lathrop.

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May I ask what that was all about?

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I've had some very trying experiences since I saw you, Paul.

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You must have if you have to search all the callers for concealed weapons.

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What are you afraid of, Martha?

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I'd rather not discuss it if you don't mind.

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What do you want?

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You're not exactly overjoyed to see me, are you?

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I said what do you want?

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I read about your diary, I came to congratulate you.

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Then congratulate me and get out.

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Look, Martha, that bird seems to be as bad tempered as you are.

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Can you keep him out of this conversation?

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This conversation is over.

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Not my end of it, no.

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What did you come here for? Money? Because the answer's no.

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No, not this time.

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This time I want something money can't buy.

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One of the very few things it can't.

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What's that?

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To be free, Martha.

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Why?

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So that I can marry again.

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Did I happen to say something funny?

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I suppose to some people love isn't funny, is it?

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Wasn't to me when I married you.

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That was the one bad miscalculation I made in my life.

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I know.

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I knew that first time you went to Paris for a newspaper, I'd never see you again.

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You said going away would only be temporary, but as the French say,

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there's nothing so permanent as the temporary.

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Why didn't you get a divorce then?

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Why didn't you think then that someday you might want to marry again?

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After my experience with you?

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My dear Martha, what I thought of women after that isn't fit language even for your ears.

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But you weren't above taking money from a woman, were you?

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You weren't above forging checks with my name, were you?

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I needed it.

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And I knew your vanity.

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That was my temptation and my safety.

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That you couldn't bear to look ridiculous by admitting that you had a...

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a no good bum of a husband.

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We made our bargain.

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I could have sent you to jail. I still can't remember that.

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Now why didn't you divorce me?

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Because I...

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Because you didn't want me, but you couldn't bear the thought that I might be completely free of you.

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That's ridiculous.

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Someone once said that we kill the thing we love.

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Are you trying to say I still love you? You?

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Oh, maybe in a twisted sort of a way.

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Because mine was the only love you ever really had.

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Maybe somewhere deep in your mind you're trying to keep the bleached bones of it.

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I...I'm not completely...

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I wonder, Martha. I've always wanted...

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Get out of here!

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Without an answer? Without my freedom?

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The answer's no. Never, do you hear? Never.

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Now, get out.

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Alright, Martha. But never is a long, long time.

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For Suspense, Roma Wines are bringing you Jack Carson in Easy Money.

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A radio play by Sydney Renthal.

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Roma Wines presentation tonight in radio's outstanding theater of thrills, Suspense.

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Between the acts of Suspense, this is Ken Niles for Roma Wines.

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Whether you've been hunting ducks or houses, there's no pleasanter ending to a busy day than a quiet family evening at home.

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And now, Roma Wines bring back to our Hollywood sound stage, Jack Carson in Easy Money.

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A tale well calculated to keep you in Suspense.

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So Martha wouldn't give me a divorce.

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All right, I could have stood that.

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But that business about sending me to jail, it was different.

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And I knew my Martha.

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And I knew that now that she was back from Europe and could do it, she still hated me enough so that someday she'd yield to the temptation and would do it.

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Yeah, but that was all right, too.

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Martha wanted to play that way, I was ready. I was way ahead of her.

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In a place like Mary, as the customers we have, you can get a hold of almost anything you want, if you know who to ask.

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But the first thing I got was nitrazine because it was the easiest and one of the deadliest.

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And the next was a bunch of keys, pass keys.

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And that was all I needed.

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So the next night after I left Mario's, I just waited out in the park across the street.

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I was prepared to wait there every night for a week if I had to.

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But it was less than an hour.

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A taxi drove up in front of the house.

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A well-dressed, well-heeled looking gent got out and went in.

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The taxi waited.

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In about ten minutes he came out again with Martha and they drove off.

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A little time after that, the butler left.

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I walked across the street.

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And the third key I tried let me in the door.

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It was that fiend of a bird.

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But it only stopped me for a minute.

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I won't say I wasn't nervous.

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I guess anybody's nervous when they're about to commit a murder.

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But I hadn't any reason to be, I kept telling myself.

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Who was going to pin it on me?

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As far as anybody who knew Martha was concerned, I didn't even exist.

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Well, I went upstairs and found her bedroom.

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And on the bedside table I found the bottle of sleeping pills, just as I expected.

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She'd always use them and she was the type that always would.

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Very carefully I took each little capsule apart and emptied its contents down the wash basin in the bathroom.

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Then I filled each one up again with nitrazine, enough to kill a horse.

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I was down at the bottom of the stairs again when a light went on in the vestibule.

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She was coming back.

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I had just time to slip behind one of the heavy curtains in the living room, but that was all.

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I wouldn't have any need like that.

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But Martha, to suspect me of all people.

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Please, Martin, I would rather not discuss it.

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Martha, you must realize that these obsessions are symptoms of a sick mind.

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I said I would rather not discuss it.

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Good night.

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Good night.

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She'd had a quarrel with someone. That was good.

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Now I knew she'd take the sleeping pills.

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She went directly upstairs. I waited.

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Five minutes later the butler came in.

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But he went straight on to his own quarters somewhere in the back of the house.

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I waited some more.

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It seemed like hours, but I suppose it was only a few minutes.

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I wondered if she'd taken the sleeping pills yet.

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I wondered if I'd hear her when she fell.

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Finally, I didn't dare wait any longer.

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I slipped out from behind the curtain and crossed the living room.

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I just closed the front door quietly behind me when a light went on inside.

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I pressed into a corner of the vestibule.

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Through the glass panel of the door, I could see Martha and a negligee coming down the stairs.

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And she had a bottle in her hand.

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The bottle of sleeping pills.

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For a second I thought she must have found out somehow that she was going to call the police.

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Yeah, but she wasn't.

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Moving like a sleepwalker, she crossed the living room.

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She was dumping one of the pills out of the bottle into her hand.

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And then she stopped.

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She stopped in front of the cage of that bird.

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Suddenly I saw the whole thing.

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The tough butler who said she was sick and searched people for weapons.

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The fear behind her eyes.

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The man she just quarreled with about obsessions and symptoms of a sick mind.

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Martha was insane.

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I watched while she took the sleeping pill in her fingers and held it through the bars of the cage for the bird.

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I saw the bird grab it in its beak, but I didn't wait for the rest.

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Softly as I could, I opened the outer door and went down to the street.

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Martha was insane.

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And because she was insane, because she thought people were trying to kill her, I couldn't kill her.

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Nobody could ever kill her.

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Hello.

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Paul, are you all right?

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Alan, sure, I'm all right.

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What time is it?

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Eleven o'clock.

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I just saw the papers.

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Saw the papers?

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About Martha Lathrop.

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What about her?

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She's dead.

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Poisoned.

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Poisoned?

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They found nitrosine.

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That's impossible. It couldn't be.

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I'm afraid it's true, Paul.

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Alan, where are you?

17:23.000 --> 17:24.000
At Gus's.

17:24.000 --> 17:37.000
Paul, Paul, let's go away.

17:37.000 --> 17:38.000
With what?

17:38.000 --> 17:41.000
I've got a little money, enough to get us to Chicago, maybe Los Angeles.

17:41.000 --> 17:44.000
We could change our names and start over again.

17:44.000 --> 17:45.000
Why, Alan?

17:45.000 --> 17:48.000
You think I killed her, don't you?

17:48.000 --> 17:54.000
Paul, if you did, I know why you did, and I don't care.

17:54.000 --> 17:57.000
You're quite a gal, Alan, but I didn't kill her.

17:57.000 --> 17:59.000
You were there. You said you were going to...

17:59.000 --> 18:02.000
Yes, I was, I was, but I didn't kill her and I can prove it.

18:02.000 --> 18:04.000
Don't you believe me?

18:04.000 --> 18:06.000
Okay, paper. Paper, here you are.

18:06.000 --> 18:07.000
Here you are, here you are.

18:07.000 --> 18:08.000
Hey, you, beat it.

18:08.000 --> 18:09.000
Wait a minute. Give me a couple of those.

18:09.000 --> 18:11.000
Yes, sir, here you are. All about the big murder.

18:11.000 --> 18:12.000
Murder?

18:12.000 --> 18:15.000
Yes, sir, a few. Okay, pal, thanks.

18:15.000 --> 18:16.000
All right, now beat it.

18:16.000 --> 18:19.000
Okay, take it easy, will you? I gotta make a little...

18:21.000 --> 18:22.000
Paul.

18:22.000 --> 18:23.000
Yeah, yeah, yeah.

18:23.000 --> 18:25.000
It wasn't you. Oh, Paul.

18:25.000 --> 18:27.000
Dr. Martin Osterman.

18:27.000 --> 18:29.000
That must have been the guy she went out with last night.

18:29.000 --> 18:31.000
And they've got him cold.

18:31.000 --> 18:34.000
They quarreled publicly. They dressed him.

18:34.000 --> 18:36.000
She said he was trying to poison her.

18:36.000 --> 18:39.000
He'd given her the prescription for the sleeping pills that killed her.

18:39.000 --> 18:42.000
Alan, how would you like to have some real money and earn it?

18:42.000 --> 18:43.000
Easy money.

18:43.000 --> 18:44.000
Money?

18:44.000 --> 18:46.000
This Osterman is rich, filthy rich.

18:46.000 --> 18:47.000
But, Paul...

18:47.000 --> 18:50.000
If I can prove I didn't do it, I can prove that he didn't do it.

19:11.000 --> 19:12.000
Harrison, Winters and Forbes.

19:12.000 --> 19:14.000
Which one is handling the Osterman case?

19:14.000 --> 19:16.000
I'll give you Mr. Harrison.

19:19.000 --> 19:20.000
Hello?

19:20.000 --> 19:21.000
Mr. Harrison?

19:21.000 --> 19:22.000
Yes?

19:22.000 --> 19:26.000
The papers say that you're Dr. Martin Osterman's lawyer, is that right?

19:26.000 --> 19:29.000
Yes, yes, that's right. Who is this?

19:29.000 --> 19:31.000
Your client's in a pretty bad way, isn't he?

19:31.000 --> 19:34.000
Look here, I'm not in the habit of speaking over the phone to people that I...

19:34.000 --> 19:37.000
You'll speak to me, because I can prove he's innocent.

19:37.000 --> 19:38.000
You can what?

19:38.000 --> 19:40.000
That's what I said. I can prove it.

19:40.000 --> 19:44.000
Well, Mr. whatever your name is, if you have any evidence,

19:44.000 --> 19:47.000
I'd certainly be glad if you'd come down to my office and tell me...

19:47.000 --> 19:51.000
Well, I'll send somebody else down, my secretary.

19:51.000 --> 19:52.000
She'll want money.

19:52.000 --> 19:53.000
Well...

19:53.000 --> 19:55.000
Fifty thousand dollars.

19:55.000 --> 19:57.000
Fifty thousand dollars?

19:57.000 --> 20:00.000
You get in touch with Dr. Osterman and see if he doesn't think his life is worth that.

20:00.000 --> 20:02.000
What you're suggesting is not only against the law, but...

20:02.000 --> 20:05.000
I don't care about the law and I don't think Osterman will either.

20:05.000 --> 20:07.000
I'll have somebody down there in an hour.

20:07.000 --> 20:09.000
Can you arrange it by the time I get there?

20:09.000 --> 20:11.000
Can you arrange it by then?

20:11.000 --> 20:12.000
Well...

20:12.000 --> 20:13.000
Possibly.

20:13.000 --> 20:14.000
All right.

20:14.000 --> 20:16.000
And we'll want the money in cash.

20:34.000 --> 20:35.000
Harrison, Wittes and Forbes.

20:35.000 --> 20:38.000
There's a young lady waiting for this call in Mr. Harrison's office.

20:38.000 --> 20:39.000
I want to speak to her.

20:39.000 --> 20:40.000
Oh, yes.

20:43.000 --> 20:44.000
Hello?

20:44.000 --> 20:45.000
Paul, Ellen.

20:45.000 --> 20:46.000
Have they given you the money?

20:46.000 --> 20:47.000
Yes.

20:47.000 --> 20:48.000
Did you count it?

20:48.000 --> 20:49.000
Yes.

20:49.000 --> 20:52.000
All right, put Harrison on and then start for Grand Central Station.

20:52.000 --> 20:53.000
All right, Paul.

20:53.000 --> 20:55.000
He wants to talk to you.

20:55.000 --> 20:56.000
Thank you.

20:57.000 --> 20:58.000
Hello?

20:58.000 --> 20:59.000
Mr. Harrison?

20:59.000 --> 21:00.000
Yes.

21:00.000 --> 21:01.000
All right, here's the deal.

21:01.000 --> 21:04.000
Martha Lathrop was not murdered.

21:04.000 --> 21:05.000
She committed suicide.

21:05.000 --> 21:07.000
What? Suicide?

21:07.000 --> 21:08.000
Suicide.

21:08.000 --> 21:09.000
And here's the proof.

21:09.000 --> 21:11.000
She was suffering from delusions.

21:11.000 --> 21:14.000
She thought people were trying to kill her, poison her and so on.

21:14.000 --> 21:16.000
Dr. Osserman confirms that, of course.

21:16.000 --> 21:17.000
Yes, he...

21:17.000 --> 21:19.000
What he doesn't know is that it had gone so far

21:19.000 --> 21:22.000
she was trying out things she ate on that big parrot she had.

21:22.000 --> 21:23.000
The macaw?

21:23.000 --> 21:25.000
Yeah, the butler confirmed that.

21:25.000 --> 21:29.000
Anyway, she tried out those sleeping pills on the bird before she took them.

21:29.000 --> 21:32.000
And you'll find a dead bird in the house to confirm that.

21:32.000 --> 21:33.000
Good heavens.

21:33.000 --> 21:36.000
So she knew those pills were poisoned before she took them.

21:36.000 --> 21:38.000
Martha Lathrop killed herself.

21:45.000 --> 21:47.000
I must say they took it like a sport.

21:47.000 --> 21:49.000
They paid up and shut up.

21:49.000 --> 21:52.000
An hour later, Ellen and I were on a train speeding along the banks

21:52.000 --> 21:54.000
of the Hudson River bound for California.

21:54.000 --> 21:56.000
Oh, Paul.

21:56.000 --> 21:58.000
Fifty thousand dollars.

21:58.000 --> 21:59.000
Easy money.

21:59.000 --> 22:06.000
That must be the easiest money any man ever made in his life.

22:17.000 --> 22:19.000
Must have been about two weeks after we got to California

22:19.000 --> 22:21.000
that I got the phone call.

22:21.000 --> 22:22.000
Yes, Mr. Bentley?

22:22.000 --> 22:23.000
Yeah?

22:23.000 --> 22:26.000
My name's McNulty. I run a pet shop downtown.

22:26.000 --> 22:27.000
You must have the wrong number.

22:27.000 --> 22:29.000
Oh, no, no, no, I don't think so.

22:29.000 --> 22:33.000
I got something down here you might be interested in.

22:33.000 --> 22:34.000
A bird.

22:34.000 --> 22:36.000
A bird?

22:36.000 --> 22:38.000
Yeah, a macaw. Real beauty.

22:38.000 --> 22:40.000
Got a green stripe between his eyes.

22:40.000 --> 22:44.000
Makes him look exactly as though he's wearing glasses.

22:44.000 --> 22:46.000
You interested?

22:46.000 --> 22:49.000
No. No, I'm...

22:49.000 --> 22:51.000
Oh, I could easy bring him up to show you.

22:51.000 --> 22:52.000
I got your address.

22:52.000 --> 22:57.000
No, I said I'm not interested.

22:59.000 --> 23:02.000
That night I told Helen I'd found bugs in the place,

23:02.000 --> 23:03.000
so we moved.

23:03.000 --> 23:08.000
Two nights later I was alone and there was a knock on the door.

23:12.000 --> 23:13.000
Mr. Bentley?

23:13.000 --> 23:14.000
Yeah? What do you want?

23:14.000 --> 23:16.000
I brought the bird anyway, Mr. Bentley.

23:16.000 --> 23:19.000
I thought sure you'd want him when you saw him.

23:19.000 --> 23:20.000
Look, I said...

23:20.000 --> 23:23.000
Quite the time finding where you'd move to, though.

23:23.000 --> 23:25.000
Oh, look, isn't he a beauty?

23:25.000 --> 23:27.000
Look, I told you I...

23:27.000 --> 23:29.000
Did you see one like him before?

23:29.000 --> 23:31.000
Oh, they're very rare, very rare.

23:31.000 --> 23:33.000
What made you think I'd want him?

23:33.000 --> 23:36.000
I just thought you would.

23:36.000 --> 23:37.000
Don't you want him?

23:37.000 --> 23:38.000
How much?

23:38.000 --> 23:41.000
Well, now, like I say, that's a very rare bird.

23:41.000 --> 23:42.000
Five hundred?

23:42.000 --> 23:45.000
Yes, that'd be all right, Mr. Bentley.

23:45.000 --> 23:46.000
Here.

23:46.000 --> 23:49.000
Oh. Thank you, Mr. Bentley.

23:49.000 --> 23:51.000
And I'm sure you'll enjoy it.

23:51.000 --> 23:52.000
Now get out.

23:52.000 --> 23:53.000
Yes, yes.

23:53.000 --> 23:56.000
Good night, Mr. Bentley.

24:06.000 --> 24:07.000
There could be no doubt about it.

24:07.000 --> 24:09.000
It was the same bird.

24:09.000 --> 24:10.000
I opened the cage and roughed his feathers

24:10.000 --> 24:12.000
to see if the marquise might have been painted on.

24:12.000 --> 24:13.000
Hey!

24:13.000 --> 24:14.000
He bit me.

24:14.000 --> 24:16.000
But it was the same bird.

24:16.000 --> 24:19.000
He sat there staring evilly at me through those spectacles of his,

24:19.000 --> 24:20.000
laughing at me.

24:20.000 --> 24:22.000
I reached in the cage again...

24:25.000 --> 24:27.000
and rang his neck.

24:33.000 --> 24:35.000
I wrapped the body up in a newspaper.

24:35.000 --> 24:37.000
I got a shovel out of the garage.

24:37.000 --> 24:39.000
I drove about five miles up Topanga Canyon

24:39.000 --> 24:41.000
and parked in a side road with my lights out.

24:41.000 --> 24:44.000
I went down into the canyon and started digging.

24:44.000 --> 24:46.000
I dug like a madman.

24:46.000 --> 24:47.000
The sweat was running into my eyes

24:47.000 --> 24:48.000
and I was gasping for air.

24:48.000 --> 24:51.000
Suddenly a light was shining full on my face.

24:51.000 --> 24:52.000
All right, Bentley.

24:52.000 --> 24:53.000
Wait, wait. The bird is dead.

24:53.000 --> 24:54.000
I couldn't have done it.

24:54.000 --> 24:55.000
I couldn't have killed it.

24:55.000 --> 24:56.000
The bird is dead!

25:08.000 --> 25:09.000
Uh, Ellen...

25:09.000 --> 25:10.000
Ellen had nothing to do with it.

25:10.000 --> 25:12.000
She thought I was innocent all along.

25:12.000 --> 25:14.000
Okay, we got nothing against her.

25:14.000 --> 25:16.000
But the bird, I...

25:16.000 --> 25:19.000
Well, Bentley, that was what you might call

25:19.000 --> 25:21.000
psychological warfare.

25:21.000 --> 25:23.000
We knew you were guilty though when you bought it.

25:23.000 --> 25:24.000
I mean, the poison.

25:24.000 --> 25:26.000
Oh, oh, we found poison, all right.

25:26.000 --> 25:29.000
Still traces on its beacon claws when we got there.

25:29.000 --> 25:32.000
But there was one thing we couldn't understand

25:32.000 --> 25:33.000
for quite a while.

25:33.000 --> 25:37.000
Dr. Dittenauers of the Bronx Zoo finally tipped us off.

25:37.000 --> 25:38.000
But if Martha took the poison,

25:38.000 --> 25:39.000
I saw her give it to that bird.

25:39.000 --> 25:41.000
I saw the bird gobble it up.

25:41.000 --> 25:42.000
Why didn't it die?

25:42.000 --> 25:45.000
Yeah. You see, with this nitrazine,

25:45.000 --> 25:47.000
some birds can take that stuff by the spoonful

25:47.000 --> 25:49.000
and it won't even phase them.

25:49.000 --> 25:52.000
You just picked the wrong kind of poison

25:52.000 --> 25:54.000
and the wrong kind of bird.

26:02.000 --> 26:04.000
And so, being of sound mind

26:04.000 --> 26:07.000
and somewhat relieved to know it,

26:07.000 --> 26:10.000
I do hereby bequeath in this my last will and testament

26:10.000 --> 26:13.000
to that witness here in the death house at Osceoning, New York

26:13.000 --> 26:15.000
on this seventh day of November,

26:15.000 --> 26:19.000
to my wife, Ellen, the sum of $48,700,

26:19.000 --> 26:22.000
the remainder of that easy money,

26:22.000 --> 26:24.000
hoping that the facts herein set forth

26:24.000 --> 26:26.000
will assure her that she has a right to it,

26:26.000 --> 26:29.000
since I will shortly, to my regret,

26:29.000 --> 26:44.000
have earned every nickel of it.

26:44.000 --> 26:46.000
Suspense.

26:46.000 --> 26:50.000
Presented by Roma Wines, R-O-M-A,

26:50.000 --> 26:54.000
made in California for enjoyment throughout the world.

26:54.000 --> 26:58.000
This is Ken Niles presenting our Suspense Star of the Evening,

26:58.000 --> 27:02.000
the handsomest man in Hollywood, Jack Carson.

27:02.000 --> 27:05.000
Jack, you can stop twisting my arm now. I said it.

27:05.000 --> 27:08.000
I suppose I'm not really the handsomest,

27:08.000 --> 27:11.000
just one of the best looking.

27:11.000 --> 27:15.000
Well, Jack, when it comes to looks, I'll take Hedy Lamarr.

27:15.000 --> 27:19.000
But as an actor, believe me, Jack Carson ranks with the best.

27:19.000 --> 27:22.000
Gee, thanks, Ken. I'm sorry about your arm.

27:22.000 --> 27:25.000
That's all right, Jack. My arm is still in good enough shape

27:25.000 --> 27:28.000
to give you this gift basket of fine Roma Wines

27:28.000 --> 27:31.000
with the compliments of Roma, your host tonight.

27:31.000 --> 27:34.000
Wonderful. That's a grand present, Ken. Why, thanks to Roma.

27:34.000 --> 27:36.000
You folks really make me feel at home.

27:36.000 --> 27:39.000
Well, Roma Wine has a way of doing that, Jack.

27:39.000 --> 27:43.000
That's why your Roma gift basket includes Roma California Sherry.

27:43.000 --> 27:45.000
When friends drop in, share with them

27:45.000 --> 27:48.000
golden amber, fragrant Roma Sherry.

27:48.000 --> 27:52.000
Roma Sherry's tempting nut-like taste is the favorite of hosts and guests

27:52.000 --> 27:55.000
for afternoon or evening entertaining.

27:55.000 --> 28:00.000
And millions enjoy Roma Sherry daily as the perfect first call to dinner.

28:00.000 --> 28:02.000
I'll buy that, Ken.

28:02.000 --> 28:04.000
And Jack, because Roma and only Roma

28:04.000 --> 28:07.000
selects from the world's greatest reserves of fine wines,

28:07.000 --> 28:12.000
Roma Sherry, like all Roma wines, is better tasting every time.

28:12.000 --> 28:15.000
Yes, no other vintner selects for your pleasure

28:15.000 --> 28:18.000
from so vast a treasure of good taste.

28:18.000 --> 28:23.000
No other vintner can equal Roma in winemaking skills and resources.

28:23.000 --> 28:28.000
No wonder more Americans enjoy Roma than any other one.

28:28.000 --> 28:31.000
Makes sense to me, Ken. Well, I must be going.

28:31.000 --> 28:33.000
Thanks for everything, and sincerely,

28:33.000 --> 28:36.000
it's been a stimulating and exciting experience tonight.

28:36.000 --> 28:38.000
I never miss suspense, and I've been looking forward

28:38.000 --> 28:40.000
to my appearance here for a long time.

28:40.000 --> 28:42.000
I hope you'll have me back again.

28:42.000 --> 28:44.000
Well, thank you, Jack. We thought you were great

28:44.000 --> 28:46.000
in your newest Warner Brothers picture,

28:46.000 --> 28:49.000
two guys from Milwaukee, and we'll be hearing you

28:49.000 --> 28:52.000
on your regular Wednesday night show for Campbell's Suites.

28:52.000 --> 28:55.000
And give a listen to us next Thursday on Suspense.

28:55.000 --> 28:57.000
We'll have Hume Cronin as our star.

28:57.000 --> 28:58.000
I'll do that.

28:58.000 --> 28:59.000
All right.

28:59.000 --> 29:02.000
Next Thursday, same time, you will hear Hume Cronin

29:02.000 --> 29:05.000
as star of Suspense.

29:07.000 --> 29:10.000
Produced and directed by William Spear

29:10.000 --> 29:13.000
for the Roma Wine Company of Fresno, California.

29:13.000 --> 29:16.000
In the coming weeks, Suspense will present such stars

29:16.000 --> 29:19.000
as Judy Garland, Chester Morris, Olivia de Havilland,

29:19.000 --> 29:23.000
Cary Grant, Joseph Cotton, Roddy McDowell, and others.

29:23.000 --> 29:27.000
Make it a point to listen each Thursday to Suspense,

29:27.000 --> 29:30.000
radio's outstanding theater of thrill.

29:30.000 --> 29:32.000
Suspense is broadcast from coast to coast

29:32.000 --> 29:35.000
and to our men and women overseas by short wave

29:35.000 --> 29:37.000
and through the worldwide facilities

29:37.000 --> 29:39.000
of the Armed Forces Radio Service.

29:39.000 --> 29:41.000
Stay tuned for the thrilling adventures

29:41.000 --> 29:43.000
of the FBI in peace and war

29:43.000 --> 29:46.000
following immediately over most of these stations.

29:46.000 --> 30:09.000
This is CBS, the Columbia Broadcasting System.

