WEBVTT

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And now, Roma Wines, R-O-M-A, made in California for enjoyment throughout the world.

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Roma Wines presents Suspense.

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Tonight, Roma Wines bring you Mr. Vincent Price and Mr. Lloyd Nolan as stars of Hunting Trip.

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A Suspense play produced, edited, and directed for Roma Wines by William Spear.

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Suspense, radio's outstanding theater of thrills, is presented for your enjoyment by Roma Wines.

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That's R-O-M-A. Roma Wines, those excellent California wines that can add so much pleasantness to the way you live.

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To your happiness in entertaining guests, to your enjoyment of everyday meals.

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Yes, right now, a glass full would be very pleasant as Roma Wines bring you Lloyd Nolan and Vincent Price in a remarkable tale of Suspense.

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It began with just a little hunting trip for the two of us, Eric and me.

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I hadn't seen Eric for several months, not since before Karen died, in fact.

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When I bumped into him at the club, he suggested that we run up to his cabin in the mountains for a few days,

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grab a bit of fresh air and relaxation, see if we couldn't bag ourselves a moose or a deer.

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And yet, almost at the outset, I had an uncanny feeling about that trip.

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I suppose actually it was the night and the setting. It was the blackest night I'd ever seen.

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We'd left all humankind behind us. There was no moon.

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There was only blackness, the kind that seemed to be all enveloping,

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as though there was nothing outside our car but blackness. No road, no forest, no mountains.

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Now let's admit I was nervous. I was boring my feet into the floorboard of the car,

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as though somehow that would help.

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What are you laughing at?

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You, Stan. You don't look as though you're having a very good time.

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Well, I'm not, I frankly. Shouldn't you be driving a little bit slower?

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Why?

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Why? Good heavens, Eric, if you make just one little slip of the wheel, we're done for that.

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So all I doubt if they'd ever even find us down in those canyons.

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Nonsense. I know every crook and turn in this road.

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Oh, yeah?

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I don't think you're much of an outdoors man, Stan.

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Well, maybe not. I love this kind of country in the daytime,

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but I'll confess I'm not so keen on it at night. I don't like what I can't see.

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Funny, I'm just the opposite.

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There's, well, there's a challenge in the darkness that stimulates my senses.

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It's exhilarating. It stirs my imagination.

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Sure, I suppose it would. But I'm not equipped to grapple with the mysteries of the universe.

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Stan, you're much too modest. You always were.

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You've gotten out of life pretty much what you wanted, haven't you?

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Well, yes, I suppose so.

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Then don't always be belittling yourself.

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It's an effective technique, Stan, but I'm on to you.

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You're as clever as the next fellow, in your own way.

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I sat back and tried to relax.

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Things weren't quite as Eric had pictured them. I was born with a silver spoon in my mouth, as they say.

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Eric had come up the hard way. I was average and soft.

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He was brilliant and hard.

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We'd known each other a long time, gone to school together, been in love with the same girl, Karen.

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When I married her, he was my best man, and yet I didn't pretend to understand him.

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He was still pretty much of a stranger to me. I glanced over his way.

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He actually seemed to be enjoying himself. It crossed my mind that he was rather enjoying seeing me in a bit of a lather, too.

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Well, it's not far now, just around the next bend.

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Well, thank the Lord.

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Well, am I amusing you again?

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No. I was just thinking what a perfect spot this would be for a murder.

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A murder? Honestly, Eric, I believe that's all you think about.

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It is almost. When I buy a newspaper, I read about murder the way you study the stock quotations.

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Murder is fascinating to me. I spend most of my time figuring out ways and means to commit murder.

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Now you're trying to sound like a mental case.

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Who knows? Perhaps I am. I have a mind.

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Well, here we are, old man. You see, I've delivered you safe and sound, all in one piece.

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Eric's cabin was perched high on a rocky crag jutting out from the side of a mountain, with one more flush against a sheer drop.

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In front there was a steep path leading down to a lake. I could hear the lapping of the waves.

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Eric fixed us something to eat and went outside. And pretty soon he came back in.

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Arm full of logs. His face was red and healthy.

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I don't think you like my place, Stan.

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Oh, yes, I do. Honestly, I'm just tired, I guess.

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Well, we'll turn in directly. Cigarette?

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Yes, thanks. I believe I will.

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I like it here. All the privacy in the world.

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Say, Eric.

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Yes?

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Why do you read about murder?

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Why do you read about stocks and bonds?

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Well, because they interest me. It's my business.

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My business doesn't interest me. I read about murder because I'm interested in people.

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Murder is emotional. When people are being emotional, you get to see more of them.

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Why are you so interested in people?

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Oh, I think I'm more curious than interested.

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Well, all right. Why so curious?

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Well, it amuses me. I find out about people. I write down what I find out,

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and I write my impressions of how those people will react to a series of circumstances.

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It's a good way to get rid of one's inhibition.

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Sort of a frightening hobby.

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I think stamp collecting is frightening.

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You're too darn clever, Eric.

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Why too clever?

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Well, I mean you see through people.

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Well, what's wrong with that unless, of course, they have something they want to hide?

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Oh, I suppose it's all right if your friends don't mind.

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Do you? Mine? No, heavens no. Why should I?

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That's right. Why should you?

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Well, how about hitting the hay? We have to be up early.

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We'll only get a few hours' sleep, as it is.

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Well, suits me.

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You sleep in my study, Stan. The bed in there is a bit more comfortable.

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I'll bunk out here on the couch.

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I had undressed and gotten into bed and was reaching over to put out the light on Eric's desk

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when my eyes fell on a stack of typewritten sheets.

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I wondered if they were the notes Eric had been speaking about.

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The strange mumbo jumbo he'd written there, phrases he liked,

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single sentences describing people he'd met.

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There were a few clippings pasted on sheets of white paper, clippings describing murders,

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by strangulation, by pistol, by drowning, by poison.

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The full sheet was devoted to Karen. I hadn't realized how much he cared for.

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His analysis was very kind, almost maudlin.

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He spoke of a shock at hearing of her suicide, and he tried to reason it to find causes.

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A small memo pad caught my eye, however.

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And on the last page, I saw my name carefully printed.

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I read it eagerly. I read Eric's arguments for not hating me because I had married Karen.

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I read Eric's cold analysis of my character.

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Not exactly flattering, but it was pretty accurate.

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And at the bottom of the page, newly written by the looks of it,

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and in Eric's own careful hand, I read four ways to commit murder.

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By strangulation, by pistol bullet, by drowning, by poison.

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Music

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For Suspense, Roma Wines are bringing you Vincent Price and Lloyd Nolan in Hunting Trip

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by Paul Bernard and Lee Horton.

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Roma Wines presentation tonight in radio's outstanding theater of thrills, Suspense.

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Music

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Between the acts of Suspense, this is Ken Niles for Grand Estate Wines.

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Last night, a friend who entertains frequently told me how much he likes Grand Estate Wines,

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those wines of outstanding excellence presented by Roma, America's greatest vintner.

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Here's what he said.

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Recently, Ken, I serve Grand Estate Wines to some very particular guests, people who really know wine.

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Their sincere praise for that wonderful fragrance and taste was certainly flattering to me as a host.

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Grand Estate Wines are outstanding.

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Yes, to bring you this limited bottling of Grand Estate Wines,

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Roma selected only the choicest juice-laden grapes from California's finest vineyards.

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Then at Roma's famed wineries, unmatched in winemaking resources,

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Grand Estate Wines are patiently, skillfully guided to perfection.

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Necessary time and the age-old skill of Roma master vintners endow each Grand Estate Wine

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Remember the name, Grand Estate Wines by Roma, the crowning achievement of vintner skill.

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And now, Roma wines bring back to our Hollywood soundstage,

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Lloyd Nolan as Stan and Vincent Price as Eric in Hunting Trip.

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A tale well calculated to keep you in suspense.

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I suppose I slept that night, but it seemed as though I had only just dozed off

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when I heard the door open quietly.

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I opened one eye cautiously. It was still gray in the room, so I know I hadn't slept long.

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I was about to open both eyes to save Eric the trouble of waking me when I thought,

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he hasn't come to wake me.

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My mind threw two words at me by strangulation.

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Before I had the chance to move, I felt his hands carefully on my throat.

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Don't!

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Why, Stan, what's the matter?

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I thought for a minute that...

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I guess I must have been dreaming. Nightmare.

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You grabbed hold of my hands like you thought I was going to strangle you.

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Did I?

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What's the matter? Have you got a guilty conscience?

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Yeah, yeah, I guess I have. What did you want, Eric?

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Time to get up.

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Oh, already?

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Yeah, that's right. I've got good news, too.

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I just spotted a likely looking buck right across the lake when I went down for water.

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Oh, good, good.

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Well, I'll get breakfast going as soon as you're ready.

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Yeah, B, right with you.

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Now, there's no rush. Take your time. Nice to have you here.

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Well, maybe it was the way that he'd said that as though he'd really meant it.

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For a minute I was convinced that I'd let my imagination run away with me.

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As for putting his hand on my throat, that was an accident.

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He'd been groping for my shoulder.

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Then the next minute I was asking myself, was it an accident, though?

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Suppose I'd really been asleep. Suppose I hadn't grabbed his hands.

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I still didn't know what to think.

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Well, I dressed and we sat down to breakfast.

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Pass me your cup, will you, Stan? I'll give you some coffee.

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There you are.

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Thanks.

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Sugar coming up.

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No, no sugar for me, thanks.

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Well, Stan, when are you going to confess?

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What do you mean, confess?

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Or shall I drag it out of you?

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What are you driving at?

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Oh, come now. You're not going to play the adolescent schoolboy with me.

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I swear, I don't...

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I'm referring to the lovely young woman you've been seen dining with and taking to the theater.

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Oh, you mean Marcia.

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Is that her name?

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Yes, yes.

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Well, go on. Where did you meet her? How? When?

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Is she wealthy? Is she as beautiful as they say she is? Come on.

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Let's have the sordid detail.

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No, Eric, you're barking up the wrong tree.

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Am I?

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Oh, I'll admit, I've taken her out occasionally, but nothing like that.

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Marcia, do I know her?

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No, I don't believe you do.

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Isn't her last name Jenkins?

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Yes.

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Oh, of course I know her. That is, I met her.

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Or don't you remember you introduced me to her yourself?

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Oh, did I?

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Yes, don't you remember I ran into you at Silver's.

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You were buying perfume and she was helping you select it.

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For Karen, remember?

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Oh, yes, yes. Now that you recall it...

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More coffee?

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Uh, yeah, no sugar.

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Well, when we got to the lake, we bailed out the boat, loaded it, and pushed it out into the fog.

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It was still half light when we reached the other side, so we sat in the boat and lighted cigarettes, waited for the sun to come up.

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We'd been sitting there just smoking, not saying anything, when he suddenly turned to me and said...

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You say that she'd been ill?

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Uh, oh, Karen, yes. Yes, she'd been ill for some time, Eric.

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So she killed herself?

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Yes.

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There was an inquest, of course.

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Yes, of course. Why do you ask?

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Look at that sun. Did you ever see such color?

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Four ways to commit murder.

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I'd almost forgotten about Eric's hands on my throat.

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Now the incident jumped vividly back to my mind because now I knew that Eric had a reason.

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He looked away after he asked me about the inquest.

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He didn't answer me when I asked him why he wanted to know.

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Somewhere in that strange dark corner of his mind, he was still obsessed by love for Karen, even though she was dead and gone.

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He thought that she'd still be alive and happy if she hadn't married me.

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My legs were weak when he motioned me out of the boat.

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A deer blew somewhere near us. We stopped.

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Hey, did you hear that?

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Yeah.

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Listen, it's moving west.

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Yeah.

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Stan, you work west, just about half a mile or so ahead of us. You'll come to a clearing.

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Take your stand there.

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Right.

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I'll strike north and west and then work toward the clearing. Good hunting.

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This is it then, I thought. He'll hide somewhere along the way to the clearing and shoot me in the back.

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Now that I knew what to expect, I felt somewhat relieved. At least I'd be ready for him.

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Nothing happened until I'd nearly reached the clearing.

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And then I got the feeling that someone was walking with me, timing his steps with mine.

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I stopped. I listened.

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I don't know how long I stood there. My rifle gripped in my hands.

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But suddenly, instinctively, I wheeled around.

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The shot whistled over my head. Then I saw a buck running across the clearing.

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He'd shot at me and missed. Well, two can play at that game, I thought.

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The next shot would be mine. I wouldn't miss.

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I dropped to my knees watching the brush for him.

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Then all of a sudden I saw him running toward me right out in the open.

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I started to raise my rifle, but I couldn't. I couldn't kill a man that way in cold blood.

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Stan, Stan, did I hit you?

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I can't find you.

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Now hold on a minute, old son. Let's not lose our heads.

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I'm terribly sorry, of course, but I had no idea you were to take Stan in the clearing.

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So I naturally assumed you were there.

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I don't know what I can say.

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Well, maybe it was my fault. I don't know.

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Anyway, let's forget it.

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But I...

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I said let's skip it.

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I stuck close to Eric. After that I gave no more opportunity for a shooting accident.

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It was dusk when we headed back toward the cabin.

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We didn't get our buck, not that I cared, and I'm sure Eric didn't.

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He was after different games.

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Then I saw a boat on the beach.

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I drowned.

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I was in the water.

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I was in the water.

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I saw a boat on the beach.

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I drowned.

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Here we were alone.

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I couldn't refuse to get in the boat with him.

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There was no other way of getting back to the cabin.

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I could feel the perspiration trickling down my ribs.

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I stumbled in the underbrush.

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Easy, easy now.

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Too bad we didn't bag that fella.

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That buck? Better luck tomorrow, maybe.

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Yeah, better luck tomorrow.

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You seem preoccupied, Stan.

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Do I?

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Yes, I have the ghastly feeling that I'm failing you as a host.

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I don't think you're having a very good time.

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I think this is a marvelous country, Eric.

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You've exercised phenomenal restraint, old son.

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What do you mean?

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About expressing your admiration for it.

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I never suspected that you liked it so much.

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That remark called for some sort of an answer, but I wasn't equal to it.

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Fortunately, I was spared the necessity.

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We reached the lake and the boat.

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Then we tossed our guns into it.

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Eric started to push out the shore.

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Hop in, Stan.

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Easy does it now.

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Hang on to the oars, will you, while I climb in?

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All set?

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All set.

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Splendid.

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Here, now, you better let me row. I know this lake.

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There's some treacherous spots in it.

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What do you mean?

19:01.000 --> 19:03.000
Oh, some nasty boulders sticking up.

19:03.000 --> 19:06.000
Some of them that aren't easy to spot.

19:06.000 --> 19:09.000
Come too close to the surface for comfort.

19:09.000 --> 19:10.000
I see.

19:10.000 --> 19:14.000
If we were to hit one of them, we'd turn over in a hurry.

19:14.000 --> 19:17.000
You don't swim, do you, Stan?

19:17.000 --> 19:19.000
You know darn well I don't.

19:19.000 --> 19:21.000
Oh, that's a shame.

19:21.000 --> 19:25.000
It's a mistake not to learn to swim, don't you think?

19:31.000 --> 19:33.000
What happened after that was a nightmare.

19:33.000 --> 19:37.000
He rode. I sat there, paralyzed.

19:37.000 --> 19:39.000
I couldn't move.

19:39.000 --> 19:42.000
I couldn't think. I knew I should do something, but what?

19:42.000 --> 19:46.000
I stared at the water till I was blind, looking for rocks.

19:46.000 --> 19:49.000
Eric's face was a blur.

19:49.000 --> 19:54.000
He just smiled, rode, rode and talked.

19:54.000 --> 19:57.000
His voice sounded hollow, unreal.

19:57.000 --> 20:00.000
You're shaking, Stan. Is something wrong?

20:00.000 --> 20:02.000
This lake's plenty deep.

20:02.000 --> 20:04.000
Lots of fish in it, too.

20:04.000 --> 20:12.000
Maybe we can do a little fishing.

20:14.000 --> 20:16.000
He stopped suddenly.

20:16.000 --> 20:18.000
He'd seen something in the water.

20:18.000 --> 20:23.000
He turned around, pulled hard on the oars.

20:23.000 --> 20:25.000
We'd reached the spot he knew it.

20:25.000 --> 20:27.000
And then...

20:27.000 --> 20:30.000
No! No! Get down!

20:30.000 --> 20:33.000
Eric, we're going to love you!

20:33.000 --> 20:35.000
Eric!

20:39.000 --> 20:42.000
When I came up, Eric was there in the water near me.

20:42.000 --> 20:45.000
He didn't speak. He just grinned.

20:45.000 --> 20:48.000
And then I saw his face above mine, grinning.

20:48.000 --> 20:51.000
I saw him raise his face, strike me and...

20:51.000 --> 20:53.000
That's the last thing I remember.

20:53.000 --> 20:57.000
When I came to, I was lying on the beach.

20:57.000 --> 21:02.000
And Eric was standing over me, smiling.

21:02.000 --> 21:05.000
Well, hello. How are you feeling?

21:05.000 --> 21:08.000
I... OK, I guess.

21:08.000 --> 21:11.000
You're a tough customer to rescue, old son.

21:11.000 --> 21:13.000
You put up quite a fight.

21:13.000 --> 21:15.000
I'm sorry.

21:15.000 --> 21:17.000
I'm sorry.

21:17.000 --> 21:19.000
I'm sorry.

21:19.000 --> 21:23.000
I'm sorry. I thought that maybe...

21:23.000 --> 21:25.000
No, don't try to talk now.

21:25.000 --> 21:27.000
You've had a pretty bad time.

21:27.000 --> 21:29.000
Take it easy.

21:33.000 --> 21:35.000
Well, it was all clear to me then.

21:35.000 --> 21:37.000
Eric could save my life.

21:37.000 --> 21:38.000
It would have been accidental.

21:38.000 --> 21:39.000
The shot, the boat turning over.

21:39.000 --> 21:40.000
He didn't want to kill me.

21:40.000 --> 21:43.000
A man doesn't save you from drowning when he wants you dead.

21:43.000 --> 21:45.000
But it had all been my imagination.

21:45.000 --> 21:47.000
A nightmare.

21:47.000 --> 21:52.000
The relief that flowed through my body was almost too much for me.

21:52.000 --> 21:56.000
It would fill her on words to express how I felt.

22:04.000 --> 22:10.000
A little later, Eric held me up to my cabin and I stretched out on the couch.

22:10.000 --> 22:14.000
Eric went to the kitchen to fix hot coffee and soup.

22:14.000 --> 22:19.000
He brought the coffee in first, pulled up the coffee table close to me,

22:19.000 --> 22:22.000
and poured us each out a cupful.

22:22.000 --> 22:24.000
There you are.

22:24.000 --> 22:26.000
Get some of that into you and you'll feel different.

22:26.000 --> 22:27.000
Oh, thanks.

22:27.000 --> 22:29.000
I'll be back in a second.

22:29.000 --> 22:31.000
Soup's coming right up.

22:31.000 --> 22:34.000
Hey, Stan, do you like to cook?

22:34.000 --> 22:35.000
Huh?

22:35.000 --> 22:37.000
I said, do you like to cook?

22:37.000 --> 22:39.000
You know, I do. I...

22:39.000 --> 22:42.000
Well, I like to try different concoctions.

22:42.000 --> 22:46.000
Oh, not me. I'd starve to death if I had to cook for myself.

22:46.000 --> 22:48.000
Oh, man.

22:48.000 --> 22:50.000
This coffee hits the spot.

22:50.000 --> 22:54.000
Ah, I can use a little of that, too.

22:54.000 --> 22:56.000
It sure does warm the innards, doesn't it?

22:56.000 --> 22:57.000
Mm-hmm.

22:57.000 --> 22:58.000
I got a little chilled.

22:58.000 --> 23:01.000
Nothing like a cup of coffee, I always say.

23:01.000 --> 23:04.000
That's what I always say, too, Stan.

23:04.000 --> 23:09.000
Why, did I say something funny when I'm using you again?

23:09.000 --> 23:11.000
Immensely.

23:11.000 --> 23:15.000
In fact, Stan, I think that's probably the funniest thing you ever said.

23:15.000 --> 23:17.000
Mm-hmm.

23:17.000 --> 23:19.000
How did you like it, Stan?

23:19.000 --> 23:21.000
Four ways to commit murder.

23:21.000 --> 23:23.000
You read it, of course.

23:23.000 --> 23:25.000
Why, yes, I...

23:25.000 --> 23:29.000
I could tell you had, just as I intended you to.

23:29.000 --> 23:32.000
Were you frightened all day today?

23:32.000 --> 23:34.000
I don't understand.

23:34.000 --> 23:38.000
You didn't know, did you, that I came to your engagement party

23:38.000 --> 23:40.000
to ask Karen to be my wife?

23:40.000 --> 23:45.000
I wasn't aware that you were throwing a party or that she had accepted you.

23:45.000 --> 23:46.000
Oh, good Lord.

23:46.000 --> 23:49.000
Perhaps you don't remember what I told you that night.

23:49.000 --> 23:52.000
You thought I was joking, but I meant every word I said,

23:52.000 --> 23:55.000
that I'd make you pay if you failed, Karen, if you made her unhappy.

23:55.000 --> 23:58.000
Within all these years, you would...

23:58.000 --> 24:01.000
Then you did bring me up here to murder you.

24:01.000 --> 24:03.000
You're so right, Stan.

24:03.000 --> 24:06.000
But you pulled me out of the lake, you saved my life.

24:06.000 --> 24:09.000
You are a dull-witted clown, aren't you, Stan?

24:09.000 --> 24:11.000
Don't you know me better than that?

24:11.000 --> 24:14.000
Did you think I'd kill you in the manner of a homicidal moron?

24:14.000 --> 24:15.000
Oh, no, Stan.

24:15.000 --> 24:17.000
But you did take a shot at me.

24:17.000 --> 24:19.000
Oh, yes, that was the second way.

24:19.000 --> 24:22.000
The first way was by waking you up by the throat this morning.

24:22.000 --> 24:24.000
The boat tipping over was the third way.

24:24.000 --> 24:27.000
And now I suppose we've reached the fourth way.

24:27.000 --> 24:30.000
Your brilliance positively staggers me.

24:30.000 --> 24:32.000
You can't get away with it, Eric.

24:32.000 --> 24:34.000
Oh, yes, I can. I have.

24:34.000 --> 24:36.000
You see how intently I'm watching you?

24:36.000 --> 24:38.000
I'm waiting to see you fall.

24:38.000 --> 24:41.000
I'm in a die-stand, just as Karen died.

24:41.000 --> 24:43.000
What do you mean? In the coffee stand.

24:43.000 --> 24:45.000
That's right.

24:45.000 --> 24:49.000
Your coffee's poisoned, just as you poisoned her coffee.

24:49.000 --> 24:52.000
Only yours is a slow poison.

24:52.000 --> 24:54.000
Poisonic justice, don't you think?

24:54.000 --> 24:56.000
You poisoned my coffee?

24:56.000 --> 24:59.000
Yes, I wore down your guard.

24:59.000 --> 25:02.000
I planned it so that by now you would trust me,

25:02.000 --> 25:04.000
you would have faith in me.

25:04.000 --> 25:07.000
You poisoned my coffee?

25:07.000 --> 25:09.000
What did you...

25:09.000 --> 25:13.000
I didn't drink my coffee, Eric.

25:13.000 --> 25:17.000
I changed cups with you that were sugar in my cup, Eric.

25:20.000 --> 25:23.000
I don't take sugar in my coffee, Eric.

25:23.000 --> 25:26.000
So I changed cups with you.

25:26.000 --> 25:29.000
I didn't mean to do it, Eric, but...

25:29.000 --> 25:35.000
I don't like sugar in my coffee.

25:46.000 --> 25:50.000
So you see, I didn't kill Eric, really.

25:50.000 --> 25:53.000
He killed himself accidentally.

25:53.000 --> 25:55.000
But I wish he had killed me.

25:55.000 --> 25:57.000
He had a good reason to.

25:57.000 --> 26:01.000
Because somehow he knew about Karen,

26:01.000 --> 26:03.000
about how I killed Karen,

26:03.000 --> 26:06.000
by putting poison in her coffee that morning.

26:06.000 --> 26:08.000
And I watched her die,

26:08.000 --> 26:12.000
the same way that I watched Eric die.

26:12.000 --> 26:15.000
I'm tired now. I don't want to talk anymore.

26:15.000 --> 26:28.000
You do whatever you want with me.

26:37.000 --> 26:39.000
Suspense.

26:39.000 --> 26:41.000
Presented by Rome of Wines.

26:41.000 --> 26:47.000
R-O-M-A. Made in California for enjoyment throughout the world.

26:47.000 --> 26:49.000
And now, our two distinguished stars,

26:49.000 --> 26:51.000
Lloyd Nolan and Vincent Price,

26:51.000 --> 26:54.000
are returning for a curtain call with William Spear,

26:54.000 --> 26:56.000
our producer director of Suspense.

26:56.000 --> 26:59.000
Mr. Spear is carrying two large gift baskets

26:59.000 --> 27:01.000
of Grand Estate California wines.

27:01.000 --> 27:04.000
Lloyd and Vincent and Vincent and Lloyd,

27:04.000 --> 27:06.000
just to keep the billing straight,

27:06.000 --> 27:09.000
we want you each to have a basket of these Grand Estate wines

27:09.000 --> 27:11.000
with our compliments for a thrilling performance.

27:11.000 --> 27:14.000
Thank you, Bill. Hey, this is quite a selection.

27:14.000 --> 27:16.000
It certainly is. My thanks too, Bill.

27:16.000 --> 27:20.000
Well, there must be a Grand Estate wine for every occasion here.

27:20.000 --> 27:22.000
I guess there is, isn't there, Ken?

27:22.000 --> 27:23.000
Well, there is indeed, Bill.

27:23.000 --> 27:26.000
Even my favorite, Grand Estate Medium Sherry.

27:26.000 --> 27:28.000
A truly versatile wine,

27:28.000 --> 27:33.000
Grand Estate Medium Sherry is delicious as an aperitif before dinner.

27:33.000 --> 27:36.000
Delightful for afternoon or evening parties, too.

27:36.000 --> 27:40.000
And, of course, like all Grand Estate wines by Roma,

27:40.000 --> 27:43.000
Medium Sherry possesses the brilliant clarity,

27:43.000 --> 27:48.000
full fragrance and mellow taste that distinguish truly great wines.

27:48.000 --> 27:50.000
That sounds wonderful. Yes, Mr. Nolan.

27:50.000 --> 27:54.000
And you can be sure that any Grand Estate wine you serve

27:54.000 --> 27:57.000
represents the ultimate in wine goodness,

27:57.000 --> 27:59.000
the crowning achievement of vintner skill.

27:59.000 --> 28:03.000
That's why Grand Estate wines presented by Roma,

28:03.000 --> 28:08.000
the greatest name in wine, are the choice of discriminating wine users everywhere.

28:08.000 --> 28:09.000
Well put, Ken.

28:09.000 --> 28:12.000
Vincent, what's new and startling over on the 20th century fox lot?

28:12.000 --> 28:17.000
Well, they're pretty excited about Daryl Zanuck's film version of Mom's The Razor's Edge,

28:17.000 --> 28:19.000
which is just finished up shooting.

28:19.000 --> 28:24.000
And I guess the picture that they like best among the current releases is Flordy and David.

28:24.000 --> 28:27.000
You're on loan out just now, away from the home lot, aren't you, Vincent?

28:27.000 --> 28:29.000
That's right, Bill. And Lloyd is, too.

28:29.000 --> 28:33.000
Yes, yes, sir. I will be in a couple of weeks. Right now I'm just loafing,

28:33.000 --> 28:36.000
grabbed a little fishing, took a hunting trip up north.

28:36.000 --> 28:39.000
You wouldn't want to go on a hunting trip with me, would you, Lloyd?

28:39.000 --> 28:42.000
No, thanks. Plenty of that tonight on Suspense.

28:42.000 --> 28:44.000
Oh, Bill, who's on the show next Thursday?

28:44.000 --> 28:48.000
It's Dane Clark in a suspense play about a gunsel,

28:48.000 --> 28:51.000
a professional murderer who doesn't know he has any emotions,

28:51.000 --> 28:55.000
until he finds himself falling in love with the wife of a man he's killed.

28:55.000 --> 28:57.000
That's wonderful. We'll be listening, ain't we, Lloyd?

28:57.000 --> 28:58.000
Oh, yes, sure thing.

28:58.000 --> 29:02.000
Swell. Well, then if you two will relieve me of these baskets of Grand

29:02.000 --> 29:05.000
Estate wines before my arms give way and there's a loud crack.

29:05.000 --> 29:06.000
Thanks again, Bill.

29:06.000 --> 29:07.000
Well, good night.

29:07.000 --> 29:08.000
Good night.

29:08.000 --> 29:14.000
Next Thursday, same time, listen to Dane Clark on Suspense.

29:14.000 --> 29:29.000
Presented by Roma Wine Company of Fresno, California.

