WEBVTT

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And now, Roma Wines, R-O-M-A, made in California for enjoyment throughout the world.

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Roma Wines presents...

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Suspense!

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Tonight, Roma Wines bring you The Man Who Thought He Was Edward G. Robinson.

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A suspense play produced, edited, and directed for Roma Wines by William Spear.

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Suspense! Radio's outstanding theater of thrills is presented for your enjoyment by Roma Wines.

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That's R-O-M-A. Roma Wines. Those excellent California wines that can add so much pleasantness to the way you live.

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To your happiness in entertaining guests, to your enjoyment of everyday meals.

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Yes, right now, a glass full would be very pleasant as Roma Wines bring you Edward G. Robinson.

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As both himself and as a certain Mr. Homer J. Hubbard, a man who thought he was Edward G. Robinson in this remarkable tale of...

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Suspense!

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The Man Who Thought He Was Edward G. Robinson

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Mm-hmm. Yeah.

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And I'm making this statement in accordance with a promise to a very dear friend.

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It is a complete statement in every detail, even including those matters which are to me personally incriminating.

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Because my trust in my friend is such that I haven't the slightest concern on that score, or any other.

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What follows concerns primarily two persons.

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Myself, Homer J. Hubbard, and my wife, Ada Sampsy Hubbard.

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Even when I was courting Ada, I was aware that hers was a strong and domineering personality, to say the least.

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And after we were married, well, at first I put up with Ada's constant nagging and petty persecutions as best I could.

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I put up with them for five long years.

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It wasn't until a memorable evening in 1930 that the first-day mouth lines of an escape and finally a plan began to take shape in my mind.

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Ada and I had gone to the movies to see a picture called Little Caesar, with an actor in it whom I had never heard of before.

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Oh, so you thought you'd rat on me, huh? Well, get this, nobody rats on Little Caesar, see?

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The moment I saw that face on the screen, the minute I heard that voice, the world of reality around me simply ceased to exist.

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I lived that picture. I was Little Caesar. I was Edward G. Robinson.

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I was dimly conscious that my voice was like his, that even my face without my spectacles and with my hair parted differently might have been mistaken for his.

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But it was more than that. It was his personality that fascinated me and that I assumed.

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Calm, assured, tough, the kind of a man who made people do what he wanted done the way he wanted it done.

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Walking out of the movie theater, I knew something had happened that was going to change my whole life.

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There, there's the man. Little Caesar, they call him, and well, they may. What's his name? Edwin G. Robinson?

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No, no, no, Edward G. Robinson.

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Oh, Edward G. Robinson. Well, I'll wait to be hearing plenty about him from now on. He's no Caspar Milktoast.

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Yes, dear.

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Is that all you have to say? Yes, dear. What does it take to arouse a little enthusiasm in you anyway?

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Well, here you've seen a fine performance, a picture that would get anybody in the world excited, and all you can say is, yes, dear.

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Yes, dear.

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Oh, I wish you were half the man that Robertson is.

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Yes, but from that moment, I no longer really cared what Ada wished or thought.

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I had begun my escape into a dream world of my own making, a world in which I was Edward G. Robinson.

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As the weeks went by, I began to identify myself with him more and more.

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I imagined myself in countless dangerous situations, and when no one was looking, I imitated him and affected his mannerisms.

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I spent our day dreaming at my desk, wondering what the other people in the office would think if I suddenly exposed this hidden side of my personality.

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Good heavens! Is Hubbard gone mad?

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What's up with this ho?

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Mad, crazy, jokey.

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Okay, okay, everybody, now stay where you are. Hold your hands over your head. I don't want any monkey business, see.

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Now stand back there, Ryan. I need plenty of stuff from you, and I'll let you have it.

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Hubbard, this is preposterous. What do you mean by such behavior? Is this your idea of a joke?

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You'll see whether it's a joke or not if you make one false move. This isn't a water pistol I'm holding here, you know.

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Hubbard, go fire! Leave this office immediately!

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Oh, don't make me laugh. I'm getting out all right, but I'm not fired, see. I'm even well-heeled, and that's why you come in, Mr. Ryan.

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Oh, look, Hubbard, what did he say?

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Please, please, Hubbard. No, no, no, be reasonable.

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Oh, shut up and do what I tell you. Keep your hands up in the air and walk over to that safe. Open it up. Get all the money out of it.

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Look, I'm falling.

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Put it right here on the desk in front of me. I get going.

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All right, all right.

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I don't want to have any trouble with you, Ryan. I'm going to count three, and if you're not moving when I finish, you'll never move again.

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Hubbard.

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See? Hubbard.

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One, two.

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Hubbard.

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Hubbard.

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Huh?

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What are you daydreaming about? You better get busy or I shall be forced to report you to Mr. Pamberton again.

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Oh, oh, oh. I'm sorry, Mr. Ryan. I'm terribly sorry. I can't understand why you could have come over me.

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Well, that's the way it went. At the office, walking down the street, riding home on the bus.

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My life outwardly, calm, well-ordered, possibly even dull, was actually 24 hours of harrowing adventure with myself as the central figure.

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I saw every Edward G. Robinson picture that came out.

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It was the day after seeing Brother Orchard for the third time that Ada finally caught me.

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I was shaving that morning and talking to myself.

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Okay, okay, all right. You asked for it. If you don't come out, we're coming in and get you, see?

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And we're coming in shooting. What's that?

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Oh, yeah? And only a dirty yellow rat would say that. Okay, boys, let them have it.

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Well, of all the fool performances I ever heard of, this beats all. What the world are you jabbering about in here?

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Oh, it's really nothing, dear. I was just sort of trying to imitate Edward G. Robinson.

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You were what?

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Yes, I was.

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Edward G. Robinson!

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That's right.

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Oh, that's rich. Oh, no, I can't believe it.

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Well, I was.

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You were trying to imitate Edward G. Robinson.

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Yeah.

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I can't stand it. But don't stop. Oh, no. Don't let me interrupt the performance, Mr. Movie Star.

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Don't laugh at that.

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Come on. Do your act for me.

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Well, dear, I don't see anything so funny about it.

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Maybe you don't, but you're the only person in the world who wouldn't.

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Well, I'll leave you to your rehearsing. But why don't you imitate Donald Meek or Shirley Temple?

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I think you'd find it easier.

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It was right then that I decided to kill her.

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For suspense, Roma Wines are bringing you The Man Who Thought He Was Edward G. Robinson,

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a radio play by Leslie Raditz.

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Roma Wines' presentation tonight in radio's outstanding theater of thrills, Suspense.

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Between the acts of suspense, this is Ken Niles with a friendly suggestion.

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When friends make you feel perfectly at home, no matter how unexpected your visit, that's hospitality.

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That's why Roma Wines are always better tasting.

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Proof? More Americans enjoy Roma than any other wine.

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So insist on Roma. R-O-M-A. Roma Wines. Largest selling wines in all history.

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And now, Roma Wines bring back to our Hollywood sound stage, Edward J. Robinson, appearing as both himself and as Homer J. Hubbard,

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the man who thought he was Edward G. Robinson, in a tale well calculated to keep you in suspense.

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I might have decided to have mercy on her if she'd only let me alone.

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But Ada could never leave anyone alone. She really killed me at home and in front of our friends.

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Sometimes she would let a few weeks go by without saying anything and I would think that perhaps she'd forgotten.

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No, but Ada never forgot. She would wait until we were in a group of people and then she would come out with it.

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Why, my dear, you mean I haven't told you about Homer's dream world? He thinks he's Edward G. Robinson.

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Tell us, Mr. Homer G. Robinson, when you think you'll be getting your next contract from Hollywood.

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Oh, you folks at that home are all wrong. He's a killer at heart. Just a cold-blooded killer.

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I want to buy a gun.

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Sure, bud. What kind of a gun?

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Well, I don't know much about guns, but that one looks all right.

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Yeah, that's a nice little gun. 2850.

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Do I have to have a license?

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Not unless you're going to carry it on your person. Otherwise we just register it for the police records under your name. What's the name?

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Edward G. Robinson.

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You heard me, Mug. Edward G. Robinson. See?

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Oh, I had made my plans very carefully. My plan was that her murder would look like suicide.

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It would be a night when the moon was full so that I could see ahead on the pillow and aim carefully.

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I would fire the shot, quickly wipe my fingerprints from the handle of the gun, then push it into her hand.

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Then, as the shocked and bereaved husband, I would call Dr. Wallace. The police wouldn't come until later, and when they did, I would be ready for them.

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I was so busy laying my plans that I hadn't been reading the papers and had to be told the big news.

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Homer, oh, I beg your pardon. Mr. Robinson, would you mind passing the spinach?

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That is, if you're not too preoccupied and planning your next murder.

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Yeah, you held up any banks like me, Homer?

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Here you are, dear.

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Oh, say, say, that reminds me. All kidding to one side, as the fellow says.

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Did you know that he's going to be here in town next week?

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Who? What?

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Edward G. Robinson. He's going to address the hobbyist convention.

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Is that so?

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Yes.

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My, my, I'd like to hear him.

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I would, too. I'd like to see what a real he-man is like, not just a poor imitation.

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We went, and at first it was the most terrible disappointment of my life, because he wasn't tough or hard-boiled or anything like it.

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He seemed to be a mild-mannered man, a little shy, almost like me. And he talked about orchids and modern art.

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They were his hobbies, he said, raising orchids and collecting paintings, modern paintings.

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But as the lecture went on, I began to understand, and by the time it was over, I knew.

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And so, ladies and gentlemen, I consider myself twice blessed.

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Every man is blessed who has a hobby, but I am among the fortunate few who has two hobbies.

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And as the fellow said, whose fiancé had a twin sister...

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Oh, I see you already know it. I love them both. Thank you very much.

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Ah, it's hard!

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Later that evening, I made an excuse to get away from Maida and went down to the hotel where I knew Mr. Robinson was staying.

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I brined the bellboy a dollar seventy-five to tell me which was his room.

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I went down the hall and knocked at the door of 708.

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Yeah? Western Union! Come on in!

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Just put it on the... Well, say, Western Union dresses their boys up pretty snappy in this town, don't they?

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Well, I must apologize for adopting the subterfuge, Mr. Robinson, but I have something of the utmost importance to discuss with you.

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And I was afraid you might not see me since we had never been formally introduced.

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Formally introduced? Well, that's all right. What is it, autograph?

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I'm afraid it's something a good deal more serious than that, Mr. Robinson.

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Yeah? Well, you caught me right in the middle of shaving, as you say, but if you don't mind my finishing the job while you talk.

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Oh, come right along inside. Tell me all about it.

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Thank you.

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Well, now, what's on your mind?

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Well, Mr. Robinson, I have a problem. I followed your career since its earliest pain, and that is why I feel that you'll be able to tell me what to do.

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Uh-huh. Well, what is the problem?

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Well, Mr. Robinson, I suppose this is purely hypothetical, of course, but suppose you were going to kill somebody.

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Kill somebody?

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Yes, yes, in your own home. Somebody who was, shall we say, related to you.

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Yeah, now hold on a minute, Mr. Hubbard. Homer J. Hubbard.

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Mr. Hubbard, I may look like a bad guy on the screen, but when I'm not working, I'm just a plain piece of living citizen, just like anybody else.

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Oh, you can fool people like that audience tonight with all that talk about orchids and modern art, and it was very good, and I quite understand why you do it.

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A man in your position must have a front, of course.

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Yes, but you didn't fool me. I know. Rather, I knew that I could come to you and be perfectly frank.

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What about?

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Why, about the murder.

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About the what?

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Well, look at me, Mr. Robinson. I'm a shy, inhibited, weak, utterly ineffectual person. I've none of your assurance, your hardness, your ability to cope with any situation the directly ruthless way.

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How many times I wished I had, because for 20 years my life has been made horribly, unbearably miserable by one person, my wife.

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Oh, so that's the way it is.

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Yes, yes, for years I bore it as best I could, and then one day I thought, how would you have coped with it? And of course I knew at once you would kill her.

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And now, wait a minute, wait a minute, are you kidding me? Oh no, no, Mr. Robinson, I wouldn't think of such a thing. Look here, look here, I even secured a gun to do it with.

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Yeah, you better give me that. No, no, no, don't point it. Hand it to me by the barrel. I'll put it over here. Save it, you know.

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Yes, I must admit, I know very little about firearms, and they're quite distasteful to me.

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Yes, you and me both. I mean, small arms like that. Of course, a tommy gun, that's different. That's the only thing to use.

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Yes, I suppose you're right, but I didn't know where to get a tommy gun, and I was afraid even if I did, I'd never master the art of using it.

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Yes, well, now you want to kill your wife, is that it? You want me to help you?

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If you would, Mr. Robinson, if you could, if you could spare the time. I can't tell you how grateful I'd be.

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Well, you know, Mr. Hubbard, you look like a pretty nice little guy. Your wife must really be an old battle axe to have got you in a frame of mind like this.

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All right, I'll tell you what I'll do. I will help you. Oh, Mr. Robinson, yes, but it's got to be done my way, see? It's got to be done right. You've got to plan these things.

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Now, take this gap, for instance. That's no kind of a rot to kill your wife with. Why, the caliber is all wrong. The ballistics would be all wrong. The dicks would be on your tail just like that.

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Now, I got to get home. That's perfect for this job, get me? I've knocked off Humphrey Bogart, Orson Welles, Jimmy Cagney. Oh, I don't know how many guys with it.

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Now, the first thing when I get home, I'll send it to you, parcel post. Would you, Mr. Robinson? Oh, sure, sure. Now, when you get it, you just lay low, see? Now, don't do a thing till you hear from me.

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I'll lay this thing out with some of my boys, and then I'll get in touch with you, okay? Oh, Mr. Robinson, I don't know how to thank you. Oh, forget it, pal, forget it. What's a little murder between friends?

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I could scarcely maintain my composure in the two days that followed. The second day, sure enough, the gun arrived. It was a great heavy thing, the kind that is referred to, I think, as an automatic.

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Yes, that's it. Remembering its history, I handled it with the utmost care and reverence. I hid it in the garage where I keep my pipe, but Ada won't let me smoke.

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It was the next afternoon, Saturday, that the phone rang. I rushed into the bedroom to answer it and close the door after me, so Ada wouldn't hear in case it was.

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Hello, Homer? Yes? Well, this is Eddie. Eddie? Yeah, yeah, Eddie Robinson.

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Oh, yes, Mr. Eddie. Did you get the package I sent you? Yes, I got it.

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Okay now, but don't fool around with it, see? Until the time comes, it's kind of tricky. No, no, no, I won't. Now listen, we're going to do this the sooner the better. The deadline's tomorrow night, midnight.

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Now, here's the layout. You go to bed just the same as you always do, but have that gat handy and leave the front door open. Oh, say, I meant to ask you, is it safe to talk where you are?

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Oh, yes, yes, the phone is in the bedroom and the door is closed. Oh, the bedroom, eh? Well, that's swell. Now listen, now, a little before midnight, now you get up.

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She's asleep, of course. Now you take a spot just outside the bedroom door where you can keep an eye on her and on the front door too, see? Yes.

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At midnight, I'll contact you. We'll do the job and make a quick getaway and you can hole up in the hideout I got until the heat's off. Get it? Tomorrow night. Midnight.

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I'll do everything just as you say, Eddie.

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I followed his instructions to the letter.

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Well, it seemed hours before Ada went to sleep that night. It seemed days until my watch finally crept around towards midnight.

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But at last, the time had come. I crept out of bed, got the gun out of my coat pocket and took my position on the landing outside the bedroom door as he had told me to.

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And then suddenly the stillness was shattered by the ringing of the phone. Oh, I was in utter panic.

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This is one of those unforeseen things that can ruin even the best of plans, even plans made by Edwidgee Robinson.

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I rushed back into the bedroom hoping against hope that I could catch it before Ada woke up, but she already had the light on.

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Homer! What in the world are you doing prowling around at this time and nice little gun in your head?

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Why, I, I, I thought I heard a burglar.

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Burglar?

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Yes.

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When I've answered this phone, I want to talk to you, Homer Jeremiah Hubbard.

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Yes dear.

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Hello.

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Yes?

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What? Oh, Homer, there is a burglar.

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Someone just saw him trying to get into the house.

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Are you sure?

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Of course I am. Somebody just phoned that they saw him.

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Well, don't stand there. You've got a gun. Go down there and stop him.

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Oh, but Ada...

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Go on. You want us to be killed in our beds? Go on, I say.

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Oh, Ada, why do you have to spoil everything?

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Go on, go on. Go.

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She pushed me out. There was nothing to do but go. I crept down the stairs in the darkness.

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I knew what Edward G. Robinson would have done.

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He would have gone down and captured the burglar without the slightest trouble

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and turned him over to the police after giving him the beating he deserved.

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But somehow I didn't feel much like Edward G. Robinson just then.

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It was at that moment that the terrible thought occurred to me that maybe it wasn't the burglar.

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Maybe this was Edward G. Robinson. I had no time to pursue the thought further.

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There he is.

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Suddenly, suddenly there was a barrage of shots and a confused yelling of voices.

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In my terror, I suppose I must have squeezed the trigger of my own gun

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because it began jumping and flaming in my hand.

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I tripped on something and the next thing I knew I was coming headlong down the stairs.

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And that was the last I remembered.

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When I woke up, Ada was holding my head in her arms and she was crying.

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They made me stay in bed for a couple of days, but I really didn't mind.

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They were reporters to see me and take my picture for the paper and all kinds of people.

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Even Mr. Ryan and Mr. Pemberton came to see me.

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And Ada? Well, Ada was simply a changed person.

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Nothing was too good for me. My slightest wish was literally her command.

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Yet the whole thing hadn't been an accident.

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If I planned it that way, it couldn't have turned out better.

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And then there was a final climax that afternoon when the phone rang by my bed.

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Yes? Oh, oh, yes. Mr. Eddy. You did, eh?

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Who is it?

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Oh, it was nothing, really.

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Yes, well, about that, things have changed.

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Who is it?

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Quiet now. Will you be quiet when I'm talking to somebody else?

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Don't give me all the time. Excuse me.

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Hello, dear. Hello, dear.

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Mr. Eddy. Yes, they have changed quite a lot.

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I don't think we'll have to go through with it.

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That's right. Oh, sure, sure. She's right here. Just a minute.

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Eddie wants to talk to you.

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Eddie?

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Yeah, sure. Eddie Robinson. Quite a pal of mine.

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You mean Edward G. Robinson?

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Oh, yes. The robber. You know, we had quite a little chat that night.

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He was in town after I let you in. Got pretty chummy.

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Here, she's going to talk to you.

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Yes, yes. Hello. Oh, yes. Yes, Mr. Robinson. Oh, I know he is.

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Oh, I certainly will, Mr. Robinson.

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Oh, I know I'm lucky. All right, Mr. Robinson. Goodbye.

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Oh, Homer. He knew all about it. He'd seen it in the papers.

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Yeah, yeah. So he said.

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And he said you were a hero, a real hero. Bigger than any movie hero that ever was.

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He did, huh?

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Oh, Homer.

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Well, if Eddie Robinson says I'm a hero, I guess maybe I am.

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It couldn't have turned out better, Eddie, and you know how grateful I am.

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I'm a regular little Caesar around town now. My married life is all I've ever wanted it to be.

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Of course, there are some things about the whole thing that confuse me a little.

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It has even occurred to me, I will confess, that you might have had more of a hand in it than was generally known.

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That the gun you sent me might have contained blanks, I believe you called them, don't you?

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Because in spite of all the shooting, there wasn't one bullet hole anywhere in the house.

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And the gun had disappeared, which confused the police somewhat, too.

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And that the burglars might have been some of your boys playing a little joke.

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Yes, but I don't think you would do a thing like that to a pal, Eddie, would you?

24:56.000 --> 25:02.000
No, I don't even think you would use the statement that you asked me to send you to hold over my head as a guarantee that I wouldn't try to kill Eddie again.

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Not that I ever would.

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But even if you did all that, Eddie, I don't really mind.

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Because as you might say yourself, what's a little joke between pals?

25:22.000 --> 25:24.000
Suspense!

25:24.000 --> 25:31.000
Presented by Roma Wines, R-O-M-A. Made in California for enjoyment throughout the world.

25:31.000 --> 25:40.000
And now, this is Ken Niles with a double helping of compliments for you, Mr. Robinson, for your excellent performances in both the roles you played tonight.

25:40.000 --> 25:42.000
And here's a note from the control room.

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Bill Spear, our producer-director, says you sounded remarkably authentic as Edward G. Robinson.

25:47.000 --> 25:50.000
And very sincere as the little man who wanted to be.

25:50.000 --> 25:54.000
Well, thank you very much, Mr. Niles, and a bow to you, Bill.

25:54.000 --> 26:00.000
And Eddie, since you're one of Hollywood's most celebrated hosts, we know you'll enjoy this gift basket of Roma California wines.

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Well, a handsome gift, Ken, and many thanks.

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Here's the bottle of Roma Burgundy, Bill Spear suggested we serve tomorrow night if Mrs. Robinson can get any meat.

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Well, Eddie, during these shorty days when you rarely find a porterhouse steak or a juicy roast you want, Roma Burgundy rescues many a meal.

26:18.000 --> 26:26.000
For robust Roma Burgundy with its tempting taste harmonies for hearty meals makes ordinary pot roast as flavorful as roast beef.

26:26.000 --> 26:34.000
Yes, the finer taste of Roma Burgundy brings out all the subtle hidden flavors in food, adds richly to mealtime pleasure.

26:34.000 --> 26:36.000
That sounds mighty good.

26:36.000 --> 26:44.000
Well, Roma Burgundy is mighty good because only Roma, America's greatest vintner, selects from the world's greatest reserves of fine wines.

26:44.000 --> 26:47.000
Only Roma possesses so vast a treasure.

26:47.000 --> 26:51.000
That's why every Roma wine is better tasting every time.

26:51.000 --> 26:56.000
No wonder more Americans enjoy Roma than any other wine.

26:56.000 --> 27:01.000
Well, you've convinced me, Ken. And now tell me, who stars on Suspense next Thursday?

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It's that very lovely and very talented actress, Miss Susan Hayworth.

27:04.000 --> 27:05.000
Well, well.

27:05.000 --> 27:11.000
In a play about a wife, a husband, a blackmailer, and a remarkably ingenious murder plot. I think you'll want to listen, Eddie.

27:11.000 --> 27:16.000
Well, why should I want to be different from everybody else in the country, Ken? I certainly will listen.

27:16.000 --> 27:22.000
Good night. Good night, Eddie. And we're looking forward to seeing you in your new failure production, The Red House.

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Next Thursday, same time, you will hear Miss Susan Hayworth as star of Suspense.

27:30.000 --> 27:35.000
Produced and directed by William Spear for the Roma Wine Company of Fresno, California.

27:35.000 --> 27:43.000
In the coming weeks, Suspense will present such stars as Judy Garland, Jack Carson, Brian Dunleavy, Cary Grant, Roddy McDowell, and others.

27:43.000 --> 27:49.000
Make it a point to listen each Thursday to Suspense, radio's outstanding theater of thrill.

27:49.000 --> 28:09.000
This is CBS, the Columbia Broadcasting System.

