1 00:00:00,000 --> 00:00:07,200 Now, the Roma Wine Company of Fresno, California presents... 2 00:00:07,200 --> 00:00:08,200 Suspense! 3 00:00:08,200 --> 00:00:25,240 Tonight, Roma wines bring you the suspenseful play called Two Birds with One Stone, starring 4 00:00:25,240 --> 00:00:28,240 Mr. Dana Andrews. 5 00:00:28,240 --> 00:00:34,480 Suspense is presented for your enjoyment by Roma Wines. 6 00:00:34,480 --> 00:00:37,760 That's R-O-M-A, Roma Wines. 7 00:00:37,760 --> 00:00:42,080 Those excellent California wines that can add so much pleasantness to the way you live, 8 00:00:42,080 --> 00:00:46,720 to your happiness and entertaining guests, to your enjoyment of everyday meals. 9 00:00:46,720 --> 00:00:53,280 Yes, right now a glass full would be very pleasant, as Roma Wines bring you a remarkable 10 00:00:53,280 --> 00:00:55,040 tale of suspense. 11 00:00:55,040 --> 00:01:00,280 And with Two Birds with One Stone and with the performance of Mr. Dana Andrews, Roma 12 00:01:00,280 --> 00:01:02,240 Wines hope indeed to keep you in... 13 00:01:02,240 --> 00:01:03,240 Suspense! 14 00:01:03,240 --> 00:01:04,240 You ready? 15 00:01:04,240 --> 00:01:05,240 That's the boy. 16 00:01:05,240 --> 00:01:06,240 Not so loud. 17 00:01:06,240 --> 00:01:07,240 Not so loud. 18 00:01:07,240 --> 00:01:08,240 We want to surprise him. 19 00:01:08,240 --> 00:01:15,240 You don't want him to hear it before his birthday, do you? 20 00:01:15,240 --> 00:01:25,840 All right, all right, all right. 21 00:01:25,840 --> 00:01:29,600 I'll put the recorder on and you're only to speak when I tell you to. 22 00:01:29,600 --> 00:01:30,600 Now, do you understand? 23 00:01:30,600 --> 00:01:31,600 Now, here we go. 24 00:01:31,600 --> 00:01:32,600 Walter? 25 00:01:32,600 --> 00:01:33,600 Hello, Walter. 26 00:01:33,600 --> 00:01:36,600 This is Eleanor Walter and this... 27 00:01:36,600 --> 00:01:39,600 Speak, speak, speak. 28 00:01:39,600 --> 00:01:48,360 This is Tracy and we're saying happy birthday from your loving wife and your faithful dog, 29 00:01:48,360 --> 00:01:49,360 Tracy. 30 00:01:49,360 --> 00:01:52,360 Isn't Tracy a smart dog, Walter? 31 00:01:52,360 --> 00:01:55,360 He can talk, can't you, Tracy? 32 00:01:55,360 --> 00:01:56,360 Speak up, speak up. 33 00:01:56,360 --> 00:01:57,360 Tell us everything you know. 34 00:01:57,360 --> 00:01:58,360 You didn't know Tracy could talk, did you? 35 00:01:58,360 --> 00:01:59,360 But he can. 36 00:01:59,360 --> 00:02:00,360 He knows lots of things. 37 00:02:00,360 --> 00:02:01,360 Tell us everything you know, Tracy. 38 00:02:01,360 --> 00:02:11,320 Now, that's enough. 39 00:02:11,320 --> 00:02:12,320 That's enough, Tracy. 40 00:02:12,320 --> 00:02:13,320 Do you want him to hear us? 41 00:02:13,320 --> 00:02:14,320 There. 42 00:02:14,320 --> 00:02:24,320 When the record's finished, we'll mark the label not to be played until May 17, 1945. 43 00:02:24,320 --> 00:02:26,360 Eleanor and Tracy. 44 00:02:26,360 --> 00:02:27,360 There. 45 00:02:27,360 --> 00:02:30,440 Tomorrow we'll play it for him the first thing in the morning. 46 00:02:30,440 --> 00:02:32,360 I bet you're the first dog that's ever made a record. 47 00:02:32,360 --> 00:02:34,360 Now, what do you know about that, huh? 48 00:02:34,360 --> 00:02:36,360 No, no, no. 49 00:02:36,360 --> 00:02:37,840 Well, Eleanor. 50 00:02:37,840 --> 00:02:38,840 Yes, dear. 51 00:02:38,840 --> 00:02:40,840 What are you doing? 52 00:02:40,840 --> 00:02:41,840 Nothing. 53 00:02:41,840 --> 00:02:42,840 Just waiting for you. 54 00:02:42,840 --> 00:02:44,080 What's all the racket about? 55 00:02:44,080 --> 00:02:45,680 Just Tracy and I, roughhousing. 56 00:02:45,680 --> 00:02:48,000 I wish you wouldn't do that when I'm trying to write. 57 00:02:48,000 --> 00:02:49,000 I'm sorry, darling. 58 00:02:49,000 --> 00:02:50,000 I thought you were finished. 59 00:02:50,000 --> 00:02:51,000 Well, I'm not. 60 00:02:51,000 --> 00:02:54,840 You said you'd work till 11 and we'd take Tracy for a walk. 61 00:02:54,840 --> 00:02:55,960 It's after 11 now. 62 00:02:55,960 --> 00:02:58,000 I didn't think I was going to get stuck. 63 00:02:58,000 --> 00:02:59,000 Oh. 64 00:02:59,000 --> 00:03:00,000 We belong? 65 00:03:00,000 --> 00:03:01,440 How do I know how long I'll be? 66 00:03:01,440 --> 00:03:03,280 It's hard work for me to write a play. 67 00:03:03,280 --> 00:03:05,000 I'm not Tolstoy. 68 00:03:05,000 --> 00:03:06,680 I'm sorry, darling. 69 00:03:06,680 --> 00:03:12,560 I just can't seem to say anything anymore without getting on your nerves. 70 00:03:12,560 --> 00:03:13,840 We didn't used to be like this. 71 00:03:13,840 --> 00:03:16,000 Maybe we're not like we used to be. 72 00:03:16,000 --> 00:03:17,000 Poor Tracy. 73 00:03:17,000 --> 00:03:19,000 He wants to go. 74 00:03:19,000 --> 00:03:21,440 Well, we'll never go unless I get that second act curtain fixed. 75 00:03:21,440 --> 00:03:25,120 I wish I could help, dear. 76 00:03:25,120 --> 00:03:27,280 Maybe you can, Eleanor. 77 00:03:27,280 --> 00:03:31,440 What would you say if you were thinking of committing suicide and you didn't want anyone 78 00:03:31,440 --> 00:03:33,880 to know exactly what your plans were? 79 00:03:33,880 --> 00:03:37,760 What would be the last thing you'd say to your husband, for instance? 80 00:03:37,760 --> 00:03:38,760 I don't know. 81 00:03:38,760 --> 00:03:40,560 I never thought about such things. 82 00:03:40,560 --> 00:03:41,560 Tracy, boy. 83 00:03:41,560 --> 00:03:44,200 Walter, couldn't you work it out tomorrow? 84 00:03:44,200 --> 00:03:45,360 You'll be fresh in the morning. 85 00:03:45,360 --> 00:03:48,200 I said I'd finish this and I'm going to if it takes all night. 86 00:03:48,200 --> 00:03:52,040 Well, Tracy and I'll have to go for a walk alone. 87 00:03:52,040 --> 00:03:53,040 Come on. 88 00:03:53,040 --> 00:03:54,040 Come on, Tracy. 89 00:03:54,040 --> 00:03:55,040 Come on, boy. 90 00:03:55,040 --> 00:03:56,040 Oh, Eleanor. 91 00:03:56,040 --> 00:03:58,200 You said you wanted to help me. 92 00:03:58,200 --> 00:04:00,000 Well, if I thought I could. 93 00:04:00,000 --> 00:04:02,160 You helped me the other day. 94 00:04:02,160 --> 00:04:04,680 Only with what your leading lady's dress looked like. 95 00:04:04,680 --> 00:04:05,680 About the suicide. 96 00:04:05,680 --> 00:04:10,000 Oh, first of all, why is this girl committing suicide? 97 00:04:10,000 --> 00:04:12,080 She's, she's tired. 98 00:04:12,080 --> 00:04:13,080 Bored. 99 00:04:13,080 --> 00:04:14,080 Oh, darling. 100 00:04:14,080 --> 00:04:16,580 No wonder you can't make it convincing. 101 00:04:16,580 --> 00:04:19,120 People don't just commit suicide because they're bored. 102 00:04:19,120 --> 00:04:21,080 Yes, they do. 103 00:04:21,080 --> 00:04:23,120 People do even worse than that when they're bored. 104 00:04:23,120 --> 00:04:26,000 Well, Walter, I've been bored lots of times, but I've never even thought... 105 00:04:26,000 --> 00:04:28,080 Then I can see you're not going to be much help. 106 00:04:28,080 --> 00:04:30,360 I'll help you, honey. 107 00:04:30,360 --> 00:04:31,360 What's the girl like? 108 00:04:31,360 --> 00:04:32,360 Is she married? 109 00:04:32,360 --> 00:04:33,360 Yes. 110 00:04:33,360 --> 00:04:36,160 Is she in love with her husband? 111 00:04:36,160 --> 00:04:39,640 Well, she doesn't know any more. 112 00:04:39,640 --> 00:04:40,640 How could she not know? 113 00:04:40,640 --> 00:04:44,320 Eleanor, you may not understand her, but you've got to take my word for it. 114 00:04:44,320 --> 00:04:47,000 Well, let's see. 115 00:04:47,000 --> 00:04:49,600 Um, would she say... 116 00:04:49,600 --> 00:04:52,240 Eleanor, let's try it this way. 117 00:04:52,240 --> 00:04:55,840 You know, sometimes the very first things you think of are the best. 118 00:04:55,840 --> 00:04:58,800 Just say whatever you think she'd say without stopping. 119 00:04:58,800 --> 00:05:00,600 You know a little about the character. 120 00:05:00,600 --> 00:05:02,080 Just say whatever comes into your head. 121 00:05:02,080 --> 00:05:03,240 Now, try it. 122 00:05:03,240 --> 00:05:04,240 I won't interrupt you. 123 00:05:04,240 --> 00:05:05,240 All right, but... 124 00:05:05,240 --> 00:05:08,240 Oh, Eleanor, did they fix the recording machine today? 125 00:05:08,240 --> 00:05:09,240 Yes, yeah. 126 00:05:09,240 --> 00:05:10,240 Why? 127 00:05:10,240 --> 00:05:11,240 Have you tried it out yet? 128 00:05:11,240 --> 00:05:12,240 No. 129 00:05:12,240 --> 00:05:13,240 No, I was just going to. 130 00:05:13,240 --> 00:05:15,000 I'll tell you what we'll do then. 131 00:05:15,000 --> 00:05:18,040 We'll try it out by cutting a record of what you say now. 132 00:05:18,040 --> 00:05:20,840 It'll be spontaneous, unrehearsed. 133 00:05:20,840 --> 00:05:22,320 I've thought too much about it. 134 00:05:22,320 --> 00:05:24,040 Maybe that's why I can't do it. 135 00:05:24,040 --> 00:05:28,280 Yours will be fresh, then we'll play it back and change it and work on it after we hear 136 00:05:28,280 --> 00:05:29,280 it. 137 00:05:29,280 --> 00:05:30,280 Well, wouldn't it be better, darling? 138 00:05:30,280 --> 00:05:34,400 Please, try it my way before you have a chance to think too much about it. 139 00:05:34,400 --> 00:05:35,400 Oh, come on. 140 00:05:35,400 --> 00:05:37,120 You've got a record right there, haven't you? 141 00:05:37,120 --> 00:05:38,120 Is there anything on it? 142 00:05:38,120 --> 00:05:40,320 Well, one side's blank. 143 00:05:40,320 --> 00:05:42,520 All right, come on. 144 00:05:42,520 --> 00:05:45,080 And make it emotional, convincing. 145 00:05:45,080 --> 00:05:46,080 You ready? 146 00:05:46,080 --> 00:05:51,080 All right, go ahead. 147 00:05:51,080 --> 00:05:58,320 Maybe it's foolish of me to do what I'm thinking of doing, but I don't see any other way. 148 00:05:58,320 --> 00:06:03,000 I'm confused and bored. 149 00:06:03,000 --> 00:06:06,000 I guess bored most of all. 150 00:06:06,000 --> 00:06:14,960 And maybe what I'm going to do will solve things for both of us. 151 00:06:14,960 --> 00:06:20,480 Goodbye. 152 00:06:20,480 --> 00:06:21,480 That was good, Eleanor. 153 00:06:21,480 --> 00:06:23,080 I can get a lot of ideas from that. 154 00:06:23,080 --> 00:06:24,320 Is that the end of the record? 155 00:06:24,320 --> 00:06:25,320 Yes. 156 00:06:25,320 --> 00:06:27,240 You see, you have helped me after all. 157 00:06:27,240 --> 00:06:28,240 I thought it was terrible. 158 00:06:28,240 --> 00:06:29,240 I'm no writer, Walder. 159 00:06:29,240 --> 00:06:30,240 It was all right. 160 00:06:30,240 --> 00:06:34,240 Of course, I may change a word here and there, but it was all right. 161 00:06:34,240 --> 00:06:35,240 Really? 162 00:06:35,240 --> 00:06:36,880 Well, can we go walking now? 163 00:06:36,880 --> 00:06:38,120 Yes, get your coat. 164 00:06:38,120 --> 00:06:39,120 All right, baby. 165 00:06:39,120 --> 00:06:40,120 All right. 166 00:06:40,120 --> 00:06:41,120 Here we go. 167 00:06:41,120 --> 00:06:42,600 Eleanor, would you mind if we left Tracy? 168 00:06:42,600 --> 00:06:43,600 Huh? 169 00:06:43,600 --> 00:06:44,600 Why? 170 00:06:44,600 --> 00:06:46,000 I feel so tired. 171 00:06:46,000 --> 00:06:48,480 I thought I'd like to stop at Joe's for some coffee. 172 00:06:48,480 --> 00:06:49,880 We can take him in with us. 173 00:06:49,880 --> 00:06:51,440 No, we can't. 174 00:06:51,440 --> 00:06:53,520 Remember what Joe said last time we had him in there? 175 00:06:53,520 --> 00:06:55,600 Oh, I'd forgotten. 176 00:06:55,600 --> 00:06:58,640 I don't see why he has to act that way about dogs. 177 00:06:58,640 --> 00:06:59,820 We just spoiled Joe. 178 00:06:59,820 --> 00:07:02,640 Just because he gave you music lessons as a child, he thinks he can treat us any way 179 00:07:02,640 --> 00:07:03,640 he wants. 180 00:07:03,640 --> 00:07:06,200 Now, Eleanor, he has his customers to think about. 181 00:07:06,200 --> 00:07:08,760 People don't like to have dogs hanging around an eating place. 182 00:07:08,760 --> 00:07:09,760 It isn't Joe's fault. 183 00:07:09,760 --> 00:07:10,760 Oh, poor Tracy. 184 00:07:10,760 --> 00:07:12,360 He knows he's not wanted. 185 00:07:12,360 --> 00:07:14,760 Well, that's the way Joe feels about it. 186 00:07:14,760 --> 00:07:17,120 We'll only stay a few minutes and then we'll come back for Tracy. 187 00:07:17,120 --> 00:07:18,120 All right. 188 00:07:18,120 --> 00:07:19,800 I suppose we have to. 189 00:07:19,800 --> 00:07:20,800 Tracy, you wait now. 190 00:07:20,800 --> 00:07:21,800 We won't be long. 191 00:07:21,800 --> 00:07:22,800 Then we'll come back for you. 192 00:07:22,800 --> 00:07:25,520 Oh, we'd take you now, boy, but we can't. 193 00:07:25,520 --> 00:07:28,920 Look, Walter, it's almost as if he understands. 194 00:07:28,920 --> 00:07:31,760 Yeah, expect him to up and answer you one of these days. 195 00:07:31,760 --> 00:07:32,760 Oh, come on, huh? 196 00:07:32,760 --> 00:07:33,760 Let's go, sweetie. 197 00:07:33,760 --> 00:07:34,760 Hurry back. 198 00:07:34,760 --> 00:07:35,760 We'll only be 20 minutes, boy. 199 00:07:35,760 --> 00:07:37,800 Did you see him look at the clock? 200 00:07:37,800 --> 00:07:39,800 I thought I saw him look at his wristwatch. 201 00:07:39,800 --> 00:07:40,800 Fool. 202 00:07:40,800 --> 00:07:41,800 Come on. 203 00:07:41,800 --> 00:07:55,920 You know, old Joe's got a nerve not wanting dogs in here. 204 00:07:55,920 --> 00:07:56,920 Look at some of these customers. 205 00:07:56,920 --> 00:07:57,920 Don't be bitter. 206 00:07:57,920 --> 00:08:01,680 I don't think we ought to come in here anymore, even if he is an old friend of yours. 207 00:08:01,680 --> 00:08:04,200 It'd break his heart if we could quit coming here. 208 00:08:04,200 --> 00:08:06,000 You know that, Eleanor. 209 00:08:06,000 --> 00:08:09,640 How else could he worry about me and keep an eye on me if we didn't come in here once 210 00:08:09,640 --> 00:08:10,640 in a while? 211 00:08:10,640 --> 00:08:13,240 Look, they've got new records in the jukebox. 212 00:08:13,240 --> 00:08:14,240 It's about time. 213 00:08:14,240 --> 00:08:16,240 See what they've got. 214 00:08:16,240 --> 00:08:18,360 Did you say new? 215 00:08:18,360 --> 00:08:19,360 Blue heaven. 216 00:08:19,360 --> 00:08:20,360 Together. 217 00:08:20,360 --> 00:08:21,360 Gloomy Sunday. 218 00:08:21,360 --> 00:08:22,360 Gloomy Sunday. 219 00:08:22,360 --> 00:08:24,720 I haven't heard that one in a long time. 220 00:08:24,720 --> 00:08:26,000 Do you like to? 221 00:08:26,000 --> 00:08:27,000 Let's order first. 222 00:08:27,000 --> 00:08:28,000 Let's sit at a table. 223 00:08:28,000 --> 00:08:29,520 Make him wait on us for a change. 224 00:08:29,520 --> 00:08:30,520 No dogs allowed. 225 00:08:30,520 --> 00:08:31,520 He's got a nerve. 226 00:08:31,520 --> 00:08:32,520 Honestly, I've never... 227 00:08:32,520 --> 00:08:33,520 Shh. 228 00:08:33,520 --> 00:08:34,520 Here he comes. 229 00:08:34,520 --> 00:08:35,520 Now, don't start anything, Eleanor. 230 00:08:35,520 --> 00:08:38,520 Well, I'm off of Joe, and I don't care if he knows anything. 231 00:08:38,520 --> 00:08:39,520 Shh. 232 00:08:39,520 --> 00:08:41,960 Good evening, Walter, Mrs. Faber. 233 00:08:41,960 --> 00:08:44,200 What'll it be tonight, huh? 234 00:08:44,200 --> 00:08:45,200 Hello, Joe. 235 00:08:45,200 --> 00:08:46,200 Just coffee. 236 00:08:46,200 --> 00:08:48,040 Well, you got any of that seven, Leia? 237 00:08:48,040 --> 00:08:50,960 Yes, I think I can fix you up. 238 00:08:50,960 --> 00:08:51,960 Nothing for me. 239 00:08:51,960 --> 00:08:54,640 I haven't seen you in quite a while. 240 00:08:54,640 --> 00:08:57,320 You're not going to see me in here any more at all, Joe. 241 00:08:57,320 --> 00:08:58,320 Huh? 242 00:08:58,320 --> 00:08:59,320 Why not? 243 00:08:59,320 --> 00:09:00,320 Oh, Joe, never mind. 244 00:09:00,320 --> 00:09:01,320 We're in a hurry. 245 00:09:01,320 --> 00:09:04,080 Well, why do you say that, Mrs. Faber? 246 00:09:04,080 --> 00:09:05,080 Never mind. 247 00:09:05,080 --> 00:09:06,440 I'm going to play a record, Walter. 248 00:09:06,440 --> 00:09:08,440 I'll be right back. 249 00:09:08,440 --> 00:09:10,680 What is the matter with your wife? 250 00:09:10,680 --> 00:09:12,480 Maybe I did something? 251 00:09:12,480 --> 00:09:13,480 No. 252 00:09:13,480 --> 00:09:17,040 No, Joe, it's nothing you've done. 253 00:09:17,040 --> 00:09:18,040 But you notice it, too. 254 00:09:18,040 --> 00:09:19,880 I notice what? 255 00:09:19,880 --> 00:09:21,320 How depressed she is. 256 00:09:21,320 --> 00:09:23,520 Yes, but why? 257 00:09:23,520 --> 00:09:29,840 If you could understand women, Joe, you wouldn't be in this business. 258 00:09:29,840 --> 00:09:37,200 Well, that record she's playing. 259 00:09:37,200 --> 00:09:40,200 In Hungary, they call that the suicide song. 260 00:09:40,200 --> 00:09:41,880 Bring us some coffee, will you, Joe? 261 00:09:41,880 --> 00:09:42,880 Maybe that'll pick her up. 262 00:09:42,880 --> 00:09:47,880 Yeah, all right, Walter. 263 00:09:47,880 --> 00:09:57,160 Well, even if you don't like old Joe, you've got to admit he certainly bakes a wonderful 264 00:09:57,160 --> 00:09:58,160 cake. 265 00:09:58,160 --> 00:09:59,160 I'm not interested. 266 00:09:59,160 --> 00:10:00,160 Let's go. 267 00:10:00,160 --> 00:10:01,160 What's your hurry? 268 00:10:01,160 --> 00:10:02,160 I don't like this place, and I'm not coming back anymore. 269 00:10:02,160 --> 00:10:03,160 Shh, not so loud. 270 00:10:03,160 --> 00:10:04,160 I don't care if he does hear me. 271 00:10:04,160 --> 00:10:05,160 Well, good night, folks. 272 00:10:05,160 --> 00:10:06,160 Good night. 273 00:10:06,160 --> 00:10:07,160 Where are you going? 274 00:10:07,160 --> 00:10:08,160 We have to go back after Tracy. 275 00:10:08,160 --> 00:10:09,160 Look, Elinor, it's starting to rain. 276 00:10:09,160 --> 00:10:10,160 If we go back now, we won't get our walk in at all. 277 00:10:10,160 --> 00:10:11,160 Oh, Walter, but we promised him. 278 00:10:11,160 --> 00:10:12,160 Let's just run down by the wharf, shall we? 279 00:10:12,160 --> 00:10:13,160 Then if it doesn't rain too hard, we can go back for Tracy. 280 00:10:13,160 --> 00:10:14,160 Maybe you're right. 281 00:10:14,160 --> 00:10:15,160 Gee, it is beginning to come down. 282 00:10:15,160 --> 00:10:16,160 Come on. 283 00:10:16,160 --> 00:10:17,160 The river's wonderful when it's raining. 284 00:10:17,160 --> 00:10:18,160 Well, maybe we'd better go back. 285 00:10:18,160 --> 00:10:19,160 We won't get wet if we make it a quick one. 286 00:10:19,160 --> 00:10:20,160 Come on. 287 00:10:20,160 --> 00:10:21,160 Walter, let's go back. 288 00:10:21,160 --> 00:10:22,160 We'll get wet. 289 00:10:22,160 --> 00:10:23,160 Come on. 290 00:10:23,160 --> 00:10:24,160 Come on. 291 00:10:24,160 --> 00:10:25,160 Come on. 292 00:10:25,160 --> 00:10:26,160 Come on. 293 00:10:26,160 --> 00:10:27,160 Come on. 294 00:10:27,160 --> 00:10:28,160 Come on. 295 00:10:28,160 --> 00:10:29,160 Come on. 296 00:10:29,160 --> 00:10:30,160 Come on. 297 00:10:30,160 --> 00:10:31,160 Come on. 298 00:10:31,160 --> 00:10:36,160 Come on. 299 00:10:36,160 --> 00:10:41,160 Come on. 300 00:10:41,160 --> 00:10:46,160 Come on. 301 00:10:46,160 --> 00:10:51,160 Come on. 302 00:10:51,160 --> 00:10:56,160 Come on. 303 00:10:56,160 --> 00:11:01,160 Come on. 304 00:11:01,160 --> 00:11:04,160 Come on. 305 00:11:04,160 --> 00:11:09,160 Come on. 306 00:11:09,160 --> 00:11:14,160 Come on. 307 00:11:14,160 --> 00:11:19,160 Come on. 308 00:11:19,160 --> 00:11:26,160 Come on. 309 00:11:26,160 --> 00:11:31,160 Come on. 310 00:11:31,160 --> 00:11:36,160 Come on. 311 00:11:36,160 --> 00:11:41,160 Come on. 312 00:11:41,160 --> 00:11:46,160 Come on. 313 00:11:46,160 --> 00:11:51,160 Come on. 314 00:11:51,160 --> 00:11:54,160 Tracy! 315 00:11:54,160 --> 00:12:02,160 Drown, you dumb cluck. 316 00:12:02,160 --> 00:12:16,160 Well, it's two birds with one stone, I guess. 317 00:12:16,160 --> 00:12:24,320 For Suspense, Roma Wines are bringing you as star Dana Andrews, whom you've heard in the 318 00:12:24,320 --> 00:12:30,320 first act of Mel Deneli's Two Birds with One Stone, which is Roma Wines' presentation tonight 319 00:12:30,320 --> 00:12:39,400 of Suspense. 320 00:12:39,400 --> 00:12:44,760 Between the acts of Suspense, this is Truman Bradley for Roma Wines. 321 00:12:44,760 --> 00:12:49,760 To millions all over the world, the name Elsa Maxwell stands for gracious hospitality. 322 00:12:49,760 --> 00:12:55,240 Her suggestions on entertaining are eagerly sought, and here's an especially timely one. 323 00:12:55,240 --> 00:13:00,440 Cooking a simple dinner for friends during these days of food rationing calls for imagination 324 00:13:00,440 --> 00:13:03,600 in making plain dishes temptingly attractive. 325 00:13:03,600 --> 00:13:09,040 I suggest the simple, inexpensive touch that Roma lends, making party fare out of the most 326 00:13:09,040 --> 00:13:10,920 ordinary supper. 327 00:13:10,920 --> 00:13:14,440 Serve cool Roma California burgundy with the meal. 328 00:13:14,440 --> 00:13:17,520 If possible, too, dine by candlelight. 329 00:13:17,520 --> 00:13:23,640 The tart piquancy of deliciously robust Roma red burgundy and the soft, flattering lighting 330 00:13:23,640 --> 00:13:25,520 heightens the pleasure of dining. 331 00:13:25,520 --> 00:13:31,080 That's a grand suggestion of Elsa Maxwell's dinner by candlelight with distinctive Roma 332 00:13:31,080 --> 00:13:32,200 burgundy. 333 00:13:32,200 --> 00:13:34,440 Truly an appealing idea. 334 00:13:34,440 --> 00:13:38,920 Like all Roma wines, Roma burgundy is of unvarying goodness. 335 00:13:38,920 --> 00:13:45,080 The goodness of selected grapes guided to flavorfulness by the ancient wine skill of 336 00:13:45,080 --> 00:13:47,280 Roma's famed wineries. 337 00:13:47,280 --> 00:13:48,800 Serve Roma regularly. 338 00:13:48,800 --> 00:13:51,440 It costs only pennies a glass. 339 00:13:51,440 --> 00:13:57,080 Remember, more Americans enjoy Roma than any other wine. 340 00:13:57,080 --> 00:14:00,520 R-O-M-A, Roma wines. 341 00:14:00,520 --> 00:14:06,640 And now Roma wines bring back to our Hollywood sound stage Dana Andrews as Walter Faber in 342 00:14:06,640 --> 00:14:22,280 Two Birds with One Stone, a tale well calculated to keep you in suspense. 343 00:14:22,280 --> 00:14:25,080 Joe. 344 00:14:25,080 --> 00:14:32,640 Joe, what's the matter, Walter? 345 00:14:32,640 --> 00:14:33,640 Have you seen my wife? 346 00:14:33,640 --> 00:14:35,600 Not since you were here a while ago. 347 00:14:35,600 --> 00:14:37,280 She's disappeared, Joe. 348 00:14:37,280 --> 00:14:38,280 What do you mean? 349 00:14:38,280 --> 00:14:39,560 We went for a walk after we left here. 350 00:14:39,560 --> 00:14:40,560 In the rain? 351 00:14:40,560 --> 00:14:43,000 She insisted you saw how she was acting. 352 00:14:43,000 --> 00:14:44,000 Yes. 353 00:14:44,000 --> 00:14:45,640 But she got away from me down by the wharf. 354 00:14:45,640 --> 00:14:46,640 I couldn't find her. 355 00:14:46,640 --> 00:14:48,360 I thought maybe she'd come back here. 356 00:14:48,360 --> 00:14:50,360 I haven't seen her, Walter. 357 00:14:50,360 --> 00:14:51,360 Joe. 358 00:14:51,360 --> 00:14:52,840 Joe, will you help me try and find her? 359 00:14:52,840 --> 00:14:53,840 Oh, sure. 360 00:14:53,840 --> 00:14:54,840 Nick, I'm going out. 361 00:14:54,840 --> 00:14:55,840 Take over, will you? 362 00:14:55,840 --> 00:14:56,840 All right. 363 00:14:56,840 --> 00:15:00,720 I can't think of any other place to look. 364 00:15:00,720 --> 00:15:02,120 What am I going to do? 365 00:15:02,120 --> 00:15:03,120 She will turn up. 366 00:15:03,120 --> 00:15:04,120 Don't worry, Walter. 367 00:15:04,120 --> 00:15:05,120 I don't know. 368 00:15:05,120 --> 00:15:07,720 She's been acting so strange lately. 369 00:15:07,720 --> 00:15:08,720 What about the dog? 370 00:15:08,720 --> 00:15:09,720 What do you mean? 371 00:15:09,720 --> 00:15:10,720 Was he with her? 372 00:15:10,720 --> 00:15:11,720 Well, yes. 373 00:15:11,720 --> 00:15:12,720 Yes, he was. 374 00:15:12,720 --> 00:15:14,360 She'll be all right, then. 375 00:15:14,360 --> 00:15:16,080 You look after her. 376 00:15:16,080 --> 00:15:17,160 Let's go to your apartment. 377 00:15:17,160 --> 00:15:18,160 She might have gone back there. 378 00:15:18,160 --> 00:15:20,320 Might as well, I guess. 379 00:15:20,320 --> 00:15:21,840 But she was sore at me. 380 00:15:21,840 --> 00:15:23,640 I don't think she would have gone back home. 381 00:15:23,640 --> 00:15:31,520 We'd better have a look anyway. 382 00:15:31,520 --> 00:15:35,680 Look there, Walter. 383 00:15:35,680 --> 00:15:38,680 What's the matter? 384 00:15:38,680 --> 00:15:40,520 The door to your apartment. 385 00:15:40,520 --> 00:15:41,520 It is open. 386 00:15:41,520 --> 00:15:42,920 Didn't you lock it when you left? 387 00:15:42,920 --> 00:15:45,760 I didn't lock it, but I remember closing it. 388 00:15:45,760 --> 00:15:46,760 Maybe she's come back. 389 00:15:46,760 --> 00:15:47,760 No, she couldn't have. 390 00:15:47,760 --> 00:15:48,760 I mean... 391 00:15:48,760 --> 00:15:49,760 Come on, let's go in. 392 00:15:49,760 --> 00:15:50,760 Eleanor. 393 00:15:50,760 --> 00:15:55,280 You see, there's no one here. 394 00:15:55,280 --> 00:15:56,280 I'll look in the kitchen. 395 00:15:56,280 --> 00:15:58,280 You go in the bedroom, Joe. 396 00:15:58,280 --> 00:15:59,280 Yeah. 397 00:15:59,280 --> 00:16:00,280 Walter. 398 00:16:00,280 --> 00:16:01,760 What is it? 399 00:16:01,760 --> 00:16:04,200 Come here, in the bedroom. 400 00:16:04,200 --> 00:16:05,200 What's the matter? 401 00:16:05,200 --> 00:16:06,200 Look under bed there. 402 00:16:06,200 --> 00:16:07,200 No. 403 00:16:07,200 --> 00:16:08,200 No, it couldn't be. 404 00:16:08,200 --> 00:16:10,720 I thought you said the dog was with her. 405 00:16:10,720 --> 00:16:11,720 He was. 406 00:16:11,720 --> 00:16:13,400 Yes, he was with her. 407 00:16:13,400 --> 00:16:14,760 Then she must be here, too. 408 00:16:14,760 --> 00:16:15,760 No, she couldn't be. 409 00:16:15,760 --> 00:16:16,760 Why not? 410 00:16:16,760 --> 00:16:17,760 I mean... 411 00:16:17,760 --> 00:16:18,760 Oh, Eleanor. 412 00:16:18,760 --> 00:16:19,760 Eleanor! 413 00:16:19,760 --> 00:16:22,400 Look at how still the poor dog lies. 414 00:16:22,400 --> 00:16:23,400 Maybe it's been hurt. 415 00:16:23,400 --> 00:16:24,880 It is soaking wet. 416 00:16:24,880 --> 00:16:25,880 It was raining, wasn't it? 417 00:16:25,880 --> 00:16:28,760 Yes, it was raining. 418 00:16:28,760 --> 00:16:29,760 What's the matter, Tracy? 419 00:16:29,760 --> 00:16:30,760 What's the matter, boy? 420 00:16:30,760 --> 00:16:31,760 I guess it's all right. 421 00:16:31,760 --> 00:16:32,760 But the way he stares at her... 422 00:16:32,760 --> 00:16:33,760 Joe! 423 00:16:33,760 --> 00:16:34,760 What's the matter? 424 00:16:34,760 --> 00:16:35,760 I just remembered. 425 00:16:35,760 --> 00:16:36,760 A record. 426 00:16:36,760 --> 00:16:37,760 She made it tonight, just before we left the house. 427 00:16:37,760 --> 00:16:38,760 She wouldn't let me hear it. 428 00:16:38,760 --> 00:16:39,760 She wouldn't tell me what it was, even. 429 00:16:39,760 --> 00:16:40,760 She said I could listen to it after we came back from my walk. 430 00:16:40,760 --> 00:16:41,760 It's in here, on the machine. 431 00:16:41,760 --> 00:16:42,760 We had better play it, Walter. 432 00:16:42,760 --> 00:16:43,760 Maybe it's foolishness. 433 00:16:43,760 --> 00:16:44,760 I don't know. 434 00:16:44,760 --> 00:16:45,760 I don't know. 435 00:16:45,760 --> 00:16:46,760 I don't know. 436 00:16:46,760 --> 00:16:47,760 I don't know. 437 00:16:47,760 --> 00:16:48,760 I don't know. 438 00:16:48,760 --> 00:16:49,760 I don't know. 439 00:16:49,760 --> 00:16:50,760 I don't know. 440 00:16:50,760 --> 00:16:51,760 I don't know. 441 00:16:51,760 --> 00:16:52,760 I don't know. 442 00:16:52,760 --> 00:16:53,760 I don't know. 443 00:16:53,760 --> 00:16:54,760 I don't know. 444 00:16:54,760 --> 00:16:55,760 I don't know. 445 00:16:55,760 --> 00:17:02,280 Maybe it's foolish of me to do what I'm thinking of doing. 446 00:17:02,280 --> 00:17:06,040 But I don't see any other way. 447 00:17:06,040 --> 00:17:09,960 I'm confused and bored. 448 00:17:09,960 --> 00:17:12,880 I guess bored, most of all. 449 00:17:12,880 --> 00:17:18,760 And maybe what I'm going to do will solve things for both of us. 450 00:17:18,760 --> 00:17:19,760 Goodbye. 451 00:17:19,760 --> 00:17:23,960 I think we had better call the police, Walter. 452 00:17:23,960 --> 00:17:24,960 What for? 453 00:17:24,960 --> 00:17:26,560 To have them look for her. 454 00:17:26,560 --> 00:17:29,560 Oh, yes, of course. 455 00:17:29,560 --> 00:17:40,960 Is there anything else you can think of, Mr. Faber? 456 00:17:40,960 --> 00:17:42,520 No, that's all. 457 00:17:42,520 --> 00:17:45,440 Then you believe the recording was intended as a suicide note? 458 00:17:45,440 --> 00:17:46,440 Yes. 459 00:17:46,440 --> 00:17:50,200 I would like to talk to Mr. Weiss here alone for a moment. 460 00:17:50,200 --> 00:17:53,080 I'll be in the bedroom if you need me. 461 00:17:53,080 --> 00:17:54,920 All right. 462 00:17:54,920 --> 00:17:57,520 Mr. Weiss, how long have you known Mr. Faber? 463 00:17:57,520 --> 00:17:58,520 For many years. 464 00:17:58,520 --> 00:18:00,800 I gave him music lessons as a child. 465 00:18:00,800 --> 00:18:03,400 Can you add anything to what he's already told us? 466 00:18:03,400 --> 00:18:04,400 No. 467 00:18:04,400 --> 00:18:06,840 She was acting just like he said. 468 00:18:06,840 --> 00:18:09,160 I noticed at the moment she walked into my place. 469 00:18:09,160 --> 00:18:11,920 She was usually very friendly. 470 00:18:11,920 --> 00:18:15,640 And she said something about my not seeing her anymore. 471 00:18:15,640 --> 00:18:16,640 Anything else? 472 00:18:16,640 --> 00:18:17,640 That's all. 473 00:18:17,640 --> 00:18:18,640 Mm-hmm. 474 00:18:18,640 --> 00:18:21,800 And you did hear them play the record, Gloomy Sunday? 475 00:18:21,800 --> 00:18:22,800 Yes. 476 00:18:22,800 --> 00:18:27,000 Well, we've had a couple of suicide cases where that song has come up before. 477 00:18:27,000 --> 00:18:29,760 I think Mr. Faber better prepare himself for the worst. 478 00:18:29,760 --> 00:18:31,040 I'm afraid so. 479 00:18:31,040 --> 00:18:32,680 Well, look, I'll go along now. 480 00:18:32,680 --> 00:18:34,280 Faber will probably want to come with us. 481 00:18:34,280 --> 00:18:35,360 But I think he'd better stay here. 482 00:18:35,360 --> 00:18:36,720 There's no telling what we'll find. 483 00:18:36,720 --> 00:18:38,600 Is there anything I can do? 484 00:18:38,600 --> 00:18:39,600 Yes, yes. 485 00:18:39,600 --> 00:18:41,120 I suggest that you get in touch with his family. 486 00:18:41,120 --> 00:18:42,760 I think he ought to have someone here with him. 487 00:18:42,760 --> 00:18:44,320 He has no family. 488 00:18:44,320 --> 00:18:45,320 Oh? 489 00:18:45,320 --> 00:18:46,320 Then perhaps you'd stay. 490 00:18:46,320 --> 00:18:47,320 Oh, of course. 491 00:18:47,320 --> 00:18:50,320 Well, we'll call you the minute we have any news. 492 00:18:50,320 --> 00:18:52,320 Good night. 493 00:18:52,320 --> 00:18:53,320 Joe. 494 00:18:53,320 --> 00:18:54,320 Yeah? 495 00:18:54,320 --> 00:18:56,320 Did the officer go? 496 00:18:56,320 --> 00:18:57,320 Yes, he did. 497 00:18:57,320 --> 00:18:58,840 But I think I should have gone with him. 498 00:18:58,840 --> 00:18:59,840 No, no, no. 499 00:18:59,840 --> 00:19:00,840 He said for you to stay here. 500 00:19:00,840 --> 00:19:01,840 He'll call us. 501 00:19:01,840 --> 00:19:06,840 Walter, have you noticed Tracy through all of this? 502 00:19:06,840 --> 00:19:07,840 What about him? 503 00:19:07,840 --> 00:19:09,560 I don't know. 504 00:19:09,560 --> 00:19:12,360 It's depressing just to look at him. 505 00:19:12,360 --> 00:19:14,040 That's because you don't like dogs, Joe. 506 00:19:14,040 --> 00:19:15,400 Oh, no, you're mistaken, Walter. 507 00:19:15,400 --> 00:19:16,400 I do like dogs. 508 00:19:16,400 --> 00:19:21,960 I never did know why you asked me to tell your wife not to bring him into my place anymore. 509 00:19:21,960 --> 00:19:23,560 Would you like a drink, Joe? 510 00:19:23,560 --> 00:19:25,560 No, thanks. 511 00:19:25,560 --> 00:19:29,800 It's strange the way that dog follows you around. 512 00:19:29,800 --> 00:19:35,080 Every move you make, it's almost as if he were trying to say something. 513 00:19:35,080 --> 00:19:36,680 He's all right. 514 00:19:36,680 --> 00:19:37,680 Come here, Tracy. 515 00:19:37,680 --> 00:19:38,680 Come here. 516 00:19:38,680 --> 00:19:39,680 Come here, Tracy. 517 00:19:39,680 --> 00:19:43,160 He was her dog, wasn't he? 518 00:19:43,160 --> 00:19:44,160 Yes. 519 00:19:44,160 --> 00:19:45,160 She bought him. 520 00:19:45,160 --> 00:19:50,080 His eyes are almost like a human's, aren't they? 521 00:19:50,080 --> 00:19:51,080 Yeah. 522 00:19:51,080 --> 00:19:52,080 Stop it, Tracy. 523 00:19:52,080 --> 00:19:53,080 Stop following me around. 524 00:19:53,080 --> 00:19:56,800 Now, now, you ought to get hold of yourself, Walter. 525 00:19:56,800 --> 00:19:57,800 Yes. 526 00:19:57,800 --> 00:20:01,120 Yes, I guess I'm pretty upset with all that's happened. 527 00:20:01,120 --> 00:20:02,800 Tracy is too. 528 00:20:02,800 --> 00:20:04,160 He knows something's wrong. 529 00:20:04,160 --> 00:20:05,160 He doesn't know anything. 530 00:20:05,160 --> 00:20:06,160 Will you stop it, Joe? 531 00:20:06,160 --> 00:20:07,160 Huh? 532 00:20:07,160 --> 00:20:08,760 Oh, well, I'm sorry. 533 00:20:08,760 --> 00:20:11,360 We both need sleep. 534 00:20:11,360 --> 00:20:13,320 That couch is pretty comfortable, Joe. 535 00:20:13,320 --> 00:20:16,000 Oh, that will be fine for me. 536 00:20:16,000 --> 00:20:17,000 What about Tracy? 537 00:20:17,000 --> 00:20:21,280 Well, he usually sleeps on that chair over there. 538 00:20:21,280 --> 00:20:23,400 Well, I'll go on to bed. 539 00:20:23,400 --> 00:20:24,400 Good night. 540 00:20:24,400 --> 00:20:25,400 Good night. 541 00:20:25,400 --> 00:20:28,400 No, Tracy, don't follow me. 542 00:20:28,400 --> 00:20:29,880 Get over there in your chair. 543 00:20:29,880 --> 00:20:30,880 You know about your chair. 544 00:20:30,880 --> 00:20:31,880 Now, go on. 545 00:20:31,880 --> 00:20:32,880 Get away from me. 546 00:20:32,880 --> 00:20:47,320 Joe. 547 00:20:47,320 --> 00:20:48,320 Joe! 548 00:20:48,320 --> 00:20:49,320 Huh? 549 00:20:49,320 --> 00:20:53,320 Oh, just a minute. 550 00:20:53,320 --> 00:20:55,400 Joe, were you talking in there? 551 00:20:55,400 --> 00:20:56,400 Did you call me? 552 00:20:56,400 --> 00:20:58,400 No, no, I was asleep. 553 00:20:58,400 --> 00:21:02,240 You must have heard Tracy scratching at the door here. 554 00:21:02,240 --> 00:21:04,320 Now, keep him out of here, will you? 555 00:21:04,320 --> 00:21:05,320 Keep him in the living room. 556 00:21:05,320 --> 00:21:06,320 Yes, I will. 557 00:21:06,320 --> 00:21:08,640 Joe, I've got to get rid of that dog. 558 00:21:08,640 --> 00:21:09,640 First thing tomorrow. 559 00:21:09,640 --> 00:21:11,480 Maybe my wife and I will take him. 560 00:21:11,480 --> 00:21:12,480 No. 561 00:21:12,480 --> 00:21:13,480 Why not? 562 00:21:13,480 --> 00:21:15,480 Well, it'll be too hard seeing him around. 563 00:21:15,480 --> 00:21:17,080 I don't want to see him anymore. 564 00:21:17,080 --> 00:21:18,080 I don't want him around. 565 00:21:18,080 --> 00:21:20,240 Well, you better try and get some sleep. 566 00:21:20,240 --> 00:21:22,440 You can talk about it in the morning. 567 00:21:22,440 --> 00:21:23,440 Yes. 568 00:21:23,440 --> 00:21:24,440 Well, good night. 569 00:21:24,440 --> 00:21:25,440 Good night. 570 00:21:25,440 --> 00:21:26,440 Come on, Tracy. 571 00:21:26,440 --> 00:21:27,440 Come on, boy. 572 00:21:27,440 --> 00:21:28,440 You'll have to carry him. 573 00:21:28,440 --> 00:21:29,440 Pick him up, will you? 574 00:21:29,440 --> 00:21:30,440 Yes. 575 00:21:30,440 --> 00:21:32,440 Here we go, boy. 576 00:21:32,440 --> 00:21:38,680 See, he has got something sticky around his neck here. 577 00:21:38,680 --> 00:21:41,680 He ought to have a bath. 578 00:21:41,680 --> 00:21:42,680 I'll get it. 579 00:21:42,680 --> 00:21:45,680 You stay in here, Walter. 580 00:21:45,680 --> 00:21:48,680 Oh, officer. 581 00:21:48,680 --> 00:21:53,640 I've bad news, Mr. Weiss. 582 00:21:53,640 --> 00:21:54,640 We found her. 583 00:21:54,640 --> 00:21:55,640 Where's Mr. Faber? 584 00:21:55,640 --> 00:21:56,640 In the bedroom. 585 00:21:56,640 --> 00:21:59,320 Well, you'll have to help me break it to him. 586 00:21:59,320 --> 00:22:00,640 Where did you find her? 587 00:22:00,640 --> 00:22:01,840 In the river. 588 00:22:01,840 --> 00:22:04,640 She must have struck her head on the pilings when she jumped off the wharf. 589 00:22:04,640 --> 00:22:06,520 She was in pretty bad shape. 590 00:22:06,520 --> 00:22:09,680 Her clothes were torn and her arms were badly lacerated. 591 00:22:09,680 --> 00:22:11,280 We can't figure that out. 592 00:22:11,280 --> 00:22:13,920 Well, I guess we'd better go in to Mr. Faber. 593 00:22:13,920 --> 00:22:17,480 Yes, yes. 594 00:22:17,480 --> 00:22:18,480 What is it? 595 00:22:18,480 --> 00:22:19,480 Have you... 596 00:22:19,480 --> 00:22:20,480 Walter. 597 00:22:20,480 --> 00:22:23,440 Walter, we have very bad news for you. 598 00:22:23,440 --> 00:22:24,440 I'm sorry, Mr. Faber. 599 00:22:24,440 --> 00:22:26,280 There's nothing you can do now. 600 00:22:26,280 --> 00:22:28,480 As we suspected, it was suicide. 601 00:22:28,480 --> 00:22:30,240 Yes, no need of your coming down now. 602 00:22:30,240 --> 00:22:33,160 There was identification on her, but we would like to see you in the morning. 603 00:22:33,160 --> 00:22:35,280 All right, I'll be down. 604 00:22:35,280 --> 00:22:36,840 Good night. 605 00:22:36,840 --> 00:22:37,840 Officer. 606 00:22:37,840 --> 00:22:38,840 Yes? 607 00:22:38,840 --> 00:22:40,840 Would you do me a favour? 608 00:22:40,840 --> 00:22:41,960 Why, certainly. 609 00:22:41,960 --> 00:22:43,400 This was her dog. 610 00:22:43,400 --> 00:22:44,400 Yes. 611 00:22:44,400 --> 00:22:45,400 I... 612 00:22:45,400 --> 00:22:47,800 I don't want him around any more with her gone. 613 00:22:47,800 --> 00:22:49,880 Could you... could you take him with you now? 614 00:22:49,880 --> 00:22:52,240 Well, this is a bit irregular. 615 00:22:52,240 --> 00:22:53,800 What would you want done with him? 616 00:22:53,800 --> 00:22:55,120 Just get him out of here. 617 00:22:55,120 --> 00:22:56,200 I don't care what you do with him. 618 00:22:56,200 --> 00:22:59,240 I know you're upset, Walter, but don't do this to the dog. 619 00:22:59,240 --> 00:23:00,520 Decide about it tomorrow. 620 00:23:00,520 --> 00:23:01,640 You may feel different. 621 00:23:01,640 --> 00:23:03,040 Don't stand there and argue with me, Joe. 622 00:23:03,040 --> 00:23:04,040 I know what I want. 623 00:23:04,040 --> 00:23:05,480 I'll get him out of here, I tell you. 624 00:23:05,480 --> 00:23:07,880 I guess you'd better take him, Officer. 625 00:23:07,880 --> 00:23:09,600 You will have to carry him, I guess. 626 00:23:09,600 --> 00:23:10,600 Yes. 627 00:23:10,600 --> 00:23:13,280 Well, it's too bad they'll probably put him out of the way. 628 00:23:13,280 --> 00:23:14,280 Yes, I know. 629 00:23:14,280 --> 00:23:15,280 Goodbye, Tracy. 630 00:23:15,280 --> 00:23:27,560 Walter? 631 00:23:27,560 --> 00:23:37,120 Hello, Walter. 632 00:23:37,120 --> 00:23:44,120 This is Eleanor Walter, and this, speak. 633 00:23:44,120 --> 00:23:50,240 This is Tracy, and we're saying happy birthday from your loving wife and your faithful dog, 634 00:23:50,240 --> 00:23:51,240 Tracy. 635 00:23:51,240 --> 00:23:54,240 Isn't Tracy a smart dog, Walter? 636 00:23:54,240 --> 00:23:55,240 He can talk. 637 00:23:55,240 --> 00:23:56,240 Catch a Tracy. 638 00:23:56,240 --> 00:23:57,240 Speak up. 639 00:23:57,240 --> 00:23:58,240 Tell us everything you know. 640 00:23:58,240 --> 00:23:59,240 You didn't know Tracy could talk, did you? 641 00:23:59,240 --> 00:24:00,240 But he can. 642 00:24:00,240 --> 00:24:01,240 He knows lots of things. 643 00:24:01,240 --> 00:24:02,240 Tell us everything you know, Tracy. 644 00:24:02,240 --> 00:24:17,240 Joe! 645 00:24:17,240 --> 00:24:19,000 Yes? 646 00:24:19,000 --> 00:24:20,000 Joe, did you hear... 647 00:24:20,000 --> 00:24:21,000 Happy birthday, Walter. 648 00:24:21,000 --> 00:24:23,320 How did you know it was my birthday? 649 00:24:23,320 --> 00:24:25,320 Eleanor told me. 650 00:24:25,320 --> 00:24:26,320 Eleanor? 651 00:24:26,320 --> 00:24:27,320 No. 652 00:24:27,320 --> 00:24:28,320 Eleanor's dead. 653 00:24:28,320 --> 00:24:32,040 Walter, you've had a bad dream. 654 00:24:32,040 --> 00:24:33,040 Wake up. 655 00:24:33,040 --> 00:24:34,040 Dream? 656 00:24:34,040 --> 00:24:36,920 Oh, Joe, I dreamt I... 657 00:24:36,920 --> 00:24:37,920 What did you dream? 658 00:24:37,920 --> 00:24:38,920 I dreamt I... 659 00:24:38,920 --> 00:24:42,120 I murdered her. 660 00:24:42,120 --> 00:24:43,120 I mean I... 661 00:24:43,120 --> 00:24:44,120 Why did you do it, Walter? 662 00:24:44,120 --> 00:24:45,720 It was a trick. 663 00:24:45,720 --> 00:24:48,000 Why did you do it, Walter? 664 00:24:48,000 --> 00:24:49,720 You won't tell anyone, will you, Joe? 665 00:24:49,720 --> 00:24:50,720 You won't, will you? 666 00:24:50,720 --> 00:24:52,520 I tell you, I had to do it, Joe. 667 00:24:52,520 --> 00:24:53,640 I hated her. 668 00:24:53,640 --> 00:24:55,160 I knew I'd never be rid of her. 669 00:24:55,160 --> 00:24:56,960 I am going for the police. 670 00:24:56,960 --> 00:24:59,240 Stay where you are, Joe. 671 00:24:59,240 --> 00:25:03,120 I've got a gun here. 672 00:25:03,120 --> 00:25:06,640 So you didn't give Tracy to the police after all. 673 00:25:06,640 --> 00:25:09,120 You wanted him here to drive me crazy. 674 00:25:09,120 --> 00:25:10,240 You knew all along. 675 00:25:10,240 --> 00:25:11,320 You suspected from the beginning. 676 00:25:11,320 --> 00:25:15,960 I suspected nothing until a while ago when I played the other side of this record. 677 00:25:15,960 --> 00:25:18,600 Now put that gun down, Walter. 678 00:25:18,600 --> 00:25:19,600 Let the dog in. 679 00:25:19,600 --> 00:25:22,600 Go on, let him in. 680 00:25:22,600 --> 00:25:29,120 If it hadn't been for him, you'd have never known about Eleanor. 681 00:25:29,120 --> 00:25:31,200 But I'm going to fix both of you now. 682 00:25:31,200 --> 00:25:33,160 You couldn't get away with one murder. 683 00:25:33,160 --> 00:25:35,840 Now I suppose you think you'll get away with two. 684 00:25:35,840 --> 00:25:36,840 Pick the dog up. 685 00:25:36,840 --> 00:25:39,920 Go on, pick him up. 686 00:25:39,920 --> 00:25:40,920 That's right. 687 00:25:40,920 --> 00:25:43,400 Now sit over there with him in your lap. 688 00:25:43,400 --> 00:25:45,920 Hold him close if you're so fond of him. 689 00:25:45,920 --> 00:25:48,880 It's going to be two birds with one stone again. 690 00:25:48,880 --> 00:25:50,600 Only this time I'll make it stick. 691 00:25:50,600 --> 00:25:51,600 Drop that gun, Faber. 692 00:25:51,600 --> 00:25:57,640 If that dog hadn't gotten away from us, you'd have been a goner, Mr. Weiss. 693 00:25:57,640 --> 00:26:01,920 And if I hadn't followed this dog back here, I wouldn't have overheard your very interesting 694 00:26:01,920 --> 00:26:05,200 confession, Mr. Faber. 695 00:26:05,200 --> 00:26:10,480 Well, okay. 696 00:26:10,480 --> 00:26:14,080 I guess I'm even a worse playwright than I thought. 697 00:26:14,080 --> 00:26:15,080 Come on, Tracy. 698 00:26:15,080 --> 00:26:17,160 Let's go for a walk. 699 00:26:17,160 --> 00:26:19,600 I'll walk you down to the station. 700 00:26:19,600 --> 00:26:21,440 That's funny. 701 00:26:21,440 --> 00:26:24,600 Listen to him. 702 00:26:24,600 --> 00:26:46,920 This is the first time he's ever wanted to go for a walk with me. 703 00:26:46,920 --> 00:26:52,040 And so closes Two Birds with One Stone, in which Roma Wines have brought you Dana Andrews 704 00:26:52,040 --> 00:26:56,600 as star of tonight's study in Suspense. 705 00:26:56,600 --> 00:27:01,120 Suspense is produced, edited, and directed by William Spear. 706 00:27:01,120 --> 00:27:06,840 Before our star returns to the microphone, let me say a word for Roma Wines, the sponsor 707 00:27:06,840 --> 00:27:08,640 of Suspense. 708 00:27:08,640 --> 00:27:13,860 The world famous hostess, Miss Elsa Maxwell, knows all the niceties of entertaining. 709 00:27:13,860 --> 00:27:17,680 And she has this to say about simple wartime hospitality. 710 00:27:17,680 --> 00:27:21,160 Good friends and good Roma California sherry. 711 00:27:21,160 --> 00:27:23,840 These are the makings of a pleasant evening. 712 00:27:23,840 --> 00:27:29,280 Roma sherry is ideal for any occasion, before dinner with appetizers or during friendly 713 00:27:29,280 --> 00:27:30,360 visits. 714 00:27:30,360 --> 00:27:36,320 You and your guests will enjoy the light nut-like flavor of glorious amber colored Roma sherry, 715 00:27:36,320 --> 00:27:38,400 especially served cool. 716 00:27:38,400 --> 00:27:41,640 Delicious Roma wines cost only pennies a glass. 717 00:27:41,640 --> 00:27:42,960 Serve them often. 718 00:27:42,960 --> 00:27:48,400 Remember, more Americans enjoy Roma than any other wine. 719 00:27:48,400 --> 00:27:51,920 R-O-M-A, Roma Wines. 720 00:27:51,920 --> 00:27:55,600 And the next time you use vermouth, choose Roma vermouth. 721 00:27:55,600 --> 00:28:01,520 Zestful full flavored Roma vermouth is blended and developed with all the traditional winemaking 722 00:28:01,520 --> 00:28:03,940 skill of Roma wineries. 723 00:28:03,940 --> 00:28:10,000 Is made and bottled in the heart of California's famous vineyards, yet surprisingly low priced. 724 00:28:10,000 --> 00:28:15,240 Buy both sweet and dry types of Roma vermouth soon, won't you? 725 00:28:15,240 --> 00:28:16,240 This is Dana Andrews. 726 00:28:16,240 --> 00:28:20,400 I've certainly enjoyed appearing on this evening's Suspense. 727 00:28:20,400 --> 00:28:23,080 And I'll be looking forward to next week's show, which will star my good friend Herbert 728 00:28:23,080 --> 00:28:24,080 Marshall. 729 00:28:24,080 --> 00:28:27,400 In the meantime, remember this. 730 00:28:27,400 --> 00:28:31,640 We've got the biggest home front effort of the war facing us right now. 731 00:28:31,640 --> 00:28:35,600 It's buying more bonds during the current seventh war alone. 732 00:28:35,600 --> 00:28:37,740 More than we've ever bought before. 733 00:28:37,740 --> 00:28:40,400 Last year by this time, we had two war loan drives. 734 00:28:40,400 --> 00:28:44,360 This drive, the seventh war loan, is the first this year. 735 00:28:44,360 --> 00:28:46,600 But it must do the job of two. 736 00:28:46,600 --> 00:28:50,380 For there'll be only two war loan drives in 1945. 737 00:28:50,380 --> 00:28:54,280 So buy more and larger war bonds now. 738 00:28:54,280 --> 00:28:59,040 Dana Andrews appeared through the courtesy of 20th Century Fox and will soon be seen 739 00:28:59,040 --> 00:29:02,000 in their production, State Fair. 740 00:29:02,000 --> 00:29:08,880 Next Thursday, you will hear Mr. Herbert Marshall, a star of Suspense. 741 00:29:08,880 --> 00:29:11,960 Presented by Roma Wines, R-O-M-A. 742 00:29:11,960 --> 00:29:15,480 Made in California for enjoyment throughout the world. 743 00:29:15,480 --> 00:29:34,400 This is CBS, the Columbia Broadcasting System.