WEBVTT

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Suspense!

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Tonight, The Singing Wall, starring Van Johnson.

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Have another cup, another nice hot cup. If that special queen makes it taste good.

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So a guy named Joe brought you, huh? You come up here from Joe's place. From Joe's place.

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Ha ha ha ha ha ha ha ha.

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Yeah, hear it? Ain't that pretty? Yeah, that's right. It comes right out of the walls.

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Singing walls. We got hot and cold running water here and singing walls, yeah.

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Ha ha ha ha ha ha ha ha ha.

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Have another cup, and a little more of the extra heavy cream. What? Well, lie down and take a little snooze. I'll be right back.

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Hey, look at you. It's blood. Blood all over your shirt. Oh, him? He's all right. Just lock him in the closet.

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I'll put the key right in your pocket so you'll know just where to find him. Sure, I'll be back. I'll be back in just a minute.

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No, let me out of here. No, let me out of here. No. Tommy! Tommy! Tommy!

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Tommy, wake up. What? What is it? I've been knocking at your door the longest time. You were having a dream or something.

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Yeah. Gee, what time is it? It's way afternoon. You came in pretty late. I did, huh? Toss me my bathrobe, will you, sis?

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Don't you know what time you got in? No, no, not exactly. Oh, Tommy, I know it's tough not having a job all these months, but the kind of people you're getting away with.

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Oh, my head. Have anything to eat last night? Yeah, yeah. They bought me some coffee. Coffee? Who did? Where was this?

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Oh, well, honest, sis, it's no alibi, but I don't remember where I was. Only just now I seem to be dreaming about it.

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About what? About last night. I could hear you banging on the door all the time I was dreaming. And it seemed as though I wasn't dreaming at all. I was remembering a lot of things.

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What sort of things? Oh, I was all mixed up. There was a guy with a kind of frog voice that kept giving me eats and coffee. I was sort of floating.

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There was a place with music coming out of the walls. There was something about blood on my shirt and a key to a closet. Tommy, you're shaking like a leaf.

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Yeah, it was a pretty scary dream, all right. If it was a dream. Well, you get dressed and come on downstairs. Here, here, I'll get your clean shirt.

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No, I better wear the old one. I've worn it only once. But it's all messy. Yeah, it does look kind of... Mildred. What? My shirt. Give me it.

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Now what's the matter? Look, Mildred, that's blood. Well, I guess it is. I know it is. Just like it was in the dream.

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Oh, Tommy, don't be silly. You must have hurt yourself somewhere. But I didn't. Look, there isn't a scratch on me. Well, then you got in a fight.

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Maybe. What else could it have been? That's what I'm trying to think. Well, stop thinking and hurry up and get dressed.

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Oh, my goodness. Look at the way you threw your clothes around last night. Trousers on the floor here. Oh, dear. Everything all over the place fell out of the pockets.

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I'll pick it up. You get dressed. Thanks. You didn't come home with much, did you? I didn't have much to start with.

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Well, I'll put it all up here on the bureau. 25 cents and change and your keys. Now hurry, will you? What did you say? I said hurry.

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No. Oh, I said I put your change and your keys up on the bureau. Keys? Yeah. Mildred, I only have one key. Well, there are two there now.

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I know. Let me see them. Here. One's the key to the front door. But the other one. Doesn't belong to any door in this house. It's the key to the closet.

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What closet? Last night. It wasn't a dream. Tommy, what are you talking about? Mildred, you better call Danny. Danny right away.

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But he's on duty. I know, I know. But get him over here right away. Tommy, what is it? Last night. I think I killed a man.

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Yeah. Let me look at your eyes, Tom. Listen, Danny. Uh-huh. You were doped, all right? I didn't know what it was.

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Never mind that now, kid. How much do you remember? Danny, I hated to bring you in on this, but I didn't know who else to go to.

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Skip it, skip it. What's the use of having a brother-in-law who's a cop if he can't help you once in a while? How much do you remember?

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Just what I've told you. Just like it was in the dream. Only it wasn't a dream. There was this guy, Joe. Just some guy I'd known from someplace.

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I don't know where. They met on the street and he took me to the party. Then the guy with the frog voice began giving me eats and coffee.

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He'd give me a lot of coffee. Then everything got confused. I was in the place with a singing wall, some harmonica playing or something. That's where the closet was.

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What about the guy you... the dead guy?

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First he wasn't there. Then he was. He was sort of slumped over in a big armchair.

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And then frog voice put him in the closet?

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That's what I remember. Then he left. I suddenly seem to realize that the guy in the closet was dead. That's when I get out of there. I don't know how. I don't know how.

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You don't have any idea where it was?

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No, I didn't even know where the party was.

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And you've never even seen any of these people before?

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Except this guy, Joe, who took me to the party. And that's all I know about him.

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Just a guy named Joe that I knew by sight from someplace. But I don't know where. His last name or anything.

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Whew. That's not much to go on, is it, kid?

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No, not much.

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A guy named Joe, singing walls in the closet, and another guy with a froggy voice.

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Well, I'd recognize him or his voice if I ever saw him again.

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Tommy, you're in a jam, kid. The way it looks right now, there's a dead man in a closet somewhere in this town, and you killed him.

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Maybe you didn't. And if we find him before somebody else does, maybe we can figure out what did happen.

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But the way it stands now, kid, you're it.

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Yeah, I know.

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We haven't got much time either. If the place is an apartment, they've probably found the body already, and I'd know about it.

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If it's a hotel, they check the guest out by six o'clock. That gives us about four hours.

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Four hours for the murderer to find the guy he murdered. Kind of crazy, isn't it?

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Tommy, you know how I feel about Newwood. And you know I don't exactly hate you either.

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You know, I'll do everything in the world I possibly can to clear you.

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Sure, Danny, I know, I know.

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But I'm a cop, Tommy. And if you did do it, you know I'm going to turn you in, don't you?

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Sure. I know that too.

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Okay, kid, okay. Now let's start from the beginning. What about the Sky Joe?

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But I don't know anything about him.

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You know his name, you know his face. Now think, Tommy, think.

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I'm trying to. If I could only remember. If I could only remember.

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So a guy named Joe brought you, huh? You come up here from Joe's place. Joe's place.

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You see, Tommy, when you remembered that, you told me where Joe is.

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I did?

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Yeah, sure. You see that sign over that restaurant?

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Yeah, Joe's place. Joe's place, yeah.

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Tommy, you were playing with bad boys last night. And this is where bad boys hang out.

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So?

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It all clicked when I remembered you. Said the guy with the frog voice asked you if you could come.

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And this is where bad boys hang out. It all clicked when I remembered you. Said the guy with the frog voice asked you if you could come up there from Joe's place.

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He didn't mean where Joe lived or anything. He meant this place. He thought maybe you were one of the boys.

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How did I ever meet this Joe? I've never been here in my life.

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He runs another place more respectable as a sort of cover. About three blocks from our house, the grotto.

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Hey, that's right.

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Yeah, remember now? If my hunch is right, Joe is going to be plenty surprised when he sees you walk in there.

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Me? Walk in there?

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Now, don't worry, kid. Just walk in and sit down at the table. If you're not out of that place in a couple of minutes, I'll know you recognize the guy and we're on the right track.

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I'll come in as though I didn't see you and go to the phone booth.

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Then what?

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Then we'll see, kid. Are you okay?

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Okay.

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Oh, one thing more. If he offers you anything to eat or drink, take it.

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Sure. Well, here goes. What'll it be, Mike?

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Orange juice.

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Right.

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Well, well, well, well. What do you know? Hello, Tommy.

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Well, hi, Joe.

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What are you doing down in this part of town, kid, huh?

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Oh, I had to come down to see a guy. I didn't know you had this place.

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Ah, just a little sideline. That's where I first started, you know.

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Sure.

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One orange juice. That'll be ten cents.

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Oh, no. You gotta have a little something to eat on me, kid. What do you have? Coffee, at least, huh?

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Well...

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Nice hot cup?

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Yeah, okay.

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Coffee for the gentleman Larry with the extra heavy cream. Understand?

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The extra heavy? Sure.

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I'll take tea with lemon. Hey, Tommy, that was some fun last night, huh?

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Yeah.

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Yeah. What'd you disappear to? I was looking all over for you.

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Oh, that's the funny thing. I don't even remember.

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I get it. Well, a guy has to cut loose once in a while.

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Here, one coffee with extra heavy cream. One tea.

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Well, this'll warm you up.

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Wait a minute.

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Hey, who are you?

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Oh, this is my brother-in-law, Denny. This is Joe.

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Say, you must have got things mixed up. You never drink coffee, Tommy. You only drink tea.

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Yeah, that's right.

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Here, you take the tea, give Joe the coffee, and I'll take the orange juice.

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I don't like coffee. I never touch it.

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Okay, I'll take it. Thanks.

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By the way, Joe, you haven't got a little bottle I could pour this into, have you?

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Hey, who do you think you're kidding, bub?

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I'm from headquarters. There's a badge.

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No, no, wait a minute. I didn't know that...

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I suppose you didn't know that what I'd find in this coffee if I took it down to have it analyzed, would you?

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Look, I don't want any trouble. I never had any. They'll tell you at headquarters.

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If it's a matter of dough...

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You can't buy your way out of this one, chum. I want talk and I want it quick.

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What kind of talk?

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Where did you take Tommy last night?

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It was just a little party, a card party, just coffee and cake.

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Yeah, and they slipped things in people's coffee there, too.

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I don't know anything about that, honest. I hardly know the people.

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Who's the guy with the frog voice?

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Voice? I don't know any guy with a frog voice.

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Look, I don't want no trouble. They'll tell you at headquarters.

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Listen, there's a narcotics trap in this for somebody and it could be you. Come on, where was the party?

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Courtney Square West, number 75, some people named Sorel.

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Come on, Tommy, and you're going too, Joe, just in case.

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Sorel, A.J. Does this look like the place, Tommy?

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Yeah, it looks like it. It could be. Everything's been so confused since last night.

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This is it.

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It better be. Mrs. Sorel?

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Yes?

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I'm from police headquarters.

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Oh.

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Do you mind if we come in and look around?

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Oh, why, no.

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Come on, Tommy. You too, Joe. Oh, by the way, do you two know each other?

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He... Why his face is familiar? I think he's been here a couple of times.

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We play a lot of cards. All kinds of people wander in and out. Is that what the trouble is?

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It might be. You know anyone with a froggy voice?

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No. Not that I can remember.

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Okay, let's look at the apartment.

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Well, this is the hall, of course, and here's the living room.

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Joe, you stay here in the hall, and you better be here when I get back.

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I'll be here.

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So, this is the living room.

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Uh-huh. This is the bedroom. Looks kind of messy now.

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See anything?

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No.

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Over here's the kitchenette.

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I see.

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That's about all there is to it.

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Denny, that closet.

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Oh, there's nothing in there. Just a lot of old odds and ends.

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Open it.

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Well, it's locked.

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All right, unlock it.

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I'm not sure where the key is.

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Then, lady, you'd better find it.

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Well, I'll try.

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Is this it, Tommy?

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There was a closet like that, and a window just over there where that one is,

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and the armchair and bed.

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Don't you remember?

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I can't, Denny.

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Let me have that key.

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Wait a minute. Here she comes.

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I think this is it.

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Try it.

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It sort of sticks sometimes.

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I'll help you.

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There it comes.

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See? Just a lot of old junk.

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Uh-huh.

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Come on, Denny.

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You sure?

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Sure. Come on.

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Well, I guess that's all, Mr. Sorrell.

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Thanks for showing us around.

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That's all right.

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Hello, Joe.

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Still here?

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Yeah.

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You, uh, don't mind if I stay here and visit a while, do you?

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No, I guess not.

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Well, goodbye.

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Goodbye.

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Thanks again.

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Goodbye.

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Good luck.

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Copper.

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I'm sorry, Denny.

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Well, it was a try.

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What do we do now?

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I don't know, Tommy.

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We found Joe.

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Now, what about those singing walls?

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Come on, think, Tommy, think!

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Yeah, yeah.

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That's right.

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It comes right out of the walls.

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We got hot and cold running water here.

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And singing walls.

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Yeah, singing walls.

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Denny.

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Yeah?

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Listen.

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What?

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That's it.

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The singing walls.

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Sure.

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Sure.

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I remember the piece and the harmonica and everything.

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It's coming from around here someplace.

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Denny, it's coming from their apartment.

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The one we just left, Sorel's.

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Come on!

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This must be the place, Tommy.

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The closet and now the music.

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They must have been pulling a fast one on us.

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Well?

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All right, quit stalling.

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Come on, Tommy.

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Stalling?

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Yes, you heard me.

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You two brushed us off pretty slick, didn't you?

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Listen, I don't know what this is all about, but...

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Where's that music coming from?

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Well, from the radio.

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The radio?

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Yeah.

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I turned it on the kitchen just now when I started to fix dinner.

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It's a little portable.

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From here.

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See?

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Okay.

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I don't get it.

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What did you mean by...

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Oh, skip it, skip it.

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Well, Tommy, here we go again.

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I don't care.

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That was the music I heard.

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And that's the same number.

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Sounds like the same band.

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Hey, wait a minute.

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Now what?

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Where's your phone?

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On the desk.

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Denny, look and see what station that's coming over.

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It's WBTA.

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Thanks.

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Hello, operator?

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Get me station WBTA, a radio station.

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I don't know what you're talking about.

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I'm sorry.

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I'm sorry.

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I'm sorry.

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I'm sorry.

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I'm sorry.

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I'm sorry.

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I'm sorry.

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I'm sorry.

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It's a radio station.

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I don't know what the number is here.

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Tell him it's a police call.

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It's a police call.

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Thanks.

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I may be wrong, Denny, but I got a hunch.

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Hello.

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WBTA?

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What's that band you've got on now?

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I don't care if it's an electrical transcription.

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What's the guy's name?

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What?

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Turn off that radio.

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What was that name?

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He, uh...

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Uh.

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Well, where can you get a hold of this guy?

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Where does he hang out?

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I see.

15:37.000 --> 15:42.000
I see. Five nights a week. That include tonight? Thanks.

15:42.000 --> 15:43.000
Well?

15:43.000 --> 15:47.000
He's a small town bandleader. Harmonica Hall and his harmoniers, he calls himself.

15:47.000 --> 15:50.000
And he plays at a place called the Silver Slipper out in the concourse.

15:50.000 --> 15:51.000
Come on!

15:54.000 --> 15:55.000
You better get on that phone, Joe.

15:55.000 --> 15:59.000
Ah, you dumb. You would have to turn on that radio.

15:59.000 --> 16:01.000
There's the Silver Slipper right over there.

16:01.000 --> 16:02.000
Okay, let us out here.

16:02.000 --> 16:03.000
Right.

16:06.000 --> 16:07.000
Here you are.

16:07.000 --> 16:08.000
Thank you, sir.

16:10.000 --> 16:13.000
It looked familiar to you around here, Tommy?

16:14.000 --> 16:16.000
I'm afraid it's a bum steer, Denny.

16:16.000 --> 16:19.000
Look, kid, do you know what time it was when you heard the music?

16:19.000 --> 16:21.000
It was just night. That's all I know.

16:21.000 --> 16:23.000
All right. They don't play with the music.

16:23.000 --> 16:24.000
They don't play with the music.

16:24.000 --> 16:26.000
They don't play with the music.

16:26.000 --> 16:29.000
It was just night. That's all I know.

16:29.000 --> 16:32.000
All right. They don't play recording so much at night, particularly of small bands.

16:32.000 --> 16:34.000
And this Silver Slipper isn't on the air.

16:34.000 --> 16:38.000
So maybe you were out here someplace and you heard the band itself.

16:38.000 --> 16:40.000
Yeah, maybe.

16:40.000 --> 16:44.000
I know it's kind of a long shot, kid, but right now it's the best we got.

16:44.000 --> 16:46.000
Let's case the joint.

16:46.000 --> 16:47.000
Okay.

16:49.000 --> 16:53.000
Hmm. Don't look like there were any rooms with closets in the Silver Slipper.

16:53.000 --> 16:56.000
Denny, look, right next to it.

16:56.000 --> 16:57.000
Yeah, a hotel.

16:57.000 --> 16:58.000
That would make sense.

16:58.000 --> 17:01.000
Yes, and the shape you were in, you probably would have signed your own name too.

17:01.000 --> 17:02.000
Come on.

17:02.000 --> 17:04.000
Oh, by the way, what time you got?

17:04.000 --> 17:05.000
Ten to six.

17:05.000 --> 17:08.000
Ten to six. Our deadline's getting pretty close, kid.

17:08.000 --> 17:09.000
Yeah.

17:09.000 --> 17:10.000
This better be right.

17:12.000 --> 17:14.000
Oh, what a place.

17:14.000 --> 17:15.000
I can only remember.

17:15.000 --> 17:18.000
There's the clerk. We'll see, kid. We'll see.

17:18.000 --> 17:21.000
Say, lady, you got a guy named Tom Cochran here?

17:21.000 --> 17:23.000
Tom Cochran? I don't know.

17:23.000 --> 17:25.000
Oh, it's all right. It's all right. We're friends of his.

17:25.000 --> 17:27.000
I'll see. When did he register?

17:27.000 --> 17:28.000
Last night.

17:28.000 --> 17:32.000
Yeah. Oh, sure. Here he is. Tom Cochran and Ben Doyle.

17:32.000 --> 17:33.000
Yeah, yeah.

17:33.000 --> 17:35.000
Room 209. I don't think they're in, though.

17:35.000 --> 17:36.000
Oh, no?

17:36.000 --> 17:39.000
No. I've been ringing them to see if they were going to check out by six.

17:39.000 --> 17:42.000
I was just going to send somebody up. Shall I ring again?

17:42.000 --> 17:44.000
No, no. We'll sort of surprise them.

17:44.000 --> 17:49.000
Okay. Right up those stairs. They got to be out by six to pay for another night.

17:49.000 --> 17:51.000
Yeah, well, we'll take care of it. Let's go, Tom.

17:51.000 --> 17:54.000
Denny, did you see the handwriting on that register?

17:54.000 --> 17:55.000
Yeah, yeah.

17:55.000 --> 17:57.000
It was mine all right, Denny.

17:57.000 --> 17:59.000
This is it, Tommy. One way or another.

17:59.000 --> 18:00.000
Yeah.

18:00.000 --> 18:01.000
Here we are.

18:01.000 --> 18:05.000
Don't put your hand on that doorknob, kid. Fingerprints. Use your handkerchief.

18:06.000 --> 18:10.000
Locked. I got some keys. It's an easy lock.

18:11.000 --> 18:13.000
Here we go, kid.

18:14.000 --> 18:15.000
Denny, this is it.

18:15.000 --> 18:16.000
Close that door.

18:16.000 --> 18:17.000
That's the closet.

18:17.000 --> 18:19.000
Give me your key. Here.

18:19.000 --> 18:21.000
Here, you better hold my gun on that door just in case.

18:21.000 --> 18:22.000
All right.

18:23.000 --> 18:24.000
Denny, look out.

18:25.000 --> 18:27.000
Oh, he was just falling.

18:30.000 --> 18:31.000
He's dead.

18:31.000 --> 18:35.000
Oh, gee. This is...

18:35.000 --> 18:37.000
You remember now?

18:37.000 --> 18:39.000
Yeah. Yeah.

18:39.000 --> 18:41.000
Let's have a look at him.

18:42.000 --> 18:44.000
Stabbed.

18:44.000 --> 18:47.000
And here's his driver's license. Benjamin Doyle.

18:48.000 --> 18:49.000
Denny.

18:49.000 --> 18:50.000
Give me it.

18:50.000 --> 18:51.000
Hello?

18:52.000 --> 18:53.000
Yeah, we found him all right.

18:54.000 --> 18:56.000
No, they're going to keep the room for another night.

18:56.000 --> 18:58.000
No, there's not a thing we want.

18:58.000 --> 18:59.000
We're in for it now, kid.

18:59.000 --> 19:01.000
Denny, look. On the floor over there.

19:02.000 --> 19:05.000
A clasp knife covered with blood. That's what did it all right.

19:05.000 --> 19:06.000
Yeah.

19:07.000 --> 19:08.000
Hey.

19:08.000 --> 19:10.000
I know. I know. It's mine.

19:11.000 --> 19:13.000
Tom, why didn't you tell me?

19:13.000 --> 19:16.000
Honest, Denny. I didn't even remember I'd lost it until I saw it there just now.

19:16.000 --> 19:18.000
Fingerprints all over it.

19:18.000 --> 19:21.000
That's clear as though they'd been made in ceiling wax.

19:22.000 --> 19:23.000
Right-handed, aren't you, Tommy?

19:23.000 --> 19:24.000
Uh-huh.

19:24.000 --> 19:26.000
Let me see your right hand.

19:28.000 --> 19:31.000
Doesn't take an expert to read these.

19:32.000 --> 19:34.000
Those are your prints, all right, kid?

19:34.000 --> 19:36.000
Yeah, I guess they are.

19:37.000 --> 19:39.000
And you still don't remember?

19:39.000 --> 19:40.000
Honest, Denny. I don't.

19:40.000 --> 19:42.000
Can you think of any other explanation?

19:42.000 --> 19:45.000
No. There's the guy with the frog voice.

19:45.000 --> 19:48.000
How much I just dreamed him up. I don't know. I don't know.

19:50.000 --> 19:51.000
Well, kid?

19:52.000 --> 19:55.000
You did all you could, Denny. But don't feel bad.

19:55.000 --> 19:57.000
We can plead insanity or something.

19:57.000 --> 19:59.000
Maybe we can prove you were doped.

19:59.000 --> 20:00.000
Maybe.

20:01.000 --> 20:04.000
You better call headquarters, Denny. Let's get it over with.

20:04.000 --> 20:05.000
All right.

20:05.000 --> 20:07.000
Where are you going?

20:07.000 --> 20:10.000
I don't want a phone from here. That clerk will listen in.

20:10.000 --> 20:13.000
There's no use getting all the wolves on us before we have to.

20:13.000 --> 20:14.000
Aren't you afraid I'll...

20:14.000 --> 20:15.000
No, no.

20:15.000 --> 20:16.000
I won't.

20:17.000 --> 20:20.000
I'll just have them send a detective car, kid.

20:20.000 --> 20:22.000
You won't have to go in the wagon.

20:22.000 --> 20:23.000
Thanks.

20:23.000 --> 20:27.000
Oh. You better let me have my gun.

20:27.000 --> 20:30.000
Huh? Oh. Yeah, sure.

20:30.000 --> 20:32.000
I'll be back, kid.

20:33.000 --> 20:36.000
Lie down for a couple of minutes. You look kind of sick.

20:36.000 --> 20:38.000
I am.

20:38.000 --> 20:40.000
Oh.

20:47.000 --> 20:50.000
That's the idea. Take a little snooze.

20:50.000 --> 20:52.000
I'll be right back.

20:54.000 --> 20:57.000
Hey, look at you. Blood.

20:57.000 --> 20:59.000
Blood all over your shirt.

20:59.000 --> 21:02.000
Him? Oh, he's all right.

21:02.000 --> 21:06.000
Put him in the closet. Yeah, lock the door.

21:06.000 --> 21:08.000
Be right in your pocket.

21:08.000 --> 21:13.000
Sure, I'll be right back. Be right back. Be right back.

21:19.000 --> 21:20.000
Here he is.

21:20.000 --> 21:21.000
You? Yeah, me.

21:21.000 --> 21:23.000
What are you gonna do with him, Froggy?

21:23.000 --> 21:25.000
Get him in the other room until his copper friend misses him and starts looking.

21:25.000 --> 21:27.000
Listen, I don't want to be in on anything like this.

21:27.000 --> 21:30.000
Shut up. You're in it up to your neck already.

21:30.000 --> 21:32.000
Come on, you. Come on, get up.

21:32.000 --> 21:34.000
Okay. And get going.

21:34.000 --> 21:36.000
Get going up the hall.

21:36.000 --> 21:38.000
Open the other door, Joe.

21:38.000 --> 21:40.000
Sure.

21:40.000 --> 21:42.000
Get in there.

21:43.000 --> 21:45.000
Is that the guy, Frog? Yeah, yeah.

21:45.000 --> 21:47.000
Listen, Froggy, this don't look so good.

21:47.000 --> 21:49.000
There were people who knew you were getting ready to give it a doil.

21:49.000 --> 21:51.000
Sure, that's why I framed this guy.

21:51.000 --> 21:55.000
Oh, that trouble I went to. Doped him and brought doil in there while he was out.

21:55.000 --> 21:58.000
Planted the key on him, bloodied him up, put the knife in his head.

21:58.000 --> 22:01.000
I still don't see how he ever come to in time.

22:01.000 --> 22:03.000
Yeah, but he did.

22:03.000 --> 22:05.000
So what? We frame him again.

22:05.000 --> 22:07.000
Music. Yeah.

22:07.000 --> 22:09.000
You like music, don't you?

22:09.000 --> 22:11.000
You're pretty sweet about music, huh?

22:11.000 --> 22:15.000
Well, for your information, that's how Monica Hale rehearsed for the night.

22:15.000 --> 22:17.000
And in this room, it comes through the window.

22:17.000 --> 22:19.000
On the counter, there is a window.

22:19.000 --> 22:21.000
But in the other room, it comes through the walls.

22:21.000 --> 22:23.000
On the counter, there ain't no window.

22:23.000 --> 22:24.000
Catch on.

22:24.000 --> 22:26.000
Better close the window, Joe.

22:26.000 --> 22:28.000
Wait a minute. I do like music.

22:28.000 --> 22:31.000
You mind if a guy on a spot like I am hears a little music?

22:31.000 --> 22:32.000
What about it, Froggy?

22:32.000 --> 22:34.000
Sure, sure, sure. Leave it open. Leave it open.

22:34.000 --> 22:36.000
Let's have some music while we work.

22:36.000 --> 22:39.000
He'll cover up the noise if he makes any fuss.

22:39.000 --> 22:40.000
So what's the new angle?

22:40.000 --> 22:42.000
Knock him out, dump him in the park.

22:42.000 --> 22:44.000
Dead by his own hand.

22:44.000 --> 22:46.000
Yeah. Remorse.

22:46.000 --> 22:50.000
We leave the gun be signed up and plant some doil stuff on him.

22:50.000 --> 22:51.000
I got it.

22:51.000 --> 22:52.000
All right, get going, get going. Tie him up.

22:52.000 --> 22:55.000
Put a handkerchief at least, and a coat of coat around him.

22:55.000 --> 22:57.000
He's sick, see? We're taking care of him.

22:57.000 --> 22:58.000
Okay.

22:58.000 --> 22:59.000
Where's the car?

22:59.000 --> 23:01.000
It's around the back. It's around the back.

23:01.000 --> 23:03.000
Nobody else see us going out that way. You ready?

23:03.000 --> 23:04.000
Yeah.

23:04.000 --> 23:05.000
Take a look out the door.

23:05.000 --> 23:06.000
Okay.

23:07.000 --> 23:08.000
All clear?

23:08.000 --> 23:09.000
Yeah, yeah.

23:09.000 --> 23:11.000
Let's go, let's go. Lock the door after we go out.

23:11.000 --> 23:12.000
Okay.

23:13.000 --> 23:14.000
Down the hall to the back.

23:14.000 --> 23:15.000
All right.

23:15.000 --> 23:16.000
Hey, hey, what?

23:16.000 --> 23:17.000
Stop those guns and put them up.

23:17.000 --> 23:18.000
Cover them up, you guys.

23:18.000 --> 23:19.000
I got him.

23:19.000 --> 23:20.000
Hey, what is this?

23:20.000 --> 23:22.000
You'll find out, Grutziani.

23:22.000 --> 23:24.000
Get the gag out of the kid's mouth and untie him, Mike.

23:24.000 --> 23:25.000
Yeah, sure.

23:25.000 --> 23:26.000
Denny.

23:26.000 --> 23:27.000
Yeah, kid, I heard the music.

23:27.000 --> 23:29.000
I hoped you would. I asked him to leave the window open.

23:29.000 --> 23:31.000
I heard the conversation too. Enough.

23:31.000 --> 23:33.000
Okay, boys, okay. Take him down.

23:33.000 --> 23:35.000
All right, all right. Come on, man.

23:35.000 --> 23:36.000
You don't need to cut me into it.

23:36.000 --> 23:38.000
Boy, who are they?

23:38.000 --> 23:40.000
Grutziani's a mobster.

23:40.000 --> 23:42.000
Doyle was one of his boys who double-crossed him.

23:42.000 --> 23:43.000
How you feeling, kid?

23:43.000 --> 23:44.000
Okay, I guess.

23:44.000 --> 23:45.000
It's kind of close.

23:45.000 --> 23:46.000
Yeah.

23:46.000 --> 23:48.000
All the way around.

23:48.000 --> 23:49.000
Yeah.

23:49.000 --> 23:50.000
Look, kid, uh...

23:50.000 --> 23:52.000
Oh, skip it.

23:52.000 --> 23:55.000
I'm...I'm sorry, Tommy.

23:55.000 --> 23:58.000
Honest, I am. I...I thought you did it.

23:58.000 --> 24:02.000
Denny, until just now, so did I.

24:02.000 --> 24:07.000
And so closes The Singing Wall, starring Van Johnson.

24:07.000 --> 24:09.000
Tonight's study in...

24:09.000 --> 24:11.000
Suspense.

24:11.000 --> 24:15.000
Suspense is produced and directed by William Spear.

24:15.000 --> 24:17.000
And now, further to entreat you,

24:17.000 --> 24:19.000
we have a special guest,

24:19.000 --> 24:21.000
the famous actor,

24:21.000 --> 24:24.000
who has been a great actor for many years.

24:24.000 --> 24:26.000
He's a great actor,

24:26.000 --> 24:28.000
and he's been a great actor for many years.

24:28.000 --> 24:30.000
He's been a great actor,

24:30.000 --> 24:32.000
and now, further to intrigue you,

24:32.000 --> 24:34.000
we of Suspense present a special preview

24:34.000 --> 24:36.000
of our next exciting tale.

24:36.000 --> 24:38.000
And here it is,

24:38.000 --> 24:40.000
a tantalizing glimpse of our next adventure

24:40.000 --> 24:42.000
in Suspense.

24:47.000 --> 24:48.000
Hola, Johnny.

24:48.000 --> 24:49.000
Ah?

24:49.000 --> 24:50.000
Que de nuevo?

24:50.000 --> 24:52.000
Que de nuevo, Johnny?

24:52.000 --> 24:53.000
Ah, sure, here.

24:53.000 --> 24:54.000
Sombero?

24:54.000 --> 24:56.000
Yeah, check the sombero.

24:56.000 --> 24:57.000
Good evening, Mr. Winnington.

24:57.000 --> 24:58.000
Do you wish a table?

24:58.000 --> 24:59.000
No, thanks.

24:59.000 --> 25:00.000
No, I'm just browsing.

25:00.000 --> 25:01.000
Is, uh, Ronaldo...

25:01.000 --> 25:03.000
Oh, there he is now.

25:03.000 --> 25:04.000
Oh.

25:04.000 --> 25:05.000
Hello, Johnny. Hello.

25:05.000 --> 25:06.000
Hi, Ronaldo.

25:06.000 --> 25:07.000
Well, um, sit down.

25:07.000 --> 25:09.000
Have a little supper with me, huh?

25:09.000 --> 25:10.000
Oh, no, thanks. I'm not hungry.

25:10.000 --> 25:12.000
Well, come on, come on. Sit down anyway.

25:12.000 --> 25:14.000
All right. Anything to please you, sweetheart.

25:14.000 --> 25:16.000
Tell me, how's business?

25:16.000 --> 25:17.000
Oh, fine, great.

25:17.000 --> 25:20.000
Every time I get a bad break nowadays, Johnny,

25:20.000 --> 25:22.000
I get two good ones right after.

25:22.000 --> 25:23.000
Ha, ha, ha.

25:23.000 --> 25:25.000
Say, when did you ever get a bad break?

25:25.000 --> 25:27.000
Well, you know Jackie, my little singer.

25:27.000 --> 25:28.000
Yeah, sure, I know.

25:28.000 --> 25:29.000
Yeah, of course you do.

25:29.000 --> 25:31.000
Well, Jackie is quitting.

25:31.000 --> 25:33.000
Oh, that's too bad.

25:33.000 --> 25:34.000
And who do you suppose I'm getting,

25:34.000 --> 25:36.000
just by the merest accident?

25:36.000 --> 25:38.000
Who do you suppose I'm getting to take her place, huh?

25:38.000 --> 25:40.000
All right, I'll bite.

25:40.000 --> 25:41.000
Lor Nadine.

25:41.000 --> 25:43.000
Lor Nadine? Oh, you're kidding.

25:43.000 --> 25:46.000
Oh, what do you think of that, huh?

25:46.000 --> 25:47.000
Pretty good, huh?

25:47.000 --> 25:49.000
Well, if you'll excuse the aspersions, Ronaldo,

25:49.000 --> 25:52.000
I think what does a dame with an international reputation

25:52.000 --> 25:54.000
like Lor Nadine want to be singing

25:54.000 --> 25:55.000
in a third-rate cabaret like this for?

25:55.000 --> 25:57.000
Oh, no, no, second-rate maybe,

25:57.000 --> 25:59.000
but third-rate, no, no, no.

25:59.000 --> 26:01.000
All right, all right, second-rate.

26:01.000 --> 26:04.000
But you can't pay her a tenth of what she's used to getting.

26:04.000 --> 26:07.000
And what is she doing down here in Buenos Aires anyway?

26:07.000 --> 26:10.000
Oh, now, what you want to ask a lot of questions for.

26:10.000 --> 26:11.000
She's going to sing.

26:11.000 --> 26:12.000
That's good enough for me.

26:12.000 --> 26:14.000
Yeah, I guess it is.

26:14.000 --> 26:15.000
She's terrific, all right.

26:15.000 --> 26:16.000
Tell me, when does she start?

26:16.000 --> 26:18.000
Uh, two weeks from tonight.

26:18.000 --> 26:20.000
Why, uh, why did Jackie quit?

26:20.000 --> 26:22.000
It was kind of sudden, wasn't it?

26:22.000 --> 26:23.000
Oh, I don't know.

26:23.000 --> 26:25.000
She's, uh, nervous lately.

26:25.000 --> 26:27.000
She wants to go back to the States, I guess.

26:27.000 --> 26:28.000
Oh.

26:28.000 --> 26:30.000
Say, uh, Johnny.

26:30.000 --> 26:31.000
Yeah?

26:31.000 --> 26:33.000
Uh, when are you going back?

26:33.000 --> 26:34.000
To the States?

26:33.000 --> 26:34.000
Mm-hmm.

26:34.000 --> 26:38.000
Oh, six months a year, two years, whenever this war is over.

26:38.000 --> 26:40.000
Don't you think you better, uh,

26:40.000 --> 26:42.000
better go home maybe a little sooner, huh?

26:42.000 --> 26:44.000
Look, I don't want any lectures on my patriotism,

26:44.000 --> 26:45.000
if that's what you mean.

26:45.000 --> 26:47.000
Well, who's giving lectures?

26:47.000 --> 26:50.000
Down here, we are, uh, well, we are neutral.

26:50.000 --> 26:51.000
Yeah?

26:51.000 --> 26:53.000
Well, all right, that's what I am.

26:53.000 --> 26:55.000
The U.S. is okay, it's fine.

26:55.000 --> 26:57.000
It just happens that it never did so much for me

26:57.000 --> 26:59.000
that I feel like getting knocked off for it, that's all.

26:59.000 --> 27:01.000
Sure, sure, I don't want you to get knocked off.

27:01.000 --> 27:03.000
That's what I'm talking about.

27:03.000 --> 27:05.000
What are you talking about?

27:05.000 --> 27:07.000
Your health, Johnny.

27:07.000 --> 27:09.000
Do I take that two ways or only one?

27:09.000 --> 27:10.000
One.

27:10.000 --> 27:13.000
Listen, Johnny, listen, I see these things before.

27:13.000 --> 27:15.000
Sometimes, folks stay around these places so long,

27:15.000 --> 27:17.000
they forget all about home.

27:17.000 --> 27:19.000
And then one day, pfft, finish.

27:19.000 --> 27:21.000
I pay my bills, don't I, eventually?

27:21.000 --> 27:23.000
Johnny, don't talk that way.

27:23.000 --> 27:25.000
It's only because I like you, you know that.

27:25.000 --> 27:27.000
All right, all right, cut it, cut it.

27:27.000 --> 27:28.000
Okay, okay.

27:28.000 --> 27:30.000
Ah, here comes Jackie now.

27:30.000 --> 27:32.000
Ha-ha.

27:32.000 --> 27:35.000
Al-ma

27:35.000 --> 27:41.000
De la frica lejana

27:41.000 --> 27:44.000
Ye-na

27:44.000 --> 27:46.000
Mi pecho, mi...

27:46.000 --> 27:48.000
What's wrong?

27:48.000 --> 27:50.000
What's happening?

27:50.000 --> 27:52.000
Come on, Ronaldo.

27:52.000 --> 27:54.000
I can't understand.

27:54.000 --> 27:56.000
She wasn't feeling well. Why didn't she tell me?

27:56.000 --> 27:58.000
She didn't have to go on.

27:58.000 --> 28:00.000
Coming through, please, please.

28:00.000 --> 28:02.000
Please stand back, please stand back.

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What's the matter here?

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This woman has been drugged, apparently.

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I am a doctor.

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Please let me through.

28:10.000 --> 28:12.000
Mr. Ronaldo.

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What do you want? I have no time now.

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I want the job, now.

28:16.000 --> 28:18.000
Job? Oh, it's you, Miss Dean.

28:18.000 --> 28:20.000
You got the poor kid over before coming here.

28:20.000 --> 28:22.000
Did I ask you anything?

28:22.000 --> 28:24.000
Look, Mr. Ronaldo, I'm sorry for the girl,

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but I'm a singer, not a sob sister.

28:26.000 --> 28:28.000
I was going to start in two weeks anyway.

28:28.000 --> 28:30.000
I might as well start now.

28:30.000 --> 28:32.000
Well, all right then, until Jackie can come back

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to finish off.

28:34.000 --> 28:36.000
Oh, yeah? It'll be about the longest run on record, then.

28:36.000 --> 28:38.000
What do you mean?

28:38.000 --> 28:40.000
This young lady is right, Senor Ronaldo.

28:40.000 --> 28:42.000
This girl is dead.

28:42.000 --> 28:44.000
Dead?

28:44.000 --> 28:46.000
Do you still want the job, Miss Dean?

28:46.000 --> 28:48.000
I still want the job.

28:54.000 --> 28:56.000
And so until our next performance,

28:56.000 --> 28:58.000
when you will hear the rest of this exciting tale,

28:58.000 --> 29:00.000
we keep you in...

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Suspense!

29:30.000 --> 29:32.000
Suspense!

30:00.000 --> 30:02.000
Suspense!

30:02.000 --> 30:18.000
This is the Armed Forces Radio Service.

30:32.000 --> 30:34.000
The Armed Forces Radio Service.

31:02.000 --> 31:04.000
The Armed Forces Radio Service.

