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Now, the Roma Wine Company of Fresno, California presents...

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Suspense!

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Tonight, Roma wines bring you the suspenseful play called The Burning Court, starring the

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distinguished actor whose current performance you have admired in the picture Laura Clifton-Webb.

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Suspense is presented for your enjoyment by Roma Wines.

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That's R-O-M-A, Roma Wines.

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Those excellent California wines that can add so much pleasantness to the way you live,

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to your happiness and entertaining guests, to your enjoyment of everyday meals.

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Yes, right now a glass full would be very pleasant, as Roma Wines bring you a remarkable

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tale of suspense.

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And with the strange events detailed in John Dixon Carr's novel, The Burning Court, and

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with the performance of Mr. Clifton-Webb as its U-Bane narrator, Godin Cross, Roma Wines

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hope indeed to keep you in...

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Suspense!

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A pleasant fire, charming company, and a hostess who realizes that tea served in the Russian

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manner is the only manner in which tea should ever be served.

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Yes, a heartwarming evening, Mr. Covington, in an extremely gracious setting.

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How fortunate that your uncle had the wealth to satisfy such an explicit taste.

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And what a pity I have so little time to tell you which one here... murdered him just last

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week.

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Now, I believe we're all here.

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Ted and Mary Covington, Mrs. Henderson, the housekeeper, Captain Brennan, I believe.

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Yes, and incidentally yourself, just who did you say you were?

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No wonder you police have had so much difficulty with the case.

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My name is Cross, Godin Cross, the writer.

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Oh, well why don't you say so?

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That book, A History of European Murder, that's yours, isn't it?

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Extraordinary, a policeman who reads.

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As a matter of fact, Captain, it's because of my latest book, Poisoning Throughout the

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Ages, that I happen to be with you now.

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Ted Covington there is a member of the firm which publishes my work.

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I'd never seen him until tonight, when he himself told me what happened.

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He went back to last Friday afternoon, before it was then that he began reading my manuscript

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for the first time.

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He began it on the train, the commuter's train, which every afternoon deposits him safely

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and soundly in this charming suburb of Crispin.

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That is, if you care for suburbs.

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At any rate, I imagine he was almost home by the time he finished the first chapter.

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When he turned the page, attached to the following leaf was a picture and, looking at it, the

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young man stiffened suddenly and all but cried out his shock.

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It was a picture of a woman.

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Under it was printed, Marie Dubranich, convicted of arsenic poisoning, St. Petersburg, Russia,

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1731.

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Ted Covington was looking at a picture of his own young wife.

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His 25-year-old wife in an early 18th century costume, the face, the features were identical,

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even the name.

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Dubranich is his wife, or was his wife's maiden name.

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No, no, no, it was ridiculous.

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This woman in the picture was one of his wife's ancestors, simply an amazing family resemblance.

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He wondered why Marie had never told him about.

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Ted Covington glanced down at the chapter to which the picture had been attached.

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It was entitled, The Affair of the Non-Dead Woman.

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But then the train was approaching the station and he rose and walked out to the platform.

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Standing there for a moment, his eyes ran down the page.

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Marie Dubranich, it appears, was quite the continental charmer in her day.

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With the beneficent assistance of arsenic, she had disposed of half a dozen husbands

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before she'd been caught.

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But caught she was.

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She was sentenced to death, the chapter concluded.

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And then beheaded and burned.

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And there, waiting for him at the curb by the suburban station, was the wife he knew

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so well.

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She was leaning toward him now to open the door, smiling in that way he knew so well.

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Ted, what on earth are you staring at?

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A soft fire in your eye.

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Oh, it's the street light, I guess.

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Oh, darling, you're silly and overworked.

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Come on, get in the car.

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Thus, like a wind, thin wisp of smoke, it was gone.

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The unspeakably foolish concept.

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Laughable?

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That's what it really was.

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All right, let's hear it.

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What's so funny?

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Oh, nothing, nothing at all, darling.

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I guess I just feel good.

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Oh, fine mood for dancing tonight.

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Dancing?

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No, Ted, you promise.

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You said if Uncle Miles showed a noticeable improvement, we could go to the club.

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You mean he's really better?

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There's no comparison.

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The doctor agreed with me.

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Darling, there's no reason in the world why we shouldn't let Mrs. Henderson stay awake

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for a change.

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Do her good, the old witch.

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What is the matter with you?

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Oh, it's just that I started to call her a witch.

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It's a private joke, darling.

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A private joke.

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And by the time they were home, it was even less than that.

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Ted was sitting in the living room.

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When Marie entered it and moved toward the fireplace, he studied her as she struck the

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match on the half-stone.

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Touched it through the little roll of newspaper.

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Stood back to watch the licking flames catch the charcoal, then the logs.

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As the light rose, illuminating her face and the lips barely parted in that ineffably curious

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smile, he would remind her again of her fragile loveliness and his absurd reaction to the

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manuscript.

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He glanced around.

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There it was on the table where he placed it when he'd come in.

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Deliberately, he turned from it and then back again.

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The manuscript had been moved only an inch or so, but moved.

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Keeping his back to his wife, he thumbed through that early chapter and discovered, just as

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he was afraid he would, that the picture itself was gone.

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For a long moment, he thought of what to do.

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Then, slowly, he turned around.

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This, this book of crosses I brought home.

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Yes, dear.

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There was a story of a poisoner in it.

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It's funny, her name happens to be the same as yours.

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Your maiden name, that is.

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Look, darling, was she a relative of yours?

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Why, Ted, you're serious.

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In a way, yes.

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I don't mean it's really important.

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It's just that, well, when you run across a person who was a top flight poisoner a couple

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of hundred years ago, and who's a dead ringer for your own wife, you want to hear about it,

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that's all.

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Ted, what on earth are you talking about?

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Darling, be honest with me.

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Didn't you look at this manuscript when I was out of the room?

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No.

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You didn't take out a picture of a poisoner named Marie de Brunnich?

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I most certainly did not.

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Somebody took that picture out of the manuscript.

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Oh, but who could it be?

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Mrs. Henderson has been in the back ever since we came in.

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And Uncle Miles, he's in bed in his room.

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I'm sorry, darling.

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It'll turn up.

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Forget it.

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Maybe I am overworked.

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I guess a little dancing is just the thing I need tonight.

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When they returned home, it had happened.

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Mrs. Henderson met them at the door.

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Ted's uncle had taken a sudden turn for the worse.

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Hurry as fast as you can.

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You'll be right there.

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Marie, if you don't mind, I...

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Yes, yes, Ted.

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Come, Mrs. Henderson, let's go into the living room.

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He had wanted to be alone in the room,

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not because of his great attachment to his uncle,

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who, say, for Ted himself, was the last of his branch of the Covingtons,

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but because he had seen something.

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It was the silver cup under the edge of the bed,

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the cup of the late patient had used for his medicine.

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Ted moved over to it, stood down.

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There were still a few drops at the bottom.

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And then, just as he was rising to his feet,

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his heart seemed to mislead.

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He had seen the other thing, Uncle Miles' cat,

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two feet away from the cup, further under the bed.

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She was lying on her side.

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Fearfully, he extended his hand.

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The cat was still warm, but quite dead.

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No-one must know, not yet.

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There would be a funeral, a normal official interment

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in the family crypt on the grounds.

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Meanwhile, the cat must be buried, disposed of,

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and the contents of the cup.

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The next day, at the chemists, he was told it contained arsenic.

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For Suspense, Roma Wines are bringing you a star, Mr. Clifton Webb,

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whom you have heard in the first act of The Burning Court by John Dixon Carr,

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which is Roma Wines' presentation tonight of Suspense.

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Between the acts of Suspense, this is Truman Bradley for Roma Wines.

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We now quote a brief word from the renowned hostess, Elsa Maxwell.

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I've found that one of the smartest ways to entertain during warm weather

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is to serve tall, iced, thirst-quenching Roma refreshers

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made with distinguished Roma California wines.

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And it's so easy to enjoy frosty, satisfying Roma wine and soda.

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Simply half-fill tall glasses with Roma Burgundy or Sauternes.

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Add ice cubes and sparkling water, and sugar if you wish.

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For a decorative touch, garnish with cherries and slices of fruit.

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And be sure to use Roma, for Roma wine is always uniformly good.

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The happy result of selected grapes.

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Carefully picked at the very peak of character in California's choicest vineyards,

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gently pressed, then guided unhurriedly to perfection

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for the ancient skill of Roma's famed wineries.

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Yet, good as it is, Roma wine costs only pennies a glass.

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Remember, because of uniformly fine quality at reasonable cost,

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more Americans enjoy Roma than any other wine.

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R-O-M-A, Roma wines.

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And now Roma wines bring back to our Hollywood sound stage,

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Clifton Webb as Go Down Cross, writer and authority on Murder Through the Ages

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in The Burning Court, a play well calculated to keep you in suspense.

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Now let me understand one thing, Mr. Cross.

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You're simply relating what Mr. Covington here told you.

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Yes, less than 15 minutes ago, Captain.

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Then why not have Mr. Covington tell it himself?

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Primarily because I can tell it more beautifully.

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Uh, Mr. Covington.

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More tea.

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I'll get it for him, Madam.

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Oh, you're very kind, Mrs. Henderson, but I'd rather you didn't miss even one facet of the story.

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Oh, well, I'm not leaving, sir. The samovar's right over here.

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Excellent.

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I think that you should know that earlier tonight, just three days after his uncle's burial,

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Ted Covington sat alone in this room, contemplating some astonishing plans.

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This very night, long after Marie would retire,

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he himself would open the vault and exhume his uncle's body.

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A chemist had been engaged for a private autopsy.

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He was to look for traces of poison, yet,

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Ted Covington wasn't so sure he could go through with such a plan.

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The door opened, and Marie came into the room,

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walking now quite softly across to the great fireplace.

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He studied her closely as she struck the match,

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then touched it with the crumpled scraps of paper.

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Oh, I thought you might have been a little too excited.

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I thought you might be a little chilled.

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Chilled? If only she knew the chill that was wrapped around his heart.

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If only she...

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He stopped short in his thoughts,

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for now the glow had risen against that somewhat childlike face,

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and suddenly he saw, for the first time, the faint wrinkles of age at her eyes.

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Now the light was higher, and there, there it was.

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A thin light creased, like an almost invisible star that encircled the mountain.

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Marie du Brunnet, beheaded and burned in 1731.

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Yes, he was sure of it now. He had to go through with his plan.

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So, by the dim light of a lantern, he set about his task,

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pounding his way through the thick concrete that now covered the family tomb,

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drawing open the great subterranean door, descending to the ink-black chamber below.

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He found the coffin, wrested it from its crib, placed it upon the floor.

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He unclamped the lid, opened it, and then, then...

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The word of shock leapt from his throat.

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Empty! Empty!

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Empty! Empty, you say?

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Huh? Who's that? Who said that?

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I did, Mr. Covington, up here.

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Who are you?

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I'm Captain Brennan from the Office of the Commission of Police.

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Police? How did you... Who sent you here? Who told you about this?

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Why, your housekeeper, of course.

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You didn't think Mrs. Henderson saw the dead cat, did you? But she did.

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She also saw you bury it. That, as you know, was three days ago.

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So, I've had a chance to do some delving.

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I must admit, Mr. Covington, that when I learned your wife's maiden name was Du Brunnet...

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Marie Du Brunnet, child, was really quite a trick.

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Why? What difference does that make?

241
00:16:56,640 --> 00:17:00,640
Perhaps you don't know it, but that's a rather important name in crime history.

242
00:17:00,640 --> 00:17:02,640
Oh, but the same name, that's all. It's a coincidence, Captain.

243
00:17:02,640 --> 00:17:05,640
Yeah, isn't it? The case is full of them.

244
00:17:05,640 --> 00:17:09,640
Learned most of her poison tricks, for example, from a lover of long standing,

245
00:17:09,640 --> 00:17:13,640
a fellow by the name of Kroszitov. Godin Kroszitov.

246
00:17:13,640 --> 00:17:17,640
Kros... Godin Krosk, let's say.

247
00:17:17,640 --> 00:17:20,640
Hasn't you affirmed published books by a man by that name?

248
00:17:20,640 --> 00:17:22,640
Kros? Oh, this is some kind of a joke.

249
00:17:22,640 --> 00:17:26,640
But what's even more interesting, Mr. Covington, is the fact that the name of the judge

250
00:17:26,640 --> 00:17:31,640
who sentenced Marie Du Brunnet to death by the burning court just happened to be Covington.

251
00:17:31,640 --> 00:17:32,640
Covington?

252
00:17:32,640 --> 00:17:33,640
Thurman Covington.

253
00:17:33,640 --> 00:17:36,640
An ancestor, wouldn't you say, of the man who just died?

254
00:17:36,640 --> 00:17:39,640
Or was murdered? An ancestor of yours, am I dead?

255
00:17:39,640 --> 00:17:41,640
Oh, but you can't believe any of this.

256
00:17:41,640 --> 00:17:46,640
This nonsense about a long time lover and a vengeance through the ages.

257
00:17:46,640 --> 00:17:48,640
Captain? Captain Brunnet?

258
00:17:48,640 --> 00:17:50,640
Yeah, down here, Freddy.

259
00:17:50,640 --> 00:17:53,640
Oh. No luck, sir. No answer at all.

260
00:17:53,640 --> 00:17:54,640
The place seems to be vacant.

261
00:17:54,640 --> 00:17:55,640
The Covington house?

262
00:17:55,640 --> 00:17:56,640
What?

263
00:17:56,640 --> 00:17:57,640
Yes, sir. Couldn't wait to sell.

264
00:17:57,640 --> 00:17:58,640
Get out of my way.

265
00:17:58,640 --> 00:17:59,640
Hey, Covington, come back here.

266
00:17:59,640 --> 00:18:00,640
All things happened to my wife.

267
00:18:00,640 --> 00:18:01,640
You want me to stop him, Captain?

268
00:18:01,640 --> 00:18:03,640
Let him go. We'll follow him.

269
00:18:11,640 --> 00:18:14,640
Marie? Marie? Where are you?

270
00:18:14,640 --> 00:18:16,640
It's me, Ted.

271
00:18:16,640 --> 00:18:19,640
Marie, what have you done? What?

272
00:18:22,640 --> 00:18:24,640
Good evening, Mr. Covington.

273
00:18:24,640 --> 00:18:25,640
Who are you?

274
00:18:25,640 --> 00:18:28,640
My name is Cross, Good Ann Cross, the writer.

275
00:18:28,640 --> 00:18:31,640
Cross? My wife. What have you done to her?

276
00:18:31,640 --> 00:18:34,640
You fiend. What have you done to my wife?

277
00:18:34,640 --> 00:18:37,640
Stop it. Listen to me. Why are you here?

278
00:18:37,640 --> 00:18:39,640
Why am I here?

279
00:18:39,640 --> 00:18:44,640
Because your wife, reading my chapter on Marie du Brunnet,

280
00:18:44,640 --> 00:18:48,640
realized I knew more about the family than even she did,

281
00:18:48,640 --> 00:18:52,640
because she found my phone number on the front cover of the manuscript,

282
00:18:52,640 --> 00:18:56,640
and because I know an exceptional case when I hear one.

283
00:18:56,640 --> 00:18:57,640
Does that answer your question?

284
00:18:57,640 --> 00:19:00,640
No, you know it doesn't. Can't you see I've got to...

285
00:19:00,640 --> 00:19:01,640
I've got to know whether...

286
00:19:01,640 --> 00:19:05,640
I see. Whether your wife is really Marie du Brunnet,

287
00:19:05,640 --> 00:19:09,640
who was burnt by order of the burning court.

288
00:19:09,640 --> 00:19:15,640
You're quite sure, no doubt, that I'm Good Ann Cross who first wooed her.

289
00:19:15,640 --> 00:19:21,640
No, my boy, Marie du Brunnet is no more your wife's real name

290
00:19:21,640 --> 00:19:23,640
than mine is Good Ann Cross.

291
00:19:23,640 --> 00:19:24,640
What?

292
00:19:24,640 --> 00:19:28,640
Your esteemed wife, Mr. Covington, was adopted by people named du Brunnet,

293
00:19:28,640 --> 00:19:31,640
remote members of the real family of Poisoners.

294
00:19:31,640 --> 00:19:34,640
I can't believe it. What didn't she tell me?

295
00:19:34,640 --> 00:19:39,640
Because until I told her half an hour ago, she didn't know it herself.

296
00:19:39,640 --> 00:19:41,640
I'd learned it through my research.

297
00:19:41,640 --> 00:19:43,640
Oh, that's too wonderful.

298
00:19:43,640 --> 00:19:47,640
For years, Mr. Covington, that young woman has been haunted by the fear

299
00:19:47,640 --> 00:19:50,640
that she might be a Poisoner by blood.

300
00:19:50,640 --> 00:19:54,640
You can see, can't you, why she was willing to lie, steal a picture,

301
00:19:54,640 --> 00:19:59,640
do anything to hide her past from the man she wanted to hold.

302
00:19:59,640 --> 00:20:00,640
Yes, yes, I can see that now.

303
00:20:00,640 --> 00:20:01,640
But Mrs. Covington...

304
00:20:01,640 --> 00:20:02,640
You mean she's...

305
00:20:02,640 --> 00:20:03,640
Yes, Mr. Cross.

306
00:20:03,640 --> 00:20:06,640
Oh, Marie, darling, you're all right.

307
00:20:08,640 --> 00:20:11,640
That will be our old, old friends, the police.

308
00:20:11,640 --> 00:20:14,640
Will you take them into the front room, Mrs. Covington?

309
00:20:14,640 --> 00:20:18,640
Meanwhile, you, my friend, will tell me everything that's happened up to now.

310
00:20:18,640 --> 00:20:21,640
Having just delivered your wife from the burning court,

311
00:20:21,640 --> 00:20:34,640
I'll see if I can't save her from the electric chair.

312
00:20:36,640 --> 00:20:37,640
Sugar?

313
00:20:37,640 --> 00:20:40,640
Just pass it, please, Mr. Covington.

314
00:20:40,640 --> 00:20:43,640
There. Thank you.

315
00:20:43,640 --> 00:20:48,640
Ah, yes. Truly excellent tea.

316
00:20:48,640 --> 00:20:50,640
Don't you agree, Mrs. Henderson?

317
00:20:50,640 --> 00:20:52,640
What? Oh, yes, yes, it's very nice.

318
00:20:52,640 --> 00:20:58,640
Yes. Well, that Captain Brennan completes Ted Covington's personal account

319
00:20:58,640 --> 00:21:01,640
of the events leading up to the present.

320
00:21:01,640 --> 00:21:04,640
Let us now consider that supernatural hocus-pocus

321
00:21:04,640 --> 00:21:07,640
of the body that walked out of the sealed-in tomb.

322
00:21:07,640 --> 00:21:11,640
That body, let's agree, that never was in that tomb.

323
00:21:11,640 --> 00:21:12,640
Never in that tomb?

324
00:21:12,640 --> 00:21:16,640
No, Mr. Covington. It was disposed of long before.

325
00:21:16,640 --> 00:21:18,640
But who could have done it?

326
00:21:18,640 --> 00:21:20,640
Who could have kept that body out of the tomb?

327
00:21:20,640 --> 00:21:24,640
Who, Mr. Covington? Why, you, sir.

328
00:21:24,640 --> 00:21:25,640
What are you saying?

329
00:21:25,640 --> 00:21:27,640
What are you driving at?

330
00:21:27,640 --> 00:21:28,640
I don't understand what you're...

331
00:21:28,640 --> 00:21:30,640
It's very simple.

332
00:21:30,640 --> 00:21:32,640
You had to get rid of the body, Mr. Covington.

333
00:21:32,640 --> 00:21:36,640
You knew that eventually there was going to be an investigation.

334
00:21:36,640 --> 00:21:38,640
This is a joke, isn't it?

335
00:21:38,640 --> 00:21:42,640
A rather bad joke on your wife.

336
00:21:42,640 --> 00:21:44,640
From a few historical coincidences,

337
00:21:44,640 --> 00:21:47,640
you built a murderess in your own wife's image.

338
00:21:47,640 --> 00:21:49,640
I won't listen to this any more.

339
00:21:49,640 --> 00:21:51,640
Why should you? Look, Cross,

340
00:21:51,640 --> 00:21:53,640
why would Covington here spend an hour

341
00:21:53,640 --> 00:21:56,640
smashing into a crypt for a body he knew wasn't there?

342
00:21:56,640 --> 00:21:58,640
Obviously, my dear captain,

343
00:21:58,640 --> 00:22:00,640
to induce you to ask such a question,

344
00:22:00,640 --> 00:22:03,640
to impress you with his own innocence

345
00:22:03,640 --> 00:22:06,640
and his desperate concern for his wife's guilt.

346
00:22:06,640 --> 00:22:09,640
No, this isn't true. It can't be true.

347
00:22:09,640 --> 00:22:10,640
Of course not.

348
00:22:10,640 --> 00:22:13,640
Cross, just how, for example, could I have been in this house

349
00:22:13,640 --> 00:22:15,640
to poison my uncle and also at the dance that night?

350
00:22:15,640 --> 00:22:19,640
Easily. You simply left the dance that night.

351
00:22:19,640 --> 00:22:21,640
I left the... It was Marie who...

352
00:22:21,640 --> 00:22:23,640
I explained how I looked for her.

353
00:22:23,640 --> 00:22:25,640
So you did.

354
00:22:25,640 --> 00:22:27,640
And you didn't see her, Mr. Covington,

355
00:22:27,640 --> 00:22:29,640
for the very good reason you weren't there.

356
00:22:29,640 --> 00:22:30,640
No, wait a minute.

357
00:22:30,640 --> 00:22:32,640
You were here, my friend, in this house,

358
00:22:32,640 --> 00:22:33,640
just as you had planned.

359
00:22:33,640 --> 00:22:34,640
No, no, you...

360
00:22:34,640 --> 00:22:36,640
Who but you, the nephew, could so naturally

361
00:22:36,640 --> 00:22:38,640
have handed his uncle a cup,

362
00:22:38,640 --> 00:22:40,640
a cup presumably of medicine.

363
00:22:40,640 --> 00:22:41,640
Don't listen to him.

364
00:22:41,640 --> 00:22:43,640
And who but you of all those here

365
00:22:43,640 --> 00:22:45,640
have the strength to carry that body to the furnace,

366
00:22:45,640 --> 00:22:48,640
where it's now probably nothing but ashes?

367
00:22:48,640 --> 00:22:50,640
Lies. All lies.

368
00:22:50,640 --> 00:22:52,640
Why should I do such a thing?

369
00:22:52,640 --> 00:22:54,640
Why would I murder my own uncle?

370
00:22:54,640 --> 00:22:56,640
For the best reason that ever existed.

371
00:22:56,640 --> 00:22:57,640
A fortune.

372
00:22:57,640 --> 00:22:58,640
Stop!

373
00:22:58,640 --> 00:22:59,640
You were the only heir.

374
00:22:59,640 --> 00:23:02,640
You'd get the estate, the money, the independence.

375
00:23:02,640 --> 00:23:04,640
Please, Marie. Brennan, he's making this up.

376
00:23:04,640 --> 00:23:05,640
He's...

377
00:23:05,640 --> 00:23:08,640
Now, now, now. It isn't as bad as all that.

378
00:23:08,640 --> 00:23:12,640
Why, the police can never touch you.

379
00:23:12,640 --> 00:23:15,640
After all, where's the body?

380
00:23:15,640 --> 00:23:17,640
Where's the evidence?

381
00:23:22,640 --> 00:23:25,640
A truly delightful beverage.

382
00:23:25,640 --> 00:23:27,640
Yes, Mr Covington,

383
00:23:27,640 --> 00:23:29,640
I'm sure you'll be quite comfortable

384
00:23:29,640 --> 00:23:32,640
in an asylum for the insane.

385
00:23:32,640 --> 00:23:33,640
And that is...

386
00:23:33,640 --> 00:23:35,640
Mr. Crofts.

387
00:23:35,640 --> 00:23:36,640
What is it?

388
00:23:36,640 --> 00:23:38,640
Here, stand back.

389
00:23:38,640 --> 00:23:40,640
Stand back, let me get to...

390
00:23:40,640 --> 00:23:41,640
Mr. Crofts.

391
00:23:41,640 --> 00:23:42,640
What?

392
00:23:42,640 --> 00:23:44,640
What's the matter, Captain?

393
00:23:44,640 --> 00:23:46,640
This man's dead.

394
00:23:46,640 --> 00:23:47,640
Dead?

395
00:23:47,640 --> 00:23:49,640
And from poison, if I know anything.

396
00:23:49,640 --> 00:23:51,640
Poison from that glass of tea.

397
00:23:51,640 --> 00:23:53,640
Ted!

398
00:23:53,640 --> 00:23:54,640
You!

399
00:23:54,640 --> 00:23:56,640
That glass was right beside you, Covington,

400
00:23:56,640 --> 00:23:58,640
and nobody knew what it was.

401
00:23:58,640 --> 00:24:00,640
You're a fool.

402
00:24:00,640 --> 00:24:01,640
You're a fool.

403
00:24:01,640 --> 00:24:04,640
It was right beside you, Covington, and nobody else.

404
00:24:04,640 --> 00:24:06,640
Nobody else was near.

405
00:24:06,640 --> 00:24:08,640
Too bad he didn't drink it as soon as you hoped.

406
00:24:08,640 --> 00:24:09,640
I didn't do what I did.

407
00:24:09,640 --> 00:24:10,640
Because a second ago, Covington,

408
00:24:10,640 --> 00:24:11,640
we had no evidence,

409
00:24:11,640 --> 00:24:13,640
no body to use against you.

410
00:24:13,640 --> 00:24:16,640
But we have now, Mr. Covington, we have now.

411
00:24:16,640 --> 00:24:31,640
I arrest you for the murder of Godin Cross.

412
00:24:46,640 --> 00:24:47,640
Godin?

413
00:24:47,640 --> 00:24:48,640
Godin?

414
00:24:48,640 --> 00:24:53,640
You're much too far away, my love.

415
00:24:53,640 --> 00:24:54,640
Godin.

416
00:24:54,640 --> 00:24:57,640
Much too far from the flame.

417
00:24:57,640 --> 00:25:02,640
So you've come back, dear Godin.

418
00:25:02,640 --> 00:25:05,640
Back within the hour.

419
00:25:05,640 --> 00:25:08,640
Back for you, Mary.

420
00:25:08,640 --> 00:25:10,640
Far with all the Covingtons,

421
00:25:10,640 --> 00:25:16,640
disposed of now, with the old score settled at last.

422
00:25:16,640 --> 00:25:18,640
I know.

423
00:25:18,640 --> 00:25:22,640
There's no need to tarry longer.

424
00:25:22,640 --> 00:25:25,640
You were brilliant as ever, Godin.

425
00:25:25,640 --> 00:25:29,640
Superb in building the case against him.

426
00:25:29,640 --> 00:25:34,640
Magnificent in the suicide.

427
00:25:34,640 --> 00:25:41,640
I never even saw you take the poison.

428
00:25:41,640 --> 00:25:46,640
And I thought I'd taught you all the tricks.

429
00:25:46,640 --> 00:25:49,640
Closer now, much closer.

430
00:25:49,640 --> 00:25:50,640
Yes.

431
00:25:50,640 --> 00:25:53,640
Closer to the flame, Mary.

432
00:25:53,640 --> 00:25:54,640
Yes.

433
00:25:54,640 --> 00:25:55,640
Yes, Godin.

434
00:25:55,640 --> 00:25:56,640
Closer to me, my love.

435
00:25:56,640 --> 00:26:21,640
That night, the Covington house burned to the ground.

436
00:26:21,640 --> 00:26:30,640
The body of Marie de Brontich Covington was never recovered.

437
00:26:30,640 --> 00:26:32,640
And so closes the burning court

438
00:26:32,640 --> 00:26:34,640
in which Roma wines have brought you Clifton Webb,

439
00:26:34,640 --> 00:26:36,640
as star of tonight's study in...

440
00:26:36,640 --> 00:26:38,640
Suspense.

441
00:26:38,640 --> 00:26:43,640
Suspense is produced, edited, and directed by William Spear.

442
00:26:43,640 --> 00:26:45,640
Before Mr. Webb returns to the microphone,

443
00:26:45,640 --> 00:26:49,640
let me say a word for Roma Wines, the sponsor of Suspense.

444
00:26:49,640 --> 00:26:52,640
Elsa Maxwell makes this timely suggestion

445
00:26:52,640 --> 00:26:54,640
for Father's Day next Sunday.

446
00:26:54,640 --> 00:26:57,640
Show Dad how much you really appreciate him

447
00:26:57,640 --> 00:27:00,640
by making next Sunday's dinner a festive occasion.

448
00:27:00,640 --> 00:27:04,640
Serve glorious golden amber Roma California Cherrie

449
00:27:04,640 --> 00:27:06,640
as first call for dinner.

450
00:27:06,640 --> 00:27:08,640
Dad will enjoy the light nut-like flavor

451
00:27:08,640 --> 00:27:10,640
of this distinguished Roma wine.

452
00:27:10,640 --> 00:27:12,640
Serve cool.

453
00:27:12,640 --> 00:27:14,640
Miss Maxwell has made a grand suggestion.

454
00:27:14,640 --> 00:27:16,640
And why not further delight Father

455
00:27:16,640 --> 00:27:19,640
with a gift package of delicious Roma wine.

456
00:27:19,640 --> 00:27:22,640
Good Roma wines, always delightful,

457
00:27:22,640 --> 00:27:26,640
always uniformly delicious, are reasonably priced.

458
00:27:26,640 --> 00:27:30,640
And the next time you use vermouth, choose Roma vermouth.

459
00:27:30,640 --> 00:27:32,640
Zestful, full-flavored Roma vermouth,

460
00:27:32,640 --> 00:27:34,640
blended and developed with all the traditional

461
00:27:34,640 --> 00:27:37,640
winemaking skill of Roma wineries,

462
00:27:37,640 --> 00:27:41,640
is made and bottled in the heart of California's famous vineyards,

463
00:27:41,640 --> 00:27:43,640
yet surprisingly low-priced.

464
00:27:43,640 --> 00:27:47,640
Try Roma vermouth soon, won't you?

465
00:27:47,640 --> 00:27:49,640
This is Clifton Webb.

466
00:27:49,640 --> 00:27:51,640
And now a serious word.

467
00:27:51,640 --> 00:27:55,640
This great Seventh War lone drive must be a success

468
00:27:55,640 --> 00:27:59,640
if our war against Japan is to be a success.

469
00:27:59,640 --> 00:28:03,640
Our fighting men are depending upon you to put your job over.

470
00:28:03,640 --> 00:28:07,640
It's up to you to buy bigger bonds,

471
00:28:07,640 --> 00:28:10,640
and more of them than ever before.

472
00:28:10,640 --> 00:28:12,640
So please, do it now.

473
00:28:12,640 --> 00:28:15,640
Ladies and gentlemen, next Thursday, same time,

474
00:28:15,640 --> 00:28:20,640
Ann Richards will be your star of Suspense.

475
00:28:22,640 --> 00:28:26,640
Presented by Roma Wines, R-O-M-A,

476
00:28:26,640 --> 00:28:43,640
made in California for enjoyment throughout the world.

477
00:28:56,640 --> 00:29:02,640
This is CBS, the Columbia Broadcasting System.

