1 00:00:00,000 --> 00:00:05,680 Now, the Roma Wine Company of Fresno, California presents... 2 00:00:05,680 --> 00:00:08,680 Suspense. 3 00:00:08,680 --> 00:00:24,920 Tonight, Roma Wines bring you the distinguished actor, Mr. J. Carroll Nash, a star in Footfalls, 4 00:00:24,920 --> 00:00:33,160 a suspense play produced, edited and directed by William Spear. 5 00:00:33,160 --> 00:00:36,680 Suspense is presented for your enjoyment by Roma Wines. 6 00:00:36,680 --> 00:00:39,760 That's R-O-M-A. Roma Wines. 7 00:00:39,760 --> 00:00:44,320 Those excellent California wines that can add so much pleasantness to the way you live, 8 00:00:44,320 --> 00:00:48,720 to your happiness and entertaining guests, to your enjoyment of everyday meals. 9 00:00:48,720 --> 00:00:55,040 Yes, right now a glass full would be very pleasant as Roma Wines bring you a remarkable 10 00:00:55,040 --> 00:00:57,480 tale of suspense. 11 00:00:57,480 --> 00:01:01,280 And with the drama called Footfalls and with the performance of Mr. J. Carroll Nash, Roma 12 00:01:01,280 --> 00:01:04,280 Wines hope indeed to keep you in... 13 00:01:04,280 --> 00:01:07,280 Suspense. 14 00:01:07,280 --> 00:01:20,080 How are you feeling, Bose? 15 00:01:20,080 --> 00:01:21,960 Good, Charlie. 16 00:01:21,960 --> 00:01:25,320 I feel good for a man who is going to die. 17 00:01:25,320 --> 00:01:26,720 Oh, don't be silly. 18 00:01:26,720 --> 00:01:28,520 What do you want to talk that way for? 19 00:01:28,520 --> 00:01:30,000 Oh, it is true. 20 00:01:30,000 --> 00:01:31,200 I know. 21 00:01:31,200 --> 00:01:33,360 But I do not feel bad. 22 00:01:33,360 --> 00:01:38,200 I asked you to come here only because I feel like talking a little while. 23 00:01:38,200 --> 00:01:40,600 You mind if I talk a little while, Charlie? 24 00:01:40,600 --> 00:01:41,600 Sure, sure. 25 00:01:41,600 --> 00:01:43,400 You talk as much as you want to. 26 00:01:43,400 --> 00:01:50,440 Charlie, all these years a cop, but a good cop and a good friend. 27 00:01:50,440 --> 00:01:52,040 You know I'm your friend, Bose. 28 00:01:52,040 --> 00:01:53,800 Yes, I know it. 29 00:01:53,800 --> 00:01:56,080 All these years I knew it. 30 00:01:56,080 --> 00:02:02,080 All those years when I keep silent, waiting to kill a man. 31 00:02:02,080 --> 00:02:07,000 There are not many people now who still remember my Manuel. 32 00:02:07,000 --> 00:02:11,360 But you remember, even when he was a little boy. 33 00:02:11,360 --> 00:02:19,120 Yes, perhaps it was true I was too fond, too easy on him after his mother died. 34 00:02:19,120 --> 00:02:22,560 But it was only because he was not so strong. 35 00:02:22,560 --> 00:02:24,840 And he was a good boy. 36 00:02:24,840 --> 00:02:28,680 Always Manuel was a good boy. 37 00:02:28,680 --> 00:02:33,960 You were like the others too, Charlie, the way you thought of him, but you, I know it 38 00:02:33,960 --> 00:02:38,840 was because you were afraid he would bring sorrow to all boys. 39 00:02:38,840 --> 00:02:45,920 I even remember the first time you were afraid, when he was just a little fellow. 40 00:02:45,920 --> 00:02:46,920 Papa. 41 00:02:46,920 --> 00:02:47,920 Yes, Manuel? 42 00:02:47,920 --> 00:02:49,800 What are you doing? 43 00:02:49,800 --> 00:02:51,360 What am I doing? 44 00:02:51,360 --> 00:02:52,720 What I always do. 45 00:02:52,720 --> 00:02:53,720 I work. 46 00:02:53,720 --> 00:02:55,560 I mend shoes. 47 00:02:55,560 --> 00:02:56,560 How do you? 48 00:02:56,560 --> 00:02:59,200 What kind of questions do you ask me? 49 00:02:59,200 --> 00:03:00,200 How do I? 50 00:03:00,200 --> 00:03:03,480 You see, ever since you were a little baby, how I do? 51 00:03:03,480 --> 00:03:07,480 With my knife, my hammer, with the little nails. 52 00:03:07,480 --> 00:03:10,080 But how can you work when you can't see? 53 00:03:10,080 --> 00:03:14,720 Why do I have need to see when I have my hands and my ears? 54 00:03:14,720 --> 00:03:17,640 Papa, what is it like to be blind? 55 00:03:17,640 --> 00:03:20,280 Oh, it is not like anything. 56 00:03:20,280 --> 00:03:25,560 What I touch with my hands, what I hear with my ears, those things I see with my mind, 57 00:03:25,560 --> 00:03:27,640 as well as you do with your eyes. 58 00:03:27,640 --> 00:03:31,200 Oh, it is nothing to be blind. 59 00:03:31,200 --> 00:03:34,200 Ah, good morning, Miss Evans. 60 00:03:34,200 --> 00:03:35,720 Good morning, Boaz. 61 00:03:35,720 --> 00:03:36,720 Hello, Manuel. 62 00:03:36,720 --> 00:03:37,720 Hello. 63 00:03:37,720 --> 00:03:41,800 Papa, is it really true that you can tell everybody by their footsteps? 64 00:03:41,800 --> 00:03:43,640 Oh, of course. 65 00:03:43,640 --> 00:03:45,520 Didn't you see just then? 66 00:03:45,520 --> 00:03:47,760 And you really can't see them at all? 67 00:03:47,760 --> 00:03:48,760 Not even a little bit? 68 00:03:48,760 --> 00:03:51,000 Not even a little bit. 69 00:03:51,000 --> 00:03:56,680 To me, a footstep is as to you a face or a voice, each one is different. 70 00:03:56,680 --> 00:04:01,440 That is how I know people and remember them, even for many years. 71 00:04:01,440 --> 00:04:02,840 All right. 72 00:04:02,840 --> 00:04:04,800 Tell me who's coming down the street now. 73 00:04:04,800 --> 00:04:06,280 But you mustn't look. 74 00:04:06,280 --> 00:04:08,640 Oh, somebody is coming now. 75 00:04:08,640 --> 00:04:10,640 Well, well. 76 00:04:10,640 --> 00:04:13,000 That is the easiest of all, Manuel. 77 00:04:13,000 --> 00:04:15,440 That is our policeman, Mr. Rug. 78 00:04:15,440 --> 00:04:18,040 Now, am I right? 79 00:04:18,040 --> 00:04:19,040 Mm-hmm. 80 00:04:19,040 --> 00:04:20,400 Oh, hello, Charlie. 81 00:04:20,400 --> 00:04:22,000 You come for your shoes? 82 00:04:22,000 --> 00:04:23,480 No, just passing by. 83 00:04:23,480 --> 00:04:25,600 But I'll pick them up if they're ready. 84 00:04:25,600 --> 00:04:26,840 Well, not yet, Charlie. 85 00:04:26,840 --> 00:04:30,040 But do you come back this afternoon and they will be ready? 86 00:04:30,040 --> 00:04:33,080 Papa, can I have a nickel? 87 00:04:33,080 --> 00:04:35,480 Always the piece for the pocket, huh? 88 00:04:35,480 --> 00:04:36,960 Here, here's what they have. 89 00:04:36,960 --> 00:04:38,600 Now, you take a nickel out, huh? 90 00:04:38,600 --> 00:04:39,600 Thanks, Papa. 91 00:04:39,600 --> 00:04:41,080 Here, here you young scamp. 92 00:04:41,080 --> 00:04:42,080 Let me go. 93 00:04:42,080 --> 00:04:43,080 Well, what is it? 94 00:04:43,080 --> 00:04:45,160 It wasn't a nickel he took, it was half a dollar. 95 00:04:45,160 --> 00:04:48,520 Well, oh, that was only a mistake. 96 00:04:48,520 --> 00:04:51,440 Oh, Manuel, you keep the half dollar. 97 00:04:51,440 --> 00:04:52,920 Now, go on, run along. 98 00:04:52,920 --> 00:04:53,920 Thanks, Papa. 99 00:04:53,920 --> 00:04:55,920 Bye-bye. 100 00:04:55,920 --> 00:05:00,680 I didn't mean to butt in between you and your young men, Bose, but I thought maybe you didn't... 101 00:05:00,680 --> 00:05:02,360 That I did not know. 102 00:05:02,360 --> 00:05:05,280 Oh, I knew. 103 00:05:05,280 --> 00:05:10,160 But Manuel, he needs things now and he is not like other boys. 104 00:05:10,160 --> 00:05:12,920 Well, he's not so strong. 105 00:05:12,920 --> 00:05:16,520 Yeah, it's none of my business, but spare the rod, you know. 106 00:05:16,520 --> 00:05:18,280 He is a good boy. 107 00:05:18,280 --> 00:05:30,680 My Manuel is always a good boy. 108 00:05:30,680 --> 00:05:36,600 So it was like that through the years, a quiet life, my work, my shop, my house behind the 109 00:05:36,600 --> 00:05:41,680 shop, a quiet life until that day he came. 110 00:05:41,680 --> 00:05:45,480 My Manuel, he was a big boy now, almost a man. 111 00:05:45,480 --> 00:05:48,960 Still, he was not strong. 112 00:05:48,960 --> 00:05:53,720 I remember that day, it was evening, and Manuel had just come into the shop. 113 00:05:53,720 --> 00:05:55,720 I knew what he wanted. 114 00:05:55,720 --> 00:05:57,080 Hello, Pop. 115 00:05:57,080 --> 00:05:58,640 Oh, hello, Manuel. 116 00:05:58,640 --> 00:06:00,840 Well, have a good day today? 117 00:06:00,840 --> 00:06:02,320 Sure, pretty good. 118 00:06:02,320 --> 00:06:05,200 So, well, what were you doing today? 119 00:06:05,200 --> 00:06:07,960 Oh, just walking around and thinking. 120 00:06:07,960 --> 00:06:09,400 Thinking, uh-huh. 121 00:06:09,400 --> 00:06:11,080 Thinking about what? 122 00:06:11,080 --> 00:06:12,840 Just about people and things. 123 00:06:12,840 --> 00:06:16,760 Do they pay much for that kind of work, Manuel? 124 00:06:16,760 --> 00:06:18,240 You want me to get a job, Pop? 125 00:06:18,240 --> 00:06:21,120 Oh, Manuel, no, no, you do that when you want to. 126 00:06:21,120 --> 00:06:25,080 To work is good, but to think is good, too. 127 00:06:25,080 --> 00:06:26,680 You're a swell guy, Pop. 128 00:06:26,680 --> 00:06:30,760 Well, now, maybe a piece for the pocket, huh? 129 00:06:30,760 --> 00:06:31,760 Well... 130 00:06:31,760 --> 00:06:33,880 Five dollars, ten maybe? 131 00:06:33,880 --> 00:06:34,880 If it's all right. 132 00:06:34,880 --> 00:06:35,880 Sure, here. 133 00:06:35,880 --> 00:06:36,880 Here you are. 134 00:06:36,880 --> 00:06:37,880 Huh? 135 00:06:37,880 --> 00:06:43,320 It's a stranger coming down our street. 136 00:06:43,320 --> 00:06:44,880 You hear? 137 00:06:44,880 --> 00:06:46,760 Not the way you do, Pop. 138 00:06:46,760 --> 00:06:49,400 Why, he's stopping at our door, I think. 139 00:06:49,400 --> 00:06:51,720 Well, I think I'll be going, Pop. 140 00:06:51,720 --> 00:06:52,720 Yes, Manuel. 141 00:06:52,720 --> 00:06:53,720 Good night. 142 00:06:53,720 --> 00:06:54,720 Good night, Pop. 143 00:06:54,720 --> 00:06:55,720 Mr. Negro? 144 00:06:55,720 --> 00:06:56,720 Mr. Boaz Negro? 145 00:06:56,720 --> 00:06:57,720 Yes? 146 00:06:57,720 --> 00:07:03,080 I'm a stranger in town, Mr. Negro, and I... 147 00:07:03,080 --> 00:07:04,080 Yes, yes, I know. 148 00:07:04,080 --> 00:07:08,240 What? What was that you said? 149 00:07:08,240 --> 00:07:09,240 Oh, nothing. 150 00:07:09,240 --> 00:07:12,240 I was merely thinking out loud. 151 00:07:12,240 --> 00:07:13,240 Please continue, Mr. 152 00:07:13,240 --> 00:07:14,240 Mr. 153 00:07:14,240 --> 00:07:15,240 Wood. 154 00:07:15,240 --> 00:07:16,240 Campbell Wood. 155 00:07:16,240 --> 00:07:17,240 Wood. 156 00:07:17,240 --> 00:07:18,240 Mr. Campbell Wood. 157 00:07:18,240 --> 00:07:23,200 Well, as I was saying, I'm a stranger in town, and I was told down at the depot that you 158 00:07:23,200 --> 00:07:24,200 had a room to rent. 159 00:07:24,200 --> 00:07:25,560 Matter of fact, I have. 160 00:07:25,560 --> 00:07:29,480 Well, I'm just starting at a new job in the bank, and I can't afford to pay too much, 161 00:07:29,480 --> 00:07:30,480 but... 162 00:07:30,480 --> 00:07:34,640 I always like to help a young fellow to get a start in life. 163 00:07:34,640 --> 00:07:37,200 How would five dollars a week suit you, Mr. Wood? 164 00:07:37,200 --> 00:07:39,120 Oh, that is if you like the room, of course. 165 00:07:39,120 --> 00:07:41,600 That would be just fine, Mr. Negro. 166 00:07:41,600 --> 00:07:45,720 Now, if I could see the room. 167 00:07:45,720 --> 00:07:48,880 So you are making your start in life, eh, Mr. Wood? 168 00:07:48,880 --> 00:07:50,720 Well, I hope so, Mr. Negro. 169 00:07:50,720 --> 00:07:57,480 You know, I can tell something about you, Mr. Wood, by your voice, but even more by 170 00:07:57,480 --> 00:07:58,480 your footsteps. 171 00:07:58,480 --> 00:07:59,480 By my footsteps? 172 00:07:59,480 --> 00:08:03,800 Oh, that is a sort of specialty of mine, yes? 173 00:08:03,800 --> 00:08:07,720 I think you will, as they say, go places, Mr. Wood. 174 00:08:07,720 --> 00:08:09,400 Well, I'll certainly try. 175 00:08:09,400 --> 00:08:11,600 Oh, yes, yes, you will, Mr. Wood. 176 00:08:11,600 --> 00:08:17,400 Very definitely you will go places. 177 00:08:17,400 --> 00:08:26,600 Yes, and I was right. 178 00:08:26,600 --> 00:08:31,640 He did go places, maybe even a little too fast, and there was talk. 179 00:08:31,640 --> 00:08:36,480 That fine young Mr. Wood who lived with old boys, Negro, they said, what a contrast to 180 00:08:36,480 --> 00:08:39,320 that son, that Manuel, who did nothing. 181 00:08:39,320 --> 00:08:43,200 Then that night, that night when he came home late. 182 00:08:43,200 --> 00:08:45,840 Oh, good evening, Mr. Wood. 183 00:08:45,840 --> 00:08:47,440 You are out rather late tonight. 184 00:08:47,440 --> 00:08:50,640 Yes, I had to attend a special board of trade meeting. 185 00:08:50,640 --> 00:08:52,600 And you, you're up rather late tonight yourself. 186 00:08:52,600 --> 00:08:58,040 Yes, I had to attend to my special shoes. 187 00:08:58,040 --> 00:09:00,200 Mr. Boas, I'd like to speak to you. 188 00:09:00,200 --> 00:09:02,040 Well, do you need my permission? 189 00:09:02,040 --> 00:09:04,240 Well, this affair is none of my business. 190 00:09:04,240 --> 00:09:05,680 Well, go on, go on. 191 00:09:05,680 --> 00:09:11,520 Well, Don, I hate to see a hardworking man like yourself support a lazy son. 192 00:09:11,520 --> 00:09:12,960 Why doesn't he get himself a job? 193 00:09:12,960 --> 00:09:14,720 You know, my Manuel is not strong. 194 00:09:14,720 --> 00:09:18,640 Well, that's what I've heard you tell your friends, but he doesn't appear undernourished 195 00:09:18,640 --> 00:09:19,640 to me. 196 00:09:19,640 --> 00:09:22,960 Mr. Wood, my Manuel is not too strong. 197 00:09:22,960 --> 00:09:24,920 Well, couldn't he learn your trade then? 198 00:09:24,920 --> 00:09:25,920 Shoemaking? 199 00:09:25,920 --> 00:09:28,840 Well, it may be good enough for a blind man, but for Manuel... 200 00:09:28,840 --> 00:09:33,480 Well, I'm feeling a bit tired, so I guess I'll be going upstairs. 201 00:09:33,480 --> 00:09:38,880 Oh, darn it, getting as careless as a newborn baby. 202 00:09:38,880 --> 00:09:41,880 Now, let me see. 203 00:09:41,880 --> 00:09:44,880 Oh, dear, gee whiz. 204 00:09:44,880 --> 00:09:47,400 Oh, I'm glad it's all here. 205 00:09:47,400 --> 00:09:49,400 I'm responsible, you know. 206 00:09:49,400 --> 00:09:50,400 For what? 207 00:09:50,400 --> 00:09:52,120 For the gold I have in this sack. 208 00:09:52,120 --> 00:09:54,240 It's government money for the breakwater project. 209 00:09:54,240 --> 00:09:55,640 Indeed, but why have you... 210 00:09:55,640 --> 00:09:59,240 I know what you're thinking, Mr. Negrow, but I'm keeping the money for the bank until tomorrow 211 00:09:59,240 --> 00:10:00,240 morning. 212 00:10:00,240 --> 00:10:04,760 You see, too many people in town know that we received the funds, and I don't trust that 213 00:10:04,760 --> 00:10:06,360 old safe we have down at the bank. 214 00:10:06,360 --> 00:10:08,080 Well, very, very clever, Mr. Wood. 215 00:10:08,080 --> 00:10:13,360 So you take the money home for you with safekeeping, and nobody is any wiser. 216 00:10:13,360 --> 00:10:14,360 Very clever. 217 00:10:14,360 --> 00:10:17,560 I'd rather think so myself. 218 00:10:17,560 --> 00:10:21,200 I'm glad I dropped the sack in front of you, Mr. Negrow, because I know I can trust you 219 00:10:21,200 --> 00:10:24,880 as far as, well, as far as I can trust myself. 220 00:10:24,880 --> 00:10:29,160 That is a fine compliment for an old cobbler, Mr. Wood. 221 00:10:29,160 --> 00:10:31,440 Well, I'm going upstairs now. 222 00:10:31,440 --> 00:10:33,200 Remember, I have your word. 223 00:10:33,200 --> 00:10:34,960 Yes, you have my word. 224 00:10:34,960 --> 00:10:35,960 What's that? 225 00:10:35,960 --> 00:10:38,520 Oh, well, a mouse, I suppose. 226 00:10:38,520 --> 00:10:40,360 I will have to set a trap. 227 00:10:40,360 --> 00:10:41,360 Is Manuel home? 228 00:10:41,360 --> 00:10:44,360 No, no, no, Mr. Wood, he is not here. 229 00:10:44,360 --> 00:10:45,360 Good night. 230 00:10:45,360 --> 00:10:52,600 Good night. 231 00:10:52,600 --> 00:10:55,320 That was the first time I was frightened. 232 00:10:55,320 --> 00:10:58,920 That was the first time I ever thought of such a thing. 233 00:10:58,920 --> 00:11:02,920 Manuel was home, and he has heard everything I thought. 234 00:11:02,920 --> 00:11:07,960 Manuel has heard the tinkle of gold, the tinkle of gold. 235 00:11:07,960 --> 00:11:09,960 Manuel, Manuel. 236 00:11:09,960 --> 00:11:12,760 Yes, Pop? 237 00:11:12,760 --> 00:11:15,480 Did you hear my boy? 238 00:11:15,480 --> 00:11:18,280 Yes, I heard, Pop. 239 00:11:18,280 --> 00:11:20,040 You won't say anything. 240 00:11:20,040 --> 00:11:21,040 Why should I? 241 00:11:21,040 --> 00:11:24,520 Ah, you are a good boy, Manuel. 242 00:11:24,520 --> 00:11:27,000 Are you short of money? 243 00:11:27,000 --> 00:11:28,000 Perhaps $10? 244 00:11:28,000 --> 00:11:31,280 Thanks, Pop, but I don't need it now. 245 00:11:31,280 --> 00:11:33,480 Well, are you sure, Manuel? 246 00:11:33,480 --> 00:11:36,540 A fiver or a tenner? 247 00:11:36,540 --> 00:11:38,240 Not now, Pop. 248 00:11:38,240 --> 00:11:39,760 Some other time, huh? 249 00:11:39,760 --> 00:11:40,760 Sure, Pop. 250 00:11:40,760 --> 00:11:42,480 Sure, some other time. 251 00:11:42,480 --> 00:11:46,040 Some other time. 252 00:11:46,040 --> 00:11:48,280 My Manuel was a good boy. 253 00:11:48,280 --> 00:11:52,200 Yes, but I wished he did not know about the money. 254 00:11:52,200 --> 00:12:00,800 I tried to return to my work, but I could not, and suddenly I knew that I was listening. 255 00:12:00,800 --> 00:12:06,200 First I heard footsteps there in the house behind the shop, the footsteps prowling here 256 00:12:06,200 --> 00:12:16,880 and there, halting, advancing again, then others pacing back and forth, back and forth. 257 00:12:16,880 --> 00:12:19,560 A door opened, a voice. 258 00:12:19,560 --> 00:12:22,560 Hello, Casino, or Gin Rummy? 259 00:12:22,560 --> 00:12:23,960 Sure, why not? 260 00:12:23,960 --> 00:12:29,440 The steps again, the door closing, and then silence. 261 00:12:29,440 --> 00:12:33,520 Oh, how I wished to know what that silence meant. 262 00:12:33,520 --> 00:12:38,960 And yet, though I wished to know stronger in me than that, I wished not to know. 263 00:12:38,960 --> 00:12:46,400 It was cold, and I pulled my old coat around me, still listening to the silence. 264 00:12:46,400 --> 00:12:52,080 A little later I thought I heard a little sound like the rustling of the wind outside 265 00:12:52,080 --> 00:13:03,160 my shop, but I could not tell, and then perhaps I dozed there in my chair. 266 00:13:03,160 --> 00:13:04,160 Smoke! 267 00:13:04,160 --> 00:13:07,840 Yes, there's fire in my house, fire! 268 00:13:07,840 --> 00:13:08,840 Help! 269 00:13:08,840 --> 00:13:09,840 Fire! 270 00:13:09,840 --> 00:13:10,840 Fire! 271 00:13:10,840 --> 00:13:11,840 Fire! 272 00:13:11,840 --> 00:13:23,080 The rest was like a nightmare, because I knew. 273 00:13:23,080 --> 00:13:26,520 Even as they poked and searched through the ashes of my house, I knew. 274 00:13:26,520 --> 00:13:27,520 Hey, look here. 275 00:13:27,520 --> 00:13:29,640 A body, a man's body. 276 00:13:29,640 --> 00:13:33,320 Yeah, what's left of it. 277 00:13:33,320 --> 00:13:36,720 Oh, a dreadful accident. 278 00:13:36,720 --> 00:13:37,720 It wasn't an accident. 279 00:13:37,720 --> 00:13:38,720 Well, why not? 280 00:13:38,720 --> 00:13:40,240 A guy can fall asleep with his clothes on. 281 00:13:40,240 --> 00:13:48,040 But this guy's got his skull smashed in, and that makes it murder. 282 00:13:48,040 --> 00:13:56,720 Murder. 283 00:13:56,720 --> 00:14:01,400 For Suspense, Roma Wines are bringing you a star, Mr. J. Carroll Nash, whom you've heard 284 00:14:01,400 --> 00:14:06,080 in the first act of Footfalls by Wilbur Daniels Steele, which is Roma Wines' presentation 285 00:14:06,080 --> 00:14:17,120 tonight of Suspense. 286 00:14:17,120 --> 00:14:21,800 Between the acts of Suspense, this is Truman Bradley for Roma Wines. 287 00:14:21,800 --> 00:14:27,400 Elsa Maxwell's ideas on gracious entertaining are followed by women all over America. 288 00:14:27,400 --> 00:14:30,360 The other day, she said this about Roma Wines. 289 00:14:30,360 --> 00:14:36,180 One of my favorite wines is distinguished Roma California Sherry, a glorious gold and 290 00:14:36,180 --> 00:14:40,960 amber wine, delightfully light and nut-like in taste. 291 00:14:40,960 --> 00:14:46,440 Roma Sherry is ideal for any occasion, before dinner with appetizers, or during the friendly 292 00:14:46,440 --> 00:14:47,840 evening hours. 293 00:14:47,840 --> 00:14:55,120 Yes, good Roma Sherry, like all Roma wines, is always delicious, unvaryingly good. 294 00:14:55,120 --> 00:14:59,880 The goodness of carefully selected grapes, brought slowly to perfection in California's 295 00:14:59,880 --> 00:15:07,360 choicest vineyards, gently pressed, then unhurriedly guided to flavor richness by Roma's ancient 296 00:15:07,360 --> 00:15:08,720 winemaking skill. 297 00:15:08,720 --> 00:15:13,320 Yet, all this goodness is yours for only pennies a glass. 298 00:15:13,320 --> 00:15:19,960 Remember, because of uniformly fine quality at reasonable cost, more Americans enjoy Roma 299 00:15:19,960 --> 00:15:22,160 than any other wine. 300 00:15:22,160 --> 00:15:25,960 R-O-M-A, Roma Wines. 301 00:15:25,960 --> 00:15:31,520 And now, Roma Wines bring back to our Hollywood soundstage J. Carol Nash, who in the character 302 00:15:31,520 --> 00:15:36,240 of Boas Negro, the Blind Cobbler, continues a narrative well calculated to keep you in 303 00:15:36,240 --> 00:15:49,600 suspense. 304 00:15:49,600 --> 00:15:53,120 It is very kind of you to listen, Charlie. 305 00:15:53,120 --> 00:15:56,520 I feel suddenly so old. 306 00:15:56,520 --> 00:16:03,680 I feel that it is right for me to tell about it, because sometime tonight I am going to 307 00:16:03,680 --> 00:16:04,680 go. 308 00:16:04,680 --> 00:16:11,960 Oh, but that nightmare day when the body was found in the ashes of my house, when I was 309 00:16:11,960 --> 00:16:18,480 forced with my heart breaking to agree with you that a dreadful crime had been committed. 310 00:16:18,480 --> 00:16:21,640 You remember, Charlie, you came to me here and... 311 00:16:21,640 --> 00:16:24,560 Listen, Boas, we have identified the body every way there is. 312 00:16:24,560 --> 00:16:28,000 The clothes, the cufflinks, the watch they gave him at the bank, you know that. 313 00:16:28,000 --> 00:16:29,440 And the money is gone. 314 00:16:29,440 --> 00:16:30,440 Yes. 315 00:16:30,440 --> 00:16:31,440 All right, then. 316 00:16:31,440 --> 00:16:34,360 For the hundredth time, where is Manuel? 317 00:16:34,360 --> 00:16:35,360 Where is Manuel? 318 00:16:35,360 --> 00:16:37,440 And for the hundredth time, I do not know. 319 00:16:37,440 --> 00:16:38,880 Come on, Boas, quit stalling. 320 00:16:38,880 --> 00:16:39,880 Where is he? 321 00:16:39,880 --> 00:16:40,880 I am not stalling. 322 00:16:40,880 --> 00:16:42,880 I don't know, I tell you. 323 00:16:42,880 --> 00:16:44,560 All right. 324 00:16:44,560 --> 00:16:45,560 When did you see him last? 325 00:16:45,560 --> 00:16:46,560 After supper. 326 00:16:46,560 --> 00:16:47,820 He was in the shop. 327 00:16:47,820 --> 00:16:49,920 You knew about the government money, Boas? 328 00:16:49,920 --> 00:16:50,920 Yes. 329 00:16:50,920 --> 00:16:52,600 And Manuel, he knew too? 330 00:16:52,600 --> 00:16:53,600 Manuel knew? 331 00:16:53,600 --> 00:16:54,600 Yes. 332 00:16:54,600 --> 00:16:55,600 I see. 333 00:16:55,600 --> 00:16:56,600 As I thought. 334 00:16:56,600 --> 00:16:59,560 Well, you must not think those things about my Manuel, Chief. 335 00:16:59,560 --> 00:17:01,100 He is a good boy. 336 00:17:01,100 --> 00:17:02,280 What happened after you saw Manuel? 337 00:17:02,280 --> 00:17:03,280 Nothing. 338 00:17:03,280 --> 00:17:04,280 He went into sleep. 339 00:17:04,280 --> 00:17:05,720 He stayed in the shop and worked. 340 00:17:05,720 --> 00:17:06,720 I see. 341 00:17:06,720 --> 00:17:08,120 Did you hear anything, Boas? 342 00:17:08,120 --> 00:17:09,120 Yes. 343 00:17:09,120 --> 00:17:12,080 I heard a man, the man, moving about. 344 00:17:12,080 --> 00:17:13,080 What man? 345 00:17:13,080 --> 00:17:15,400 Mr. Wood upstairs and my son down here. 346 00:17:15,400 --> 00:17:17,240 Ah, then Manuel wasn't asleep. 347 00:17:17,240 --> 00:17:20,520 No, he was not asleep. 348 00:17:20,520 --> 00:17:21,520 Go on. 349 00:17:21,520 --> 00:17:24,120 A while later, the noise stopped and... 350 00:17:24,120 --> 00:17:25,120 We must know everything, Boas. 351 00:17:25,120 --> 00:17:29,960 Well, a while later, Mr. Wood called down to Manuel and asked him if he cared to come 352 00:17:29,960 --> 00:17:31,880 upstairs and play cards with him. 353 00:17:31,880 --> 00:17:32,880 You heard him ask that? 354 00:17:32,880 --> 00:17:33,880 Yes. 355 00:17:33,880 --> 00:17:34,880 He was talking to Manuel who asked Mr. Wood. 356 00:17:34,880 --> 00:17:35,880 Yet this is... 357 00:17:35,880 --> 00:17:39,320 This is as I said, I do not lie to you. 358 00:17:39,320 --> 00:17:40,960 All right, all right. 359 00:17:40,960 --> 00:17:42,600 Did Manuel go up to Mr. Wood's room? 360 00:17:42,600 --> 00:17:44,320 Yes, he went up. 361 00:17:44,320 --> 00:17:45,320 I see. 362 00:17:45,320 --> 00:17:47,800 Now, did you hear anything else after that? 363 00:17:47,800 --> 00:17:49,800 No, no nothing. 364 00:17:49,800 --> 00:17:50,800 Nothing? 365 00:17:50,800 --> 00:17:51,800 Hmm? 366 00:17:51,800 --> 00:17:56,640 Well, there is something else. 367 00:17:56,640 --> 00:18:02,200 Sometime during the night, I thought I heard something, footfalls perhaps, stealing past 368 00:18:02,200 --> 00:18:03,200 my shop. 369 00:18:03,200 --> 00:18:04,200 I see. 370 00:18:04,200 --> 00:18:06,960 That you wouldn't swear in court that you heard them. 371 00:18:06,960 --> 00:18:09,440 No, not in court or here in my shop. 372 00:18:09,440 --> 00:18:13,000 I cannot swear to something I am not sure of. 373 00:18:13,000 --> 00:18:16,120 Boas, you're a good man. 374 00:18:16,120 --> 00:18:19,920 We don't want to cause any trouble, but you understand a man has been murdered, government 375 00:18:19,920 --> 00:18:22,220 funds are missing and your son is gone. 376 00:18:22,220 --> 00:18:23,220 What else can we think? 377 00:18:23,220 --> 00:18:28,720 As far as I'm concerned, it's an open and shut case. 378 00:18:28,720 --> 00:18:32,480 I've issued a warrant for Manuel's arrest. 379 00:18:32,480 --> 00:18:34,600 Oh no, no, you cannot. 380 00:18:34,600 --> 00:18:35,600 Yes. 381 00:18:35,600 --> 00:18:39,360 And if you know where he is, it'll go easier for him if you pass on that information. 382 00:18:39,360 --> 00:18:41,440 I've told you all I wish to tell you. 383 00:18:41,440 --> 00:18:42,440 All right, be stubborn. 384 00:18:42,440 --> 00:18:43,440 Stubborn? 385 00:18:43,440 --> 00:18:45,040 Do you wish me to dance a jig? 386 00:18:45,040 --> 00:18:46,840 I tell the truth and you do not believe me. 387 00:18:46,840 --> 00:18:48,480 What more can I do? 388 00:18:48,480 --> 00:18:50,640 Gosh, put yourself in my place, Boas. 389 00:18:50,640 --> 00:18:51,640 This is serious business. 390 00:18:51,640 --> 00:18:53,960 And will you change places with me? 391 00:18:53,960 --> 00:19:01,240 I have lost everything, my house, even my honor, my only son. 392 00:19:01,240 --> 00:19:08,440 I'm sorry. 393 00:19:08,440 --> 00:19:13,420 Someday that murder will return to the place of his crime and when it does, I shall be 394 00:19:13,420 --> 00:19:14,420 waiting for him. 395 00:19:14,420 --> 00:19:29,880 Yes, then, then I will show you for I shall be waiting for him. 396 00:19:29,880 --> 00:19:31,960 Two questions, I gave no answer. 397 00:19:31,960 --> 00:19:33,240 Two threats, I gave no heed. 398 00:19:33,240 --> 00:19:42,160 I scarcely heard them for my ears were deaf to all sounds save one, the sound of footfalls. 399 00:19:42,160 --> 00:19:44,720 The footsteps of a murderer. 400 00:19:44,720 --> 00:19:47,640 Patiently as the weeks, the months, then the years moved by. 401 00:19:47,640 --> 00:19:49,480 I listened for three years. 402 00:19:49,480 --> 00:19:52,440 I listened, wondering only when they would come. 403 00:19:52,440 --> 00:19:55,800 For three years more, I wondered if they would come. 404 00:19:55,800 --> 00:20:00,120 Only the last three years was I troubled by the growing of a terrible doubt. 405 00:20:00,120 --> 00:20:03,080 Suppose the steps had come and gone and I had not heard. 406 00:20:03,080 --> 00:20:05,360 Suppose I were to make a mistake. 407 00:20:05,360 --> 00:20:08,760 Suppose my ears should fail me and I could not remember. 408 00:20:08,760 --> 00:20:10,800 Could not remember. 409 00:20:10,800 --> 00:20:15,680 From that first hour of doubt, every waking moment, yes, even in my dreams, I lived in 410 00:20:15,680 --> 00:20:18,760 a nightmare of echoing jumbled footsteps. 411 00:20:18,760 --> 00:20:22,000 Footsteps slow and halting. 412 00:20:22,000 --> 00:20:23,400 Footsteps quick and running. 413 00:20:23,400 --> 00:20:25,680 Pounding heavy footsteps. 414 00:20:25,680 --> 00:20:27,840 All those like as a cat's tread. 415 00:20:27,840 --> 00:20:30,360 More, more, faster, faster. 416 00:20:30,360 --> 00:20:49,760 Footsteps, footsteps, footsteps. 417 00:20:49,760 --> 00:20:52,880 It was the evening of the winter holidays. 418 00:20:52,880 --> 00:20:56,800 The Portuguese festival of Menuhesu. 419 00:20:56,800 --> 00:21:01,600 Christ was born again in a hundred mangers and a hundred tiny altars. 420 00:21:01,600 --> 00:21:04,920 There was cake and wine and song. 421 00:21:04,920 --> 00:21:07,320 And in all the houses there were lights. 422 00:21:07,320 --> 00:21:13,480 Even in my shop, the shop of Bois Negro, a customer had just called for his shoes and 423 00:21:13,480 --> 00:21:14,480 gone out again. 424 00:21:14,480 --> 00:21:18,080 Now I was thinking of putting out those lights. 425 00:21:18,080 --> 00:21:22,560 I reached up to turn the switch and stopped. 426 00:21:22,560 --> 00:21:25,720 And I entered the shop. 427 00:21:25,720 --> 00:21:27,640 The newcomer stood by the closed door. 428 00:21:27,640 --> 00:21:32,920 I wondered why I had not heard the footfalls leading into the shop. 429 00:21:32,920 --> 00:21:35,320 Yes, what can I do for you? 430 00:21:35,320 --> 00:21:36,920 Well, I don't know. 431 00:21:36,920 --> 00:21:38,600 To tell the truth. 432 00:21:38,600 --> 00:21:40,600 You will have to come nearer, please. 433 00:21:40,600 --> 00:21:43,600 I am a little deaf. 434 00:21:43,600 --> 00:21:48,000 Oh, all right. 435 00:21:48,000 --> 00:21:49,560 Can you hear me now? 436 00:21:49,560 --> 00:21:51,080 Fine, just fine. 437 00:21:51,080 --> 00:21:55,880 I have a pair of expensive boots with me and they're in need of repair. 438 00:21:55,880 --> 00:21:56,880 Could you fix them? 439 00:21:56,880 --> 00:22:00,440 I think so, if you care to leave them with me. 440 00:22:00,440 --> 00:22:03,160 Well, darn it, I haven't got them with me now. 441 00:22:03,160 --> 00:22:07,200 I just thought I could I look around a bit, you know, look around. 442 00:22:07,200 --> 00:22:12,840 Well, you are welcome, but I assure you there is not much interest in a poor copper shop. 443 00:22:12,840 --> 00:22:14,920 Well, that may be true, but I... 444 00:22:14,920 --> 00:22:15,920 The lights. 445 00:22:15,920 --> 00:22:17,480 Put on these lights. 446 00:22:17,480 --> 00:22:18,480 I can't see. 447 00:22:18,480 --> 00:22:19,680 Why did you turn them off? 448 00:22:19,680 --> 00:22:21,920 I can see much better in the dark. 449 00:22:21,920 --> 00:22:22,920 You're crazy. 450 00:22:22,920 --> 00:22:23,920 You can't see at all. 451 00:22:23,920 --> 00:22:24,920 How did you know? 452 00:22:24,920 --> 00:22:27,000 Put on those lights. 453 00:22:27,000 --> 00:22:28,080 Stay where you are. 454 00:22:28,080 --> 00:22:29,480 I can hear every move. 455 00:22:29,480 --> 00:22:33,280 What are you going to do? 456 00:22:33,280 --> 00:22:34,280 Keep away from me. 457 00:22:34,280 --> 00:22:35,280 Don't touch me. 458 00:22:35,280 --> 00:22:36,280 Murderer, murderer. 459 00:22:36,280 --> 00:22:37,280 I have waited nine years. 460 00:22:37,280 --> 00:22:38,280 I have lived for this day. 461 00:22:38,280 --> 00:22:39,280 Murderer. 462 00:22:39,280 --> 00:23:02,000 Then as he died, suddenly I realized this man that I had killed has a beard, a full beard 463 00:23:02,000 --> 00:23:06,120 over his face, over his throat where my fingers strangled him. 464 00:23:06,120 --> 00:23:10,360 I could have been wrong, but no, the footsteps I was certain of. 465 00:23:10,360 --> 00:23:15,600 Then perhaps others would not know him for who he was if suddenly I knew what I must 466 00:23:15,600 --> 00:23:16,600 do. 467 00:23:16,600 --> 00:23:22,640 That his last cries had been heard, I knew, for I could hear the crowd gathering outside 468 00:23:22,640 --> 00:23:23,640 my locked door. 469 00:23:23,640 --> 00:23:28,320 But I set about my task as carefully as though he had been alive. 470 00:23:28,320 --> 00:23:34,160 With a sure, unhurried touch, I continued at my work even as you battered at the door. 471 00:23:34,160 --> 00:23:35,160 All right. 472 00:23:35,160 --> 00:23:36,160 Stand back, all of you. 473 00:23:36,160 --> 00:23:37,160 Stand back. 474 00:23:37,160 --> 00:23:38,160 Come on, Martin. 475 00:23:38,160 --> 00:23:39,160 Yeah, all right. 476 00:23:39,160 --> 00:23:40,160 Lord only knows what we were finding here. 477 00:23:40,160 --> 00:23:41,160 Bose. 478 00:23:41,160 --> 00:23:42,160 Dark as pitch. 479 00:23:42,160 --> 00:23:43,160 Bose, where are you? 480 00:23:43,160 --> 00:23:44,160 Put on the lights, Martin. 481 00:23:44,160 --> 00:23:45,160 I can't find... 482 00:23:45,160 --> 00:23:46,160 Oh, here it is, Chief. 483 00:23:46,160 --> 00:23:47,160 Yeah, that's much better. 484 00:23:47,160 --> 00:23:48,160 Bose. 485 00:23:48,160 --> 00:23:49,160 Bose, what are you doing there on the floor? 486 00:23:49,160 --> 00:23:50,160 Bose, are you all right? 487 00:23:50,160 --> 00:23:51,160 Chief, he's shaving someone. 488 00:23:51,160 --> 00:23:52,160 Bose, what are you doing there? 489 00:23:52,160 --> 00:23:53,160 It's all right, Charlie. 490 00:23:53,160 --> 00:23:54,160 I'm through. 491 00:23:54,160 --> 00:23:55,160 I'm through. 492 00:23:55,160 --> 00:23:56,160 Now, I'm going to go. 493 00:23:56,160 --> 00:23:57,160 I'm going to go. 494 00:23:57,160 --> 00:23:58,160 I'm going to go. 495 00:23:58,160 --> 00:23:59,160 I'm going to go. 496 00:23:59,160 --> 00:24:00,160 I'm going to go. 497 00:24:00,160 --> 00:24:01,160 I'm going to go. 498 00:24:01,160 --> 00:24:02,160 I'm going to go. 499 00:24:02,160 --> 00:24:05,160 I'm through. 500 00:24:05,160 --> 00:24:07,160 Now, tell me, is it that murderer? 501 00:24:07,160 --> 00:24:09,160 This guy on the floor is dead, Chief. 502 00:24:09,160 --> 00:24:10,160 He's strangled. 503 00:24:10,160 --> 00:24:13,160 Tell me, is it that murderer? 504 00:24:13,160 --> 00:24:15,160 Manuel, Bose? 505 00:24:15,160 --> 00:24:17,160 You mean Manuel? 506 00:24:17,160 --> 00:24:18,160 Not Manuel. 507 00:24:18,160 --> 00:24:21,160 I told you my Manuel was a good boy. 508 00:24:21,160 --> 00:24:24,160 But I ask you, is it that murderer? 509 00:24:24,160 --> 00:24:25,160 Well, it... 510 00:24:25,160 --> 00:24:26,160 Good Lord. 511 00:24:26,160 --> 00:24:27,160 What's up, Chief? 512 00:24:27,160 --> 00:24:29,160 That man on the floor. 513 00:24:29,160 --> 00:24:31,160 It's Campbell Wood. 514 00:24:31,160 --> 00:24:33,160 The bank fellow we thought was burned. 515 00:24:33,160 --> 00:24:34,160 Burned? 516 00:24:34,160 --> 00:24:35,160 Him burned? 517 00:24:35,160 --> 00:24:37,160 No, it was my boy that was burned. 518 00:24:37,160 --> 00:24:39,160 That murderer killed my boy. 519 00:24:39,160 --> 00:24:42,160 He put his clothes on him and set fire to my house. 520 00:24:42,160 --> 00:24:43,160 I knew that all the time. 521 00:24:43,160 --> 00:24:45,160 Why didn't you tell us all this before? 522 00:24:45,160 --> 00:24:47,160 And have you laugh in my face? 523 00:24:47,160 --> 00:24:51,160 Could I tell you that I thought those footfalls moving along the side of the shop belonged 524 00:24:51,160 --> 00:24:52,160 to Mr. Wood? 525 00:24:52,160 --> 00:24:55,160 A blind man with crazy ideas, you would say. 526 00:24:55,160 --> 00:24:58,160 Could I stop him and ask where he was going? 527 00:24:58,160 --> 00:25:01,160 If I were not blind, he would have killed me too. 528 00:25:01,160 --> 00:25:04,160 No, it was not my son that ran away. 529 00:25:04,160 --> 00:25:07,160 It was this murderer all the time. 530 00:25:07,160 --> 00:25:10,160 But I told you he'd come back. 531 00:25:10,160 --> 00:25:12,160 And I killed him. 532 00:25:12,160 --> 00:25:14,160 I showed you. 533 00:25:14,160 --> 00:25:29,160 Now you can hang me for my crime. 534 00:25:29,160 --> 00:25:32,160 You remember, don't you, Charlie? 535 00:25:32,160 --> 00:25:35,160 And you did not even bother to arrest me. 536 00:25:35,160 --> 00:25:40,160 Perhaps you did not believe old boy had such strength in his hands, huh? 537 00:25:40,160 --> 00:25:44,160 He died of heart failure. 538 00:25:44,160 --> 00:25:45,160 Did he? 539 00:25:45,160 --> 00:25:47,160 Well, so be it. 540 00:25:47,160 --> 00:25:54,160 But you believe now that old boy has no trouble with these ears, huh? 541 00:25:54,160 --> 00:25:56,160 Ah, yes. 542 00:25:56,160 --> 00:25:58,160 I hear. 543 00:25:58,160 --> 00:26:00,160 I hear everything. 544 00:26:00,160 --> 00:26:07,160 Even a voice close in my ear. 545 00:26:07,160 --> 00:26:09,160 Hello, Bob. 546 00:26:09,160 --> 00:26:11,160 Mr. Manuel? 547 00:26:11,160 --> 00:26:12,160 Yes. 548 00:26:12,160 --> 00:26:14,160 Yes, I hear. 549 00:26:14,160 --> 00:26:16,160 Oh, Manuel. 550 00:26:16,160 --> 00:26:20,160 How are things with you, Manuel? 551 00:26:20,160 --> 00:26:22,160 Fine, Pop. 552 00:26:22,160 --> 00:26:23,160 Fine. 553 00:26:23,160 --> 00:26:26,160 Do you need a little money? 554 00:26:26,160 --> 00:26:28,160 A fiver perhaps? 555 00:26:28,160 --> 00:26:30,160 A tenner? 556 00:26:30,160 --> 00:26:32,160 No, thanks, Pop. 557 00:26:32,160 --> 00:26:34,160 Not now. 558 00:26:34,160 --> 00:26:38,160 Some other time. 559 00:26:38,160 --> 00:26:42,160 Pop, I'm waiting for you, Pop. 560 00:26:42,160 --> 00:26:46,160 Yes, I know you are waiting. 561 00:26:46,160 --> 00:26:52,160 And I am glad to come with you. 562 00:26:52,160 --> 00:27:14,160 My Manuel is a good boy. 563 00:27:14,160 --> 00:27:19,160 And so closes Footfalls, in which Roma wines have brought you J. Carol Nash, 564 00:27:19,160 --> 00:27:24,160 the star of tonight's study in Suspense. 565 00:27:24,160 --> 00:27:29,160 This is Truman Bradley with a word for Roma wines, the sponsor of Suspense. 566 00:27:29,160 --> 00:27:35,160 July, one of the warmest months, calls for tall frosty iced drinks. 567 00:27:35,160 --> 00:27:38,160 And famous hostess Elsa Maxwell recently said, 568 00:27:38,160 --> 00:27:43,160 I have discovered the perfect hot weather drink, wonderfully cooling and refreshing, 569 00:27:43,160 --> 00:27:45,160 one that guests really go for. 570 00:27:45,160 --> 00:27:51,160 I mean Roma wine and soda, made with distinguished Roma California Burgundy or Sauternes. 571 00:27:51,160 --> 00:27:55,160 Yes, Roma wine and soda is simple to prepare. 572 00:27:55,160 --> 00:27:58,160 Half-fill tall glasses with Roma Burgundy or Sauternes. 573 00:27:58,160 --> 00:28:02,160 Add ice cubes, sparkling water and a bit of sugar, 574 00:28:02,160 --> 00:28:05,160 and for a decorative touch, garnish with cherries or fruit. 575 00:28:05,160 --> 00:28:12,160 And be sure to use Roma wine, always uniformly good, yet costs only pennies a glass, 576 00:28:12,160 --> 00:28:14,160 so you can serve it often. 577 00:28:14,160 --> 00:28:19,160 And the next time you use vermouth, choose Roma vermouth, sweet or dry. 578 00:28:19,160 --> 00:28:23,160 Zestful, full-flavored Roma vermouth is blended and developed 579 00:28:23,160 --> 00:28:26,160 with all the traditional winemaking skill of Roma wineries. 580 00:28:26,160 --> 00:28:30,160 It's made and bottled in the heart of California's famous vineyards, 581 00:28:30,160 --> 00:28:32,160 yet surprisingly low priced. 582 00:28:32,160 --> 00:28:35,160 Try Roma vermouth soon, won't you? 583 00:28:35,160 --> 00:28:37,160 J. Carol Nash appeared through the courtesy of Paramount Pictures 584 00:28:37,160 --> 00:28:40,160 and is currently being seen in their production, A Medal for Benny. 585 00:28:40,160 --> 00:28:47,160 Next Thursday same time, you will hear Bonita Granville as star of Suspense. 586 00:28:47,160 --> 00:28:52,160 Presented by Roma Wines, R-O-M-A. 587 00:28:52,160 --> 00:28:57,160 Made in California for enjoyment throughout the world. 588 00:28:57,160 --> 00:29:09,160 This is CBS, the Columbia Broadcasting System.