1 00:00:00,000 --> 00:00:04,000 Now, Roma wines present... 2 00:00:04,000 --> 00:00:10,000 Suspense! 3 00:00:10,000 --> 00:00:23,000 Tonight, John Bobby Anson starring Thomas Mitchell. 4 00:00:23,000 --> 00:00:27,000 Suspense is presented for your enjoyment by Roma wines. 5 00:00:27,000 --> 00:00:30,000 That's R-O-M-A, Roma wines. 6 00:00:30,000 --> 00:00:35,000 Those excellent California wines that can add so much pleasantness to the way you live. 7 00:00:35,000 --> 00:00:38,000 To your happiness and entertaining guests. 8 00:00:38,000 --> 00:00:41,000 To your enjoyment of everyday meals. 9 00:00:41,000 --> 00:00:45,000 Yes, right now a glass full would be very pleasant. 10 00:00:45,000 --> 00:00:47,000 As Roma wines bring you... 11 00:00:47,000 --> 00:00:55,000 Suspense! 12 00:00:55,000 --> 00:01:00,000 This is the man in black here for the Roma Wine Company of Fresno, California. 13 00:01:00,000 --> 00:01:04,000 Who tonight from Hollywood bring you as star Mr. Thomas Mitchell. 14 00:01:04,000 --> 00:01:08,000 Who will soon be seen in the 20th Century Fox production, Captain Eddie. 15 00:01:08,000 --> 00:01:12,000 He appears this evening in a drama of desperate escape. 16 00:01:12,000 --> 00:01:16,000 And so with John Bobby Anson and with the performance of Thomas Mitchell, 17 00:01:16,000 --> 00:01:18,000 we again hope to keep you in... 18 00:01:18,000 --> 00:01:21,000 Suspense! 19 00:01:21,000 --> 00:01:32,000 Suspense! 20 00:01:32,000 --> 00:01:34,000 I'm afraid, Mary. 21 00:01:34,000 --> 00:01:39,000 For the first time since you've been gone, I'm afraid. 22 00:01:39,000 --> 00:01:42,000 I'm going to have to break my promise, Mary. 23 00:01:42,000 --> 00:01:47,000 I've tried, I've kept him out of sight, like you told me. 24 00:01:47,000 --> 00:01:50,000 I did just like you used to do when you were here, Mary. 25 00:01:50,000 --> 00:01:54,000 But it was that kitten that wandered into the place today. 26 00:01:54,000 --> 00:01:56,000 Carl didn't mean any harm. 27 00:01:56,000 --> 00:01:59,000 What he did, he didn't mean to do. 28 00:01:59,000 --> 00:02:03,000 It was just that he'd never held one in his arms before. 29 00:02:03,000 --> 00:02:07,000 And now they're coming for him tonight. 30 00:02:07,000 --> 00:02:09,000 They'll take him away. 31 00:02:09,000 --> 00:02:11,000 They'll take him to the home. 32 00:02:11,000 --> 00:02:16,000 Or if I could somehow just put them off for one more night. 33 00:02:16,000 --> 00:02:20,000 Oh, Mary, it would be easier if you were here. 34 00:02:20,000 --> 00:02:27,000 Carl, Carl, I told you to stay upstairs till I called you. 35 00:02:27,000 --> 00:02:30,000 Oh, no, no, no, you're to stay in your room. 36 00:02:30,000 --> 00:02:32,000 I'm not going to let them take you away. 37 00:02:32,000 --> 00:02:34,000 Maybe I'll think of something. 38 00:02:34,000 --> 00:02:35,000 I've got to think of something. 39 00:02:35,000 --> 00:02:39,000 Shh! Carl, Carl, they've come. 40 00:02:39,000 --> 00:02:42,000 No, no, no, be still, be still. 41 00:02:42,000 --> 00:02:43,000 Go back to your room. 42 00:02:43,000 --> 00:02:45,000 Hide yourself. 43 00:02:45,000 --> 00:02:47,000 One moment. 44 00:02:47,000 --> 00:02:50,000 Here, here, take my hand. 45 00:02:50,000 --> 00:02:53,000 No, no, come with me, come with me. 46 00:02:53,000 --> 00:02:56,000 You're to stay in your room and not make a sound. 47 00:02:56,000 --> 00:02:58,000 You're to be very quiet. 48 00:02:58,000 --> 00:03:00,000 Do you understand? 49 00:03:00,000 --> 00:03:05,000 If you do as I say, I might be able to keep you here one more night. 50 00:03:05,000 --> 00:03:07,000 Coming. 51 00:03:13,000 --> 00:03:14,000 Mr. Bobby? 52 00:03:14,000 --> 00:03:15,000 Yes? 53 00:03:15,000 --> 00:03:17,000 I'm Mr. Wilk from the home. 54 00:03:17,000 --> 00:03:18,000 I've come for your son. 55 00:03:18,000 --> 00:03:20,000 No, but the boy is ill. 56 00:03:20,000 --> 00:03:22,000 We'll take care of him. 57 00:03:22,000 --> 00:03:24,000 Far better than you can here alone. 58 00:03:24,000 --> 00:03:26,000 But I'm afraid it's something contagious. 59 00:03:26,000 --> 00:03:29,000 He's broke out in a rash. 60 00:03:29,000 --> 00:03:30,000 Are you sure? 61 00:03:30,000 --> 00:03:33,000 Yes, yes, he's got some sort of red spots all over him. 62 00:03:33,000 --> 00:03:37,000 Well, I wouldn't want to run the risk of infection. 63 00:03:37,000 --> 00:03:39,000 I mean for the others at the home, of course. 64 00:03:39,000 --> 00:03:41,000 Of course, that's what I mean, Mr. Wilk. 65 00:03:41,000 --> 00:03:43,000 Perhaps I'd better have a look at him. 66 00:03:43,000 --> 00:03:45,000 Please, please, Mr. Wilk, the boy's asleep. 67 00:03:45,000 --> 00:03:46,000 We'll have to wake him. 68 00:03:46,000 --> 00:03:48,000 You don't understand, Mr. Wilk. 69 00:03:48,000 --> 00:03:51,000 He's miserable since he knows he has to go. 70 00:03:51,000 --> 00:03:52,000 Don't wake him. 71 00:03:52,000 --> 00:03:55,000 You have my sympathy, Mr. Bobby, but I have my orders. 72 00:03:55,000 --> 00:03:59,000 Well, if you could bring a doctor first thing in the morning, 73 00:03:59,000 --> 00:04:03,000 then you'd be sure of no one catching anything from him. 74 00:04:03,000 --> 00:04:06,000 Well, I suppose that would be better. 75 00:04:06,000 --> 00:04:07,000 Yes. 76 00:04:07,000 --> 00:04:08,000 What about the neighbors? 77 00:04:08,000 --> 00:04:10,000 Oh, they won't know. 78 00:04:10,000 --> 00:04:13,000 They've never even seen him before today. 79 00:04:13,000 --> 00:04:15,000 If it hadn't been for that kitten... 80 00:04:15,000 --> 00:04:17,000 I can't go into that with you now, Mr. Bobby. 81 00:04:17,000 --> 00:04:18,000 No. 82 00:04:18,000 --> 00:04:19,000 The animal's dead. 83 00:04:19,000 --> 00:04:20,000 Yes. 84 00:04:20,000 --> 00:04:23,000 However, under the circumstances, it might be better 85 00:04:23,000 --> 00:04:26,000 if I brought the doctor back with me in the morning. 86 00:04:26,000 --> 00:04:27,000 Thank you, Mr. Wilk. 87 00:04:27,000 --> 00:04:29,000 But the boy's not to leave the house. 88 00:04:29,000 --> 00:04:30,000 Do you understand? 89 00:04:30,000 --> 00:04:31,000 Yes, yes. 90 00:04:31,000 --> 00:04:34,000 We'll be here at nine sharp in the morning. 91 00:04:34,000 --> 00:04:35,000 Good night. 92 00:04:35,000 --> 00:04:40,000 Carl. 93 00:04:40,000 --> 00:04:42,000 No, no, no, no, no. 94 00:04:42,000 --> 00:04:43,000 It's all right. 95 00:04:43,000 --> 00:04:44,000 It's all right. 96 00:04:44,000 --> 00:04:47,000 Now, you can stay one more night. 97 00:04:47,000 --> 00:04:51,000 Well, Carl, I promised your mother 98 00:04:51,000 --> 00:04:54,000 that I'd never let them take you away, 99 00:04:54,000 --> 00:04:58,000 that I'd do anything before I let them do that. 100 00:04:58,000 --> 00:05:00,000 What are we going to do? 101 00:05:00,000 --> 00:05:02,000 I know what to do. 102 00:05:02,000 --> 00:05:05,000 What are we going to do? 103 00:05:05,000 --> 00:05:08,000 I know what happens to them at the home. 104 00:05:08,000 --> 00:05:11,000 I've seen them after they've been there a while. 105 00:05:11,000 --> 00:05:14,000 They'd be better off... 106 00:05:14,000 --> 00:05:19,000 Carl, how would you like to go away? 107 00:05:19,000 --> 00:05:23,000 Yes, yes, how would you like to go some place 108 00:05:23,000 --> 00:05:25,000 where they'd never reach you? 109 00:05:25,000 --> 00:05:28,000 Yes, that would be better, Carl. 110 00:05:28,000 --> 00:05:40,000 That would be much better. 111 00:05:40,000 --> 00:05:42,000 Here comes a truck, Carl. 112 00:05:42,000 --> 00:05:44,000 Now, listen carefully. 113 00:05:44,000 --> 00:05:47,000 You're to hide in the bushes by the side of the road here. 114 00:05:47,000 --> 00:05:50,000 I'm going to flag him. 115 00:05:50,000 --> 00:05:51,000 If he stops to pick me up, 116 00:05:51,000 --> 00:05:53,000 you're to climb in the back of the truck 117 00:05:53,000 --> 00:05:54,000 without him seeing you. 118 00:05:54,000 --> 00:05:56,000 You're not to make a sound. 119 00:05:56,000 --> 00:05:58,000 You're not to try to say anything 120 00:05:58,000 --> 00:06:00,000 and stay there until I call you to get out. 121 00:06:00,000 --> 00:06:01,000 Do you understand, Carl? 122 00:06:01,000 --> 00:06:02,000 Yes. 123 00:06:02,000 --> 00:06:05,000 Now get in the bushes. 124 00:06:05,000 --> 00:06:07,000 Hello, any trouble? 125 00:06:07,000 --> 00:06:10,000 Could you give me a ride to San Diego? 126 00:06:10,000 --> 00:06:11,000 Sure, hop in. 127 00:06:11,000 --> 00:06:13,000 Oh, thank you. 128 00:06:13,000 --> 00:06:14,000 Oh, just a moment. 129 00:06:14,000 --> 00:06:15,000 Yes, nothing wrong? 130 00:06:15,000 --> 00:06:16,000 Yes, my glasses. 131 00:06:16,000 --> 00:06:18,000 I seem to have lost my glasses. 132 00:06:18,000 --> 00:06:19,000 Did you drop them? 133 00:06:19,000 --> 00:06:20,000 Yes, I'll find them. 134 00:06:20,000 --> 00:06:22,000 I had them a minute ago. 135 00:06:22,000 --> 00:06:23,000 Okay. 136 00:06:23,000 --> 00:06:24,000 Can you see out there? 137 00:06:24,000 --> 00:06:26,000 I'll take a look around back here. 138 00:06:26,000 --> 00:06:27,000 You want flashlight? 139 00:06:27,000 --> 00:06:29,000 Oh, never mind. 140 00:06:29,000 --> 00:06:31,000 Get in the back of the truck, Carl. 141 00:06:31,000 --> 00:06:32,000 Do you understand? 142 00:06:32,000 --> 00:06:34,000 Yes, that's it. 143 00:06:34,000 --> 00:06:35,000 That's it. 144 00:06:35,000 --> 00:06:37,000 I found them. 145 00:06:37,000 --> 00:06:38,000 Oh, good. 146 00:06:38,000 --> 00:06:41,000 Yes, right by the back of the truck here. 147 00:06:41,000 --> 00:06:44,000 Well, thanks for waiting. 148 00:06:44,000 --> 00:06:46,000 Lucky break. 149 00:06:46,000 --> 00:06:49,000 Well, to tell you the truth, 150 00:06:49,000 --> 00:06:51,000 I don't usually stop for people, 151 00:06:51,000 --> 00:06:53,000 but it's so late and you're a little, well, 152 00:06:53,000 --> 00:06:56,000 a little older than most you see on the highway. 153 00:06:56,000 --> 00:06:58,000 I didn't mean that, but what's the matter? 154 00:06:58,000 --> 00:06:59,000 Do you have car trouble? 155 00:06:59,000 --> 00:07:02,000 No, you know what transportation is in these days. 156 00:07:02,000 --> 00:07:04,000 I couldn't get a bus or a train. 157 00:07:04,000 --> 00:07:05,000 Yeah, yeah, yeah, I know. 158 00:07:05,000 --> 00:07:07,000 Lots of soldiers and defense workers in these parts 159 00:07:07,000 --> 00:07:09,000 have to consider them, you know. 160 00:07:09,000 --> 00:07:11,000 Oh, yes, of course, I know. 161 00:07:11,000 --> 00:07:15,000 Tell me, do you make this trip often? 162 00:07:15,000 --> 00:07:16,000 Oh, yeah, twice a week. 163 00:07:16,000 --> 00:07:19,000 Oh, I imagine you get pretty tired of it, don't you? 164 00:07:19,000 --> 00:07:21,000 Oh, no, I like being out in the open. 165 00:07:21,000 --> 00:07:23,000 I like being out in the open. 166 00:07:23,000 --> 00:07:24,000 Yes. 167 00:07:24,000 --> 00:07:25,000 Hey, you hear that? 168 00:07:25,000 --> 00:07:26,000 Yes. 169 00:07:26,000 --> 00:07:28,000 I suppose he's getting restless. 170 00:07:28,000 --> 00:07:32,000 Oh, that new saw. 171 00:07:32,000 --> 00:07:33,000 What was that? 172 00:07:33,000 --> 00:07:34,000 Oh, that's my cat. 173 00:07:34,000 --> 00:07:35,000 What do you mean? 174 00:07:35,000 --> 00:07:37,000 Oh, I picked up a stray cat back in T-Drome. 175 00:07:37,000 --> 00:07:38,000 Cute little kitten. 176 00:07:38,000 --> 00:07:40,000 I got a box fixed up for him in the back of the truck. 177 00:07:40,000 --> 00:07:42,000 You know, it gets pretty cold up here. 178 00:07:42,000 --> 00:07:43,000 A kitten? 179 00:07:43,000 --> 00:07:44,000 Yeah. 180 00:07:44,000 --> 00:07:45,000 What's the matter? 181 00:07:45,000 --> 00:07:49,000 Oh, I, my billfold, I seem to have lost it. 182 00:07:49,000 --> 00:07:51,000 Have? See, when did that happen? 183 00:07:51,000 --> 00:07:52,000 I don't know. 184 00:07:52,000 --> 00:07:54,000 I guess back where I dropped my glasses. 185 00:07:54,000 --> 00:07:55,000 I had it then. 186 00:07:55,000 --> 00:07:58,000 That's too bad, but I can't go back, you know. 187 00:07:58,000 --> 00:08:00,000 Oh, no, no, no, I wouldn't expect you to. 188 00:08:00,000 --> 00:08:03,000 If you'll just let me out here, I'll catch another ride back. 189 00:08:03,000 --> 00:08:05,000 Well, okay. 190 00:08:05,000 --> 00:08:07,000 If I was on my own time. 191 00:08:07,000 --> 00:08:09,000 Oh, no, no, no, thank you very much. 192 00:08:09,000 --> 00:08:10,000 It'll be all right. 193 00:08:10,000 --> 00:08:11,000 Okay. 194 00:08:11,000 --> 00:08:12,000 Good luck. 195 00:08:12,000 --> 00:08:13,000 I hope you find it. 196 00:08:13,000 --> 00:08:15,000 Oh, just a moment. 197 00:08:15,000 --> 00:08:16,000 Yeah? 198 00:08:16,000 --> 00:08:18,000 The back end of your truck's open. 199 00:08:18,000 --> 00:08:19,000 Oh, it is? Oh, well, I'll... 200 00:08:19,000 --> 00:08:21,000 No, no, no, don't get out. I'll close it for you. 201 00:08:21,000 --> 00:08:23,000 Oh, thanks. 202 00:08:23,000 --> 00:08:25,000 Get out. Get out, Carl. 203 00:08:25,000 --> 00:08:26,000 Run back for the road. 204 00:08:26,000 --> 00:08:28,000 Down the road, yes. Yes. 205 00:08:28,000 --> 00:08:32,000 It's all right now. You can drive on. 206 00:08:32,000 --> 00:08:33,000 How's the kitten? 207 00:08:33,000 --> 00:08:35,000 Oh, he's all right. He's fine. 208 00:08:35,000 --> 00:08:37,000 You can drive on now. 209 00:08:37,000 --> 00:08:39,000 Thanks. So long. 210 00:08:39,000 --> 00:08:41,000 Long. 211 00:08:41,000 --> 00:08:43,000 Carl? Carl? 212 00:08:43,000 --> 00:08:46,000 Oh, come on. You don't have to hide anymore, son. 213 00:08:46,000 --> 00:08:48,000 He's gone now. 214 00:08:48,000 --> 00:08:50,000 Oh, you were a good boy, Carl. 215 00:08:50,000 --> 00:08:52,000 You did just like I asked you to. 216 00:08:52,000 --> 00:08:55,000 And you didn't... you didn't touch the kitten, did you? 217 00:08:55,000 --> 00:08:56,000 Come on now. 218 00:08:56,000 --> 00:09:11,000 We'll get other rides. We'll manage. 219 00:09:11,000 --> 00:09:12,000 Tonight, for suspense, 220 00:09:12,000 --> 00:09:15,000 Roma Wines are bringing you as star Mr. Thomas Mitchell, 221 00:09:15,000 --> 00:09:18,000 whom you have heard in the first act of Mel Deneli's radio play 222 00:09:18,000 --> 00:08:58,880 John Barbie and Sonny's 223 00:08:58,880 --> 00:09:06,880 Tonight's tale of suspense, John Barbie and Sonny's 224 00:09:28,880 --> 00:09:36,880 Tonight's tale of suspense, John Barbie and Sonny's 225 00:09:36,880 --> 00:09:40,880 This is Truman Bradley for Roma Wines. 226 00:09:40,880 --> 00:09:47,880 Have you ever noticed the knack some women have for making their guests feel welcome, relaxed? 227 00:09:47,880 --> 00:09:51,880 Well, one such woman is the renowned hostess Elsa Maxwell, 228 00:09:51,880 --> 00:09:56,880 and here's what she suggests you do the next time friends come to dinner. 229 00:09:56,880 --> 00:10:02,880 Flatter your guests and make that dinner more enjoyable by serving good Roma California wine. 230 00:10:02,880 --> 00:10:07,880 You'll find Roma's Golden Sauteurne is delicious with all main dishes 231 00:10:07,880 --> 00:10:11,880 and particularly a delightful flavor mate with fish or fowl. 232 00:10:11,880 --> 00:10:14,880 Two point free foods now more popular than ever. 233 00:10:14,880 --> 00:10:18,880 Just be sure you serve that good Roma Sauteurne well chilled. 234 00:10:18,880 --> 00:10:23,880 You'll enjoy the delightful bouquet, the superbly delicate flavor, 235 00:10:23,880 --> 00:10:27,880 and the golden glory of this winegrower's masterpiece in any glassware. 236 00:10:27,880 --> 00:10:32,880 Distinctive Roma wines are grown in California's choicest vineyards, 237 00:10:32,880 --> 00:10:38,880 beginning with choice wine grapes picked and gently pressed at the top of their flavor richness, 238 00:10:38,880 --> 00:10:46,880 then watched over and developed with all the ancient winemaker skill of Roma's famed wineries. 239 00:10:46,880 --> 00:10:52,880 The quality of Roma wines never varies, always the same tempting flavor. 240 00:10:52,880 --> 00:10:56,880 And all this goodness is yours for only pennies a glass. 241 00:10:56,880 --> 00:11:02,880 No wonder more Americans enjoy Roma than any other wines. 242 00:11:02,880 --> 00:11:06,880 R-O-M-A, Roma wines. 243 00:11:06,880 --> 00:11:12,880 And now it is with pleasure that we bring back to our sound stage Mr. Thomas Mitchell, 244 00:11:12,880 --> 00:11:17,880 who resumes his role as father and fugitive in John Barbie and Son, 245 00:11:17,880 --> 00:11:22,880 a tale well calculated to keep you in suspense. 246 00:11:32,880 --> 00:11:36,880 Well, it was a long walk, eh, Carl? 247 00:11:36,880 --> 00:11:39,880 But we'll get us a room now and get some rest. 248 00:11:39,880 --> 00:11:43,880 I'm going in alone. It's not good for us to be seen together. 249 00:11:43,880 --> 00:11:47,880 You wait here on this bench and you're not to talk to anyone. 250 00:11:47,880 --> 00:11:51,880 Not to anyone! Do you understand? I won't be long. 251 00:11:59,880 --> 00:12:00,880 Good evening, sir. 252 00:12:00,880 --> 00:12:02,880 I'd like to have a room, please. 253 00:12:02,880 --> 00:12:05,880 Oh, you're very lucky, sir. I've just had a single vacated. 254 00:12:05,880 --> 00:12:07,880 Oh, you haven't a double? 255 00:12:07,880 --> 00:12:09,880 Oh, I'm sorry, I haven't. I thought you were alone. 256 00:12:09,880 --> 00:12:12,880 Oh, well, I am, but I prefer a double bed. 257 00:12:12,880 --> 00:12:15,880 I'm afraid you're going to have trouble finding any kind of a room in San Diego, sir. 258 00:12:15,880 --> 00:12:16,880 We're lucky to have this one. 259 00:12:16,880 --> 00:12:18,880 Yes, I'll take it. It'll be all right. 260 00:12:18,880 --> 00:12:20,880 All right, sign here, please. 261 00:12:20,880 --> 00:12:24,880 It's really not a small bed. It's three-quarter size. 262 00:12:24,880 --> 00:12:25,880 Here's your key, sir. 263 00:12:25,880 --> 00:12:27,880 Oh, that's fine. Thank you. 264 00:12:27,880 --> 00:12:30,880 Oh, could you tell me, is it on the ground floor? 265 00:12:30,880 --> 00:12:32,880 Why, no, it isn't. 266 00:12:32,880 --> 00:12:33,880 Oh. 267 00:12:33,880 --> 00:12:34,880 Had you watered it on the ground floor? 268 00:12:34,880 --> 00:12:38,880 Yes. You see, I'm a little nervous about fires. 269 00:12:38,880 --> 00:12:42,880 Oh, oh, well, there's a fire escape just down the hall from you. 270 00:12:42,880 --> 00:12:45,880 Oh, oh, there is? That'll be all right, then. 271 00:12:45,880 --> 00:12:48,880 I've got to get... I mean, I'm going out for a while. 272 00:12:48,880 --> 00:12:50,880 I'll be back later. Thank you. 273 00:12:50,880 --> 00:12:52,880 Yes, sir. 274 00:12:52,880 --> 00:12:55,880 Hmm. Did you hear that, Miss White? 275 00:12:55,880 --> 00:12:56,880 Yeah. 276 00:12:56,880 --> 00:12:59,880 Can't sleep in a single bed. I'm afraid of fires. 277 00:12:59,880 --> 00:13:02,880 I'll tell you, you meet all kinds, don't you? 278 00:13:02,880 --> 00:13:14,880 You certainly do. 279 00:13:14,880 --> 00:13:18,880 I'm right behind you, Carl. Yes, son. 280 00:13:18,880 --> 00:13:20,880 Nothing to be afraid of. 281 00:13:20,880 --> 00:13:24,880 Never been on a fire escape before, have you? 282 00:13:24,880 --> 00:13:28,880 It's fun, isn't it? Totally a little ways now. 283 00:13:28,880 --> 00:13:31,880 Here, here, take my arm. 284 00:13:31,880 --> 00:13:33,880 Ah, here we are. 285 00:13:33,880 --> 00:13:36,880 Now, you stay back until I look in the window first. 286 00:13:36,880 --> 00:13:38,880 See if anyone's in the hallway. 287 00:13:38,880 --> 00:13:41,880 Huh? Ah, it's all right. 288 00:13:41,880 --> 00:13:44,880 I'm sure it's awake. Yes, it's all right. 289 00:13:44,880 --> 00:13:47,880 Come on. I'll help you through. 290 00:13:47,880 --> 00:13:51,880 Shh. Someone's coming. 291 00:13:51,880 --> 00:13:55,880 Stay out there, Carl. No, no, no. Stay out there on the fire escape. 292 00:13:55,880 --> 00:13:57,880 Don't make a sound. 293 00:13:57,880 --> 00:14:00,880 Oh. 294 00:14:00,880 --> 00:14:02,880 Mr. Wilson. Oh, good evening. 295 00:14:02,880 --> 00:14:05,880 Aren't you at the wrong end of the hallway, sir? Yes, I... 296 00:14:05,880 --> 00:14:08,880 Can't you find your room? Yes, but I was just looking around. 297 00:14:08,880 --> 00:14:11,880 Oh, the fire escape. Yes. 298 00:14:11,880 --> 00:14:14,880 I see. You wanted to try it out, huh? 299 00:14:14,880 --> 00:14:17,880 Well, I'm a little nervous. I understand, sir. 300 00:14:17,880 --> 00:14:19,880 Would you like me to show you how to get out onto it? 301 00:14:19,880 --> 00:14:22,880 Oh, no, no, no, thank you. I've been out there already. 302 00:14:22,880 --> 00:14:25,880 Oh, you have? Well, you feel better about it then? 303 00:14:25,880 --> 00:14:27,880 Yes, yes, thank you. Anything I can do for you, sir? 304 00:14:27,880 --> 00:14:30,880 No, no, I'll be getting to my room now. 305 00:14:30,880 --> 00:14:33,880 Well, I guess we'd better close this window. It looks like a rainstorm. 306 00:14:33,880 --> 00:14:36,880 No, no, I'll close it. 307 00:14:36,880 --> 00:14:40,880 Okay, sir. Good night, Mr. Wilson. I hope you sleep well, sir. 308 00:14:40,880 --> 00:14:43,880 Good night. 309 00:14:47,880 --> 00:14:50,880 It's all right. Come on, Carl. Careful now. 310 00:14:50,880 --> 00:14:57,880 Follow me, quickly. 311 00:15:01,880 --> 00:15:04,880 Ah, there now. Hungry, Carl? 312 00:15:04,880 --> 00:15:06,880 I'll get us something to eat. 313 00:15:06,880 --> 00:15:11,880 Then we'll have a good night's rest. 314 00:15:11,880 --> 00:15:14,880 Miss White? Yeah? 315 00:15:14,880 --> 00:15:16,880 I just found the old boy up in the hallway. 316 00:15:16,880 --> 00:15:18,880 He was trying out the fire escape. Can you beat it? 317 00:15:18,880 --> 00:15:20,880 When? Just now. 318 00:15:20,880 --> 00:15:22,880 Well, but how did he get up to his room? 319 00:15:22,880 --> 00:15:24,880 He didn't come back through the lobby. 320 00:15:24,880 --> 00:15:26,880 What? He didn't? 321 00:15:26,880 --> 00:15:28,880 No. I know I would have seen him. 322 00:15:28,880 --> 00:15:30,880 He must have used the fire escape then. 323 00:15:30,880 --> 00:15:35,880 Say, there's something funny going on around here. 324 00:15:35,880 --> 00:15:37,880 Hey, look, it's his room. 325 00:15:37,880 --> 00:15:41,880 Office? 326 00:15:41,880 --> 00:15:44,880 Well, I'm sorry, Mr. Wilson, 327 00:15:44,880 --> 00:15:46,880 but we don't have meals sent up anymore. 328 00:15:46,880 --> 00:15:49,880 There's a cocktail lounge and a restaurant on the roof. 329 00:15:49,880 --> 00:15:51,880 Oh, it's really quite nice. 330 00:15:51,880 --> 00:15:53,880 And there's a terrace where you can step out 331 00:15:53,880 --> 00:15:55,880 and get a wonderful view of the entire city. 332 00:15:55,880 --> 00:15:57,880 Yes, sir. You're welcome. 333 00:15:57,880 --> 00:15:59,880 Meals sent up. 334 00:15:59,880 --> 00:16:01,880 I guess he don't know there's a war on. 335 00:16:01,880 --> 00:16:03,880 That fire escape is a disaster. 336 00:16:03,880 --> 00:16:07,880 And now he wants his meals sent up. 337 00:16:07,880 --> 00:16:10,880 Say, do you suppose he's got somebody up there with him? 338 00:16:10,880 --> 00:16:13,880 I don't know, but I'd certainly like to take a look at his room. 339 00:16:13,880 --> 00:16:15,880 And I think I will if he goes out. 340 00:16:15,880 --> 00:16:17,880 That's a good idea. 341 00:16:17,880 --> 00:16:20,880 Now, I won't be long, Carl, 342 00:16:20,880 --> 00:16:23,880 but you're not to make a sound while I'm gone. 343 00:16:23,880 --> 00:16:25,880 You're not to make a sound while I'm gone. 344 00:16:25,880 --> 00:16:27,880 You're not to make a sound while I'm gone. 345 00:16:27,880 --> 00:16:29,880 You're not to make a sound while I'm gone. 346 00:16:29,880 --> 00:16:31,880 You're not to make a sound while I'm gone. 347 00:16:31,880 --> 00:16:33,880 You're not to make a sound while I'm gone. 348 00:16:33,880 --> 00:16:36,880 And if someone comes to the door, don't you answer it. 349 00:16:36,880 --> 00:16:39,880 And if someone starts to unlock it, you hide here. 350 00:16:39,880 --> 00:16:42,880 Here. Hide here in this closet. 351 00:16:42,880 --> 00:16:44,880 You understand? 352 00:16:44,880 --> 00:16:46,880 Remember now, no noise. 353 00:16:46,880 --> 00:16:50,880 Do everything I tell you, and everything will be all right. 354 00:16:50,880 --> 00:16:52,880 Yes, yes. 355 00:16:52,880 --> 00:17:04,880 I'll get something to eat, and I'll be right back. 356 00:17:04,880 --> 00:17:06,880 Well, going out again, Mr. Wilson? 357 00:17:06,880 --> 00:17:08,880 Yes, I am. Get a little something to eat. 358 00:17:08,880 --> 00:17:10,880 Have a nice dinner. 359 00:17:10,880 --> 00:17:12,880 Thank you. 360 00:17:12,880 --> 00:17:13,880 Miss White. Yeah? 361 00:17:13,880 --> 00:17:14,880 Have Frank take the board. 362 00:17:14,880 --> 00:17:16,880 Let you and I go upstairs. We'll have a look around while he's gone. 363 00:17:16,880 --> 00:17:18,880 Okay, okay. 364 00:17:18,880 --> 00:17:20,880 Frank. Yes, ma'am? 365 00:17:20,880 --> 00:17:22,880 Did you see what just went out the door? Yes, ma'am. 366 00:17:22,880 --> 00:17:24,880 Well, we're going up to his room. 367 00:17:24,880 --> 00:17:26,880 If he comes back before we return, ring twice to warn us. 368 00:17:26,880 --> 00:17:28,880 Yes, ma'am. 369 00:17:36,880 --> 00:17:38,880 Why are you knocking? 370 00:17:38,880 --> 00:17:40,880 I have a feeling someone's in there. 371 00:17:40,880 --> 00:17:42,880 Well, if there is, then I'll come into the door. 372 00:17:42,880 --> 00:17:44,880 Not if he sneaked them into the hotel. 373 00:17:44,880 --> 00:17:50,880 I'll unlock it. 374 00:17:50,880 --> 00:17:52,880 Hmm. 375 00:17:52,880 --> 00:17:54,880 Well, there's nothing unusual here. 376 00:17:54,880 --> 00:17:56,880 Look at this bundle of things, though. 377 00:17:56,880 --> 00:17:58,880 What do you mean? Well, here's a cap. 378 00:17:58,880 --> 00:18:00,880 Well, that looks like a boy's. 379 00:18:00,880 --> 00:18:02,880 Still, it might be his. 380 00:18:02,880 --> 00:18:04,880 He wasn't wearing a cap when he came in. 381 00:18:04,880 --> 00:18:06,880 No, he wasn't. 382 00:18:06,880 --> 00:18:08,880 Should I look in the closet? No, I don't think we need bother. 383 00:18:08,880 --> 00:18:10,880 If he did have someone in here, they're not here now. 384 00:18:10,880 --> 00:18:12,880 Well, I just think I'll take a look, 385 00:18:12,880 --> 00:18:14,880 as long as we're here. 386 00:18:14,880 --> 00:18:16,880 Oh! 387 00:18:16,880 --> 00:18:18,880 Oh! 388 00:18:18,880 --> 00:18:20,880 That's Frank. 389 00:18:20,880 --> 00:18:22,880 Well, he couldn't have had his dinner that fast. 390 00:18:22,880 --> 00:18:24,880 Maybe Frank's made a mistake. I'll see. 391 00:18:24,880 --> 00:18:26,880 Frank? 392 00:18:26,880 --> 00:18:28,880 Yeah? 393 00:18:28,880 --> 00:18:30,880 All right, we'll be out. 394 00:18:30,880 --> 00:18:32,880 He says he's carrying a package. 395 00:18:32,880 --> 00:18:34,880 Must have brought something back to eat here in the room. 396 00:18:34,880 --> 00:18:36,880 Come on, Miss White. We'd better get out of here. 397 00:18:36,880 --> 00:18:38,880 Hey, we'd better go down the stairs. 398 00:18:38,880 --> 00:18:40,880 I think he'll be coming up in the elevator. 399 00:18:40,880 --> 00:18:42,880 Miss White! 400 00:18:42,880 --> 00:18:44,880 What's the matter? You've walked off with the cap. 401 00:18:44,880 --> 00:18:46,880 Great, Scott, I have. 402 00:18:46,880 --> 00:18:48,880 I didn't realize. 403 00:18:48,880 --> 00:18:50,880 Well, what do we do? Shall I go back? 404 00:18:50,880 --> 00:18:52,880 No, no, no, I don't think you'd better. You'll be up here any minute. 405 00:18:52,880 --> 00:18:54,880 Well, maybe he won't miss it. 406 00:18:54,880 --> 00:18:56,880 And we can put it back if he goes out again. 407 00:18:56,880 --> 00:18:58,880 Yes, yes, come on. 408 00:19:06,880 --> 00:19:08,880 Here's your top floor. 409 00:19:08,880 --> 00:19:10,880 Here's your top floor. 410 00:19:16,880 --> 00:19:18,880 Here we are. 411 00:19:18,880 --> 00:19:20,880 Milk and... Carl? 412 00:19:20,880 --> 00:19:22,880 Carl, where are you? 413 00:19:24,880 --> 00:19:26,880 What are you doing in the closet? 414 00:19:26,880 --> 00:19:28,880 Was somebody here, Carl? 415 00:19:28,880 --> 00:19:30,880 Someone's been here. 416 00:19:30,880 --> 00:19:32,880 Where's your cap that was on the bed there? 417 00:19:32,880 --> 00:19:38,880 Who's here? 418 00:19:40,880 --> 00:19:42,880 Evening. I'd like to see the manager. 419 00:19:42,880 --> 00:19:44,880 He's not here. I'm in charge. Could I help you? 420 00:19:44,880 --> 00:19:46,880 I'm Detective Bowen. 421 00:19:46,880 --> 00:19:50,880 We're checking hotels in the vicinity for a certain John Barbie. 422 00:19:50,880 --> 00:19:52,880 Have you anyone registered by that name? 423 00:19:52,880 --> 00:19:54,880 No, no, I don't believe I have. But what kind of a looking man is he? 424 00:19:54,880 --> 00:19:56,880 Older man, about his 60s. 425 00:19:56,880 --> 00:19:58,880 Hey, wait, wait, wait, wait. 426 00:19:58,880 --> 00:20:00,880 I have someone here who answers that description. 427 00:20:00,880 --> 00:20:02,880 He's been acting peculiar, too. 428 00:20:02,880 --> 00:20:04,880 But he's registered under the name of Wilson. 429 00:20:04,880 --> 00:20:06,880 Here it is. John Wilson. 430 00:20:06,880 --> 00:20:08,880 He might be the one you're looking for, and I have a hunch he is. 431 00:20:08,880 --> 00:20:10,880 Is he in his room now? 432 00:20:10,880 --> 00:20:12,880 Yes, yes, he went up just a short time ago. 433 00:20:12,880 --> 00:20:14,880 I'd like to go up. Here's my badge. 434 00:20:14,880 --> 00:20:16,880 What's the room number? 435 00:20:16,880 --> 00:20:18,880 408. Is it something serious? 436 00:20:18,880 --> 00:20:20,880 Yep. Murder. 437 00:20:26,880 --> 00:20:28,880 I don't think he's the type to make trouble, 438 00:20:28,880 --> 00:20:30,880 and I think it'll be easier if he opens the door himself. 439 00:20:30,880 --> 00:20:34,880 Well, I'll say that it's something about his moving to a double room. 440 00:20:36,880 --> 00:20:38,880 Mr. Wilson? 441 00:20:40,880 --> 00:20:44,880 Oh, Mr. Wilson, I have another room I think you'd be interested in seeing. 442 00:20:46,880 --> 00:20:48,880 I don't think anyone's there. 443 00:20:48,880 --> 00:20:50,880 There'll be a passkey. 444 00:20:50,880 --> 00:20:52,880 Oh, yes, yes. Open the door. 445 00:20:52,880 --> 00:20:58,880 I have a gun. I'll stand back out of the way. 446 00:21:02,880 --> 00:21:04,880 There's no one here. 447 00:21:04,880 --> 00:21:06,880 Look back at the door. 448 00:21:06,880 --> 00:21:08,880 No. 449 00:21:08,880 --> 00:21:10,880 Here. Maybe the closet here. 450 00:21:14,880 --> 00:21:16,880 No. 451 00:21:16,880 --> 00:21:18,880 No, there's nobody here. 452 00:21:18,880 --> 00:21:20,880 Say, he must have had somebody with him after all. 453 00:21:20,880 --> 00:21:22,880 What do you mean? 454 00:21:22,880 --> 00:21:24,880 Well, he registered alone, and I suspected there was someone with him. 455 00:21:24,880 --> 00:21:26,880 But look, look, look on the dresser there. 456 00:21:26,880 --> 00:21:28,880 Two bottles of milk and two sandwiches. 457 00:21:28,880 --> 00:21:30,880 They haven't been touched either. 458 00:21:30,880 --> 00:21:32,880 He must have left here in a hurry. Is there a fire escape on this floor? 459 00:21:32,880 --> 00:21:34,880 Oh, yes, there is. 460 00:21:34,880 --> 00:21:36,880 And I found him looking it over right after he moved in. 461 00:21:36,880 --> 00:21:38,880 Come on, let's have a look at it. 462 00:21:38,880 --> 00:21:40,880 Yes. Right this way, please. 463 00:21:40,880 --> 00:21:42,880 Down the hall here. 464 00:21:42,880 --> 00:21:44,880 Look, the window's open. 465 00:21:44,880 --> 00:21:46,880 He must have gone out that way. 466 00:21:46,880 --> 00:21:48,880 Let's have a look outside. 467 00:21:48,880 --> 00:21:50,880 No one down below. 468 00:21:50,880 --> 00:21:52,880 He must have just missed him. 469 00:21:52,880 --> 00:21:54,880 Look, Mr. Bowen. What is it? 470 00:21:54,880 --> 00:21:56,880 There's somebody up above. Somebody's climbing in the window at the top of the fire escape. 471 00:21:56,880 --> 00:21:58,880 That's him. Come on. 472 00:21:58,880 --> 00:22:00,880 Wait, wait. It'll be quicker going up to the elevator. 473 00:22:00,880 --> 00:22:02,880 He can't get away. There's a cocktail lounge on the top floor. 474 00:22:02,880 --> 00:22:04,880 We'll catch him there. There's no place else for him to go. 475 00:22:04,880 --> 00:22:06,880 Careful now. 476 00:22:06,880 --> 00:22:08,880 Careful. Go through the window, Carl. 477 00:22:08,880 --> 00:22:10,880 That's the boy, Carl. 478 00:22:10,880 --> 00:22:12,880 They're following us. I know that. 479 00:22:12,880 --> 00:22:14,880 They'll always follow us. 480 00:22:14,880 --> 00:22:16,880 You've got to do everything I tell you now. 481 00:22:16,880 --> 00:22:18,880 You've got to understand. 482 00:22:18,880 --> 00:22:20,880 Come on. 483 00:22:20,880 --> 00:22:22,880 Um, uh, please. 484 00:22:22,880 --> 00:22:24,880 I'll be right back. 485 00:22:24,880 --> 00:22:26,880 I'll be right back. 486 00:22:26,880 --> 00:22:28,880 I'll be right back. 487 00:22:28,880 --> 00:22:30,880 I'll be right back. 488 00:22:30,880 --> 00:22:32,880 I'll be right back. 489 00:22:32,880 --> 00:22:34,880 Uh, pardon me, sir. 490 00:22:34,880 --> 00:22:36,880 Yes? 491 00:22:36,880 --> 00:22:38,880 Is there a terrace room on the floor? 492 00:22:38,880 --> 00:22:40,880 Yes, there is. You'll get a wonderful view of the city. 493 00:22:40,880 --> 00:22:42,880 It's straight ahead through the cocktail lounge. 494 00:22:42,880 --> 00:22:44,880 Thank you. 495 00:22:46,880 --> 00:22:48,880 Oh, isn't it beautiful? 496 00:22:48,880 --> 00:22:50,880 Just look at the skyline. 497 00:22:50,880 --> 00:22:52,880 There's Coronado over there. 498 00:22:52,880 --> 00:22:54,880 Nice, isn't it, Carl? 499 00:22:54,880 --> 00:22:56,880 Carl, if they catch up with this, 500 00:22:56,880 --> 00:22:58,880 it means you'll have to go back to the home. 501 00:22:58,880 --> 00:23:00,880 You understand that, don't you? 502 00:23:00,880 --> 00:23:02,880 We promised your mother we would never let that happen. 503 00:23:02,880 --> 00:23:04,880 And we're not going to. 504 00:23:04,880 --> 00:23:06,880 Oh, look at that man over there. 505 00:23:06,880 --> 00:23:08,880 He's climbing up over the iron fence. 506 00:23:08,880 --> 00:23:10,880 Stay there. You better get back. 507 00:23:10,880 --> 00:23:12,880 Oh, somebody stop him. 508 00:23:12,880 --> 00:23:14,880 It isn't going to hurt much, Carl. 509 00:23:14,880 --> 00:23:16,880 It'll be quick. 510 00:23:16,880 --> 00:23:18,880 Mr. Barby! Mr. Barby, don't! 511 00:23:18,880 --> 00:23:20,880 Uh, stay where you are. 512 00:23:20,880 --> 00:23:22,880 This is my affair. 513 00:23:22,880 --> 00:23:24,880 Mr. Barby, that isn't going to do anybody any good. 514 00:23:24,880 --> 00:23:26,880 Now, just listen to me a moment. 515 00:23:26,880 --> 00:23:28,880 If you come a step closer... 516 00:23:28,880 --> 00:23:30,880 Listen to me. What do you want? 517 00:23:30,880 --> 00:23:32,880 Now, Mr. Barby, don't jump. 518 00:23:32,880 --> 00:23:34,880 Come back with me. 519 00:23:34,880 --> 00:23:36,880 It'll go easy, won't you? 520 00:23:36,880 --> 00:23:38,880 You'll not take him back to that home. 521 00:23:38,880 --> 00:23:40,880 I know what happens to them there. 522 00:23:40,880 --> 00:23:42,880 Now, Mr. Barby, 523 00:23:42,880 --> 00:23:44,880 you're ill. 524 00:23:44,880 --> 00:23:46,880 You don't know what you're doing. You're... 525 00:23:46,880 --> 00:23:48,880 I-I-I tell you not to come any closer. 526 00:23:48,880 --> 00:23:50,880 All right, all right. I won't. 527 00:23:50,880 --> 00:23:52,880 But listen now. I'll not listen to anything. 528 00:23:52,880 --> 00:23:54,880 I know what's best for my boy. 529 00:23:54,880 --> 00:23:56,880 I promised his mother. 530 00:23:56,880 --> 00:23:58,880 I didn't die, son. 531 00:23:58,880 --> 00:24:00,880 What? Who are you talking to there, Mr. Barby? 532 00:24:00,880 --> 00:24:02,880 Don't pay any attention to them, Carl. 533 00:24:04,880 --> 00:24:06,880 Why, he... he thinks the boy's there with him. 534 00:24:06,880 --> 00:24:08,880 Are you ready, Carl? 535 00:24:08,880 --> 00:24:10,880 You don't want to go back to that home, do you? 536 00:24:10,880 --> 00:24:12,880 Mr. Barby, 537 00:24:12,880 --> 00:24:14,880 now, there's nobody there with you. 538 00:24:14,880 --> 00:24:16,880 What? 539 00:24:16,880 --> 00:24:18,880 What did you say? 540 00:24:18,880 --> 00:24:20,880 I say there's nobody there with you. 541 00:24:20,880 --> 00:24:22,880 No, but... 542 00:24:22,880 --> 00:24:24,880 What kind of a trick is this? 543 00:24:24,880 --> 00:24:26,880 You're just imagining things. You're ill. 544 00:24:26,880 --> 00:24:28,880 Now, they'll go easy on you. 545 00:24:28,880 --> 00:24:30,880 I promise you that. 546 00:24:30,880 --> 00:24:32,880 There's nobody here with me? 547 00:24:32,880 --> 00:24:34,880 No. Your son's dead. 548 00:24:34,880 --> 00:24:36,880 What you're going to do now won't help anything. 549 00:24:36,880 --> 00:24:38,880 But this is my son here by my side. 550 00:24:38,880 --> 00:24:40,880 No, no, Mr. Barby. 551 00:24:40,880 --> 00:24:42,880 No one's by your side. 552 00:24:42,880 --> 00:24:44,880 Ah! This is a trick! 553 00:24:44,880 --> 00:24:46,880 Oh! 554 00:24:46,880 --> 00:24:48,880 I see it now. 555 00:24:48,880 --> 00:24:50,880 You are trying to confuse me, to keep me busy talking, 556 00:24:50,880 --> 00:24:52,880 so this man could sneak up behind me. 557 00:24:52,880 --> 00:24:54,880 Is that it? 558 00:24:54,880 --> 00:24:56,880 Mr. Barby, now we're just trying to save your life. 559 00:24:56,880 --> 00:24:58,880 Now, come back. 560 00:24:58,880 --> 00:25:00,880 Come back away from that ledge and let us talk. 561 00:25:00,880 --> 00:25:02,880 No! No, I've had enough of your tricks. 562 00:25:02,880 --> 00:25:04,880 Are you ready, Carl? 563 00:25:04,880 --> 00:25:06,880 Oh! Oh, no, no, no! 564 00:25:06,880 --> 00:25:08,880 Don't let him! 565 00:25:08,880 --> 00:25:10,880 It won't hurt much, Carl. 566 00:25:10,880 --> 00:25:12,880 Take my hand, son. 567 00:25:12,880 --> 00:25:14,880 Take my hand! 568 00:25:14,880 --> 00:25:16,880 Oh! Oh! 569 00:25:16,880 --> 00:25:18,880 Oh, my dear. 570 00:25:18,880 --> 00:25:20,880 Oh, that's terrible. 571 00:25:20,880 --> 00:25:22,880 May I... 572 00:25:22,880 --> 00:25:24,880 May I ask what he was wanted for? 573 00:25:24,880 --> 00:25:26,880 Murder. Murder? 574 00:25:26,880 --> 00:25:28,880 Yeah. 575 00:25:28,880 --> 00:25:30,880 He killed his son last night. 576 00:25:30,880 --> 00:25:32,880 The authorities are going to take the boy away to a home. 577 00:25:32,880 --> 00:25:34,880 And I guess his mind just snapped. 578 00:25:34,880 --> 00:25:36,880 It's probably better this way. 579 00:25:36,880 --> 00:25:38,880 Because he thought the boy was with him. 580 00:25:38,880 --> 00:26:00,880 Right to the end. 581 00:26:00,880 --> 00:26:04,880 And so closes John Barby and Son, starring Thomas Mitchell. 582 00:26:04,880 --> 00:26:06,880 Tonight's study in... 583 00:26:06,880 --> 00:26:08,880 Suspense. 584 00:26:08,880 --> 00:26:12,880 Suspense is produced, edited and directed by William Spear. 585 00:26:12,880 --> 00:26:15,880 Before Mr. Mitchell returns to our microphone, 586 00:26:15,880 --> 00:26:18,880 this is Truman Bradley for Roma Wines. 587 00:26:18,880 --> 00:26:22,880 Genuine cordiality, unaffected simplicity. 588 00:26:22,880 --> 00:26:28,880 These are qualities that have made Miss Elsa Maxwell's hospitality famous the world over. 589 00:26:28,880 --> 00:26:30,880 In her own words... 590 00:26:30,880 --> 00:26:32,880 Friendliness and hospitality begin at home. 591 00:26:32,880 --> 00:26:37,880 And there's no better or simpler way than with a glass of distinctive Roma wine. 592 00:26:37,880 --> 00:26:40,880 I suggest Roma Toque, a most delightful wine. 593 00:26:40,880 --> 00:26:43,880 To be enjoyed anytime, anyplace. 594 00:26:43,880 --> 00:26:45,880 Served with coffee or dessert. 595 00:26:45,880 --> 00:26:47,880 As a delightful finishing touch to your meals. 596 00:26:47,880 --> 00:26:52,880 Or set out Roma California Toque with cheese and crackers when friends drop in. 597 00:26:52,880 --> 00:26:56,880 Roma Toque is a velvety flame-colored wine. 598 00:26:56,880 --> 00:27:00,880 Moderately sweet, light, with a slightly nutty flavor. 599 00:27:00,880 --> 00:27:03,880 Be sure it's Roma Toque you serve. 600 00:27:03,880 --> 00:27:06,880 That's a mighty worthwhile idea, Miss Maxwell's. 601 00:27:06,880 --> 00:27:10,880 Try Roma Toque and the other Roma wines too. 602 00:27:10,880 --> 00:27:14,880 You can depend on Roma wines to be always delicious, 603 00:27:14,880 --> 00:27:19,880 always pleasing to the palate, of unvarying fine quality. 604 00:27:19,880 --> 00:27:24,880 And the next time you use vermouth, sweet or dry, choose Roma vermouth. 605 00:27:24,880 --> 00:27:29,880 Zestful, herb flavored Roma vermouth is blended, mellowed and developed. 606 00:27:29,880 --> 00:27:33,880 With all the traditional winemaking skill of Roma wineries. 607 00:27:33,880 --> 00:27:36,880 Yet surprisingly low priced. 608 00:27:36,880 --> 00:27:39,880 Try Roma vermouth soon, will you? 609 00:27:39,880 --> 00:27:41,880 This is Thomas Mitchell. 610 00:27:41,880 --> 00:27:44,880 It's been a great pleasure to appear here tonight on Suspense. 611 00:27:44,880 --> 00:27:48,880 A program for which all actors have a unique regard. 612 00:27:48,880 --> 00:27:54,880 Next Thursday, my old friend Edward G. Robinson will be your star. 613 00:27:54,880 --> 00:27:58,880 Mr. Spear's been telling me a little about the story. 614 00:27:58,880 --> 00:28:04,880 Sounds like surely the most remarkable predicament a man ever got himself into over his wife. 615 00:28:04,880 --> 00:28:07,880 I'm sure you won't want to miss it. I know I won't. 616 00:28:07,880 --> 00:28:08,880 Right. 617 00:28:08,880 --> 00:28:14,880 Remember next Thursday, same time, you will hear Mr. Edward G. Robinson as star of... 618 00:28:14,880 --> 00:28:16,880 Suspense! 619 00:28:16,880 --> 00:28:19,880 Presented by Roma Wines. 620 00:28:19,880 --> 00:28:22,880 R-O-M-A. 621 00:28:22,880 --> 00:28:24,880 Made in California. 622 00:28:24,880 --> 00:28:28,880 For enjoyment throughout the world. 623 00:28:54,880 --> 00:28:56,880 This is CBS. 624 00:28:56,880 --> 00:29:24,880 The Columbia Broadcasting System.