1 00:00:00,000 --> 00:00:07,520 Now the Roma Wine Company of Fresno, California presents... 2 00:00:12,240 --> 00:00:15,440 Suspense! 3 00:00:17,920 --> 00:00:21,880 Tonight Roma wines bring you from Hollywood Miss Bonita Granville as 4 00:00:21,880 --> 00:00:27,160 star in Bank Holiday, a suspense play produced edited and directed by William 5 00:00:27,160 --> 00:00:38,360 Spear. Suspense is presented for your enjoyment by Roma wines. That's R-O-M-A, Roma 6 00:00:38,360 --> 00:00:43,160 wines. Those excellent California wines that can add so much pleasantness to the 7 00:00:43,160 --> 00:00:47,760 way you live, to your happiness and entertaining guests, to your enjoyment of 8 00:00:47,760 --> 00:00:53,840 everyday meals. Yes, right now a glass full would be very pleasant as Roma wines 9 00:00:53,840 --> 00:00:59,600 bring you a remarkable tale of suspense. And with Bank Holiday and with a 10 00:00:59,600 --> 00:01:03,520 performance of Bonita Granville, Roma wines hope indeed to keep you in... 11 00:01:03,520 --> 00:01:06,520 Suspense! 12 00:01:09,560 --> 00:01:14,640 It happened the morning after I became engaged to Harold. I got to the bank a 13 00:01:14,640 --> 00:01:18,240 little early that morning, hoping I'd be able to see him for a minute before we 14 00:01:18,240 --> 00:01:22,120 opened for business. And sure enough, Harold was just hanging up his hat and 15 00:01:22,120 --> 00:01:26,760 coat when I came in the door. You see, I'm one of the junior tellers at the main 16 00:01:26,760 --> 00:01:32,560 branch here in town, or rather I was, and Harold is assistant manager. That's how 17 00:01:32,560 --> 00:01:37,200 we met. So this morning I didn't stop at my own cage but went on through the gate 18 00:01:37,200 --> 00:01:45,240 and walked up quietly behind Harold. Hello darling. What? Why Mr. Osborne, don't you 19 00:01:45,240 --> 00:01:49,280 remember me? I'm the girl that you're... Jane, please. Good morning Mr. Osborne. Oh, good morning 20 00:01:49,280 --> 00:01:56,720 Johnson. Miss Evans, would you step into my office for a moment? Certainly. 21 00:01:58,600 --> 00:02:04,320 Jane, really, you mustn't. Mustn't what? It didn't do anything. I just said... 22 00:02:04,320 --> 00:02:08,480 Suppose someone had overheard. Don't you see how... What if they had? They'll all know about it in a 23 00:02:08,480 --> 00:02:12,960 day or two anyway. That's just the point, my dear. They mustn't. They mustn't? But we're 24 00:02:12,960 --> 00:02:17,120 going to tell our friends, aren't we? Jane, I thought you understood all that. You 25 00:02:17,120 --> 00:02:21,080 know how the bank frowns on office romances. After we're married it'll be 26 00:02:21,080 --> 00:02:27,160 different... But Harold, this is different. We're engaged. Nevertheless, my dear, the policy of 27 00:02:27,160 --> 00:02:31,280 the bank distinctly is... Oh, fooey on the policy of the bank. This is our business. 28 00:02:31,280 --> 00:02:36,280 But Jane, the bank is my career and I'm only thinking of... Of the bank. And I'm 29 00:02:36,280 --> 00:02:40,720 thinking of our life together. Now Jane, please be practical. In my position here I 30 00:02:40,720 --> 00:02:44,600 simply must live up to the standards that the bank... The bank, the bank, the bank. 31 00:02:44,600 --> 00:02:51,240 Sometimes I wish I could meet somebody, just somebody, who hated banks. 32 00:02:51,520 --> 00:02:56,080 It wasn't a very good way to start off an engagement or even to start off a day's 33 00:02:56,080 --> 00:03:02,600 work for that matter. Back to my cage feeling miserable. I got out my cash for 34 00:03:02,600 --> 00:03:06,640 the day including the little package of 25 $1,000 bills that a client of ours 35 00:03:06,640 --> 00:03:11,240 always called for on Friday. We never asked why. That isn't a bank's business. 36 00:03:11,240 --> 00:03:16,120 And I unlocked my cash drawer and put the money away. Then it was 10 o'clock. I 37 00:03:16,120 --> 00:03:21,760 opened my window for business. There weren't many people in the bank yet, but 38 00:03:21,760 --> 00:03:28,280 at my window there were two men. Good morning. Good morning. Can I help you? 39 00:03:28,280 --> 00:03:32,240 Yeah, this is a stick-up. What? Just take it easy and do what we tell you and you 40 00:03:32,240 --> 00:03:36,200 won't get hurt. But my friend here's got a gun under that newspaper he's carrying. 41 00:03:36,200 --> 00:03:41,600 I love to use it, sister. What? Well, what do you want me to do? Here's a paper bag. 42 00:03:41,600 --> 00:03:48,200 Fill it up. All right. And don't forget those 25 G notes that George Oliver calls 43 00:03:48,200 --> 00:03:51,880 for every Friday. What? Don't stall. We know all about them. That's one reason 44 00:03:51,880 --> 00:03:58,560 we're here. And don't make any funny moves, sister, because if you do it, curtains. 45 00:03:58,840 --> 00:04:03,200 I'd often wondered what I'd do if this ever happened, but now I couldn't even 46 00:04:03,200 --> 00:04:07,760 think. As I fumbled with the money, I looked at the two men. One of them was 47 00:04:07,760 --> 00:04:13,320 about 35 with dark hair and a square jaw and hard blue eyes. The other, the one 48 00:04:13,320 --> 00:04:17,880 with the gun, was a nervous, evil-looking boy about 21. I knew they meant everything 49 00:04:17,880 --> 00:04:22,160 they said. I glanced sideways for a moment toward Harold's office. As luck 50 00:04:22,160 --> 00:04:25,400 would have it, he was just coming out the door. He must have seen that something 51 00:04:25,400 --> 00:04:28,880 was wrong because he started over to my window. Come on, sister, snap into it. I'm 52 00:04:28,880 --> 00:04:34,000 I'm trying to hurry. Who's that coming over here? It's Mr. Osborne, the manager. 53 00:04:34,000 --> 00:04:38,000 All right. Just don't try to make any bright conversation. I'll do the talking. 54 00:04:38,000 --> 00:04:42,760 Is there anything I can do here, Miss Evans? Yes. Just stand right where you are and keep 55 00:04:42,760 --> 00:04:47,120 quiet. What? Harold. Don't look so hurt. You've heard of Banks being held up before, 56 00:04:47,120 --> 00:04:52,520 haven't you? Come on, Miss, hand it over. We haven't got all day. Here you are. 57 00:04:52,520 --> 00:04:56,640 Thanks. We ought to take her along. Don't be crazy. Come on. We ought to take her. 58 00:04:56,640 --> 00:05:01,680 I know you can't do that. Miss Evans is one of my most trusted employees. 59 00:05:01,680 --> 00:05:06,680 And I'm his fiance. Oh, you were, are you? Jane. Now I know we're gonna take her along. 60 00:05:06,680 --> 00:05:10,040 You're a fool, Sonny. Oh, yeah? Well, Harold here don't think I'm so dumb, do you, Harold? 61 00:05:10,040 --> 00:05:12,960 Because you know what happens to your girlfriend if you set the cops on us. 62 00:05:12,960 --> 00:05:32,080 No. Yeah. Curtains. Don't do anything, Harold. I'll be all right. I'll be all right. 63 00:05:32,080 --> 00:05:36,480 For Suspense, Roma Wines are bringing you a star, Bonita Granville, whom you have heard 64 00:05:36,480 --> 00:05:41,160 on the first act of Bank Holiday by Robert Richards, which is Roma Wines' presentation 65 00:05:41,160 --> 00:05:51,560 tonight of Suspense. 66 00:05:51,560 --> 00:05:57,960 Between the acts of Suspense, this is Truman Bradley for Roma Wines. Elsa Maxwell is an 67 00:05:57,960 --> 00:06:04,240 acknowledged expert on the niceties of dining and entertaining. Recently, she said, gracious 68 00:06:04,240 --> 00:06:10,480 little touches can do so much to make meals more enjoyable, dined by subdued light. If 69 00:06:10,480 --> 00:06:17,440 possible, adjust radio or phonograph for soft, mellow music. And as the crowning touch, serve 70 00:06:17,440 --> 00:06:24,480 well-chilled Roma California Sauternes. A most excellent idea from Miss Maxwell. Good Roma 71 00:06:24,480 --> 00:06:32,320 Sauternes is pale gold, delightful in bouquet, and even more important, exquisite in taste. 72 00:06:32,320 --> 00:06:37,720 Created in the Roma tradition, Roma Sauternes is always unvaryingly good. The goodness of 73 00:06:37,720 --> 00:06:44,800 luscious grapes, selected at peak of flavor richness in sunny California's choicest vineyards, 74 00:06:44,800 --> 00:06:50,520 carefully pressed, then unhurriedly guided to perfection by the ancient wine skill of 75 00:06:50,520 --> 00:06:57,240 Roma's famed wineries. Good Roma wines are always delicious, yet cost only pennies a 76 00:06:57,240 --> 00:07:04,320 glass. Remember, because of uniformly fine quality at reasonable cost, more Americans 77 00:07:04,320 --> 00:07:13,920 enjoy Roma than any other wine. R-O-M-A, Roma wines. And now Roma wines bring back to our 78 00:07:13,920 --> 00:07:19,120 Hollywood sound stage, Bonita Granville, who as Jane Evans in Bank Holiday continues a 79 00:07:19,120 --> 00:07:33,240 narrative well calculated to keep you in suspense. 80 00:07:33,240 --> 00:07:37,080 Why would I tell a couple of bandits who came in to hold up the bank that I was engaged 81 00:07:37,080 --> 00:07:42,320 to Harold, particularly when Harold was the manager of the bank? It was crazy. But there 82 00:07:42,320 --> 00:07:47,080 were a lot of crazy things I did that day that I didn't understand myself until later. 83 00:07:47,080 --> 00:07:51,680 Naturally, when I told them that, they took me along as a hostage. And the next thing 84 00:07:51,680 --> 00:07:57,720 I knew, I was sitting in the front seat of a big blue car beside the one called Frank, 85 00:07:57,720 --> 00:08:03,560 and the other one called Sonny had tied a blindfold over my eyes. And we were driving. 86 00:08:03,560 --> 00:08:09,120 Once we drove in somewhere, and for 15 or 20 minutes, there was a lot of banging and 87 00:08:09,120 --> 00:08:15,280 clattering around the car. Then we drove on. At first, I was too frightened to even 88 00:08:15,280 --> 00:08:23,480 breathe. Then I began to get angry. Just what do you think you're going to do with me? 89 00:08:23,480 --> 00:08:25,520 To tell you the truth, I haven't quite made up my mind. 90 00:08:25,520 --> 00:08:26,920 Yeah, well, I have. 91 00:08:26,920 --> 00:08:27,920 Shut up, Sonny. 92 00:08:27,920 --> 00:08:29,960 I demand that at least you take this silly blindfold off. 93 00:08:29,960 --> 00:08:31,760 I know. We couldn't do that, darling. 94 00:08:31,760 --> 00:08:32,760 Well. 95 00:08:32,760 --> 00:08:35,360 Then you might see how we'd strip this car down just now. Change the hood and offenders 96 00:08:35,360 --> 00:08:36,360 and the place. 97 00:08:36,360 --> 00:08:37,360 Shut up, Sonny. You talk too much. 98 00:08:37,360 --> 00:08:38,880 What's the difference? She ain't going to be around telling you... 99 00:08:38,880 --> 00:08:39,880 I said shut up! 100 00:08:39,880 --> 00:08:41,880 What's the matter? You getting soft? 101 00:08:41,880 --> 00:08:45,800 No, but a bank wrap is enough without having some trigger-happy punk of a kid. 102 00:08:45,800 --> 00:08:46,800 You better not talk to me that way. 103 00:08:46,800 --> 00:08:51,800 I'll talk to you any way I want to. Watch out the back for cops. 104 00:08:51,800 --> 00:08:54,360 Cops? Don't think a little lady's boyfriend is kind of... 105 00:08:54,360 --> 00:08:58,560 I wouldn't want to bet too much on it. Would you, Miss Evans? 106 00:08:58,560 --> 00:09:03,600 I don't know what you're talking about. All I know is that at least Harold isn't a cowardly, 107 00:09:03,600 --> 00:09:04,600 bullying... 108 00:09:04,600 --> 00:09:10,160 Oh, I'm sure Harold is the perfect gentleman. But I got a hunch he's also the perfect banker. 109 00:09:10,160 --> 00:09:11,400 I don't know what you're talking about. 110 00:09:11,400 --> 00:09:15,360 You just don't want to admit what I'm talking about. Which is that in spite of anything 111 00:09:15,360 --> 00:09:17,360 that might happen to you, Harold will turn us in. 112 00:09:17,360 --> 00:09:19,360 He wouldn't. 113 00:09:19,360 --> 00:09:25,520 I don't know. Maybe we can check on that. I'll turn on the radio. 114 00:09:25,520 --> 00:09:26,800 What's that going to prove? 115 00:09:26,800 --> 00:09:27,800 Shortwave. 116 00:09:27,800 --> 00:09:31,360 All the latest equipment for bank robbers, sweetheart. That's us. 117 00:09:31,360 --> 00:09:40,360 LAPD. Car 17. Car 17. Disturbance at 8th and Pico. The disturbance at 8th and Pico. 118 00:09:40,360 --> 00:09:42,360 That's all. LAPD. 119 00:09:42,360 --> 00:09:46,360 Car 17. Roger. That's all. Car 17. 120 00:09:46,360 --> 00:09:47,360 Well? 121 00:09:47,360 --> 00:09:51,360 LAPD. General alarm. A general alarm. 122 00:09:51,360 --> 00:09:52,360 Uh-huh. 123 00:09:52,360 --> 00:09:57,360 Two unidentified men are wanted for a holdup. Main branch of the 42nd Bank and Trust Company. 124 00:09:57,360 --> 00:09:58,360 You see? 125 00:09:58,360 --> 00:10:03,360 And for kidnapping a woman employee answering to the name of Jane Evans. 126 00:10:03,360 --> 00:10:11,360 The last scene was wearing a light blue dress, black shoes, has blonde hair, blue eyes. 127 00:10:11,360 --> 00:10:12,360 He done it. 128 00:10:12,360 --> 00:10:14,360 See what I mean, Miss Evans? 129 00:10:14,360 --> 00:10:16,360 Well, it was his duty. Why shouldn't he? 130 00:10:16,360 --> 00:10:21,360 No reason at all. It's just a question of who rates the most with a guy, I guess. His boss or his woman. 131 00:10:21,360 --> 00:10:23,360 All right, he asked for it. I told him what I'd do. 132 00:10:23,360 --> 00:10:25,360 What are you going to do? 133 00:10:25,360 --> 00:10:29,360 Miss Evans, I think we'll drive up this little side road here and let you out. 134 00:10:29,360 --> 00:10:30,360 Oh? 135 00:10:32,360 --> 00:10:35,360 You shouldn't have any trouble hitching a ride back. 136 00:10:35,360 --> 00:10:39,360 If you do, just try what Claudette Colbert did in that picture. Remember? 137 00:10:39,360 --> 00:10:40,360 Say, are you kidding? 138 00:10:40,360 --> 00:10:44,360 You heard what they said. She was nothing but excess baggage anyway. Now she's just another way they can identify us. 139 00:10:44,360 --> 00:10:48,360 All right, but that don't mean we let the guy get away with it. I told him what I'd do to her if he squawked and I'm done. 140 00:10:48,360 --> 00:10:49,360 You're going to do what I tell you. 141 00:10:49,360 --> 00:10:52,360 Oh, yeah? Well, if I'd known you were so yellow, I... 142 00:10:52,360 --> 00:10:55,360 Now, what was that you said, Sonny? 143 00:10:55,360 --> 00:10:58,360 All right, Frank, but... 144 00:10:58,360 --> 00:10:59,360 Cops. 145 00:10:59,360 --> 00:11:02,360 They're turning in here. Give me your gun, Sonny, and get down on the floor under that blanket. 146 00:11:02,360 --> 00:11:03,360 I'll plug him, Frank. I'll plug him. 147 00:11:03,360 --> 00:11:04,360 Give me that gun and get down on the floor. 148 00:11:04,360 --> 00:11:06,360 You're nuts. They'll get us, Frank. 149 00:11:06,360 --> 00:11:10,360 I know what I'm doing. You do what I tell you. That's right. Keep covered up and keep quiet. 150 00:11:10,360 --> 00:11:11,360 All right. 151 00:11:11,360 --> 00:11:12,360 Take off that blindfold, Miss Evans. 152 00:11:12,360 --> 00:11:14,360 Well, look here, if you think... 153 00:11:14,360 --> 00:11:16,360 Now you're going to kiss me and you better make it good because this gun's going to be right in your ribs. 154 00:11:16,360 --> 00:11:17,360 All right, now. 155 00:11:17,360 --> 00:11:19,360 Oh, no. Let go of me. 156 00:11:20,360 --> 00:11:21,360 Hey. 157 00:11:23,360 --> 00:11:24,360 Where? 158 00:11:31,360 --> 00:11:32,360 You kind of startled me, officer. 159 00:11:32,360 --> 00:11:34,360 What are you doing here? 160 00:11:34,360 --> 00:11:37,360 Well, if you must know, I'm getting engaged. 161 00:11:37,360 --> 00:11:38,360 Is there anything wrong with that? 162 00:11:38,360 --> 00:11:39,360 Let me see your license. 163 00:11:39,360 --> 00:11:41,360 We haven't got the license yet, but we're... 164 00:11:41,360 --> 00:11:42,360 I want your driver's license. 165 00:11:42,360 --> 00:11:45,360 Oh, sure. What's the matter? 166 00:11:45,360 --> 00:11:46,360 Just let me see your license. 167 00:11:46,360 --> 00:11:49,360 Here you are. You looking for somebody? 168 00:11:49,360 --> 00:11:52,360 Just a couple of guys who held up a bank and kidnapped a girl. 169 00:11:52,360 --> 00:11:53,360 Is that right? 170 00:11:53,360 --> 00:11:56,360 The young lady got any identification? 171 00:11:56,360 --> 00:11:57,360 Well, I... 172 00:11:57,360 --> 00:11:58,360 Go on, tell him, honey. 173 00:11:58,360 --> 00:12:02,360 You see, we left town in sort of a hurry. You might call it a sort of elopement. 174 00:12:02,360 --> 00:12:05,360 Oh. Sort of a elopement, huh? 175 00:12:05,360 --> 00:12:06,360 Yes. 176 00:12:06,360 --> 00:12:12,360 Well, I guess you're all right. But you know, you shouldn't be parking in here in the broad daylight like this. 177 00:12:12,360 --> 00:12:14,360 Yeah, but you know how it is. 178 00:12:14,360 --> 00:12:17,360 Sure. I know how it is. 179 00:12:17,360 --> 00:12:20,360 You can come up for air now, sonny. They'll have it. 180 00:12:20,360 --> 00:12:21,360 Are you sure? 181 00:12:21,360 --> 00:12:22,360 Yeah. 182 00:12:26,360 --> 00:12:29,360 Well, Miss Evans, I'm afraid that under the circumstances, 183 00:12:29,360 --> 00:12:32,360 you'll have to put up with our company a little longer. 184 00:12:32,360 --> 00:12:35,360 There wasn't as bad as all that, was it? 185 00:12:36,360 --> 00:12:38,360 Well, was it? 186 00:12:39,360 --> 00:12:41,360 She slaps her right in the voice. 187 00:12:41,360 --> 00:12:43,360 Does that answer your question? 188 00:12:43,360 --> 00:12:46,360 Yeah. I guess it does. 189 00:12:50,360 --> 00:12:52,360 That was crazy, too. 190 00:12:52,360 --> 00:12:55,360 Here I was, my life completely in this big ape's hands, 191 00:12:55,360 --> 00:12:57,360 and I had to slap his face. 192 00:12:57,360 --> 00:13:00,360 I knew I'd made him angry, and what was even more dangerous, 193 00:13:00,360 --> 00:13:02,360 I'd hurt his pride. 194 00:13:02,360 --> 00:13:04,360 But there was nothing to do about it now. 195 00:13:04,360 --> 00:13:08,360 For a long time, we just drove along, and nobody said anything. 196 00:13:08,360 --> 00:13:12,360 We were crossing a stretch of desert, heading toward a mountain range, 197 00:13:12,360 --> 00:13:14,360 and had just passed through a little town. 198 00:13:14,360 --> 00:13:18,360 I saw the car pull out of a side road as we flashed by, 199 00:13:18,360 --> 00:13:20,360 but neither of the two men did. 200 00:13:20,360 --> 00:13:22,360 And all of a sudden, my mind began to race, 201 00:13:22,360 --> 00:13:25,360 thinking that maybe now was coming my chance to escape, 202 00:13:25,360 --> 00:13:27,360 wondering what I could do, and... 203 00:13:27,360 --> 00:13:31,360 and then my blood ran cold again, the way they were talking. 204 00:13:31,360 --> 00:13:33,360 Still heading to the same place, Frank? 205 00:13:33,360 --> 00:13:35,360 Yeah. 206 00:13:35,360 --> 00:13:36,360 Mom place? 207 00:13:36,360 --> 00:13:38,360 That's right. 208 00:13:38,360 --> 00:13:40,360 What about Miss Spitfire here? 209 00:13:40,360 --> 00:13:42,360 I'll take care of that when the time comes. 210 00:13:42,360 --> 00:13:43,360 She knows too much. 211 00:13:43,360 --> 00:13:45,360 That's right. 212 00:13:45,360 --> 00:13:48,360 If I thought you was getting soft, Frank... 213 00:13:48,360 --> 00:13:50,360 What would you do? 214 00:13:50,360 --> 00:13:52,360 Well, you know what we gotta do, don't you? 215 00:13:52,360 --> 00:13:53,360 Yeah. 216 00:13:53,360 --> 00:13:54,360 Where? 217 00:13:54,360 --> 00:13:57,360 Not right out here in the open desert. That's a cinch. 218 00:13:57,360 --> 00:13:58,360 The mountains? 219 00:13:58,360 --> 00:14:00,360 Yeah, maybe the mountains. 220 00:14:00,360 --> 00:14:02,360 Maybe? 221 00:14:02,360 --> 00:14:04,360 There better not be no maybe of them. 222 00:14:04,360 --> 00:14:06,360 Cops again. Look right behind us. 223 00:14:06,360 --> 00:14:09,360 Yeah. Those others must have got to thinking things over. 224 00:14:09,360 --> 00:14:11,360 Cops in the middle of the desert, no one in sight from my house. 225 00:14:11,360 --> 00:14:12,360 What are you talking about? 226 00:14:12,360 --> 00:14:14,360 I'm talking about this. 227 00:14:14,360 --> 00:14:15,360 Sonny! 228 00:14:15,360 --> 00:14:17,360 I've been wanting to do this all day. 229 00:14:17,360 --> 00:14:18,360 You crazy fool! 230 00:14:18,360 --> 00:14:19,360 Who's crazy? 231 00:14:19,360 --> 00:14:21,360 We get them before they get us, that's all. 232 00:14:21,360 --> 00:14:24,360 They're shooting back! 233 00:14:24,360 --> 00:14:26,360 They know they're gonna fight in their hands now. 234 00:14:26,360 --> 00:14:28,360 So have we. Shoot at their tires, you hear? 235 00:14:28,360 --> 00:14:30,360 Okay. 236 00:14:30,360 --> 00:14:31,360 They hit us. 237 00:14:31,360 --> 00:14:33,360 That's not supposed to happen the way you saw it in the movies, huh? 238 00:14:33,360 --> 00:14:34,360 You! 239 00:14:34,360 --> 00:14:35,360 Me? 240 00:14:35,360 --> 00:14:36,360 Yes, you. Get down. Down on the floor. 241 00:14:36,360 --> 00:14:37,360 What are you gonna do? 242 00:14:37,360 --> 00:14:39,360 There's only one thing to do now. Drive light. 243 00:14:44,360 --> 00:14:46,360 At first I wasn't afraid at all. 244 00:14:46,360 --> 00:14:48,360 It was even a little exciting. 245 00:14:48,360 --> 00:14:51,360 I kept thinking that maybe in just a few minutes I was going to be rescued 246 00:14:51,360 --> 00:14:53,360 and wondering what Harold would say 247 00:14:53,360 --> 00:14:56,360 and at the same time feeling the exhilaration of being in a race 248 00:14:56,360 --> 00:14:58,360 and wanting my side to win. 249 00:14:58,360 --> 00:15:01,360 Of course, that was crazy too. 250 00:15:01,360 --> 00:15:03,360 And then suddenly the car took a sickening lurch. 251 00:15:03,360 --> 00:15:05,360 I scrambled up onto the seat again. 252 00:15:05,360 --> 00:15:08,360 We were out of the desert now, climbing a long winding hill 253 00:15:08,360 --> 00:15:10,360 that twisted up toward the mountain. 254 00:15:10,360 --> 00:15:13,360 The police car was falling behind, but it was still following us. 255 00:15:13,360 --> 00:15:14,360 We hit another curb. 256 00:15:14,360 --> 00:15:15,360 Hold on. 257 00:15:15,360 --> 00:15:17,360 I looked down. 258 00:15:17,360 --> 00:15:20,360 At that moment there seemed to be no road under my side of the car at all. 259 00:15:20,360 --> 00:15:22,360 Only a sheer drop down to a canyon 260 00:15:22,360 --> 00:15:25,360 filled with huge boulders and a hundred feet below. 261 00:15:25,360 --> 00:15:27,360 Why did you take it easy? 262 00:15:27,360 --> 00:15:30,360 I hit the other side of the curb and straightened out. 263 00:15:30,360 --> 00:15:32,360 Oh, I was frightened now, all right. 264 00:15:32,360 --> 00:15:34,360 I was weak and sick from fear. 265 00:15:34,360 --> 00:15:36,360 I told you to stay down on the floor. 266 00:15:36,360 --> 00:15:38,360 Oh, I can't, Frank. Look out. 267 00:15:38,360 --> 00:15:40,360 Get your hands away from that wheel. 268 00:15:40,360 --> 00:15:41,360 You're gonna kill us. 269 00:15:41,360 --> 00:15:42,360 I know what I'm doing. 270 00:15:42,360 --> 00:15:44,360 Oh, stop, stop. Please stop. 271 00:15:44,360 --> 00:15:45,360 Stop? 272 00:15:45,360 --> 00:15:48,360 I know it's all right for you, lady, but it wouldn't be so good for me. 273 00:15:48,360 --> 00:15:50,360 I'm afraid. I'm so afraid. 274 00:15:50,360 --> 00:15:52,360 Take it easy, kid. Take it easy. 275 00:15:52,360 --> 00:15:53,360 Close your eyes. 276 00:15:53,360 --> 00:15:55,360 Like you do on the roller coaster, you'll be all right. 277 00:15:55,360 --> 00:15:57,360 Oh, I'll be killed. 278 00:15:57,360 --> 00:15:59,360 What do you think I'm running for instead of fighting? 279 00:15:59,360 --> 00:16:01,360 Just so nobody will be killed, not even cops. 280 00:16:01,360 --> 00:16:03,360 Frank. Frank, look out. 281 00:16:03,360 --> 00:16:05,360 Keep away from that wheel, I told you. 282 00:16:05,360 --> 00:16:06,360 Look out. 283 00:16:05,360 --> 00:16:06,360 Keep away. 284 00:16:06,360 --> 00:16:08,360 I hate to do this, but... 285 00:16:08,360 --> 00:16:11,360 I saw his fist rush toward the point of my jaw. 286 00:16:11,360 --> 00:16:13,360 That was all. 287 00:16:15,360 --> 00:16:18,360 When I woke up, it was mid-afternoon, 288 00:16:18,360 --> 00:16:20,360 and I was lying on a bed 289 00:16:20,360 --> 00:16:24,360 in a bare little room of what was obviously a mountain cabin. 290 00:16:24,360 --> 00:16:27,360 Through the one window, all I could see was the jumble of rocks 291 00:16:27,360 --> 00:16:30,360 and boulders piled up against the mountainside. 292 00:16:30,360 --> 00:16:32,360 I felt my chin. 293 00:16:32,360 --> 00:16:34,360 I felt my chest. 294 00:16:34,360 --> 00:16:36,360 I felt my chest. 295 00:16:36,360 --> 00:16:38,360 I felt my chin. 296 00:16:38,360 --> 00:16:41,360 It was sore, and there was a little bruise on it. 297 00:16:41,360 --> 00:16:44,360 But aside from that, I seemed to be all in one piece. 298 00:16:44,360 --> 00:16:47,360 Then suddenly I heard voices. 299 00:16:47,360 --> 00:16:49,360 They were coming from the next room through the crack of a door, 300 00:16:49,360 --> 00:16:51,360 left an inch or two ajar. 301 00:16:51,360 --> 00:16:53,360 I crept over and listened. 302 00:16:53,360 --> 00:16:55,360 Don't worry, I'll handle it. 303 00:16:55,360 --> 00:16:56,360 Okay. 304 00:16:57,360 --> 00:16:58,360 Ready? 305 00:16:58,360 --> 00:16:59,360 Yeah, sure. 306 00:16:59,360 --> 00:17:02,360 Now go on down to the tower, get some grub like I told you. 307 00:17:02,360 --> 00:17:03,360 Okay, Frank. 308 00:17:03,360 --> 00:17:04,360 Are you sure you don't want me to... 309 00:17:04,360 --> 00:17:06,360 No. 310 00:17:06,360 --> 00:17:07,360 Get going. 311 00:17:07,360 --> 00:17:09,360 Okay, Frank. 312 00:17:12,360 --> 00:17:15,360 I stood there by the door, frozen with fear. 313 00:17:15,360 --> 00:17:19,360 I didn't need to hear any more to know what they'd been talking about. 314 00:17:19,360 --> 00:17:21,360 For a second I thought of escape. 315 00:17:21,360 --> 00:17:23,360 I looked wildly over toward the window. 316 00:17:23,360 --> 00:17:24,360 Oh! 317 00:17:24,360 --> 00:17:26,360 Ah. 318 00:17:26,360 --> 00:17:28,360 Been listening, huh? 319 00:17:28,360 --> 00:17:30,360 Yes. 320 00:17:30,360 --> 00:17:31,360 How do you feel? 321 00:17:31,360 --> 00:17:32,360 All right. 322 00:17:32,360 --> 00:17:34,360 I'm glad to see you're up and around. 323 00:17:34,360 --> 00:17:35,360 Why? 324 00:17:35,360 --> 00:17:39,360 Because it's against your principles to kill women who are unconscious? 325 00:17:42,360 --> 00:17:45,360 There's a path down the backside of the mountain that leads into the main highway. 326 00:17:45,360 --> 00:17:47,360 It's four or five miles long and pretty rugged, 327 00:17:47,360 --> 00:17:49,360 but you ought to be able to make it before dark if you hurry. 328 00:17:49,360 --> 00:17:51,360 Oh. 329 00:17:51,360 --> 00:17:53,360 Does that answer your question? 330 00:17:53,360 --> 00:17:54,360 Yes. 331 00:17:54,360 --> 00:17:56,360 I guess it does. 332 00:17:56,360 --> 00:17:57,360 Better get going. 333 00:17:57,360 --> 00:17:59,360 How do you know I won't... 334 00:17:59,360 --> 00:18:01,360 Because you're going to promise me not to. 335 00:18:01,360 --> 00:18:03,360 Aren't you? 336 00:18:03,360 --> 00:18:04,360 Yes. 337 00:18:04,360 --> 00:18:06,360 All you have to say is that I slugged you, 338 00:18:06,360 --> 00:18:09,360 and that's all you remember until you woke up by the side of the road. 339 00:18:09,360 --> 00:18:12,360 We'll be out of here and over the border by morning anyway. 340 00:18:12,360 --> 00:18:13,360 What about Sonny? 341 00:18:13,360 --> 00:18:14,360 I can handle Sonny. 342 00:18:14,360 --> 00:18:16,360 Well, I... 343 00:18:16,360 --> 00:18:19,360 I guess I do owe you something after all. 344 00:18:19,360 --> 00:18:21,360 Me? What? 345 00:18:21,360 --> 00:18:22,360 My life. 346 00:18:22,360 --> 00:18:23,360 Uh-uh. 347 00:18:23,360 --> 00:18:24,360 I play strictly for me. 348 00:18:24,360 --> 00:18:27,360 I just don't want that punk kid with his movie idea, 349 00:18:27,360 --> 00:18:29,360 cops and robbers, to be hanging a murder rap on us. 350 00:18:29,360 --> 00:18:31,360 That's all. 351 00:18:31,360 --> 00:18:34,360 You're a strange man to be a... 352 00:18:34,360 --> 00:18:36,360 A crook? 353 00:18:36,360 --> 00:18:37,360 Listen. 354 00:18:37,360 --> 00:18:39,360 There are just two kinds of guys in the world, 355 00:18:39,360 --> 00:18:41,360 right guys and wrong guys. 356 00:18:41,360 --> 00:18:44,360 And the wrong kind can be the usual bum with a gun in his hand, 357 00:18:44,360 --> 00:18:50,360 or he can be a pillar of society that sits all day behind a big shiny desk. 358 00:18:50,360 --> 00:18:52,360 He can be kind to his mother and nice to little kids 359 00:18:52,360 --> 00:18:57,360 and have a lot of fancy excuses and reasons he gives himself. 360 00:18:57,360 --> 00:19:01,360 Or just no reasons at all, like me. 361 00:19:01,360 --> 00:19:04,360 But a wrong guy is still a wrong guy. 362 00:19:04,360 --> 00:19:07,360 He's no good. 363 00:19:07,360 --> 00:19:10,360 Well, thanks anyway. 364 00:19:10,360 --> 00:19:12,360 You better get going now. 365 00:19:12,360 --> 00:19:15,360 By the way, I'm sorry I hit you. 366 00:19:15,360 --> 00:19:18,360 That's all right. I guess I had it coming. 367 00:19:18,360 --> 00:19:22,360 I'm sorry I let you get into this mess in the first place, but I... 368 00:19:22,360 --> 00:19:24,360 But what? 369 00:19:24,360 --> 00:19:27,360 That kiss. 370 00:19:27,360 --> 00:19:29,360 I meant that. 371 00:19:29,360 --> 00:19:30,360 Did you? 372 00:19:30,360 --> 00:19:32,360 Yeah. 373 00:19:32,360 --> 00:19:34,360 Frank. 374 00:19:34,360 --> 00:19:36,360 Frank, so did I. 375 00:19:36,360 --> 00:19:37,360 Jane. 376 00:19:37,360 --> 00:19:39,360 Frank! 377 00:19:39,360 --> 00:19:40,360 Frank! 378 00:19:40,360 --> 00:19:41,360 They must have trailed us here after all. 379 00:19:41,360 --> 00:19:42,360 Frank! Frank, the cops! 380 00:19:42,360 --> 00:19:43,360 Yeah. 381 00:19:43,360 --> 00:19:44,360 I saw them down ahead of me on the turn of the road. 382 00:19:44,360 --> 00:19:46,360 I just had time to turn around and get back. 383 00:19:46,360 --> 00:19:47,360 You still got the name, huh? 384 00:19:47,360 --> 00:19:48,360 Yeah. 385 00:19:48,360 --> 00:19:49,360 I was hoping you hadn't done nothing yet. 386 00:19:49,360 --> 00:19:51,360 She's about the only ace we've got left. 387 00:19:51,360 --> 00:19:52,360 Take the south window. I'll take the west one. 388 00:19:52,360 --> 00:19:53,360 Yeah. 389 00:19:53,360 --> 00:19:54,360 I'll try to go knocking them off. It'll only make it worse. 390 00:19:54,360 --> 00:19:56,360 Just keep them covered so they can't rush us. 391 00:19:56,360 --> 00:19:57,360 Oh, yeah? But I've got a clean shot at one of them. 392 00:19:57,360 --> 00:19:59,360 You do what I tell you! 393 00:20:00,360 --> 00:20:01,360 Can you see them? 394 00:20:01,360 --> 00:20:03,360 Sure. Sure. They're down behind the big rocks. 395 00:20:03,360 --> 00:20:05,360 That's as far as they can get. 396 00:20:05,360 --> 00:20:07,360 That's as far as they could get even if they had an army. 397 00:20:07,360 --> 00:20:08,360 Until it gets dark. 398 00:20:08,360 --> 00:20:09,360 All right, we can turn the car headlights on them. 399 00:20:09,360 --> 00:20:10,360 They'd only shoot them out. 400 00:20:10,360 --> 00:20:11,360 We can hold them, Frank. We've got enough ammunition to hold them. 401 00:20:11,360 --> 00:20:13,360 But you can't eat ammunition. 402 00:20:13,360 --> 00:20:16,360 Maybe they can't get up and we can't get down either. 403 00:20:16,360 --> 00:20:17,360 And we can't stay here forever. 404 00:20:17,360 --> 00:20:18,360 Well, they're gonna take me alive. 405 00:20:18,360 --> 00:20:19,360 They'll never take me alive as long as they... 406 00:20:19,360 --> 00:20:23,360 Stop it, will you? Try using your head for a change. 407 00:20:23,360 --> 00:20:24,360 Home? 408 00:20:24,360 --> 00:20:25,360 Yeah. 409 00:20:25,360 --> 00:20:26,360 Frank, what could that be? 410 00:20:26,360 --> 00:20:28,360 I don't know. 411 00:20:28,360 --> 00:20:31,360 The boys seem to have stopped the artillery barrage too. 412 00:20:34,360 --> 00:20:35,360 Don't answer it. 413 00:20:35,360 --> 00:20:36,360 What's the difference? 414 00:20:36,360 --> 00:20:39,360 You don't think we're gonna kid anybody that we're not home, do you? 415 00:20:41,360 --> 00:20:42,360 Yeah? 416 00:20:44,360 --> 00:20:45,360 Oh, yeah. 417 00:20:46,360 --> 00:20:47,360 Huh? 418 00:20:47,360 --> 00:20:48,360 Yeah, she's here. 419 00:20:48,360 --> 00:20:49,360 Hmm? 420 00:20:49,360 --> 00:20:50,360 Sure, she's all right. 421 00:20:50,360 --> 00:20:51,360 Frank, who is it? 422 00:20:51,360 --> 00:20:52,360 It's your boyfriend, Harold. 423 00:20:52,360 --> 00:20:53,360 Harold? 424 00:20:53,360 --> 00:20:54,360 He came with the cops. 425 00:20:54,360 --> 00:20:57,360 He's on the Forest Rangers emergency call box just down the road. 426 00:20:57,360 --> 00:20:58,360 Let me talk to him. 427 00:20:58,360 --> 00:20:59,360 Worried about him? 428 00:20:59,360 --> 00:21:00,360 Oh, no, no, it isn't that. 429 00:21:00,360 --> 00:21:01,360 But let me talk to him. 430 00:21:01,360 --> 00:21:02,360 Sure, go ahead. 431 00:21:02,360 --> 00:21:06,360 Harold? Oh, yes. Yes, so am I. 432 00:21:06,360 --> 00:21:08,360 Oh, no. No, nothing like that. 433 00:21:08,360 --> 00:21:10,360 They've been quite all right. 434 00:21:10,360 --> 00:21:12,360 Yes, of course they are. 435 00:21:12,360 --> 00:21:16,360 No, there's nothing to prevent them from killing me anytime they want to. 436 00:21:16,360 --> 00:21:20,360 Listen, Harold, all you care about is getting the money back. 437 00:21:20,360 --> 00:21:22,360 And me, isn't it? 438 00:21:22,360 --> 00:21:24,360 Yes, I know. 439 00:21:24,360 --> 00:21:26,360 All right, wait a minute. 440 00:21:26,360 --> 00:21:29,360 Frank, you said you were near the border. 441 00:21:29,360 --> 00:21:31,360 How long would it take you to get there? 442 00:21:31,360 --> 00:21:32,360 A couple of hours. 443 00:21:32,360 --> 00:21:33,360 One would put us in a clear. 444 00:21:33,360 --> 00:21:36,360 Would you give them back the money and me? 445 00:21:36,360 --> 00:21:38,360 Will the cops go for a deal like that? 446 00:21:38,360 --> 00:21:39,360 They got to. 447 00:21:39,360 --> 00:21:43,360 Harold, what's getting Dark got to do with it? 448 00:21:43,360 --> 00:21:47,360 Well, of course you can't storm the place and expect to find me alive. 449 00:21:47,360 --> 00:21:50,360 Now, listen, they'll give back the money. 450 00:21:50,360 --> 00:21:52,360 Yes, I'll bring it down myself. 451 00:21:52,360 --> 00:21:54,360 But you've got to give them an hour's start. 452 00:21:54,360 --> 00:22:00,360 Oh, well, well, you can just say that they rescued me and the money, but the men got away. 453 00:22:00,360 --> 00:22:02,360 Oh, no, Harold, nothing like that. 454 00:22:02,360 --> 00:22:08,360 No, you've got to promise me, Harold, on your word of honor, your solemn word of honor. 455 00:22:08,360 --> 00:22:10,360 All right? 456 00:22:10,360 --> 00:22:13,360 They'll do it. 457 00:22:13,360 --> 00:22:14,360 OK. 458 00:22:14,360 --> 00:22:15,360 Are you nuts? 459 00:22:15,360 --> 00:22:16,360 It's our only chance. 460 00:22:16,360 --> 00:22:19,360 Harold, all right? 461 00:22:19,360 --> 00:22:22,360 Yes, I'm coming down now. 462 00:22:22,360 --> 00:22:23,360 Yeah, but if she goes back... 463 00:22:23,360 --> 00:22:24,360 She's going. 464 00:22:24,360 --> 00:22:26,360 The dough is still in the paper bag. 465 00:22:26,360 --> 00:22:27,360 It's on the table. 466 00:22:27,360 --> 00:22:28,360 Frank. 467 00:22:28,360 --> 00:22:29,360 Get going. 468 00:22:29,360 --> 00:22:31,360 All right. 469 00:22:31,360 --> 00:22:34,360 Goodbye. 470 00:22:34,360 --> 00:22:36,360 Goodbye. 471 00:22:36,360 --> 00:22:43,360 Harold, just so you don't have an idea you're getting away with anything, I think you're a dirty liar. 472 00:22:48,360 --> 00:22:50,360 I hardly heard and didn't even think about it. 473 00:22:50,360 --> 00:22:58,360 I was so relieved and still so bewildered by everything, running down the hill with a paper bag of money clutched in my hand. 474 00:22:58,360 --> 00:23:01,360 And then I saw Harold crouching behind a rock and then some policemen. 475 00:23:01,360 --> 00:23:05,360 And then I was around the bend and they were all running up to me and I threw myself into Harold's arms. 476 00:23:05,360 --> 00:23:09,360 Jane, dearest, you are all right. 477 00:23:09,360 --> 00:23:12,360 I'm all right. 478 00:23:12,360 --> 00:23:13,360 Here's the money. 479 00:23:13,360 --> 00:23:14,360 Oh, yes. 480 00:23:14,360 --> 00:23:16,360 Yes, it's all here. 481 00:23:16,360 --> 00:23:17,360 All right, officer. 482 00:23:17,360 --> 00:23:18,360 OK, Chuck. 483 00:23:18,360 --> 00:23:19,360 Let him go. 484 00:23:19,360 --> 00:23:21,360 Come, my dear. 485 00:23:21,360 --> 00:23:22,360 Harold. 486 00:23:22,360 --> 00:23:23,360 What is that? 487 00:23:23,360 --> 00:23:24,360 Tear gas. 488 00:23:24,360 --> 00:23:25,360 Tear gas? 489 00:23:25,360 --> 00:23:26,360 Oh, it's quite harmless, really. 490 00:23:26,360 --> 00:23:28,360 Harold, tell them what we promised. 491 00:23:28,360 --> 00:23:29,360 Oh, I'm afraid of it. 492 00:23:29,360 --> 00:23:31,360 It's out of our hands now, my dear. 493 00:23:31,360 --> 00:23:32,360 Harold, you promised. 494 00:23:32,360 --> 00:23:33,360 You gave me your word of honor. 495 00:23:33,360 --> 00:23:35,360 Well, of course I did, but you didn't think that... 496 00:23:35,360 --> 00:23:36,360 Oh, you knew. 497 00:23:36,360 --> 00:23:37,360 You knew all the time. 498 00:23:37,360 --> 00:23:38,360 What you planned to... 499 00:23:38,360 --> 00:23:39,360 Stop it! 500 00:23:39,360 --> 00:23:40,360 Stop it! 501 00:23:40,360 --> 00:23:41,360 Please, my dear, you're overwrought. 502 00:23:41,360 --> 00:23:42,360 Stop it! 503 00:23:42,360 --> 00:23:43,360 Let go of me. 504 00:23:43,360 --> 00:23:44,360 Let go of me. 505 00:23:44,360 --> 00:23:45,360 Stop it. 506 00:23:45,360 --> 00:23:46,360 Stop it! 507 00:23:46,360 --> 00:23:47,360 Oh, no! 508 00:23:47,360 --> 00:23:53,360 I tried to run back, but they held me. 509 00:23:53,360 --> 00:23:55,360 And I had to watch. 510 00:23:55,360 --> 00:23:56,360 I couldn't help it. 511 00:23:56,360 --> 00:23:57,360 It seemed like hours. 512 00:23:57,360 --> 00:24:02,360 It was only minutes, I suppose, with the tear gas bombs exploding around the cabin and crashing 513 00:24:02,360 --> 00:24:05,360 through the windows as they got the range. 514 00:24:05,360 --> 00:24:08,360 And then something white flooded from the door and they came out. 515 00:24:08,360 --> 00:24:14,360 The boy first with his hands in the air and then Frank stumbling toward us like blind 516 00:24:14,360 --> 00:24:15,360 men and coughing. 517 00:24:15,360 --> 00:24:20,360 Oh, those terrible rocking coughs that just seemed to be tearing them to pieces. 518 00:24:20,360 --> 00:24:21,360 Oh, Frank! 519 00:24:21,360 --> 00:24:22,360 Frank! 520 00:24:22,360 --> 00:24:23,360 All right, come on. 521 00:24:23,360 --> 00:24:24,360 Hello, hey. 522 00:24:24,360 --> 00:24:25,360 Oh, Frank, I didn't know. 523 00:24:25,360 --> 00:24:26,360 I swear I didn't know. 524 00:24:26,360 --> 00:24:27,360 I know, I did, though. 525 00:24:27,360 --> 00:24:28,360 I knew before you left. 526 00:24:28,360 --> 00:24:29,360 Oh, why did you... 527 00:24:29,360 --> 00:24:30,360 What? 528 00:24:30,360 --> 00:24:31,360 Why did you let me go? 529 00:24:31,360 --> 00:24:32,360 I wouldn't have gone. 530 00:24:32,360 --> 00:24:35,360 Because he's just the kind that would have stormed the place. 531 00:24:35,360 --> 00:24:38,360 Maybe I couldn't have handled Sonny then. 532 00:24:38,360 --> 00:24:39,360 I'll help you. 533 00:24:39,360 --> 00:24:42,360 I'll do anything, everything I can. 534 00:24:42,360 --> 00:24:43,360 Anything. 535 00:24:43,360 --> 00:24:44,360 Skeptical. 536 00:24:44,360 --> 00:24:46,360 Just take some advice, will you? 537 00:24:46,360 --> 00:24:54,360 Next time, be sure it's a right guy. 538 00:24:54,360 --> 00:24:56,360 Yes. 539 00:24:56,360 --> 00:25:00,360 It's funny. 540 00:25:00,360 --> 00:25:03,360 It's like he said. 541 00:25:03,360 --> 00:25:07,360 People can be honest and dishonest in so many different ways. 542 00:25:07,360 --> 00:25:10,360 I got to the bank early the next morning, too. 543 00:25:10,360 --> 00:25:12,360 Harold was already there waiting for me. 544 00:25:12,360 --> 00:25:13,360 Hello, darling. 545 00:25:13,360 --> 00:25:14,360 Hello. 546 00:25:14,360 --> 00:25:16,360 I'm so glad you're here early. 547 00:25:16,360 --> 00:25:18,360 There are some things I wanted to talk over with you. 548 00:25:18,360 --> 00:25:20,360 You know, you're quite the heroine now. 549 00:25:20,360 --> 00:25:21,360 Am I? 550 00:25:21,360 --> 00:25:22,360 Oh, yes. 551 00:25:22,360 --> 00:25:28,360 And you know, I've been thinking, perhaps I was a little too conscientious yesterday, 552 00:25:28,360 --> 00:25:29,360 about our marriage, I mean. 553 00:25:29,360 --> 00:25:31,360 I think perhaps you were right after all. 554 00:25:31,360 --> 00:25:32,360 We ought to tell... 555 00:25:32,360 --> 00:25:34,360 Harold, about our marriage... 556 00:25:34,360 --> 00:25:35,360 Yes? 557 00:25:35,360 --> 00:25:38,360 There isn't going to be any marriage. 558 00:25:38,360 --> 00:25:40,360 Isn't going to be any? 559 00:25:40,360 --> 00:25:44,360 I found out something about a girl getting married, Harold. 560 00:25:44,360 --> 00:25:47,360 Marriage is something you do second. 561 00:25:47,360 --> 00:25:49,360 Do second? 562 00:25:49,360 --> 00:25:51,360 Yes. 563 00:25:51,360 --> 00:25:55,360 First, you find the right guy. 564 00:26:11,360 --> 00:26:16,360 And so closes Bank Holiday, in which Roma wines have brought you Bonita Granville 565 00:26:16,360 --> 00:26:18,360 as star of tonight's study in... 566 00:26:18,360 --> 00:26:20,360 Suspense. 567 00:26:20,360 --> 00:26:22,360 Suspense. 568 00:26:23,360 --> 00:26:29,360 This is Truman Bradley with a word for Roma Wines, the sponsor of suspense. 569 00:26:29,360 --> 00:26:36,360 During the warm weather, nothing tastes quite so good as a tall, frosty Roma wine and soda. 570 00:26:36,360 --> 00:26:39,360 And as Elsa Maxwell recently remarked, 571 00:26:39,360 --> 00:26:44,360 serving Roma wine and soda is smart, 1945-style hospitality. 572 00:26:44,360 --> 00:26:49,360 You'll find this delightful iced drink as refreshing as it is delicious. 573 00:26:49,360 --> 00:26:53,360 Yes, and Roma wine and soda is so easy to prepare. 574 00:26:53,360 --> 00:26:58,360 Half-fill tall glasses with Roma California Burgundy or Sauternes. 575 00:26:58,360 --> 00:27:01,360 Add iced cubes and a bit of sugar. 576 00:27:01,360 --> 00:27:06,360 And for a decorative touch, garnish with cherries or fruit. 577 00:27:06,360 --> 00:27:08,360 Here's another suggestion. 578 00:27:08,360 --> 00:27:13,360 For a delightful aperitif, sip delicious Roma sweet vermouth, well chilled. 579 00:27:13,360 --> 00:27:17,360 Zestful, full-flavored Roma vermouth, both sweet and dry, 580 00:27:17,360 --> 00:27:22,360 is blended and developed with all the traditional winemaking skill of Roma wineries. 581 00:27:22,360 --> 00:27:26,360 Is made and bottled in the heart of California's famous vineyards, 582 00:27:26,360 --> 00:27:29,360 yet surprisingly low-priced. 583 00:27:29,360 --> 00:27:32,360 Try Roma vermouth soon, won't you? 584 00:27:33,360 --> 00:27:38,360 Next Thursday, you will hear Norman Royd and Mark Humboldt as stars of... 585 00:27:38,360 --> 00:27:40,360 Suspense. 586 00:27:42,360 --> 00:27:44,360 Presented by Roma Wines. 587 00:27:44,360 --> 00:27:51,360 R-O-M-A. Made in California for enjoyment throughout the world. 588 00:28:14,360 --> 00:28:21,360 R-O-M-A. Made in California for enjoyment throughout the world. 589 00:28:44,360 --> 00:28:48,360 This is CBS, the Columbia Broadcasting System. 590 00:29:14,360 --> 00:29:19,360 R-O-M-A. Made in California for enjoyment throughout the world.