1 00:00:00,000 --> 00:00:07,300 And now, Roma Wines, R-O-M-A, made in California for enjoyment throughout the world. 2 00:00:07,300 --> 00:00:11,300 Roma Wines presents Suspense. 3 00:00:11,300 --> 00:00:20,300 Tonight, Roma Wines bring you Mr. Robert Young, a star of You'll Never See Me Again, 4 00:00:20,300 --> 00:00:25,300 a suspense play produced, edited, and directed for Roma Wines by William Spear. 5 00:00:25,300 --> 00:00:36,300 Suspense, radio's outstanding theater of thrills, is presented for your enjoyment by Roma Wines. 6 00:00:36,300 --> 00:00:44,300 That's R-O-M-A, Roma Wines, those excellent California wines that can add so much pleasantness to the way you live, 7 00:00:44,300 --> 00:00:49,300 to your happiness in entertaining guests, to your enjoyment of everyday meals. 8 00:00:49,300 --> 00:01:03,300 Yes, right now a glass full would be very pleasant, as Roma Wines bring you Robert Young in a remarkable tale of Suspense. 9 00:01:03,300 --> 00:01:05,300 So, you're walking out on me. 10 00:01:05,300 --> 00:01:06,300 What does it look like to you? 11 00:01:06,300 --> 00:01:10,300 Like you're walking out on me? Got everything you need? 12 00:01:10,300 --> 00:01:14,300 Well, at least I'm glad you're showing your true colors. I'd rather find it out now than later. 13 00:01:14,300 --> 00:01:19,300 Didn't take you long, did it, baby? If you're looking for your coat, it's in there. 14 00:01:19,300 --> 00:01:20,300 Thanks. 15 00:01:20,300 --> 00:01:21,300 Need any money? 16 00:01:21,300 --> 00:01:26,300 I don't need anything from you, including your wedding ring, here. You know what you can do with it. 17 00:01:26,300 --> 00:01:30,300 Sure, hock it. Well, pick a nice quiet hotel. 18 00:01:30,300 --> 00:01:32,300 I don't have to pick a hotel. I'm no orphan. 19 00:01:32,300 --> 00:01:36,300 When you get good and sick of it, come on back. Maybe I'll still be here. 20 00:01:36,300 --> 00:01:40,300 You'll still be here. You'll never see me again as long as you live. 21 00:01:40,300 --> 00:01:45,300 You'll never see me again as long as you live. 22 00:01:45,300 --> 00:01:53,300 You'll never see me again as long as you live, she said. 23 00:01:53,300 --> 00:01:57,300 If I'd known then what I know now, I guess that wouldn't have sounded so funny. 24 00:01:57,300 --> 00:02:01,300 All right, maybe I'm not the easiest guy in the world to get along with, 25 00:02:01,300 --> 00:02:06,300 but it's perfectly natural for a couple to have at least one good fight after they've been married nearly three months. 26 00:02:06,300 --> 00:02:10,300 I just wasn't going to be the first one to say uncle, that's all. 27 00:02:10,300 --> 00:02:16,300 Still, you don't wait around forever when your wife walks out on you, even if you are playing hard to get. 28 00:02:16,300 --> 00:02:19,300 So the third evening I put in a call. 29 00:02:19,300 --> 00:02:22,300 I knew all along she'd head for her mother's place. 30 00:02:22,300 --> 00:02:28,300 Anyway, she practically told me where she was going when she left. 31 00:02:28,300 --> 00:02:29,300 Hello? 32 00:02:29,300 --> 00:02:31,300 Oh, hello. Is this Mrs. Alden? 33 00:02:31,300 --> 00:02:32,300 Yes. 34 00:02:32,300 --> 00:02:34,300 This is Ed, Janet's husband. 35 00:02:34,300 --> 00:02:37,300 Oh, yes. How is Janet? 36 00:02:37,300 --> 00:02:39,300 Isn't she there with you? 37 00:02:39,300 --> 00:02:43,300 With me? I know, isn't she with you? 38 00:02:43,300 --> 00:02:44,300 No. 39 00:02:44,300 --> 00:02:49,300 That was all I needed to hear. 40 00:02:49,300 --> 00:02:51,300 I grabbed my hat and headed for the bus station. 41 00:02:51,300 --> 00:02:56,300 That was the only way she could have possibly gone to her mother's place at that time of night, by bus. 42 00:02:56,300 --> 00:03:00,300 First I wanted to find out if there was anybody who could positively identify her as having left. 43 00:03:00,300 --> 00:03:03,300 The guy at the ticket office wasn't very bright. 44 00:03:03,300 --> 00:03:07,300 The West Hampton? Well, seems like I remember somebody like that. 45 00:03:07,300 --> 00:03:09,300 It would have been Monday night, just about this time. 46 00:03:09,300 --> 00:03:11,300 West Hampton, Monday night? 47 00:03:11,300 --> 00:03:14,300 Well, maybe. I couldn't be sure, though. 48 00:03:14,300 --> 00:03:16,300 Never mind. Give me a ticket. 49 00:03:16,300 --> 00:03:17,300 Where to? 50 00:03:17,300 --> 00:03:19,300 Where do you think? West Hampton. 51 00:03:19,300 --> 00:03:28,300 She was blonde, blue eyes, good looking. 52 00:03:28,300 --> 00:03:29,300 Sure, sure. I remember her. 53 00:03:29,300 --> 00:03:30,300 Where'd she get off? 54 00:03:30,300 --> 00:03:42,300 I think it was West Hampton. 55 00:03:42,300 --> 00:03:54,300 Well, good night. 56 00:03:54,300 --> 00:03:56,300 Yeah, we're closed for the night, Mr. Pumps. The pumps are all out. 57 00:03:56,300 --> 00:03:59,300 I just want some information. Can you tell me where the Aldons live? 58 00:03:59,300 --> 00:04:02,300 Aldon? Oh, yeah. They're those new people. 59 00:04:02,300 --> 00:04:03,300 Yeah. 60 00:04:03,300 --> 00:04:10,300 Well, you go up the crossroad there, you turn to your left, go on down the hill, and it's one, two, three, let me see, no, no. 61 00:04:10,300 --> 00:04:12,300 It's the fourth. Fourth driveway on your right. 62 00:04:12,300 --> 00:04:16,300 Did anyone ask you how to get there last Monday night? 63 00:04:16,300 --> 00:04:18,300 We're closed Monday, sir. 64 00:04:18,300 --> 00:04:34,300 Fourth driveway on your right. 65 00:04:34,300 --> 00:04:38,300 Must be somebody lost away. 66 00:04:38,300 --> 00:04:39,300 Yes? 67 00:04:39,300 --> 00:04:41,300 I'm Ed Bliss, Janet Hudson. 68 00:04:41,300 --> 00:04:44,300 Oh, yes. Come in, Ed. 69 00:04:44,300 --> 00:04:50,300 I've been looking forward so much to meeting you. I wish it could have been under different circumstances, though. 70 00:04:50,300 --> 00:04:51,300 Yeah. 71 00:04:51,300 --> 00:04:52,300 I'm so sorry. 72 00:04:52,300 --> 00:04:53,300 Hey, that's too bad. 73 00:04:53,300 --> 00:04:54,300 I haven't heard anything yet. 74 00:04:54,300 --> 00:04:55,300 Oh, it's okay. I have nothing to worry about. 75 00:04:55,300 --> 00:04:56,300 No. 76 00:04:56,300 --> 00:05:00,300 I can't understand it. It's not like her to do a thing like that. 77 00:05:00,300 --> 00:05:05,300 Oh, Ed, I want you to meet Mr. and Mrs. Farley. We were just playing a little bridge. 78 00:05:05,300 --> 00:05:06,300 How do you do? 79 00:05:06,300 --> 00:05:10,300 And this is my husband, Joe Aldon. 80 00:05:10,300 --> 00:05:16,300 I guess that makes him your stepfather-in-law, doesn't it? 81 00:05:16,300 --> 00:05:18,300 Joe, this is Ed Bliss. 82 00:05:18,300 --> 00:05:20,300 Pleased to meet you, Ed. 83 00:05:20,300 --> 00:05:22,300 Well, I guess we'd better be going. 84 00:05:22,300 --> 00:05:23,300 Oh, yeah, yeah, I guess we have. 85 00:05:23,300 --> 00:05:25,300 I certainly do hope that your wife... 86 00:05:25,300 --> 00:05:27,300 I wouldn't worry about it if I were you. 87 00:05:27,300 --> 00:05:29,300 Oh, you heard about it, did you? 88 00:05:29,300 --> 00:05:34,300 Well, Ed, you see, they got in a little while after you phoned, and we thought it was all... 89 00:05:34,300 --> 00:05:35,300 Well, that's all right. 90 00:05:35,300 --> 00:05:37,300 Well, thanks for asking. It's over. I... 91 00:05:37,300 --> 00:05:38,300 We'll come again real soon. 92 00:05:38,300 --> 00:05:40,300 We'll do that. Well, good night, all. 93 00:05:40,300 --> 00:05:41,300 Good night. 94 00:05:41,300 --> 00:05:43,300 Thank you. Goodbye. 95 00:05:43,300 --> 00:05:47,300 Oh, Ed, I hope you didn't mind about them. 96 00:05:47,300 --> 00:05:49,300 Well, I didn't think it was necessary to... 97 00:05:49,300 --> 00:05:52,300 Oh, it's all right. It's okay. 98 00:05:52,300 --> 00:05:56,300 Well, then, come on into the living room and tell us about it. 99 00:05:56,300 --> 00:05:58,300 Well, there's nothing much to tell that you don't know, is there? 100 00:05:58,300 --> 00:06:00,300 No, no, I suppose not. 101 00:06:00,300 --> 00:06:02,300 Sit down. Thanks. 102 00:06:02,300 --> 00:06:04,300 Can't I get you something to eat? 103 00:06:04,300 --> 00:06:05,300 No, thanks. 104 00:06:05,300 --> 00:06:07,300 Or some coffee or something? 105 00:06:07,300 --> 00:06:09,300 I think I'll pass up the refreshments this time. 106 00:06:09,300 --> 00:06:12,300 Well, I know how you must feel. 107 00:06:12,300 --> 00:06:14,300 Yeah, I guess you do. 108 00:06:14,300 --> 00:06:16,300 But I still can't. I just can't... 109 00:06:16,300 --> 00:06:19,300 You painted this room lately, haven't you? 110 00:06:19,300 --> 00:06:21,300 Yeah, what about it? 111 00:06:21,300 --> 00:06:24,300 Nothing, it just looks a little funny, that's all. 112 00:06:24,300 --> 00:06:25,300 You think so? 113 00:06:25,300 --> 00:06:29,300 Yeah, that brick wall in front of the house is kind of new, too, isn't it? 114 00:06:29,300 --> 00:06:32,300 You know I'm a bricklayer by trade, don't you? 115 00:06:32,300 --> 00:06:34,300 Well, now that you mention it... 116 00:06:34,300 --> 00:06:38,300 How can you talk about... about... 117 00:06:38,300 --> 00:06:41,300 You'd better go on upstairs, Laura. 118 00:06:44,300 --> 00:06:46,300 Yeah, she's taking it pretty hard. 119 00:06:46,300 --> 00:06:49,300 Yeah. You seem to be bearing up all right, though. 120 00:06:49,300 --> 00:06:52,300 You haven't lost any sleep over it yet yourself, have you? 121 00:06:52,300 --> 00:06:54,300 I'm not her husband. 122 00:06:54,300 --> 00:06:57,300 Yeah, this isn't getting us anywhere. 123 00:06:57,300 --> 00:06:59,300 What was that? 124 00:06:59,300 --> 00:07:01,300 Laura, I guess she's going to bed. 125 00:07:01,300 --> 00:07:03,300 Oh. 126 00:07:03,300 --> 00:07:06,300 Well, I guess I better be going down to get that last bus. 127 00:07:06,300 --> 00:07:07,300 How about staying overnight? 128 00:07:07,300 --> 00:07:08,300 No, thanks. 129 00:07:08,300 --> 00:07:09,300 Suit yourself. 130 00:07:09,300 --> 00:07:11,300 Oh, wait a minute, I'll put the porch light on. 131 00:07:11,300 --> 00:07:12,300 I can see. 132 00:07:12,300 --> 00:07:14,300 That's better. 133 00:07:14,300 --> 00:07:16,300 By the way, what happened? 134 00:07:16,300 --> 00:07:18,300 What do you mean, what happened? 135 00:07:18,300 --> 00:07:20,300 I suppose you and Janet had a row. 136 00:07:20,300 --> 00:07:22,300 What's that got to do with anything? 137 00:07:22,300 --> 00:07:24,300 I hear you got kind of a temper. 138 00:07:24,300 --> 00:07:26,300 Were you a little too quick with a flat of your hand? 139 00:07:26,300 --> 00:07:27,300 What's all this for? 140 00:07:27,300 --> 00:07:29,300 The benefit of the neighbors? 141 00:07:29,300 --> 00:07:30,300 It might be. 142 00:07:30,300 --> 00:07:32,300 Have you notified the police yet? 143 00:07:32,300 --> 00:07:33,300 No. 144 00:07:33,300 --> 00:07:35,300 And I don't like the way you ask questions. 145 00:07:35,300 --> 00:07:37,300 OK, OK. 146 00:07:37,300 --> 00:07:39,300 Want me to walk down the bus with you? 147 00:07:39,300 --> 00:07:40,300 It's pretty dark. 148 00:07:40,300 --> 00:07:42,300 Maybe that's why I'd rather walk down there alone. 149 00:07:42,300 --> 00:07:43,300 Oh, now wait a minute, Ed. 150 00:07:43,300 --> 00:07:45,300 I think you got me wrong. 151 00:07:45,300 --> 00:07:47,300 All right, maybe I have. 152 00:07:47,300 --> 00:07:49,300 Say good night to Mrs. Alden for me. 153 00:07:49,300 --> 00:07:51,300 Yeah, let us hear from you. 154 00:07:51,300 --> 00:07:53,300 Don't worry, you'll hear from me all right. 155 00:07:59,300 --> 00:08:01,300 It was still plenty dark when I got back to town, 156 00:08:01,300 --> 00:08:03,300 but I took the shortcut at the corner just the same, 157 00:08:03,300 --> 00:08:05,300 a path across the vacant lot. 158 00:08:05,300 --> 00:08:07,300 Between the lot and my house is a hedge. 159 00:08:07,300 --> 00:08:10,300 I was just going through it when I stopped cold. 160 00:08:10,300 --> 00:08:12,300 There was a light on in my house, 161 00:08:12,300 --> 00:08:14,300 only it wasn't a regular light. 162 00:08:14,300 --> 00:08:17,300 The beam of a flashlight moving past the living room window. 163 00:08:17,300 --> 00:08:20,300 That could only mean one thing, cops. 164 00:08:20,300 --> 00:08:23,300 Of course, it was Joe Alden that tipped them off. 165 00:08:23,300 --> 00:08:27,300 I just waited and then heard the front door open and close. 166 00:08:27,300 --> 00:08:29,300 I saw two men standing outside. 167 00:08:29,300 --> 00:08:31,300 And one of them went up the street. 168 00:08:33,300 --> 00:08:36,300 Pretty soon I heard a car drive off. 169 00:08:36,300 --> 00:08:38,300 The other man was at the shadow then, 170 00:08:38,300 --> 00:08:41,300 standing by a tree in front of the house. 171 00:08:41,300 --> 00:08:44,300 You could see he was expecting me to come from the other direction. 172 00:08:44,300 --> 00:08:46,300 I stepped through the hedge and went over to him. 173 00:08:49,300 --> 00:08:52,300 Would you be looking for anybody in particular? 174 00:08:52,300 --> 00:08:55,300 I might be. Who are you? 175 00:08:55,300 --> 00:08:58,300 Ed Bliss. Who are you? 176 00:08:58,300 --> 00:09:01,300 Detective Stillman, Bureau of Missing Persons. 177 00:09:01,300 --> 00:09:04,300 How did you know anyone was looking for you? 178 00:09:04,300 --> 00:09:07,300 Oh, I'm just bright that way. 179 00:09:07,300 --> 00:09:11,300 Oh yeah? Well, they like bright boys down at headquarters. 180 00:09:11,300 --> 00:09:13,300 Come on, let's go. 181 00:09:23,300 --> 00:09:26,300 For suspense, Roma wines are bringing you Robert Young 182 00:09:26,300 --> 00:09:29,300 in You'll Never See Me Again by Cornell Woolrich. 183 00:09:29,300 --> 00:09:34,300 Roma wines presentation tonight in radio's outstanding theater of thrills, Suspense. 184 00:09:43,300 --> 00:09:47,300 Between the acts of suspense, this is Ken Niles reminding you 185 00:09:47,300 --> 00:09:51,300 that it's really simple to please the palates of fastidious guests 186 00:09:51,300 --> 00:09:55,300 if you'll just be sure to serve Grand Estate wines. 187 00:09:55,300 --> 00:10:01,300 For Grand Estate wines presented by Roma afford you the ultimate in wine excellence. 188 00:10:01,300 --> 00:10:06,300 Discriminating wine users know this and regard your offering of Grand Estate wines 189 00:10:06,300 --> 00:10:09,300 as a flattering gesture to their good taste. 190 00:10:09,300 --> 00:10:14,300 For in Grand Estate wines, particular guests find the brilliant clarity, 191 00:10:14,300 --> 00:10:20,300 full fragrance, and mellow taste that distinguish truly outstanding wine. 192 00:10:20,300 --> 00:10:25,300 You see, Roma created this limited bottling of magnificent Grand Estate wines, 193 00:10:25,300 --> 00:10:29,300 especially to please those who know fine wine. 194 00:10:29,300 --> 00:10:35,300 With choicest grapes, infinite patience, necessary time, and age-old skill, 195 00:10:35,300 --> 00:10:42,300 Roma master vintners endowed each Grand Estate wine with fine qualities of wine greatness. 196 00:10:42,300 --> 00:10:47,300 So the host who possesses all five Grand Estate California wines 197 00:10:47,300 --> 00:10:51,300 is sure of pleasing all tastes at all times. 198 00:10:51,300 --> 00:10:56,300 For smart entertaining, delight your guests with Grand Estate medium sherry, 199 00:10:56,300 --> 00:10:59,300 ruby port, or golden muscatel. 200 00:10:59,300 --> 00:11:03,300 For gracious dining, serve Grand Estate burgundy or sauternes. 201 00:11:03,300 --> 00:11:11,300 Remember the name, Grand Estate wines by Roma, the crowning achievement of vintner skill. 202 00:11:11,300 --> 00:11:15,300 And now Roma wines bring back to our Hollywood sound stage Robert Young, 203 00:11:15,300 --> 00:11:19,300 who as Ed Bliss in You'll Never See Me Again continues a narrative 204 00:11:19,300 --> 00:11:23,300 well calculated to keep you in suspense. 205 00:11:23,300 --> 00:11:35,300 Music 206 00:11:35,300 --> 00:11:38,300 He stood there in the shadows watching my face, 207 00:11:38,300 --> 00:11:41,300 Detective Stillman of the Bureau of Missing Persons. 208 00:11:41,300 --> 00:11:44,300 I'd been expecting this to happen sooner or later, 209 00:11:44,300 --> 00:11:48,300 but the moment I saw that it had, I was stunned for a moment. 210 00:11:48,300 --> 00:11:50,300 Well, come on, bright boy, they're expecting us at headquarters. 211 00:11:50,300 --> 00:11:52,300 Wait a minute, I want to talk to you. I'm in a jam. 212 00:11:52,300 --> 00:11:53,300 Oh, you're telling me. 213 00:11:53,300 --> 00:11:55,300 Not the way you think. Will you come inside with me? 214 00:11:55,300 --> 00:11:57,300 I've been inside. 215 00:11:57,300 --> 00:12:00,300 Say, what kind of a furnace do you have in your cellar, Bliss? 216 00:12:00,300 --> 00:12:01,300 An oil burner. 217 00:12:01,300 --> 00:12:05,300 The kind that turns on automatic with an electric cut-in? 218 00:12:05,300 --> 00:12:07,300 That's right. Why, is there a fuse blown? 219 00:12:07,300 --> 00:12:09,300 How'd you know there was a fuse blown? 220 00:12:09,300 --> 00:12:11,300 Was that why you were searching my house with a flashlight? 221 00:12:11,300 --> 00:12:13,300 Or was it because you didn't have a warrant? 222 00:12:13,300 --> 00:12:16,300 So you really are a bright boy, aren't you? 223 00:12:16,300 --> 00:12:17,300 Well, come on, come on, we're going down the hill. 224 00:12:17,300 --> 00:12:18,300 Listen, I don't want to have any arguments. 225 00:12:18,300 --> 00:12:20,300 I want help, and I want it bad. 226 00:12:20,300 --> 00:12:21,300 Will you give me a break? 227 00:12:21,300 --> 00:12:22,300 What kind of a break? 228 00:12:22,300 --> 00:12:25,300 Oh, this is no place to talk. Will you come inside? 229 00:12:25,300 --> 00:12:28,300 Okay, but you better talk fast and talk good. 230 00:12:28,300 --> 00:12:30,300 Don't worry. 231 00:12:32,300 --> 00:12:34,300 The fuse box is right here. The flash light, please. 232 00:12:34,300 --> 00:12:37,300 I always keep a couple of fuses on top of it. 233 00:12:37,300 --> 00:12:39,300 Oh, there they are. 234 00:12:39,300 --> 00:12:42,300 Uh, let's go in the front room. 235 00:12:42,300 --> 00:12:44,300 Uh, after you. 236 00:12:44,300 --> 00:12:46,300 Okay. 237 00:12:47,300 --> 00:12:49,300 Now, what do you want to talk about? 238 00:12:49,300 --> 00:12:52,300 Oh, don't you understand? She's my wife. I'm scared. 239 00:12:52,300 --> 00:12:54,300 Then why did you run out? Why didn't you tell the police? 240 00:12:54,300 --> 00:12:58,300 Because at first I thought it was just one of those things. 241 00:12:58,300 --> 00:13:00,300 Anyway, I knew where she'd gone, back to her mother's. 242 00:13:00,300 --> 00:13:01,300 How'd you know that? 243 00:13:01,300 --> 00:13:02,300 Because I went down after her. 244 00:13:02,300 --> 00:13:04,300 Because all kinds of people saw her go. 245 00:13:04,300 --> 00:13:06,300 Bus drivers, ticket sellers. 246 00:13:06,300 --> 00:13:09,300 Only when I got there, she wasn't there. 247 00:13:09,300 --> 00:13:11,300 Mm-hmm. 248 00:13:11,300 --> 00:13:14,300 How much life insurance do you carry on a bliss? 249 00:13:14,300 --> 00:13:16,300 Oh, 25,000. 250 00:13:16,300 --> 00:13:19,300 Wow, that's quite a lot for a $75 a week architect, isn't it? 251 00:13:19,300 --> 00:13:21,300 No, her mother paid for it, a wedding present. 252 00:13:21,300 --> 00:13:24,300 For heaven's sake, what do you think I did, buried her in a cellar or something? 253 00:13:24,300 --> 00:13:28,300 No, we know you didn't do that. We looked. 254 00:13:28,300 --> 00:13:31,300 Oh, cut it out, will you? I love her. I... 255 00:13:31,300 --> 00:13:33,300 Oh. 256 00:13:33,300 --> 00:13:36,300 We've only been married three months. 257 00:13:36,300 --> 00:13:38,300 Well, what do you want me to do? 258 00:13:38,300 --> 00:13:39,300 Oh, give me a break. 259 00:13:39,300 --> 00:13:42,300 Listen, if you take me down to headquarters now, it may be hours. 260 00:13:42,300 --> 00:13:43,300 Oh, it'll be hours, all right. 261 00:13:43,300 --> 00:13:45,300 And in the meantime, if there's still a chance... 262 00:13:45,300 --> 00:13:47,300 But there's got to be. 263 00:13:47,300 --> 00:13:49,300 She's somewhere and she's in danger. I know it. 264 00:13:49,300 --> 00:13:50,300 Yeah, how? 265 00:13:50,300 --> 00:13:53,300 I tell you, I followed her down to her mother's place in West Hampton. 266 00:13:53,300 --> 00:13:55,300 There's a guy at the station who remembers selling her a ticket. 267 00:13:55,300 --> 00:13:57,300 The bus driver remembers her getting off there. 268 00:13:57,300 --> 00:13:59,300 And then she just disappeared. 269 00:13:59,300 --> 00:14:00,300 Then what? 270 00:14:00,300 --> 00:14:02,300 I went down to her mother's house. 271 00:14:02,300 --> 00:14:03,300 They hadn't seen her. 272 00:14:03,300 --> 00:14:04,300 But there's something funny about it. 273 00:14:04,300 --> 00:14:07,300 There's something funny about her mother and that stepfather. 274 00:14:07,300 --> 00:14:09,300 There's something funny about the house. 275 00:14:09,300 --> 00:14:11,300 And about that room. 276 00:14:11,300 --> 00:14:12,300 What room? 277 00:14:12,300 --> 00:14:14,300 That living room of theirs. 278 00:14:14,300 --> 00:14:16,300 Listen, you've got to help me. Help me find her. 279 00:14:16,300 --> 00:14:18,300 You've got to go down there to West Hampton with me, 280 00:14:18,300 --> 00:14:22,300 because I've got a hunch somehow that I'm the only one who can find her. 281 00:14:24,300 --> 00:14:25,300 All right, boys. 282 00:14:25,300 --> 00:14:28,300 All right, I don't know why, but I believe you. 283 00:14:28,300 --> 00:14:29,300 You do? 284 00:14:28,300 --> 00:14:29,300 Yes. 285 00:14:29,300 --> 00:14:30,300 You do? 286 00:14:30,300 --> 00:14:33,300 I shouldn't believe you either, because... 287 00:14:33,300 --> 00:14:35,300 Because what? 288 00:14:35,300 --> 00:14:36,300 What, uh... 289 00:14:36,300 --> 00:14:39,300 What was your wife wearing when she ran out on you on Monday night? 290 00:14:39,300 --> 00:14:40,300 What was she wearing? 291 00:14:40,300 --> 00:14:41,300 Yeah, yeah, yeah, sure. 292 00:14:41,300 --> 00:14:43,300 You must remember what she was wearing. 293 00:14:43,300 --> 00:14:47,300 Well, she was wearing a gray flannel suit, skirt and jacket, you know. 294 00:14:47,300 --> 00:14:51,300 Pink silk shirt waist, patent leather high heeled shoes, 295 00:14:51,300 --> 00:14:53,300 and one of those crazy little hats. 296 00:14:53,300 --> 00:14:54,300 Any baggage? 297 00:14:54,300 --> 00:14:56,300 Yeah, a little tan suitcase. 298 00:14:56,300 --> 00:14:57,300 You're sure of that? 299 00:14:57,300 --> 00:14:59,300 Sure. 300 00:14:59,300 --> 00:15:01,300 Well, that's why I shouldn't believe you. 301 00:15:01,300 --> 00:15:02,300 Why not? 302 00:15:02,300 --> 00:15:04,300 Because when you find somebody's clothes around, 303 00:15:04,300 --> 00:15:07,300 you usually start looking for the body right nearby. 304 00:15:07,300 --> 00:15:08,300 Who? 305 00:15:08,300 --> 00:15:09,300 What do you mean? 306 00:15:09,300 --> 00:15:13,300 Well, they weren't burned up because that fuse had blown. 307 00:15:13,300 --> 00:15:16,300 But we found every one of those things in the furnace 308 00:15:16,300 --> 00:15:20,300 down in your cellar about 20 minutes ago. 309 00:15:26,300 --> 00:15:28,300 When he said that, I knew there wasn't much time. 310 00:15:28,300 --> 00:15:30,300 But he was going up to West Hampton with me anyway, 311 00:15:30,300 --> 00:15:31,300 and that was the main thing. 312 00:15:31,300 --> 00:15:33,300 Of course, first he had to route out the bus driver 313 00:15:33,300 --> 00:15:35,300 and the ticket seller and check my story with them 314 00:15:35,300 --> 00:15:37,300 just to be sure I wasn't trying to pull a fast one. 315 00:15:37,300 --> 00:15:38,300 But that was all right. 316 00:15:38,300 --> 00:15:39,300 I expected that. 317 00:15:39,300 --> 00:15:42,300 Then we climbed into the police car and headed out to West Hampton. 318 00:15:42,300 --> 00:15:44,300 He believed me now all right. 319 00:15:44,300 --> 00:15:45,300 That car couldn't have been pushed any harder 320 00:15:45,300 --> 00:15:47,300 if I'd been driving it myself. 321 00:15:47,300 --> 00:15:49,300 Still, it was broad daylight when we got there. 322 00:15:49,300 --> 00:15:51,300 We parked the car a little ways down the road 323 00:15:51,300 --> 00:15:53,300 and walked towards the house. 324 00:15:56,300 --> 00:15:57,300 See what I mean, Bert? 325 00:15:57,300 --> 00:15:58,300 Take that brick wall, for instance. 326 00:15:58,300 --> 00:15:59,300 Well, what about it? 327 00:15:59,300 --> 00:16:00,300 It's new. 328 00:16:00,300 --> 00:16:01,300 What did he build that for? 329 00:16:01,300 --> 00:16:03,300 It's not tall enough to hide the road. 330 00:16:03,300 --> 00:16:05,300 It's not even tall enough to keep a dog out. 331 00:16:05,300 --> 00:16:06,300 What did he build it for? 332 00:16:06,300 --> 00:16:08,300 Well, maybe he built it to keep in practice. 333 00:16:08,300 --> 00:16:10,300 Come on, come on, let's go in. 334 00:16:14,300 --> 00:16:15,300 It's awful quiet. 335 00:16:15,300 --> 00:16:16,300 Yeah, well, why not? 336 00:16:16,300 --> 00:16:18,300 They're probably in bed, and that's where I would be 337 00:16:18,300 --> 00:16:20,300 if I hadn't met you talking to me in the distance. 338 00:16:20,300 --> 00:16:21,300 Listen, Bert, you don't think I... 339 00:16:21,300 --> 00:16:22,300 I'm here, ain't I? 340 00:16:22,300 --> 00:16:27,300 Go on, ring the bell. 341 00:16:28,300 --> 00:16:29,300 No answer? 342 00:16:29,300 --> 00:16:31,300 I'll keep trying. 343 00:16:34,300 --> 00:16:35,300 The shades are all down. 344 00:16:35,300 --> 00:16:36,300 I don't think... 345 00:16:36,300 --> 00:16:39,300 Well, come on, let's try the back door. 346 00:16:39,300 --> 00:16:41,300 The shades are down on this side of the house, too. 347 00:16:41,300 --> 00:16:42,300 Huh? 348 00:16:42,300 --> 00:16:45,300 Look, the garage is empty. 349 00:16:45,300 --> 00:16:47,300 Yeah. 350 00:16:47,300 --> 00:16:50,300 Well, I guess our birds have grew to coop, all right. 351 00:16:50,300 --> 00:16:51,300 Bert, I don't like... 352 00:16:51,300 --> 00:16:54,300 Come on, come on, we'll try this back door anyway. 353 00:16:55,300 --> 00:16:56,300 Oh, it's locked. 354 00:16:56,300 --> 00:16:57,300 Here, here's an axe. 355 00:16:57,300 --> 00:17:00,300 Yeah, wait a minute, let me try my keys. 356 00:17:02,300 --> 00:17:04,300 Oh, nuts. 357 00:17:06,300 --> 00:17:08,300 Ah, there, that got it. 358 00:17:08,300 --> 00:17:11,300 This, this is the way to the front of the house? 359 00:17:11,300 --> 00:17:13,300 I guess so, I've never been back here. 360 00:17:13,300 --> 00:17:16,300 Yeah, this is it, here's the front hall. 361 00:17:18,300 --> 00:17:19,300 There, there it is. 362 00:17:19,300 --> 00:17:20,300 What? 363 00:17:20,300 --> 00:17:22,300 The living room, the living room I was telling you about. 364 00:17:22,300 --> 00:17:23,300 Oh, what about it? 365 00:17:23,300 --> 00:17:25,300 Snap on the lights. 366 00:17:25,300 --> 00:17:27,300 Oh, I'd still say, what about it? 367 00:17:27,300 --> 00:17:31,300 I don't know, but don't you get something funny about it? 368 00:17:31,300 --> 00:17:32,300 No, what? 369 00:17:32,300 --> 00:17:36,300 The lights, or something about the fresh paint, the rug. 370 00:17:36,300 --> 00:17:38,300 There's something, though, I know there is. 371 00:17:38,300 --> 00:17:39,300 Oh, come on, come on, we're wasting time. 372 00:17:39,300 --> 00:17:42,300 There's something screwy about the whole joint. 373 00:17:44,300 --> 00:17:46,300 We went over the place from top to bottom. 374 00:17:46,300 --> 00:17:49,300 I wanted to get back to that room, and time was awful important. 375 00:17:49,300 --> 00:17:53,300 Stillman wanted to look into everything, which was only right and natural. 376 00:17:53,300 --> 00:17:56,300 Then we ran into something that was just about the last thing I expected. 377 00:17:56,300 --> 00:17:58,300 Say, what's the store here? 378 00:17:58,300 --> 00:18:01,300 I don't know, I thought we'd covered everything on the ground floor before. 379 00:18:02,300 --> 00:18:03,300 Locked. 380 00:18:03,300 --> 00:18:05,300 Must be some sort of back bedroom. 381 00:18:08,300 --> 00:18:10,300 The keys won't fit this one. 382 00:18:10,300 --> 00:18:12,300 Funny, the only room in the house that was locked. 383 00:18:12,300 --> 00:18:14,300 Well, maybe we've got what we're looking for. 384 00:18:14,300 --> 00:18:16,300 Give me that axe. 385 00:18:16,300 --> 00:18:18,300 But, but Bert, don't you see? 386 00:18:18,300 --> 00:18:21,300 If she was here in that pawn, they must have taken her. 387 00:18:21,300 --> 00:18:23,300 She's probably... 388 00:18:27,300 --> 00:18:28,300 Oh, who's she? 389 00:18:28,300 --> 00:18:29,300 Mrs. Alden. 390 00:18:29,300 --> 00:18:30,300 Your wife's mother? 391 00:18:30,300 --> 00:18:31,300 Yeah. 392 00:18:31,300 --> 00:18:33,300 Say, where's your daughter? 393 00:18:33,300 --> 00:18:34,300 Oh, please, please. 394 00:18:34,300 --> 00:18:35,300 Come on, come on, where is she? 395 00:18:35,300 --> 00:18:36,300 I don't know. 396 00:18:36,300 --> 00:18:37,300 Was she here? 397 00:18:37,300 --> 00:18:38,300 Yes. 398 00:18:38,300 --> 00:18:39,300 Where is she now? 399 00:18:39,300 --> 00:18:40,300 I don't know. 400 00:18:40,300 --> 00:18:41,300 Did she leave with your husband? 401 00:18:41,300 --> 00:18:42,300 I don't know. 402 00:18:42,300 --> 00:18:44,300 Why didn't you tell me she was here the other night? 403 00:18:44,300 --> 00:18:46,300 Joe told me not to. 404 00:18:46,300 --> 00:18:48,300 She was here, and the next morning, 405 00:18:48,300 --> 00:18:50,300 Joe told me she'd left. 406 00:18:50,300 --> 00:18:53,300 And this morning, he left. 407 00:18:53,300 --> 00:18:56,300 What did you lock yourself up in here for? 408 00:18:56,300 --> 00:18:59,300 I, I knew when Joe left this morning 409 00:18:59,300 --> 00:19:02,300 that something, something terrible, 410 00:19:02,300 --> 00:19:05,300 and when you came, I was frightened. 411 00:19:05,300 --> 00:19:06,300 Come on, come on, where? 412 00:19:06,300 --> 00:19:07,300 Why don't you get it? 413 00:19:07,300 --> 00:19:09,300 For some reason, the step-father's put the snatch on her. 414 00:19:09,300 --> 00:19:10,300 We've got to put a call through the headquarters 415 00:19:10,300 --> 00:19:12,300 and get the highway patrols on the watch for him. 416 00:19:12,300 --> 00:19:13,300 Well, what about her? 417 00:19:13,300 --> 00:19:14,300 Oh, she comes along. 418 00:19:14,300 --> 00:19:15,300 No, please. 419 00:19:15,300 --> 00:19:16,300 Come on, come on. 420 00:19:16,300 --> 00:19:17,300 Bert. 421 00:19:17,300 --> 00:19:18,300 Yes? 422 00:19:18,300 --> 00:19:19,300 There's something wrong about this. 423 00:19:19,300 --> 00:19:20,300 You bet your life there is. 424 00:19:20,300 --> 00:19:21,300 No, I mean, why would he do it? 425 00:19:21,300 --> 00:19:22,300 What, what motive would he have? 426 00:19:22,300 --> 00:19:23,300 Let me worry about the motive. 427 00:19:23,300 --> 00:19:24,300 You worry about your wife. 428 00:19:24,300 --> 00:19:25,300 And it's got some connection with what's wrong 429 00:19:25,300 --> 00:19:26,300 about that room, whatever it is. 430 00:19:26,300 --> 00:19:27,300 Will you forget about the room? 431 00:19:27,300 --> 00:19:28,300 We've got to get going. 432 00:19:28,300 --> 00:19:29,300 I want to look at it just once more. 433 00:19:29,300 --> 00:19:30,300 Listen, you, listen. 434 00:19:30,300 --> 00:19:32,300 Do you want your wife back or don't you? 435 00:19:32,300 --> 00:19:33,300 There's no time to stare at it. 436 00:19:33,300 --> 00:19:34,300 Bert. 437 00:19:34,300 --> 00:19:35,300 I've got it. 438 00:19:35,300 --> 00:19:36,300 Got what? 439 00:19:36,300 --> 00:19:37,300 It's lopsided. 440 00:19:37,300 --> 00:19:38,300 Don't you see? 441 00:19:38,300 --> 00:19:39,300 It's not on a square. 442 00:19:39,300 --> 00:19:40,300 How do you know? 443 00:19:40,300 --> 00:19:41,300 I'm an architect. 444 00:19:41,300 --> 00:19:45,300 The ceiling, the windows aren't in the middle of the wall. 445 00:19:45,300 --> 00:19:46,300 So what? 446 00:19:46,300 --> 00:19:47,300 The design of the rug is wrong. 447 00:19:47,300 --> 00:19:48,300 It's, it's cut off too close to that wall. 448 00:19:48,300 --> 00:19:49,300 It's... 449 00:19:49,300 --> 00:19:50,300 Bert. 450 00:19:50,300 --> 00:19:51,300 What? 451 00:19:51,300 --> 00:19:52,300 That wall. 452 00:19:52,300 --> 00:19:54,300 That's why the room has just been repainted. 453 00:19:54,300 --> 00:19:56,300 That's why he built the brick wall in front of the house. 454 00:19:56,300 --> 00:19:57,300 I don't get it. 455 00:19:57,300 --> 00:19:58,300 One wall of this room is a dummy. 456 00:19:58,300 --> 00:19:59,300 Built out in front of the real one. 457 00:19:59,300 --> 00:20:01,300 That's why the room looks lopsided. 458 00:20:01,300 --> 00:20:03,300 That's why he built the brick fence to get 459 00:20:03,300 --> 00:20:05,300 bricks without arousing suspicion. 460 00:20:05,300 --> 00:20:06,300 Which wall? 461 00:20:06,300 --> 00:20:07,300 That one. 462 00:20:07,300 --> 00:20:10,300 And Bert, it must be hollow. 463 00:20:10,300 --> 00:20:11,300 Give me that axe. 464 00:20:11,300 --> 00:20:12,300 You don't think that... 465 00:20:12,300 --> 00:20:13,300 The janitor. 466 00:20:13,300 --> 00:20:14,300 Bert, give it to me. 467 00:20:14,300 --> 00:20:15,300 Get back. 468 00:20:15,300 --> 00:20:16,300 Get back. 469 00:20:16,300 --> 00:20:17,300 You let me get back. 470 00:20:17,300 --> 00:20:18,300 Mrs. Alder. 471 00:20:18,300 --> 00:20:19,300 The joke. 472 00:20:19,300 --> 00:20:20,300 The janitor. 473 00:20:20,300 --> 00:20:21,300 Answer me. 474 00:20:21,300 --> 00:20:22,300 Answer me. 475 00:20:22,300 --> 00:20:23,300 He could have done a thing like that. 476 00:20:23,300 --> 00:20:24,300 Hey. 477 00:20:24,300 --> 00:20:25,300 Ed. 478 00:20:25,300 --> 00:20:26,300 Yes? 479 00:20:26,300 --> 00:20:43,300 Didn't you say your wife was young? 480 00:20:43,300 --> 00:20:44,300 Twenty-three. 481 00:20:44,300 --> 00:20:46,300 Well, then you can look. 482 00:20:46,300 --> 00:20:49,300 This is an older woman. 483 00:20:49,300 --> 00:20:52,300 Do you know her? 484 00:20:52,300 --> 00:20:56,300 No. 485 00:20:56,300 --> 00:20:59,300 Well, there's your motive. 486 00:20:59,300 --> 00:21:00,300 Yeah. 487 00:21:00,300 --> 00:21:02,300 But who could it be? 488 00:21:02,300 --> 00:21:03,300 I don't know. 489 00:21:03,300 --> 00:21:04,300 Well, she. 490 00:21:04,300 --> 00:21:05,300 She must know. 491 00:21:05,300 --> 00:21:06,300 The mother. 492 00:21:06,300 --> 00:21:07,300 She can't even talk. 493 00:21:07,300 --> 00:21:08,300 Say, Ed. 494 00:21:08,300 --> 00:21:11,300 Ed, you would know if she was the mother, wouldn't you? 495 00:21:11,300 --> 00:21:13,300 Of course I would. 496 00:21:13,300 --> 00:21:14,300 What? 497 00:21:14,300 --> 00:21:15,300 No, I wouldn't. 498 00:21:15,300 --> 00:21:19,300 I never saw Janet's mother until I came here to the house Monday night. 499 00:21:19,300 --> 00:21:20,300 Mrs. Alder. 500 00:21:20,300 --> 00:21:21,300 Mrs. Alder, answer me. 501 00:21:21,300 --> 00:21:22,300 I'm not Mrs. Alder. 502 00:21:22,300 --> 00:21:23,300 That's Mrs. Alder. 503 00:21:23,300 --> 00:21:24,300 It was just a question of time now, whether we'd get back there in time to stop it. 504 00:21:24,300 --> 00:21:25,300 It all fit together now. 505 00:21:25,300 --> 00:21:26,300 And what Bert didn't know, he got out of the woman on the way back. 506 00:21:26,300 --> 00:21:27,300 Did you know Joe Alder before? 507 00:21:27,300 --> 00:21:28,300 No. 508 00:21:28,300 --> 00:21:29,300 Not before I came to their house in East Port to take care of her. 509 00:21:29,300 --> 00:21:30,300 I was her nurse. 510 00:21:30,300 --> 00:21:31,300 And Joe and I. 511 00:21:31,300 --> 00:21:32,300 Well. 512 00:21:32,300 --> 00:21:33,300 Who got the idea to kill her? 513 00:21:33,300 --> 00:21:34,300 I did. 514 00:21:34,300 --> 00:21:35,300 I did. 515 00:21:35,300 --> 00:21:36,300 I did. 516 00:21:36,300 --> 00:21:37,300 I did. 517 00:21:37,300 --> 00:21:38,300 I did. 518 00:21:38,300 --> 00:21:39,300 I did. 519 00:21:39,300 --> 00:21:40,300 I did. 520 00:21:40,300 --> 00:21:41,300 I did. 521 00:21:41,300 --> 00:21:42,300 I did. 522 00:21:42,300 --> 00:21:43,300 I did. 523 00:21:43,300 --> 00:21:44,300 I did. 524 00:21:44,300 --> 00:21:45,300 I did. 525 00:21:45,300 --> 00:21:46,300 I did. 526 00:21:46,300 --> 00:21:47,300 I did. 527 00:21:47,300 --> 00:21:48,300 I did. 528 00:21:48,300 --> 00:21:49,300 I did. 529 00:21:49,300 --> 00:21:50,300 I did. 530 00:21:50,300 --> 00:21:51,300 I did. 531 00:21:51,300 --> 00:21:52,300 I did. 532 00:21:52,300 --> 00:21:53,300 I did. 533 00:21:53,300 --> 00:21:54,300 I did. 534 00:21:54,300 --> 00:21:55,300 I did. 535 00:21:55,300 --> 00:21:56,300 I did. 536 00:21:56,300 --> 00:21:57,300 I did. 537 00:21:57,300 --> 00:21:58,300 I did. 538 00:21:58,300 --> 00:21:59,300 Why did you do it? 539 00:21:59,300 --> 00:22:00,300 Money, of course. 540 00:22:00,300 --> 00:22:01,300 She kept a lot of bums around the house. 541 00:22:01,300 --> 00:22:02,300 That's what Joe wanted. 542 00:22:02,300 --> 00:22:05,320 Is that why you moved from East Port to West Hampton? 543 00:22:05,320 --> 00:22:06,320 Yes. 544 00:22:06,320 --> 00:22:08,220 Nobody knew us in West Hampton. 545 00:22:08,220 --> 00:22:09,300 We moved in at night. 546 00:22:09,300 --> 00:22:11,900 They thought there was only the two of us. 547 00:22:11,900 --> 00:22:14,100 They thought I was the real Mrs. Alder. 548 00:22:14,100 --> 00:22:15,100 When did he do it? 549 00:22:15,100 --> 00:22:18,000 About a week after we got there. 550 00:22:18,000 --> 00:22:19,000 One night. 551 00:22:19,000 --> 00:22:22,500 By morning she was where you found her 552 00:22:29,540 --> 00:22:31,420 We were doing better than 80 most of the way 553 00:22:31,420 --> 00:22:36,140 Well, I still didn't think we'd make it and naturally Bert was afraid to put the local cops around the house for fear 554 00:22:36,140 --> 00:22:38,140 Alden would spot the person take Janet away 555 00:22:38,820 --> 00:22:42,220 And do it somewhere else. We hadn't done it already 556 00:22:42,860 --> 00:22:44,860 Because Bert had the picture cold now 557 00:22:44,860 --> 00:22:49,620 Janet had come to the West Hampton house and found her mother was missing before Alden had been able to make it get away 558 00:22:49,900 --> 00:22:55,020 So Alden had to kill Janet too. He knew where he was taking her because of the clothes in the furnace of my house 559 00:22:55,300 --> 00:22:57,780 That was the tip off that Joe was going to try to plant it on me 560 00:22:58,260 --> 00:23:02,300 The only break I had at least I knew where to look if I could get there in time 561 00:23:05,020 --> 00:23:09,140 The outskirts of town we picked up a police escort Bert made them lay off and we got near the house 562 00:23:09,140 --> 00:23:15,860 We drove up the side street and parked a little ways off we walked up to the house. There was a car in front of it 563 00:23:16,700 --> 00:23:21,060 That Alden's car. Yes. All right now you're coming in with this lady 564 00:23:21,060 --> 00:23:26,220 But the first sound out of you and I'll shoot and I mean that I know much keys Ed. Yeah 565 00:23:30,820 --> 00:23:32,820 Yeah, I'm glad 566 00:23:32,820 --> 00:23:37,280 Oh, there's a light that's the door to the cellar come on 567 00:23:40,300 --> 00:23:42,300 He's digging 568 00:23:43,380 --> 00:23:46,700 Lights have gone out. He must have heard us on your flashlight. Come on, let's go 569 00:23:46,700 --> 00:23:53,700 Hey, you shouldn't have done that. He killed my wife and he switched on the light. Where is she? Maybe it isn't too late 570 00:23:54,300 --> 00:23:56,300 There she is 571 00:23:56,300 --> 00:24:02,460 She's dead. Yeah, yeah chloroform me smell it. Come on. Get that cough off her face. It's too late. Can't you see? Yeah 572 00:24:02,460 --> 00:24:04,460 Yeah, I'm afraid it 573 00:24:04,460 --> 00:24:10,660 Hey, wait a minute. What are you doing carrying a gun? I got a permit. Anyway, what's the use of asking questions like that? 574 00:24:10,660 --> 00:24:17,660 She's moving. Well, she's alive here. Come on it. Give me a hand quick. Yeah, you're red. Come on. Help me. I'm 575 00:24:18,900 --> 00:24:20,900 Hey, hey Ed, where you going? 576 00:24:23,140 --> 00:24:25,140 Put up your hands Ed 577 00:24:26,580 --> 00:24:28,580 Okay 578 00:24:29,140 --> 00:24:33,740 They're up yeah, you could at least have done it yourself 579 00:24:34,540 --> 00:24:37,580 You know, I'm sorry. I'm sorry. I'm sorry. I'm sorry 580 00:24:37,580 --> 00:24:42,220 You could at least have done it yourself instead of hiring a murderer 581 00:24:59,060 --> 00:25:04,500 What did you do it for Ed the money what do you think for fun? 582 00:25:04,500 --> 00:25:06,500 Go ahead talk 583 00:25:07,500 --> 00:25:09,500 Anything to make you happy 584 00:25:09,500 --> 00:25:13,940 Would have been perfect if all in that killer he first got her in the cellar like I told him to 585 00:25:14,540 --> 00:25:19,420 Maybe he had a sneaking idea. I was going to double-cross him. He was stalling until the last minute. I 586 00:25:20,100 --> 00:25:21,540 Don't know 587 00:25:21,540 --> 00:25:23,540 Anyway, it won't do him much good where he is 588 00:25:24,340 --> 00:25:25,300 Hmm 589 00:25:25,300 --> 00:25:30,500 What did what you have on him Ed the mother his wife? I'd been up there before alone 590 00:25:30,500 --> 00:25:35,620 I knew he killed his wife because I'd seen a picture that Janet had of the real wife. I spotted the room right away 591 00:25:36,500 --> 00:25:40,180 told all and I'd split the money with him if he took care of Janet and 592 00:25:41,060 --> 00:25:43,060 He didn't go on 593 00:25:43,380 --> 00:25:46,340 I knew I could pick a fight with Janet and I knew she'd run up to her mother 594 00:25:46,660 --> 00:25:50,500 And I went up there to make it look good after I left all in was to call the cops like he did 595 00:25:50,820 --> 00:25:54,260 You take me down here to headquarters and while you were giving me the old third degree 596 00:25:54,500 --> 00:25:56,500 All in was supposed to plant the body in the cellar 597 00:25:56,500 --> 00:26:00,660 All in was supposed to plant the body in the cellar that way I was in the clear because you know 598 00:26:00,740 --> 00:26:02,740 I couldn't have done it while I was down here talking to you 599 00:26:03,460 --> 00:26:05,860 You know, she hadn't been there before because you'd look 600 00:26:06,660 --> 00:26:08,820 That's why I planted the clothes in the furnace 601 00:26:09,300 --> 00:26:10,580 Remember? 602 00:26:10,580 --> 00:26:13,140 So you would look. Hmm. I had an alibi 603 00:26:13,700 --> 00:26:15,540 Nobody had a thing on all of them 604 00:26:15,540 --> 00:26:17,220 Unless I squawked 605 00:26:17,220 --> 00:26:19,220 He had to take that chance 606 00:26:19,700 --> 00:26:22,100 Yeah, look pretty good there for a while, didn't it? 607 00:26:23,140 --> 00:26:24,980 Yeah, yeah 608 00:26:24,980 --> 00:26:26,180 you're um 609 00:26:26,180 --> 00:26:28,180 Your wife's outside 610 00:26:28,340 --> 00:26:30,340 Want to say anything to her? Huh? 611 00:26:30,980 --> 00:26:32,980 Oh, just tell her I said 612 00:26:32,980 --> 00:26:34,980 You'll never see me again 613 00:26:50,800 --> 00:26:52,500 Suspense 614 00:26:52,500 --> 00:26:58,900 Presented by Roma wine roma made in california for enjoyment throughout the world 615 00:26:59,940 --> 00:27:04,500 And now here is our producer director william spear with a basket of grand estate wines 616 00:27:04,980 --> 00:27:09,460 A gift for the distinguished star of tonight's suspense play robert young bob 617 00:27:09,460 --> 00:27:13,300 These grand estate wines are our way of thanking you for a really wonderful performance 618 00:27:13,460 --> 00:27:16,420 Thank you bill for this wonderful basket. You know, mr 619 00:27:16,420 --> 00:27:24,020 Young each grand estate wine is a limited bottling of outstanding excellence presented by roma the greatest name in wine 620 00:27:24,580 --> 00:27:29,700 Each precious bottle is distinguished by brilliant clarity full fragrance and mellow taste 621 00:27:30,260 --> 00:27:36,500 Yes, the name grand estate wine stands for the ultimate in wine goodness. I'm impressed and i've learned something 622 00:27:36,660 --> 00:27:39,220 Well discriminating wine users everywhere are learning. Mr 623 00:27:39,220 --> 00:27:44,980 Young they're finding out that grand estate wines offer a rich new experience in wine enjoyment 624 00:27:44,980 --> 00:27:52,020 Toys is grapes and the patient perfection of wine making serve to establish grand estate wines by roma 625 00:27:52,260 --> 00:27:56,260 As the crowning achievement of vintner skills very convincingly spoken can 626 00:27:56,900 --> 00:28:00,260 And mr. Young's gift basket of grand estate wines will convince him still more 627 00:28:00,740 --> 00:28:02,820 Bob, it's always great to have you on suspense 628 00:28:02,820 --> 00:28:03,300 I'm sorry 629 00:28:03,300 --> 00:28:04,900 We had to make such a heel out of you at the end 630 00:28:04,900 --> 00:28:08,100 But that's what you get for being such a two-way stretch of an actor 631 00:28:08,180 --> 00:28:10,580 Well, i'll get a two-way verdict on the show when I get home tonight 632 00:28:11,060 --> 00:28:13,620 Kids will be furious because they know i'm such a nice guy 633 00:28:13,620 --> 00:28:18,420 But my wife will say that suspense is the only show that ever lets me play my true villainous self 634 00:28:18,420 --> 00:28:20,420 How is betty fine? 635 00:28:20,420 --> 00:28:25,780 Well, congratulations again, bob. I hear that lady luck the picture you've just finished at rko is swell 636 00:28:25,780 --> 00:28:28,020 Well, i'll be looking forward to seeing it. Well, you're very kind bill 637 00:28:28,580 --> 00:28:30,580 Uh, who's on suspense next thursday? 638 00:28:30,580 --> 00:28:37,380 It's a double threat lord nolan and vincent price and a play about two lifelong enemies who go away on a hunting trip together 639 00:28:37,380 --> 00:28:43,780 Both knowing that only one of them is ever coming back alive. Well, it sounds terrific bill. I won't miss it swell 640 00:28:44,260 --> 00:28:50,740 And now bob with my compliments and roma's here's that gift basket of grand estate wines. Thank you again and good night 641 00:28:51,460 --> 00:28:55,780 Next thursday same time listen to vincent price and loyd nolan on 642 00:28:55,780 --> 00:29:07,240 Suspense presented by the roma wine company fresno california 643 00:29:25,780 --> 00:29:32,040 This is cbs the columbia broadcasting system