WEBVTT

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Now, the Roma Wine Company of Fresno, California presents...

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Suspense!

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Tonight, Roma Wines bring you Mr. Peter Laurie, a star of Nobody Loves Me,

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a suspense play produced, edited and directed for Roma Wines by William Spear.

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Suspense! Radio's outstanding theatre of thrills is presented for your enjoyment by Roma Wines.

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That's R-O-M-A, Roma Wines. Those excellent California wines that can add so much pleasantness to the way you live,

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to your happiness and entertaining guests, to your enjoyment of everyday meals.

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Yes, right now a glass full would be very pleasant as Roma Wines bring you Peter Laurie in a remarkable tale of...

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Suspense!

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Hello. Are you guys in charge of this prison?

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Well, hello, bright eyes.

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Who's in charge here?

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Just a minute. How did you get in?

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I walked in. Who's the top man here?

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This is the squad room, son. If you have a complaint, give it to the death sergeant.

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No, I don't want to bother him. He's sleeping.

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Jenkins sleeping? Boy, it'll like to...

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You better sit down!

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Hey, Costello, he's got a gun.

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Yeah, I got a gun. Sit down.

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Hey, son, you must be crazy.

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Maybe, but I think I know what I'm doing.

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You can't hold up a police station, mister.

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No?

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There's no dough here.

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No, no, no, no. Look, son, look. Keep your hands up.

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I didn't move.

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Hey, you, shove that chair over for me.

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Yeah, yeah. OK, mister.

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Yeah, I have a lot to talk about, and I want to be comfortable.

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Come to tell you cups a story.

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Look, mister, this isn't funny.

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Just tell your story and give your present. How's that?

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Well, what do you mean, a present?

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Why, I'm a regular Santa Claus.

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Going to give you $10,000.

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Now, now, look.

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There is $10,000 reward for the kidnap of Peggy Stewart, am I right?

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You did that?

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Where is she? Where's the girl?

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You forget this gun.

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You also forget I said I was going to tell you a story first.

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Sit down, Captain.

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You mean you're confessing?

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Yeah, story of my life.

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You get plenty of thrills. You know why?

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Now, look, son, look.

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Plenty of thrills.

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Because my name is Reese.

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Joe... Joe Reese.

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Then you... you killed her. You... you killed her.

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Oh, so you have heard about me.

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Yes.

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Killer Reese.

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Killer Reese, Captain.

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Then you admit I got a story.

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I'm going to tell it in my own way.

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First things first, last things last.

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And Peggy Stewart comes last.

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Look, just tell us, sir.

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Did you kill her, Joe?

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I started at the beginning.

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The beginning when I... when I was born.

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And don't interrupt.

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Okay. Okay, we won't interrupt.

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Because, you see, I...

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I think a lot about when I was born.

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Hmm?

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Maybe somebody loved me then.

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Maybe when I... when I sucked in my first breath of air and let out a yell.

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Maybe my mother loved me.

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Maybe she wished I was dead.

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She didn't live long enough for me to find out.

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But after she died,

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it was like I was just shoved clean out of the world.

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Shoved off to an aunt and an uncle

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who had the meanest, grime-iest, stinking-est little souls

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even you fellows could hope to meet.

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Yeah.

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And Ella and Uncle Walter.

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Oh, they were a pair.

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Why, they even looked alike.

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Faces like rotting cabbages

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and their mean little mouths

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yapping away in the middle of them.

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Those two would have eaten the heart out of a saint.

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But I was so little when I went there,

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I didn't even know what I was missing.

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Until one day when I was about nine,

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I found a kitten.

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A dirty, sick little kitten.

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Joe, Joe Rees, what you got there?

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Just a little cat.

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How do you speak to me?

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I mean, ma'am.

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We found it down the alley, Mother, back at the fish store.

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You get it out of here, Joe. You get it out quick.

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I told you, Joe.

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Please, ma'am, it...

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You hear me?

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It won't eat much. Please.

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You hear me? You get it out of here.

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Dirty thing.

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If I see it again, Uncle Walt will beat the stuffing out of you.

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Yes, ma'am.

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Ought to kill it.

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Would, too, but it'd turn my stomach.

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Now get both of you.

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Yes, Mother.

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What you gonna do with it, Joe?

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I don't know. Nothing.

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We could have some fun, I bet.

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Tie something to its tail.

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No, I don't want to.

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Might as well. We could have some fun.

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No, I said...

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Say, feel.

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Yeah? What about it?

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It's buzzing inside.

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Like machinery.

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Oh, that's purring.

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Purring?

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Sure. It has to do that when they're glad.

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It's glad? About what?

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Bet it thinks you're gonna feed it.

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Oh, yes.

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What do cats eat, Cousin Alex?

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You ain't gonna keep it.

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Sure I'm gonna keep it.

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I'm gonna keep it somewhere she don't know.

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You're crazy.

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I'm not. I'm gonna keep it.

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It likes me.

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That's why.

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Likes you? A cat?

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Then why is it buzzing? Purring.

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Sure it likes me.

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Oh, it doesn't. It's hungry.

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I'll stop it, purring.

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Look.

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What you doing, Alex?

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Watch it when I twist its tail.

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No, don't. Hey!

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Hey, now look what you've done.

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Now it ain't purring.

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Joe! Joe, what are you doing?

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It clawed me.

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It clawed me and now it's scared.

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It clawed me.

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Scared now. Scared.

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You ever feel a kitten?

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What it's really like?

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Skinny little kitten?

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Why it's nothing but fur.

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Soft and...

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...and a head.

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And its back bone is...

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...like a thin string of beads.

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Curled just so.

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When it's scared...

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...its eyes stare.

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All one collar.

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And its neck is thin.

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Thinner than a match.

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Like a string of beads.

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Just nothing between your fingers.

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Just nothing.

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The theater of thrills, suspense.

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Between the acts of suspense...

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...this is Truman Bradley for Roma Wines.

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This holiday weekend...

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...millions of Americans will return to the traditional way of observing Labor Day.

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By having friends and for dinner.

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That's why Elsa Maxwell makes the most appropriate suggestion.

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She says,

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We have good reason to celebrate Labor Day this year.

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So make your holiday entertaining...

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...really festive by enjoying good Roma wine.

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At dinner, serve Roma California Burgundy Cool.

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This splendid wine, so delightful, delicious, distinguished...

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...lends charm and flavor magic to any meal.

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Yes, as Elsa Maxwell says...

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...you'll enjoy the delicate piquancy...

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...and fruity robust taste of Roma Burgundy.

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Only Roma gives you the goodness of luscious grapes...

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...from California's choicest vineyards.

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Gathered at peak of flavor, gently pressed...

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...then unhurriedly guided to flavor perfection...

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...by Roma's ancient winemaking skill.

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And finally, bottled right at the winery.

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Roma wines are always unvaryingly good.

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Yet cost only pennies a glass.

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Remember, because of uniformly fine quality at reasonable cost...

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...more Americans enjoy Roma than any other wine.

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R-O-M-A, Roma wines.

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And now Roma wines bring back to our Hollywood soundstage...

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...Peter Laurie in Nobody Loves Me.

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A narrative well calculated to keep you in suspense.

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It never turned my stomach.

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So it was easy. Very easy.

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Yes, but Joe, where did you leave the girl, Peggy?

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Didn't I tell you not to interrupt?

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I am telling you what I have to tell cats first and girls last.

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I sat in the backyard holding the dead kitten...

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...and it was soft for a long time.

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The next day it was stiff and hard on its fur.

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Funnier, a kid nine years old even knew about killing, but...

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...what I knew, cause when I was more than four...

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...I saw Uncle Walter kill a chicken.

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I saw his mean, stringy shoulders jump when he brought the axe down.

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You know, that's how I knew because watching Uncle Walter...

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...I could tell he liked to kill.

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Liked it way down inside of him.

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And I hated him.

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So whenever I killed anything or anybody...

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...after that I was killing Uncle Walter and everybody liked him.

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I hated him. I hated him till he died.

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Joe, come here.

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Your poor Uncle Walt is passing on and I want you to see him before he goes.

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Joe.

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Yes, ma'am.

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Don't say a word unless he speaks to you.

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I won't.

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Go stand on the other side of the bed.

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Listen to the blessed man fighting for his life. Just listen to him.

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Yes, I listen.

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Oh, did I listen.

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And I only wished he knew he was dying.

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I wanted to tell him.

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I wanted to say, you are dying, Uncle Walter.

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And I'm wishing you dead.

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That's why I'm strangling the wind out of your turkey neck.

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I'm burying a knife in your filthy heart.

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I am doing it.

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Me, Joe.

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Look at him.

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I think he's going to speak.

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Oh, no, no.

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No, he's not.

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Oh, he's dead.

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He's gone.

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Yeah, he's gone.

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Oh, that blessed saintly man.

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Joe, you'll never know how much he did for you.

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You'll never be able to thank him.

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He's in heaven now.

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Yeah, I bet.

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Don't you understand, Joe?

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You're Uncle Walter's dead.

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Sure, I understand.

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Then can't you say something?

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Sure.

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Uncle Walter's dead.

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15 years.

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Too late for me.

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One day after that, I mashed a toad under a rock.

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And there was a white dog I caught in a fence,

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and it was torn and threw stones at it, dozens of stones.

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Each day I killed one thing,

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and some things died quick and some died slow.

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But I, I always felt the same.

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I felt good.

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I found there was room in the world for a bright young fellow like me.

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There was work to spare for a man who didn't mind killing.

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Sometimes a box a job I could get, sometimes more.

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Hey, pick up that pencil, fatty.

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Yeah, you, Sergeant.

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I'll give you a list.

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Well, there was the Bresco brothers, all three of them.

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A guy named Lyons who was two-timing somebody's wife.

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Oh, and that chorus babe, Daisy, me, Marks.

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Yeah, yeah, yeah.

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She got her fingers in a wrong pie.

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Izzy Turnbull, the weasel.

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An old codger named Haskett.

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They call him...

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Yeah, yeah, that's enough of them, Joe.

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Now, please, where'd you leave the girl?

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I'll get her around to her.

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Where'd you kill her, Joe?

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I am telling this. It's my story.

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Yeah, yeah, yeah, sure, sure, Joe.

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Because it all happened different with Peggy Stewart.

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See, I wasn't supposed to kill her.

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The boy sent me around to Case to Stewart House for the kidnapping.

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It was all I was supposed to do,

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but the girl who was out, who was in the house,

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and when the girl was alone, it was a big job.

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Why, with her father owning half the state

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and holding a mortgage on the rest,

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we expected it to pay off plenty.

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Yes, sir?

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I'm looking for work.

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There's nothing here.

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Oh, I thought maybe raking the yard, or I can drive.

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No, there isn't anything.

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Is there anyone else here I could ask?

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Morris? Morris, who are you talking to?

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Mrs. Peggy, looking for work.

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Oh, what kind of work?

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Anything, ma'am, anything at all.

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You see, I'm going to college,

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and I just want some work for the summer,

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and I have a bad back, so I can't do anything heavy.

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Oh, I see.

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Well, maybe we have something. I'll ask my father.

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Miss Peggy!

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Father isn't home right now, but if you want to wait.

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Oh, sure, sure, I'll wait.

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You can come inside, Mr. uh...

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Sanders, Joe Sanders.

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Well, come in, Joe.

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Morris was about to give me my lunch.

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Maybe you'd like to eat with me.

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So for more than an hour, I was on the inside,

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looking out, just for once.

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It did things to me.

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That room, all sunshiney where we eat,

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blue dishes, the food cooked in little dabs,

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and so good, I was just boiling with heat.

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I couldn't look at her, at the girl, or talk.

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She didn't seem to notice what was happening to me,

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but that's what really got me.

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She didn't once look scared.

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Hey, you, you ever see Miss Peggy?

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She's little, all curved and little and bright and soft.

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Even her voice is soft.

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I'd never known anybody like her,

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except people in books I read in a modern library, you know.

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I couldn't take it.

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I want to make her like the other girls I'd known,

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make her get that look in her eyes.

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You're not eating, Joe.

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Huh? Oh, I've been thinking.

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Oh?

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Aren't you scared?

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Scared?

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Being alone like this with a fellow you don't even know.

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Scared of you?

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Lots of girls, huh?

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Why? Are you dangerous?

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I don't know.

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Lots of girls think I am.

16:56.000 --> 16:58.000
There must be something in it.

16:58.000 --> 17:00.000
You mean you're a wolf.

17:00.000 --> 17:03.000
No, no, I don't mean it that way.

17:03.000 --> 17:05.000
Well, if you are, I think you're a nice wolf,

17:05.000 --> 17:06.000
the nicest I know.

17:06.000 --> 17:08.000
It's not what I mean.

17:08.000 --> 17:11.000
Anyway, you just don't know me.

17:11.000 --> 17:14.000
It's funny. I feel like I do.

17:14.000 --> 17:17.000
I feel I've known you for a long time.

17:17.000 --> 17:19.000
What's the matter, Joe?

17:19.000 --> 17:23.000
Nothing. Nothing is the matter.

17:23.000 --> 17:25.000
I guess I'd better be going.

17:25.000 --> 17:27.000
Aren't you going to wait for Father?

17:27.000 --> 17:28.000
He'll be here soon.

17:28.000 --> 17:30.000
No, I guess I'd better not wait.

17:30.000 --> 17:31.000
But you said you...

17:31.000 --> 17:37.000
You see, I just remembered I got to be someplace at 2 o'clock.

17:37.000 --> 17:40.000
Oh, well, if you come back tomorrow...

17:40.000 --> 17:43.000
That's it. Yes, I'll come back tomorrow.

17:43.000 --> 17:45.000
Maybe that'll be even better.

17:45.000 --> 17:47.000
I can talk to Father tonight about you.

17:47.000 --> 17:49.000
Then I'm sure he'll give you a job.

17:49.000 --> 17:51.000
Sure, you do that. That'll be swell.

17:51.000 --> 17:53.000
But you will come back. Promise?

17:53.000 --> 17:57.000
Oh, sure, sure. I'll come back.

18:03.000 --> 18:08.000
I couldn't figure it out how a girl like her could be with me

18:08.000 --> 18:10.000
and not be scared.

18:10.000 --> 18:12.000
And after I practically warned her, too,

18:12.000 --> 18:15.000
you can see how I tried to warn her, but she...

18:15.000 --> 18:18.000
She just looked at me, at my eyes.

18:18.000 --> 18:20.000
My eyes!

18:20.000 --> 18:25.000
And hers stayed just the same, blue and soft,

18:25.000 --> 18:27.000
like she was looking at anyone.

18:27.000 --> 18:30.000
Hey, there is killing in my eyes.

18:30.000 --> 18:32.000
Lots of killing.

18:32.000 --> 18:34.000
Anyone can see that.

18:34.000 --> 18:36.000
But then...

18:36.000 --> 18:38.000
Then it hit me.

18:38.000 --> 18:40.000
I had to make her scared.

18:40.000 --> 18:45.000
I had to get her to look at me in a beautiful, naked way

18:45.000 --> 18:48.000
from back deep in her head.

18:48.000 --> 18:53.000
Her blue eyes, all glazed, all over.

18:53.000 --> 18:55.000
Oh, one color.

19:02.000 --> 19:06.000
Well, I got my car out and drove back to her house.

19:06.000 --> 19:09.000
It was night already, and there were lights on,

19:09.000 --> 19:13.000
and windows were open, and this time I went right to the front door.

19:16.000 --> 19:18.000
I'll go follow.

19:21.000 --> 19:23.000
What... What, Joe?

19:23.000 --> 19:25.000
Hello, Miss Peggy.

19:25.000 --> 19:28.000
Did you come to see Father tonight? I haven't talked to him yet.

19:28.000 --> 19:30.000
No, I... I came to see you.

19:30.000 --> 19:32.000
Well, that's nice, Joe. I... I...

19:32.000 --> 19:34.000
I came to get you.

19:34.000 --> 19:36.000
Get me?

19:36.000 --> 19:38.000
Sure, don't you remember?

19:38.000 --> 19:40.000
I came back, like you said.

19:40.000 --> 19:42.000
Going to take you away.

19:42.000 --> 19:44.000
Like I said.

19:44.000 --> 19:46.000
Yeah, see?

19:46.000 --> 19:48.000
Now you're getting that look.

19:48.000 --> 19:52.000
Now you're beginning to look at me the right way.

19:52.000 --> 19:54.000
Don't, Joe.

19:54.000 --> 19:56.000
You're hurting me.

19:56.000 --> 19:58.000
No, no, I'm not hurting you, Peggy.

19:58.000 --> 20:00.000
Not much yet.

20:00.000 --> 20:05.000
Just enough so you'll look up at me like something in a trap.

20:05.000 --> 20:07.000
You won't hurt much more when I kill you.

20:07.000 --> 20:09.000
When you...

20:09.000 --> 20:11.000
Joe, Joe, please!

20:11.000 --> 20:13.000
That's what I said when I kill you.

20:13.000 --> 20:15.000
Oh, no!

20:15.000 --> 20:17.000
Papa! Help!

20:17.000 --> 20:19.000
Papa!

20:21.000 --> 20:23.000
I dumped her in the front seat,

20:23.000 --> 20:26.000
and after I got the car in her, she didn't move anymore.

20:26.000 --> 20:30.000
She sat there with her big eyes staring at the road.

20:30.000 --> 20:32.000
I didn't talk anymore.

20:32.000 --> 20:35.000
I thought fast, and I drove fast.

20:35.000 --> 20:39.000
I thought how it was going to be, killing her.

20:39.000 --> 20:43.000
And I was still thinking when we got to the hideout.

20:43.000 --> 20:45.000
Huh?

20:45.000 --> 20:47.000
Where it is?

20:47.000 --> 20:52.000
Oh, it's up in the mountains, and I like it there.

20:52.000 --> 20:57.000
It's nothing but a shed, but someone had a house there once,

20:57.000 --> 21:01.000
and there are still lilac bushes, and roses,

21:01.000 --> 21:04.000
lots of roses.

21:04.000 --> 21:08.000
When I lifted her out of the car to carry her into the shed,

21:08.000 --> 21:10.000
I could smell the lilacs,

21:10.000 --> 21:15.000
and there was just enough moon to see her face.

21:16.000 --> 21:18.000
You don't have to carry me.

21:18.000 --> 21:20.000
I can walk.

21:20.000 --> 21:23.000
Just the same, I carry you.

21:23.000 --> 21:26.000
That's part of the fun for me.

21:26.000 --> 21:30.000
You don't want to spoil my fun.

21:30.000 --> 21:32.000
Where are we?

21:32.000 --> 21:34.000
What difference does it make?

21:34.000 --> 21:36.000
No difference.

21:36.000 --> 21:38.000
Then don't ask so many questions.

21:38.000 --> 21:41.000
You won't see much of it anyway.

21:43.000 --> 21:45.000
Okay.

21:45.000 --> 21:47.000
Inside.

21:47.000 --> 21:49.000
Walk straight ahead and stand still.

21:49.000 --> 21:51.000
It's dark.

21:51.000 --> 21:53.000
I got a candle.

21:53.000 --> 21:55.000
There.

21:55.000 --> 21:57.000
Now get over there and sit down.

21:57.000 --> 21:58.000
On the floor?

21:58.000 --> 22:00.000
Yes, on the floor.

22:00.000 --> 22:01.000
What do you want?

22:01.000 --> 22:03.000
All the comforts of home?

22:03.000 --> 22:07.000
Of your beautiful, clean, bright, wonderful home?

22:07.000 --> 22:09.000
Why don't you tell me what you want?

22:09.000 --> 22:11.000
Joe, what's the matter?

22:11.000 --> 22:12.000
What did I do to you?

22:12.000 --> 22:13.000
Nothing.

22:13.000 --> 22:14.000
You did nothing to me.

22:14.000 --> 22:16.000
Then why are you...

22:16.000 --> 22:17.000
Why, Joe?

22:17.000 --> 22:19.000
Go on, say it.

22:19.000 --> 22:21.000
Why am I going to kill you?

22:21.000 --> 22:22.000
Yes.

22:22.000 --> 22:24.000
It's a very foolish question.

22:24.000 --> 22:25.000
I got to kill you.

22:25.000 --> 22:26.000
But why?

22:26.000 --> 22:28.000
I got to talk to you,

22:28.000 --> 22:32.000
watch your eyes, and tell you a lot of things.

22:32.000 --> 22:33.000
I got to hold you.

22:33.000 --> 22:34.000
Please, Joe.

22:34.000 --> 22:39.000
I got to know how you feel before you die.

22:39.000 --> 22:41.000
Hold you like this.

22:41.000 --> 22:43.000
Do you love me, Peggy?

22:43.000 --> 22:44.000
Do you?

22:44.000 --> 22:45.000
Love you?

22:45.000 --> 22:46.000
Sure.

22:46.000 --> 22:48.000
That's what I asked.

22:48.000 --> 22:49.000
Of course not.

22:49.000 --> 22:51.000
Of course I don't love you.

22:51.000 --> 22:52.000
You see?

22:52.000 --> 22:54.000
Nobody loves me.

22:54.000 --> 22:56.000
Nobody ever loved me.

22:56.000 --> 22:58.000
Maybe a cat once.

22:58.000 --> 23:01.000
Everyone hates me, Peggy.

23:01.000 --> 23:03.000
But I don't hate you either.

23:03.000 --> 23:04.000
See?

23:04.000 --> 23:05.000
That's funny.

23:05.000 --> 23:07.000
I just thought of something.

23:07.000 --> 23:08.000
You know what?

23:08.000 --> 23:09.000
Joe, how can you...

23:09.000 --> 23:10.000
No, this is important.

23:10.000 --> 23:11.000
Listen.

23:11.000 --> 23:12.000
It's this way.

23:12.000 --> 23:15.000
I used to live here in a shack, week sometimes,

23:15.000 --> 23:16.000
and I'd read books.

23:16.000 --> 23:17.000
Oh, good books.

23:17.000 --> 23:18.000
Modern library.

23:18.000 --> 23:20.000
Do you know about them?

23:20.000 --> 23:21.000
Yes, I know.

23:21.000 --> 23:22.000
Wow, you.

23:22.000 --> 23:24.000
You can get any book, and it's only a buck.

23:24.000 --> 23:26.000
It's less than a buck, the best, see?

23:26.000 --> 23:27.000
Yes.

23:27.000 --> 23:32.000
So I read something by a man we used called Oscar Wilde.

23:32.000 --> 23:34.000
He says,

23:34.000 --> 23:39.000
each man kills the thing he loves.

23:39.000 --> 23:41.000
It's in a modern library.

23:41.000 --> 23:46.000
Each man kills the thing he loves.

23:46.000 --> 23:48.000
Maybe that's what I am doing.

23:48.000 --> 23:50.000
No, Joe.

23:50.000 --> 23:51.000
You don't love me.

23:51.000 --> 23:53.000
You don't get it.

23:53.000 --> 23:56.000
Like I said, nobody loves me, but I get love anyway.

23:56.000 --> 23:59.000
I get something like love because

23:59.000 --> 24:01.000
when I start to kill you, Peggy,

24:01.000 --> 24:04.000
there won't be anyone else in the world for you.

24:04.000 --> 24:05.000
But me.

24:05.000 --> 24:08.000
No one else will matter.

24:08.000 --> 24:12.000
And then, then your eyes, they'll get shiny.

24:12.000 --> 24:16.000
Oh, so shiny.

24:16.000 --> 24:20.000
And they'll blaze, and they'll bloom,

24:20.000 --> 24:22.000
and they'll spread out.

24:22.000 --> 24:24.000
That's why I'm going to kill you, Peggy.

24:24.000 --> 24:27.000
Oh, it'll be, it'll be so easy.

24:27.000 --> 24:30.000
There won't be anything in them but me.

24:30.000 --> 24:37.000
All I've got to do is, is take your neck in my hands, like this.

24:37.000 --> 24:46.000
Hey, Peggy, I'm going to kill you.

24:46.000 --> 24:47.000
You heard me say it.

24:47.000 --> 24:50.000
I'm going to kill you now.

24:50.000 --> 24:55.000
Why don't your eyes?

24:55.000 --> 24:56.000
Poor Joe.

24:56.000 --> 24:58.000
What?

24:58.000 --> 25:00.000
What did you say?

25:00.000 --> 25:02.000
You've been hurt.

25:02.000 --> 25:05.000
You've been terribly hurt.

25:05.000 --> 25:07.000
Poor Joe.

25:07.000 --> 25:23.000
I'm sorry.

25:23.000 --> 25:25.000
Oh, well, that's it.

25:25.000 --> 25:28.000
But where did you leave the body, Joe?

25:28.000 --> 25:30.000
What are you talking about?

25:30.000 --> 25:31.000
After you killed her.

25:31.000 --> 25:33.000
Who said I killed her?

25:33.000 --> 25:34.000
Why, you said that you...

25:34.000 --> 25:37.000
You, bonehead, that's what it's all about.

25:37.000 --> 25:40.000
That's why I came in here, to give myself up.

25:40.000 --> 25:45.000
See, see, nobody ever loved me except, except that cat.

25:45.000 --> 25:50.000
And when he got scared, it clawed me, and I had to kill it.

25:50.000 --> 25:54.000
But Miss Peggy, she, she wasn't scared.

25:54.000 --> 25:55.000
I don't get it.

25:55.000 --> 25:59.000
Miss Peggy looked at me, and, and into me, and through me,

25:59.000 --> 26:03.000
and she knew what I was, rotten.

26:03.000 --> 26:11.000
But she said, poor Joe, to me, Joe Reese.

26:11.000 --> 26:15.000
I figured that it was as close as I'd ever get to love her.

26:15.000 --> 26:18.000
Well, I figured it was enough.

26:18.000 --> 26:21.000
Go ahead, answer it, Sergeant.

26:21.000 --> 26:25.000
I guess that's her father saying she's home.

26:25.000 --> 26:28.000
And then you can lock me up, Captain.

26:28.000 --> 26:31.000
I need sleep.

26:31.000 --> 26:34.000
I am dead for sleep.

26:34.000 --> 26:52.000
Roma Wines have brought you Peter Lorre, a star of Nobody Loves Me.

26:52.000 --> 26:57.000
Tonight's study in Suspense.

26:57.000 --> 27:02.000
This is Truman Bradley for Roma Wines, the sponsor of Suspense.

27:02.000 --> 27:07.000
Visiting friends in the family car is once again a popular American custom.

27:07.000 --> 27:10.000
And as Elsa Maxwell said just last week,

27:10.000 --> 27:14.000
be prepared when people drop in unexpectedly.

27:14.000 --> 27:19.000
A smart way to entertain, a sure way to cool off and delight your guests,

27:19.000 --> 27:22.000
is to serve refreshing Roma wine and soda,

27:22.000 --> 27:27.000
a frosty cold iced drink that really quenches thirst.

27:27.000 --> 27:30.000
Yes, and Roma wine and soda,

27:30.000 --> 27:33.000
made with distinguished Roma California burgundy or sautern,

27:33.000 --> 27:36.000
is quick and easy to make.

27:36.000 --> 27:40.000
Just half fill tall glasses with good Roma burgundy or sautern.

27:40.000 --> 27:44.000
Add ice cubes, sparkling water, and a bit of sugar.

27:44.000 --> 27:49.000
And for a decorative touch, garnish with cherries or fruit.

27:49.000 --> 27:52.000
Here's another delightfully different taste treat.

27:52.000 --> 27:55.000
Try Roma Sweet Vermouth, well chilled.

27:55.000 --> 27:57.000
A delicious aperitif.

27:57.000 --> 28:01.000
Zestful, full flavored Roma Vermouth is blended and developed

28:01.000 --> 28:05.000
with all the traditional winemaking skill of Roma wineries.

28:05.000 --> 28:09.000
It's made and bottled in the heart of California's famous vineyards.

28:09.000 --> 28:11.000
Yet surprisingly low priced.

28:11.000 --> 28:14.000
Try Roma Vermouth soon, won't you?

28:14.000 --> 28:16.000
This is Peter Lorre.

28:16.000 --> 28:20.000
I want to remind you to be sure not to miss next Thursday's suspense show.

28:20.000 --> 28:23.000
It will be a repeat performance by popular demand.

28:23.000 --> 28:25.000
Sorry, wrong number.

28:25.000 --> 28:28.000
That's the famous radio play about the woman on the telephone,

28:28.000 --> 28:33.000
in which Miss Agnes Moorhead gives such an overwhelming performance.

28:33.000 --> 28:36.000
Peter Lorre appeared through the courtesy of Warner Brothers

28:36.000 --> 28:39.000
and will soon be seen in our production, Three Strangers.

28:39.000 --> 28:41.000
A word from our government.

28:41.000 --> 28:43.000
Despite the lifting of some restrictions,

28:43.000 --> 28:46.000
the level is still tight in many parts of the country

28:46.000 --> 28:49.000
and over many railroads used by the armed forces.

28:49.000 --> 28:53.000
Play safe by staying off crowded trains during the coming Labor Day holiday.

28:53.000 --> 28:57.000
Next Thursday you will hear Agnes Moorhead as star of...

28:57.000 --> 29:01.000
Suspense, radio's outstanding theater of thrill.

29:01.000 --> 29:05.000
Presented by Roma Wines, R-O-M-A.

29:05.000 --> 29:09.000
Made in California, for enjoyment throughout the world.

29:09.000 --> 29:13.000
And by CBS, the Columbia Broadcasting System.

