1 00:00:00,000 --> 00:00:02,000 The Spence. 2 00:00:06,000 --> 00:00:10,000 Mr. Cary Grant, a star of The Black Path of Fear, 3 00:00:10,000 --> 00:00:15,000 a defense play produced, edited, and directed by William Spears. 4 00:00:15,000 --> 00:00:25,000 The Spence. 5 00:00:31,000 --> 00:00:33,000 It was our first day in Havana. 6 00:00:33,000 --> 00:00:36,000 We'd taken a hack, an open horse-drawn carriage, 7 00:00:36,000 --> 00:00:39,000 and spent the afternoon driving around to see the sights. 8 00:00:39,000 --> 00:00:41,000 She was always crazy about jade. 9 00:00:41,000 --> 00:00:44,000 So in Chinatown we stopped in a little curiosity shop. 10 00:00:44,000 --> 00:00:46,000 We never steered the students. 11 00:00:46,000 --> 00:00:50,000 We bought a few gadgets there and started back toward the main part of the town. 12 00:00:50,000 --> 00:00:54,000 It was getting dark, and she snuck it up close to me there in the carriage. 13 00:00:54,000 --> 00:00:57,000 It's been a wonderful day, Scotty. 14 00:00:57,000 --> 00:00:58,000 Yeah, yeah. 15 00:00:58,000 --> 00:01:00,000 I was scared at first. 16 00:01:00,000 --> 00:01:05,000 A couple of times I thought I saw him in the crowds there in Chinatown. 17 00:01:05,000 --> 00:01:07,000 Guess it was just my imagination. 18 00:01:07,000 --> 00:01:08,000 Sure it was. 19 00:01:08,000 --> 00:01:11,000 He wouldn't find me rust up this far from his home base. 20 00:01:11,000 --> 00:01:14,000 He could be a little Caesar around his night clubs back in Florida. 21 00:01:14,000 --> 00:01:18,000 But here in Kielba he's just another alien that better not get caught carrying a gun. 22 00:01:18,000 --> 00:01:21,000 He said he'd get me if I ever left. 23 00:01:21,000 --> 00:01:22,000 No matter where I went. 24 00:01:22,000 --> 00:01:25,000 Nah, but he sent a radiogram wishing us luck. 25 00:01:25,000 --> 00:01:26,000 That's what worries me. 26 00:01:26,000 --> 00:01:28,000 He didn't say which kind of luck. 27 00:01:28,000 --> 00:01:32,000 Alto, Glover. Alto. 28 00:01:32,000 --> 00:01:33,000 So what's this, driver? 29 00:01:33,000 --> 00:01:36,000 It's Floppy Joe's. Big attraction in Havana. 30 00:01:36,000 --> 00:01:38,000 Of course, Floppy Joe's. 31 00:01:38,000 --> 00:01:39,000 Want to go in, darling? 32 00:01:39,000 --> 00:01:43,000 Why not? We can only die once. 33 00:01:43,000 --> 00:01:46,000 So I paid the coachman. We went into Floppy Joe's. 34 00:01:46,000 --> 00:01:51,000 The place was jammed with a sidewalk line and so noisy you couldn't hear yourself think. 35 00:01:51,000 --> 00:01:53,000 It was like a football scrimmage when you moved in. 36 00:01:53,000 --> 00:01:56,000 And like sardines in a can when you stood still. 37 00:01:56,000 --> 00:01:59,000 And then suddenly the crowd divided in front of us like a Red Sea. 38 00:01:59,000 --> 00:02:04,000 And a little photographer came through using an old fashioned tripod for a battering ram. 39 00:02:04,000 --> 00:02:07,000 He set up his camera and pointed it in our direction. 40 00:02:07,000 --> 00:02:12,000 And he said your handy lady would like a picture for to show their friends back in the... 41 00:02:12,000 --> 00:02:13,000 Oh, thanks. 42 00:02:13,000 --> 00:02:16,000 Oh, please, Scotty. We've never had a picture taken together. 43 00:02:16,000 --> 00:02:20,000 Together? With forty hundred people jammed up against us on all sides? 44 00:02:20,000 --> 00:02:23,000 Well, instead of maybe you come to my studio. 45 00:02:23,000 --> 00:02:25,000 Calle Barrios. It's not far. 46 00:02:25,000 --> 00:02:27,000 Oh, no. All right. Go on. Shoot it here. 47 00:02:27,000 --> 00:02:29,000 Ah, well, I make a pose, please. 48 00:02:29,000 --> 00:02:30,000 Uh-huh. 49 00:02:30,000 --> 00:02:32,000 Much corino, much love. 50 00:02:32,000 --> 00:02:35,000 Ah, bueno. Once di Verdi. Hold it. 51 00:02:35,000 --> 00:02:38,000 Ha-ha. That is all. I have the picture. 52 00:02:38,000 --> 00:02:40,000 Here is my card. Thank you. Come. 53 00:02:40,000 --> 00:02:41,000 Hey. 54 00:02:41,000 --> 00:02:43,000 It should be ready tomorrow. 55 00:02:43,000 --> 00:02:46,000 Oh, come on. He's taking it now, darling. 56 00:02:46,000 --> 00:02:49,000 Come on, honey. Everybody's looking at it. 57 00:02:49,000 --> 00:02:52,000 Don't rush me, Scotty. Give me time. 58 00:02:52,000 --> 00:02:55,000 Hey, what is it? Why are you so limp? What's wrong? 59 00:02:55,000 --> 00:02:58,000 I knew we wouldn't make it. 60 00:02:58,000 --> 00:03:00,000 But what do we care? 61 00:03:00,000 --> 00:03:03,000 Part of a night's better than none at all. 62 00:03:03,000 --> 00:03:05,000 Eve! 63 00:03:05,000 --> 00:03:09,000 Just stay with me a minute. It won't take long. 64 00:03:09,000 --> 00:03:12,000 Darling, what happened? What happened? 65 00:03:12,000 --> 00:03:17,000 Scotty, that was the first picture we ever had taken together. 66 00:03:17,000 --> 00:03:19,000 Let me know how it turns out. 67 00:03:19,000 --> 00:03:22,000 Oh, Eve! Eve, darling! 68 00:03:22,000 --> 00:03:24,000 She's dead. 69 00:03:24,000 --> 00:03:26,000 She doesn't move anymore. 70 00:03:26,000 --> 00:03:28,000 Somebody do something! 71 00:03:28,000 --> 00:03:30,000 She's been knifed. 72 00:03:30,000 --> 00:03:33,000 Right here in my arm. 73 00:03:45,000 --> 00:03:48,000 Havana is a fast town for anything. 74 00:03:48,000 --> 00:03:52,000 Love, life, and death, too. 75 00:03:52,000 --> 00:03:55,000 A minute ago, I'd been half of a honeymoon couple getting their first picture 76 00:03:55,000 --> 00:03:59,000 snapped by a little Cuban photographer in Sloppy Joe's. 77 00:03:59,000 --> 00:04:03,000 Now I was alone with a corpse in an empty saloon. 78 00:04:03,000 --> 00:04:05,000 But that didn't go on for long, either. 79 00:04:05,000 --> 00:04:08,000 There were cops there in half a minute and finally a detective. 80 00:04:08,000 --> 00:04:10,000 This woman is dead. 81 00:04:10,000 --> 00:04:12,000 Yeah, I know. 82 00:04:12,000 --> 00:04:14,000 You were the man with her? 83 00:04:14,000 --> 00:04:16,000 I was the man with her. 84 00:04:16,000 --> 00:04:18,000 Your name? 85 00:04:18,000 --> 00:04:21,000 Oh, Scott. Bill Scott. 86 00:04:21,000 --> 00:04:25,000 Mr. Scott, how long have you been in Havana? 87 00:04:25,000 --> 00:04:27,000 Four hours. 88 00:04:27,000 --> 00:04:29,000 You were with this girl here in this bar? 89 00:04:29,000 --> 00:04:31,000 Yeah. No, no. 90 00:04:31,000 --> 00:04:34,000 No, we were only in here long enough to have our picture taken. 91 00:04:34,000 --> 00:04:36,000 You were traveling together? 92 00:04:36,000 --> 00:04:38,000 That's right. 93 00:04:38,000 --> 00:04:41,000 Her name on her tourist card is Mrs. Edward Spinelli. 94 00:04:41,000 --> 00:04:42,000 Yeah. 95 00:04:42,000 --> 00:04:44,000 Where is Mr. Spinelli? 96 00:04:44,000 --> 00:04:46,000 Not where I'd like him to be, which is... 97 00:04:46,000 --> 00:04:49,000 You are not being very cooperative, Mr. Scott. 98 00:04:49,000 --> 00:04:52,000 Okay, I'll tell you the whole story. 99 00:04:52,000 --> 00:04:55,000 She was a singer in a nightclub in Tampa, Florida. 100 00:04:55,000 --> 00:04:57,000 Spinelli owned the nightclub. 101 00:04:57,000 --> 00:05:00,000 He packed a gun, and so did the waiters in the joint. 102 00:05:00,000 --> 00:05:04,000 He gave her the choice between getting killed and marrying him. 103 00:05:04,000 --> 00:05:06,000 So she married him. 104 00:05:06,000 --> 00:05:08,000 And how did you meet her? 105 00:05:08,000 --> 00:05:11,000 I worked for Spinelli. I drove his car. 106 00:05:11,000 --> 00:05:15,000 You are not a chauffeur by profession. Are you Mr. Scott? 107 00:05:15,000 --> 00:05:18,000 No. I took the job to get her away from him. 108 00:05:18,000 --> 00:05:20,000 Is there anything wrong in that? 109 00:05:20,000 --> 00:05:25,000 The murder weapon, this knife. What do you know about it? 110 00:05:25,000 --> 00:05:26,000 What are you driving at? 111 00:05:26,000 --> 00:05:29,000 Is this your knife, Mr. Scott? 112 00:05:29,000 --> 00:05:32,000 No. No, but it's a pretty close match. 113 00:05:32,000 --> 00:05:36,000 I bought one just like it this afternoon in the curiosity shop. 114 00:05:36,000 --> 00:05:38,000 Wait a minute, I'll show you. I've got it in my pockets right... 115 00:05:38,000 --> 00:05:40,000 Put that in your pocket. 116 00:05:40,000 --> 00:05:41,000 Wait a minute. Wait a minute. 117 00:05:41,000 --> 00:05:43,000 Don't get so excited. 118 00:05:43,000 --> 00:05:47,000 Okay, it's in this pocket. Now fish it out yourself if you want to. 119 00:05:47,000 --> 00:05:49,000 There is no knife here. 120 00:05:49,000 --> 00:05:52,000 There's got to be. It was a knife of the Jane Hannell. 121 00:05:52,000 --> 00:05:55,000 Like that one you've got there with a monkey carved on it. 122 00:05:55,000 --> 00:05:58,000 But the monkey on the one I bought was holding his hands over his ears. 123 00:05:58,000 --> 00:06:00,000 There were three of them in the shop. You know the type. 124 00:06:00,000 --> 00:06:02,000 See no evil, hear no evil, speak no evil. 125 00:06:02,000 --> 00:06:04,000 I only know that you bought a knife this afternoon, 126 00:06:04,000 --> 00:06:06,000 that you no longer have the knife, 127 00:06:06,000 --> 00:06:08,000 and that a knife has been used to stab this woman. 128 00:06:08,000 --> 00:06:11,000 But it's not the same knife, I tell you. I can prove it. 129 00:06:11,000 --> 00:06:13,000 Give me a chance to prove it, will you? 130 00:06:13,000 --> 00:06:15,000 All right, Mr. Scott. 131 00:06:15,000 --> 00:06:17,000 I will give you a chance. 132 00:06:24,000 --> 00:06:26,000 So we went back to the shop where I bought the knife, 133 00:06:26,000 --> 00:06:28,000 back to Chinatown. 134 00:06:28,000 --> 00:06:31,000 Inspector Acosta, that was the Cuban detective's name, 135 00:06:31,000 --> 00:06:33,000 questioned the old duck who sold it to me. 136 00:06:33,000 --> 00:06:37,000 You remember this man buying something in here this afternoon, Viejo? 137 00:06:37,000 --> 00:06:39,000 Yes. 138 00:06:39,000 --> 00:06:42,000 Gentlemen buy knife, all-in-metal knife. 139 00:06:42,000 --> 00:06:45,000 A knife with jade handle. 140 00:06:45,000 --> 00:06:47,000 Well, describe the jade handle. 141 00:06:47,000 --> 00:06:50,000 Jade handle have monkey. 142 00:06:50,000 --> 00:06:52,000 We know that. Describe the monkey. 143 00:06:52,000 --> 00:06:56,000 Pretty sure monkey hiding eyes. 144 00:06:56,000 --> 00:06:58,000 So, see no evil. 145 00:06:58,000 --> 00:07:00,000 You're crazy. What's the matter with you? 146 00:07:00,000 --> 00:07:01,000 What are you trying to do to me? 147 00:07:01,000 --> 00:07:03,000 I bought the one holding its ears. You know that. 148 00:07:03,000 --> 00:07:07,000 Veochin, this man's life may depend on what you are saying. 149 00:07:07,000 --> 00:07:09,000 Are you absolutely sure? 150 00:07:09,000 --> 00:07:13,000 Knives come by trees. First one is sold to this gentleman. 151 00:07:13,000 --> 00:07:15,000 Other still got, I can show you. 152 00:07:15,000 --> 00:07:17,000 Can't line your teeth. 153 00:07:17,000 --> 00:07:20,000 Listen Acosta, so what if he shows you a set with that one missing? 154 00:07:20,000 --> 00:07:22,000 He's probably got a hundred sets in the store room. 155 00:07:22,000 --> 00:07:26,000 Only one set imported. Can show customs invoices. 156 00:07:26,000 --> 00:07:31,000 How did this man and the woman act when they came into the shop? 157 00:07:31,000 --> 00:07:34,000 They acted scared, very scared. 158 00:07:34,000 --> 00:07:40,000 The man Scott take out knife, he feel to see if sharp. 159 00:07:40,000 --> 00:07:46,000 He go over to lady with it. He do like this for joke. 160 00:07:46,000 --> 00:07:47,000 Sure, what about that joke? 161 00:07:47,000 --> 00:07:49,000 Lady don't think it's joke. 162 00:07:49,000 --> 00:07:52,000 Oh, she turn really pale and act scared. 163 00:07:52,000 --> 00:07:55,000 She say, she say go ahead. 164 00:07:55,000 --> 00:07:59,000 She say she tired waiting for to be stabbed with knife. 165 00:07:59,000 --> 00:08:02,000 Ah, really Scott? 166 00:08:02,000 --> 00:08:05,000 I think she did say something like that. 167 00:08:05,000 --> 00:08:08,000 She was afraid Spinelli was going to have her bumped off. 168 00:08:08,000 --> 00:08:09,000 Well, he did it. 169 00:08:09,000 --> 00:08:12,000 And this guy has been paid to frame me. Can't you see that? 170 00:08:12,000 --> 00:08:14,000 I am sorry Mr. Scott. 171 00:08:14,000 --> 00:08:18,000 But I must please you under arrest for the murder of Mrs. Eve Spinelli. 172 00:08:27,000 --> 00:08:30,000 As we threaded our way back through Chinatown in the police car, 173 00:08:30,000 --> 00:08:33,000 I thought the whole thing over and came to a decision. 174 00:08:33,000 --> 00:08:36,000 The car was creeping along in a stale space through the crowded streets. 175 00:08:36,000 --> 00:08:40,000 I was in the middle, Acosta and the other dick on either side of me. 176 00:08:40,000 --> 00:08:43,000 The car fitted in the narrow lane like a cork in a bottle. 177 00:08:43,000 --> 00:08:46,000 If it came to a halt in front of the door of a building, 178 00:08:46,000 --> 00:08:48,000 then find me a ditch just that. 179 00:08:48,000 --> 00:08:50,000 I bolted and they came after me fast. 180 00:08:50,000 --> 00:08:53,000 The door I ducked into opened onto a pitch black hallway. 181 00:08:53,000 --> 00:08:56,000 I groped around until I found a flight of stairs and started climbing. 182 00:08:56,000 --> 00:08:58,000 My heart! How did I shoot? 183 00:08:58,000 --> 00:08:59,000 Go ahead and shoot. 184 00:08:59,000 --> 00:09:01,000 They didn't start shooting right away. 185 00:09:01,000 --> 00:09:03,000 They had to swap me with their lights first. 186 00:09:03,000 --> 00:09:06,000 The rays from their pocket flashes kept stabbing past me like tracer bullets. 187 00:09:06,000 --> 00:09:08,000 The light could only shine in the straight light beam 188 00:09:08,000 --> 00:09:10,000 and I could go around the curve at the head of each flight. 189 00:09:10,000 --> 00:09:12,000 The third term was the last. 190 00:09:12,000 --> 00:09:15,000 There was a square vent at the back of a passage and I could see the stars through it. 191 00:09:15,000 --> 00:09:19,000 There was a ladder of rusty twisted chains with rotten wood cross pieces. 192 00:09:19,000 --> 00:09:21,000 I knew I never had time for it. 193 00:09:21,000 --> 00:09:23,000 And suddenly the light hit me. 194 00:09:23,000 --> 00:09:26,000 So the bullet didn't. 195 00:09:26,000 --> 00:09:28,000 I ducked back in the shadows and turned the knob at the nearest door, 196 00:09:28,000 --> 00:09:32,000 tossing my head over the foot of a ladder to make it look as if I lost it while climbing. 197 00:09:32,000 --> 00:09:34,000 I backed through the door into a room. 198 00:09:42,000 --> 00:09:45,000 In the dark room I stood very still and listened. 199 00:09:45,000 --> 00:09:50,000 They were separating to case the roofs along a block. 200 00:09:50,000 --> 00:09:53,000 And I was safe for a few minutes anyway. 201 00:09:53,000 --> 00:09:55,000 Tried to figure out where I am. 202 00:09:55,000 --> 00:09:56,000 A room. 203 00:09:56,000 --> 00:09:57,000 A dark room. 204 00:09:57,000 --> 00:10:00,000 I strained my eyes into the blackness. 205 00:10:00,000 --> 00:10:05,000 Then something cool and metallic found the side of my neck. 206 00:10:05,000 --> 00:10:07,000 It was the business edge of a knife. 207 00:10:07,000 --> 00:10:08,000 Bueno. 208 00:10:08,000 --> 00:10:10,000 I... 209 00:10:10,000 --> 00:10:12,000 I... 210 00:10:12,000 --> 00:10:15,000 I... 211 00:10:15,000 --> 00:10:16,000 No hablo español. 212 00:10:16,000 --> 00:10:17,000 No me verse. 213 00:10:17,000 --> 00:10:19,000 Take it easy, take it easy. 214 00:10:19,000 --> 00:10:21,000 I can't talk your language. 215 00:10:21,000 --> 00:10:23,000 Put that knife down, will you miss? 216 00:10:23,000 --> 00:10:25,000 Take it usted. 217 00:10:25,000 --> 00:10:26,000 Polizia. 218 00:10:26,000 --> 00:10:27,000 Vestecnci. 219 00:10:27,000 --> 00:10:28,000 Understand? 220 00:10:28,000 --> 00:10:29,000 Compromi? 221 00:10:29,000 --> 00:10:30,000 Up there on the stairs. 222 00:10:30,000 --> 00:10:32,000 I don't know how to say it. 223 00:10:32,000 --> 00:10:33,000 Polizia. 224 00:10:33,000 --> 00:10:34,000 They're after me. 225 00:10:34,000 --> 00:10:35,000 Cops. 226 00:10:35,000 --> 00:10:36,000 Cops? 227 00:10:36,000 --> 00:10:37,000 Why didn't you say so before? 228 00:10:37,000 --> 00:10:38,000 I hate cops. 229 00:10:38,000 --> 00:10:39,000 Oh, you do talk English. 230 00:10:39,000 --> 00:10:40,000 I ought to. 231 00:10:40,000 --> 00:10:44,000 I've been in enough of your jails to take out naturalization papers. 232 00:10:44,000 --> 00:10:48,000 Get over there, I'll do what I can for you. 233 00:10:48,000 --> 00:10:49,000 Where's our keys? 234 00:10:49,000 --> 00:10:50,000 I don't see them. 235 00:10:50,000 --> 00:10:53,000 They're in the bathroom. 236 00:10:53,000 --> 00:10:54,000 They're coming back. 237 00:10:54,000 --> 00:10:55,000 I better get out of here. 238 00:10:55,000 --> 00:10:56,000 Don't be a fool. 239 00:10:56,000 --> 00:10:58,000 There's 20 of them down in the street now. 240 00:10:58,000 --> 00:11:00,000 They almost want you bad, chico. 241 00:11:00,000 --> 00:11:02,000 Well, they say I killed my girl. 242 00:11:02,000 --> 00:11:04,000 They say wrong. 243 00:11:04,000 --> 00:11:06,000 They say very wrong. 244 00:11:06,000 --> 00:11:08,000 Another man took her away from you, eh? 245 00:11:08,000 --> 00:11:10,000 No, I took her away from another man. 246 00:11:10,000 --> 00:11:12,000 Ah, you're an only fool of a policeman, 247 00:11:12,000 --> 00:11:14,000 knowing you didn't kill her. 248 00:11:14,000 --> 00:11:17,000 You never kill what doesn't belong to you, only what does. 249 00:11:17,000 --> 00:11:21,000 Tell them that. 250 00:11:21,000 --> 00:11:23,000 Uh-oh, here comes payday. 251 00:11:23,000 --> 00:11:24,000 Quickly, get into the cop there. 252 00:11:24,000 --> 00:11:25,000 Cover yourself up. 253 00:11:25,000 --> 00:11:26,000 Do as I tell you. 254 00:11:26,000 --> 00:11:27,000 Take off that shirt. 255 00:11:27,000 --> 00:11:28,000 Don't stop for buttons. 256 00:11:28,000 --> 00:11:29,000 Tear it off. 257 00:11:29,000 --> 00:11:30,000 Now then, face the wall. 258 00:11:30,000 --> 00:11:31,000 Hey, what are you doing? 259 00:11:31,000 --> 00:11:35,000 Carefully, still, and don't rub against the covers. 260 00:11:35,000 --> 00:11:37,000 No, don't move. 261 00:11:37,000 --> 00:11:43,000 You... 262 00:11:43,000 --> 00:11:45,000 Excuse me, have you seen a man, 263 00:11:45,000 --> 00:11:47,000 very sick, an American? 264 00:11:47,000 --> 00:11:49,000 No, I haven't seen anyone. 265 00:11:49,000 --> 00:11:50,000 Do you have a doctor? 266 00:11:50,000 --> 00:11:51,000 No, no man. 267 00:11:51,000 --> 00:11:52,000 We'll see. 268 00:11:52,000 --> 00:11:53,000 He's very sick. 269 00:11:53,000 --> 00:11:54,000 Viruela. 270 00:11:54,000 --> 00:11:55,000 Viruela? 271 00:11:55,000 --> 00:11:56,000 Yes, Viruela. 272 00:11:56,000 --> 00:11:57,000 Look, she's in quarantine. 273 00:11:57,000 --> 00:11:58,000 It's true. 274 00:11:58,000 --> 00:11:59,000 Viruela. 275 00:11:59,000 --> 00:12:00,000 Let's go. 276 00:12:00,000 --> 00:12:02,000 Excuse me, good night. 277 00:12:02,000 --> 00:12:04,000 Good night, sir. 278 00:12:04,000 --> 00:12:05,000 Good night, sir. 279 00:12:05,000 --> 00:12:08,000 Good night. 280 00:12:08,000 --> 00:12:11,000 What was all that about? 281 00:12:11,000 --> 00:12:14,000 Hey, what are all these red spots on me? 282 00:12:14,000 --> 00:12:17,000 I put them there, with lipstick. 283 00:12:17,000 --> 00:12:19,000 I told the cop you were my husband 284 00:12:19,000 --> 00:12:21,000 and now a smallpox. 285 00:12:21,000 --> 00:12:23,000 Oh, and they believed it? 286 00:12:23,000 --> 00:12:24,000 Why not? 287 00:12:24,000 --> 00:12:26,000 I showed them the quarantine sign on the door. 288 00:12:26,000 --> 00:12:29,000 Manolito, that was my man. 289 00:12:29,000 --> 00:12:31,000 He died of smallpox in this room. 290 00:12:31,000 --> 00:12:32,000 Huh? 291 00:12:32,000 --> 00:12:33,000 Oh, don't be alarmed. 292 00:12:33,000 --> 00:12:35,000 It has all been disinfected. 293 00:12:35,000 --> 00:12:36,000 Oh. 294 00:12:36,000 --> 00:12:39,000 Well, say thanks. 295 00:12:39,000 --> 00:12:42,000 Why did you go to bed for me like that anyway? 296 00:12:42,000 --> 00:12:45,000 Eh, different reason. 297 00:12:45,000 --> 00:12:47,000 Flowers on a grave, I guess. 298 00:12:47,000 --> 00:12:48,000 Flowers on a... 299 00:12:48,000 --> 00:12:50,000 What does that mean? 300 00:12:50,000 --> 00:12:52,000 It's hard to explain. 301 00:12:52,000 --> 00:12:55,000 It's my way of doing something for someone 302 00:12:55,000 --> 00:12:57,000 that isn't around anymore, I guess. 303 00:12:57,000 --> 00:12:59,000 It's the only way I have. 304 00:12:59,000 --> 00:13:01,000 I don't know any other way. 305 00:13:01,000 --> 00:13:05,000 You see, I know what it is to lose someone you love, too, 306 00:13:05,000 --> 00:13:06,000 just like you. 307 00:13:06,000 --> 00:13:08,000 Oh, Manolito? 308 00:13:08,000 --> 00:13:11,000 He got the smallpox in jail. 309 00:13:11,000 --> 00:13:14,000 He came back here to me to die. 310 00:13:14,000 --> 00:13:16,000 What is your name, guapo? 311 00:13:16,000 --> 00:13:17,000 Bill Scott. 312 00:13:17,000 --> 00:13:18,000 Is Scott? 313 00:13:18,000 --> 00:13:20,000 No, Scott, with an S. 314 00:13:20,000 --> 00:13:23,000 It's too hard to say. I call you guapo. 315 00:13:23,000 --> 00:13:24,000 That means handsome. 316 00:13:24,000 --> 00:13:26,000 Well, thanks. 317 00:13:26,000 --> 00:13:27,000 What shall I call you? 318 00:13:27,000 --> 00:13:28,000 Ah, a Rani's neighborhood. 319 00:13:28,000 --> 00:13:30,000 They call me Mea Noce. 320 00:13:30,000 --> 00:13:31,000 Mea... 321 00:13:31,000 --> 00:13:33,000 It means midnight. 322 00:13:33,000 --> 00:13:34,000 Try that way. 323 00:13:34,000 --> 00:13:36,000 Okay. Midnight? 324 00:13:36,000 --> 00:13:40,000 They call me that because now I always hang around late by myself 325 00:13:40,000 --> 00:13:41,000 since he's gone. 326 00:13:41,000 --> 00:13:43,000 Well, midnight, I, uh... 327 00:13:43,000 --> 00:13:45,000 I don't know what to say to you except thanks. 328 00:13:45,000 --> 00:13:46,000 No, nada. 329 00:13:46,000 --> 00:13:47,000 Flowers on a grave. 330 00:13:47,000 --> 00:13:49,000 Yeah. 331 00:13:49,000 --> 00:13:52,000 Well, I guess I'd better get going. 332 00:13:52,000 --> 00:13:54,000 What do you want to throw away all my hard work for? 333 00:13:54,000 --> 00:13:55,000 They spot you at the next corner. 334 00:13:55,000 --> 00:13:57,000 Well, I can't hang around here for the rest of the night. 335 00:13:57,000 --> 00:13:58,000 What's the matter with you here? 336 00:13:58,000 --> 00:13:59,000 Why, nothing, but... 337 00:13:59,000 --> 00:14:02,000 How do you figure on getting out of town even if you do get out of here? 338 00:14:02,000 --> 00:14:03,000 I don't know. 339 00:14:03,000 --> 00:14:05,000 You don't know Havana, you don't know Cuba. 340 00:14:05,000 --> 00:14:07,000 You're on an island, water all around you. 341 00:14:07,000 --> 00:14:08,000 Yeah. 342 00:14:08,000 --> 00:14:09,000 You don't get away. 343 00:14:09,000 --> 00:14:13,000 Well, looks like I stay in Havana. 344 00:14:13,000 --> 00:14:15,000 Oh, if I could only get hold of that photographer. 345 00:14:15,000 --> 00:14:16,000 Photographer? 346 00:14:16,000 --> 00:14:17,000 Yeah. 347 00:14:17,000 --> 00:14:19,000 There was a photographer in Sloppy Joe's. 348 00:14:19,000 --> 00:14:21,000 He was snapping a picture of us just when it happened. 349 00:14:21,000 --> 00:14:24,000 Hey, you think maybe this picture is the man who killed your sweetheart, eh? 350 00:14:24,000 --> 00:14:25,000 Pretty sure of it. 351 00:14:25,000 --> 00:14:27,000 See, guapo, what do you remember about this photographer? 352 00:14:27,000 --> 00:14:30,000 Well, he was just a typical cheap photographer, a tourist. 353 00:14:30,000 --> 00:14:31,000 Hey, wait a minute. 354 00:14:31,000 --> 00:14:33,000 He said something about having a studio somewhere near Sloppy. 355 00:14:33,000 --> 00:14:34,000 He gave me a car. 356 00:14:34,000 --> 00:14:36,000 Where is it? 357 00:14:36,000 --> 00:14:37,000 Calle Barrios? 358 00:14:37,000 --> 00:14:38,000 Yeah, that's it. 359 00:14:38,000 --> 00:14:39,000 Calle Barrios. 360 00:14:39,000 --> 00:14:40,000 You know that guy? 361 00:14:40,000 --> 00:14:42,000 Cesar's got there with girls to get their pictures taken. 362 00:14:42,000 --> 00:14:44,000 His name is Tepe Campos. 363 00:14:44,000 --> 00:14:46,000 Oh, well, I've got to get that picture at midnight. 364 00:14:46,000 --> 00:14:47,000 I'll have to risk it. 365 00:14:47,000 --> 00:14:49,000 Well, one momento. 366 00:14:49,000 --> 00:14:51,000 I'll get you some other clothes. 367 00:14:51,000 --> 00:14:53,000 Here, I think these fit you. 368 00:14:53,000 --> 00:14:54,000 Where? 369 00:14:54,000 --> 00:14:55,000 Manolito was one big sailor. 370 00:14:55,000 --> 00:14:58,000 Now, listen, I tell you how to get away from here. 371 00:14:58,000 --> 00:15:00,000 Over the Calle Barrios so maybe the police don't see you. 372 00:15:00,000 --> 00:15:01,000 Yeah? 373 00:15:01,000 --> 00:15:03,000 You go right down the mouth of the alley and you turn to the right. 374 00:15:03,000 --> 00:15:04,000 That's his hand here. 375 00:15:04,000 --> 00:15:06,000 Just a few steps from there. 376 00:15:15,000 --> 00:15:17,000 It was so dark, I almost hit the fire. 377 00:15:17,000 --> 00:15:19,000 I'm afraid it's the same guy. 378 00:15:19,000 --> 00:15:22,000 It was so dark, I almost had to feel my way along the streets. 379 00:15:22,000 --> 00:15:25,000 Suddenly out of nowhere came a voice. 380 00:15:31,000 --> 00:15:33,000 There were two of them there keeping the alley covered. 381 00:15:33,000 --> 00:15:35,000 I looked back the way I'd come. 382 00:15:35,000 --> 00:15:37,000 Someone was coming along slowly. 383 00:15:37,000 --> 00:15:50,000 I waited there, paralyzed. 384 00:15:50,000 --> 00:15:52,000 Quitaro, Maranello? 385 00:15:52,000 --> 00:15:53,000 Huh? 386 00:15:53,000 --> 00:15:54,000 What? 387 00:15:54,000 --> 00:15:56,000 Are you lonesome? 388 00:15:56,000 --> 00:16:00,000 Yeah, sure, yeah. 389 00:16:00,000 --> 00:16:02,000 Look, you want to take a walk, sister? 390 00:16:02,000 --> 00:16:04,000 You say. 391 00:16:04,000 --> 00:16:06,000 All right, a walk close to me like this. 392 00:16:06,000 --> 00:16:08,000 No, no, lean up closer. 393 00:16:08,000 --> 00:16:09,000 Get your face up on the mind here. 394 00:16:09,000 --> 00:16:10,000 That's it. 395 00:16:10,000 --> 00:16:12,000 Give me a little more affection. 396 00:16:12,000 --> 00:16:13,000 That's it. 397 00:16:13,000 --> 00:16:16,000 Now walk down this way with me, just past the corner, huh? 398 00:16:16,000 --> 00:16:17,000 You said it, big boy. 399 00:16:17,000 --> 00:16:18,000 You said it. 400 00:16:18,000 --> 00:16:19,000 Where should we go, honey? 401 00:16:19,000 --> 00:16:20,000 You said it. 402 00:16:20,000 --> 00:16:21,000 That's good. 403 00:16:21,000 --> 00:16:22,000 Here's the turn. 404 00:16:22,000 --> 00:16:23,000 Goodbye, sister. 405 00:16:23,000 --> 00:16:24,000 Keep scared! 406 00:16:24,000 --> 00:16:26,000 Keep scared, bella! 407 00:16:26,000 --> 00:16:27,000 Keep scared! 408 00:16:27,000 --> 00:16:28,000 Keep scared! 409 00:16:34,000 --> 00:16:35,000 I was afraid her yelling might attract the cops, 410 00:16:35,000 --> 00:16:37,000 so I took off down the street and then I ducked into an alley 411 00:16:37,000 --> 00:16:39,000 to catch my breath. 412 00:16:39,000 --> 00:16:42,000 I looked up, and there was a sign on the shop. 413 00:16:42,000 --> 00:16:46,000 Campos Retratos de Fotografias. 414 00:16:46,000 --> 00:16:48,000 At first I didn't get it. 415 00:16:48,000 --> 00:16:51,000 And then all of a sudden I knew I was there. 416 00:16:51,000 --> 00:16:54,000 I opened the door and walked in. 417 00:16:54,000 --> 00:16:55,000 Señor? 418 00:16:55,000 --> 00:16:57,000 You, uh, you took a picture this evening 419 00:16:57,000 --> 00:16:59,000 of me and a lady in Sloppy Joe's. 420 00:16:59,000 --> 00:17:00,000 I want that picture. 421 00:17:00,000 --> 00:17:01,000 Oh, no me recuerdo. 422 00:17:01,000 --> 00:17:03,000 I do not record, señor. 423 00:17:03,000 --> 00:17:04,000 There was trouble right afterwards. 424 00:17:04,000 --> 00:17:05,000 A lot of noise. 425 00:17:05,000 --> 00:17:07,000 Oh, sí, sí. 426 00:17:07,000 --> 00:17:08,000 I remember. 427 00:17:08,000 --> 00:17:10,000 I am just developing the pictures I have taken today. 428 00:17:10,000 --> 00:17:13,000 Come with me. 429 00:17:13,000 --> 00:17:15,000 This is my dark room. 430 00:17:15,000 --> 00:17:17,000 The most latest equipment. 431 00:17:17,000 --> 00:17:19,000 Istman Kodakos. 432 00:17:19,000 --> 00:17:20,000 Yeah, yeah, well, where's that picture? 433 00:17:20,000 --> 00:17:22,000 Uh, they are all in the bar. 434 00:17:22,000 --> 00:17:23,000 No momento. 435 00:17:23,000 --> 00:17:26,000 Oh, is this the one? 436 00:17:26,000 --> 00:17:27,000 No, no. 437 00:17:27,000 --> 00:17:28,000 No, no, that's not. 438 00:17:28,000 --> 00:17:29,000 How long are they going to... 439 00:17:29,000 --> 00:17:30,000 Hey, wait a minute. 440 00:17:30,000 --> 00:17:31,000 I think that's it. 441 00:17:31,000 --> 00:17:32,000 Yes, be kind. 442 00:17:32,000 --> 00:17:33,000 Be kind. 443 00:17:33,000 --> 00:17:34,000 Yeah, that's us. 444 00:17:34,000 --> 00:17:35,000 Yeah. 445 00:17:35,000 --> 00:17:37,000 Oh, someone leans over the lady's shoulder, no? 446 00:17:37,000 --> 00:17:38,000 Yes. 447 00:17:38,000 --> 00:17:41,000 Let's have some more light on the subject. 448 00:17:41,000 --> 00:17:43,000 Is he someone you know, señor? 449 00:17:43,000 --> 00:17:45,000 Yes, it's someone I know. 450 00:17:45,000 --> 00:17:46,000 His name is... 451 00:17:46,000 --> 00:17:48,000 Never mind the name, Scotty. 452 00:17:48,000 --> 00:17:50,000 I'll introduce myself. 453 00:17:50,000 --> 00:17:51,000 Spinelli. 454 00:17:51,000 --> 00:17:55,000 Stand over against the wall. 455 00:17:55,000 --> 00:17:58,000 You know, I'm glad you found this picture, Scotty. 456 00:17:58,000 --> 00:18:00,000 I was kind of nervous about having a thing 457 00:18:00,000 --> 00:18:02,000 like this floating around. 458 00:18:02,000 --> 00:18:04,000 You can understand my feelings. 459 00:18:04,000 --> 00:18:06,000 You surprised me, Spinelli. 460 00:18:06,000 --> 00:18:10,000 I didn't think you'd be brave enough to stab a woman in the back 461 00:18:10,000 --> 00:18:12,000 without your gorillas around to protect you. 462 00:18:12,000 --> 00:18:13,000 Don't make me angry, Scotty. 463 00:18:13,000 --> 00:18:14,000 I'm in a bad mood. 464 00:18:14,000 --> 00:18:17,000 I didn't know you were smart like you are either, Spinelli. 465 00:18:17,000 --> 00:18:19,000 I apologize. 466 00:18:19,000 --> 00:18:21,000 That was a cute trick, hiring a cab driver 467 00:18:21,000 --> 00:18:23,000 to steer us to that shop in Chinatown. 468 00:18:23,000 --> 00:18:26,000 But what I still can't figure out is how you switched those knives. 469 00:18:26,000 --> 00:18:28,000 I didn't. 470 00:18:28,000 --> 00:18:30,000 I still have the knife you bought. 471 00:18:30,000 --> 00:18:32,000 I first get out of your pocket. 472 00:18:32,000 --> 00:18:34,000 Would you like to see it first? 473 00:18:34,000 --> 00:18:36,000 Pretty, ain't it? 474 00:18:36,000 --> 00:18:39,000 You know, we've always had a knife for jades, 475 00:18:39,000 --> 00:18:42,000 and this is definitely the best of the three. 476 00:18:42,000 --> 00:18:44,000 I hate to spoil such a pretty knife, 477 00:18:44,000 --> 00:18:48,000 but the revolver, it makes too much noise. 478 00:18:48,000 --> 00:18:51,000 I think I'll use the knife on you, too. 479 00:18:51,000 --> 00:18:56,000 I like things symmetrical, like Romeo and Juliet in it. 480 00:18:56,000 --> 00:18:57,000 What was that? 481 00:18:57,000 --> 00:18:58,000 Don't move, Scotty. 482 00:18:58,000 --> 00:19:00,000 Guapo, Guapo, you in here? 483 00:19:00,000 --> 00:19:01,000 Ha ha! 484 00:19:01,000 --> 00:19:04,000 His sweetheart not dead an hour and already he has another. 485 00:19:04,000 --> 00:19:06,000 Midnight, get out of here quick. This man is a killer. 486 00:19:06,000 --> 00:19:08,000 I'm not afraid of you, big boy. 487 00:19:08,000 --> 00:19:10,000 Keep away from me. 488 00:19:10,000 --> 00:19:11,000 Don't try any funny business. 489 00:19:11,000 --> 00:19:13,000 Me, hombre, he was just like you. 490 00:19:13,000 --> 00:19:16,000 He talk very mean, but he don't hurt me, not one little bit. 491 00:19:16,000 --> 00:19:20,000 I don't only talk, big sister. 492 00:19:20,000 --> 00:19:22,000 Now look, I got a job to do here. 493 00:19:22,000 --> 00:19:25,000 I'll talk to you when I've shut your boyfriend's trap for good. 494 00:19:25,000 --> 00:19:27,000 My boyfriend? 495 00:19:27,000 --> 00:19:29,000 Ha ha ha, you kidding? 496 00:19:29,000 --> 00:19:31,000 Go ahead, finish him off. He take a part of me. 497 00:19:31,000 --> 00:19:32,000 He's the ink. 498 00:19:32,000 --> 00:19:35,000 Ha ha, ran out on her, eh? 499 00:19:35,000 --> 00:19:38,000 Why, Scotty, you ought to be ashamed of yourself. 500 00:19:38,000 --> 00:19:40,000 You're rich. You got many diamonds. 501 00:19:40,000 --> 00:19:42,000 I like you, miss. 502 00:19:42,000 --> 00:19:43,000 Stop mooching around. 503 00:19:43,000 --> 00:19:45,000 Midnight, I tell you, this guy is a killer. Now watch out. 504 00:19:45,000 --> 00:19:49,000 Ah, shut up. How about it, big boy? 505 00:19:49,000 --> 00:19:50,000 Huh? 506 00:19:50,000 --> 00:19:52,000 Stick around, sister. 507 00:19:52,000 --> 00:19:54,000 I can use talent like yours. 508 00:19:54,000 --> 00:19:55,000 Kiss me, big boy. 509 00:19:55,000 --> 00:19:57,000 Later, later. 510 00:19:57,000 --> 00:19:59,000 Right now. I yell very loud, make big trouble. 511 00:19:59,000 --> 00:20:02,000 Ha ha, you're pretty hot stuff, aren't you, huh? 512 00:20:02,000 --> 00:20:05,000 You don't know the half from me, big boy. 513 00:20:05,000 --> 00:20:09,000 Huh? Come here. 514 00:20:09,000 --> 00:20:11,000 Hmm. 515 00:20:11,000 --> 00:20:14,000 No, no, your chance. Drop the gun. 516 00:20:14,000 --> 00:20:16,000 Why, you dirty little stupid. Shut up. 517 00:20:16,000 --> 00:20:19,000 Finnelli, I've got the gun now. 518 00:20:19,000 --> 00:20:23,000 Ah, Scotty, I was only throwing a scare into you. 519 00:20:23,000 --> 00:20:27,000 I would have knocked you off right away if that's what I meant to do, wouldn't I? 520 00:20:27,000 --> 00:20:28,000 Huh? 521 00:20:28,000 --> 00:20:32,000 What's it worth to you to stay alive, Finnelli? 522 00:20:32,000 --> 00:20:34,000 A hundred thousand dollars, Scotty. 523 00:20:34,000 --> 00:20:38,000 In the bank, right here in the van, just let me get over to the table there. 524 00:20:38,000 --> 00:20:40,000 Check the bearer. No strings. 525 00:20:40,000 --> 00:20:42,000 A hundred thousand. 526 00:20:42,000 --> 00:20:46,000 Well, a hundred and fifty thousand, Scotty. What do you want? 527 00:20:46,000 --> 00:20:50,000 I want Eve back again. Alive. 528 00:20:50,000 --> 00:20:54,000 Two hundred thousand. Chicago account thrown in, two hundred and fifty thousand. 529 00:20:54,000 --> 00:20:56,000 That's a quarter of a million, Scotty. 530 00:20:56,000 --> 00:20:59,000 I want Eve. I want her back again. 531 00:20:59,000 --> 00:21:03,000 You can't bring the dead to life, Scotty. But you can be rich. 532 00:21:03,000 --> 00:21:05,000 Kill me and you get nothing but a murder rap. 533 00:21:05,000 --> 00:21:09,000 The picture don't show me sticking a knife in her. The knife don't mean nothing. 534 00:21:09,000 --> 00:21:11,000 Chin and the driver will never talk. 535 00:21:11,000 --> 00:21:15,000 You're just fixing up a nice murder rap for yourself, Scotty. 536 00:21:15,000 --> 00:21:19,000 And over under the light. I don't want to miss. 537 00:21:19,000 --> 00:21:21,000 Scotty. 538 00:21:21,000 --> 00:21:25,000 No. Don't do it, Scotty. 539 00:21:25,000 --> 00:21:27,000 Scotty. 540 00:21:31,000 --> 00:21:33,000 You win. 541 00:21:33,000 --> 00:21:35,000 Scotty. 542 00:21:35,000 --> 00:21:37,000 Scotty. 543 00:21:48,000 --> 00:21:50,000 So that's the story. 544 00:21:50,000 --> 00:21:55,000 And so I've come to give myself up for the murder of Ed Spinelli. 545 00:21:55,000 --> 00:21:58,000 Well, Inspector, what are you going to do about it? 546 00:21:58,000 --> 00:21:59,000 About what? 547 00:21:59,000 --> 00:22:02,000 About what? About what I just told you. Murder. 548 00:22:02,000 --> 00:22:05,000 You speak English so good. I often miss hearing things that I... 549 00:22:05,000 --> 00:22:07,000 especially when they are said too fast. 550 00:22:07,000 --> 00:22:10,000 I can say it slower. I just kill the... 551 00:22:10,000 --> 00:22:13,000 My English stinks today. I don't understand. 552 00:22:13,000 --> 00:22:15,000 You don't understand. I say... 553 00:22:15,000 --> 00:22:18,000 Please, would you mind not coming in here mumbling in this English of yours 554 00:22:18,000 --> 00:22:20,000 that I do not understand. 555 00:22:21,000 --> 00:22:24,000 Well, okay by me. That's the way you feel about it. 556 00:22:24,000 --> 00:22:29,000 Oh, Mr. Scott, this girl is media notch. 557 00:22:29,000 --> 00:22:31,000 Media? You mean midnight? 558 00:22:31,000 --> 00:22:33,000 What about her? You know where she is? 559 00:22:33,000 --> 00:22:37,000 That girl, that woman, she has been raising canine in my jail all night. 560 00:22:37,000 --> 00:22:38,000 All day yesterday. 561 00:22:38,000 --> 00:22:39,000 Well, what's she charged with? 562 00:22:39,000 --> 00:22:42,000 Well, my foolish officers questioned her and did not know any better 563 00:22:42,000 --> 00:22:44,000 than to put some charge all in a book. 564 00:22:44,000 --> 00:22:47,000 Mr. Scott, we have been stuck with her ever since. 565 00:22:47,000 --> 00:22:49,000 She is like a hurricane. 566 00:22:49,000 --> 00:22:51,000 I'll agree with you there. 567 00:22:51,000 --> 00:22:54,000 Mr. Scott, if you haven't got enough to bail her out, 568 00:22:54,000 --> 00:22:56,000 I'll pay that in my own pocket. 569 00:22:56,000 --> 00:23:01,000 Anything to get her out. 570 00:23:17,000 --> 00:23:19,000 Well, midnight, it's over. 571 00:23:19,000 --> 00:23:23,000 Si, guapo. It is over. 572 00:23:23,000 --> 00:23:26,000 Hey, you got any idea where we're headed for? 573 00:23:26,000 --> 00:23:28,000 Eslapi Joel. 574 00:23:28,000 --> 00:23:33,000 The feet of an Americano in Havana work always in the direction of Eslapi Joel, no? 575 00:23:33,000 --> 00:23:36,000 Yeah, yeah, I can hear it already. 576 00:23:38,000 --> 00:23:40,000 Will it come in between midnight? 577 00:23:40,000 --> 00:23:43,000 No, guapo. You go in alone. 578 00:23:43,000 --> 00:23:45,000 Won't you just have one with me, please? 579 00:23:45,000 --> 00:23:46,000 No. 580 00:23:46,000 --> 00:23:48,000 Why not? 581 00:23:48,000 --> 00:23:50,000 There's someone waiting for you in the... 582 00:23:50,000 --> 00:23:53,000 Oh, that's crazy. I don't know anybody in Havana, except you. 583 00:23:53,000 --> 00:23:57,000 Someone is waiting for you in there, guapo. 584 00:23:57,000 --> 00:23:59,000 Flowers on the grave, no? 585 00:23:59,000 --> 00:24:01,000 Flowers on the grave. 586 00:24:01,000 --> 00:24:04,000 In Eslapi Joel. 587 00:24:04,000 --> 00:24:08,000 Love makes any place beautiful, even Eslapi Joel. 588 00:24:08,000 --> 00:24:10,000 Go on, guapo. 589 00:24:10,000 --> 00:24:15,000 Buy her a drink at the bar and tell her how that picture you took turned together out. 590 00:24:15,000 --> 00:24:17,000 You promised you would, remember? 591 00:24:17,000 --> 00:24:20,000 How do you tell something to somebody who's dead? 592 00:24:20,000 --> 00:24:24,000 In your mind, guapo. Where she will always be. 593 00:24:24,000 --> 00:24:27,000 I'll try and tell her midnight. I'll tell her about you, too. 594 00:24:27,000 --> 00:24:30,000 Oh, no. She will be jealous. 595 00:24:30,000 --> 00:24:31,000 Not when I tell her. 596 00:24:31,000 --> 00:24:33,000 You don't know women, guapo. 597 00:24:33,000 --> 00:24:37,000 Maybe not. Well... 598 00:24:37,000 --> 00:24:39,000 Adios, guapo. 599 00:24:39,000 --> 00:24:54,000 Goodbye, midnight. 600 00:25:39,000 --> 00:26:07,000 This is the Armed Forces Radio Service. 601 00:26:07,000 --> 00:26:10,000 The Armed Forces Radio Service. 602 00:26:37,000 --> 00:26:39,000 The Armed Forces Radio Service.