1 00:00:00,000 --> 00:00:05,000 Now, the Roma Wine Company of Fresno, California presents... 2 00:00:11,000 --> 00:00:13,000 Suspense! 3 00:00:17,000 --> 00:00:21,000 Tonight, Roma Wines bring you Mr. Peter Laurie, a star of Nobody Loves Me, 4 00:00:21,000 --> 00:00:30,000 a suspense play produced, edited and directed for Roma Wines by William Spear. 5 00:00:30,000 --> 00:00:38,000 Suspense! Radio's outstanding theatre of thrills is presented for your enjoyment by Roma Wines. 6 00:00:38,000 --> 00:00:46,000 That's R-O-M-A, Roma Wines. Those excellent California wines that can add so much pleasantness to the way you live, 7 00:00:46,000 --> 00:00:52,000 to your happiness and entertaining guests, to your enjoyment of everyday meals. 8 00:00:52,000 --> 00:01:00,000 Yes, right now a glass full would be very pleasant as Roma Wines bring you Peter Laurie in a remarkable tale of... 9 00:01:00,000 --> 00:01:02,000 Suspense! 10 00:01:10,000 --> 00:01:15,000 Hello. Are you guys in charge of this prison? 11 00:01:15,000 --> 00:01:17,000 Well, hello, bright eyes. 12 00:01:17,000 --> 00:01:18,000 Who's in charge here? 13 00:01:18,000 --> 00:01:20,000 Just a minute. How did you get in? 14 00:01:20,000 --> 00:01:23,000 I walked in. Who's the top man here? 15 00:01:23,000 --> 00:01:26,000 This is the squad room, son. If you have a complaint, give it to the death sergeant. 16 00:01:26,000 --> 00:01:29,000 No, I don't want to bother him. He's sleeping. 17 00:01:29,000 --> 00:01:31,000 Jenkins sleeping? Boy, it'll like to... 18 00:01:31,000 --> 00:01:32,000 You better sit down! 19 00:01:32,000 --> 00:01:34,000 Hey, Costello, he's got a gun. 20 00:01:34,000 --> 00:01:37,000 Yeah, I got a gun. Sit down. 21 00:01:37,000 --> 00:01:40,000 Hey, son, you must be crazy. 22 00:01:40,000 --> 00:01:43,000 Maybe, but I think I know what I'm doing. 23 00:01:43,000 --> 00:01:45,000 You can't hold up a police station, mister. 24 00:01:45,000 --> 00:01:46,000 No? 25 00:01:46,000 --> 00:01:47,000 There's no dough here. 26 00:01:47,000 --> 00:01:50,000 No, no, no, no. Look, son, look. Keep your hands up. 27 00:01:50,000 --> 00:01:52,000 I didn't move. 28 00:01:52,000 --> 00:01:54,000 Hey, you, shove that chair over for me. 29 00:01:54,000 --> 00:01:57,000 Yeah, yeah. OK, mister. 30 00:01:57,000 --> 00:02:02,000 Yeah, I have a lot to talk about, and I want to be comfortable. 31 00:02:02,000 --> 00:02:05,000 Come to tell you cups a story. 32 00:02:05,000 --> 00:02:07,000 Look, mister, this isn't funny. 33 00:02:07,000 --> 00:02:11,000 Just tell your story and give your present. How's that? 34 00:02:11,000 --> 00:02:13,000 Well, what do you mean, a present? 35 00:02:13,000 --> 00:02:15,000 Why, I'm a regular Santa Claus. 36 00:02:15,000 --> 00:02:17,000 Going to give you $10,000. 37 00:02:17,000 --> 00:02:19,000 Now, now, look. 38 00:02:19,000 --> 00:02:24,000 There is $10,000 reward for the kidnap of Peggy Stewart, am I right? 39 00:02:24,000 --> 00:02:25,000 You did that? 40 00:02:25,000 --> 00:02:27,000 Where is she? Where's the girl? 41 00:02:27,000 --> 00:02:29,000 You forget this gun. 42 00:02:29,000 --> 00:02:32,000 You also forget I said I was going to tell you a story first. 43 00:02:32,000 --> 00:02:34,000 Sit down, Captain. 44 00:02:34,000 --> 00:02:36,000 You mean you're confessing? 45 00:02:36,000 --> 00:02:39,000 Yeah, story of my life. 46 00:02:39,000 --> 00:02:41,000 You get plenty of thrills. You know why? 47 00:02:41,000 --> 00:02:42,000 Now, look, son, look. 48 00:02:42,000 --> 00:02:44,000 Plenty of thrills. 49 00:02:44,000 --> 00:02:46,000 Because my name is Reese. 50 00:02:46,000 --> 00:02:48,000 Joe... Joe Reese. 51 00:02:48,000 --> 00:02:50,000 Then you... you killed her. You... you killed her. 52 00:02:50,000 --> 00:02:52,000 Oh, so you have heard about me. 53 00:02:52,000 --> 00:02:54,000 Yes. 54 00:02:54,000 --> 00:02:56,000 Killer Reese. 55 00:02:56,000 --> 00:02:58,000 Killer Reese, Captain. 56 00:02:58,000 --> 00:03:01,000 Then you admit I got a story. 57 00:03:01,000 --> 00:03:04,000 I'm going to tell it in my own way. 58 00:03:04,000 --> 00:03:07,000 First things first, last things last. 59 00:03:07,000 --> 00:03:09,000 And Peggy Stewart comes last. 60 00:03:09,000 --> 00:03:11,000 Look, just tell us, sir. 61 00:03:11,000 --> 00:03:12,000 Did you kill her, Joe? 62 00:03:12,000 --> 00:03:14,000 I started at the beginning. 63 00:03:14,000 --> 00:03:17,000 The beginning when I... when I was born. 64 00:03:17,000 --> 00:03:19,000 And don't interrupt. 65 00:03:19,000 --> 00:03:21,000 Okay. Okay, we won't interrupt. 66 00:03:21,000 --> 00:03:23,000 Because, you see, I... 67 00:03:23,000 --> 00:03:26,000 I think a lot about when I was born. 68 00:03:26,000 --> 00:03:28,000 Hmm? 69 00:03:28,000 --> 00:03:31,000 Maybe somebody loved me then. 70 00:03:31,000 --> 00:03:36,000 Maybe when I... when I sucked in my first breath of air and let out a yell. 71 00:03:36,000 --> 00:03:38,000 Maybe my mother loved me. 72 00:03:38,000 --> 00:03:40,000 Maybe she wished I was dead. 73 00:03:40,000 --> 00:03:43,000 She didn't live long enough for me to find out. 74 00:03:43,000 --> 00:03:45,000 But after she died, 75 00:03:45,000 --> 00:03:49,000 it was like I was just shoved clean out of the world. 76 00:03:49,000 --> 00:03:52,000 Shoved off to an aunt and an uncle 77 00:03:52,000 --> 00:03:57,000 who had the meanest, grime-iest, stinking-est little souls 78 00:03:57,000 --> 00:04:00,000 even you fellows could hope to meet. 79 00:04:00,000 --> 00:04:01,000 Yeah. 80 00:04:01,000 --> 00:04:03,000 And Ella and Uncle Walter. 81 00:04:03,000 --> 00:04:06,000 Oh, they were a pair. 82 00:04:06,000 --> 00:04:08,000 Why, they even looked alike. 83 00:04:08,000 --> 00:04:11,000 Faces like rotting cabbages 84 00:04:11,000 --> 00:04:13,000 and their mean little mouths 85 00:04:13,000 --> 00:04:16,000 yapping away in the middle of them. 86 00:04:16,000 --> 00:04:21,000 Those two would have eaten the heart out of a saint. 87 00:04:21,000 --> 00:04:24,000 But I was so little when I went there, 88 00:04:24,000 --> 00:04:27,000 I didn't even know what I was missing. 89 00:04:27,000 --> 00:04:30,000 Until one day when I was about nine, 90 00:04:30,000 --> 00:04:33,000 I found a kitten. 91 00:04:33,000 --> 00:04:35,000 A dirty, sick little kitten. 92 00:04:35,000 --> 00:04:38,000 Joe, Joe Rees, what you got there? 93 00:04:38,000 --> 00:04:40,000 Just a little cat. 94 00:04:40,000 --> 00:04:42,000 How do you speak to me? 95 00:04:42,000 --> 00:04:44,000 I mean, ma'am. 96 00:04:44,000 --> 00:04:47,000 We found it down the alley, Mother, back at the fish store. 97 00:04:47,000 --> 00:04:49,000 You get it out of here, Joe. You get it out quick. 98 00:04:49,000 --> 00:04:51,000 I told you, Joe. 99 00:04:51,000 --> 00:04:52,000 Please, ma'am, it... 100 00:04:52,000 --> 00:04:53,000 You hear me? 101 00:04:53,000 --> 00:04:55,000 It won't eat much. Please. 102 00:04:55,000 --> 00:04:58,000 You hear me? You get it out of here. 103 00:04:58,000 --> 00:05:00,000 Dirty thing. 104 00:05:00,000 --> 00:05:03,000 If I see it again, Uncle Walt will beat the stuffing out of you. 105 00:05:03,000 --> 00:05:05,000 Yes, ma'am. 106 00:05:07,000 --> 00:05:09,000 Ought to kill it. 107 00:05:09,000 --> 00:05:11,000 Would, too, but it'd turn my stomach. 108 00:05:11,000 --> 00:05:13,000 Now get both of you. 109 00:05:13,000 --> 00:05:15,000 Yes, Mother. 110 00:05:16,000 --> 00:05:18,000 What you gonna do with it, Joe? 111 00:05:18,000 --> 00:05:20,000 I don't know. Nothing. 112 00:05:20,000 --> 00:05:22,000 We could have some fun, I bet. 113 00:05:22,000 --> 00:05:24,000 Tie something to its tail. 114 00:05:24,000 --> 00:05:26,000 No, I don't want to. 115 00:05:26,000 --> 00:05:28,000 Might as well. We could have some fun. 116 00:05:28,000 --> 00:05:30,000 No, I said... 117 00:05:30,000 --> 00:05:32,000 Say, feel. 118 00:05:32,000 --> 00:05:34,000 Yeah? What about it? 119 00:05:34,000 --> 00:05:36,000 It's buzzing inside. 120 00:05:36,000 --> 00:05:38,000 Like machinery. 121 00:05:38,000 --> 00:05:39,000 Oh, that's purring. 122 00:05:39,000 --> 00:05:40,000 Purring? 123 00:05:40,000 --> 00:05:42,000 Sure. It has to do that when they're glad. 124 00:05:42,000 --> 00:05:44,000 It's glad? About what? 125 00:05:44,000 --> 00:05:46,000 Bet it thinks you're gonna feed it. 126 00:05:46,000 --> 00:05:48,000 Oh, yes. 127 00:05:48,000 --> 00:05:50,000 What do cats eat, Cousin Alex? 128 00:05:50,000 --> 00:05:52,000 You ain't gonna keep it. 129 00:05:52,000 --> 00:05:54,000 Sure I'm gonna keep it. 130 00:05:54,000 --> 00:05:56,000 I'm gonna keep it somewhere she don't know. 131 00:05:56,000 --> 00:05:58,000 You're crazy. 132 00:05:58,000 --> 00:06:00,000 I'm not. I'm gonna keep it. 133 00:06:00,000 --> 00:06:02,000 It likes me. 134 00:06:02,000 --> 00:06:04,000 That's why. 135 00:06:04,000 --> 00:06:06,000 Likes you? A cat? 136 00:06:06,000 --> 00:06:08,000 Then why is it buzzing? Purring. 137 00:06:08,000 --> 00:06:10,000 Sure it likes me. 138 00:06:10,000 --> 00:06:12,000 Oh, it doesn't. It's hungry. 139 00:06:12,000 --> 00:06:14,000 I'll stop it, purring. 140 00:06:14,000 --> 00:06:16,000 Look. 141 00:06:14,000 --> 00:06:16,000 What you doing, Alex? 142 00:06:16,000 --> 00:06:18,000 Watch it when I twist its tail. 143 00:06:18,000 --> 00:06:20,000 No, don't. Hey! 144 00:06:20,000 --> 00:06:22,000 Hey, now look what you've done. 145 00:06:22,000 --> 00:06:24,000 Now it ain't purring. 146 00:06:24,000 --> 00:06:26,000 Joe! Joe, what are you doing? 147 00:06:26,000 --> 00:06:28,000 It clawed me. 148 00:06:28,000 --> 00:06:30,000 It clawed me and now it's scared. 149 00:06:30,000 --> 00:06:32,000 It clawed me. 150 00:06:32,000 --> 00:06:34,000 Scared now. Scared. 151 00:06:40,000 --> 00:06:42,000 You ever feel a kitten? 152 00:06:42,000 --> 00:06:44,000 What it's really like? 153 00:06:44,000 --> 00:06:46,000 Skinny little kitten? 154 00:06:46,000 --> 00:06:48,000 Why it's nothing but fur. 155 00:06:48,000 --> 00:06:50,000 Soft and... 156 00:06:50,000 --> 00:06:52,000 ...and a head. 157 00:06:52,000 --> 00:06:54,000 And its back bone is... 158 00:06:54,000 --> 00:06:56,000 ...like a thin string of beads. 159 00:06:56,000 --> 00:06:58,000 Curled just so. 160 00:06:58,000 --> 00:07:00,000 When it's scared... 161 00:07:00,000 --> 00:07:02,000 ...its eyes stare. 162 00:07:02,000 --> 00:07:04,000 All one collar. 163 00:07:04,000 --> 00:07:06,000 And its neck is thin. 164 00:07:06,000 --> 00:07:08,000 Thinner than a match. 165 00:07:08,000 --> 00:07:10,000 Like a string of beads. 166 00:07:10,000 --> 00:07:12,000 Just nothing between your fingers. 167 00:07:12,000 --> 00:07:20,000 Just nothing. 168 00:07:42,000 --> 00:07:44,000 The theater of thrills, suspense. 169 00:07:52,000 --> 00:07:54,000 Between the acts of suspense... 170 00:07:54,000 --> 00:07:56,000 ...this is Truman Bradley for Roma Wines. 171 00:07:58,000 --> 00:08:00,000 This holiday weekend... 172 00:08:00,000 --> 00:08:04,000 ...millions of Americans will return to the traditional way of observing Labor Day. 173 00:08:04,000 --> 00:08:06,000 By having friends and for dinner. 174 00:08:06,000 --> 00:08:10,000 That's why Elsa Maxwell makes the most appropriate suggestion. 175 00:08:10,000 --> 00:08:12,000 She says, 176 00:08:12,000 --> 00:08:14,000 We have good reason to celebrate Labor Day this year. 177 00:08:14,000 --> 00:08:16,000 So make your holiday entertaining... 178 00:08:16,000 --> 00:08:20,000 ...really festive by enjoying good Roma wine. 179 00:08:20,000 --> 00:08:24,000 At dinner, serve Roma California Burgundy Cool. 180 00:08:24,000 --> 00:08:28,000 This splendid wine, so delightful, delicious, distinguished... 181 00:08:28,000 --> 00:08:32,000 ...lends charm and flavor magic to any meal. 182 00:08:32,000 --> 00:08:36,000 Yes, as Elsa Maxwell says... 183 00:08:36,000 --> 00:08:38,000 ...you'll enjoy the delicate piquancy... 184 00:08:38,000 --> 00:08:42,000 ...and fruity robust taste of Roma Burgundy. 185 00:08:42,000 --> 00:08:46,000 Only Roma gives you the goodness of luscious grapes... 186 00:08:46,000 --> 00:08:48,000 ...from California's choicest vineyards. 187 00:08:48,000 --> 00:08:50,000 Gathered at peak of flavor, gently pressed... 188 00:08:50,000 --> 00:08:54,000 ...then unhurriedly guided to flavor perfection... 189 00:08:54,000 --> 00:08:56,000 ...by Roma's ancient winemaking skill. 190 00:08:56,000 --> 00:09:00,000 And finally, bottled right at the winery. 191 00:09:00,000 --> 00:09:04,000 Roma wines are always unvaryingly good. 192 00:09:04,000 --> 00:09:06,000 Yet cost only pennies a glass. 193 00:09:06,000 --> 00:09:12,000 Remember, because of uniformly fine quality at reasonable cost... 194 00:09:12,000 --> 00:09:17,000 ...more Americans enjoy Roma than any other wine. 195 00:09:17,000 --> 00:09:21,000 R-O-M-A, Roma wines. 196 00:09:21,000 --> 00:09:25,000 And now Roma wines bring back to our Hollywood soundstage... 197 00:09:25,000 --> 00:09:28,000 ...Peter Laurie in Nobody Loves Me. 198 00:09:28,000 --> 00:09:32,000 A narrative well calculated to keep you in suspense. 199 00:09:32,000 --> 00:09:43,000 It never turned my stomach. 200 00:09:43,000 --> 00:09:46,000 So it was easy. Very easy. 201 00:09:46,000 --> 00:09:49,000 Yes, but Joe, where did you leave the girl, Peggy? 202 00:09:49,000 --> 00:09:51,000 Didn't I tell you not to interrupt? 203 00:09:51,000 --> 00:09:55,000 I am telling you what I have to tell cats first and girls last. 204 00:09:55,000 --> 00:10:00,000 I sat in the backyard holding the dead kitten... 205 00:10:00,000 --> 00:10:03,000 ...and it was soft for a long time. 206 00:10:03,000 --> 00:10:08,000 The next day it was stiff and hard on its fur. 207 00:10:08,000 --> 00:10:12,000 Funnier, a kid nine years old even knew about killing, but... 208 00:10:12,000 --> 00:10:16,000 ...what I knew, cause when I was more than four... 209 00:10:16,000 --> 00:10:20,000 ...I saw Uncle Walter kill a chicken. 210 00:10:20,000 --> 00:10:27,000 I saw his mean, stringy shoulders jump when he brought the axe down. 211 00:10:27,000 --> 00:10:32,000 You know, that's how I knew because watching Uncle Walter... 212 00:10:32,000 --> 00:10:36,000 ...I could tell he liked to kill. 213 00:10:36,000 --> 00:10:40,000 Liked it way down inside of him. 214 00:10:40,000 --> 00:10:43,000 And I hated him. 215 00:10:43,000 --> 00:10:46,000 So whenever I killed anything or anybody... 216 00:10:46,000 --> 00:10:52,000 ...after that I was killing Uncle Walter and everybody liked him. 217 00:10:52,000 --> 00:10:57,000 I hated him. I hated him till he died. 218 00:11:00,000 --> 00:11:02,000 Joe, come here. 219 00:11:02,000 --> 00:11:06,000 Your poor Uncle Walt is passing on and I want you to see him before he goes. 220 00:11:06,000 --> 00:11:07,000 Joe. 221 00:11:07,000 --> 00:11:08,000 Yes, ma'am. 222 00:11:08,000 --> 00:11:10,000 Don't say a word unless he speaks to you. 223 00:11:10,000 --> 00:11:11,000 I won't. 224 00:11:14,000 --> 00:11:17,000 Go stand on the other side of the bed. 225 00:11:17,000 --> 00:11:23,000 Listen to the blessed man fighting for his life. Just listen to him. 226 00:11:24,000 --> 00:11:27,000 Yes, I listen. 227 00:11:27,000 --> 00:11:30,000 Oh, did I listen. 228 00:11:30,000 --> 00:11:33,000 And I only wished he knew he was dying. 229 00:11:33,000 --> 00:11:36,000 I wanted to tell him. 230 00:11:36,000 --> 00:11:40,000 I wanted to say, you are dying, Uncle Walter. 231 00:11:40,000 --> 00:11:43,000 And I'm wishing you dead. 232 00:11:43,000 --> 00:11:49,000 That's why I'm strangling the wind out of your turkey neck. 233 00:11:49,000 --> 00:11:54,000 I'm burying a knife in your filthy heart. 234 00:11:54,000 --> 00:11:56,000 I am doing it. 235 00:11:56,000 --> 00:11:58,000 Me, Joe. 236 00:12:01,000 --> 00:12:03,000 Look at him. 237 00:12:03,000 --> 00:12:05,000 I think he's going to speak. 238 00:12:05,000 --> 00:12:07,000 Oh, no, no. 239 00:12:07,000 --> 00:12:13,000 No, he's not. 240 00:12:13,000 --> 00:12:16,000 Oh, he's dead. 241 00:12:16,000 --> 00:12:18,000 He's gone. 242 00:12:18,000 --> 00:12:20,000 Yeah, he's gone. 243 00:12:20,000 --> 00:12:23,000 Oh, that blessed saintly man. 244 00:12:23,000 --> 00:12:26,000 Joe, you'll never know how much he did for you. 245 00:12:26,000 --> 00:12:29,000 You'll never be able to thank him. 246 00:12:29,000 --> 00:12:32,000 He's in heaven now. 247 00:12:32,000 --> 00:12:34,000 Yeah, I bet. 248 00:12:34,000 --> 00:12:36,000 Don't you understand, Joe? 249 00:12:36,000 --> 00:12:38,000 You're Uncle Walter's dead. 250 00:12:38,000 --> 00:12:40,000 Sure, I understand. 251 00:12:40,000 --> 00:12:42,000 Then can't you say something? 252 00:12:42,000 --> 00:12:43,000 Sure. 253 00:12:43,000 --> 00:12:45,000 Uncle Walter's dead. 254 00:12:45,000 --> 00:12:47,000 15 years. 255 00:12:47,000 --> 00:12:49,000 Too late for me. 256 00:12:54,000 --> 00:13:00,000 One day after that, I mashed a toad under a rock. 257 00:13:00,000 --> 00:13:03,000 And there was a white dog I caught in a fence, 258 00:13:03,000 --> 00:13:07,000 and it was torn and threw stones at it, dozens of stones. 259 00:13:07,000 --> 00:13:09,000 Each day I killed one thing, 260 00:13:09,000 --> 00:13:14,000 and some things died quick and some died slow. 261 00:13:14,000 --> 00:13:18,000 But I, I always felt the same. 262 00:13:18,000 --> 00:13:20,000 I felt good. 263 00:13:24,000 --> 00:13:28,000 I found there was room in the world for a bright young fellow like me. 264 00:13:28,000 --> 00:13:32,000 There was work to spare for a man who didn't mind killing. 265 00:13:32,000 --> 00:13:36,000 Sometimes a box a job I could get, sometimes more. 266 00:13:36,000 --> 00:13:38,000 Hey, pick up that pencil, fatty. 267 00:13:38,000 --> 00:13:40,000 Yeah, you, Sergeant. 268 00:13:40,000 --> 00:13:42,000 I'll give you a list. 269 00:13:42,000 --> 00:13:47,000 Well, there was the Bresco brothers, all three of them. 270 00:13:47,000 --> 00:13:51,000 A guy named Lyons who was two-timing somebody's wife. 271 00:13:51,000 --> 00:13:54,000 Oh, and that chorus babe, Daisy, me, Marks. 272 00:13:54,000 --> 00:13:56,000 Yeah, yeah, yeah. 273 00:13:56,000 --> 00:13:58,000 She got her fingers in a wrong pie. 274 00:13:58,000 --> 00:14:01,000 Izzy Turnbull, the weasel. 275 00:14:01,000 --> 00:14:03,000 An old codger named Haskett. 276 00:14:03,000 --> 00:14:04,000 They call him... 277 00:14:04,000 --> 00:14:06,000 Yeah, yeah, that's enough of them, Joe. 278 00:14:06,000 --> 00:14:08,000 Now, please, where'd you leave the girl? 279 00:14:08,000 --> 00:14:10,000 I'll get her around to her. 280 00:14:10,000 --> 00:14:11,000 Where'd you kill her, Joe? 281 00:14:11,000 --> 00:14:13,000 I am telling this. It's my story. 282 00:14:13,000 --> 00:14:14,000 Yeah, yeah, yeah, sure, sure, Joe. 283 00:14:14,000 --> 00:14:18,000 Because it all happened different with Peggy Stewart. 284 00:14:19,000 --> 00:14:22,000 See, I wasn't supposed to kill her. 285 00:14:22,000 --> 00:14:26,000 The boy sent me around to Case to Stewart House for the kidnapping. 286 00:14:26,000 --> 00:14:28,000 It was all I was supposed to do, 287 00:14:28,000 --> 00:14:31,000 but the girl who was out, who was in the house, 288 00:14:31,000 --> 00:14:34,000 and when the girl was alone, it was a big job. 289 00:14:34,000 --> 00:14:36,000 Why, with her father owning half the state 290 00:14:36,000 --> 00:14:38,000 and holding a mortgage on the rest, 291 00:14:38,000 --> 00:14:41,000 we expected it to pay off plenty. 292 00:14:42,000 --> 00:14:43,000 Yes, sir? 293 00:14:43,000 --> 00:14:45,000 I'm looking for work. 294 00:14:45,000 --> 00:14:46,000 There's nothing here. 295 00:14:46,000 --> 00:14:50,000 Oh, I thought maybe raking the yard, or I can drive. 296 00:14:50,000 --> 00:14:52,000 No, there isn't anything. 297 00:14:52,000 --> 00:14:54,000 Is there anyone else here I could ask? 298 00:14:54,000 --> 00:14:56,000 Morris? Morris, who are you talking to? 299 00:14:56,000 --> 00:14:58,000 Mrs. Peggy, looking for work. 300 00:14:58,000 --> 00:15:01,000 Oh, what kind of work? 301 00:15:01,000 --> 00:15:03,000 Anything, ma'am, anything at all. 302 00:15:03,000 --> 00:15:05,000 You see, I'm going to college, 303 00:15:05,000 --> 00:15:08,000 and I just want some work for the summer, 304 00:15:08,000 --> 00:15:11,000 and I have a bad back, so I can't do anything heavy. 305 00:15:11,000 --> 00:15:13,000 Oh, I see. 306 00:15:13,000 --> 00:15:15,000 Well, maybe we have something. I'll ask my father. 307 00:15:15,000 --> 00:15:16,000 Miss Peggy! 308 00:15:16,000 --> 00:15:18,000 Father isn't home right now, but if you want to wait. 309 00:15:18,000 --> 00:15:19,000 Oh, sure, sure, I'll wait. 310 00:15:19,000 --> 00:15:21,000 You can come inside, Mr. uh... 311 00:15:21,000 --> 00:15:23,000 Sanders, Joe Sanders. 312 00:15:23,000 --> 00:15:24,000 Well, come in, Joe. 313 00:15:24,000 --> 00:15:26,000 Morris was about to give me my lunch. 314 00:15:26,000 --> 00:15:28,000 Maybe you'd like to eat with me. 315 00:15:34,000 --> 00:15:37,000 So for more than an hour, I was on the inside, 316 00:15:37,000 --> 00:15:40,000 looking out, just for once. 317 00:15:40,000 --> 00:15:42,000 It did things to me. 318 00:15:42,000 --> 00:15:46,000 That room, all sunshiney where we eat, 319 00:15:46,000 --> 00:15:50,000 blue dishes, the food cooked in little dabs, 320 00:15:50,000 --> 00:15:55,000 and so good, I was just boiling with heat. 321 00:15:55,000 --> 00:15:59,000 I couldn't look at her, at the girl, or talk. 322 00:15:59,000 --> 00:16:02,000 She didn't seem to notice what was happening to me, 323 00:16:02,000 --> 00:16:04,000 but that's what really got me. 324 00:16:04,000 --> 00:16:07,000 She didn't once look scared. 325 00:16:07,000 --> 00:16:10,000 Hey, you, you ever see Miss Peggy? 326 00:16:10,000 --> 00:16:16,000 She's little, all curved and little and bright and soft. 327 00:16:16,000 --> 00:16:19,000 Even her voice is soft. 328 00:16:19,000 --> 00:16:21,000 I'd never known anybody like her, 329 00:16:21,000 --> 00:16:25,000 except people in books I read in a modern library, you know. 330 00:16:25,000 --> 00:16:27,000 I couldn't take it. 331 00:16:27,000 --> 00:16:31,000 I want to make her like the other girls I'd known, 332 00:16:31,000 --> 00:16:34,000 make her get that look in her eyes. 333 00:16:34,000 --> 00:16:36,000 You're not eating, Joe. 334 00:16:36,000 --> 00:16:39,000 Huh? Oh, I've been thinking. 335 00:16:39,000 --> 00:16:40,000 Oh? 336 00:16:40,000 --> 00:16:41,000 Aren't you scared? 337 00:16:41,000 --> 00:16:42,000 Scared? 338 00:16:42,000 --> 00:16:46,000 Being alone like this with a fellow you don't even know. 339 00:16:46,000 --> 00:16:48,000 Scared of you? 340 00:16:48,000 --> 00:16:50,000 Lots of girls, huh? 341 00:16:50,000 --> 00:16:52,000 Why? Are you dangerous? 342 00:16:52,000 --> 00:16:53,000 I don't know. 343 00:16:53,000 --> 00:16:56,000 Lots of girls think I am. 344 00:16:56,000 --> 00:16:58,000 There must be something in it. 345 00:16:58,000 --> 00:17:00,000 You mean you're a wolf. 346 00:17:00,000 --> 00:17:03,000 No, no, I don't mean it that way. 347 00:17:03,000 --> 00:17:05,000 Well, if you are, I think you're a nice wolf, 348 00:17:05,000 --> 00:17:06,000 the nicest I know. 349 00:17:06,000 --> 00:17:08,000 It's not what I mean. 350 00:17:08,000 --> 00:17:11,000 Anyway, you just don't know me. 351 00:17:11,000 --> 00:17:14,000 It's funny. I feel like I do. 352 00:17:14,000 --> 00:17:17,000 I feel I've known you for a long time. 353 00:17:17,000 --> 00:17:19,000 What's the matter, Joe? 354 00:17:19,000 --> 00:17:23,000 Nothing. Nothing is the matter. 355 00:17:23,000 --> 00:17:25,000 I guess I'd better be going. 356 00:17:25,000 --> 00:17:27,000 Aren't you going to wait for Father? 357 00:17:27,000 --> 00:17:28,000 He'll be here soon. 358 00:17:28,000 --> 00:17:30,000 No, I guess I'd better not wait. 359 00:17:30,000 --> 00:17:31,000 But you said you... 360 00:17:31,000 --> 00:17:37,000 You see, I just remembered I got to be someplace at 2 o'clock. 361 00:17:37,000 --> 00:17:40,000 Oh, well, if you come back tomorrow... 362 00:17:40,000 --> 00:17:43,000 That's it. Yes, I'll come back tomorrow. 363 00:17:43,000 --> 00:17:45,000 Maybe that'll be even better. 364 00:17:45,000 --> 00:17:47,000 I can talk to Father tonight about you. 365 00:17:47,000 --> 00:17:49,000 Then I'm sure he'll give you a job. 366 00:17:49,000 --> 00:17:51,000 Sure, you do that. That'll be swell. 367 00:17:51,000 --> 00:17:53,000 But you will come back. Promise? 368 00:17:53,000 --> 00:17:57,000 Oh, sure, sure. I'll come back. 369 00:18:03,000 --> 00:18:08,000 I couldn't figure it out how a girl like her could be with me 370 00:18:08,000 --> 00:18:10,000 and not be scared. 371 00:18:10,000 --> 00:18:12,000 And after I practically warned her, too, 372 00:18:12,000 --> 00:18:15,000 you can see how I tried to warn her, but she... 373 00:18:15,000 --> 00:18:18,000 She just looked at me, at my eyes. 374 00:18:18,000 --> 00:18:20,000 My eyes! 375 00:18:20,000 --> 00:18:25,000 And hers stayed just the same, blue and soft, 376 00:18:25,000 --> 00:18:27,000 like she was looking at anyone. 377 00:18:27,000 --> 00:18:30,000 Hey, there is killing in my eyes. 378 00:18:30,000 --> 00:18:32,000 Lots of killing. 379 00:18:32,000 --> 00:18:34,000 Anyone can see that. 380 00:18:34,000 --> 00:18:36,000 But then... 381 00:18:36,000 --> 00:18:38,000 Then it hit me. 382 00:18:38,000 --> 00:18:40,000 I had to make her scared. 383 00:18:40,000 --> 00:18:45,000 I had to get her to look at me in a beautiful, naked way 384 00:18:45,000 --> 00:18:48,000 from back deep in her head. 385 00:18:48,000 --> 00:18:53,000 Her blue eyes, all glazed, all over. 386 00:18:53,000 --> 00:18:55,000 Oh, one color. 387 00:19:02,000 --> 00:19:06,000 Well, I got my car out and drove back to her house. 388 00:19:06,000 --> 00:19:09,000 It was night already, and there were lights on, 389 00:19:09,000 --> 00:19:13,000 and windows were open, and this time I went right to the front door. 390 00:19:16,000 --> 00:19:18,000 I'll go follow. 391 00:19:21,000 --> 00:19:23,000 What... What, Joe? 392 00:19:23,000 --> 00:19:25,000 Hello, Miss Peggy. 393 00:19:25,000 --> 00:19:28,000 Did you come to see Father tonight? I haven't talked to him yet. 394 00:19:28,000 --> 00:19:30,000 No, I... I came to see you. 395 00:19:30,000 --> 00:19:32,000 Well, that's nice, Joe. I... I... 396 00:19:32,000 --> 00:19:34,000 I came to get you. 397 00:19:34,000 --> 00:19:36,000 Get me? 398 00:19:36,000 --> 00:19:38,000 Sure, don't you remember? 399 00:19:38,000 --> 00:19:40,000 I came back, like you said. 400 00:19:40,000 --> 00:19:42,000 Going to take you away. 401 00:19:42,000 --> 00:19:44,000 Like I said. 402 00:19:44,000 --> 00:19:46,000 Yeah, see? 403 00:19:46,000 --> 00:19:48,000 Now you're getting that look. 404 00:19:48,000 --> 00:19:52,000 Now you're beginning to look at me the right way. 405 00:19:52,000 --> 00:19:54,000 Don't, Joe. 406 00:19:54,000 --> 00:19:56,000 You're hurting me. 407 00:19:56,000 --> 00:19:58,000 No, no, I'm not hurting you, Peggy. 408 00:19:58,000 --> 00:20:00,000 Not much yet. 409 00:20:00,000 --> 00:20:05,000 Just enough so you'll look up at me like something in a trap. 410 00:20:05,000 --> 00:20:07,000 You won't hurt much more when I kill you. 411 00:20:07,000 --> 00:20:09,000 When you... 412 00:20:09,000 --> 00:20:11,000 Joe, Joe, please! 413 00:20:11,000 --> 00:20:13,000 That's what I said when I kill you. 414 00:20:13,000 --> 00:20:15,000 Oh, no! 415 00:20:15,000 --> 00:20:17,000 Papa! Help! 416 00:20:17,000 --> 00:20:19,000 Papa! 417 00:20:21,000 --> 00:20:23,000 I dumped her in the front seat, 418 00:20:23,000 --> 00:20:26,000 and after I got the car in her, she didn't move anymore. 419 00:20:26,000 --> 00:20:30,000 She sat there with her big eyes staring at the road. 420 00:20:30,000 --> 00:20:32,000 I didn't talk anymore. 421 00:20:32,000 --> 00:20:35,000 I thought fast, and I drove fast. 422 00:20:35,000 --> 00:20:39,000 I thought how it was going to be, killing her. 423 00:20:39,000 --> 00:20:43,000 And I was still thinking when we got to the hideout. 424 00:20:43,000 --> 00:20:45,000 Huh? 425 00:20:45,000 --> 00:20:47,000 Where it is? 426 00:20:47,000 --> 00:20:52,000 Oh, it's up in the mountains, and I like it there. 427 00:20:52,000 --> 00:20:57,000 It's nothing but a shed, but someone had a house there once, 428 00:20:57,000 --> 00:21:01,000 and there are still lilac bushes, and roses, 429 00:21:01,000 --> 00:21:04,000 lots of roses. 430 00:21:04,000 --> 00:21:08,000 When I lifted her out of the car to carry her into the shed, 431 00:21:08,000 --> 00:21:10,000 I could smell the lilacs, 432 00:21:10,000 --> 00:21:15,000 and there was just enough moon to see her face. 433 00:21:16,000 --> 00:21:18,000 You don't have to carry me. 434 00:21:18,000 --> 00:21:20,000 I can walk. 435 00:21:20,000 --> 00:21:23,000 Just the same, I carry you. 436 00:21:23,000 --> 00:21:26,000 That's part of the fun for me. 437 00:21:26,000 --> 00:21:30,000 You don't want to spoil my fun. 438 00:21:30,000 --> 00:21:32,000 Where are we? 439 00:21:32,000 --> 00:21:34,000 What difference does it make? 440 00:21:34,000 --> 00:21:36,000 No difference. 441 00:21:36,000 --> 00:21:38,000 Then don't ask so many questions. 442 00:21:38,000 --> 00:21:41,000 You won't see much of it anyway. 443 00:21:43,000 --> 00:21:45,000 Okay. 444 00:21:45,000 --> 00:21:47,000 Inside. 445 00:21:47,000 --> 00:21:49,000 Walk straight ahead and stand still. 446 00:21:49,000 --> 00:21:51,000 It's dark. 447 00:21:51,000 --> 00:21:53,000 I got a candle. 448 00:21:53,000 --> 00:21:55,000 There. 449 00:21:55,000 --> 00:21:57,000 Now get over there and sit down. 450 00:21:57,000 --> 00:21:58,000 On the floor? 451 00:21:58,000 --> 00:22:00,000 Yes, on the floor. 452 00:22:00,000 --> 00:22:01,000 What do you want? 453 00:22:01,000 --> 00:22:03,000 All the comforts of home? 454 00:22:03,000 --> 00:22:07,000 Of your beautiful, clean, bright, wonderful home? 455 00:22:07,000 --> 00:22:09,000 Why don't you tell me what you want? 456 00:22:09,000 --> 00:22:11,000 Joe, what's the matter? 457 00:22:11,000 --> 00:22:12,000 What did I do to you? 458 00:22:12,000 --> 00:22:13,000 Nothing. 459 00:22:13,000 --> 00:22:14,000 You did nothing to me. 460 00:22:14,000 --> 00:22:16,000 Then why are you... 461 00:22:16,000 --> 00:22:17,000 Why, Joe? 462 00:22:17,000 --> 00:22:19,000 Go on, say it. 463 00:22:19,000 --> 00:22:21,000 Why am I going to kill you? 464 00:22:21,000 --> 00:22:22,000 Yes. 465 00:22:22,000 --> 00:22:24,000 It's a very foolish question. 466 00:22:24,000 --> 00:22:25,000 I got to kill you. 467 00:22:25,000 --> 00:22:26,000 But why? 468 00:22:26,000 --> 00:22:28,000 I got to talk to you, 469 00:22:28,000 --> 00:22:32,000 watch your eyes, and tell you a lot of things. 470 00:22:32,000 --> 00:22:33,000 I got to hold you. 471 00:22:33,000 --> 00:22:34,000 Please, Joe. 472 00:22:34,000 --> 00:22:39,000 I got to know how you feel before you die. 473 00:22:39,000 --> 00:22:41,000 Hold you like this. 474 00:22:41,000 --> 00:22:43,000 Do you love me, Peggy? 475 00:22:43,000 --> 00:22:44,000 Do you? 476 00:22:44,000 --> 00:22:45,000 Love you? 477 00:22:45,000 --> 00:22:46,000 Sure. 478 00:22:46,000 --> 00:22:48,000 That's what I asked. 479 00:22:48,000 --> 00:22:49,000 Of course not. 480 00:22:49,000 --> 00:22:51,000 Of course I don't love you. 481 00:22:51,000 --> 00:22:52,000 You see? 482 00:22:52,000 --> 00:22:54,000 Nobody loves me. 483 00:22:54,000 --> 00:22:56,000 Nobody ever loved me. 484 00:22:56,000 --> 00:22:58,000 Maybe a cat once. 485 00:22:58,000 --> 00:23:01,000 Everyone hates me, Peggy. 486 00:23:01,000 --> 00:23:03,000 But I don't hate you either. 487 00:23:03,000 --> 00:23:04,000 See? 488 00:23:04,000 --> 00:23:05,000 That's funny. 489 00:23:05,000 --> 00:23:07,000 I just thought of something. 490 00:23:07,000 --> 00:23:08,000 You know what? 491 00:23:08,000 --> 00:23:09,000 Joe, how can you... 492 00:23:09,000 --> 00:23:10,000 No, this is important. 493 00:23:10,000 --> 00:23:11,000 Listen. 494 00:23:11,000 --> 00:23:12,000 It's this way. 495 00:23:12,000 --> 00:23:15,000 I used to live here in a shack, week sometimes, 496 00:23:15,000 --> 00:23:16,000 and I'd read books. 497 00:23:16,000 --> 00:23:17,000 Oh, good books. 498 00:23:17,000 --> 00:23:18,000 Modern library. 499 00:23:18,000 --> 00:23:20,000 Do you know about them? 500 00:23:20,000 --> 00:23:21,000 Yes, I know. 501 00:23:21,000 --> 00:23:22,000 Wow, you. 502 00:23:22,000 --> 00:23:24,000 You can get any book, and it's only a buck. 503 00:23:24,000 --> 00:23:26,000 It's less than a buck, the best, see? 504 00:23:26,000 --> 00:23:27,000 Yes. 505 00:23:27,000 --> 00:23:32,000 So I read something by a man we used called Oscar Wilde. 506 00:23:32,000 --> 00:23:34,000 He says, 507 00:23:34,000 --> 00:23:39,000 each man kills the thing he loves. 508 00:23:39,000 --> 00:23:41,000 It's in a modern library. 509 00:23:41,000 --> 00:23:46,000 Each man kills the thing he loves. 510 00:23:46,000 --> 00:23:48,000 Maybe that's what I am doing. 511 00:23:48,000 --> 00:23:50,000 No, Joe. 512 00:23:50,000 --> 00:23:51,000 You don't love me. 513 00:23:51,000 --> 00:23:53,000 You don't get it. 514 00:23:53,000 --> 00:23:56,000 Like I said, nobody loves me, but I get love anyway. 515 00:23:56,000 --> 00:23:59,000 I get something like love because 516 00:23:59,000 --> 00:24:01,000 when I start to kill you, Peggy, 517 00:24:01,000 --> 00:24:04,000 there won't be anyone else in the world for you. 518 00:24:04,000 --> 00:24:05,000 But me. 519 00:24:05,000 --> 00:24:08,000 No one else will matter. 520 00:24:08,000 --> 00:24:12,000 And then, then your eyes, they'll get shiny. 521 00:24:12,000 --> 00:24:16,000 Oh, so shiny. 522 00:24:16,000 --> 00:24:20,000 And they'll blaze, and they'll bloom, 523 00:24:20,000 --> 00:24:22,000 and they'll spread out. 524 00:24:22,000 --> 00:24:24,000 That's why I'm going to kill you, Peggy. 525 00:24:24,000 --> 00:24:27,000 Oh, it'll be, it'll be so easy. 526 00:24:27,000 --> 00:24:30,000 There won't be anything in them but me. 527 00:24:30,000 --> 00:24:37,000 All I've got to do is, is take your neck in my hands, like this. 528 00:24:37,000 --> 00:24:46,000 Hey, Peggy, I'm going to kill you. 529 00:24:46,000 --> 00:24:47,000 You heard me say it. 530 00:24:47,000 --> 00:24:50,000 I'm going to kill you now. 531 00:24:50,000 --> 00:24:55,000 Why don't your eyes? 532 00:24:55,000 --> 00:24:56,000 Poor Joe. 533 00:24:56,000 --> 00:24:58,000 What? 534 00:24:58,000 --> 00:25:00,000 What did you say? 535 00:25:00,000 --> 00:25:02,000 You've been hurt. 536 00:25:02,000 --> 00:25:05,000 You've been terribly hurt. 537 00:25:05,000 --> 00:25:07,000 Poor Joe. 538 00:25:07,000 --> 00:25:23,000 I'm sorry. 539 00:25:23,000 --> 00:25:25,000 Oh, well, that's it. 540 00:25:25,000 --> 00:25:28,000 But where did you leave the body, Joe? 541 00:25:28,000 --> 00:25:30,000 What are you talking about? 542 00:25:30,000 --> 00:25:31,000 After you killed her. 543 00:25:31,000 --> 00:25:33,000 Who said I killed her? 544 00:25:33,000 --> 00:25:34,000 Why, you said that you... 545 00:25:34,000 --> 00:25:37,000 You, bonehead, that's what it's all about. 546 00:25:37,000 --> 00:25:40,000 That's why I came in here, to give myself up. 547 00:25:40,000 --> 00:25:45,000 See, see, nobody ever loved me except, except that cat. 548 00:25:45,000 --> 00:25:50,000 And when he got scared, it clawed me, and I had to kill it. 549 00:25:50,000 --> 00:25:54,000 But Miss Peggy, she, she wasn't scared. 550 00:25:54,000 --> 00:25:55,000 I don't get it. 551 00:25:55,000 --> 00:25:59,000 Miss Peggy looked at me, and, and into me, and through me, 552 00:25:59,000 --> 00:26:03,000 and she knew what I was, rotten. 553 00:26:03,000 --> 00:26:11,000 But she said, poor Joe, to me, Joe Reese. 554 00:26:11,000 --> 00:26:15,000 I figured that it was as close as I'd ever get to love her. 555 00:26:15,000 --> 00:26:18,000 Well, I figured it was enough. 556 00:26:18,000 --> 00:26:21,000 Go ahead, answer it, Sergeant. 557 00:26:21,000 --> 00:26:25,000 I guess that's her father saying she's home. 558 00:26:25,000 --> 00:26:28,000 And then you can lock me up, Captain. 559 00:26:28,000 --> 00:26:31,000 I need sleep. 560 00:26:31,000 --> 00:26:34,000 I am dead for sleep. 561 00:26:34,000 --> 00:26:52,000 Roma Wines have brought you Peter Lorre, a star of Nobody Loves Me. 562 00:26:52,000 --> 00:26:57,000 Tonight's study in Suspense. 563 00:26:57,000 --> 00:27:02,000 This is Truman Bradley for Roma Wines, the sponsor of Suspense. 564 00:27:02,000 --> 00:27:07,000 Visiting friends in the family car is once again a popular American custom. 565 00:27:07,000 --> 00:27:10,000 And as Elsa Maxwell said just last week, 566 00:27:10,000 --> 00:27:14,000 be prepared when people drop in unexpectedly. 567 00:27:14,000 --> 00:27:19,000 A smart way to entertain, a sure way to cool off and delight your guests, 568 00:27:19,000 --> 00:27:22,000 is to serve refreshing Roma wine and soda, 569 00:27:22,000 --> 00:27:27,000 a frosty cold iced drink that really quenches thirst. 570 00:27:27,000 --> 00:27:30,000 Yes, and Roma wine and soda, 571 00:27:30,000 --> 00:27:33,000 made with distinguished Roma California burgundy or sautern, 572 00:27:33,000 --> 00:27:36,000 is quick and easy to make. 573 00:27:36,000 --> 00:27:40,000 Just half fill tall glasses with good Roma burgundy or sautern. 574 00:27:40,000 --> 00:27:44,000 Add ice cubes, sparkling water, and a bit of sugar. 575 00:27:44,000 --> 00:27:49,000 And for a decorative touch, garnish with cherries or fruit. 576 00:27:49,000 --> 00:27:52,000 Here's another delightfully different taste treat. 577 00:27:52,000 --> 00:27:55,000 Try Roma Sweet Vermouth, well chilled. 578 00:27:55,000 --> 00:27:57,000 A delicious aperitif. 579 00:27:57,000 --> 00:28:01,000 Zestful, full flavored Roma Vermouth is blended and developed 580 00:28:01,000 --> 00:28:05,000 with all the traditional winemaking skill of Roma wineries. 581 00:28:05,000 --> 00:28:09,000 It's made and bottled in the heart of California's famous vineyards. 582 00:28:09,000 --> 00:28:11,000 Yet surprisingly low priced. 583 00:28:11,000 --> 00:28:14,000 Try Roma Vermouth soon, won't you? 584 00:28:14,000 --> 00:28:16,000 This is Peter Lorre. 585 00:28:16,000 --> 00:28:20,000 I want to remind you to be sure not to miss next Thursday's suspense show. 586 00:28:20,000 --> 00:28:23,000 It will be a repeat performance by popular demand. 587 00:28:23,000 --> 00:28:25,000 Sorry, wrong number. 588 00:28:25,000 --> 00:28:28,000 That's the famous radio play about the woman on the telephone, 589 00:28:28,000 --> 00:28:33,000 in which Miss Agnes Moorhead gives such an overwhelming performance. 590 00:28:33,000 --> 00:28:36,000 Peter Lorre appeared through the courtesy of Warner Brothers 591 00:28:36,000 --> 00:28:39,000 and will soon be seen in our production, Three Strangers. 592 00:28:39,000 --> 00:28:41,000 A word from our government. 593 00:28:41,000 --> 00:28:43,000 Despite the lifting of some restrictions, 594 00:28:43,000 --> 00:28:46,000 the level is still tight in many parts of the country 595 00:28:46,000 --> 00:28:49,000 and over many railroads used by the armed forces. 596 00:28:49,000 --> 00:28:53,000 Play safe by staying off crowded trains during the coming Labor Day holiday. 597 00:28:53,000 --> 00:28:57,000 Next Thursday you will hear Agnes Moorhead as star of... 598 00:28:57,000 --> 00:29:01,000 Suspense, radio's outstanding theater of thrill. 599 00:29:01,000 --> 00:29:05,000 Presented by Roma Wines, R-O-M-A. 600 00:29:05,000 --> 00:29:09,000 Made in California, for enjoyment throughout the world. 601 00:29:09,000 --> 00:29:13,000 And by CBS, the Columbia Broadcasting System.