WEBVTT

00:00.000 --> 00:06.000
Now, the Roma Wine Company of Fresno, California presents...

00:12.000 --> 00:14.000
Suspense!

00:18.000 --> 00:23.000
Tonight, the Roma Wines bring you Dane Clark, a star of This Will Kill You,

00:23.000 --> 00:30.000
a suspense play produced, edited and directed for Roma Wines by William Spear.

00:33.000 --> 00:40.000
Suspense! Radio's outstanding theatre of thrills is presented for your enjoyment by Roma Wines.

00:40.000 --> 00:44.000
That's R-O-M-A, Roma Wines.

00:44.000 --> 00:49.000
Those excellent California wines that can add so much pleasantness to the way you live,

00:49.000 --> 00:55.000
to your happiness and entertaining guests, to your enjoyment of everyday meals.

00:55.000 --> 00:58.000
Yes, right now a glass full would be very pleasant,

00:58.000 --> 01:03.000
as Roma Wines bring you Dane Clark in a remarkable tale of...

01:03.000 --> 01:05.000
Suspense!

01:10.000 --> 01:14.000
Listen, get a load of this. This will kill you.

01:14.000 --> 01:18.000
I got a story that should be written up by one of those big magazine writers.

01:18.000 --> 01:22.000
Only mine is true. The whole thing is true, sir, help me.

01:22.000 --> 01:25.000
You know, they say truth is stranger than fiction, don't they?

01:25.000 --> 01:28.000
Well, get this. I was working down at the Acme Engineering,

01:28.000 --> 01:31.000
an outfit making hydraulic valves for gun turrets,

01:31.000 --> 01:35.000
and we had a former named Charlie Harris, one of those big good-looking guys

01:35.000 --> 01:38.000
who thought he was a big shot because he was a boss.

01:38.000 --> 01:40.000
Well, this guy was always picking on me.

01:40.000 --> 01:44.000
Like, for instance, one morning I come to work a few minutes late and this Harris says,

01:44.000 --> 01:48.000
Well, good afternoon, Jordan. I saved those gags for Jack Benny.

01:48.000 --> 01:52.000
It's only a quarter after eight. Well, get here at eight and you'll be spared my sense of humor.

01:52.000 --> 01:55.000
Ain't a guy got a right to get here a couple of minutes late once in a while?

01:55.000 --> 01:58.000
Yes, sure, once in a while, Joe, but not every other day.

01:58.000 --> 02:00.000
Oh, gee, Charlie, my alarm clock's on a bump.

02:00.000 --> 02:02.000
You know you can't buy a new one these days.

02:02.000 --> 02:05.000
Oh, save that for the teacher. Now, come on, Joe, come on, get on the ball.

02:07.000 --> 02:09.000
Save that for the teacher, he said.

02:09.000 --> 02:12.000
Always throwing up to me that he graduated from engineering school

02:12.000 --> 02:14.000
and I never even had a chance to go to high school.

02:14.000 --> 02:16.000
As if you need an education to be a smart guy.

02:16.000 --> 02:19.000
Well, I could tell you a hundred guys who never even went to school

02:19.000 --> 02:21.000
could buy and sell that guy a million...

02:21.000 --> 02:23.000
Well, that's another story.

02:23.000 --> 02:26.000
Anyway, this Charlie Harris kept giving me the needle.

02:26.000 --> 02:29.000
Joe, can I talk to you for a minute?

02:31.000 --> 02:33.000
What is it now, Chief?

02:33.000 --> 02:35.000
Quit calling me Chief.

02:35.000 --> 02:38.000
Now, look, kid, look, I don't know what's wrong, but you're slowing up.

02:38.000 --> 02:41.000
The other boys are turning out a hundred parts a day and you're only averaging 80.

02:41.000 --> 02:43.000
Now, what's the trouble, Joe?

02:43.000 --> 02:45.000
Well, I don't know, my eyes hurt.

02:45.000 --> 02:48.000
This work gets tough on the eyes and I got to stop once in a while.

02:48.000 --> 02:50.000
My eyes hurt bad.

02:50.000 --> 02:52.000
You complained last week too, Joe,

02:52.000 --> 02:54.000
and the company doctors report that there was nothing wrong.

02:54.000 --> 02:56.000
Ah, what does that quack know?

02:56.000 --> 02:59.000
All right, all right, now quit the complaints and get on the job, Joe.

02:59.000 --> 03:01.000
We've still got a war on our hands.

03:01.000 --> 03:11.000
Even though you and a lot of other guys have forgotten it since Germany took the count.

03:11.000 --> 03:14.000
There's a war on. Did you get that?

03:14.000 --> 03:16.000
At the time, he was technically right,

03:16.000 --> 03:18.000
but give me the business just because he didn't like me,

03:18.000 --> 03:21.000
waving your flag and singing, oh, say, can you see?

03:21.000 --> 03:24.000
Look, I'm just as patriotic as him or any other guy.

03:24.000 --> 03:26.000
Could I help it if my eyes hurt bad?

03:26.000 --> 03:30.000
But he had to go make a big thing out of it just because I got in the habit of,

03:30.000 --> 03:33.000
well, stepping out a little here and there, and he found out.

03:33.000 --> 03:36.000
Well, ain't a guy got a right to have a little fun once in a while

03:36.000 --> 03:38.000
just because those japs are still popping away?

03:38.000 --> 03:41.000
So my eyes hurt a little the next day. Is that so terrible?

03:41.000 --> 03:44.000
Are the japs going to win a war just because I've had a little fun?

03:44.000 --> 03:47.000
Anyway, he keeps picking on me and picking on me.

03:47.000 --> 03:50.000
And one day while I was knocking my brains out, Joe!

03:50.000 --> 03:55.000
Oh, let me ride in the wide open spaces that I love.

03:55.000 --> 03:57.000
Don't offense me.

03:57.000 --> 03:58.000
Joe!

03:58.000 --> 03:59.000
What?

03:59.000 --> 04:00.000
Yeah?

04:00.000 --> 04:03.000
Look, Joe, look, I don't like playing cops,

04:03.000 --> 04:05.000
but you know there's oil and gasoline all over the place.

04:05.000 --> 04:06.000
Yeah?

04:06.000 --> 04:09.000
And that a cigarette dropped in one of those pools could burn the plant down.

04:09.000 --> 04:10.000
So what?

04:10.000 --> 04:12.000
So read the sign beside your machine.

04:12.000 --> 04:14.000
I'd like to read it, Charlie.

04:14.000 --> 04:15.000
Go on, read it.

04:15.000 --> 04:17.000
No smoking.

04:17.000 --> 04:18.000
Drop that cigarette.

04:18.000 --> 04:20.000
Why, what cigarette, Charlie?

04:20.000 --> 04:22.000
You stupid jerk!

04:22.000 --> 04:24.000
Why, you, I'll break your head for that!

04:24.000 --> 04:25.000
Oh, you will, eh?

04:25.000 --> 04:37.820
You're a

04:37.820 --> 04:39.000
fool!

04:39.000 --> 04:45.000
I would have mobilized the guy, but he hit me a lucky punch.

04:45.000 --> 04:50.000
Never would have happened again in a million years, but, well, he knocked me out.

04:50.000 --> 04:53.000
Charlie was standing by the cop when I came to, looking worried,

04:53.000 --> 04:55.000
he acted as if he were doing me a big thing by not snitching,

04:55.000 --> 04:57.000
but it was because he was scared of me.

04:57.000 --> 04:59.000
He thought I'd forget.

04:59.000 --> 05:01.000
Joe Jordan never forgets.

05:01.000 --> 05:03.000
Remember that.

05:03.000 --> 05:06.000
And Joe Jordan always gets even.

05:06.000 --> 05:07.000
But I played my cards right.

05:07.000 --> 05:08.000
I didn't let him know I was still sore.

05:08.000 --> 05:10.000
That was smart, wasn't it?

05:10.000 --> 05:12.000
I went out working as if nothing happened,

05:12.000 --> 05:15.000
even though the rest of the guys started picking on me, too.

05:15.000 --> 05:18.000
Because he was a boss and they were trying to get in good with him,

05:18.000 --> 05:21.000
they kept it after me every day until I thought my head would explode,

05:21.000 --> 05:23.000
always, always rubbing it in.

05:23.000 --> 05:26.000
Hey, Jack Dempsey, still leading with your chin?

05:26.000 --> 05:29.000
Ha ha ha ha!

05:29.000 --> 05:34.000
Quit using my tools all the time, Joe.

05:34.000 --> 05:37.000
Hey, Joe, you ain't smoking again, are you?

05:37.000 --> 05:41.000
You'll have to get another lucky punch from Charlie.

05:41.000 --> 05:51.000
Hey, quit throwing your shavens on my machine, Joe.

05:51.000 --> 05:54.000
I used to get splitting headaches from the pounding of my brain.

05:54.000 --> 05:58.000
Well, you were, too, getting it from all sides like that, wouldn't you?

05:58.000 --> 06:02.000
It wasn't so bad during the day that the machine drowned out the noise in my head,

06:02.000 --> 06:07.000
but at night, at night that pounding would start steady like my machine,

06:07.000 --> 06:10.000
banging away all the time so I couldn't sleep.

06:10.000 --> 06:14.000
It might have got another guy, but not me, not me.

06:14.000 --> 06:17.000
I'm too tough and I got plans for Joe Jordan.

06:17.000 --> 06:20.000
Be a big guy someday with my brains,

06:20.000 --> 06:23.000
no foreman of some small time outfit,

06:23.000 --> 06:26.000
be head man of the biggest shop in town with a classy car,

06:26.000 --> 06:30.000
a big house with servants and a beautiful wife.

06:30.000 --> 06:34.000
Yeah, yeah, beautiful wife.

06:34.000 --> 06:36.000
And I had her all picked out.

06:36.000 --> 06:38.000
Her name was Harriet Slayton.

06:38.000 --> 06:40.000
She was a stenographer at Acme.

06:40.000 --> 06:45.000
All the guys was on the make for her, but she had a end for me.

06:45.000 --> 06:47.000
Not that she ever said anything, but I can tell.

06:47.000 --> 06:49.000
You see, I know them.

06:49.000 --> 06:54.000
Well, at the water cooler this day, I managed to bump her as I got a paper cup and...

06:54.000 --> 06:57.000
Oh, pardonz-moi.

06:57.000 --> 06:59.000
Oh, you speak French.

06:59.000 --> 07:01.000
Oh, little, I knew a guy from Paris, France once

07:01.000 --> 07:03.000
and he taught me a couple of things.

07:03.000 --> 07:06.000
Cherchez la femme.

07:06.000 --> 07:09.000
Commettez à l'ivou.

07:09.000 --> 07:10.000
Quite an accent.

07:10.000 --> 07:12.000
Excuse me, Joe, I gotta get back to my...

07:12.000 --> 07:13.000
No, no, wait a minute, wait a minute, wait a minute.

07:13.000 --> 07:15.000
I got a lot of accomplishments. I'm a good dancer, too.

07:15.000 --> 07:18.000
Did you know that I took second place in the jitterbug contest at Ocean Park last year?

07:18.000 --> 07:20.000
No, I didn't.

07:20.000 --> 07:21.000
Oh, are you Lindy?

07:21.000 --> 07:23.000
No, I'm sort of on the conservative side.

07:23.000 --> 07:25.000
Well, I can do the square stuff, too.

07:25.000 --> 07:27.000
We must have a dance sometime.

07:27.000 --> 07:28.000
Excuse me, Joe, I must...

07:28.000 --> 07:30.000
No, wait, Harriet, I just happened to think,

07:30.000 --> 07:32.000
how about going on a company dance with me on Friday?

07:32.000 --> 07:34.000
I'm very sorry, Joe, but I can't.

07:34.000 --> 07:35.000
Why, aren't you going?

07:35.000 --> 07:38.000
Yes, but I have a date with Charlie.

07:38.000 --> 07:39.000
Charlie who?

07:39.000 --> 07:41.000
Charlie Harris.

07:46.000 --> 07:50.000
Charlie Harris, Charlie Harris, Charlie Harris.

07:50.000 --> 07:52.000
He moved into my life,

07:52.000 --> 07:54.000
then he moved into my head and he started banging,

07:54.000 --> 07:56.000
and now he moved in with my girl.

07:56.000 --> 07:59.000
That guy was doing everything he could to burn me up.

07:59.000 --> 08:02.000
He knew I was gonna ask Harry to the dance, but he beat me to it.

08:02.000 --> 08:05.000
Okay, I said to myself, I can wait a week,

08:05.000 --> 08:07.000
but I'll get to dance with that little lady,

08:07.000 --> 08:10.000
and once I get her in my arms and I show her a couple of steps,

08:10.000 --> 08:12.000
she won't want to dance with him again.

08:12.000 --> 08:14.000
Well, it was a long week,

08:14.000 --> 08:18.000
and I kept hearing reports that Charlie and Harriet were engaged,

08:18.000 --> 08:20.000
but that was just to burn me up, see?

08:20.000 --> 08:22.000
And then came the dance.

08:25.000 --> 08:27.000
Hey, didn't you bring a dame, Joe?

08:27.000 --> 08:29.000
I got a doll here, pal.

08:29.000 --> 08:31.000
Who is she, dancing with some other guy?

08:31.000 --> 08:33.000
Yeah, she's dancing with some other guy.

08:33.000 --> 08:35.000
Don't stand there with egg all over your face.

08:35.000 --> 08:38.000
If my dame was dancing with another guy, you can bet I'd cut in.

08:38.000 --> 08:40.000
Well, that's a good idea.

08:44.000 --> 08:46.000
Pardon me, I'm cutting in.

08:46.000 --> 08:47.000
Oh, no, you're not, Joe.

08:47.000 --> 08:49.000
Look, I wasn't asking the pleasure of you, Charlie.

08:49.000 --> 08:50.000
Now, if you don't mind...

08:50.000 --> 08:52.000
This is our favorite number, Joe.

08:52.000 --> 08:53.000
Well, why can't I cut in once?

08:53.000 --> 08:55.000
Just because he's a big foreman or something?

08:55.000 --> 09:01.000
No, because you're the big dope.

09:01.000 --> 09:03.000
Dope.

09:03.000 --> 09:05.000
Did you get that?

09:05.000 --> 09:07.000
He called me a dope,

09:07.000 --> 09:09.000
but he didn't know I was smart.

09:09.000 --> 09:12.000
You know, all good things ain't on the surface, you know.

09:12.000 --> 09:14.000
I went home, I tried to sleep,

09:14.000 --> 09:18.000
but the pounding on my brain was coming like a sledgehammer.

09:18.000 --> 09:22.000
Bang, bang, bang, bang, and I could hear her laughing at me.

09:22.000 --> 09:28.000
I, that dirty double-crossing dame, laughing at me, laughing at me.

09:28.000 --> 09:30.000
And the bang on my head was coming louder and louder

09:30.000 --> 09:33.000
and crashing against my brain, exploding on my forehead.

09:33.000 --> 09:35.000
And then the pounding stopped.

09:42.000 --> 09:46.000
And for the first time in weeks, there was silence in my head.

09:46.000 --> 09:51.000
That soft, cool, quiet, like Sunday morning when you were a kid

09:51.000 --> 09:53.000
and no one was awake in the house, but you,

09:53.000 --> 09:56.000
like Christmas night after the excitement was over

09:56.000 --> 09:58.000
and you went to bed and you thought about the new sled

09:58.000 --> 10:00.000
and the wonderful dinner you just ate,

10:00.000 --> 10:03.000
and there was peace on earth and...

10:03.000 --> 10:06.000
And then I got the idea.

10:06.000 --> 10:08.000
No more pounding on my head now.

10:08.000 --> 10:12.000
I was going to eliminate the cause of the pounding, kill the root.

10:12.000 --> 10:16.000
Yeah, I was going to kill two birds with one stone.

10:16.000 --> 10:21.000
Charlie Harris was going to burn for murder.

10:21.000 --> 10:23.000
And the murder?

10:23.000 --> 10:26.000
The murder of Harriet Slate.

10:40.000 --> 10:44.000
For suspense, Roma Wines are bringing you as star Dane Clark in

10:44.000 --> 10:47.000
This Will Kill You by I.A. Finley.

10:47.000 --> 10:53.000
Roma Wines presentation tonight in radio's outstanding theatre of thrills, Suspense.

11:01.000 --> 11:06.000
Here's a suggestion from the internationally renowned hostess Elsa Maxwell,

11:06.000 --> 11:10.000
who says this about smart and gracious hospitality.

11:10.000 --> 11:14.000
Next time you entertain, flatter your guests by serving glorious,

11:14.000 --> 11:18.000
gold and amber Roma California Sherry.

11:18.000 --> 11:21.000
Perfect before dinner, perfect at any time.

11:21.000 --> 11:25.000
A most delightful wine of light, nut-like taste.

11:25.000 --> 11:27.000
Serve cool.

11:27.000 --> 11:31.000
From California's choicest vineyards come the carefully selected wine grapes

11:31.000 --> 11:36.000
for distinguished Roma Sherry and all fine Roma wines.

11:36.000 --> 11:42.000
Remember, good Roma wines never vary in fine quality, are always pleasing.

11:42.000 --> 11:48.000
The happy result of selected grapes, carefully picked at their peak of flavour goodness,

11:48.000 --> 11:56.000
gently pressed, then unhurriedly guided to perfection by the ancient skill of Roma's famed wineries.

11:56.000 --> 12:02.000
Yes, good Roma wines are always delicious, yet cost only pennies a glass.

12:02.000 --> 12:07.000
But remember, because of uniformly fine quality at reasonable cost,

12:07.000 --> 12:12.000
more Americans enjoy Roma than any other wine.

12:12.000 --> 12:16.000
R-O-M-A, Roma Wines.

12:16.000 --> 12:20.000
And now Roma Wines bring back to our Hollywood sound stage,

12:20.000 --> 12:26.000
Dane Clark in This Will Kill You, a narrative well calculated to keep you in...

12:26.000 --> 12:32.000
suspense.

12:35.000 --> 12:39.000
Are you still with me? Well, listen, like I was telling you,

12:39.000 --> 12:43.000
I decided to kill Harriet and pin the rap on Charlie.

12:43.000 --> 12:47.000
Fooled you, didn't I? You thought I was going to knock off Charlie myself, didn't you?

12:47.000 --> 12:52.000
No, no, no, no. The law was going to do that. You see? You get the switch?

12:52.000 --> 12:55.000
Now, get this. I knew how I was going to knock off the dame,

12:55.000 --> 12:57.000
I knew how I was going to pin the blame on Charlie.

12:57.000 --> 13:00.000
But the only thing missing was the motive. You understand the motive?

13:00.000 --> 13:03.000
So before I killed her, I started supplying the motive.

13:03.000 --> 13:08.000
Every day down at the plant, I drop something here and I drop something there to the guys.

13:08.000 --> 13:13.000
Hey, I just heard that Charlie and Harriet was having an argument down the hall.

13:13.000 --> 13:15.000
Oh, lovers' spat, probably.

13:15.000 --> 13:18.000
No, no, I understand things aren't so hot shot between those two.

13:18.000 --> 13:25.000
Oh, you're crazy, Joe. Well, that's what I heard.

13:25.000 --> 13:28.000
Hey, Charlie's been doing a lot of bowling these nights, hasn't he?

13:28.000 --> 13:32.000
Yeah, he loves it. Well, he didn't seem to when he and Harriet were so palsy walsy.

13:32.000 --> 13:35.000
I heard something about that, but I don't believe it.

13:35.000 --> 13:42.000
Oh, I do, I do. I heard him arguing plenty in the hall the other day.

13:42.000 --> 13:47.000
Say, did you hear that Charlie and Harriet had a big blow off last night, something about another guy?

13:47.000 --> 13:50.000
Yeah, I heard things weren't going so hot with those two lately.

13:53.000 --> 13:57.000
Hey, listen, did you hear that Harriet and Charlie had a big scrap the other night?

13:57.000 --> 14:03.000
Old news, Marty, it's old news. I understand she's got a guy up north and Charlie is burning.

14:03.000 --> 14:09.000
Oh, he ought to bust her head wide open. It'd serve her right for two-timing a white guy like Charlie.

14:09.000 --> 14:16.000
There was the motive. Signs sealed, wrapped up in a big red ribbon.

14:16.000 --> 14:18.000
Now, was that smart or was that smart?

14:18.000 --> 14:23.000
The next afternoon, I heard Charlie making a date with her for that night.

14:23.000 --> 14:26.000
He didn't know it, but it was going to be his last date.

14:26.000 --> 14:29.000
When the five o'clock whistle blew, Charlie went in to wash his hands.

14:29.000 --> 14:34.000
I slipped over to his workbench. I grabbed the steel pipe he used on his drill press and I slipped under my coat.

14:34.000 --> 14:39.000
I wore gloves so my fingerprints wouldn't show on it. Smart, huh?

14:39.000 --> 14:41.000
Only Charlie's fingerprints were on the pipe.

14:41.000 --> 14:45.000
I waited outside the plant and in a little while, Charlie walked by.

14:45.000 --> 14:47.000
Uh, got a minute, Charlie?

14:47.000 --> 14:50.000
Huh? Yeah, yeah, I guess so.

14:50.000 --> 14:53.000
Look, there's an idea I've been working on that can speed production in our department.

14:53.000 --> 14:55.000
Now, can I talk to you tonight for an hour or so?

14:55.000 --> 14:58.000
Oh, I'm sorry, Joe, I can't tonight. I got a date with an angel.

14:58.000 --> 15:02.000
But Charlie, with my idea, each man can turn out 200 valves a day easy.

15:02.000 --> 15:06.000
I got it all worked out and I'm modeling my room. Can't you make it tonight?

15:06.000 --> 15:08.000
Look, Joe, I told you I got a date.

15:08.000 --> 15:12.000
Oh, fine, fine. You always give me that patriotic stuff when it doesn't cost you anything.

15:12.000 --> 15:14.000
Huh? Okay, Charlie, I took you up on it.

15:14.000 --> 15:17.000
I've been giving up my nights to work on this idea I have.

15:17.000 --> 15:19.000
Now, look, I don't expect nothing out of it.

15:19.000 --> 15:21.000
But when I ask you to give up a measly hour, you're too busy.

15:21.000 --> 15:23.000
Now, why can't you come up after your date?

15:23.000 --> 15:25.000
Whoa, whoa, whoa, easy there, Joe, easy.

15:25.000 --> 15:27.000
I didn't know you were so hot about all this.

15:27.000 --> 15:30.000
Okay, okay, if it means so much to you.

15:30.000 --> 15:34.000
Look, suppose I leave my girl about 11 and get to your room a few minutes later, huh?

15:34.000 --> 15:37.000
Gee, you're swell, Charlie, swell. I'll be waiting for you.

15:37.000 --> 15:40.000
Now, look, I may be out for a minute or two to get a packet of butts or something,

15:40.000 --> 15:42.000
but the door will be open, so will you wait for me?

15:42.000 --> 15:44.000
Yeah, sure, okay. I'll see you later.

15:44.000 --> 15:46.000
You sure will.

15:53.000 --> 15:56.000
Everything was working out just like I planned.

15:56.000 --> 15:58.000
Pretty good for a dumb guy, huh?

15:58.000 --> 16:01.000
I grabbed a bite of dinner and then I dropped over to Charlie's boarding house.

16:01.000 --> 16:03.000
He lived on the first floor on the back.

16:03.000 --> 16:05.000
I looked at his window and it was open. Perfect.

16:05.000 --> 16:08.000
I waited until dark. I pushed up the window and I dropped in.

16:08.000 --> 16:11.000
It took only a few seconds to find what I wanted.

16:11.000 --> 16:14.000
A handkerchief with Charlie's initials on it.

16:14.000 --> 16:17.000
I was outside and walking down the street before I had a chance to even get nervous.

16:17.000 --> 16:20.000
I killed time till about 10.30, and then I drove over to Harriet's house

16:20.000 --> 16:22.000
and I waited across the street.

16:22.000 --> 16:24.000
In a little while, Harriet and Charlie walked up,

16:24.000 --> 16:28.000
and they talked, and then Charlie looked at his watch and he kissed her goodnight.

16:28.000 --> 16:30.000
Kissed her goodnight.

16:30.000 --> 16:33.000
I waited for a few minutes after he left,

16:33.000 --> 16:37.000
and I walked up to her room and knocked on the door.

16:46.000 --> 16:47.000
Who's there?

16:47.000 --> 16:50.000
It's me, Harriet. It's Joe Jordan. I've got something to tell you about Charlie.

16:50.000 --> 16:52.000
What is it, Joe?

16:52.000 --> 16:54.000
Don't get nervous. Nothing's happened.

16:54.000 --> 16:56.000
I'm just playing a little trick on Charlie.

16:56.000 --> 16:58.000
You're going to be scared for a second.

16:58.000 --> 17:02.000
Come on in, Joe. I was just making a little home recording of the song on the radio.

17:02.000 --> 17:05.000
You know, sing along with the band. I know Charlie will get a big kick out of it.

17:05.000 --> 17:07.000
That's your favorite song, isn't it?

17:07.000 --> 17:10.000
Mm-hmm. It's Charlie's, too. We love it.

17:10.000 --> 17:12.000
You really go for that guy, don't you?

17:12.000 --> 17:14.000
Is there any question about him?

17:14.000 --> 17:16.000
Joe, we were going to tell everybody in a few days anyway,

17:16.000 --> 17:18.000
so you may as well know now.

17:18.000 --> 17:21.000
Charlie and I are going to be married in three weeks when we get our vacations.

17:21.000 --> 17:23.000
Isn't that wonderful?

17:23.000 --> 17:25.000
Yeah, that's wonderful.

17:25.000 --> 17:28.000
Only you're taking your vacation a little sooner than that, baby.

17:28.000 --> 17:30.000
What do you mean?

17:30.000 --> 17:32.000
You're not marrying him or anybody else.

17:32.000 --> 17:34.000
Are you kidding?

17:34.000 --> 17:36.000
Get out of here, you big dope.

17:36.000 --> 17:38.000
Oh, I'm a big dope, huh?

17:38.000 --> 17:40.000
I'm a big dope.

17:40.000 --> 17:42.000
Joe. Joe.

17:42.000 --> 17:44.000
What are you going to do with it?

17:44.000 --> 17:46.000
Joe! Joe, don't!

17:46.000 --> 17:48.000
Joe, don't!

18:00.000 --> 18:02.000
I did it.

18:02.000 --> 18:04.000
It was done.

18:04.000 --> 18:06.000
I looked at the clock. It was 1110.

18:06.000 --> 18:08.000
He'd just be getting to my room now.

18:08.000 --> 18:10.000
Five minutes to kill.

18:10.000 --> 18:12.000
Hey, did you get that?

18:12.000 --> 18:15.000
Now I had time to kill. That was a good one, wasn't it?

18:15.000 --> 18:17.000
I dropped Charlie's handkerchief on the floor,

18:17.000 --> 18:19.000
then messed up the joint to look like a struggle.

18:19.000 --> 18:22.000
Then I waited till 1115, and then I smashed the clock.

18:23.000 --> 18:25.000
It stopped dead.

18:25.000 --> 18:27.000
Did you hear that one?

18:27.000 --> 18:29.000
The clock stopped dead. Good, huh?

18:29.000 --> 18:33.000
I dropped the steel pipe on the floor, blew the place fast, and raced home.

18:33.000 --> 18:35.000
I ran up the stairs, worried that maybe Charlie had left,

18:35.000 --> 18:37.000
but he was still there.

18:37.000 --> 18:39.000
Well, where have you been, Joe?

18:39.000 --> 18:41.000
I was just getting ready to leave.

18:41.000 --> 18:43.000
Oh, I'm sorry, Charlie. I...

18:43.000 --> 18:45.000
I got stuck.

18:45.000 --> 18:47.000
Okay, okay. Where's the model you were talking about?

18:47.000 --> 18:50.000
Oh, gee, I'm sorry to drag you all the way over here for nothing.

18:50.000 --> 18:52.000
It's still at the welders.

18:52.000 --> 18:54.000
I thought it would be here sure by tonight.

18:54.000 --> 18:56.000
Can we make it tomorrow?

18:56.000 --> 18:59.000
You're a corker, Joe. You've messed up my whole evening.

18:59.000 --> 19:01.000
I sure did.

19:09.000 --> 19:11.000
I kept chewing the fat with Charlie about this and that

19:11.000 --> 19:13.000
until I was sure he wouldn't get home until late.

19:13.000 --> 19:16.000
And then I dropped off to a nice, restful sleep.

19:17.000 --> 19:19.000
The next morning, I was on the job at 8 on the dot.

19:19.000 --> 19:21.000
Charlie was there already, but that didn't worry me.

19:21.000 --> 19:23.000
It wouldn't be for long.

19:23.000 --> 19:25.000
And about an hour later, the kid from the front office came up

19:25.000 --> 19:27.000
and said something to Charlie, and he left the shop.

19:27.000 --> 19:30.000
Now, that was it. Those were the dicks, and Charlie was a dead pigeon.

19:30.000 --> 19:33.000
I went on with my work, not doing very much, just faking, you know,

19:33.000 --> 19:35.000
because I knew I was gonna be next.

19:35.000 --> 19:37.000
And I was.

19:37.000 --> 19:40.000
The same kid came at lunchtime and told me I was one of the front gate.

19:40.000 --> 19:43.000
Got a little nervous when I saw the two big coppers,

19:43.000 --> 19:46.000
but as soon as they spoke, I felt it was gonna be all right.

19:46.000 --> 19:48.000
Joe Jordan?

19:48.000 --> 19:50.000
Yeah, yeah, it's me.

19:50.000 --> 19:52.000
I'm Lieutenant Sullivan, Homicide Squad.

19:52.000 --> 19:54.000
This is Sergeant Carter. Hello. Hop in.

19:54.000 --> 19:56.000
Hope you don't mind coming down to headquarters with us

19:56.000 --> 19:58.000
when I ask you a couple of questions.

19:58.000 --> 20:00.000
No, I don't mind. What's it all about?

20:02.000 --> 20:04.000
Where were you last night, Jordan?

20:04.000 --> 20:06.000
Uh, last night?

20:06.000 --> 20:08.000
Well, I... I hit the hay early.

20:08.000 --> 20:10.000
What time?

20:10.000 --> 20:12.000
I was awful tired. I had a tough day at the shop yesterday.

20:12.000 --> 20:14.000
I guess it was about 9.30.

20:14.000 --> 20:16.000
Did you see Charlie Harris last night?

20:16.000 --> 20:20.000
No. I saw him when we left the plant yesterday, about five, but...

20:20.000 --> 20:22.000
Hey, wait a minute. Where's Charlie now?

20:22.000 --> 20:24.000
He left the shop about 10 this morning.

20:24.000 --> 20:26.000
Never mind.

20:26.000 --> 20:28.000
But he says he was in your room at 11.15.

20:28.000 --> 20:30.000
He says he was in my room at 11...

20:30.000 --> 20:33.000
Well, maybe he was.

20:33.000 --> 20:36.000
No, Charlie Harris is a white guy. He don't lie.

20:36.000 --> 20:38.000
If he says so, then he's probably right.

20:38.000 --> 20:40.000
I thought you said you went to bed about 9.30.

20:40.000 --> 20:42.000
Well, I... I did.

20:42.000 --> 20:44.000
Maybe I was asleep when he came,

20:44.000 --> 20:46.000
and maybe I was talking to my sleep when he was there.

20:46.000 --> 20:49.000
You know, I wouldn't want to do anything to contradict Charlie.

20:49.000 --> 20:51.000
Say...

20:51.000 --> 20:53.000
So what are you guys trying to pin on me?

20:53.000 --> 20:55.000
If Charlie's in a jam, I gotta know what he said,

20:55.000 --> 20:57.000
because I gotta back him up.

20:57.000 --> 20:59.000
Save it, kid.

20:59.000 --> 21:01.000
Tell me, do you know Harriet Slate?

21:01.000 --> 21:03.000
Why, that no-good, two-timing dame,

21:03.000 --> 21:05.000
double-crossing a good guy like Charlie.

21:05.000 --> 21:07.000
Why, you know, he was telling me yesterday,

21:07.000 --> 21:09.000
when we left the plant yesterday,

21:09.000 --> 21:11.000
that he was going to get a settle last night, once and for all.

21:11.000 --> 21:13.000
As a matter of fact, he...

21:13.000 --> 21:15.000
Say, what are you guys smiling at?

21:15.000 --> 21:17.000
Did I say something?

21:17.000 --> 21:19.000
Why, did I say anything to make Charlie...

21:19.000 --> 21:21.000
to Charlie...

21:24.000 --> 21:26.000
Smart, huh?

21:26.000 --> 21:28.000
I handled that smart, didn't I?

21:28.000 --> 21:30.000
You see now how I worked the whole thing out?

21:30.000 --> 21:32.000
Every little detail.

21:32.000 --> 21:34.000
Remember now how I planted that night in bed

21:34.000 --> 21:36.000
and the pounding stopped like I told you before?

21:36.000 --> 21:38.000
Oh, the trial was a cinch.

21:38.000 --> 21:40.000
The D.A. had all the evidence he needed and a little more.

21:40.000 --> 21:42.000
Charlie was with her that night, proved.

21:42.000 --> 21:44.000
The steel pipe was his, wasn't it? Proved.

21:44.000 --> 21:46.000
There were his fingerprints on it, wasn't they? Proved.

21:46.000 --> 21:48.000
And the motive?

21:48.000 --> 21:50.000
The boys in the plant furnished that.

21:50.000 --> 21:52.000
They were perfect witnesses.

21:52.000 --> 21:54.000
They liked Charlie, they tried to help him,

21:54.000 --> 21:56.000
but they had to admit the stories that were going around.

21:56.000 --> 21:58.000
And the piece, the resistance...

21:58.000 --> 22:00.000
That's French, you know,

22:00.000 --> 22:02.000
was the way I knocked his alibi for Luke.

22:02.000 --> 22:04.000
That's why I smashed the clock at 11.15, do you?

22:04.000 --> 22:06.000
It was airtight.

22:10.000 --> 22:13.000
Charles Harris, will you rise and come before the court?

22:16.000 --> 22:18.000
Charles Harris, the jury of your peers

22:18.000 --> 22:21.000
have found you guilty of murder in the first degree, and I...

22:21.000 --> 22:23.000
Oh, boy, what a day.

22:23.000 --> 22:25.000
You should have seen him.

22:25.000 --> 22:27.000
He stood there trying to put on the big-shot stuff,

22:27.000 --> 22:29.000
even then, trying to act like he wasn't scared.

22:29.000 --> 22:32.000
But I could tell he was ready to faint right there and then.

22:32.000 --> 22:34.000
But the newspaper guys were taking it,

22:34.000 --> 22:37.000
and they said he stood straight and fine and brave,

22:37.000 --> 22:39.000
like a soldier facing a firing squad.

22:39.000 --> 22:41.000
That's what they said to dopes.

22:41.000 --> 22:43.000
But I knew he was yellow.

22:43.000 --> 22:45.000
I knew he was a man of the heart.

22:45.000 --> 22:47.000
I knew he was a man of the heart.

22:47.000 --> 22:49.000
I knew he was a man of the heart.

22:49.000 --> 22:51.000
But I knew he was yellow.

22:51.000 --> 22:53.000
Or else he wouldn't have picked on me

22:53.000 --> 22:55.000
just because he was boss, would he? Would he?

22:55.000 --> 22:57.000
Huh?

22:57.000 --> 22:59.000
So, you see, I was smarter than he thought,

22:59.000 --> 23:02.000
than anybody thought, even the D.A. of those dicks.

23:02.000 --> 23:05.000
Now, there was a funny situation for you, wasn't it?

23:05.000 --> 23:08.000
The real murderer was in court furnishing that testimony

23:08.000 --> 23:10.000
that convicted that poor...

23:10.000 --> 23:12.000
and no one knew it.

23:12.000 --> 23:15.000
That's a good one, isn't it, huh?

23:15.000 --> 23:18.000
Isn't that wonderful, Father, huh?

23:18.000 --> 23:20.000
Isn't that marvelous? The real guy was in court...

23:20.000 --> 23:22.000
It's time, Father.

23:22.000 --> 23:24.000
Be brave now, Joseph. We must go.

23:24.000 --> 23:26.000
All right, Father, but let me tell you the punch line.

23:26.000 --> 23:28.000
Come on, Joe, it's time.

23:28.000 --> 23:30.000
Will you quit, or we'll be a minute late,

23:30.000 --> 23:32.000
so you'll pay the guy who pulled the switch a minute overtime

23:32.000 --> 23:34.000
to stay and can afford it.

23:34.000 --> 23:36.000
I've been telling Father the whole story.

23:36.000 --> 23:38.000
Let him finish, Warden. Go on, my son.

23:38.000 --> 23:40.000
You see, it was a fluke, Father.

23:40.000 --> 23:42.000
A minion to one shot.

23:42.000 --> 23:44.000
They never would have got me if not for just one thing,

23:44.000 --> 23:46.000
one little mistake, Father.

23:46.000 --> 23:48.000
The night I knocked the doll off, she up and told me

23:48.000 --> 23:51.000
that she was making a recording of that song on the radio.

23:51.000 --> 23:53.000
She told me to, you hear?

23:53.000 --> 23:55.000
And I forget all about it.

23:55.000 --> 23:57.000
So all the time I was spilling my guts to Harriet,

23:57.000 --> 23:59.000
that machine was taking down every word,

23:59.000 --> 24:01.000
and I forgot about it.

24:01.000 --> 24:03.000
If I had only thought of the record,

24:03.000 --> 24:05.000
if I only smashed it that night.

24:05.000 --> 24:07.000
But I didn't.

24:07.000 --> 24:09.000
Then Harriet's old lady got a hold of her stuff,

24:09.000 --> 24:11.000
and months later she decided to play the records,

24:11.000 --> 24:13.000
and she heard the whole thing, my whole confession,

24:13.000 --> 24:15.000
just as if I spilled it to the dicks.

24:15.000 --> 24:17.000
We must go now, Joseph.

24:17.000 --> 24:19.000
Okay, Father.

24:19.000 --> 24:21.000
I'm coming.

24:21.000 --> 24:23.000
Come on, Warden. Come on, come on.

24:23.000 --> 24:25.000
Watch that real man walk down the last mile.

24:27.000 --> 24:30.000
The Lord is my shepherd. I shall not want.

24:30.000 --> 24:32.000
He maketh me to lie down...

24:32.000 --> 24:34.000
You seen plenty of guys walking down this road,

24:34.000 --> 24:36.000
didn't you, Warden, huh?

24:36.000 --> 24:38.000
I bet none of them ever took it as good as me, did they?

24:40.000 --> 24:43.000
They say guys crack up on this little walk, don't they?

24:43.000 --> 24:45.000
Not me.

24:45.000 --> 24:47.000
I got guts.

24:47.000 --> 24:50.000
I bet Charlie would have cracked up by now, huh, Warden?

24:50.000 --> 24:54.000
You know, those... those newspaper guys said he stood straight and fine,

24:54.000 --> 24:56.000
and brave that day.

24:56.000 --> 24:59.000
He wouldn't be standing that way now, would he, Warden?

24:59.000 --> 25:02.000
He'd be... he'd be screaming his yellow head off.

25:02.000 --> 25:04.000
He wouldn't be taking it like me.

25:04.000 --> 25:06.000
See, there's nothing to be scared of.

25:07.000 --> 25:09.000
Guy pulls a little switch, it's all over.

25:10.000 --> 25:12.000
They say you don't feel a thing.

25:12.000 --> 25:14.000
You don't feel nothing, do you, Warden?

25:14.000 --> 25:17.000
You should know, you've seen plenty of it.

25:17.000 --> 25:19.000
It doesn't hurt.

25:20.000 --> 25:22.000
Does it?

25:22.000 --> 25:25.000
I would have been a big man in this town.

25:25.000 --> 25:27.000
Classy car.

25:27.000 --> 25:29.000
Big house with servants.

25:29.000 --> 25:31.000
Beautiful wife.

25:33.000 --> 25:35.000
It's a beautiful wife, but I...

25:35.000 --> 25:36.000
I got a tough break.

25:36.000 --> 25:38.000
You know what? One in a million, I tell you, but...

25:38.000 --> 25:40.000
it's all in the game, see?

25:40.000 --> 25:42.000
Come see, come saw her.

25:42.000 --> 25:44.000
It's French, you know.

25:46.000 --> 25:48.000
I'm taking it pretty good, ain't I?

25:48.000 --> 25:50.000
Nobody take it like me, nobody.

25:50.000 --> 25:52.000
Not many of them, do they? Do they, Warden, huh?

25:55.000 --> 25:58.000
Do you think the paper will say I stood straight and fine and brave?

25:59.000 --> 26:01.000
Like a guy facing the firing squad, huh?

26:01.000 --> 26:03.000
Do you?

26:03.000 --> 26:05.000
I'm taking it pretty good, ain't I, Warden?

26:05.000 --> 26:07.000
Ain't I, Father?

26:07.000 --> 26:09.000
Tell me!

26:09.000 --> 26:11.000
I said, tell me!

26:11.000 --> 26:13.000
I'm not afraid.

26:13.000 --> 26:15.000
You hear me? I'm not afraid.

26:15.000 --> 26:17.000
I'm not afraid to burn.

26:17.000 --> 26:19.000
Look, I'm laughing.

26:19.000 --> 26:21.000
Aha!

26:21.000 --> 26:23.000
Aha!

26:23.000 --> 26:25.000
No, don't take me in there, oh, God!

26:27.000 --> 26:29.000
Please don't take me in there!

26:29.000 --> 26:31.000
Don't take me in there!

26:31.000 --> 26:33.000
Don't take me in there!

26:33.000 --> 26:39.000
Don't take me in there!

26:39.000 --> 26:41.000
Oh, please, Lord, my spirit!

26:41.000 --> 26:43.000
I don't need any of this, me!

26:51.000 --> 26:53.000
Romo Wines have brought you Dane Clark,

26:53.000 --> 26:55.000
as star of This Will Kill You.

26:55.000 --> 26:57.000
Tonight's study in...

26:57.000 --> 26:59.000
Suspense.

26:59.000 --> 27:02.000
Before Dane Clark returns to our microphone,

27:02.000 --> 27:05.000
this is Truman Bradley for Romo Wines,

27:05.000 --> 27:07.000
the sponsor of Suspense.

27:07.000 --> 27:09.000
As the temperature goes up,

27:09.000 --> 27:12.000
so does the popularity of tall, frosty,

27:12.000 --> 27:14.000
thirst-quenching drinks.

27:14.000 --> 27:17.000
And as Elsa Maxwell recently said,

27:17.000 --> 27:19.000
one of my favorite iced drinks,

27:19.000 --> 27:21.000
and one everybody enjoys,

27:21.000 --> 27:23.000
is the delightful-to-look-at,

27:23.000 --> 27:26.000
delicious-to-sip Romo Wine and Soda,

27:26.000 --> 27:30.000
made with distinguished Roma California wines.

27:30.000 --> 27:32.000
And, Miss Maxwell might have added,

27:32.000 --> 27:34.000
made so easily, too.

27:34.000 --> 27:38.000
Half-fill tall glasses with Roma California Burgundy

27:38.000 --> 27:42.000
or Sauternes, add ice cubes and sparkling water,

27:42.000 --> 27:45.000
and a bit of sugar, and for a decorative touch,

27:45.000 --> 27:48.000
garnish with fruit or cherries.

27:48.000 --> 27:51.000
Good Roma wine is unvaryingly delicious,

27:51.000 --> 27:54.000
always pleasing, yet costs only pennies

27:54.000 --> 27:56.000
a glass.

27:56.000 --> 27:58.000
And next time you use vermouth,

27:58.000 --> 28:01.000
choose Roma Vermouth, sweet or dry.

28:01.000 --> 28:04.000
Zestful, full-flavored Roma Vermouth

28:04.000 --> 28:06.000
is blended and developed with all the traditional

28:06.000 --> 28:09.000
winemaking skill of Roma wineries.

28:09.000 --> 28:11.000
It's made and bottled in the heart of California's

28:11.000 --> 28:15.000
famous vineyards, yet surprisingly low-priced.

28:15.000 --> 28:18.000
Try Roma Vermouth soon, won't you?

28:18.000 --> 28:20.000
This is Dane Clark.

28:20.000 --> 28:21.000
It's been a great pleasure, as always,

28:21.000 --> 28:23.000
to make an appearance here on Suspense.

28:23.000 --> 28:25.000
Mr. Spear wanted me to pass along to you the word,

28:25.000 --> 28:27.000
which I know will be of interest to many thousands

28:27.000 --> 28:29.000
of listeners, and that is that two weeks from tonight,

28:29.000 --> 28:31.000
on September the 6th, in response to overwhelming

28:31.000 --> 28:34.000
public demand, Suspense will again bring you

28:34.000 --> 28:36.000
the Lucille Fletcher's Studying Terror,

28:36.000 --> 28:39.000
Sorry Wrong Number, starring Agnes Moorhead.

28:39.000 --> 28:40.000
That's the show you remember about the woman

28:40.000 --> 28:42.000
on the telephone.

28:42.000 --> 28:44.000
It's certainly one of the landmarks of radio.

28:44.000 --> 28:46.000
Next Thursday, you will hear Peter Laurie

28:46.000 --> 28:48.000
in a Suspense play, which also promises

28:48.000 --> 28:49.000
to be most unusual.

28:49.000 --> 28:51.000
I know you will want to be listening, as I will.

28:51.000 --> 28:54.000
Dane Clark appeared through the courtesy of Warner Brothers,

28:54.000 --> 28:56.000
and is currently being seen in their production

28:56.000 --> 28:57.000
prior to the Marines.

28:57.000 --> 29:00.000
Next Thursday, you will hear Peter Laurie,

29:00.000 --> 29:04.000
a star of Suspense, radio's outstanding

29:04.000 --> 29:06.000
theater of thrills.

29:06.000 --> 29:10.000
Presented by Roma Wines, R-O-M-A,

29:10.000 --> 29:14.000
made in California for enjoyment throughout the world.

29:14.000 --> 29:21.000
This is CBS, the Columbia Broadcasting System.

