WEBVTT 00:00.000 --> 00:07.200 Now, the Roma Wine Company of Fresno, California presents... 00:07.200 --> 00:08.200 Suspense! 00:08.200 --> 00:25.240 Tonight, Roma wines bring you the suspenseful play called Two Birds with One Stone, starring 00:25.240 --> 00:28.240 Mr. Dana Andrews. 00:28.240 --> 00:34.480 Suspense is presented for your enjoyment by Roma Wines. 00:34.480 --> 00:37.760 That's R-O-M-A, Roma Wines. 00:37.760 --> 00:42.080 Those excellent California wines that can add so much pleasantness to the way you live, 00:42.080 --> 00:46.720 to your happiness and entertaining guests, to your enjoyment of everyday meals. 00:46.720 --> 00:53.280 Yes, right now a glass full would be very pleasant, as Roma Wines bring you a remarkable 00:53.280 --> 00:55.040 tale of suspense. 00:55.040 --> 01:00.280 And with Two Birds with One Stone and with the performance of Mr. Dana Andrews, Roma 01:00.280 --> 01:02.240 Wines hope indeed to keep you in... 01:02.240 --> 01:03.240 Suspense! 01:03.240 --> 01:04.240 You ready? 01:04.240 --> 01:05.240 That's the boy. 01:05.240 --> 01:06.240 Not so loud. 01:06.240 --> 01:07.240 Not so loud. 01:07.240 --> 01:08.240 We want to surprise him. 01:08.240 --> 01:15.240 You don't want him to hear it before his birthday, do you? 01:15.240 --> 01:25.840 All right, all right, all right. 01:25.840 --> 01:29.600 I'll put the recorder on and you're only to speak when I tell you to. 01:29.600 --> 01:30.600 Now, do you understand? 01:30.600 --> 01:31.600 Now, here we go. 01:31.600 --> 01:32.600 Walter? 01:32.600 --> 01:33.600 Hello, Walter. 01:33.600 --> 01:36.600 This is Eleanor Walter and this... 01:36.600 --> 01:39.600 Speak, speak, speak. 01:39.600 --> 01:48.360 This is Tracy and we're saying happy birthday from your loving wife and your faithful dog, 01:48.360 --> 01:49.360 Tracy. 01:49.360 --> 01:52.360 Isn't Tracy a smart dog, Walter? 01:52.360 --> 01:55.360 He can talk, can't you, Tracy? 01:55.360 --> 01:56.360 Speak up, speak up. 01:56.360 --> 01:57.360 Tell us everything you know. 01:57.360 --> 01:58.360 You didn't know Tracy could talk, did you? 01:58.360 --> 01:59.360 But he can. 01:59.360 --> 02:00.360 He knows lots of things. 02:00.360 --> 02:01.360 Tell us everything you know, Tracy. 02:01.360 --> 02:11.320 Now, that's enough. 02:11.320 --> 02:12.320 That's enough, Tracy. 02:12.320 --> 02:13.320 Do you want him to hear us? 02:13.320 --> 02:14.320 There. 02:14.320 --> 02:24.320 When the record's finished, we'll mark the label not to be played until May 17, 1945. 02:24.320 --> 02:26.360 Eleanor and Tracy. 02:26.360 --> 02:27.360 There. 02:27.360 --> 02:30.440 Tomorrow we'll play it for him the first thing in the morning. 02:30.440 --> 02:32.360 I bet you're the first dog that's ever made a record. 02:32.360 --> 02:34.360 Now, what do you know about that, huh? 02:34.360 --> 02:36.360 No, no, no. 02:36.360 --> 02:37.840 Well, Eleanor. 02:37.840 --> 02:38.840 Yes, dear. 02:38.840 --> 02:40.840 What are you doing? 02:40.840 --> 02:41.840 Nothing. 02:41.840 --> 02:42.840 Just waiting for you. 02:42.840 --> 02:44.080 What's all the racket about? 02:44.080 --> 02:45.680 Just Tracy and I, roughhousing. 02:45.680 --> 02:48.000 I wish you wouldn't do that when I'm trying to write. 02:48.000 --> 02:49.000 I'm sorry, darling. 02:49.000 --> 02:50.000 I thought you were finished. 02:50.000 --> 02:51.000 Well, I'm not. 02:51.000 --> 02:54.840 You said you'd work till 11 and we'd take Tracy for a walk. 02:54.840 --> 02:55.960 It's after 11 now. 02:55.960 --> 02:58.000 I didn't think I was going to get stuck. 02:58.000 --> 02:59.000 Oh. 02:59.000 --> 03:00.000 We belong? 03:00.000 --> 03:01.440 How do I know how long I'll be? 03:01.440 --> 03:03.280 It's hard work for me to write a play. 03:03.280 --> 03:05.000 I'm not Tolstoy. 03:05.000 --> 03:06.680 I'm sorry, darling. 03:06.680 --> 03:12.560 I just can't seem to say anything anymore without getting on your nerves. 03:12.560 --> 03:13.840 We didn't used to be like this. 03:13.840 --> 03:16.000 Maybe we're not like we used to be. 03:16.000 --> 03:17.000 Poor Tracy. 03:17.000 --> 03:19.000 He wants to go. 03:19.000 --> 03:21.440 Well, we'll never go unless I get that second act curtain fixed. 03:21.440 --> 03:25.120 I wish I could help, dear. 03:25.120 --> 03:27.280 Maybe you can, Eleanor. 03:27.280 --> 03:31.440 What would you say if you were thinking of committing suicide and you didn't want anyone 03:31.440 --> 03:33.880 to know exactly what your plans were? 03:33.880 --> 03:37.760 What would be the last thing you'd say to your husband, for instance? 03:37.760 --> 03:38.760 I don't know. 03:38.760 --> 03:40.560 I never thought about such things. 03:40.560 --> 03:41.560 Tracy, boy. 03:41.560 --> 03:44.200 Walter, couldn't you work it out tomorrow? 03:44.200 --> 03:45.360 You'll be fresh in the morning. 03:45.360 --> 03:48.200 I said I'd finish this and I'm going to if it takes all night. 03:48.200 --> 03:52.040 Well, Tracy and I'll have to go for a walk alone. 03:52.040 --> 03:53.040 Come on. 03:53.040 --> 03:54.040 Come on, Tracy. 03:54.040 --> 03:55.040 Come on, boy. 03:55.040 --> 03:56.040 Oh, Eleanor. 03:56.040 --> 03:58.200 You said you wanted to help me. 03:58.200 --> 04:00.000 Well, if I thought I could. 04:00.000 --> 04:02.160 You helped me the other day. 04:02.160 --> 04:04.680 Only with what your leading lady's dress looked like. 04:04.680 --> 04:05.680 About the suicide. 04:05.680 --> 04:10.000 Oh, first of all, why is this girl committing suicide? 04:10.000 --> 04:12.080 She's, she's tired. 04:12.080 --> 04:13.080 Bored. 04:13.080 --> 04:14.080 Oh, darling. 04:14.080 --> 04:16.580 No wonder you can't make it convincing. 04:16.580 --> 04:19.120 People don't just commit suicide because they're bored. 04:19.120 --> 04:21.080 Yes, they do. 04:21.080 --> 04:23.120 People do even worse than that when they're bored. 04:23.120 --> 04:26.000 Well, Walter, I've been bored lots of times, but I've never even thought... 04:26.000 --> 04:28.080 Then I can see you're not going to be much help. 04:28.080 --> 04:30.360 I'll help you, honey. 04:30.360 --> 04:31.360 What's the girl like? 04:31.360 --> 04:32.360 Is she married? 04:32.360 --> 04:33.360 Yes. 04:33.360 --> 04:36.160 Is she in love with her husband? 04:36.160 --> 04:39.640 Well, she doesn't know any more. 04:39.640 --> 04:40.640 How could she not know? 04:40.640 --> 04:44.320 Eleanor, you may not understand her, but you've got to take my word for it. 04:44.320 --> 04:47.000 Well, let's see. 04:47.000 --> 04:49.600 Um, would she say... 04:49.600 --> 04:52.240 Eleanor, let's try it this way. 04:52.240 --> 04:55.840 You know, sometimes the very first things you think of are the best. 04:55.840 --> 04:58.800 Just say whatever you think she'd say without stopping. 04:58.800 --> 05:00.600 You know a little about the character. 05:00.600 --> 05:02.080 Just say whatever comes into your head. 05:02.080 --> 05:03.240 Now, try it. 05:03.240 --> 05:04.240 I won't interrupt you. 05:04.240 --> 05:05.240 All right, but... 05:05.240 --> 05:08.240 Oh, Eleanor, did they fix the recording machine today? 05:08.240 --> 05:09.240 Yes, yeah. 05:09.240 --> 05:10.240 Why? 05:10.240 --> 05:11.240 Have you tried it out yet? 05:11.240 --> 05:12.240 No. 05:12.240 --> 05:13.240 No, I was just going to. 05:13.240 --> 05:15.000 I'll tell you what we'll do then. 05:15.000 --> 05:18.040 We'll try it out by cutting a record of what you say now. 05:18.040 --> 05:20.840 It'll be spontaneous, unrehearsed. 05:20.840 --> 05:22.320 I've thought too much about it. 05:22.320 --> 05:24.040 Maybe that's why I can't do it. 05:24.040 --> 05:28.280 Yours will be fresh, then we'll play it back and change it and work on it after we hear 05:28.280 --> 05:29.280 it. 05:29.280 --> 05:30.280 Well, wouldn't it be better, darling? 05:30.280 --> 05:34.400 Please, try it my way before you have a chance to think too much about it. 05:34.400 --> 05:35.400 Oh, come on. 05:35.400 --> 05:37.120 You've got a record right there, haven't you? 05:37.120 --> 05:38.120 Is there anything on it? 05:38.120 --> 05:40.320 Well, one side's blank. 05:40.320 --> 05:42.520 All right, come on. 05:42.520 --> 05:45.080 And make it emotional, convincing. 05:45.080 --> 05:46.080 You ready? 05:46.080 --> 05:51.080 All right, go ahead. 05:51.080 --> 05:58.320 Maybe it's foolish of me to do what I'm thinking of doing, but I don't see any other way. 05:58.320 --> 06:03.000 I'm confused and bored. 06:03.000 --> 06:06.000 I guess bored most of all. 06:06.000 --> 06:14.960 And maybe what I'm going to do will solve things for both of us. 06:14.960 --> 06:20.480 Goodbye. 06:20.480 --> 06:21.480 That was good, Eleanor. 06:21.480 --> 06:23.080 I can get a lot of ideas from that. 06:23.080 --> 06:24.320 Is that the end of the record? 06:24.320 --> 06:25.320 Yes. 06:25.320 --> 06:27.240 You see, you have helped me after all. 06:27.240 --> 06:28.240 I thought it was terrible. 06:28.240 --> 06:29.240 I'm no writer, Walder. 06:29.240 --> 06:30.240 It was all right. 06:30.240 --> 06:34.240 Of course, I may change a word here and there, but it was all right. 06:34.240 --> 06:35.240 Really? 06:35.240 --> 06:36.880 Well, can we go walking now? 06:36.880 --> 06:38.120 Yes, get your coat. 06:38.120 --> 06:39.120 All right, baby. 06:39.120 --> 06:40.120 All right. 06:40.120 --> 06:41.120 Here we go. 06:41.120 --> 06:42.600 Eleanor, would you mind if we left Tracy? 06:42.600 --> 06:43.600 Huh? 06:43.600 --> 06:44.600 Why? 06:44.600 --> 06:46.000 I feel so tired. 06:46.000 --> 06:48.480 I thought I'd like to stop at Joe's for some coffee. 06:48.480 --> 06:49.880 We can take him in with us. 06:49.880 --> 06:51.440 No, we can't. 06:51.440 --> 06:53.520 Remember what Joe said last time we had him in there? 06:53.520 --> 06:55.600 Oh, I'd forgotten. 06:55.600 --> 06:58.640 I don't see why he has to act that way about dogs. 06:58.640 --> 06:59.820 We just spoiled Joe. 06:59.820 --> 07:02.640 Just because he gave you music lessons as a child, he thinks he can treat us any way 07:02.640 --> 07:03.640 he wants. 07:03.640 --> 07:06.200 Now, Eleanor, he has his customers to think about. 07:06.200 --> 07:08.760 People don't like to have dogs hanging around an eating place. 07:08.760 --> 07:09.760 It isn't Joe's fault. 07:09.760 --> 07:10.760 Oh, poor Tracy. 07:10.760 --> 07:12.360 He knows he's not wanted. 07:12.360 --> 07:14.760 Well, that's the way Joe feels about it. 07:14.760 --> 07:17.120 We'll only stay a few minutes and then we'll come back for Tracy. 07:17.120 --> 07:18.120 All right. 07:18.120 --> 07:19.800 I suppose we have to. 07:19.800 --> 07:20.800 Tracy, you wait now. 07:20.800 --> 07:21.800 We won't be long. 07:21.800 --> 07:22.800 Then we'll come back for you. 07:22.800 --> 07:25.520 Oh, we'd take you now, boy, but we can't. 07:25.520 --> 07:28.920 Look, Walter, it's almost as if he understands. 07:28.920 --> 07:31.760 Yeah, expect him to up and answer you one of these days. 07:31.760 --> 07:32.760 Oh, come on, huh? 07:32.760 --> 07:33.760 Let's go, sweetie. 07:33.760 --> 07:34.760 Hurry back. 07:34.760 --> 07:35.760 We'll only be 20 minutes, boy. 07:35.760 --> 07:37.800 Did you see him look at the clock? 07:37.800 --> 07:39.800 I thought I saw him look at his wristwatch. 07:39.800 --> 07:40.800 Fool. 07:40.800 --> 07:41.800 Come on. 07:41.800 --> 07:55.920 You know, old Joe's got a nerve not wanting dogs in here. 07:55.920 --> 07:56.920 Look at some of these customers. 07:56.920 --> 07:57.920 Don't be bitter. 07:57.920 --> 08:01.680 I don't think we ought to come in here anymore, even if he is an old friend of yours. 08:01.680 --> 08:04.200 It'd break his heart if we could quit coming here. 08:04.200 --> 08:06.000 You know that, Eleanor. 08:06.000 --> 08:09.640 How else could he worry about me and keep an eye on me if we didn't come in here once 08:09.640 --> 08:10.640 in a while? 08:10.640 --> 08:13.240 Look, they've got new records in the jukebox. 08:13.240 --> 08:14.240 It's about time. 08:14.240 --> 08:16.240 See what they've got. 08:16.240 --> 08:18.360 Did you say new? 08:18.360 --> 08:19.360 Blue heaven. 08:19.360 --> 08:20.360 Together. 08:20.360 --> 08:21.360 Gloomy Sunday. 08:21.360 --> 08:22.360 Gloomy Sunday. 08:22.360 --> 08:24.720 I haven't heard that one in a long time. 08:24.720 --> 08:26.000 Do you like to? 08:26.000 --> 08:27.000 Let's order first. 08:27.000 --> 08:28.000 Let's sit at a table. 08:28.000 --> 08:29.520 Make him wait on us for a change. 08:29.520 --> 08:30.520 No dogs allowed. 08:30.520 --> 08:31.520 He's got a nerve. 08:31.520 --> 08:32.520 Honestly, I've never... 08:32.520 --> 08:33.520 Shh. 08:33.520 --> 08:34.520 Here he comes. 08:34.520 --> 08:35.520 Now, don't start anything, Eleanor. 08:35.520 --> 08:38.520 Well, I'm off of Joe, and I don't care if he knows anything. 08:38.520 --> 08:39.520 Shh. 08:39.520 --> 08:41.960 Good evening, Walter, Mrs. Faber. 08:41.960 --> 08:44.200 What'll it be tonight, huh? 08:44.200 --> 08:45.200 Hello, Joe. 08:45.200 --> 08:46.200 Just coffee. 08:46.200 --> 08:48.040 Well, you got any of that seven, Leia? 08:48.040 --> 08:50.960 Yes, I think I can fix you up. 08:50.960 --> 08:51.960 Nothing for me. 08:51.960 --> 08:54.640 I haven't seen you in quite a while. 08:54.640 --> 08:57.320 You're not going to see me in here any more at all, Joe. 08:57.320 --> 08:58.320 Huh? 08:58.320 --> 08:59.320 Why not? 08:59.320 --> 09:00.320 Oh, Joe, never mind. 09:00.320 --> 09:01.320 We're in a hurry. 09:01.320 --> 09:04.080 Well, why do you say that, Mrs. Faber? 09:04.080 --> 09:05.080 Never mind. 09:05.080 --> 09:06.440 I'm going to play a record, Walter. 09:06.440 --> 09:08.440 I'll be right back. 09:08.440 --> 09:10.680 What is the matter with your wife? 09:10.680 --> 09:12.480 Maybe I did something? 09:12.480 --> 09:13.480 No. 09:13.480 --> 09:17.040 No, Joe, it's nothing you've done. 09:17.040 --> 09:18.040 But you notice it, too. 09:18.040 --> 09:19.880 I notice what? 09:19.880 --> 09:21.320 How depressed she is. 09:21.320 --> 09:23.520 Yes, but why? 09:23.520 --> 09:29.840 If you could understand women, Joe, you wouldn't be in this business. 09:29.840 --> 09:37.200 Well, that record she's playing. 09:37.200 --> 09:40.200 In Hungary, they call that the suicide song. 09:40.200 --> 09:41.880 Bring us some coffee, will you, Joe? 09:41.880 --> 09:42.880 Maybe that'll pick her up. 09:42.880 --> 09:47.880 Yeah, all right, Walter. 09:47.880 --> 09:57.160 Well, even if you don't like old Joe, you've got to admit he certainly bakes a wonderful 09:57.160 --> 09:58.160 cake. 09:58.160 --> 09:59.160 I'm not interested. 09:59.160 --> 10:00.160 Let's go. 10:00.160 --> 10:01.160 What's your hurry? 10:01.160 --> 10:02.160 I don't like this place, and I'm not coming back anymore. 10:02.160 --> 10:03.160 Shh, not so loud. 10:03.160 --> 10:04.160 I don't care if he does hear me. 10:04.160 --> 10:05.160 Well, good night, folks. 10:05.160 --> 10:06.160 Good night. 10:06.160 --> 10:07.160 Where are you going? 10:07.160 --> 10:08.160 We have to go back after Tracy. 10:08.160 --> 10:09.160 Look, Elinor, it's starting to rain. 10:09.160 --> 10:10.160 If we go back now, we won't get our walk in at all. 10:10.160 --> 10:11.160 Oh, Walter, but we promised him. 10:11.160 --> 10:12.160 Let's just run down by the wharf, shall we? 10:12.160 --> 10:13.160 Then if it doesn't rain too hard, we can go back for Tracy. 10:13.160 --> 10:14.160 Maybe you're right. 10:14.160 --> 10:15.160 Gee, it is beginning to come down. 10:15.160 --> 10:16.160 Come on. 10:16.160 --> 10:17.160 The river's wonderful when it's raining. 10:17.160 --> 10:18.160 Well, maybe we'd better go back. 10:18.160 --> 10:19.160 We won't get wet if we make it a quick one. 10:19.160 --> 10:20.160 Come on. 10:20.160 --> 10:21.160 Walter, let's go back. 10:21.160 --> 10:22.160 We'll get wet. 10:22.160 --> 10:23.160 Come on. 10:23.160 --> 10:24.160 Come on. 10:24.160 --> 10:25.160 Come on. 10:25.160 --> 10:26.160 Come on. 10:26.160 --> 10:27.160 Come on. 10:27.160 --> 10:28.160 Come on. 10:28.160 --> 10:29.160 Come on. 10:29.160 --> 10:30.160 Come on. 10:30.160 --> 10:31.160 Come on. 10:31.160 --> 10:36.160 Come on. 10:36.160 --> 10:41.160 Come on. 10:41.160 --> 10:46.160 Come on. 10:46.160 --> 10:51.160 Come on. 10:51.160 --> 10:56.160 Come on. 10:56.160 --> 11:01.160 Come on. 11:01.160 --> 11:04.160 Come on. 11:04.160 --> 11:09.160 Come on. 11:09.160 --> 11:14.160 Come on. 11:14.160 --> 11:19.160 Come on. 11:19.160 --> 11:26.160 Come on. 11:26.160 --> 11:31.160 Come on. 11:31.160 --> 11:36.160 Come on. 11:36.160 --> 11:41.160 Come on. 11:41.160 --> 11:46.160 Come on. 11:46.160 --> 11:51.160 Come on. 11:51.160 --> 11:54.160 Tracy! 11:54.160 --> 12:02.160 Drown, you dumb cluck. 12:02.160 --> 12:16.160 Well, it's two birds with one stone, I guess. 12:16.160 --> 12:24.320 For Suspense, Roma Wines are bringing you as star Dana Andrews, whom you've heard in the 12:24.320 --> 12:30.320 first act of Mel Deneli's Two Birds with One Stone, which is Roma Wines' presentation tonight 12:30.320 --> 12:39.400 of Suspense. 12:39.400 --> 12:44.760 Between the acts of Suspense, this is Truman Bradley for Roma Wines. 12:44.760 --> 12:49.760 To millions all over the world, the name Elsa Maxwell stands for gracious hospitality. 12:49.760 --> 12:55.240 Her suggestions on entertaining are eagerly sought, and here's an especially timely one. 12:55.240 --> 13:00.440 Cooking a simple dinner for friends during these days of food rationing calls for imagination 13:00.440 --> 13:03.600 in making plain dishes temptingly attractive. 13:03.600 --> 13:09.040 I suggest the simple, inexpensive touch that Roma lends, making party fare out of the most 13:09.040 --> 13:10.920 ordinary supper. 13:10.920 --> 13:14.440 Serve cool Roma California burgundy with the meal. 13:14.440 --> 13:17.520 If possible, too, dine by candlelight. 13:17.520 --> 13:23.640 The tart piquancy of deliciously robust Roma red burgundy and the soft, flattering lighting 13:23.640 --> 13:25.520 heightens the pleasure of dining. 13:25.520 --> 13:31.080 That's a grand suggestion of Elsa Maxwell's dinner by candlelight with distinctive Roma 13:31.080 --> 13:32.200 burgundy. 13:32.200 --> 13:34.440 Truly an appealing idea. 13:34.440 --> 13:38.920 Like all Roma wines, Roma burgundy is of unvarying goodness. 13:38.920 --> 13:45.080 The goodness of selected grapes guided to flavorfulness by the ancient wine skill of 13:45.080 --> 13:47.280 Roma's famed wineries. 13:47.280 --> 13:48.800 Serve Roma regularly. 13:48.800 --> 13:51.440 It costs only pennies a glass. 13:51.440 --> 13:57.080 Remember, more Americans enjoy Roma than any other wine. 13:57.080 --> 14:00.520 R-O-M-A, Roma wines. 14:00.520 --> 14:06.640 And now Roma wines bring back to our Hollywood sound stage Dana Andrews as Walter Faber in 14:06.640 --> 14:22.280 Two Birds with One Stone, a tale well calculated to keep you in suspense. 14:22.280 --> 14:25.080 Joe. 14:25.080 --> 14:32.640 Joe, what's the matter, Walter? 14:32.640 --> 14:33.640 Have you seen my wife? 14:33.640 --> 14:35.600 Not since you were here a while ago. 14:35.600 --> 14:37.280 She's disappeared, Joe. 14:37.280 --> 14:38.280 What do you mean? 14:38.280 --> 14:39.560 We went for a walk after we left here. 14:39.560 --> 14:40.560 In the rain? 14:40.560 --> 14:43.000 She insisted you saw how she was acting. 14:43.000 --> 14:44.000 Yes. 14:44.000 --> 14:45.640 But she got away from me down by the wharf. 14:45.640 --> 14:46.640 I couldn't find her. 14:46.640 --> 14:48.360 I thought maybe she'd come back here. 14:48.360 --> 14:50.360 I haven't seen her, Walter. 14:50.360 --> 14:51.360 Joe. 14:51.360 --> 14:52.840 Joe, will you help me try and find her? 14:52.840 --> 14:53.840 Oh, sure. 14:53.840 --> 14:54.840 Nick, I'm going out. 14:54.840 --> 14:55.840 Take over, will you? 14:55.840 --> 14:56.840 All right. 14:56.840 --> 15:00.720 I can't think of any other place to look. 15:00.720 --> 15:02.120 What am I going to do? 15:02.120 --> 15:03.120 She will turn up. 15:03.120 --> 15:04.120 Don't worry, Walter. 15:04.120 --> 15:05.120 I don't know. 15:05.120 --> 15:07.720 She's been acting so strange lately. 15:07.720 --> 15:08.720 What about the dog? 15:08.720 --> 15:09.720 What do you mean? 15:09.720 --> 15:10.720 Was he with her? 15:10.720 --> 15:11.720 Well, yes. 15:11.720 --> 15:12.720 Yes, he was. 15:12.720 --> 15:14.360 She'll be all right, then. 15:14.360 --> 15:16.080 You look after her. 15:16.080 --> 15:17.160 Let's go to your apartment. 15:17.160 --> 15:18.160 She might have gone back there. 15:18.160 --> 15:20.320 Might as well, I guess. 15:20.320 --> 15:21.840 But she was sore at me. 15:21.840 --> 15:23.640 I don't think she would have gone back home. 15:23.640 --> 15:31.520 We'd better have a look anyway. 15:31.520 --> 15:35.680 Look there, Walter. 15:35.680 --> 15:38.680 What's the matter? 15:38.680 --> 15:40.520 The door to your apartment. 15:40.520 --> 15:41.520 It is open. 15:41.520 --> 15:42.920 Didn't you lock it when you left? 15:42.920 --> 15:45.760 I didn't lock it, but I remember closing it. 15:45.760 --> 15:46.760 Maybe she's come back. 15:46.760 --> 15:47.760 No, she couldn't have. 15:47.760 --> 15:48.760 I mean... 15:48.760 --> 15:49.760 Come on, let's go in. 15:49.760 --> 15:50.760 Eleanor. 15:50.760 --> 15:55.280 You see, there's no one here. 15:55.280 --> 15:56.280 I'll look in the kitchen. 15:56.280 --> 15:58.280 You go in the bedroom, Joe. 15:58.280 --> 15:59.280 Yeah. 15:59.280 --> 16:00.280 Walter. 16:00.280 --> 16:01.760 What is it? 16:01.760 --> 16:04.200 Come here, in the bedroom. 16:04.200 --> 16:05.200 What's the matter? 16:05.200 --> 16:06.200 Look under bed there. 16:06.200 --> 16:07.200 No. 16:07.200 --> 16:08.200 No, it couldn't be. 16:08.200 --> 16:10.720 I thought you said the dog was with her. 16:10.720 --> 16:11.720 He was. 16:11.720 --> 16:13.400 Yes, he was with her. 16:13.400 --> 16:14.760 Then she must be here, too. 16:14.760 --> 16:15.760 No, she couldn't be. 16:15.760 --> 16:16.760 Why not? 16:16.760 --> 16:17.760 I mean... 16:17.760 --> 16:18.760 Oh, Eleanor. 16:18.760 --> 16:19.760 Eleanor! 16:19.760 --> 16:22.400 Look at how still the poor dog lies. 16:22.400 --> 16:23.400 Maybe it's been hurt. 16:23.400 --> 16:24.880 It is soaking wet. 16:24.880 --> 16:25.880 It was raining, wasn't it? 16:25.880 --> 16:28.760 Yes, it was raining. 16:28.760 --> 16:29.760 What's the matter, Tracy? 16:29.760 --> 16:30.760 What's the matter, boy? 16:30.760 --> 16:31.760 I guess it's all right. 16:31.760 --> 16:32.760 But the way he stares at her... 16:32.760 --> 16:33.760 Joe! 16:33.760 --> 16:34.760 What's the matter? 16:34.760 --> 16:35.760 I just remembered. 16:35.760 --> 16:36.760 A record. 16:36.760 --> 16:37.760 She made it tonight, just before we left the house. 16:37.760 --> 16:38.760 She wouldn't let me hear it. 16:38.760 --> 16:39.760 She wouldn't tell me what it was, even. 16:39.760 --> 16:40.760 She said I could listen to it after we came back from my walk. 16:40.760 --> 16:41.760 It's in here, on the machine. 16:41.760 --> 16:42.760 We had better play it, Walter. 16:42.760 --> 16:43.760 Maybe it's foolishness. 16:43.760 --> 16:44.760 I don't know. 16:44.760 --> 16:45.760 I don't know. 16:45.760 --> 16:46.760 I don't know. 16:46.760 --> 16:47.760 I don't know. 16:47.760 --> 16:48.760 I don't know. 16:48.760 --> 16:49.760 I don't know. 16:49.760 --> 16:50.760 I don't know. 16:50.760 --> 16:51.760 I don't know. 16:51.760 --> 16:52.760 I don't know. 16:52.760 --> 16:53.760 I don't know. 16:53.760 --> 16:54.760 I don't know. 16:54.760 --> 16:55.760 I don't know. 16:55.760 --> 17:02.280 Maybe it's foolish of me to do what I'm thinking of doing. 17:02.280 --> 17:06.040 But I don't see any other way. 17:06.040 --> 17:09.960 I'm confused and bored. 17:09.960 --> 17:12.880 I guess bored, most of all. 17:12.880 --> 17:18.760 And maybe what I'm going to do will solve things for both of us. 17:18.760 --> 17:19.760 Goodbye. 17:19.760 --> 17:23.960 I think we had better call the police, Walter. 17:23.960 --> 17:24.960 What for? 17:24.960 --> 17:26.560 To have them look for her. 17:26.560 --> 17:29.560 Oh, yes, of course. 17:29.560 --> 17:40.960 Is there anything else you can think of, Mr. Faber? 17:40.960 --> 17:42.520 No, that's all. 17:42.520 --> 17:45.440 Then you believe the recording was intended as a suicide note? 17:45.440 --> 17:46.440 Yes. 17:46.440 --> 17:50.200 I would like to talk to Mr. Weiss here alone for a moment. 17:50.200 --> 17:53.080 I'll be in the bedroom if you need me. 17:53.080 --> 17:54.920 All right. 17:54.920 --> 17:57.520 Mr. Weiss, how long have you known Mr. Faber? 17:57.520 --> 17:58.520 For many years. 17:58.520 --> 18:00.800 I gave him music lessons as a child. 18:00.800 --> 18:03.400 Can you add anything to what he's already told us? 18:03.400 --> 18:04.400 No. 18:04.400 --> 18:06.840 She was acting just like he said. 18:06.840 --> 18:09.160 I noticed at the moment she walked into my place. 18:09.160 --> 18:11.920 She was usually very friendly. 18:11.920 --> 18:15.640 And she said something about my not seeing her anymore. 18:15.640 --> 18:16.640 Anything else? 18:16.640 --> 18:17.640 That's all. 18:17.640 --> 18:18.640 Mm-hmm. 18:18.640 --> 18:21.800 And you did hear them play the record, Gloomy Sunday? 18:21.800 --> 18:22.800 Yes. 18:22.800 --> 18:27.000 Well, we've had a couple of suicide cases where that song has come up before. 18:27.000 --> 18:29.760 I think Mr. Faber better prepare himself for the worst. 18:29.760 --> 18:31.040 I'm afraid so. 18:31.040 --> 18:32.680 Well, look, I'll go along now. 18:32.680 --> 18:34.280 Faber will probably want to come with us. 18:34.280 --> 18:35.360 But I think he'd better stay here. 18:35.360 --> 18:36.720 There's no telling what we'll find. 18:36.720 --> 18:38.600 Is there anything I can do? 18:38.600 --> 18:39.600 Yes, yes. 18:39.600 --> 18:41.120 I suggest that you get in touch with his family. 18:41.120 --> 18:42.760 I think he ought to have someone here with him. 18:42.760 --> 18:44.320 He has no family. 18:44.320 --> 18:45.320 Oh? 18:45.320 --> 18:46.320 Then perhaps you'd stay. 18:46.320 --> 18:47.320 Oh, of course. 18:47.320 --> 18:50.320 Well, we'll call you the minute we have any news. 18:50.320 --> 18:52.320 Good night. 18:52.320 --> 18:53.320 Joe. 18:53.320 --> 18:54.320 Yeah? 18:54.320 --> 18:56.320 Did the officer go? 18:56.320 --> 18:57.320 Yes, he did. 18:57.320 --> 18:58.840 But I think I should have gone with him. 18:58.840 --> 18:59.840 No, no, no. 18:59.840 --> 19:00.840 He said for you to stay here. 19:00.840 --> 19:01.840 He'll call us. 19:01.840 --> 19:06.840 Walter, have you noticed Tracy through all of this? 19:06.840 --> 19:07.840 What about him? 19:07.840 --> 19:09.560 I don't know. 19:09.560 --> 19:12.360 It's depressing just to look at him. 19:12.360 --> 19:14.040 That's because you don't like dogs, Joe. 19:14.040 --> 19:15.400 Oh, no, you're mistaken, Walter. 19:15.400 --> 19:16.400 I do like dogs. 19:16.400 --> 19:21.960 I never did know why you asked me to tell your wife not to bring him into my place anymore. 19:21.960 --> 19:23.560 Would you like a drink, Joe? 19:23.560 --> 19:25.560 No, thanks. 19:25.560 --> 19:29.800 It's strange the way that dog follows you around. 19:29.800 --> 19:35.080 Every move you make, it's almost as if he were trying to say something. 19:35.080 --> 19:36.680 He's all right. 19:36.680 --> 19:37.680 Come here, Tracy. 19:37.680 --> 19:38.680 Come here. 19:38.680 --> 19:39.680 Come here, Tracy. 19:39.680 --> 19:43.160 He was her dog, wasn't he? 19:43.160 --> 19:44.160 Yes. 19:44.160 --> 19:45.160 She bought him. 19:45.160 --> 19:50.080 His eyes are almost like a human's, aren't they? 19:50.080 --> 19:51.080 Yeah. 19:51.080 --> 19:52.080 Stop it, Tracy. 19:52.080 --> 19:53.080 Stop following me around. 19:53.080 --> 19:56.800 Now, now, you ought to get hold of yourself, Walter. 19:56.800 --> 19:57.800 Yes. 19:57.800 --> 20:01.120 Yes, I guess I'm pretty upset with all that's happened. 20:01.120 --> 20:02.800 Tracy is too. 20:02.800 --> 20:04.160 He knows something's wrong. 20:04.160 --> 20:05.160 He doesn't know anything. 20:05.160 --> 20:06.160 Will you stop it, Joe? 20:06.160 --> 20:07.160 Huh? 20:07.160 --> 20:08.760 Oh, well, I'm sorry. 20:08.760 --> 20:11.360 We both need sleep. 20:11.360 --> 20:13.320 That couch is pretty comfortable, Joe. 20:13.320 --> 20:16.000 Oh, that will be fine for me. 20:16.000 --> 20:17.000 What about Tracy? 20:17.000 --> 20:21.280 Well, he usually sleeps on that chair over there. 20:21.280 --> 20:23.400 Well, I'll go on to bed. 20:23.400 --> 20:24.400 Good night. 20:24.400 --> 20:25.400 Good night. 20:25.400 --> 20:28.400 No, Tracy, don't follow me. 20:28.400 --> 20:29.880 Get over there in your chair. 20:29.880 --> 20:30.880 You know about your chair. 20:30.880 --> 20:31.880 Now, go on. 20:31.880 --> 20:32.880 Get away from me. 20:32.880 --> 20:47.320 Joe. 20:47.320 --> 20:48.320 Joe! 20:48.320 --> 20:49.320 Huh? 20:49.320 --> 20:53.320 Oh, just a minute. 20:53.320 --> 20:55.400 Joe, were you talking in there? 20:55.400 --> 20:56.400 Did you call me? 20:56.400 --> 20:58.400 No, no, I was asleep. 20:58.400 --> 21:02.240 You must have heard Tracy scratching at the door here. 21:02.240 --> 21:04.320 Now, keep him out of here, will you? 21:04.320 --> 21:05.320 Keep him in the living room. 21:05.320 --> 21:06.320 Yes, I will. 21:06.320 --> 21:08.640 Joe, I've got to get rid of that dog. 21:08.640 --> 21:09.640 First thing tomorrow. 21:09.640 --> 21:11.480 Maybe my wife and I will take him. 21:11.480 --> 21:12.480 No. 21:12.480 --> 21:13.480 Why not? 21:13.480 --> 21:15.480 Well, it'll be too hard seeing him around. 21:15.480 --> 21:17.080 I don't want to see him anymore. 21:17.080 --> 21:18.080 I don't want him around. 21:18.080 --> 21:20.240 Well, you better try and get some sleep. 21:20.240 --> 21:22.440 You can talk about it in the morning. 21:22.440 --> 21:23.440 Yes. 21:23.440 --> 21:24.440 Well, good night. 21:24.440 --> 21:25.440 Good night. 21:25.440 --> 21:26.440 Come on, Tracy. 21:26.440 --> 21:27.440 Come on, boy. 21:27.440 --> 21:28.440 You'll have to carry him. 21:28.440 --> 21:29.440 Pick him up, will you? 21:29.440 --> 21:30.440 Yes. 21:30.440 --> 21:32.440 Here we go, boy. 21:32.440 --> 21:38.680 See, he has got something sticky around his neck here. 21:38.680 --> 21:41.680 He ought to have a bath. 21:41.680 --> 21:42.680 I'll get it. 21:42.680 --> 21:45.680 You stay in here, Walter. 21:45.680 --> 21:48.680 Oh, officer. 21:48.680 --> 21:53.640 I've bad news, Mr. Weiss. 21:53.640 --> 21:54.640 We found her. 21:54.640 --> 21:55.640 Where's Mr. Faber? 21:55.640 --> 21:56.640 In the bedroom. 21:56.640 --> 21:59.320 Well, you'll have to help me break it to him. 21:59.320 --> 22:00.640 Where did you find her? 22:00.640 --> 22:01.840 In the river. 22:01.840 --> 22:04.640 She must have struck her head on the pilings when she jumped off the wharf. 22:04.640 --> 22:06.520 She was in pretty bad shape. 22:06.520 --> 22:09.680 Her clothes were torn and her arms were badly lacerated. 22:09.680 --> 22:11.280 We can't figure that out. 22:11.280 --> 22:13.920 Well, I guess we'd better go in to Mr. Faber. 22:13.920 --> 22:17.480 Yes, yes. 22:17.480 --> 22:18.480 What is it? 22:18.480 --> 22:19.480 Have you... 22:19.480 --> 22:20.480 Walter. 22:20.480 --> 22:23.440 Walter, we have very bad news for you. 22:23.440 --> 22:24.440 I'm sorry, Mr. Faber. 22:24.440 --> 22:26.280 There's nothing you can do now. 22:26.280 --> 22:28.480 As we suspected, it was suicide. 22:28.480 --> 22:30.240 Yes, no need of your coming down now. 22:30.240 --> 22:33.160 There was identification on her, but we would like to see you in the morning. 22:33.160 --> 22:35.280 All right, I'll be down. 22:35.280 --> 22:36.840 Good night. 22:36.840 --> 22:37.840 Officer. 22:37.840 --> 22:38.840 Yes? 22:38.840 --> 22:40.840 Would you do me a favour? 22:40.840 --> 22:41.960 Why, certainly. 22:41.960 --> 22:43.400 This was her dog. 22:43.400 --> 22:44.400 Yes. 22:44.400 --> 22:45.400 I... 22:45.400 --> 22:47.800 I don't want him around any more with her gone. 22:47.800 --> 22:49.880 Could you... could you take him with you now? 22:49.880 --> 22:52.240 Well, this is a bit irregular. 22:52.240 --> 22:53.800 What would you want done with him? 22:53.800 --> 22:55.120 Just get him out of here. 22:55.120 --> 22:56.200 I don't care what you do with him. 22:56.200 --> 22:59.240 I know you're upset, Walter, but don't do this to the dog. 22:59.240 --> 23:00.520 Decide about it tomorrow. 23:00.520 --> 23:01.640 You may feel different. 23:01.640 --> 23:03.040 Don't stand there and argue with me, Joe. 23:03.040 --> 23:04.040 I know what I want. 23:04.040 --> 23:05.480 I'll get him out of here, I tell you. 23:05.480 --> 23:07.880 I guess you'd better take him, Officer. 23:07.880 --> 23:09.600 You will have to carry him, I guess. 23:09.600 --> 23:10.600 Yes. 23:10.600 --> 23:13.280 Well, it's too bad they'll probably put him out of the way. 23:13.280 --> 23:14.280 Yes, I know. 23:14.280 --> 23:15.280 Goodbye, Tracy. 23:15.280 --> 23:27.560 Walter? 23:27.560 --> 23:37.120 Hello, Walter. 23:37.120 --> 23:44.120 This is Eleanor Walter, and this, speak. 23:44.120 --> 23:50.240 This is Tracy, and we're saying happy birthday from your loving wife and your faithful dog, 23:50.240 --> 23:51.240 Tracy. 23:51.240 --> 23:54.240 Isn't Tracy a smart dog, Walter? 23:54.240 --> 23:55.240 He can talk. 23:55.240 --> 23:56.240 Catch a Tracy. 23:56.240 --> 23:57.240 Speak up. 23:57.240 --> 23:58.240 Tell us everything you know. 23:58.240 --> 23:59.240 You didn't know Tracy could talk, did you? 23:59.240 --> 24:00.240 But he can. 24:00.240 --> 24:01.240 He knows lots of things. 24:01.240 --> 24:02.240 Tell us everything you know, Tracy. 24:02.240 --> 24:17.240 Joe! 24:17.240 --> 24:19.000 Yes? 24:19.000 --> 24:20.000 Joe, did you hear... 24:20.000 --> 24:21.000 Happy birthday, Walter. 24:21.000 --> 24:23.320 How did you know it was my birthday? 24:23.320 --> 24:25.320 Eleanor told me. 24:25.320 --> 24:26.320 Eleanor? 24:26.320 --> 24:27.320 No. 24:27.320 --> 24:28.320 Eleanor's dead. 24:28.320 --> 24:32.040 Walter, you've had a bad dream. 24:32.040 --> 24:33.040 Wake up. 24:33.040 --> 24:34.040 Dream? 24:34.040 --> 24:36.920 Oh, Joe, I dreamt I... 24:36.920 --> 24:37.920 What did you dream? 24:37.920 --> 24:38.920 I dreamt I... 24:38.920 --> 24:42.120 I murdered her. 24:42.120 --> 24:43.120 I mean I... 24:43.120 --> 24:44.120 Why did you do it, Walter? 24:44.120 --> 24:45.720 It was a trick. 24:45.720 --> 24:48.000 Why did you do it, Walter? 24:48.000 --> 24:49.720 You won't tell anyone, will you, Joe? 24:49.720 --> 24:50.720 You won't, will you? 24:50.720 --> 24:52.520 I tell you, I had to do it, Joe. 24:52.520 --> 24:53.640 I hated her. 24:53.640 --> 24:55.160 I knew I'd never be rid of her. 24:55.160 --> 24:56.960 I am going for the police. 24:56.960 --> 24:59.240 Stay where you are, Joe. 24:59.240 --> 25:03.120 I've got a gun here. 25:03.120 --> 25:06.640 So you didn't give Tracy to the police after all. 25:06.640 --> 25:09.120 You wanted him here to drive me crazy. 25:09.120 --> 25:10.240 You knew all along. 25:10.240 --> 25:11.320 You suspected from the beginning. 25:11.320 --> 25:15.960 I suspected nothing until a while ago when I played the other side of this record. 25:15.960 --> 25:18.600 Now put that gun down, Walter. 25:18.600 --> 25:19.600 Let the dog in. 25:19.600 --> 25:22.600 Go on, let him in. 25:22.600 --> 25:29.120 If it hadn't been for him, you'd have never known about Eleanor. 25:29.120 --> 25:31.200 But I'm going to fix both of you now. 25:31.200 --> 25:33.160 You couldn't get away with one murder. 25:33.160 --> 25:35.840 Now I suppose you think you'll get away with two. 25:35.840 --> 25:36.840 Pick the dog up. 25:36.840 --> 25:39.920 Go on, pick him up. 25:39.920 --> 25:40.920 That's right. 25:40.920 --> 25:43.400 Now sit over there with him in your lap. 25:43.400 --> 25:45.920 Hold him close if you're so fond of him. 25:45.920 --> 25:48.880 It's going to be two birds with one stone again. 25:48.880 --> 25:50.600 Only this time I'll make it stick. 25:50.600 --> 25:51.600 Drop that gun, Faber. 25:51.600 --> 25:57.640 If that dog hadn't gotten away from us, you'd have been a goner, Mr. Weiss. 25:57.640 --> 26:01.920 And if I hadn't followed this dog back here, I wouldn't have overheard your very interesting 26:01.920 --> 26:05.200 confession, Mr. Faber. 26:05.200 --> 26:10.480 Well, okay. 26:10.480 --> 26:14.080 I guess I'm even a worse playwright than I thought. 26:14.080 --> 26:15.080 Come on, Tracy. 26:15.080 --> 26:17.160 Let's go for a walk. 26:17.160 --> 26:19.600 I'll walk you down to the station. 26:19.600 --> 26:21.440 That's funny. 26:21.440 --> 26:24.600 Listen to him. 26:24.600 --> 26:46.920 This is the first time he's ever wanted to go for a walk with me. 26:46.920 --> 26:52.040 And so closes Two Birds with One Stone, in which Roma Wines have brought you Dana Andrews 26:52.040 --> 26:56.600 as star of tonight's study in Suspense. 26:56.600 --> 27:01.120 Suspense is produced, edited, and directed by William Spear. 27:01.120 --> 27:06.840 Before our star returns to the microphone, let me say a word for Roma Wines, the sponsor 27:06.840 --> 27:08.640 of Suspense. 27:08.640 --> 27:13.860 The world famous hostess, Miss Elsa Maxwell, knows all the niceties of entertaining. 27:13.860 --> 27:17.680 And she has this to say about simple wartime hospitality. 27:17.680 --> 27:21.160 Good friends and good Roma California sherry. 27:21.160 --> 27:23.840 These are the makings of a pleasant evening. 27:23.840 --> 27:29.280 Roma sherry is ideal for any occasion, before dinner with appetizers or during friendly 27:29.280 --> 27:30.360 visits. 27:30.360 --> 27:36.320 You and your guests will enjoy the light nut-like flavor of glorious amber colored Roma sherry, 27:36.320 --> 27:38.400 especially served cool. 27:38.400 --> 27:41.640 Delicious Roma wines cost only pennies a glass. 27:41.640 --> 27:42.960 Serve them often. 27:42.960 --> 27:48.400 Remember, more Americans enjoy Roma than any other wine. 27:48.400 --> 27:51.920 R-O-M-A, Roma Wines. 27:51.920 --> 27:55.600 And the next time you use vermouth, choose Roma vermouth. 27:55.600 --> 28:01.520 Zestful full flavored Roma vermouth is blended and developed with all the traditional winemaking 28:01.520 --> 28:03.940 skill of Roma wineries. 28:03.940 --> 28:10.000 Is made and bottled in the heart of California's famous vineyards, yet surprisingly low priced. 28:10.000 --> 28:15.240 Buy both sweet and dry types of Roma vermouth soon, won't you? 28:15.240 --> 28:16.240 This is Dana Andrews. 28:16.240 --> 28:20.400 I've certainly enjoyed appearing on this evening's Suspense. 28:20.400 --> 28:23.080 And I'll be looking forward to next week's show, which will star my good friend Herbert 28:23.080 --> 28:24.080 Marshall. 28:24.080 --> 28:27.400 In the meantime, remember this. 28:27.400 --> 28:31.640 We've got the biggest home front effort of the war facing us right now. 28:31.640 --> 28:35.600 It's buying more bonds during the current seventh war alone. 28:35.600 --> 28:37.740 More than we've ever bought before. 28:37.740 --> 28:40.400 Last year by this time, we had two war loan drives. 28:40.400 --> 28:44.360 This drive, the seventh war loan, is the first this year. 28:44.360 --> 28:46.600 But it must do the job of two. 28:46.600 --> 28:50.380 For there'll be only two war loan drives in 1945. 28:50.380 --> 28:54.280 So buy more and larger war bonds now. 28:54.280 --> 28:59.040 Dana Andrews appeared through the courtesy of 20th Century Fox and will soon be seen 28:59.040 --> 29:02.000 in their production, State Fair. 29:02.000 --> 29:08.880 Next Thursday, you will hear Mr. Herbert Marshall, a star of Suspense. 29:08.880 --> 29:11.960 Presented by Roma Wines, R-O-M-A. 29:11.960 --> 29:15.480 Made in California for enjoyment throughout the world. 29:15.480 --> 29:34.400 This is CBS, the Columbia Broadcasting System.