WEBVTT 00:00.000 --> 00:05.640 Now, Roma Wines, R-O-M-A. 00:05.640 --> 00:14.080 Made in California for enjoyment throughout the world, Roma Wines present Suspense. 00:14.080 --> 00:22.680 Tonight, Roma Wines bring you Mr. Michael O'Shea as star of Photo Finish, a suspense 00:22.680 --> 00:27.160 play produced, edited, and directed for Roma Wines by William Spear. 00:27.160 --> 00:37.520 Suspense, radio's outstanding theater of thrills, is presented for your enjoyment by Roma Wines. 00:37.520 --> 00:43.480 That's R-O-M-A, Roma Wines, those excellent California wines that can add so much 00:43.480 --> 00:47.400 pleasantness to the way you live, to your happiness and entertaining guests, to your 00:47.400 --> 00:49.760 enjoyment of everyday meals. 00:49.760 --> 00:54.600 Yes, right now a glass full would be very pleasant, as Roma Wines bring you Michael 00:54.600 --> 00:58.760 O'Shea in a remarkable tale of Suspense. 00:58.760 --> 01:09.440 Well, it was hot enough to fry eggs on the sidewalk, about the worst we've had all year 01:09.440 --> 01:12.240 and I hadn't made a dozen cash jobs since morning. 01:12.240 --> 01:16.900 But at five o'clock I was still in there plugging because that's the way I am. 01:16.900 --> 01:20.840 I level on a guy in a dame that looked like they might go for a good two shot and snap 01:20.840 --> 01:24.480 them and hand the guy the card that tells him how he can get three prints of that fine 01:24.480 --> 01:27.280 candid camera shot I just made of him for only a dollar. 01:27.280 --> 01:29.400 But he just brushes me off like all the rest. 01:29.400 --> 01:34.120 That was the last shot on the roll and I unload and figure to call it a day when I see a guy 01:34.120 --> 01:38.240 coming through the crowd that's dressed up as sharp as a tack and he's sort of glancing 01:38.240 --> 01:42.760 at himself sideways in the store windows and generally seems extra fond of himself. 01:42.760 --> 01:47.280 So quick as a flash I get me sights on him and then a funny thing happens. 01:47.280 --> 01:50.760 He sort of staggers as though somebody had just come along give him a big slap on the 01:50.760 --> 01:55.400 back and he starts folding and all so sudden that I can't even stop myself and so help 01:55.400 --> 01:59.640 me I snap him right in the middle of his dive and then he's out like a light and everybody 01:59.640 --> 02:04.200 has a crowd around everybody's saying get the doctor in the heat somebody else is calling 02:04.200 --> 02:05.880 him enough is enough. 02:05.880 --> 02:09.500 I'm all burned up with this guy and the heat and the day and everything so I just turn 02:09.500 --> 02:11.840 on my heel and head for Jake's place to cool off. 02:11.840 --> 02:15.280 Hi Joe, what do you say, cup of coffee? 02:15.280 --> 02:16.280 Yeah, yeah. 02:16.280 --> 02:17.880 How'd you go today, doing any good? 02:17.880 --> 02:19.400 Are you kidding? 02:19.400 --> 02:22.120 People don't want to have their pictures made when they got perspiration running down their 02:22.120 --> 02:26.160 faces and the guys are in their shirt sleeves and the dames dresses are all wrinkled up 02:26.160 --> 02:27.160 out of shape. 02:27.160 --> 02:29.640 All they want to do is to get somewhere where they can cool off like me. 02:29.640 --> 02:32.400 Yeah, that's right, all right I guess. 02:32.400 --> 02:33.920 What a day. 02:33.920 --> 02:35.920 And the payoff, here listen to this. 02:35.920 --> 02:39.680 I'm making a guy just before I come in here, a swell shot it would have been too and just 02:39.680 --> 02:41.800 as I snap him, what do you suppose he does? 02:41.800 --> 02:42.800 What? 02:42.800 --> 02:46.200 He falls, he collapses right in the side work, ah boom, the heat or something, I don't know. 02:46.200 --> 02:47.200 Is that right? 02:47.200 --> 02:48.800 Yeah, boy do I pick the cash customers. 02:48.800 --> 02:50.760 Oh, tough on the poor guy, huh? 02:50.760 --> 02:51.760 Tough on him. 02:51.760 --> 02:52.760 What about me? 02:52.760 --> 02:54.200 I got a living to make do, you know. 02:54.200 --> 02:55.200 Well yeah, that's right. 02:55.200 --> 02:56.200 Oh, pardon me. 02:56.200 --> 02:57.200 Go ahead. 02:57.200 --> 02:58.200 Jake's Friendly Pharmacy? 02:58.200 --> 02:59.200 Huh? 02:59.200 --> 03:00.200 Well, I don't know. 03:00.200 --> 03:01.200 Well, just a moment, I'll see. 03:01.200 --> 03:02.200 Hey Joe, it's your wife. 03:02.200 --> 03:03.200 Uh oh, I forgot. 03:03.200 --> 03:04.200 She told me specially to be home early today, she got a steak for tonight. 03:04.200 --> 03:05.200 What'll I tell her? 03:05.200 --> 03:06.200 Tell her I just left. 03:06.200 --> 03:07.200 No, no, wait a minute. 03:07.200 --> 03:08.200 I'm sorry, I'm sorry. 03:08.200 --> 03:09.200 I'm sorry. 03:09.200 --> 03:10.200 I'm sorry. 03:10.200 --> 03:11.200 I'm sorry. 03:11.200 --> 03:12.200 I'm sorry. 03:12.200 --> 03:13.200 I'm sorry. 03:13.200 --> 03:14.200 I'm sorry. 03:14.200 --> 03:16.200 Tell her I just left. 03:16.200 --> 03:17.200 No, no, wait a minute. 03:17.200 --> 03:18.200 Tell her you won't see me all day. 03:18.200 --> 03:19.200 Okay. 03:19.200 --> 03:21.200 Uh, no, no, he's not here Mrs. Mooney. 03:21.200 --> 03:23.200 No, no I haven't. 03:23.200 --> 03:25.200 Yes Mrs. Mooney. 03:25.200 --> 03:26.200 Yes Mrs. Mooney. 03:26.200 --> 03:28.200 Yeah, I sure will. 03:28.200 --> 03:29.200 Yeah. 03:29.200 --> 03:31.200 Uh, she said if I see you. 03:31.200 --> 03:32.200 Hey, hey Joe. 03:32.200 --> 03:33.200 Hey Joe, wait. 03:33.200 --> 03:34.200 I ain't got time. 03:34.200 --> 03:35.200 I'll see you tomorrow. 03:35.200 --> 03:36.200 Hey Joe! 03:36.200 --> 03:47.200 Yoo hoo. 03:47.200 --> 03:48.200 Hello honey. 03:48.200 --> 03:49.200 Don't honey me. 03:49.200 --> 03:50.200 Ah. 03:50.200 --> 03:51.200 Mmm. 03:51.200 --> 03:52.200 Something smells good. 03:52.200 --> 03:53.200 Supper ready? 03:53.200 --> 03:54.200 Is supper ready? 03:54.200 --> 03:55.200 Oh of course supper's ready. 03:55.200 --> 03:58.200 The potatoes are all nice and dried up and the meat's good and tough. 03:58.200 --> 04:00.200 Supper's been ready for an hour. 04:00.200 --> 04:01.200 Oh it has? 04:01.200 --> 04:02.200 Oh gee I... 04:02.200 --> 04:03.200 You know I told you to be home on time tonight. 04:03.200 --> 04:05.200 You think the hand of steak's out for good behavior nowadays? 04:05.200 --> 04:06.200 Oh gosh Maud I forgot. 04:06.200 --> 04:07.200 Forgot, forgot. 04:07.200 --> 04:10.200 You'd forget your name if it wasn't pasted inside your hat. 04:10.200 --> 04:11.200 Where have you been? 04:11.200 --> 04:12.200 Why I... 04:12.200 --> 04:13.200 I was working. 04:13.200 --> 04:14.200 This late? 04:14.200 --> 04:15.200 On a day like this? 04:15.200 --> 04:17.200 Hey wait a minute let me look at you. 04:17.200 --> 04:19.200 Oh now wait a minute Maud, now wait. 04:19.200 --> 04:20.200 Maud listen. 04:20.200 --> 04:21.200 Something happened today. 04:21.200 --> 04:23.200 I wasn't gonna tell you about this. 04:23.200 --> 04:25.200 I was gonna spare your feelings. 04:25.200 --> 04:26.200 This one, it better be good. 04:26.200 --> 04:29.200 Well it shook me up pretty bad I don't mind telling you. 04:29.200 --> 04:31.200 And that was the whole trouble why I was late. 04:31.200 --> 04:34.200 Yeah I suppose this time you found an atom bomb in his suitcase 04:34.200 --> 04:35.200 and you picked it up. 04:35.200 --> 04:36.200 No Maud. 04:36.200 --> 04:37.200 Listen Maud. 04:37.200 --> 04:38.200 I'm serious. 04:39.200 --> 04:41.200 I saw a man die today Maud. 04:41.200 --> 04:43.200 Well they do it every day don't they? 04:43.200 --> 04:44.200 Yeah but Maud I was taking his picture. 04:44.200 --> 04:47.200 He died right while I was snapping it right at me feet. 04:47.200 --> 04:48.200 Swoon. 04:48.200 --> 04:50.200 I suppose he grabbed you around the ankle so you couldn't come home. 04:50.200 --> 04:53.200 But Maud they thought it was murder. 04:53.200 --> 04:54.200 Murder? 04:54.200 --> 04:55.200 Who thought so? 04:55.200 --> 04:56.200 Why everybody. 04:56.200 --> 04:57.200 The people that saw it. 04:57.200 --> 04:59.200 They were asking me all kinds of questions. 04:59.200 --> 05:00.200 Oh Joe. 05:00.200 --> 05:02.200 Oh what do you want to tell me a story like that for? 05:02.200 --> 05:04.200 I swear Maud I swear I can prove it. 05:04.200 --> 05:05.200 I got the film. 05:05.200 --> 05:06.200 I'll develop it right here tonight. 05:06.200 --> 05:09.200 I got it right here in me camera and I'll get me my... 05:10.200 --> 05:11.200 Now what? 05:11.200 --> 05:12.200 My camera. 05:12.200 --> 05:13.200 I must have forgot it. 05:13.200 --> 05:15.200 I might have known this was all leading up to something. 05:15.200 --> 05:16.200 Where's the ticket? 05:16.200 --> 05:17.200 The what? 05:17.200 --> 05:18.200 You know what? 05:18.200 --> 05:19.200 The pawn ticket. 05:19.200 --> 05:21.200 Oh Maud you got me all wrong. 05:21.200 --> 05:22.200 The camera's all right. 05:22.200 --> 05:23.200 It's right where I left it. 05:23.200 --> 05:24.200 Right in Jake's place. 05:24.200 --> 05:26.200 Ah Jake's place. 05:26.200 --> 05:28.200 Well which is it? 05:28.200 --> 05:30.200 The hawk shop or Jake's place? 05:30.200 --> 05:32.200 Oh Maud I was only in there for a minute. 05:32.200 --> 05:34.200 Oh Joe how can you do it? 05:34.200 --> 05:40.200 Losing your camera, hanging around in that cheap joint when you know we're trying to save up for a studio of our own. 05:40.200 --> 05:43.200 Oh Joe we're never going to get out of this rut. 05:43.200 --> 05:44.200 Oh Maud. 05:44.200 --> 05:45.200 Look look. 05:45.200 --> 05:47.200 I had to leave the camera there. 05:47.200 --> 05:48.200 Had to? 05:48.200 --> 05:49.200 Why? 05:49.200 --> 05:50.200 Because of that picture. 05:50.200 --> 05:51.200 I was scared to bring it home. 05:51.200 --> 05:52.200 It might be evidence or something. 05:52.200 --> 05:54.200 Joe you just said a minute ago you had it with you. 05:54.200 --> 05:55.200 You said that you... 05:55.200 --> 05:56.200 I... 05:56.200 --> 05:57.200 Oh who in the world could that be? 05:57.200 --> 05:58.200 I'll get it honey. 05:58.200 --> 06:00.200 You stay right here that's it. 06:00.200 --> 06:01.200 Just rest yourself. 06:01.200 --> 06:02.200 I'll go to the door. 06:02.200 --> 06:04.200 Your name Moony? 06:04.200 --> 06:05.200 Yeah that's right. 06:05.200 --> 06:07.200 Sidewalk photographer ain't you? 06:07.200 --> 06:08.200 Yes indeed that's right. 06:08.200 --> 06:12.200 Did you take a picture of a guy keeling over on Main Street about five o'clock this afternoon? 06:12.200 --> 06:13.200 That's right. 06:13.200 --> 06:14.200 I was just telling my wife. 06:14.200 --> 06:16.200 You got your camera here with the picture? 06:16.200 --> 06:18.200 Why no I left it downtown. 06:18.200 --> 06:20.200 You better come along with us then. 06:20.200 --> 06:21.200 Hey say what is this? 06:21.200 --> 06:22.200 Who are you? 06:22.200 --> 06:23.200 Police headquarters. 06:23.200 --> 06:24.200 Police? 06:24.200 --> 06:25.200 Police. 06:25.200 --> 06:26.200 Say what is this all about? 06:26.200 --> 06:28.200 Oh you saw the guy bumped off didn't you? 06:28.200 --> 06:30.200 Bumped off yeah I... 06:30.200 --> 06:31.200 Maude! 06:31.200 --> 06:33.200 The guy is dead. 06:33.200 --> 06:34.200 He was murdered. 06:40.200 --> 06:45.200 Of course I can see now how that picture might be pretty important evidence so naturally I'm 06:45.200 --> 06:48.200 glad to go along with these coppers and help them out all I can. 06:48.200 --> 06:52.200 When we get out on the sidewalk there's a car there and two other guys sitting in all plain 06:52.200 --> 06:57.200 clothes cops evidently the homicide squad I suppose and we go over to the side of the 06:57.200 --> 06:58.200 car. 06:58.200 --> 06:59.200 That's the guy? 06:59.200 --> 07:01.200 Yeah but he don't have it with him. 07:01.200 --> 07:02.200 Where is it? 07:02.200 --> 07:04.200 Downtown I forgot and left it there a place on Main Street. 07:04.200 --> 07:07.200 Oh that's bad we got that other call to make and Main Street's out of the way. 07:07.200 --> 07:10.200 Well gee I'm sorry it just happened tonight I forgot. 07:10.200 --> 07:13.200 You talk when you're told to the rest of the time you keep quiet see. 07:13.200 --> 07:15.200 Well sure officer just as you say. 07:15.200 --> 07:18.200 Well we go by this joint on Main Street and then we make the other call. 07:18.200 --> 07:21.200 No we can't we got to be on time for that one right on time. 07:21.200 --> 07:23.200 Going by Main Street we'd never make it. 07:23.200 --> 07:25.200 Then we got to take this mug along. 07:25.200 --> 07:28.200 Well say that'll make it awful crowded after we leave the... 07:28.200 --> 07:30.200 Well after we leave the other place. 07:30.200 --> 07:31.200 Hey Mooney you got a car? 07:31.200 --> 07:33.200 Yeah why certainly officer there one right ahead. 07:33.200 --> 07:35.200 Hey that's an idea we take his car and put the... 07:35.200 --> 07:40.200 Alright alright you and Harry take him in his car Harry drives you follow us you got it? 07:40.200 --> 07:41.200 Okay Frankie. 07:41.200 --> 07:42.200 Let's go. 07:46.200 --> 07:50.200 We get in my car and start downtown after the others. 07:50.200 --> 07:54.200 The cop they call Harry is driving and I'm sitting in the back seat with the other one. 07:54.200 --> 07:58.200 At first I don't say nothing especially after the crack that other cop had made. 07:58.200 --> 08:01.200 Anyway I see these two are sort of tense and nervous. 08:01.200 --> 08:04.200 I can see these cops are taking this crime pretty serious. 08:04.200 --> 08:10.200 But after a while they loosen up between themselves and I look for a chance to get myself into the conversation. 08:10.200 --> 08:12.200 Frankie's taking it easier than I thought. 08:12.200 --> 08:15.200 Yeah but I wouldn't want to be those guys that mess it up. 08:15.200 --> 08:18.200 Say I sure hope I can be of some help to you fellas. 08:18.200 --> 08:20.200 I wouldn't worry none about that. 08:20.200 --> 08:22.200 That's about the least of your worries. 08:22.200 --> 08:24.200 Well it's nice of you to put it that way. 08:24.200 --> 08:28.200 Say you got any clues I mean like who killed this guy or anything? 08:28.200 --> 08:32.200 Yeah some guys that didn't like him. 08:32.200 --> 08:35.200 Gee it's funny though I never would have thought it. 08:35.200 --> 08:38.200 I mean I didn't notice anything like a shot or anything. 08:38.200 --> 08:40.200 It was a silencer job. 08:40.200 --> 08:41.200 You talk too much. 08:41.200 --> 08:43.200 What's the difference you'll read it all in the papers won't you? 08:43.200 --> 08:44.200 You still talk too much. 08:44.200 --> 08:46.200 Where are we going now? 08:46.200 --> 08:48.200 The morgue. 08:48.200 --> 08:50.200 Oh yeah the morgue? 08:50.200 --> 08:54.200 Yeah we want you to sort of identify the body. 08:58.200 --> 09:03.200 We get to the morgue and drive up to the entrance and wait outside while these cops in the other car go in. 09:03.200 --> 09:06.200 To fix it up for me to do my stuff I figure. 09:06.200 --> 09:11.200 But in about five minutes they come running out and two of them are carrying something wrapped up in a sheet. 09:11.200 --> 09:14.200 And I don't need no x-ray eyes to see it is a stiff. 09:14.200 --> 09:19.200 And then they throw it into our car on the floor the back seat like it was a bundle of wood. 09:19.200 --> 09:25.200 And then we take out of there like somebody was after us following the other car heading for the west side of town. 09:25.200 --> 09:32.200 I don't know it all happened so fast and I'm hanging on so tight when we go around the corners on two wheels. 09:32.200 --> 09:37.200 And trying to keep my feet out of this stiff space and beginning to feel not so good about the whole thing. 09:37.200 --> 09:41.200 Well at first I don't dare open my mouth for fear my heart will jump right out to me left. 09:41.200 --> 09:43.200 But after a while I can't help it. 09:43.200 --> 09:45.200 I just got to find out what it's all about. 09:47.200 --> 09:51.200 Hey I guess that's the body huh? 09:51.200 --> 09:54.200 This boy's bright Harry he must have went to college. 09:54.200 --> 09:58.200 Yes well what do you want me to identify it? 09:58.200 --> 10:01.200 Oh you'll have plenty of time for that Junior. 10:01.200 --> 10:05.200 Guess you're not going by the joint in Main Street for my camera huh? 10:05.200 --> 10:08.200 One thing at a time bud one thing at a time. 10:08.200 --> 10:11.200 You ask too many questions that ain't healthy. 10:11.200 --> 10:12.200 Healthy? 10:12.200 --> 10:13.200 Cops. 10:13.200 --> 10:14.200 Cops? 10:14.200 --> 10:16.200 Look Frankie's signaling. 10:16.200 --> 10:18.200 Yeah he means we should separate. 10:18.200 --> 10:20.200 Take your next turn to the left and head for the hills. 10:20.200 --> 10:23.200 Cops? What are cops chasing us for? If you guys are... 10:23.200 --> 10:25.200 Oh my god. 10:25.200 --> 10:29.200 The best thing we can do is ditch this heap. I ain't taking no rap for Frankie in a job like this. 10:29.200 --> 10:31.200 You ain't cops. You guys ain't cops at all. 10:31.200 --> 10:32.200 Well what do we do with him? 10:32.200 --> 10:33.200 What do you think? 10:33.200 --> 10:34.200 Hey now wait what are you guys gonna do? 10:34.200 --> 10:35.200 What are you thinking? 10:35.200 --> 10:43.200 No no wait a minute. 10:43.200 --> 10:45.200 That is the last thing I remember. 10:45.200 --> 10:47.200 A world full of stars. 10:47.200 --> 10:57.200 A veritable blackout. 10:57.200 --> 11:02.200 For suspense, Roma Wines are bringing you Michael O'Shea in Photo Finish. 11:02.200 --> 11:05.200 A radio play by Roy Grandy and Robert Richards. 11:05.200 --> 11:20.200 Roma Wines presentation tonight in radio's outstanding theater of thrills, Suspense. 11:20.200 --> 11:25.200 Between the acts of suspense, this is Truman Bradley reminding you that as the temperature goes up, 11:25.200 --> 11:34.200 so does the popularity of tall frosty thirst quenching drinks and topping them all for cooling delicious refreshment 11:34.200 --> 11:39.200 is Roma Wine and Soda Iced, America's smartest, coolest summer drink. 11:39.200 --> 11:47.200 Roma Wine and Soda, so cool for a hot tired husband to come home to, so delightfully pleasing to guests. 11:47.200 --> 11:50.200 And serving Roma Wine and Soda is simplicity itself. 11:50.200 --> 11:58.200 You just half fill tall glasses with Roma California Burgundy or Sauternes or any other Roma Wine type you prefer. 11:58.200 --> 12:02.200 Then add ice and sparkling water and sweeten to taste. 12:02.200 --> 12:11.200 Good, you'll agree Roma Wine and Soda Iced is the coolest, most refreshing tall drink you ever tasted. 12:11.200 --> 12:17.200 And remember, because Roma Wines are selected for your pleasure from the world's greatest reserves of wines, 12:17.200 --> 12:21.200 your Roma Wine and Soda is better tasting every time. 12:21.200 --> 12:31.200 Yes, Roma, drawn from the world's greatest reserves of fine wines, brings you unvaryingly fine wine always at reasonable cost. 12:31.200 --> 12:36.200 So insist on Roma, R-O-M-A, Roma Wines. 12:36.200 --> 12:42.200 Discover for yourself why more Americans enjoy Roma than any other wine. 12:42.200 --> 12:50.200 And now Roma Wines bring back to our Hollywood sound stage, Michael O'Shea as fearless photographer Joe Mooney in photo finish. 12:50.200 --> 12:55.200 A tale well calculated to keep you in suspense. 13:02.200 --> 13:06.200 There's something that sounds like heavy machinery at work where my brains ought to be. 13:06.200 --> 13:13.200 And every time this machine turns over it feels like it's going to blow the top off my head and I'm all sprawled out someplace. 13:13.200 --> 13:16.200 And then it turns out to be the back seat of a car. 13:16.200 --> 13:24.200 I manage to stumble over something that's down on the floor and then I'm out of this car and standing in a little dirt road and it's sometime at night. 13:24.200 --> 13:27.200 I don't know what it's all about. I don't know what I'm doing here at all. 13:27.200 --> 13:33.200 And then I see that this is my car and that makes some sense and then I remember my camera. 13:33.200 --> 13:36.200 I gotta get my camera, that's it, on account of Mord says I shouldn't have left it. 13:36.200 --> 13:44.200 Jake's place, that's where I left it and so I crawl back into the car and I get it turned around and headed down this dirt road. 13:44.200 --> 13:48.200 Pretty soon I'm on a bigger road and then I'm on the main highway back to town. 13:48.200 --> 13:52.200 All the time I'm thinking this is a funny thing for me to be doing. 13:52.200 --> 13:55.200 But the main thing is I gotta get the camera. 13:55.200 --> 13:59.200 And then I'm pulling up in front of Jake's place and I'm going in. 13:59.200 --> 14:02.200 Hey Joe, where you been? 14:02.200 --> 14:03.200 Your wife was looking for you. 14:03.200 --> 14:05.200 Mord? Was she in here? 14:05.200 --> 14:07.200 Yeah, she come down to pick up your camera. 14:07.200 --> 14:09.200 Oh well that's okay then, that's what I came by for. 14:09.200 --> 14:11.200 Hey, you alright? 14:11.200 --> 14:12.200 Yeah, I guess so. 14:12.200 --> 14:14.200 Well you don't look it, where's your hat? 14:14.200 --> 14:16.200 Hat? What hat? I don't know, maybe it's out in the car. 14:16.200 --> 14:17.200 Hey come here. 14:17.200 --> 14:19.200 What happened to your head? 14:19.200 --> 14:20.200 Ouch, don't touch it. 14:20.200 --> 14:23.200 You better go home and get some sleep Joe and have somebody look at that head. 14:23.200 --> 14:25.200 Put some tincture of Mercure Chrome on it. 14:25.200 --> 14:28.200 Oh, this ain't like you at all. 14:28.200 --> 14:30.200 No, yeah I better be going, huh? 14:30.200 --> 14:32.200 Oh wait, your wife left her purse. 14:32.200 --> 14:35.200 She was kind of upset anyway, worried about you I guess. 14:35.200 --> 14:36.200 Oh thanks. 14:36.200 --> 14:37.200 Boy you're a lucky guy Joe. 14:37.200 --> 14:40.200 I didn't know the missus was anything like that. 14:40.200 --> 14:42.200 What a knockout. 14:42.200 --> 14:43.200 Huh? 14:43.200 --> 14:45.200 Yeah, she's gorgeous Joe. 14:45.200 --> 14:46.200 That don't sound like Mord. 14:46.200 --> 14:48.200 It don't, well it was. 14:48.200 --> 14:51.200 Hey, what did this dame look like that picked up my camera? 14:51.200 --> 14:55.200 Listen, you ain't so far gone you can't remember what your own wife looks like are ya? 14:55.200 --> 14:57.200 No, only this ain't my wife's purse. 14:57.200 --> 14:58.200 It ain't? 14:58.200 --> 15:00.200 No, what did the dame look like? 15:00.200 --> 15:04.200 Oh, medium size, young, blonde, terrific figure, gorgeous face. 15:04.200 --> 15:06.200 Uh uh, that ain't Mord. 15:06.200 --> 15:07.200 No? 15:07.200 --> 15:12.200 No, Mord is kind of, well, but she's nothing like that. 15:12.200 --> 15:14.200 Well, what do you know? 15:14.200 --> 15:19.200 Listen Jake, I've been having some awful peculiar experiences tonight. 15:19.200 --> 15:21.200 Yeah, you must have been. 15:21.200 --> 15:24.200 Yeah, I better call Mord, she can always figure these things out. 15:24.200 --> 15:27.200 Now wait a minute Joe, maybe you had an order just now. 15:27.200 --> 15:30.200 I wish you'd let me fix you up with a little something to straighten you out. 15:30.200 --> 15:32.200 I got the greatest thing in the world for you. 15:32.200 --> 15:33.200 It'll make you feel a lot better. 15:33.200 --> 15:36.200 I saw it come in the other night, you just lost it. 15:36.200 --> 15:39.200 Hey, I can fix them up, not at all. 15:39.200 --> 15:41.200 Yeah, sure. 15:41.200 --> 15:42.200 Hello? 15:42.200 --> 15:44.200 Hello, oh hello, Mord? 15:44.200 --> 15:48.200 Well, it's about time you turned up, I've been worried to death. 15:48.200 --> 15:50.200 Listen Mord, I came by to get the camera. 15:50.200 --> 15:54.200 Only some girls, some blonde had already picked it up, but I'm going to find it now and get the camera. 15:54.200 --> 15:55.200 So don't you worry. 15:55.200 --> 15:59.200 Now just listen to me, don't you go getting mixed up with any blondes, you're mixed up enough already. 15:59.200 --> 16:02.200 But it's alright Mord, I'll just pick up the camera and come right home. 16:02.200 --> 16:06.200 It's funny though, when she came by here to get it, she said she was you. 16:06.200 --> 16:08.200 Yeah, yeah, that's not all that's funny. 16:08.200 --> 16:12.200 You're in pretty deep Joe Mooney, in the first place those men you went out with weren't the police at all. 16:12.200 --> 16:13.200 Those men, the cops? 16:13.200 --> 16:15.200 I'm trying to tell you they weren't cops. 16:15.200 --> 16:18.200 I called the police headquarters myself and they said they'd never... 16:18.200 --> 16:21.200 Oh wait, wait, Mord, now I remember. 16:21.200 --> 16:23.200 We were going to go to get my camera, only we didn't get it. 16:23.200 --> 16:26.200 We got in my car and we went to the morgue and then... 16:26.200 --> 16:27.200 Mord! 16:27.200 --> 16:28.200 Joe! 16:28.200 --> 16:29.200 My car! 16:29.200 --> 16:32.200 I got a dead man in my car! 16:32.200 --> 16:34.200 Joe, what's the matter? 16:34.200 --> 16:35.200 You look like you've seen a ghost. 16:35.200 --> 16:36.200 Don't say that Jake. 16:36.200 --> 16:38.200 Now come on, you've got to help me, come on. 16:38.200 --> 16:39.200 Okay Joe, but... 16:39.200 --> 16:40.200 Come on, out in my car. 16:40.200 --> 16:42.200 I'll show it to you Jake. 16:42.200 --> 16:43.200 What will I do? What am I going to do? 16:43.200 --> 16:44.200 Show me what? 16:44.200 --> 16:45.200 The stiff, the dead man. 16:45.200 --> 16:46.200 What? 16:46.200 --> 16:47.200 Yeah, in my car. 16:47.200 --> 16:48.200 Now listen Joe, come on back inside. 16:48.200 --> 16:49.200 Let me fix you up a little something. 16:49.200 --> 16:51.200 No, no, it's there, I'm telling you. 16:51.200 --> 16:52.200 We've got to do something. 16:52.200 --> 16:54.200 Okay Joe, but let's just leave it there for a while. 16:54.200 --> 16:55.200 Maybe it'll go away. 16:55.200 --> 16:56.200 Go. 16:56.200 --> 16:57.200 Hey Freddy! 16:57.200 --> 16:58.200 Alright, alright, alright. 16:58.200 --> 16:59.200 You think I'm crazy, huh? 16:59.200 --> 17:00.200 But here, look. 17:00.200 --> 17:01.200 Yeah? 17:01.200 --> 17:03.200 Oh no, it's gone. 17:03.200 --> 17:05.200 Well there, now isn't that nice? 17:05.200 --> 17:07.200 Jake, no look, on the level Jake. 17:07.200 --> 17:08.200 I remember the whole thing now. 17:08.200 --> 17:11.200 I was hijacked by gangsters and they stole the stiff out of the morgue. 17:11.200 --> 17:14.200 The guy that was killed that I took the picture of, remember? 17:14.200 --> 17:16.200 And then the cops chased us and they hit me on the head. 17:16.200 --> 17:19.200 And when I talked to Mord, the whole thing came back to me. 17:19.200 --> 17:21.200 Sure, sure it did Joe. 17:21.200 --> 17:23.200 Now you come on back inside, let me fix you. 17:23.200 --> 17:25.200 I couldn't have dreamed it all Jake. 17:25.200 --> 17:26.200 I couldn't have dreamed it. 17:26.200 --> 17:28.200 Could I? 17:28.200 --> 17:30.200 Now you just sit down right here and I'll fix you up. 17:30.200 --> 17:32.200 Now wait, listen, Mord will tell you Jake. 17:32.200 --> 17:34.200 She called the cops when I didn't show up. 17:34.200 --> 17:36.200 And what's that blonde doing after my camera? 17:36.200 --> 17:37.200 What about her? 17:37.200 --> 17:38.200 Well now that's a different story. 17:38.200 --> 17:39.200 That wasn't all ghost. 17:39.200 --> 17:41.200 Jake, I've got to get that camera. 17:41.200 --> 17:44.200 Now listen, in the first place, you don't know how to find a dame. 17:44.200 --> 17:46.200 Well, maybe there's an address in her purse. 17:46.200 --> 17:49.200 And in the second place, if there was all these guzzles and stiffs and all, 17:49.200 --> 17:51.200 maybe she's mixed up with them. 17:51.200 --> 17:53.200 And in the third place, hey that reminds me, 17:53.200 --> 17:55.200 there was a funny thing about that camera. 17:55.200 --> 17:57.200 Here's the address, here, right here. 17:57.200 --> 17:59.200 When your wife called, the first time I mean, on the phone, 17:59.200 --> 18:02.200 I guess it was your wife, well anyway she said for me to... 18:02.200 --> 18:03.200 Oh, pardon me. 18:03.200 --> 18:05.200 Wait a minute. 18:05.200 --> 18:06.200 Jake's Friendly Pharmacy. 18:06.200 --> 18:07.200 Jake's Friendly Pharmacy. 18:07.200 --> 18:11.200 Oh? Oh, yeah, yeah. 18:11.200 --> 18:14.200 Yeah, well now just a minute. 18:14.200 --> 18:16.200 Joe, it's the blonde on the phone now. 18:16.200 --> 18:17.200 The blonde? 18:17.200 --> 18:20.200 Yeah, she's still saying she's your wife, wants to know if she left her purse here. 18:20.200 --> 18:22.200 Oh, well, I want to talk to her. 18:22.200 --> 18:24.200 Yeah, well, okay, take it in the boot, huh, Joe? 18:24.200 --> 18:25.200 You know, the customer. 18:25.200 --> 18:27.200 Yeah, yeah, customer. 18:27.200 --> 18:29.200 Hello? 18:29.200 --> 18:31.200 Oh, I'm awfully sorry to trouble you. Did you find it? 18:31.200 --> 18:33.200 Listen, madam, this is Joe Mooney. 18:33.200 --> 18:36.200 What's the idea of saying you're my wife and swiping my camera? 18:36.200 --> 18:37.200 Oh, Mr. Mooney. 18:37.200 --> 18:39.200 Yeah, yeah. Well, I'm listening. 18:39.200 --> 18:43.200 Oh, Mr. Mooney, I don't know how to tell you. 18:43.200 --> 18:46.200 Well, you'd better find out, because my wife mortis plenty sore, 18:46.200 --> 18:48.200 and I want my camera. 18:48.200 --> 18:50.200 Oh, I know it was a terrible thing to do, 18:50.200 --> 18:52.200 but that picture you took of the man who was killed. 18:52.200 --> 18:53.200 Yeah? 18:53.200 --> 18:55.200 He was my brother. 18:55.200 --> 18:57.200 Your brother? Oh, gee. 18:57.200 --> 19:00.200 Oh, I don't know why those terrible men killed him. 19:00.200 --> 19:05.200 He was wayward, but he wasn't a bad boy, and he was all I had. 19:05.200 --> 19:07.200 Gee, I didn't know about that. 19:07.200 --> 19:09.200 I never had a picture of him. 19:09.200 --> 19:14.200 I wanted sort of last memento, but I didn't know if you... 19:14.200 --> 19:16.200 Oh, I'm so ashamed. 19:16.200 --> 19:18.200 Why, sure, I'd give it to you. Sure I would. 19:18.200 --> 19:19.200 Would you? 19:19.200 --> 19:20.200 Sure, you can have it. 19:20.200 --> 19:22.200 Oh, Mr. Mooney. 19:22.200 --> 19:23.200 What about my camera? 19:23.200 --> 19:24.200 Oh, I have the camera. 19:24.200 --> 19:26.200 You can come up and get it now if you want to. 19:26.200 --> 19:28.200 Well, that'd be fine if it ain't too late. 19:28.200 --> 19:30.200 Oh, no. No, I... 19:30.200 --> 19:33.200 I sort of need company now. 19:33.200 --> 19:34.200 Why, sure, you poor kid. 19:34.200 --> 19:36.200 Well, I'll be right up. I got your address right here. 19:36.200 --> 19:38.200 Oh, Mr. Mooney, I don't know how to thank you. 19:38.200 --> 19:40.200 Why, don't even try to mention it. 19:40.200 --> 19:43.200 And would you mind bringing my purse when you come? 19:43.200 --> 19:44.200 Why, St. Nene? 19:44.200 --> 19:45.200 I'll be waiting. 19:45.200 --> 19:48.200 Okay, babe. Miss, I'll be right up. 19:54.200 --> 19:59.200 Well, on the way up, I get to thinking this is an awful funny picture to want as a souvenir of a guy. 19:59.200 --> 20:01.200 A shot of him getting bumped off in the street. 20:01.200 --> 20:03.200 But, of course, there's no account for dames. 20:03.200 --> 20:07.200 And then I figure she probably don't even know the kind of a shot it is, the poor kid. 20:07.200 --> 20:12.200 And I figure I'd better break it to her as gentle as I can, which is only what anyone else would do. 20:12.200 --> 20:15.200 Especially if she's the knockout that Jake says. 20:15.200 --> 20:17.200 And she is. 20:17.200 --> 20:18.200 Mr. Mooney? 20:18.200 --> 20:19.200 Yeah, yeah. 20:19.200 --> 20:20.200 Won't you come in? 20:20.200 --> 20:21.200 Well, thank you, Miss... 20:21.200 --> 20:22.200 O'Day. 20:22.200 --> 20:23.200 O'Day. 20:23.200 --> 20:26.200 Oh, Mr. Mooney, you must think I'm a terrible person. 20:26.200 --> 20:28.200 Why, no, not at all, Miss O'Day. 20:28.200 --> 20:32.200 Why, I knew the minute I talked to you on the phone that you wasn't like some girls. 20:32.200 --> 20:34.200 I mean that you was... 20:34.200 --> 20:35.200 Well, you was the real thing. 20:35.200 --> 20:37.200 Oh, Mr. Mooney. 20:37.200 --> 20:38.200 Here's your purse. 20:38.200 --> 20:40.200 Oh, thank you. 20:40.200 --> 20:42.200 You got my camera? 20:42.200 --> 20:44.200 Oh, yes, I've got the camera. 20:44.200 --> 20:46.200 But you were going to give me the picture, weren't you? 20:46.200 --> 20:49.200 Oh, sure, after you give me the camera. 20:49.200 --> 20:50.200 After I give you the camera? 20:50.200 --> 20:54.200 Yeah, you see, the picture, the film, that is, is still in the camera. 20:54.200 --> 20:56.200 Oh, but it isn't, Mr. Mooney. 20:56.200 --> 20:57.200 I looked. 20:57.200 --> 20:58.200 It isn't, but it's gotta be. 20:58.200 --> 21:01.200 Are you trying to tell me you don't have the film, Mr. Mooney? 21:01.200 --> 21:02.200 Well, how could I? 21:02.200 --> 21:05.200 I ain't had my hands in that camera since I left it at Jake's this afternoon. 21:05.200 --> 21:07.200 Look, Mr. Mooney, let's not be difficult. 21:07.200 --> 21:08.200 Just give me the film. 21:08.200 --> 21:11.200 But I ain't got it, I'm telling you, I ain't got it. 21:11.200 --> 21:12.200 All right, boys. 21:12.200 --> 21:14.200 What boys? 21:14.200 --> 21:15.200 Hey, what is this? 21:15.200 --> 21:16.200 Hello, Junior. 21:16.200 --> 21:18.200 Hey, where did they come from? 21:18.200 --> 21:19.200 They're friends of mine. 21:19.200 --> 21:21.200 Yeah, but they put a dead body in my car. 21:21.200 --> 21:22.200 Oh, that stiff? 21:22.200 --> 21:23.200 Well, now, wait a minute. 21:23.200 --> 21:24.200 Don't you worry about that none. 21:24.200 --> 21:26.200 He's in a nice, safe place. 21:26.200 --> 21:28.200 All right, all right, we ain't got all night. 21:28.200 --> 21:29.200 Where's that film? 21:29.200 --> 21:30.200 Film? I don't know. 21:30.200 --> 21:31.200 Frisk him. 21:31.200 --> 21:32.200 Okay, hold still now, Junior. 21:32.200 --> 21:33.200 Hold still. 21:33.200 --> 21:36.200 But Miss O'Day, these guys, that body, that was your brother. 21:36.200 --> 21:39.200 It's getting so you just can't believe nothing the dame tells you. 21:39.200 --> 21:41.200 Ain't it true, Junior, huh? 21:41.200 --> 21:43.200 I don't have it on him, Frankie. 21:43.200 --> 21:45.200 Now, look, fellas, I don't want to have no trouble. 21:45.200 --> 21:47.200 All I want is my camera. 21:47.200 --> 21:48.200 We don't want no trouble. 21:48.200 --> 21:51.200 Now, listen, Mooney, we want that film and we don't care how we get it. 21:51.200 --> 21:53.200 So talk and talk fast. 21:53.200 --> 21:54.200 Yeah, but how could I have it? 21:54.200 --> 21:55.200 I ain't had the camera. 21:55.200 --> 21:57.200 Nobody could have got that film except her, unless Jake. 21:57.200 --> 21:59.200 Jake, the mug at the drugstore. 21:59.200 --> 22:03.200 Yeah, yeah, do you think that guy's got it? 22:03.200 --> 22:04.200 Get it, Gene. 22:04.200 --> 22:05.200 Okay. 22:05.200 --> 22:06.200 Yeah? 22:06.200 --> 22:07.200 Yeah? 22:07.200 --> 22:08.200 All right, okay. 22:08.200 --> 22:09.200 Thanks, Harry. 22:09.200 --> 22:10.200 It's a tip-off. 22:10.200 --> 22:11.200 They're on their way up here. 22:11.200 --> 22:12.200 Oh, come on, we got a scram. 22:12.200 --> 22:13.200 What about him? 22:13.200 --> 22:14.200 What do you think? 22:14.200 --> 22:15.200 Oh, no, now, wait a minute. 22:15.200 --> 22:16.200 Oh! 22:16.200 --> 22:19.200 I can see it coming, but I can't move. 22:19.200 --> 22:30.200 And there's that world full of stars again and that veritable blackouts. 22:30.200 --> 22:37.200 It was all like something that had happened before, that big machine banging away in my 22:37.200 --> 22:41.200 head and the thoughts beginning to flow up around it little by little. 22:41.200 --> 22:42.200 Only this time I'm in a room. 22:42.200 --> 22:45.200 The lights are on, but there's nobody there. 22:45.200 --> 22:47.200 And then I saw my camera and I remembered. 22:47.200 --> 22:51.200 I remembered there was a phone someplace, too, and I found it and crawled over to it 22:51.200 --> 22:53.200 and started dialing my number. 22:53.200 --> 23:00.200 Hello? 23:00.200 --> 23:01.200 Maude. 23:01.200 --> 23:02.200 Joe. 23:02.200 --> 23:03.200 I got the camera, Maude. 23:03.200 --> 23:04.200 The camera? 23:04.200 --> 23:05.200 Never mind the camera, you nitwit. 23:05.200 --> 23:06.200 Where are you? 23:06.200 --> 23:07.200 Well, I came up to that blonde's place. 23:07.200 --> 23:08.200 You see... 23:08.200 --> 23:09.200 Blonde, my Aunt Fanny, don't you know by this time you're mixed up with a bunch of gangsters? 23:09.200 --> 23:10.200 Yeah, I know. 23:10.200 --> 23:11.200 They wanted that film. 23:11.200 --> 23:12.200 Never mind about the film either. 23:12.200 --> 23:13.200 You just come home. 23:13.200 --> 23:14.200 Yeah, but the film wasn't in the camera. 23:14.200 --> 23:15.200 Now, you listen to me, Joe Mooney. 23:15.200 --> 23:16.200 I know all about that film. 23:16.200 --> 23:17.200 I don't trust anybody, not even the police, and I realize that film might be a good thing. 23:17.200 --> 23:18.200 I don't trust anybody, not even the police, and I realize that film might be a good thing. 23:18.200 --> 23:25.200 I don't trust anybody, not even the police, and I realize that film might be a good thing. 23:25.200 --> 23:28.200 So after you left, I phoned Jake and told him to take the film out of the camera before 23:28.200 --> 23:29.200 he gave it to anybody. 23:29.200 --> 23:30.200 And then Jake came back to the phone and told me... 23:30.200 --> 23:31.200 Maude, Maude, wait, there's somebody coming. 23:31.200 --> 23:32.200 Joe! 23:32.200 --> 23:33.200 Maude, Maude, I gotta go, I gotta go! 23:33.200 --> 23:34.200 Hello? 23:34.200 --> 23:35.200 I grabbed my camera and find a service entrance in the kitchen and even though my head feels 23:35.200 --> 23:36.200 like it's bouncing on every step, I'm down those back stairs and I'm trying to figure out 23:36.200 --> 23:37.200 what's going on. 23:37.200 --> 23:38.200 I'm trying to figure out what's going on. 23:38.200 --> 23:39.200 Hey, hey, hey, hey! 23:39.200 --> 23:40.200 Hello. 23:40.200 --> 23:41.200 Hello. 23:41.200 --> 23:42.200 Hello. 23:42.200 --> 23:43.200 Hello. 23:43.200 --> 23:44.200 Hello. 23:44.200 --> 23:45.200 Hello. 23:45.200 --> 23:46.200 Hello. 23:46.200 --> 23:47.200 Hello. 23:47.200 --> 23:48.200 It's Maude, Maude. 23:48.200 --> 23:49.200 I'm down those back stairs on winks. 23:49.200 --> 23:53.820 Then I'm into my car and ten blocks away before I bet them guys up there have even had time 23:53.820 --> 23:57.580 to crack the lock on the door, and I keep on going until I'm back where there's plenty 23:57.580 --> 23:58.580 of lights. 23:58.580 --> 24:03.300 And then I feel really safe, and believe me, I的ave some sigh of relief. 24:03.300 --> 24:04.300 Oh, boy. 24:04.300 --> 24:05.580 Well, I'd be glad to see Maude in the old shack. 24:05.580 --> 24:09.360 Well, it's about that time I noticed this other car pulling up along side. 24:09.360 --> 24:10.360 Hey, you! 24:10.360 --> 24:11.360 Pull over! 24:11.360 --> 24:12.360 Huh? 24:12.360 --> 24:15.500 Pull over to the side, we're from headquarters. 24:15.500 --> 24:16.500 Ah ha ha ha! 24:16.500 --> 24:19.500 Not twice you don't, not teres cookie. 24:19.500 --> 24:26.580 I got the jump on him and I got that thing down to the floor because I figure my luck 24:26.580 --> 24:31.180 is about to run out and if I'm dumb enough to let these guys grab me again, I don't deserve 24:31.180 --> 24:34.900 the answer for the consequences. 24:34.900 --> 24:38.700 I make a right and head for the lower part of town that's just cut out for duck and wide 24:38.700 --> 24:41.340 chumps like them and then I look around to see where they are. 24:41.340 --> 24:43.100 Out of a good half a mile behind. 24:43.100 --> 24:47.500 I figure to make it easy only when I look back at the road, there ain't no road. 24:47.500 --> 24:49.140 There's a lamp post. 24:49.140 --> 24:53.220 Moony, you're going to know them stars better than the head of the planetarium is what I'm 24:53.220 --> 25:02.300 thinking when it happens. 25:02.300 --> 25:07.620 This time I am walking and a guy all dressed in white has me by the arm so naturally I 25:07.620 --> 25:09.700 think I'm coming up to the pearly gates. 25:09.700 --> 25:15.220 And sure enough there's a big iron gate only it looks too much like the door of the bullpen 25:15.220 --> 25:17.580 and headquarters to suit me. 25:17.580 --> 25:21.980 And a guy that looks like a guard is opening it and then I'm in a room with a lot of people, 25:21.980 --> 25:25.180 cops and all them gangsters and the blonde and Maude. 25:25.180 --> 25:27.740 He's still a little dazed but he'll be alright. 25:27.740 --> 25:28.740 Maude. 25:28.740 --> 25:31.700 Joe, for heaven's sake what happened to your head? 25:31.700 --> 25:32.700 Plenty. 25:32.700 --> 25:35.220 I'm sorry about the accident Mrs. Moony but he tried to run away from us. 25:35.220 --> 25:37.300 I expect he brought it on himself alright. 25:37.300 --> 25:38.300 He usually does. 25:38.300 --> 25:41.580 I just want to ask him one question Mrs. Moony if he feels like answering it. 25:41.580 --> 25:43.620 Of course he can answer it. 25:43.620 --> 25:47.340 Mr. Moony can you identify these people as the one who stole the dead body out of the 25:47.340 --> 25:48.340 morgue? 25:48.340 --> 25:49.580 I sure can and how? 25:49.580 --> 25:50.580 That's all then Mrs. Moony. 25:50.580 --> 25:52.780 We'll call you when we need you again. 25:52.780 --> 25:54.540 He does get the reward though doesn't he? 25:54.540 --> 25:56.380 Oh yes he'll get the reward alright. 25:56.380 --> 25:57.380 The reward? 25:57.380 --> 25:58.900 You better get him home now Mrs. Moony. 25:58.900 --> 26:01.020 Yeah yeah come on come on Joe. 26:01.020 --> 26:03.580 But Maude wait what is this with this reward here? 26:03.580 --> 26:04.580 Ten thousand dollars. 26:04.580 --> 26:05.580 Ten thousand. 26:05.580 --> 26:06.580 Steady Joe. 26:06.580 --> 26:07.580 Steady. 26:07.580 --> 26:08.580 Ten thousand dollars. 26:08.580 --> 26:11.300 Oh goodness Joe don't you know yet what's been going on? 26:11.300 --> 26:12.300 Well why... 26:12.300 --> 26:14.700 Listen Joe those people were wanted all over the country. 26:14.700 --> 26:15.700 Sure they were. 26:15.700 --> 26:17.740 They were a gang of bank robbers or something. 26:17.740 --> 26:20.540 That man they killed had double crossed him somehow see. 26:20.540 --> 26:24.220 And then they went to the morgue and they held up the attendant and they stole the body 26:24.220 --> 26:26.140 and disposed of it you see. 26:26.140 --> 26:29.340 Because they figured with the body and that film of yours out of the way there wouldn't 26:29.340 --> 26:31.180 be any evidence against them. 26:31.180 --> 26:32.180 Yeah that's right. 26:32.180 --> 26:33.180 The film. 26:33.180 --> 26:34.180 Oh no. 26:34.180 --> 26:35.180 Oh. 26:35.180 --> 26:37.820 I guess that film was pretty important evidence huh? 26:37.820 --> 26:38.820 Ten thousand dollars worth. 26:38.820 --> 26:40.980 Oh Joe Moony you are a nitwit. 26:40.980 --> 26:43.540 You're the only one who could identify him. 26:43.540 --> 26:44.540 That's all. 26:44.540 --> 26:45.540 Maybe I'm a nitwit. 26:45.540 --> 26:46.540 Maybe I'm a nitwit. 26:46.540 --> 26:49.260 But I wasn't too dumb to get that ten thousand dollar picture was I huh? 26:49.260 --> 26:50.260 Well was I? 26:50.260 --> 26:51.780 Oh you took the picture alright. 26:51.780 --> 26:52.780 Alright. 26:52.780 --> 26:54.780 But there wasn't any film. 26:54.780 --> 26:57.900 No film? 26:57.900 --> 27:01.340 Because you forgot to put film in your camera. 27:01.340 --> 27:02.340 Mine. 27:02.340 --> 27:13.140 Suspense. 27:13.140 --> 27:14.860 Presented by Roma Wines. 27:14.860 --> 27:19.980 R-O-M-A. Made in California for enjoyment throughout the world. 27:19.980 --> 27:22.620 This is Truman Bradley for Roma Wines. 27:22.620 --> 27:28.420 July one of the warmest months calls for tall frosty iced drinks. 27:28.420 --> 27:33.260 And during these hot seltry days I always call for Roma Wine Lemonade. 27:33.260 --> 27:38.020 A cool thirst crunching treat that's tempting, tasty, delicious. 27:38.020 --> 27:44.340 Yes when temperatures soar Roma Wine Lemonade is the first choice as a tall cool refresher 27:44.340 --> 27:46.300 after a sweltering day's work. 27:46.300 --> 27:50.140 As a low cost easy to serve party drink for summer guests. 27:50.140 --> 27:51.200 Here's how. 27:51.200 --> 27:55.460 In a tall glass place ice and the juice of half a lemon. 27:55.460 --> 28:01.420 Pour three quarters full with Roma California Burgundy or any other Roma Wine type you choose. 28:01.420 --> 28:04.900 Fill with water, sweeten to taste and stir. 28:04.900 --> 28:05.900 Presto. 28:05.900 --> 28:09.180 You've a drink fit for a tropical king. 28:09.180 --> 28:15.020 Remember a refresher made with Roma selected from the world's greatest wine reserves is 28:15.020 --> 28:17.260 better tasting naturally. 28:17.260 --> 28:20.420 So be sure to enjoy Roma Wine Lemonade. 28:20.420 --> 28:21.900 Insist on Roma. 28:21.900 --> 28:25.020 R-O-M-A. Roma Wine. 28:25.020 --> 28:28.900 Just selling wine in all history. 28:28.900 --> 28:30.300 This is Mike O'Shea hey. 28:30.300 --> 28:34.380 I've certainly enjoyed appearing on Suspense a long time favorite of mine you know what 28:34.380 --> 28:35.380 I mean. 28:35.380 --> 28:38.860 Well next Thursday I'm sure you'll want to be listening when one of Hollywood's finest 28:38.860 --> 28:43.660 radio actors Mr. Elliot Lewis will appear as Star of Suspense and a play of which he 28:43.660 --> 28:45.780 is also the author. 28:45.780 --> 28:53.260 Next Thursday same time Roma Wines will bring you Mr. Elliot Lewis as Star of Suspense. 28:53.260 --> 28:57.740 Presto's outstanding bitter of frills. 28:57.740 --> 29:17.060 Produced by William Spear for the Roma Wine Company of Fresno California. 29:17.060 --> 29:30.980 This is CBS the Columbia Broadcasting System.