WEBVTT

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Now, Roma Wines, R-O-M-A, made in California for enjoyment throughout the world.

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Roma Wines present, Suspense.

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Tonight, Roma Wines bring you Mr. James Stewart as star of Consequence, a suspense play produced,

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edited and directed for Roma Wines by William Spear.

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Suspense, radio's outstanding theater of thrills, is presented for your enjoyment by Roma Wines.

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That's R-O-M-A, Roma Wines.

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Those excellent California wines that can add so much pleasantness to the way you live,

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to your happiness and entertaining guests, to your enjoyment of everyday meals.

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Yes, right now a glass full would be very pleasant, as Roma Wines bring you James Stewart,

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a remarkable tale of Suspense.

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Maybe the costume was the decisive factor, or maybe it would have happened anyway.

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In any event, the occasion was the 10th reunion, and the class of 29, as such occasions demand,

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were all dressed identically in cowboy suits.

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And there was Ted Wolf, whom I hadn't seen in 10 years, although in college he'd been by far my closest friend.

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And so, of course, I brought him home to dinner.

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And Gwen managed to be quite charming, even though it was the maids' night out.

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She didn't even kick about the oven.

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And that's how it started out, just like that.

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Just like any pleasant, casual little evening.

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Oh, Gwen, that was a wonderful meal. Last one I'll get like that for a while.

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Thank you, sir.

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Have you really got to go tonight, Ted? Can't you take another day or so?

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Ah, not very well. Got my plane reservations and everything.

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Anyway, I told them I'd be back this week, and tonight's just about the deadline if I'm going to make it.

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Well, what time's your plane?

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3 a.m.

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Say, that reminds me, I can't go aboard in this thing.

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Well, you probably will. I think you're both kind of stuck on yourselves in those cowboy outfits.

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Worse than a couple of kids.

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Sure, I'm going to wear mine to the hospital tomorrow.

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No kidding, O.P. People will think I'm nuts.

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All right, spoil sport. I'll call the hotel later. They'll bring your bags over.

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You can change here. Although, I should think a cowboy suit would be a sensation in Ecuador.

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Are you really going to Ecuador, Ted? At first, I thought it must be a joke.

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No, well, you heard me talk about the work Ted's doing down there.

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No, but Ecuador.

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They've got to have medical care out on those plantations some way. And I like it.

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I don't see how you stand it.

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Living like a hermit, cut off from civilization and not making...

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Well, I mean they can't possibly pay you...

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No, no, no, no, Gwen.

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Oh, what time is it?

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Oh, goodness, I've got to run.

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Oh, are you leaving us, Gwen?

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Yes, I promised Mother I'd come out to the country tonight.

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Anyway, I know you two would much rather talk over old times by yourselves.

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I'm sorry. Well, in case I don't see you again, thanks for everything. It's been swell.

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Well, you're coming back sometime, aren't you?

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Maybe five years, maybe ten, maybe never.

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Oh, silly. You come back next year and plan to stay for a while.

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I am sorry I have to go, but you two have a nice evening.

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Are there eggs in the icebox, Phil?

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Did he always have to have fried eggs at night when he was in college, Ted?

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That's Phil all right.

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Well, goodbye, darling.

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Now, don't even get up to come to the door. Now, I'll phone you tomorrow night.

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Goodbye, Gwen.

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Have a good trip, Ted.

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Goodbye.

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Goodbye.

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Ah, you're a lucky man, Phil.

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Am I?

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I suppose you know that the main reason I came to this shindig at all was to see you.

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Why me? It's been a long time since you and I had the same dreams, Ted.

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You haven't lost them, though. You're still in there pitching.

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Oh, yes, yes.

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Private practice.

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Two cars in the garage, two chickens in the pot.

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That's the kind of ball I've been pitching the past ten years.

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And it's the kind I'll keep on pitching until some other doc says,

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coronary thrombosis, and they carry me out.

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Oh, you can't kid me, Phil. You're happy.

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And I'd just about given up the idea that there was such a thing as a happy man.

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And now you think you've found one.

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I know I have. I knew it the minute I came into this room.

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I knew it the minute I saw her.

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Gwen?

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Yes, Gwen.

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I hate Gwen.

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You what?

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And what's more, she hates me.

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Oh, it's nothing that shows on the surface.

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We get along because we have to, because my reputation would suffer if we didn't.

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Phil, you can't be serious.

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No?

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Why do you think I've given up every dream I've ever had?

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Why do you think I spend my life treating the imaginary ills of a lot of wealthy hypochondriacs

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so Gwen can have this and Gwen can do that,

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so Gwen can satisfy every greedy instinct and every petty rotten ambition any woman ever had?

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Good Lord. I never realized.

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You've got to do something about it, Phil.

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You've got to get out.

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Go to another city.

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Go to another country.

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Yeah, she'd be after me like a hawk.

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She'd have me up before the Medical Association.

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Oh, there are a thousand and one things she'd do and would do.

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I've thought every way there is.

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There's no use.

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Well, well, now I've got that off my chest.

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Now you know.

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I'm sorry I disillusioned.

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Dr. Martin.

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Oh.

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Yes, well, well, now?

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Oh, right. I'll be right down.

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Hey, you're not going out now. I want to talk to you.

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No, I'm still a doctor. Even Gwen can't stop that.

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I'll be back before you leave, though.

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If you want to stick around, I'd sort of like to ride out the airport with you.

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Is it really important, Phil?

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Oh, yeah. Now, just make yourself at home.

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You can fix anything you want out in the kitchen, but look out for that oven, though.

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It leaks when you turn it off wrong.

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I won't be long.

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Okay.

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I'll wait, doctor.

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Thanks, doctor.

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Kind of hoped you would, Ted.

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That was the second thing.

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Ted's deciding to stay.

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But I didn't know it then.

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All I knew was that Joe had called from the office and she was upset.

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Still, I... I decided to walk. I was upset, too.

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When I got there, she was going over the accounts.

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Hello, darling. Hello.

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That was nice.

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Well, isn't that always?

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Always. Terribly.

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Well, what are you doing?

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Isn't all that rush to get the bills out?

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There is, though. For me. For you?

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Well, what is it, Joe? What's the matter?

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Phil, I had a talk with Father this evening.

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What? Something about us?

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All about us.

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Well, he doesn't know anything. He couldn't. Nobody does, unless you told him.

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You know I wouldn't do that, Phil.

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I'm sorry. I'm sorry, darling. I know.

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Anyway, it isn't what he knows. It's what he thinks.

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We had an awful row. He said he'd go to the trustees of the hospital.

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He said he'd go to Gwen.

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He said that?

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That's why I'm getting the bills out for you now, because I'm...

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I'm going away.

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Where? How long?

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No, darling, it's not going to be like that.

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It's for good.

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Well, Joe...

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It's for good, Phil.

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Joe, I can't let you go.

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I know it hasn't been perfect. I know it's been infinitely worse for you than for me.

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But at least we've had something.

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At least I've always known you were here on the other side of the door,

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and I could see you and talk to you.

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I can't live with a door between us anymore.

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Well, maybe you just don't love me enough to...

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No, darling, I'm sorry. I didn't mean that.

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Phil, I'm not playing noble, and I'm not trying to put you on the spot,

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because it isn't as though there was some decision you could make. There isn't.

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This had to happen someday, and it has. That's all.

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I could go with you.

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You couldn't do that, Phil.

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Well, why not? I could change my name, I could go to another city, even another country.

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I could get back into research. I could...

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Oh, darling. It's no go, Phil.

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Oh, I... I know. I...

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I asked her for a divorce again this morning.

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You don't have to tell me the answer.

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There is no answer for us, Phil.

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Not one that we can take.

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There we are.

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Yeah. Yeah, there we are.

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Well, you... you better go now. I've got all this to do.

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Well, let me help you.

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No.

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Why not?

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I could weaken. And then where would we be?

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Oh, Joe, please.

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Oh, Phil, please go. Please. Please. Please.

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All right. All right. I'll go.

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I don't know how long I walked that night or where.

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Perhaps most men are weak and never know it.

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But when you're losing the woman you think you love, that's when you'll find it out.

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That's when you'll see yourself at last in the pitiless glare of all your poor, frightened, shylish helplessness.

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And so I walked that night.

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Poor, frightened, shylish helplessness. And so I walked.

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And I was sick to the depths of my soul. And I walked some more.

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And somewhere in the distance I heard a siren.

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There was a glow against the sky. A fire.

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And then I realized I was near my home.

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And then it wasn't just a glow against the sky of any fire.

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It was my own house.

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It burned almost to the ground.

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How did it happen? I don't know. Somebody said they think it was the gas stove.

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Stunned and confused, I think, again edging through the crowd.

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And then there was a sudden stillness.

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And a few men took off their hats.

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And I saw it. The stretcher.

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And the blanket thrown over the shapeless form.

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And the blackened, shriveled cowboy boot.

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And I remembered. Ted.

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Ted had been in that house.

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Yeah, which levy said you wouldn't hardly know it was a man.

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Frantically I started forward and then I stopped because I thought somebody had spoken to me.

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Dr. Mark. Dr. Philip Mark. I know it's you.

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They weren't looking at me. They were looking at the ground and the stretcher and that thing that lay there on it.

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Dr. Philip Mark. Yeah, I knew him. Oh, he was a good doctor.

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Oh, Dr. Mark. Oh, what an awful way to die.

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Suddenly I was shaking with excitement.

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I pulled my hat over my eyes. I turned up my collar.

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I edged back through the crowd out into the street and I turned the corner and then I ran.

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Joe. Joe. I'm going with you.

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Phil. What did you do? You haven't.

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No, no, it's all right. I'll tell you about it later. We're free.

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Joe. Joe, we're free. I'm dead.

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I mean, I mean, Dr. Philip Martin is dead.

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For Suspense, Roma Wines are bringing you as star James Stewart in Consequence

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by George Sklar and Vladimir Posner.

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And now, the Roma Wines presentation tonight in radio's outstanding theatre of thrills, Suspense.

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Between the acts of suspense, this is Truman Bradley for Roma Wines.

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And now, Roma Wines bring back to our Hollywood soundstage, James Stewart,

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who as Dr. Philip Martin, in consequence, continues a narrative well calculated to keep you in suspense.

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There must be something of the criminal in every man,

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because it seemed that I knew automatically everything I would have to do and how I was going to do it.

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Hotel Wilton.

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Dr. Wolf, please. Dr. Theodore Wolf.

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Thank you.

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I'm sorry, sir. Dr. Wolf doesn't answer.

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Oh, well, say, what's the number of his room again? I'd like to drop him a note.

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Dr. Wolf is in 502.

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502. Thank you.

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I knew in a big hotel like that the chances of anyone remembering exactly what Ted looked like were pretty slim,

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and I figured that they'd give me the key all right as long as I didn't stumble around asking for the number.

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I let myself into 502 and I snapped on the light.

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I found the plane ticket on the bureau and then I pried open his luggage and changed into one of his suits.

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I put on his hat and his overcoat just in case. I packed my own things away.

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There were a pair of dark glasses on the bureau too when I put them on.

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Then I went down, checked out, paid cash.

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I knew he'd bought the plane ticket at the airport, so the travel clerk at the hotel, why, he wouldn't know Ted Wolf from Adam.

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Yes, sir?

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I'm Dr. Wolf. I've been staying here at the hotel.

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Oh, yes, doctor.

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I have a through plane ticket here to Ecuador, Pan American, for tonight. I'd like to turn it in.

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One moment, doctor. Oh, that's Dr....

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Dr. Theodore Wolf.

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Thank you. Hello, Pan American, Rutan Hotel. Say I got a through ticket to Ecuador. Dr. Theodore Wolf. Will you take it?

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All right. That'll be quite all right, doctor.

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While you're at it, you might as well get me a couple of train tickets.

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Yes, sir. Where to, sir?

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Why?

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I said where to, sir.

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Oh, Los Angeles.

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We'd taken care of everything.

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A note to my bank, supposedly from Ted, enclosing Philip Martin's check for $5,000, and a letter in my own handwriting,

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explaining that I'd agreed to lend him that amount, and asking the bank to forward the money to my account in Los Angeles.

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My account is Ted Wolf, and we drafted a letter to the people in Ecuador, and in Los Angeles, Joe became Mrs. Ted Wolf.

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At first, everything clicked. I got the kind of a job a doctor would dream about,

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where I could write my own ticket and spend at least half my time entirely on research.

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And Joe started taking courses in a medical degree. Well, after all, she was only 24.

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And then, and then, right here, right here in broad daylight, in the hospital, it happened.

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Hello.

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Joe, Joe, pack a bag as quick as you can. Just enough for two or three days in the mountains, as fast as you can.

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Bill.

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It's Gwen. I saw her just now upstairs in the reception room.

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Gwen, are you sure?

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Absolutely sure.

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Oh, no, it, it, it, couldn't, couldn't it be a coincidence, Phil? I, I mean, couldn't Gwen maybe just have happened to be...

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Maybe, maybe, maybe. Now listen, Joe, I've been thinking...

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She mustn't know where we go.

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That's just what I was thinking. Maybe it would be better if she did know where we were going.

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If she did?

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I don't know, I don't know. Maybe just a coincidence. But if it is a showdown, the mountains would be a better place than here.

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All right.

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I'll phone the landlady.

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Oh, Phil, is that safe?

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Gwen won't talk, not until she's sure.

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Carlton Apartments, Mrs. Burton.

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Hello, Mrs. Burton, this is Dr. Wolf. I wonder if you'd do me a favor.

16:48.200 --> 16:50.200
Oh, I'd be glad to, Dr. Wolf.

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We're going out of town for a couple of days and I just remembered that some friends said they might stop by.

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We thought they might like to join us, so I wanted them to know where we were.

16:59.200 --> 17:00.200
All right.

17:00.200 --> 17:06.200
Maybe you could just stick a note on our door where they could see it. We're going to Caribou Lake.

17:06.200 --> 17:11.200
And we'll be in the cottage at the very top of the mountain. It's straight up a dirt road from the lake. They can't miss it.

17:11.200 --> 17:15.200
Caribou Lake, the cottage at the top of the mountain, up the dirt road from the lake. Is that all?

17:15.200 --> 17:17.200
Yes, thank you, Mrs. Burton, that's all.

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Caribou Lake is nothing much more than just a general store where you can buy bake, hire boats and cottages.

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At that time of year, there's hardly anybody there except the people around the store.

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Our cottage was good three miles away up a twist and dirt road running above the lake.

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But you could see it good and plain even at night when the lights were on.

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We stopped at the store and both went in to buy the things we needed, you know, food and kerosene, matches and stuff like that.

17:49.200 --> 17:51.200
Then we went on up the mountain.

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By that time it was almost dark and Joe fixed something for us to eat.

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Neither one of us could touch it.

17:58.200 --> 18:04.200
We were watching the road for lights of a car.

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It was about half past eight when we saw them.

18:07.200 --> 18:12.200
They went right past the store without stopping and they came on up the mountain.

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They couldn't have been anyone else but Gwen.

18:15.200 --> 18:17.200
Well?

18:17.200 --> 18:19.200
Well, she didn't waste any time.

18:19.200 --> 18:21.200
Phil, what if the car is rented?

18:21.200 --> 18:23.200
Oh, she'd bring her own. She loves to drive.

18:23.200 --> 18:25.200
Phil, you're not afraid, are you?

18:25.200 --> 18:28.200
No, not anymore.

18:30.200 --> 18:32.200
I'll go.

18:36.200 --> 18:39.200
Well, well this is a surprise.

18:39.200 --> 18:40.200
Hello, Gwen.

18:40.200 --> 18:44.200
Dr. Martin. Always poised. Nothing surprises you, does it?

18:44.200 --> 18:46.200
I suppose it was the check.

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Partly.

18:47.200 --> 18:53.200
Then I happened to notice that a Dr. Theodore Wolfe had married a Miss Josephine Reynolds in Los Angeles.

18:53.200 --> 18:58.200
It did occur to me that your idealistic friend must have been an awfully fast worker.

18:58.200 --> 19:02.200
Well, aren't you and your, uh, bride going to ask me in?

19:02.200 --> 19:04.200
Come in, Mrs. Martin.

19:04.200 --> 19:06.200
Thank you.

19:06.200 --> 19:08.200
Quite cozy, aren't you?

19:08.200 --> 19:09.200
We have been.

19:09.200 --> 19:11.200
Well, I'm sorry to break up your little idea.

19:11.200 --> 19:13.200
Cut it out, Gwen. What do you want?

19:13.200 --> 19:15.200
Why, my dear man, what do you think I want?

19:15.200 --> 19:19.200
The way things are now, you've got $200,000 worth of life insurance coming to you.

19:19.200 --> 19:21.200
Why don't you let us alone?

19:21.200 --> 19:24.200
Philip, I don't know whether you realize how much worry and anguish you've caused me.

19:24.200 --> 19:27.200
Sure, I know. I know just exactly how much.

19:27.200 --> 19:31.200
Then perhaps you also know exactly how you stand with the law in this matter.

19:31.200 --> 19:36.200
I don't know about all this impersonation business, except that it would permanently ruin your career.

19:36.200 --> 19:40.200
But I do know that the laws covering bigamy are quite drastic.

19:40.200 --> 19:43.200
I used to think that money meant everything to you, Gwen.

19:43.200 --> 19:44.200
I guess it doesn't.

19:44.200 --> 19:49.200
I don't feel called upon to accept rebukes from you, Philip, for anything, not after what you've done.

19:49.200 --> 19:52.200
I feel that I'm being most generous to both of you.

19:52.200 --> 19:54.200
What is it exactly you want, Gwen?

19:54.200 --> 19:59.200
Either you come back and we'll explain the whole thing as amnesia or something, or you both go to jail.

19:59.200 --> 20:00.200
How could you?

20:00.200 --> 20:01.200
You shut up.

20:01.200 --> 20:04.200
Listen, does anybody else know about this?

20:04.200 --> 20:05.200
Of course not.

20:05.200 --> 20:07.200
Nobody knows you came out here, or why?

20:07.200 --> 20:09.200
After all, Philip, I do have some pride left.

20:09.200 --> 20:13.200
I just said I was taking a little trip to New York to, uh, to forget.

20:13.200 --> 20:15.200
All right, all right.

20:15.200 --> 20:18.200
Now just give us a couple of minutes to talk things over, will you?

20:18.200 --> 20:19.200
Alone.

20:19.200 --> 20:20.200
Very well.

20:20.200 --> 20:22.200
Although I don't see that there's very much to talk about.

20:22.200 --> 20:24.200
Will you go outside, or shall we?

20:24.200 --> 20:25.200
I'll go.

20:25.200 --> 20:27.200
I'll wait in the car.

20:29.200 --> 20:30.200
Oh, Phil.

20:30.200 --> 20:32.200
It's all right, Joe.

20:32.200 --> 20:34.200
I don't mind now.

20:34.200 --> 20:36.200
Neither do I.

20:36.200 --> 20:38.200
Do you think you can do it?

20:38.200 --> 20:39.200
Me?

20:39.200 --> 20:42.200
Yes, I, I'll have to have an alibi.

20:42.200 --> 20:44.200
Have you thought about how...

20:44.200 --> 20:46.200
Yeah, yeah, all day, I guess.

20:46.200 --> 20:48.200
But it's all right, it's good.

20:50.200 --> 20:53.200
She'll disappear the same way I did.

20:53.200 --> 20:55.200
Uh, fire?

20:55.200 --> 20:56.200
Yeah, yeah.

20:56.200 --> 20:59.200
Only I'll have to be down at the store when it happens.

20:59.200 --> 21:01.200
This place will go up like kindling.

21:01.200 --> 21:03.200
And when they pull her out, they'll think it's you.

21:03.200 --> 21:05.200
Nobody knows she's here.

21:05.200 --> 21:07.200
And I'll be there to say it is you.

21:07.200 --> 21:09.200
How are you going to start...

21:09.200 --> 21:11.200
I got that all fixed, I got that all fixed.

21:11.200 --> 21:13.200
I'll be sitting down in the cellar.

21:13.200 --> 21:15.200
All you have to do is...

21:17.200 --> 21:19.200
Here.

21:19.200 --> 21:21.200
Use this hatchet.

21:22.200 --> 21:24.200
Can you?

21:24.200 --> 21:26.200
Yes, I will.

21:26.200 --> 21:29.200
And then go out to the car and get on the floor in the back seat,

21:29.200 --> 21:31.200
under a blanket, lock it from the inside.

21:31.200 --> 21:33.200
I can probably get away right afterwards.

21:33.200 --> 21:35.200
All right, Phil.

21:35.200 --> 21:36.200
I'll see you in the car.

21:36.200 --> 21:38.200
The whole thing shouldn't take more than a couple of hours.

21:38.200 --> 21:39.200
Phil, you're not afraid.

21:39.200 --> 21:40.200
Are you?

21:40.200 --> 21:41.200
No.

21:41.200 --> 21:43.200
I'm glad.

21:45.200 --> 21:46.200
Gwen?

21:46.200 --> 21:47.200
Yes?

21:47.200 --> 21:49.200
Come on in.

21:49.200 --> 21:51.200
Well, have you decided?

21:51.200 --> 21:52.200
Yes.

21:52.200 --> 21:54.200
Uh, you might as well eat with us.

21:54.200 --> 21:57.200
There'll be a few details to talk over.

21:57.200 --> 22:00.200
I'm not sure I feel much like eating in this house, Philip.

22:00.200 --> 22:02.200
Well, I'm not going to start back hungry.

22:02.200 --> 22:04.200
Uh, give me the keys to your car, will you?

22:04.200 --> 22:05.200
It's blocking mine.

22:05.200 --> 22:07.200
I've got to go down to the store and get something for dinner.

22:07.200 --> 22:08.200
Really, Philip?

22:08.200 --> 22:09.200
Oh, stop griping, you've won.

22:09.200 --> 22:10.200
Give me the keys.

22:10.200 --> 22:11.200
Very well.

22:11.200 --> 22:14.200
But I wouldn't try any mad dashes if I were you.

22:14.200 --> 22:16.200
Now, don't be a fool, Gwen.

22:16.200 --> 22:19.200
No, I don't suppose you would.

22:19.200 --> 22:21.200
Alone.

22:23.200 --> 22:26.200
She went in, I took the keys.

22:26.200 --> 22:29.200
First I went around back and down cellar.

22:29.200 --> 22:32.200
I put a lot of old newspapers around the wood pile

22:32.200 --> 22:34.200
and doused the whole thing with kerosene.

22:34.200 --> 22:37.200
Then I cut a stub of a plumber's candle

22:37.200 --> 22:40.200
and set it on the papers and lit it.

22:40.200 --> 22:43.200
I knew just about how long it would take the candle to burn down,

22:43.200 --> 22:46.200
about 45 minutes, something like that.

22:46.200 --> 22:48.200
Then I went out and got in Gwen's car

22:48.200 --> 22:50.200
and started down the mountain without lights.

22:50.200 --> 22:52.200
At the drop above the lake, I put it in the low,

22:52.200 --> 22:55.200
crammed on the wheels and jumped out.

23:03.200 --> 23:06.200
It bounced once and then went over where there's about 40 feet of water.

23:06.200 --> 23:10.200
Unless somebody told them where to look, they'd never find it.

23:10.200 --> 23:13.200
All that had taken about 15 minutes.

23:13.200 --> 23:16.200
The walk down to the store took about 20 more.

23:17.200 --> 23:20.200
Gwen, you forget something, Dr. Wolfe?

23:20.200 --> 23:23.200
Yep, I like a fool to back.

23:23.200 --> 23:25.200
I can't get through the night without a pipe.

23:25.200 --> 23:27.200
No, just how it is.

23:27.200 --> 23:28.200
You walk now?

23:28.200 --> 23:31.200
Yep, yeah, working up an appetite.

23:31.200 --> 23:32.200
Here you are.

23:32.200 --> 23:34.200
You folks have collars tonight?

23:34.200 --> 23:36.200
No, why?

23:36.200 --> 23:38.200
I thought I saw a car go up your way a while back.

23:38.200 --> 23:41.200
Oh, I saw the lights. They didn't come up.

23:41.200 --> 23:43.200
Somebody must have made the wrong turn.

23:43.200 --> 23:44.200
Didn't they come back?

23:44.200 --> 23:46.200
I don't know. I was out back for a spell.

23:46.200 --> 23:49.200
You see that car come back by, Daisy?

23:49.200 --> 23:51.200
You must have seen it all right about an hour ago.

23:51.200 --> 23:53.200
Seems like I did hear a car about there.

23:53.200 --> 23:54.200
Sure, sure, that was it.

23:54.200 --> 23:56.200
Yep, pretty sure it is.

23:56.200 --> 23:58.200
She's duly don't always see so good, but she hears pretty.

23:58.200 --> 23:59.200
Am I?

23:59.200 --> 24:02.200
Look at here, Ed. Look at up there.

24:02.200 --> 24:04.200
Looks like a fire.

24:04.200 --> 24:07.200
Hey, it is, it is a fire.

24:07.200 --> 24:10.200
Why golly, Doc, that looks like your place.

24:10.200 --> 24:12.200
Oh, it couldn't be. But it must be.

24:12.200 --> 24:15.200
It's big too. We better get up there, Doc.

24:15.200 --> 24:16.200
What, do you have your car?

24:16.200 --> 24:18.200
We'll go in the truck. It's right outside.

24:18.200 --> 24:19.200
The boys can bring Ma along in the car.

24:19.200 --> 24:20.200
Did you hear that, Ma?

24:20.200 --> 24:22.200
Yep, Lenny, Johnny, get off the car.

24:22.200 --> 24:24.200
All right, come on, Doc.

24:24.200 --> 24:26.200
Oh, man, I sure hope everything's all right.

24:26.200 --> 24:34.200
Yeah, yeah, so do I.

24:34.200 --> 24:36.200
The cottage was all wood and dry,

24:36.200 --> 24:39.200
and it was completely gone by the time we got there.

24:39.200 --> 24:42.200
It was the boys who dragged her out of the embers.

24:42.200 --> 24:45.200
I wouldn't look if I was you, Doc.

24:45.200 --> 24:47.200
Oh, oh, oh, Joe.

24:47.200 --> 24:49.200
Must have been quick anyway.

24:49.200 --> 24:50.200
She's burnt almost to nothing.

24:50.200 --> 24:52.200
Hey, Ma, you better go on, Doc.

24:52.200 --> 24:53.200
We'll take care of everything.

24:53.200 --> 24:54.200
All right.

24:54.200 --> 24:55.200
Want one of the boys to go with you?

24:55.200 --> 24:58.200
No, no, I'll...

24:58.200 --> 25:00.200
I'll get in touch with you from town.

25:00.200 --> 25:02.200
I'll make the arrangements down there and send down for the...

25:02.200 --> 25:04.200
Yes, well, you just go on.

25:04.200 --> 25:05.200
We'll see to everything.

25:05.200 --> 25:06.200
All right.

25:06.200 --> 25:16.200
Come on, sorry, Dr. Wolf.

25:16.200 --> 25:19.200
I climbed into the car and started down the mountain.

25:19.200 --> 25:21.200
When I was around the first bend,

25:21.200 --> 25:22.200
I reached over with one hand

25:22.200 --> 25:26.200
and touched the blanket on the floor behind me.

25:26.200 --> 25:27.200
Are you all right?

25:27.200 --> 25:28.200
Yes, Philip.

25:28.200 --> 25:35.200
I'm quite all right.

25:35.200 --> 25:44.200
Gwen.

25:44.200 --> 25:48.200
Gwen has never told me how it happened,

25:48.200 --> 25:51.200
but of course she killed her.

25:51.200 --> 25:53.200
We both killed her.

25:53.200 --> 25:56.200
I know that I'm trapped.

25:56.200 --> 25:59.200
I'm hopelessly, irrevocably trapped

25:59.200 --> 26:04.200
by the terrible burden of guilt we share between us, as she is.

26:04.200 --> 26:06.200
I know now that two people held together

26:06.200 --> 26:10.200
by such a frightful bond cannot both go on living,

26:10.200 --> 26:13.200
for that bond can be broken in only one way.

26:13.200 --> 26:16.200
One of the two must die.

26:16.200 --> 26:20.200
And so I write this only to have the true facts brought to light

26:20.200 --> 26:23.200
in the event of such a death.

26:23.200 --> 26:26.200
For no matter how innocent it may appear,

26:26.200 --> 26:28.200
no matter how natural the cause,

26:28.200 --> 26:31.200
no matter how plausible the accident,

26:31.200 --> 26:33.200
it will be no accident.

26:33.200 --> 26:36.200
It will be murder,

26:36.200 --> 26:47.200
cold-blooded, calculated, deliberate murder.

26:47.200 --> 26:49.200
And now the local news.

26:49.200 --> 26:52.200
Dr. Philip Martin, who has been in ill health for the past three months

26:52.200 --> 26:54.200
while recovering from an attack of amnesia,

26:54.200 --> 26:58.200
died today in his home from an overdose of sleeping sedative.

26:58.200 --> 27:18.200
He is survived by his widow, Mrs. Gwendolyn Martin.

27:18.200 --> 27:20.200
Suspense!

27:20.200 --> 27:23.200
Presented by Roma Wines, R-O-M-A.

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Before we hear again from James Stewart, the star of Consequence,

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tonight's suspense play, this is Truman Bradley for Roma Wines.

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This is Jimmy Stewart again.

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28:36.200 --> 28:40.200
And with everybody, it has always been one of the two or three top favorites.

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I've been looking forward for a long time to my appearance with the show tonight.

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And next Thursday, a very swell actor, Richard Green, will be your star in his first broadcast

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Next Thursday, same time, Roma Wines will bring you Mr. Richard Green,

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as star of Suspense, radio's outstanding theater of thrills.

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Produced by William Spear for the Roma Wine Company of Fresno, California.

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This is CBS, the Columbia Broadcasting System.

