WEBVTT 00:00.000 --> 00:06.000 Now, the Roma Wine Company of Fresno, California presents... 00:06.000 --> 00:10.000 Suspense! 00:10.000 --> 00:19.000 Tonight, Roma wines bring you the distinguished actor, Mr. Henry Daniel, as star in a play 00:19.000 --> 00:28.000 especially written for suspense by a contemporary master of crime fiction, John Dixon Carr. 00:28.000 --> 00:36.000 Suspense is presented for your enjoyment by Roma Wines. 00:36.000 --> 00:40.000 That's R-O-M-A, Roma Wines. 00:40.000 --> 00:44.000 Those excellent California wines that can add so much pleasantness to the way you live, 00:44.000 --> 00:48.000 to your happiness and entertaining guests, to your enjoyment of everyday meals. 00:48.000 --> 00:56.000 Before we bring you Henry Daniel in our suspense play, here's a brief message from famed hostess, Elsa Maxwell. 00:56.000 --> 01:02.000 When even so simple a main dish as a steaming fragrant dish of spaghetti or beans 01:02.000 --> 01:09.000 is surrounded by bright green salads, golden rolls or muffins, and brilliant Roma California burgundy, 01:09.000 --> 01:12.000 the food is more appetizing, more enjoyable. 01:12.000 --> 01:15.000 And for a summery touch, a vase of flowers. 01:15.000 --> 01:19.000 Perfect color complement to the deep rich beauty of Roma burgundy. 01:19.000 --> 01:22.000 You'll enjoy the fruity, robust taste. 01:22.000 --> 01:27.000 The tart piquancy of distinguished Roma burgundy served cool. 01:27.000 --> 01:30.000 Truly a masterpiece of fine winemaking. 01:30.000 --> 01:35.000 Like all Roma wines, Roma burgundy is unvaryingly good. 01:35.000 --> 01:40.000 Always high in quality of bouquet, rich in color and taste. 01:40.000 --> 01:44.000 The happy reward of selected grapes brought slowly to perfection, 01:44.000 --> 01:48.000 gently pressed, then carefully guided to flavor fullness 01:48.000 --> 01:53.000 by the ancient skill of Roma's noted wineries in California's choicest vineyards. 01:53.000 --> 01:57.000 Yet all this goodness is yours for only pennies a glass. 01:57.000 --> 02:02.000 Remember, because of uniformly fine quality at reasonable cost, 02:02.000 --> 02:07.000 more Americans enjoy Roma than any other wine. 02:07.000 --> 02:10.000 R-O-M-A, Roma wines. 02:10.000 --> 02:14.000 Yes, right now a glass full would be very pleasant 02:14.000 --> 02:18.000 as Roma wines bring you a remarkable tale of suspense. 02:18.000 --> 02:20.000 And with the dealings of Mr. Markham, 02:20.000 --> 02:24.000 and with the performances of Mr. Henry Daniel in the title role, 02:24.000 --> 02:27.000 and of Joan Loring as Judith and Gavin Gordon as Ronald, 02:27.000 --> 02:32.000 Roma wines hope indeed to keep you in suspense. 02:33.000 --> 02:37.000 This is the story of a man who commits murder and gets away with it. 02:37.000 --> 02:39.000 Does the idea shock you? 02:39.000 --> 02:41.000 Do you believe that justice must always be done? 02:41.000 --> 02:43.000 But let's be honest with ourselves. 02:43.000 --> 02:46.000 I needn't be cynics to know that justice is very seldom done. 02:46.000 --> 02:49.000 Innocence flinches, guilt is childlike and bland. 02:49.000 --> 02:51.000 Innocence is imposed upon. 02:51.000 --> 02:55.000 Guilt can compass all things, even a successful murder. 02:55.000 --> 02:57.000 And I know this. 02:57.000 --> 02:59.000 Because I was the murderer, you say? 02:59.000 --> 03:01.000 Oh, no. 03:01.000 --> 03:04.000 Inquire at Scotland Yard. 03:04.000 --> 03:06.000 I was the victim. 03:06.000 --> 03:08.000 Blast! 03:10.000 --> 03:13.000 In Bond Street, not far from Piccadilly, 03:13.000 --> 03:16.000 there used to be an establishment which in a less fashionable part of town 03:16.000 --> 03:18.000 would have been called a shop. 03:18.000 --> 03:21.000 On the windows, in letters as discreet as a visiting card, 03:21.000 --> 03:24.000 were the words Charles Markham, antique dealer. 03:24.000 --> 03:28.000 Such a delightful fellow, Markham, such a character. 03:28.000 --> 03:31.000 Thirty years ago, yes, as long as that, 03:31.000 --> 03:33.000 this antique shop was a dingy place, 03:33.000 --> 03:36.000 despite deep carpets and crystal chandeliers. 03:36.000 --> 03:39.000 It rustled with the ticking of a hundred clocks. 03:39.000 --> 03:43.000 It was shadowed by Damascene armor and the loom of tall tapestries. 03:43.000 --> 03:45.000 And late, one summer night, 03:45.000 --> 03:48.000 when the shutters were long closed upon those windows, 03:48.000 --> 03:52.000 a four-wheeler drew up before that door on the gaslit street. 03:56.000 --> 03:58.000 That's all, Cabby. You needn't wait. 03:58.000 --> 04:01.000 Very good, Miss. Good night. 04:01.000 --> 04:03.000 Good night. 04:07.000 --> 04:10.000 He must be there. He must be. 04:10.000 --> 04:13.000 I won't go back to that place. I'll kill myself first. 04:15.000 --> 04:17.000 Look here, I say, old man. Look here. 04:17.000 --> 04:19.000 I beg your pardon. 04:19.000 --> 04:22.000 And I beg yours. I'm not the person you were expecting, am I? 04:22.000 --> 04:25.000 No, madam. As a matter of fact, I was expecting a police officer. 04:25.000 --> 04:26.000 A police officer? 04:26.000 --> 04:29.000 Nearly an old friend who often drops in for a talk and a drink. 04:29.000 --> 04:31.000 You are Mr Markham, aren't you? 04:31.000 --> 04:33.000 Yes, my name is Markham. 04:33.000 --> 04:35.000 Can I have you have any service to you? 04:35.000 --> 04:38.000 I want to come in. I want to buy a present for somebody. 04:38.000 --> 04:41.000 Really, madam? It's nearly one o'clock, surely, tomorrow morning. 04:41.000 --> 04:44.000 That'll be too late. This is a special occasion, you see. 04:44.000 --> 04:46.000 It's a birthday present. That's it, a birthday present. 04:46.000 --> 04:48.000 I've got to deliver it at breakfast, 04:48.000 --> 04:51.000 and Sir Charles Lytel says that this is the only place in London to buy antiques. 04:51.000 --> 04:53.000 Sir George flatters me. 04:53.000 --> 04:55.000 One moment, I'll put some lights on. 04:55.000 --> 04:58.000 Oh, no, please. That little light will be enough. 04:58.000 --> 05:00.000 But you won't be able to see anything. 05:00.000 --> 05:03.000 That doesn't matter. I'll trust your judgment. 05:03.000 --> 05:06.000 And just as you like. This way, madam. 05:15.000 --> 05:17.000 What's that? That noise? 05:17.000 --> 05:19.000 You mean the clocks, madam? 05:19.000 --> 05:22.000 There are more than a hundred clocks in this room. I'm very fond of them. 05:22.000 --> 05:24.000 Might I interest you perhaps in a clock? 05:24.000 --> 05:26.000 No, I hate them. 05:26.000 --> 05:28.000 I don't think this grandfather clock might amuse you. 05:28.000 --> 05:30.000 What about it? 05:30.000 --> 05:32.000 Observe the signature. 05:32.000 --> 05:36.000 Yohannes Carver, Londini, Faket AD 1752. 05:36.000 --> 05:39.000 You could see better, madam, if you raise that veil. 05:39.000 --> 05:41.000 I'll keep my veil down, thank you. 05:41.000 --> 05:43.000 Just as you please. But look at the clock. 05:43.000 --> 05:45.000 I open the glass face like this. 05:45.000 --> 05:48.000 I push the minute hand forward like this. 05:48.000 --> 05:50.000 Ah. And... 05:50.000 --> 05:52.000 What? 05:52.000 --> 05:54.000 What? 05:54.000 --> 05:57.000 One, no clock, ten, all twelve. 05:57.000 --> 05:59.000 What was that voice? 05:59.000 --> 06:01.000 Only the clock, madam. Nothing more. 06:01.000 --> 06:02.000 The clock spoke? 06:02.000 --> 06:04.000 Clever, isn't it? 06:04.000 --> 06:06.000 A device of old John Carver, 06:06.000 --> 06:09.000 anticipating Mr Edison's gramophone by more than a hundred years. 06:09.000 --> 06:11.000 But you don't like clocks? 06:09.000 --> 06:11.000 No. 06:11.000 --> 06:14.000 May I ask whether the present is for a lady or a gentleman? 06:14.000 --> 06:16.000 It's for a man. 06:16.000 --> 06:18.000 Has it some knowledge of antiques? 06:18.000 --> 06:20.000 No. Yes, I mean... 06:20.000 --> 06:21.000 Furniture perhaps? 06:21.000 --> 06:24.000 Bronzes, tapestries, weapons? 06:24.000 --> 06:27.000 He might be very much interested in weapons, yes. 06:27.000 --> 06:30.000 Then I imagine his name is Mr Ronald Gilbert. 06:30.000 --> 06:34.000 Will you tell me, Miss Ray, why you really came here tonight? 06:34.000 --> 06:36.000 So you know who I am. 06:36.000 --> 06:38.000 Naturally. You're Miss Judith Ray. 06:38.000 --> 06:40.000 Why did you come here? 06:40.000 --> 06:42.000 I wanted to see what sort of man you actually were. 06:42.000 --> 06:44.000 And have you found out? 06:44.000 --> 06:46.000 No. But I won't go back to prison. I won't. 06:46.000 --> 06:48.000 As you will. 06:48.000 --> 06:50.000 But since this is to be a business conference, Miss Ray, 06:50.000 --> 06:52.000 and I imagine it is... 06:52.000 --> 06:54.000 Yes. 06:54.000 --> 06:56.000 Then suppose we go into my office here at the back of the shop. 06:56.000 --> 06:58.000 Will you precede me? 06:56.000 --> 06:58.000 Thank you. 06:58.000 --> 07:00.000 You must excuse the dust covers I put on the chairs here. 07:00.000 --> 07:03.000 I'm leaving for a holiday tomorrow and the shop will be closed. 07:05.000 --> 07:07.000 When I return next week, Miss Ray, 07:07.000 --> 07:09.000 I shall expect the amount requested. 07:09.000 --> 07:11.000 In cash, of course. 07:09.000 --> 07:12.000 But I can't raise 2,000 pounds. You ought to know that. 07:12.000 --> 07:14.000 Your fiancée could raise the money, I imagine. 07:14.000 --> 07:16.000 Ron? 07:16.000 --> 07:18.000 Do you think I'd have Ron know where I've been and what I've been? 07:18.000 --> 07:20.000 It's better than having his father learn it, surely? 07:20.000 --> 07:22.000 Sit down, Miss Ray. 07:22.000 --> 07:24.000 I'd rather stand. Thank you. 07:24.000 --> 07:26.000 Now, that's a very foolish gesture. 07:26.000 --> 07:28.000 But the ladies will do it. 07:28.000 --> 07:30.000 They think it gives them dignity 07:30.000 --> 07:32.000 and shows their disdain of the poor blackmailer. 07:32.000 --> 07:34.000 You see, I make no bones about it. 07:34.000 --> 07:36.000 I am a blackmailer. 07:36.000 --> 07:38.000 You seem rather proud of yourself. 07:38.000 --> 07:40.000 Why not? I am the one person in England, 07:40.000 --> 07:43.000 perhaps in the world, who has made it a large-scale business. 07:43.000 --> 07:45.000 Congratulations. 07:45.000 --> 07:47.000 What is all life but blackmail? 07:47.000 --> 07:49.000 The child says, if you don't give me that, I'll scream. 07:49.000 --> 07:52.000 The grown woman says, if you go on behaving like this, I'll leave you. 07:52.000 --> 07:55.000 Your sex, Miss Ray, are blackmailers from the cradle. 07:55.000 --> 07:57.000 You know, Charles Markham... 07:57.000 --> 07:59.000 Yes? 07:59.000 --> 08:01.000 I wonder if anyone has ever hurt you very much. 08:01.000 --> 08:03.000 Hurt me? What do you mean? 08:03.000 --> 08:05.000 When you talk about the world and people in general, 08:05.000 --> 08:07.000 your face goes white under the eyes. 08:07.000 --> 08:09.000 You pick up that letter opener from the desk... 08:09.000 --> 08:11.000 Not a letter opener, please, Miss Ray. 08:11.000 --> 08:13.000 A Medici dagger. 08:13.000 --> 08:15.000 16th century work. 08:15.000 --> 08:17.000 It isn't the money that really interests you, is it? 08:17.000 --> 08:19.000 I don't understand. 08:19.000 --> 08:21.000 You hate the world. 08:21.000 --> 08:23.000 You just want to torture people as you think you've been tortured. 08:23.000 --> 08:25.000 Isn't that so? 08:25.000 --> 08:27.000 This is a very sharp dagger, Miss Ray. 08:27.000 --> 08:29.000 If I throw it down on the desk, it sticks. 08:29.000 --> 08:31.000 Like that. 08:31.000 --> 08:33.000 Isn't it so, Charles Markham? 08:33.000 --> 08:35.000 My motives, Miss Ray, aren't in question. 08:35.000 --> 08:37.000 I wonder. 08:37.000 --> 08:39.000 Whereas your motives are. 08:39.000 --> 08:41.000 Let me see. 08:41.000 --> 08:43.000 Ten years ago, in 1903, 08:43.000 --> 08:45.000 a certain girl called Letty Wilson, 08:45.000 --> 08:47.000 your real name, I believe, 08:47.000 --> 08:49.000 fell in love with a rather contemptible underworld character 08:49.000 --> 08:51.000 named Arthur Akers. 08:51.000 --> 08:53.000 Please. 08:53.000 --> 08:55.000 No, humiliation was too great for her. 08:55.000 --> 08:57.000 She worked for him, lied for him, stole for him. 08:57.000 --> 08:59.000 I was only 18. I didn't know what I was doing. 08:59.000 --> 09:01.000 This girl, for a very shabby theft, 09:01.000 --> 09:03.000 was sentenced to three years' hard labour at Holloway Prison. 09:03.000 --> 09:05.000 Five months later, she escapes from prison and disappears. 09:05.000 --> 09:07.000 All these years afterwards, 09:07.000 --> 09:09.000 she appears in the West End 09:09.000 --> 09:11.000 as Miss Judith Ray, fashionable milliner. 09:11.000 --> 09:13.000 Haven't I made up for it? 09:13.000 --> 09:15.000 No. 09:15.000 --> 09:17.000 For one mistake after ten years. 09:17.000 --> 09:19.000 That's the way of the world, my dear. I didn't create it. 09:19.000 --> 09:21.000 And I'm forgetting the best part of the comedy. 09:21.000 --> 09:23.000 This paragon of virtue next falls in love with Mr Ronald Gilbert, 09:23.000 --> 09:25.000 son of Major General Sir Edmund Gilbert. 09:25.000 --> 09:27.000 Such a respectable family, too. 09:27.000 --> 09:29.000 Stop it, please. 09:29.000 --> 09:31.000 Then shall we say £2,000? 09:31.000 --> 09:33.000 Suppose I did raise the money. 09:33.000 --> 09:35.000 I don't know how, but suppose I did raise it. 09:35.000 --> 09:37.000 Well? 09:37.000 --> 09:39.000 What guarantee would I have that you wouldn't ask for still more money? 09:39.000 --> 09:41.000 You probably shall ask for more money, Miss Ray. 09:41.000 --> 09:43.000 That's my privilege as a blackmailer. 09:43.000 --> 09:45.000 Then I'm never going to be free of you, is that it? 09:45.000 --> 09:47.000 Frankly, that's it. 09:47.000 --> 09:49.000 Unless I kill you, of course. 09:49.000 --> 09:51.000 What if I did kill you? 09:51.000 --> 09:53.000 People have threatened that before, 09:53.000 --> 09:55.000 but they haven't meant it. 09:55.000 --> 09:57.000 Maybe I mean it. 09:57.000 --> 09:59.000 Well, he can easily test you out. 09:59.000 --> 10:01.000 There's a sharp knife stuck in the desk in front of you. 10:01.000 --> 10:03.000 I'm going to get up and deliberately turn my back on you. 10:03.000 --> 10:05.000 Like this. 10:05.000 --> 10:07.000 Be careful, Charles Markham. 10:07.000 --> 10:09.000 As a student of human nature, I'm curious. 10:09.000 --> 10:11.000 How much will you risk to keep this secret? 10:11.000 --> 10:13.000 Have you the courage to kill and risk hanging? 10:13.000 --> 10:15.000 Yes, I think I have. 10:15.000 --> 10:17.000 What was that? 10:17.000 --> 10:19.000 Aren't you glad you held back at the last moment, Miss Ray? 10:19.000 --> 10:21.000 I said, what was that? 10:21.000 --> 10:23.000 That, my dear, was the front doorbell. 10:23.000 --> 10:25.000 Probably my friend Inspector Ross from Widmore Street Police Station. 10:25.000 --> 10:27.000 Come on in, old man. 10:27.000 --> 10:29.000 Make yourself comfortable. 10:29.000 --> 10:31.000 I'll be with you in a minute. 10:31.000 --> 10:33.000 You wanted me to try to kill you, didn't you? 10:33.000 --> 10:35.000 No, I was merely curious. 10:35.000 --> 10:37.000 And in any case, Miss Ray, 10:37.000 --> 10:39.000 it would be useless to kill me. 10:39.000 --> 10:41.000 Useless? Why? 10:41.000 --> 10:43.000 Because I shouldn't die. 10:43.000 --> 10:45.000 Don't talk rot. 10:45.000 --> 10:47.000 It's quite true. 10:47.000 --> 10:49.000 A man in my position must take certain precautions. 10:49.000 --> 10:51.000 If you killed me, I should be back to haunt you within half an hour. 10:51.000 --> 10:53.000 And I don't happen to be joking. 10:53.000 --> 10:55.000 Come in. 10:55.000 --> 10:57.000 Look here, Markham. 10:57.000 --> 10:59.000 Ron! 10:59.000 --> 11:01.000 Good Lord. 11:01.000 --> 11:03.000 Judith. Mr. Ronald Gilbert, as I live. 11:03.000 --> 11:05.000 Ron, what are you doing here? He hasn't got anything against you, has he? 11:05.000 --> 11:07.000 Speak up, Mr. Gilbert, have I? 11:07.000 --> 11:09.000 The fact is, Judith, I... 11:09.000 --> 11:11.000 Look at him, Miss Ray. 11:11.000 --> 11:13.000 See how he changes colour and twists his moustache? 11:13.000 --> 11:15.000 And altogether resembles a boy caught at the jam cupboard. 11:15.000 --> 11:17.000 The perfect picture of a gentleman being a gentleman. 11:17.000 --> 11:19.000 Look here, Markham. 11:19.000 --> 11:21.000 I'm not very clever. 11:21.000 --> 11:23.000 You can always make a fool out of me when you start talking. 11:23.000 --> 11:25.000 So, let's stop talking. 11:25.000 --> 11:27.000 I've brought the money. 11:27.000 --> 11:29.000 What money? 11:29.000 --> 11:31.000 My fee for keeping quiet about you. 11:31.000 --> 11:33.000 So you went to Ron, too? 11:33.000 --> 11:35.000 You told him about it? 11:35.000 --> 11:37.000 Naturally. If possible, always sell your wares in two markets. 11:37.000 --> 11:39.000 How much money? 11:39.000 --> 11:41.000 Never mind, Judith. 11:41.000 --> 11:43.000 I'd hoped I could do this without your knowing. 11:43.000 --> 11:45.000 How much money, Ron? 11:45.000 --> 11:47.000 Three thousand. It's all I could raise. 11:47.000 --> 11:49.000 Has he told you who I am? 11:49.000 --> 11:51.000 And what I've been? 11:51.000 --> 11:53.000 Look here, Judith. Who the devil cares who you are, what you've been? 11:53.000 --> 11:55.000 I happen to be in love with you. 11:55.000 --> 11:57.000 I... Oh, never mind. Let's get out of here. 11:57.000 --> 11:59.000 Ron, it's no good. He'll only come back for more. 11:59.000 --> 12:01.000 I know that. But what else can we do? 12:01.000 --> 12:03.000 Nothing, I'm afraid. 12:03.000 --> 12:05.000 Well, what's that knife doing there? 12:05.000 --> 12:07.000 Stuck in the desk. 12:07.000 --> 12:09.000 Nothing dangerous, I assure you. 12:09.000 --> 12:11.000 Oh, only a curio? 12:11.000 --> 12:13.000 Very sharp, of course. 12:13.000 --> 12:15.000 Miss Ray was much interested in the dagger. 12:15.000 --> 12:17.000 May I have that envelope with the money, please? 12:17.000 --> 12:19.000 There you are. 12:19.000 --> 12:21.000 Take it. Thank you. 12:21.000 --> 12:23.000 As I explained to Miss Ray, 12:23.000 --> 12:25.000 I'm leaving tomorrow for a holiday. 12:25.000 --> 12:27.000 Hence, the general disarray and the dust 12:27.000 --> 12:29.000 feathers on the chairs. 12:29.000 --> 12:31.000 I'm glad we could settle this affair as you would say, 12:31.000 --> 12:33.000 like gentlemen. 12:33.000 --> 12:35.000 This is your job, Markham, I suppose. 12:35.000 --> 12:37.000 You can't help being what you are. 12:37.000 --> 12:39.000 But never again, as long as you live. 12:39.000 --> 12:41.000 Well? 12:41.000 --> 12:43.000 Never even say that word, gentlemen. 12:43.000 --> 12:45.000 Be careful, Ron. Look at his face. 12:45.000 --> 12:47.000 Tell me, Mr. Gilbert, 12:47.000 --> 12:49.000 how much money is in this envelope? 12:49.000 --> 12:51.000 You heard what I said. 12:51.000 --> 12:53.000 Three thousand pounds. 12:53.000 --> 12:55.000 Then take it back, my friend. I find we can't strike a bargain after all. 12:55.000 --> 12:57.000 What do you mean? 12:57.000 --> 12:59.000 Just what I say. 12:59.000 --> 13:01.000 Here's your money. 13:01.000 --> 13:03.000 You will now oblige me, both you and Miss Ray, by leaving my shop. 13:03.000 --> 13:05.000 What do you mean? What are you going to do? 13:05.000 --> 13:07.000 Tomorrow morning, perhaps even tonight, 13:07.000 --> 13:09.000 I'm going to get in touch with the police. 13:09.000 --> 13:11.000 I shall tell them where they can find Letty Wilson, alias Judith Ray. 13:11.000 --> 13:13.000 You can't do that, Markham. 13:13.000 --> 13:15.000 Oh, yes, he can. You've hit him where it hurts. 13:15.000 --> 13:17.000 Three thousand pounds, my friend, is not enough compensation 13:17.000 --> 13:19.000 for the way you talk. 13:19.000 --> 13:21.000 There's the way through the shop. 13:21.000 --> 13:23.000 Shall I escort you to the front door? 13:23.000 --> 13:25.000 You prefer to stay here and make a fool of yourself? 13:25.000 --> 13:27.000 You're not going to tell the police, Markham. 13:27.000 --> 13:29.000 I promise you that. 13:29.000 --> 13:31.000 And how are you going to stop me? 13:31.000 --> 13:33.000 With this! 13:33.000 --> 13:35.000 Ron, put that gun away! 13:35.000 --> 13:37.000 It's a funny thing, Judith. 13:37.000 --> 13:39.000 I felt a bit of a fool, you know, bringing this revolver along. 13:39.000 --> 13:41.000 Now I've got a use for it. 13:41.000 --> 13:43.000 Oh, yes, I've got a use for it. 13:43.000 --> 13:45.000 Maybe the best thing would be for me to go into the street now and call the police. 13:45.000 --> 13:47.000 You'll never get to the street, Markham. 13:47.000 --> 13:49.000 Get back in here. 13:49.000 --> 13:51.000 So both of you, it appears, came here under false pretenses. 13:51.000 --> 13:53.000 You said you wanted to pay me some money. 13:53.000 --> 13:55.000 The money's still there. 13:55.000 --> 13:57.000 But you've lost your chance to get it. 13:57.000 --> 13:59.000 And our dear Judith said she wanted to buy a present for you. 13:59.000 --> 14:01.000 I showed her this grandfather clock there. 14:01.000 --> 14:03.000 This talking clock. 14:03.000 --> 14:05.000 Don't go a step beyond that clock, Markham. I warn you. 14:05.000 --> 14:07.000 You wouldn't dare. 14:07.000 --> 14:09.000 Wouldn't I? 14:09.000 --> 14:11.000 No, and I'll call your bluff. One step, two steps. 14:11.000 --> 14:13.000 Ron! 14:13.000 --> 14:15.000 I know your whole silly tribe. 14:15.000 --> 14:17.000 You wouldn't risk it, you wouldn't. 14:17.000 --> 14:19.000 What's happening to me? 14:19.000 --> 14:21.000 Don't try to grab at the clock, Markham. 14:21.000 --> 14:23.000 It won't save you. 14:23.000 --> 14:25.000 You wouldn't risk your life. 14:25.000 --> 14:27.000 You wouldn't risk your family position. 14:27.000 --> 14:29.000 You wouldn't. 14:33.000 --> 14:35.000 One fifteen and a all. 14:35.000 --> 14:37.000 Well, one fifteen and a all. 14:37.000 --> 14:39.000 I had to do it, Judith. 14:39.000 --> 14:41.000 Don't you say I had to do it. 14:41.000 --> 14:43.000 Oh, Ron. Ron. 14:43.000 --> 14:45.000 Steady. 14:45.000 --> 14:47.000 Ron, steady. 14:47.000 --> 14:49.000 We'll find a way out. 14:49.000 --> 14:51.000 Maybe he's not dead, Ron. 14:51.000 --> 14:53.000 Go and look at him. 14:53.000 --> 14:55.000 He's dead, all right. 14:55.000 --> 14:57.000 Please, Ron, go and look at him. 14:57.000 --> 14:59.000 Well? 14:59.000 --> 15:01.000 Shot through the heart. 15:01.000 --> 15:03.000 Well, it went clean through him, smashed the face of the grandfather clock. 15:03.000 --> 15:05.000 It's all I can see in this dim light. 15:05.000 --> 15:07.000 This isn't happening to us. 15:07.000 --> 15:09.000 It can't be happening. 15:09.000 --> 15:11.000 I've got to think. 15:11.000 --> 15:13.000 I've got to think. I'm scared. 15:13.000 --> 15:15.000 You're not going to give yourself up? 15:15.000 --> 15:17.000 Have this whole thing made public? 15:17.000 --> 15:19.000 No fear. 15:19.000 --> 15:21.000 Wait a minute. There may be a way out. 15:21.000 --> 15:23.000 What way? 15:23.000 --> 15:25.000 He said he was going for a holiday. It means his absence won't be noticed. 15:25.000 --> 15:27.000 The shop will be closed. Nobody will come here for days. 15:27.000 --> 15:29.000 And certainly nobody will come here tonight. 15:31.000 --> 15:33.000 The police officer. 15:33.000 --> 15:35.000 I forgot the police officer. 15:35.000 --> 15:37.000 What police officer? 15:37.000 --> 15:39.000 A friend of Markham's inspectors somebody from Wigmore Street. 15:39.000 --> 15:41.000 He's expected here tonight. 15:41.000 --> 15:43.000 Could you pick Markham up and carry him? 15:43.000 --> 15:45.000 Yes. 15:45.000 --> 15:47.000 Yes, I could manage that. 15:47.000 --> 15:49.000 Why? 15:49.000 --> 15:51.000 There must be a back way out of this shop. Probably in the office. 15:51.000 --> 15:53.000 Hurry, Ron. 15:53.000 --> 15:55.000 I don't like to touch him. 15:55.000 --> 15:57.000 Hurry, Ron, please. 15:59.000 --> 16:01.000 He's as heavy as a sack of meal. 16:05.000 --> 16:07.000 He seems to be looking straight at me. 16:07.000 --> 16:11.000 I know. Everything here seems to have eyes and to move a little in the shadow. 16:11.000 --> 16:13.000 Did you see the expression in Markham's eyes? 16:13.000 --> 16:15.000 Just before you... 16:15.000 --> 16:17.000 No. 16:17.000 --> 16:19.000 I didn't notice. 16:19.000 --> 16:21.000 He seemed to be looking behind us or beyond us. 16:21.000 --> 16:23.000 I don't know how to describe it. 16:23.000 --> 16:25.000 And he said something too that scared me. 16:25.000 --> 16:27.000 He said he couldn't die. 16:27.000 --> 16:29.000 He said that... 16:29.000 --> 16:31.000 Close the door, quick. 16:31.000 --> 16:33.000 The back door. Oh, there it is. 16:33.000 --> 16:35.000 Locked. 16:35.000 --> 16:37.000 It's locked. Isn't there a key? 16:37.000 --> 16:39.000 No. Maybe in his pockets. Look in his pockets. On the key ring. 16:39.000 --> 16:41.000 There isn't time, Ron. I think I heard the front door open. 16:41.000 --> 16:43.000 The police... 16:43.000 --> 16:45.000 I've got it. The dust covers. 16:45.000 --> 16:47.000 What? Those white cloth covers that fill over the chairs. 16:47.000 --> 16:49.000 Look at them. 16:49.000 --> 16:51.000 What on earth are you talking about? 16:51.000 --> 16:53.000 Like the game we played when we were kids. 16:53.000 --> 16:55.000 Somebody sits in a big chair. 16:55.000 --> 16:57.000 You fit the dust cover over him and nobody can tell he's sitting there. 16:57.000 --> 16:59.000 Don't you see, Judith? That's how we can hide Markham's body. 16:59.000 --> 17:01.000 It might work if there's time. 17:01.000 --> 17:03.000 There's got to be time. 17:03.000 --> 17:05.000 Take the cover off that big wing chair. 17:05.000 --> 17:07.000 All right. Maybe there's a chance. 17:07.000 --> 17:09.000 I'll... I'll fit him into it. 17:09.000 --> 17:11.000 There. 17:11.000 --> 17:13.000 There. 17:13.000 --> 17:15.000 Now, put that cover back again. 17:15.000 --> 17:17.000 Pull it down around his feet. 17:17.000 --> 17:19.000 Don't let it touch his chest. 17:19.000 --> 17:21.000 The blood will show through. 17:21.000 --> 17:23.000 There. There. That's got it. 17:23.000 --> 17:25.000 Now, you can't see anything now, can you? 17:25.000 --> 17:27.000 No, but... 17:27.000 --> 17:29.000 Ron. 17:29.000 --> 17:31.000 Well? 17:31.000 --> 17:33.000 What did you do with the gun? 17:33.000 --> 17:35.000 Gun? 17:35.000 --> 17:37.000 The revolver, the gun you shot Markham with. 17:37.000 --> 17:39.000 Oh, I... I put it down on the floor when I picked up his body. 17:39.000 --> 17:41.000 How'd that other room...? 17:41.000 --> 17:43.000 Yes. Yes, I'm afraid so. 17:43.000 --> 17:45.000 Oh. 17:45.000 --> 17:47.000 It's too late now, Judith. The police are here. 17:47.000 --> 17:49.000 What are we going to say? 17:49.000 --> 17:51.000 I don't know. Trust your wits and try to brazen it out. 17:53.000 --> 17:55.000 Yes? 17:55.000 --> 17:57.000 Come in. 17:57.000 --> 17:59.000 Ah! 17:59.000 --> 18:01.000 Good evening, Miss Ray. 18:01.000 --> 18:03.000 Good evening, Mr Gilbert. 18:09.000 --> 18:11.000 Charles Markham. 18:11.000 --> 18:13.000 You're Charles Markham? 18:13.000 --> 18:15.000 Correct, Miss Ray. 18:15.000 --> 18:17.000 But why should that surprise you? 18:17.000 --> 18:19.000 Why do you look as though you were seeing a ghost? 18:19.000 --> 18:21.000 Because we are seeing a ghost. 18:21.000 --> 18:23.000 If you're Charles Markham, whose body is it...? 18:23.000 --> 18:25.000 Judith, be careful. 18:25.000 --> 18:27.000 Body, Miss Ray? 18:27.000 --> 18:29.000 Did you say body? 18:29.000 --> 18:31.000 Miss Ray's upset. She... 18:31.000 --> 18:33.000 She... she doesn't know what she's talking about. 18:33.000 --> 18:37.000 If you killed me, I should be back to haunt you within half an hour. 18:37.000 --> 18:39.000 That's what you said. 18:39.000 --> 18:41.000 Indeed? 18:41.000 --> 18:43.000 My dear young people, you're very welcome. 18:43.000 --> 18:45.000 But the situation is surely a little odd. 18:45.000 --> 18:49.000 I come in here and find you two looking as guilty as a pair of murderers. 18:49.000 --> 18:51.000 In my private office in the middle of the night. 18:51.000 --> 18:53.000 There's nothing odd about it. I wanted to buy a Judith something and... 18:53.000 --> 18:55.000 At one o'clock in the morning... 18:55.000 --> 18:57.000 I'm not... 18:57.000 --> 18:59.000 May I ask how you managed to get in? 18:59.000 --> 19:01.000 The front door was open. We just walked in. 19:01.000 --> 19:03.000 And you say there was nobody else here? 19:03.000 --> 19:05.000 There's nobody here, Mr. Markham. Not a living soul. 19:05.000 --> 19:09.000 Then you didn't by any chance meet my brother? 19:09.000 --> 19:11.000 Your brother? 19:11.000 --> 19:13.000 Brother? 19:13.000 --> 19:15.000 Yes, my brother Robert. 19:15.000 --> 19:17.000 You couldn't have mistaken him if you had seen him. 19:17.000 --> 19:19.000 He looks so much like me that few people can tell us apart. 19:19.000 --> 19:21.000 And that's it? 19:21.000 --> 19:23.000 Poor Robert often deputizes for me. 19:23.000 --> 19:27.000 He's learned to act like me, think like me, talk like me. 19:27.000 --> 19:29.000 But he doesn't like the work much. 19:29.000 --> 19:31.000 Of course, you know what my work really is. 19:31.000 --> 19:33.000 Your brother? 19:33.000 --> 19:35.000 Yes, my brother Robert. 19:35.000 --> 19:37.000 He's an idealist. 19:37.000 --> 19:39.000 He thinks, poor fellow, that my profession is beneath contempt. 19:39.000 --> 19:43.000 But he acts the part and acts it well because I pay him. 19:43.000 --> 19:45.000 And it's convenient. 19:45.000 --> 19:47.000 I have a double who'll run risks for me. 19:47.000 --> 19:49.000 What have you done with his body? 19:49.000 --> 19:51.000 We haven't done anything with him. 19:51.000 --> 19:55.000 My friend, if you've killed Robert, you've committed a totally useless murder. 19:55.000 --> 19:57.000 You don't see him here, do you? 19:57.000 --> 19:59.000 No. 19:59.000 --> 20:01.000 But I see his handiwork. 20:01.000 --> 20:03.000 Meaning what? 20:03.000 --> 20:05.000 I've warned him many times about throwing a knife down on a polished desk top. 20:05.000 --> 20:09.000 Those scratches on the desk are fresh scratches. 20:09.000 --> 20:13.000 Of course, if you give me your word of honor, he's not here. 20:13.000 --> 20:15.000 Of course he's not here. 20:15.000 --> 20:19.000 Well then, in that case, all we can do is sit down and make ourselves comfortable. 20:19.000 --> 20:21.000 Will you sit down, Mr. Gilbert? 20:21.000 --> 20:25.000 And you, Miss Ray, how about the wing chair by the window? 20:25.000 --> 20:27.000 I... 20:27.000 --> 20:29.000 What's wrong, Miss Ray? Why don't you sit down? 20:29.000 --> 20:31.000 Because I prefer to stand, thank you. 20:31.000 --> 20:33.000 Then perhaps you won't mind if I sit in the wing chair. 20:33.000 --> 20:35.000 It's a very comfortable one. My brother always says... 20:35.000 --> 20:37.000 Don't sit down there. 20:37.000 --> 20:39.000 No, no, don't sit down there. 20:39.000 --> 20:41.000 So that's it. 20:41.000 --> 20:43.000 Yes, that's it. 20:43.000 --> 20:45.000 What's the use of going on like this? 20:45.000 --> 20:47.000 I killed him. 20:47.000 --> 20:49.000 You admit that? 20:49.000 --> 20:51.000 Yes, yes, I admit it. 20:51.000 --> 20:53.000 But Judith had nothing to do with this, I swear she hadn't. 20:53.000 --> 20:55.000 My telephone, you notice, is against the wall. 20:55.000 --> 20:59.000 I shall have to turn my back to you when I ring. 20:59.000 --> 21:01.000 Ring where? 21:01.000 --> 21:03.000 Wigmore Street Police Station. 21:03.000 --> 21:05.000 Give him a chance. Please give him a chance. 21:07.000 --> 21:09.000 Hello? 21:09.000 --> 21:11.000 Operator? I want Regent 0586. 21:11.000 --> 21:13.000 I won't let them take you, Ron. I won't. 21:13.000 --> 21:15.000 No good, Judith. 21:15.000 --> 21:17.000 I killed a man. I meant to kill him. 21:17.000 --> 21:19.000 That's all there is to it. 21:19.000 --> 21:21.000 You have a very sensible attitude, my friend. 21:21.000 --> 21:23.000 And if the lady has any idea of flying at me with that knife... 21:23.000 --> 21:25.000 Just notice what I've got here. 21:25.000 --> 21:27.000 A.32 revolver, one chamber fired, 21:27.000 --> 21:29.000 picked up off the floor in that other room where... 21:29.000 --> 21:31.000 Oh, hello. 21:31.000 --> 21:33.000 Wigmore Street Police Station. 21:33.000 --> 21:35.000 For the last time, Mr. Markham, won't you give him a chance? 21:35.000 --> 21:37.000 Be quiet, Miss Ray. 21:37.000 --> 21:39.000 May I speak to Inspector Ross? 21:39.000 --> 21:41.000 Please, Mr. Markham. 21:41.000 --> 21:43.000 Hello, Inspector. 21:43.000 --> 21:45.000 Charles Markham. 21:45.000 --> 21:47.000 I understood you were going to drop in and see me tonight. 21:49.000 --> 21:51.000 Oh, I see. 21:51.000 --> 21:53.000 Well, naturally, business before pleasure. 21:55.000 --> 21:57.000 As a matter of fact, I rang you up to make sure you wouldn't come here tonight. 21:57.000 --> 21:59.000 I've got a lot of work to do, and I'm leaving for Eastbourne early tomorrow morning. 21:59.000 --> 22:01.000 Let's make it some other time, shall we? 22:03.000 --> 22:05.000 No, Inspector. 22:05.000 --> 22:07.000 No. 22:07.000 --> 22:09.000 It's as quiet as the grave. 22:09.000 --> 22:11.000 I'm not going to be here. 22:11.000 --> 22:13.000 It's as quiet as the grave hereabouts. 22:15.000 --> 22:17.000 I've never known a more peaceful night. 22:17.000 --> 22:19.000 Bye-bye. 22:25.000 --> 22:27.000 Why did you do that? 22:27.000 --> 22:29.000 Please don't excite yourself, Miss Ray. 22:29.000 --> 22:31.000 Didn't you hear what I told the inspector? 22:31.000 --> 22:33.000 Yes. Is this some more trickery? 22:33.000 --> 22:35.000 Trickery? How can that be? 22:35.000 --> 22:37.000 I don't know. That's what I'm asking you. 22:37.000 --> 22:39.000 I should call it generous. 22:39.000 --> 22:41.000 I should call it generous. 22:41.000 --> 22:43.000 I'm not going to do this without a reason. 22:43.000 --> 22:45.000 Naturally not. 22:45.000 --> 22:47.000 Has it occurred to you, either of you, 22:47.000 --> 22:49.000 that I might not want my business dealings revealed in court? 22:49.000 --> 22:51.000 What are you driving at? 22:51.000 --> 22:53.000 Has it also occurred to you that a man's double, 22:53.000 --> 22:55.000 who looks exactly like him and shares all his secrets, 22:55.000 --> 22:57.000 may become a danger rather than an asset? 22:59.000 --> 23:01.000 He knows too much. 23:01.000 --> 23:03.000 He wants too much, and so... 23:03.000 --> 23:05.000 I think I understand. 23:05.000 --> 23:07.000 You're glad he's dead. 23:07.000 --> 23:09.000 I'm glad, dear. You've shocked my brotherly feelings. 23:09.000 --> 23:11.000 But definitely relieved. 23:11.000 --> 23:13.000 Look here. You can't get away with this. 23:13.000 --> 23:15.000 Get away with it, sir? 23:15.000 --> 23:17.000 Come now. 23:17.000 --> 23:19.000 Aren't you forgetting that you're the murderer? 23:19.000 --> 23:21.000 And what are you going to do? 23:21.000 --> 23:23.000 It's very simple. 23:23.000 --> 23:25.000 We three, in an unholy partnership, 23:25.000 --> 23:27.000 will dispose of Robert's body. 23:27.000 --> 23:29.000 Or would you rather hang? 23:29.000 --> 23:31.000 He's got us run. There's no other way. 23:31.000 --> 23:33.000 But how can we dispose of the body? 23:33.000 --> 23:35.000 Oh, this seems worse than killing him. 23:35.000 --> 23:37.000 It's a filthy, cold-blooded... 23:37.000 --> 23:39.000 practical necessity. 23:39.000 --> 23:41.000 As for disposing of the body, 23:41.000 --> 23:43.000 nothing is easier. 23:43.000 --> 23:45.000 We shall simply gather the necessary materials... 23:55.000 --> 23:57.000 And so, as I said before, 23:57.000 --> 23:59.000 this is the story of a man 23:59.000 --> 24:01.000 who commits murder and gets away with it. 24:01.000 --> 24:03.000 Ronald Gilbert looks back 24:03.000 --> 24:05.000 across the years and is still firmly 24:05.000 --> 24:07.000 convinced of his own guilt. 24:07.000 --> 24:09.000 But, of course, 24:09.000 --> 24:11.000 Gilbert never shot anybody. 24:11.000 --> 24:13.000 I was the man who committed the murder. 24:29.000 --> 24:31.000 Don't you remember? 24:31.000 --> 24:33.000 When he killed my brother, 24:33.000 --> 24:35.000 he's supposed to have passed through his body 24:35.000 --> 24:37.000 and smashed the face of the grandfather clock. 24:37.000 --> 24:39.000 But that's an impossibility. 24:39.000 --> 24:41.000 The face of a grandfather clock 24:41.000 --> 24:43.000 is much higher than the heart of a man. 24:43.000 --> 24:45.000 You see, two shots were fired 24:45.000 --> 24:47.000 at the very same instant. 24:47.000 --> 24:49.000 Gilbert missed and smashed the clock face. 24:49.000 --> 24:51.000 I fired from the door of the office 24:51.000 --> 24:53.000 and did not miss. 24:53.000 --> 24:55.000 That was why my brother 24:55.000 --> 24:57.000 looked past those two. 24:57.000 --> 24:59.000 I went out by the back door, 24:59.000 --> 25:01.000 stopped it, and reappeared 25:01.000 --> 25:03.000 at the front afterwards. 25:03.000 --> 25:05.000 It was not 25:05.000 --> 25:07.000 Robert Markham who died. 25:07.000 --> 25:09.000 I am Robert Markham. 25:09.000 --> 25:11.000 It was Charles 25:11.000 --> 25:13.000 who died that night. 25:13.000 --> 25:15.000 And I killed him. 25:15.000 --> 25:17.000 To stop forever 25:17.000 --> 25:19.000 the wholesale blackmail that was poisoning 25:19.000 --> 25:21.000 the lives and blasting the hearts of a thousand 25:21.000 --> 25:23.000 half-crazed people. 25:23.000 --> 25:25.000 His records I destroyed. 25:25.000 --> 25:27.000 His correspondence I burnt. 25:27.000 --> 25:29.000 His deadened on. 25:29.000 --> 25:31.000 I have assumed his name and identity 25:31.000 --> 25:33.000 ever since. 25:33.000 --> 25:35.000 Yes, 25:35.000 --> 25:37.000 I committed a murder. 25:37.000 --> 25:39.000 And yet, 25:39.000 --> 25:41.000 if you were on a jury, 25:41.000 --> 25:43.000 dare you say 25:43.000 --> 25:45.000 that you would condemn me? 25:45.000 --> 25:47.000 Oh, come now. 25:47.000 --> 26:07.000 Would you? 26:07.000 --> 26:09.000 And so closes the dealings 26:09.000 --> 26:11.000 of Mr Markham, in which 26:11.000 --> 26:13.000 Romerwines have brought you Henry Daniel 26:13.000 --> 26:15.000 as star, with Joan Loring as Judith, 26:15.000 --> 26:17.000 and Gavin Gordon as Ronald. 26:17.000 --> 26:19.000 In tonight's study in 26:19.000 --> 26:21.000 Suspense. 26:21.000 --> 26:23.000 Suspense is produced, edited, 26:23.000 --> 26:25.000 and directed by William Spear. 26:25.000 --> 26:27.000 Before Mr Daniel 26:27.000 --> 26:29.000 returns to the microphone, 26:29.000 --> 26:31.000 this is Truman Bradley with a word 26:31.000 --> 26:33.000 for Romerwines, 26:33.000 --> 26:35.000 the sponsor of Suspense. 26:35.000 --> 26:37.000 America's famed authority on 26:37.000 --> 26:39.000 hospitality, Elsa Maxwell, 26:39.000 --> 26:41.000 recently made this suggestion for 26:41.000 --> 26:43.000 gracious entertaining. 26:43.000 --> 26:45.000 Our friends will complement your good taste 26:45.000 --> 26:47.000 when you serve delightful 26:47.000 --> 26:49.000 Romer California Toquet, 26:49.000 --> 26:51.000 with coffee or dessert, 26:51.000 --> 26:53.000 with nuts and fruit, 26:53.000 --> 26:55.000 enjoyable at any time, 26:55.000 --> 26:57.000 served cool. 26:57.000 --> 26:59.000 A most timely suggestion for Miss Maxwell. 26:59.000 --> 27:01.000 You'll find flame 27:01.000 --> 27:03.000 bright, Romer Toquet 27:03.000 --> 27:05.000 velvety smooth, moderately 27:05.000 --> 27:07.000 sweet, light, 27:07.000 --> 27:09.000 yet delightfully rich, 27:09.000 --> 27:11.000 and you'll find Romerwines always 27:11.000 --> 27:13.000 delicious, of unvarying 27:13.000 --> 27:15.000 fine quality and goodness. 27:15.000 --> 27:17.000 And the next time you use 27:17.000 --> 27:19.000 vermouth, choose Roma 27:19.000 --> 27:21.000 vermouth. Zestful, 27:21.000 --> 27:23.000 full flavored Roma vermouth 27:23.000 --> 27:25.000 is blended, developed, 27:25.000 --> 27:27.000 with all the traditional wine making 27:27.000 --> 27:29.000 skill of Roma wineries, 27:29.000 --> 27:31.000 is made and bottled in the heart of California's 27:31.000 --> 27:33.000 famous vineyards, 27:33.000 --> 27:35.000 yet surprisingly low priced. 27:35.000 --> 27:37.000 Try Roma vermouth 27:37.000 --> 27:39.000 soon, won't you? 27:39.000 --> 27:41.000 This is Henry Daniel. 27:41.000 --> 27:43.000 For a long time I've looked forward to making an appearance 27:43.000 --> 27:45.000 on Suspense, and I hope that I 27:45.000 --> 27:47.000 should be invited for a return engagement. 27:47.000 --> 27:49.000 Now, here's something important. 27:49.000 --> 27:51.000 Every dollar 27:51.000 --> 27:53.000 invested now in the Seventh War loan, 27:53.000 --> 27:55.000 which ends this Saturday, is a fighting 27:55.000 --> 27:57.000 dollar that paves the way to victory 27:57.000 --> 27:59.000 over Japan. It's an invested 27:59.000 --> 28:01.000 dollar stored for your future security. 28:01.000 --> 28:03.000 Buy an extra war 28:03.000 --> 28:05.000 bond or two by Saturday, and do your share 28:05.000 --> 28:07.000 in bringing the Seventh War loan to a successful 28:07.000 --> 28:09.000 close. Henry Daniel is 28:09.000 --> 28:11.000 currently being seen in RKO's production 28:11.000 --> 28:13.000 The Body Snatcher. 28:13.000 --> 28:15.000 Joan Loring is currently 28:15.000 --> 28:17.000 being seen in the Warner Brothers production 28:17.000 --> 28:19.000 The Corn is Green, 28:19.000 --> 28:21.000 and will be starred on Suspense 28:21.000 --> 28:23.000 at a later date. 28:23.000 --> 28:25.000 Next Thursday, you will hear 28:25.000 --> 28:27.000 Mr. George Kolouris as 28:27.000 --> 28:29.000 star of Suspense. 28:29.000 --> 28:31.000 Suspense. 28:31.000 --> 28:33.000 Presented by 28:33.000 --> 28:35.000 Roma Wines, 28:35.000 --> 28:37.000 R-O-M-A, 28:37.000 --> 28:39.000 made in California 28:39.000 --> 28:41.000 for enjoyment throughout 28:41.000 --> 28:43.000 the world. 28:57.000 --> 28:59.000 This is CBS, 28:59.000 --> 29:05.000 the Columbia Broadcasting System.