1 00:00:00,000 --> 00:00:08,000 Suspense! 2 00:00:08,000 --> 00:00:30,000 Tonight, The Singing Wall, starring Van Johnson. 3 00:00:30,000 --> 00:00:39,000 Have another cup, another nice hot cup. If that special queen makes it taste good. 4 00:00:39,000 --> 00:00:46,000 So a guy named Joe brought you, huh? You come up here from Joe's place. From Joe's place. 5 00:00:46,000 --> 00:00:55,000 Ha ha ha ha ha ha ha ha. 6 00:00:55,000 --> 00:01:03,000 Yeah, hear it? Ain't that pretty? Yeah, that's right. It comes right out of the walls. 7 00:01:03,000 --> 00:01:09,000 Singing walls. We got hot and cold running water here and singing walls, yeah. 8 00:01:09,000 --> 00:01:16,000 Ha ha ha ha ha ha ha ha ha. 9 00:01:16,000 --> 00:01:31,000 Have another cup, and a little more of the extra heavy cream. What? Well, lie down and take a little snooze. I'll be right back. 10 00:01:31,000 --> 00:01:42,000 Hey, look at you. It's blood. Blood all over your shirt. Oh, him? He's all right. Just lock him in the closet. 11 00:01:42,000 --> 00:01:50,000 I'll put the key right in your pocket so you'll know just where to find him. Sure, I'll be back. I'll be back in just a minute. 12 00:01:50,000 --> 00:02:10,000 No, let me out of here. No, let me out of here. No. Tommy! Tommy! Tommy! 13 00:02:10,000 --> 00:02:17,000 Tommy, wake up. What? What is it? I've been knocking at your door the longest time. You were having a dream or something. 14 00:02:17,000 --> 00:02:27,000 Yeah. Gee, what time is it? It's way afternoon. You came in pretty late. I did, huh? Toss me my bathrobe, will you, sis? 15 00:02:27,000 --> 00:02:36,000 Don't you know what time you got in? No, no, not exactly. Oh, Tommy, I know it's tough not having a job all these months, but the kind of people you're getting away with. 16 00:02:36,000 --> 00:02:43,000 Oh, my head. Have anything to eat last night? Yeah, yeah. They bought me some coffee. Coffee? Who did? Where was this? 17 00:02:43,000 --> 00:02:50,000 Oh, well, honest, sis, it's no alibi, but I don't remember where I was. Only just now I seem to be dreaming about it. 18 00:02:50,000 --> 00:03:00,000 About what? About last night. I could hear you banging on the door all the time I was dreaming. And it seemed as though I wasn't dreaming at all. I was remembering a lot of things. 19 00:03:00,000 --> 00:03:09,000 What sort of things? Oh, I was all mixed up. There was a guy with a kind of frog voice that kept giving me eats and coffee. I was sort of floating. 20 00:03:09,000 --> 00:03:17,000 There was a place with music coming out of the walls. There was something about blood on my shirt and a key to a closet. Tommy, you're shaking like a leaf. 21 00:03:17,000 --> 00:03:25,000 Yeah, it was a pretty scary dream, all right. If it was a dream. Well, you get dressed and come on downstairs. Here, here, I'll get your clean shirt. 22 00:03:25,000 --> 00:03:34,000 No, I better wear the old one. I've worn it only once. But it's all messy. Yeah, it does look kind of... Mildred. What? My shirt. Give me it. 23 00:03:34,000 --> 00:03:43,000 Now what's the matter? Look, Mildred, that's blood. Well, I guess it is. I know it is. Just like it was in the dream. 24 00:03:43,000 --> 00:03:51,000 Oh, Tommy, don't be silly. You must have hurt yourself somewhere. But I didn't. Look, there isn't a scratch on me. Well, then you got in a fight. 25 00:03:51,000 --> 00:03:57,000 Maybe. What else could it have been? That's what I'm trying to think. Well, stop thinking and hurry up and get dressed. 26 00:03:57,000 --> 00:04:07,000 Oh, my goodness. Look at the way you threw your clothes around last night. Trousers on the floor here. Oh, dear. Everything all over the place fell out of the pockets. 27 00:04:07,000 --> 00:04:14,000 I'll pick it up. You get dressed. Thanks. You didn't come home with much, did you? I didn't have much to start with. 28 00:04:14,000 --> 00:04:20,000 Well, I'll put it all up here on the bureau. 25 cents and change and your keys. Now hurry, will you? What did you say? I said hurry. 29 00:04:20,000 --> 00:04:30,000 No. Oh, I said I put your change and your keys up on the bureau. Keys? Yeah. Mildred, I only have one key. Well, there are two there now. 30 00:04:30,000 --> 00:04:40,000 I know. Let me see them. Here. One's the key to the front door. But the other one. Doesn't belong to any door in this house. It's the key to the closet. 31 00:04:40,000 --> 00:04:48,000 What closet? Last night. It wasn't a dream. Tommy, what are you talking about? Mildred, you better call Danny. Danny right away. 32 00:04:48,000 --> 00:04:55,000 But he's on duty. I know, I know. But get him over here right away. Tommy, what is it? Last night. I think I killed a man. 33 00:05:07,000 --> 00:05:16,000 Yeah. Let me look at your eyes, Tom. Listen, Danny. Uh-huh. You were doped, all right? I didn't know what it was. 34 00:05:16,000 --> 00:05:21,000 Never mind that now, kid. How much do you remember? Danny, I hated to bring you in on this, but I didn't know who else to go to. 35 00:05:21,000 --> 00:05:26,000 Skip it, skip it. What's the use of having a brother-in-law who's a cop if he can't help you once in a while? How much do you remember? 36 00:05:26,000 --> 00:05:34,000 Just what I've told you. Just like it was in the dream. Only it wasn't a dream. There was this guy, Joe. Just some guy I'd known from someplace. 37 00:05:34,000 --> 00:05:41,000 I don't know where. They met on the street and he took me to the party. Then the guy with the frog voice began giving me eats and coffee. 38 00:05:41,000 --> 00:05:48,000 He'd give me a lot of coffee. Then everything got confused. I was in the place with a singing wall, some harmonica playing or something. That's where the closet was. 39 00:05:48,000 --> 00:05:51,000 What about the guy you... the dead guy? 40 00:05:51,000 --> 00:05:55,000 First he wasn't there. Then he was. He was sort of slumped over in a big armchair. 41 00:05:55,000 --> 00:05:57,000 And then frog voice put him in the closet? 42 00:05:57,000 --> 00:06:05,000 That's what I remember. Then he left. I suddenly seem to realize that the guy in the closet was dead. That's when I get out of there. I don't know how. I don't know how. 43 00:06:05,000 --> 00:06:07,000 You don't have any idea where it was? 44 00:06:07,000 --> 00:06:09,000 No, I didn't even know where the party was. 45 00:06:09,000 --> 00:06:11,000 And you've never even seen any of these people before? 46 00:06:11,000 --> 00:06:15,000 Except this guy, Joe, who took me to the party. And that's all I know about him. 47 00:06:15,000 --> 00:06:21,000 Just a guy named Joe that I knew by sight from someplace. But I don't know where. His last name or anything. 48 00:06:21,000 --> 00:06:23,000 Whew. That's not much to go on, is it, kid? 49 00:06:23,000 --> 00:06:25,000 No, not much. 50 00:06:25,000 --> 00:06:30,000 A guy named Joe, singing walls in the closet, and another guy with a froggy voice. 51 00:06:30,000 --> 00:06:33,000 Well, I'd recognize him or his voice if I ever saw him again. 52 00:06:33,000 --> 00:06:40,000 Tommy, you're in a jam, kid. The way it looks right now, there's a dead man in a closet somewhere in this town, and you killed him. 53 00:06:40,000 --> 00:06:46,000 Maybe you didn't. And if we find him before somebody else does, maybe we can figure out what did happen. 54 00:06:46,000 --> 00:06:49,000 But the way it stands now, kid, you're it. 55 00:06:49,000 --> 00:06:50,000 Yeah, I know. 56 00:06:50,000 --> 00:06:56,000 We haven't got much time either. If the place is an apartment, they've probably found the body already, and I'd know about it. 57 00:06:56,000 --> 00:07:01,000 If it's a hotel, they check the guest out by six o'clock. That gives us about four hours. 58 00:07:01,000 --> 00:07:06,000 Four hours for the murderer to find the guy he murdered. Kind of crazy, isn't it? 59 00:07:06,000 --> 00:07:12,000 Tommy, you know how I feel about Newwood. And you know I don't exactly hate you either. 60 00:07:12,000 --> 00:07:15,000 You know, I'll do everything in the world I possibly can to clear you. 61 00:07:15,000 --> 00:07:17,000 Sure, Danny, I know, I know. 62 00:07:17,000 --> 00:07:23,000 But I'm a cop, Tommy. And if you did do it, you know I'm going to turn you in, don't you? 63 00:07:23,000 --> 00:07:25,000 Sure. I know that too. 64 00:07:25,000 --> 00:07:28,000 Okay, kid, okay. Now let's start from the beginning. What about the Sky Joe? 65 00:07:28,000 --> 00:07:29,000 But I don't know anything about him. 66 00:07:29,000 --> 00:07:31,000 You know his name, you know his face. Now think, Tommy, think. 67 00:07:31,000 --> 00:07:36,000 I'm trying to. If I could only remember. If I could only remember. 68 00:07:36,000 --> 00:07:53,000 So a guy named Joe brought you, huh? You come up here from Joe's place. Joe's place. 69 00:07:53,000 --> 00:07:58,000 You see, Tommy, when you remembered that, you told me where Joe is. 70 00:07:58,000 --> 00:07:59,000 I did? 71 00:07:59,000 --> 00:08:01,000 Yeah, sure. You see that sign over that restaurant? 72 00:08:01,000 --> 00:08:05,000 Yeah, Joe's place. Joe's place, yeah. 73 00:08:05,000 --> 00:08:10,000 Tommy, you were playing with bad boys last night. And this is where bad boys hang out. 74 00:08:10,000 --> 00:08:11,000 So? 75 00:08:11,000 --> 00:08:16,000 It all clicked when I remembered you. Said the guy with the frog voice asked you if you could come. 76 00:08:16,000 --> 00:08:25,000 And this is where bad boys hang out. It all clicked when I remembered you. Said the guy with the frog voice asked you if you could come up there from Joe's place. 77 00:08:25,000 --> 00:08:30,000 He didn't mean where Joe lived or anything. He meant this place. He thought maybe you were one of the boys. 78 00:08:30,000 --> 00:08:32,000 How did I ever meet this Joe? I've never been here in my life. 79 00:08:32,000 --> 00:08:37,000 He runs another place more respectable as a sort of cover. About three blocks from our house, the grotto. 80 00:08:37,000 --> 00:08:39,000 Hey, that's right. 81 00:08:39,000 --> 00:08:44,000 Yeah, remember now? If my hunch is right, Joe is going to be plenty surprised when he sees you walk in there. 82 00:08:44,000 --> 00:08:45,000 Me? Walk in there? 83 00:08:45,000 --> 00:08:53,000 Now, don't worry, kid. Just walk in and sit down at the table. If you're not out of that place in a couple of minutes, I'll know you recognize the guy and we're on the right track. 84 00:08:53,000 --> 00:08:55,000 I'll come in as though I didn't see you and go to the phone booth. 85 00:08:55,000 --> 00:08:56,000 Then what? 86 00:08:56,000 --> 00:09:00,000 Then we'll see, kid. Are you okay? 87 00:09:00,000 --> 00:09:01,000 Okay. 88 00:09:01,000 --> 00:09:05,000 Oh, one thing more. If he offers you anything to eat or drink, take it. 89 00:09:05,000 --> 00:09:16,000 Sure. Well, here goes. What'll it be, Mike? 90 00:09:16,000 --> 00:09:17,000 Orange juice. 91 00:09:17,000 --> 00:09:19,000 Right. 92 00:09:19,000 --> 00:09:23,000 Well, well, well, well. What do you know? Hello, Tommy. 93 00:09:23,000 --> 00:09:25,000 Well, hi, Joe. 94 00:09:25,000 --> 00:09:28,000 What are you doing down in this part of town, kid, huh? 95 00:09:28,000 --> 00:09:31,000 Oh, I had to come down to see a guy. I didn't know you had this place. 96 00:09:31,000 --> 00:09:35,000 Ah, just a little sideline. That's where I first started, you know. 97 00:09:35,000 --> 00:09:36,000 Sure. 98 00:09:36,000 --> 00:09:39,000 One orange juice. That'll be ten cents. 99 00:09:39,000 --> 00:09:43,000 Oh, no. You gotta have a little something to eat on me, kid. What do you have? Coffee, at least, huh? 100 00:09:43,000 --> 00:09:44,000 Well... 101 00:09:44,000 --> 00:09:45,000 Nice hot cup? 102 00:09:45,000 --> 00:09:46,000 Yeah, okay. 103 00:09:46,000 --> 00:09:50,000 Coffee for the gentleman Larry with the extra heavy cream. Understand? 104 00:09:50,000 --> 00:09:52,000 The extra heavy? Sure. 105 00:09:52,000 --> 00:09:57,000 I'll take tea with lemon. Hey, Tommy, that was some fun last night, huh? 106 00:09:57,000 --> 00:09:58,000 Yeah. 107 00:09:58,000 --> 00:10:01,000 Yeah. What'd you disappear to? I was looking all over for you. 108 00:10:01,000 --> 00:10:03,000 Oh, that's the funny thing. I don't even remember. 109 00:10:03,000 --> 00:10:07,000 I get it. Well, a guy has to cut loose once in a while. 110 00:10:07,000 --> 00:10:12,000 Here, one coffee with extra heavy cream. One tea. 111 00:10:12,000 --> 00:10:13,000 Well, this'll warm you up. 112 00:10:13,000 --> 00:10:14,000 Wait a minute. 113 00:10:14,000 --> 00:10:15,000 Hey, who are you? 114 00:10:15,000 --> 00:10:18,000 Oh, this is my brother-in-law, Denny. This is Joe. 115 00:10:18,000 --> 00:10:21,000 Say, you must have got things mixed up. You never drink coffee, Tommy. You only drink tea. 116 00:10:21,000 --> 00:10:23,000 Yeah, that's right. 117 00:10:23,000 --> 00:10:26,000 Here, you take the tea, give Joe the coffee, and I'll take the orange juice. 118 00:10:26,000 --> 00:10:28,000 I don't like coffee. I never touch it. 119 00:10:28,000 --> 00:10:30,000 Okay, I'll take it. Thanks. 120 00:10:30,000 --> 00:10:34,000 By the way, Joe, you haven't got a little bottle I could pour this into, have you? 121 00:10:34,000 --> 00:10:36,000 Hey, who do you think you're kidding, bub? 122 00:10:36,000 --> 00:10:39,000 I'm from headquarters. There's a badge. 123 00:10:39,000 --> 00:10:41,000 No, no, wait a minute. I didn't know that... 124 00:10:41,000 --> 00:10:45,000 I suppose you didn't know that what I'd find in this coffee if I took it down to have it analyzed, would you? 125 00:10:45,000 --> 00:10:48,000 Look, I don't want any trouble. I never had any. They'll tell you at headquarters. 126 00:10:48,000 --> 00:10:49,000 If it's a matter of dough... 127 00:10:49,000 --> 00:10:52,000 You can't buy your way out of this one, chum. I want talk and I want it quick. 128 00:10:52,000 --> 00:10:54,000 What kind of talk? 129 00:10:54,000 --> 00:10:56,000 Where did you take Tommy last night? 130 00:10:56,000 --> 00:11:00,000 It was just a little party, a card party, just coffee and cake. 131 00:11:00,000 --> 00:11:03,000 Yeah, and they slipped things in people's coffee there, too. 132 00:11:03,000 --> 00:11:06,000 I don't know anything about that, honest. I hardly know the people. 133 00:11:06,000 --> 00:11:07,000 Who's the guy with the frog voice? 134 00:11:07,000 --> 00:11:09,000 Voice? I don't know any guy with a frog voice. 135 00:11:09,000 --> 00:11:11,000 Look, I don't want no trouble. They'll tell you at headquarters. 136 00:11:11,000 --> 00:11:15,000 Listen, there's a narcotics trap in this for somebody and it could be you. Come on, where was the party? 137 00:11:15,000 --> 00:11:20,000 Courtney Square West, number 75, some people named Sorel. 138 00:11:20,000 --> 00:11:24,000 Come on, Tommy, and you're going too, Joe, just in case. 139 00:11:32,000 --> 00:11:36,000 Sorel, A.J. Does this look like the place, Tommy? 140 00:11:36,000 --> 00:11:40,000 Yeah, it looks like it. It could be. Everything's been so confused since last night. 141 00:11:40,000 --> 00:11:41,000 This is it. 142 00:11:41,000 --> 00:11:44,000 It better be. Mrs. Sorel? 143 00:11:44,000 --> 00:11:45,000 Yes? 144 00:11:45,000 --> 00:11:46,000 I'm from police headquarters. 145 00:11:46,000 --> 00:11:47,000 Oh. 146 00:11:47,000 --> 00:11:48,000 Do you mind if we come in and look around? 147 00:11:48,000 --> 00:11:49,000 Oh, why, no. 148 00:11:49,000 --> 00:11:53,000 Come on, Tommy. You too, Joe. Oh, by the way, do you two know each other? 149 00:11:53,000 --> 00:11:58,000 He... Why his face is familiar? I think he's been here a couple of times. 150 00:11:58,000 --> 00:12:03,000 We play a lot of cards. All kinds of people wander in and out. Is that what the trouble is? 151 00:12:03,000 --> 00:12:06,000 It might be. You know anyone with a froggy voice? 152 00:12:06,000 --> 00:12:08,000 No. Not that I can remember. 153 00:12:08,000 --> 00:12:10,000 Okay, let's look at the apartment. 154 00:12:10,000 --> 00:12:13,000 Well, this is the hall, of course, and here's the living room. 155 00:12:13,000 --> 00:12:18,000 Joe, you stay here in the hall, and you better be here when I get back. 156 00:12:18,000 --> 00:12:20,000 I'll be here. 157 00:12:21,000 --> 00:12:22,000 So, this is the living room. 158 00:12:22,000 --> 00:12:25,000 Uh-huh. This is the bedroom. Looks kind of messy now. 159 00:12:25,000 --> 00:12:26,000 See anything? 160 00:12:26,000 --> 00:12:27,000 No. 161 00:12:27,000 --> 00:12:28,000 Over here's the kitchenette. 162 00:12:28,000 --> 00:12:29,000 I see. 163 00:12:29,000 --> 00:12:31,000 That's about all there is to it. 164 00:12:31,000 --> 00:12:33,000 Denny, that closet. 165 00:12:33,000 --> 00:12:37,000 Oh, there's nothing in there. Just a lot of old odds and ends. 166 00:12:37,000 --> 00:12:38,000 Open it. 167 00:12:38,000 --> 00:12:39,000 Well, it's locked. 168 00:12:39,000 --> 00:12:40,000 All right, unlock it. 169 00:12:40,000 --> 00:12:42,000 I'm not sure where the key is. 170 00:12:42,000 --> 00:12:44,000 Then, lady, you'd better find it. 171 00:12:44,000 --> 00:12:46,000 Well, I'll try. 172 00:12:46,000 --> 00:12:47,000 Is this it, Tommy? 173 00:12:47,000 --> 00:12:50,000 There was a closet like that, and a window just over there where that one is, 174 00:12:50,000 --> 00:12:51,000 and the armchair and bed. 175 00:12:51,000 --> 00:12:52,000 Don't you remember? 176 00:12:52,000 --> 00:12:53,000 I can't, Denny. 177 00:12:53,000 --> 00:12:54,000 Let me have that key. 178 00:12:54,000 --> 00:12:55,000 Wait a minute. Here she comes. 179 00:12:55,000 --> 00:12:57,000 I think this is it. 180 00:12:57,000 --> 00:12:58,000 Try it. 181 00:12:58,000 --> 00:13:00,000 It sort of sticks sometimes. 182 00:13:00,000 --> 00:13:01,000 I'll help you. 183 00:13:01,000 --> 00:13:03,000 There it comes. 184 00:13:04,000 --> 00:13:06,000 See? Just a lot of old junk. 185 00:13:07,000 --> 00:13:08,000 Uh-huh. 186 00:13:09,000 --> 00:13:10,000 Come on, Denny. 187 00:13:10,000 --> 00:13:11,000 You sure? 188 00:13:11,000 --> 00:13:13,000 Sure. Come on. 189 00:13:13,000 --> 00:13:15,000 Well, I guess that's all, Mr. Sorrell. 190 00:13:15,000 --> 00:13:16,000 Thanks for showing us around. 191 00:13:16,000 --> 00:13:17,000 That's all right. 192 00:13:18,000 --> 00:13:19,000 Hello, Joe. 193 00:13:19,000 --> 00:13:20,000 Still here? 194 00:13:20,000 --> 00:13:21,000 Yeah. 195 00:13:21,000 --> 00:13:24,000 You, uh, don't mind if I stay here and visit a while, do you? 196 00:13:24,000 --> 00:13:25,000 No, I guess not. 197 00:13:26,000 --> 00:13:27,000 Well, goodbye. 198 00:13:27,000 --> 00:13:28,000 Goodbye. 199 00:13:28,000 --> 00:13:29,000 Thanks again. 200 00:13:29,000 --> 00:13:30,000 Goodbye. 201 00:13:30,000 --> 00:13:31,000 Good luck. 202 00:13:31,000 --> 00:13:32,000 Copper. 203 00:13:33,000 --> 00:13:34,000 I'm sorry, Denny. 204 00:13:35,000 --> 00:13:36,000 Well, it was a try. 205 00:13:37,000 --> 00:13:38,000 What do we do now? 206 00:13:39,000 --> 00:13:40,000 I don't know, Tommy. 207 00:13:40,000 --> 00:13:41,000 We found Joe. 208 00:13:41,000 --> 00:13:43,000 Now, what about those singing walls? 209 00:13:43,000 --> 00:13:46,000 Come on, think, Tommy, think! 210 00:13:50,000 --> 00:13:51,000 Yeah, yeah. 211 00:13:51,000 --> 00:13:52,000 That's right. 212 00:13:52,000 --> 00:13:54,000 It comes right out of the walls. 213 00:13:54,000 --> 00:13:57,000 We got hot and cold running water here. 214 00:13:57,000 --> 00:13:59,000 And singing walls. 215 00:13:59,000 --> 00:14:01,000 Yeah, singing walls. 216 00:14:06,000 --> 00:14:07,000 Denny. 217 00:14:07,000 --> 00:14:08,000 Yeah? 218 00:14:08,000 --> 00:14:09,000 Listen. 219 00:14:09,000 --> 00:14:10,000 What? 220 00:14:10,000 --> 00:14:11,000 That's it. 221 00:14:11,000 --> 00:14:12,000 The singing walls. 222 00:14:12,000 --> 00:14:13,000 Sure. 223 00:14:13,000 --> 00:14:14,000 Sure. 224 00:14:14,000 --> 00:14:15,000 I remember the piece and the harmonica and everything. 225 00:14:15,000 --> 00:14:16,000 It's coming from around here someplace. 226 00:14:16,000 --> 00:14:18,000 Denny, it's coming from their apartment. 227 00:14:18,000 --> 00:14:20,000 The one we just left, Sorel's. 228 00:14:20,000 --> 00:14:21,000 Come on! 229 00:14:21,000 --> 00:14:23,000 This must be the place, Tommy. 230 00:14:23,000 --> 00:14:24,000 The closet and now the music. 231 00:14:24,000 --> 00:14:26,000 They must have been pulling a fast one on us. 232 00:14:26,000 --> 00:14:27,000 Well? 233 00:14:27,000 --> 00:14:28,000 All right, quit stalling. 234 00:14:28,000 --> 00:14:29,000 Come on, Tommy. 235 00:14:29,000 --> 00:14:30,000 Stalling? 236 00:14:30,000 --> 00:14:31,000 Yes, you heard me. 237 00:14:31,000 --> 00:14:32,000 You two brushed us off pretty slick, didn't you? 238 00:14:32,000 --> 00:14:34,000 Listen, I don't know what this is all about, but... 239 00:14:34,000 --> 00:14:35,000 Where's that music coming from? 240 00:14:35,000 --> 00:14:37,000 Well, from the radio. 241 00:14:37,000 --> 00:14:38,000 The radio? 242 00:14:38,000 --> 00:14:39,000 Yeah. 243 00:14:39,000 --> 00:14:41,000 I turned it on the kitchen just now when I started to fix dinner. 244 00:14:41,000 --> 00:14:42,000 It's a little portable. 245 00:14:42,000 --> 00:14:43,000 From here. 246 00:14:43,000 --> 00:14:44,000 See? 247 00:14:44,000 --> 00:14:45,000 Okay. 248 00:14:45,000 --> 00:14:46,000 I don't get it. 249 00:14:46,000 --> 00:14:47,000 What did you mean by... 250 00:14:47,000 --> 00:14:48,000 Oh, skip it, skip it. 251 00:14:48,000 --> 00:14:49,000 Well, Tommy, here we go again. 252 00:14:49,000 --> 00:14:50,000 I don't care. 253 00:14:50,000 --> 00:14:51,000 That was the music I heard. 254 00:14:51,000 --> 00:14:52,000 And that's the same number. 255 00:14:52,000 --> 00:14:53,000 Sounds like the same band. 256 00:14:53,000 --> 00:14:54,000 Hey, wait a minute. 257 00:14:54,000 --> 00:14:55,000 Now what? 258 00:14:55,000 --> 00:14:56,000 Where's your phone? 259 00:14:56,000 --> 00:14:57,000 On the desk. 260 00:14:57,000 --> 00:14:58,000 Denny, look and see what station that's coming over. 261 00:14:58,000 --> 00:14:59,000 It's WBTA. 262 00:14:59,000 --> 00:15:00,000 Thanks. 263 00:15:00,000 --> 00:15:01,000 Hello, operator? 264 00:15:01,000 --> 00:15:02,000 Get me station WBTA, a radio station. 265 00:15:02,000 --> 00:15:03,000 I don't know what you're talking about. 266 00:15:03,000 --> 00:15:04,000 I'm sorry. 267 00:15:04,000 --> 00:15:05,000 I'm sorry. 268 00:15:05,000 --> 00:15:06,000 I'm sorry. 269 00:15:06,000 --> 00:15:07,000 I'm sorry. 270 00:15:07,000 --> 00:15:08,000 I'm sorry. 271 00:15:08,000 --> 00:15:09,000 I'm sorry. 272 00:15:09,000 --> 00:15:10,000 I'm sorry. 273 00:15:10,000 --> 00:15:11,000 I'm sorry. 274 00:15:11,000 --> 00:15:12,000 It's a radio station. 275 00:15:12,000 --> 00:15:13,000 I don't know what the number is here. 276 00:15:13,000 --> 00:15:14,000 Tell him it's a police call. 277 00:15:14,000 --> 00:15:15,000 It's a police call. 278 00:15:15,000 --> 00:15:16,000 Thanks. 279 00:15:16,000 --> 00:15:19,000 I may be wrong, Denny, but I got a hunch. 280 00:15:19,000 --> 00:15:20,000 Hello. 281 00:15:20,000 --> 00:15:21,000 WBTA? 282 00:15:21,000 --> 00:15:22,900 What's that band you've got on now? 283 00:15:22,900 --> 00:15:24,660 I don't care if it's an electrical transcription. 284 00:15:24,660 --> 00:15:26,000 What's the guy's name? 285 00:15:26,000 --> 00:15:27,000 What? 286 00:15:27,000 --> 00:15:29,000 Turn off that radio. 287 00:15:29,000 --> 00:15:30,000 What was that name? 288 00:15:30,000 --> 00:15:31,000 He, uh... 289 00:15:31,000 --> 00:15:32,000 Uh. 290 00:15:32,000 --> 00:15:35,000 Well, where can you get a hold of this guy? 291 00:15:35,000 --> 00:15:36,000 Where does he hang out? 292 00:15:36,000 --> 00:15:37,000 I see. 293 00:15:37,000 --> 00:15:42,000 I see. Five nights a week. That include tonight? Thanks. 294 00:15:42,000 --> 00:15:43,000 Well? 295 00:15:43,000 --> 00:15:47,000 He's a small town bandleader. Harmonica Hall and his harmoniers, he calls himself. 296 00:15:47,000 --> 00:15:50,000 And he plays at a place called the Silver Slipper out in the concourse. 297 00:15:50,000 --> 00:15:51,000 Come on! 298 00:15:54,000 --> 00:15:55,000 You better get on that phone, Joe. 299 00:15:55,000 --> 00:15:59,000 Ah, you dumb. You would have to turn on that radio. 300 00:15:59,000 --> 00:16:01,000 There's the Silver Slipper right over there. 301 00:16:01,000 --> 00:16:02,000 Okay, let us out here. 302 00:16:02,000 --> 00:16:03,000 Right. 303 00:16:06,000 --> 00:16:07,000 Here you are. 304 00:16:07,000 --> 00:16:08,000 Thank you, sir. 305 00:16:10,000 --> 00:16:13,000 It looked familiar to you around here, Tommy? 306 00:16:14,000 --> 00:16:16,000 I'm afraid it's a bum steer, Denny. 307 00:16:16,000 --> 00:16:19,000 Look, kid, do you know what time it was when you heard the music? 308 00:16:19,000 --> 00:16:21,000 It was just night. That's all I know. 309 00:16:21,000 --> 00:16:23,000 All right. They don't play with the music. 310 00:16:23,000 --> 00:16:24,000 They don't play with the music. 311 00:16:24,000 --> 00:16:26,000 They don't play with the music. 312 00:16:26,000 --> 00:16:29,000 It was just night. That's all I know. 313 00:16:29,000 --> 00:16:32,000 All right. They don't play recording so much at night, particularly of small bands. 314 00:16:32,000 --> 00:16:34,000 And this Silver Slipper isn't on the air. 315 00:16:34,000 --> 00:16:38,000 So maybe you were out here someplace and you heard the band itself. 316 00:16:38,000 --> 00:16:40,000 Yeah, maybe. 317 00:16:40,000 --> 00:16:44,000 I know it's kind of a long shot, kid, but right now it's the best we got. 318 00:16:44,000 --> 00:16:46,000 Let's case the joint. 319 00:16:46,000 --> 00:16:47,000 Okay. 320 00:16:49,000 --> 00:16:53,000 Hmm. Don't look like there were any rooms with closets in the Silver Slipper. 321 00:16:53,000 --> 00:16:56,000 Denny, look, right next to it. 322 00:16:56,000 --> 00:16:57,000 Yeah, a hotel. 323 00:16:57,000 --> 00:16:58,000 That would make sense. 324 00:16:58,000 --> 00:17:01,000 Yes, and the shape you were in, you probably would have signed your own name too. 325 00:17:01,000 --> 00:17:02,000 Come on. 326 00:17:02,000 --> 00:17:04,000 Oh, by the way, what time you got? 327 00:17:04,000 --> 00:17:05,000 Ten to six. 328 00:17:05,000 --> 00:17:08,000 Ten to six. Our deadline's getting pretty close, kid. 329 00:17:08,000 --> 00:17:09,000 Yeah. 330 00:17:09,000 --> 00:17:10,000 This better be right. 331 00:17:12,000 --> 00:17:14,000 Oh, what a place. 332 00:17:14,000 --> 00:17:15,000 I can only remember. 333 00:17:15,000 --> 00:17:18,000 There's the clerk. We'll see, kid. We'll see. 334 00:17:18,000 --> 00:17:21,000 Say, lady, you got a guy named Tom Cochran here? 335 00:17:21,000 --> 00:17:23,000 Tom Cochran? I don't know. 336 00:17:23,000 --> 00:17:25,000 Oh, it's all right. It's all right. We're friends of his. 337 00:17:25,000 --> 00:17:27,000 I'll see. When did he register? 338 00:17:27,000 --> 00:17:28,000 Last night. 339 00:17:28,000 --> 00:17:32,000 Yeah. Oh, sure. Here he is. Tom Cochran and Ben Doyle. 340 00:17:32,000 --> 00:17:33,000 Yeah, yeah. 341 00:17:33,000 --> 00:17:35,000 Room 209. I don't think they're in, though. 342 00:17:35,000 --> 00:17:36,000 Oh, no? 343 00:17:36,000 --> 00:17:39,000 No. I've been ringing them to see if they were going to check out by six. 344 00:17:39,000 --> 00:17:42,000 I was just going to send somebody up. Shall I ring again? 345 00:17:42,000 --> 00:17:44,000 No, no. We'll sort of surprise them. 346 00:17:44,000 --> 00:17:49,000 Okay. Right up those stairs. They got to be out by six to pay for another night. 347 00:17:49,000 --> 00:17:51,000 Yeah, well, we'll take care of it. Let's go, Tom. 348 00:17:51,000 --> 00:17:54,000 Denny, did you see the handwriting on that register? 349 00:17:54,000 --> 00:17:55,000 Yeah, yeah. 350 00:17:55,000 --> 00:17:57,000 It was mine all right, Denny. 351 00:17:57,000 --> 00:17:59,000 This is it, Tommy. One way or another. 352 00:17:59,000 --> 00:18:00,000 Yeah. 353 00:18:00,000 --> 00:18:01,000 Here we are. 354 00:18:01,000 --> 00:18:05,000 Don't put your hand on that doorknob, kid. Fingerprints. Use your handkerchief. 355 00:18:06,000 --> 00:18:10,000 Locked. I got some keys. It's an easy lock. 356 00:18:11,000 --> 00:18:13,000 Here we go, kid. 357 00:18:14,000 --> 00:18:15,000 Denny, this is it. 358 00:18:15,000 --> 00:18:16,000 Close that door. 359 00:18:16,000 --> 00:18:17,000 That's the closet. 360 00:18:17,000 --> 00:18:19,000 Give me your key. Here. 361 00:18:19,000 --> 00:18:21,000 Here, you better hold my gun on that door just in case. 362 00:18:21,000 --> 00:18:22,000 All right. 363 00:18:23,000 --> 00:18:24,000 Denny, look out. 364 00:18:25,000 --> 00:18:27,000 Oh, he was just falling. 365 00:18:30,000 --> 00:18:31,000 He's dead. 366 00:18:31,000 --> 00:18:35,000 Oh, gee. This is... 367 00:18:35,000 --> 00:18:37,000 You remember now? 368 00:18:37,000 --> 00:18:39,000 Yeah. Yeah. 369 00:18:39,000 --> 00:18:41,000 Let's have a look at him. 370 00:18:42,000 --> 00:18:44,000 Stabbed. 371 00:18:44,000 --> 00:18:47,000 And here's his driver's license. Benjamin Doyle. 372 00:18:48,000 --> 00:18:49,000 Denny. 373 00:18:49,000 --> 00:18:50,000 Give me it. 374 00:18:50,000 --> 00:18:51,000 Hello? 375 00:18:52,000 --> 00:18:53,000 Yeah, we found him all right. 376 00:18:54,000 --> 00:18:56,000 No, they're going to keep the room for another night. 377 00:18:56,000 --> 00:18:58,000 No, there's not a thing we want. 378 00:18:58,000 --> 00:18:59,000 We're in for it now, kid. 379 00:18:59,000 --> 00:19:01,000 Denny, look. On the floor over there. 380 00:19:02,000 --> 00:19:05,000 A clasp knife covered with blood. That's what did it all right. 381 00:19:05,000 --> 00:19:06,000 Yeah. 382 00:19:07,000 --> 00:19:08,000 Hey. 383 00:19:08,000 --> 00:19:10,000 I know. I know. It's mine. 384 00:19:11,000 --> 00:19:13,000 Tom, why didn't you tell me? 385 00:19:13,000 --> 00:19:16,000 Honest, Denny. I didn't even remember I'd lost it until I saw it there just now. 386 00:19:16,000 --> 00:19:18,000 Fingerprints all over it. 387 00:19:18,000 --> 00:19:21,000 That's clear as though they'd been made in ceiling wax. 388 00:19:22,000 --> 00:19:23,000 Right-handed, aren't you, Tommy? 389 00:19:23,000 --> 00:19:24,000 Uh-huh. 390 00:19:24,000 --> 00:19:26,000 Let me see your right hand. 391 00:19:28,000 --> 00:19:31,000 Doesn't take an expert to read these. 392 00:19:32,000 --> 00:19:34,000 Those are your prints, all right, kid? 393 00:19:34,000 --> 00:19:36,000 Yeah, I guess they are. 394 00:19:37,000 --> 00:19:39,000 And you still don't remember? 395 00:19:39,000 --> 00:19:40,000 Honest, Denny. I don't. 396 00:19:40,000 --> 00:19:42,000 Can you think of any other explanation? 397 00:19:42,000 --> 00:19:45,000 No. There's the guy with the frog voice. 398 00:19:45,000 --> 00:19:48,000 How much I just dreamed him up. I don't know. I don't know. 399 00:19:50,000 --> 00:19:51,000 Well, kid? 400 00:19:52,000 --> 00:19:55,000 You did all you could, Denny. But don't feel bad. 401 00:19:55,000 --> 00:19:57,000 We can plead insanity or something. 402 00:19:57,000 --> 00:19:59,000 Maybe we can prove you were doped. 403 00:19:59,000 --> 00:20:00,000 Maybe. 404 00:20:01,000 --> 00:20:04,000 You better call headquarters, Denny. Let's get it over with. 405 00:20:04,000 --> 00:20:05,000 All right. 406 00:20:05,000 --> 00:20:07,000 Where are you going? 407 00:20:07,000 --> 00:20:10,000 I don't want a phone from here. That clerk will listen in. 408 00:20:10,000 --> 00:20:13,000 There's no use getting all the wolves on us before we have to. 409 00:20:13,000 --> 00:20:14,000 Aren't you afraid I'll... 410 00:20:14,000 --> 00:20:15,000 No, no. 411 00:20:15,000 --> 00:20:16,000 I won't. 412 00:20:17,000 --> 00:20:20,000 I'll just have them send a detective car, kid. 413 00:20:20,000 --> 00:20:22,000 You won't have to go in the wagon. 414 00:20:22,000 --> 00:20:23,000 Thanks. 415 00:20:23,000 --> 00:20:27,000 Oh. You better let me have my gun. 416 00:20:27,000 --> 00:20:30,000 Huh? Oh. Yeah, sure. 417 00:20:30,000 --> 00:20:32,000 I'll be back, kid. 418 00:20:33,000 --> 00:20:36,000 Lie down for a couple of minutes. You look kind of sick. 419 00:20:36,000 --> 00:20:38,000 I am. 420 00:20:38,000 --> 00:20:40,000 Oh. 421 00:20:47,000 --> 00:20:50,000 That's the idea. Take a little snooze. 422 00:20:50,000 --> 00:20:52,000 I'll be right back. 423 00:20:54,000 --> 00:20:57,000 Hey, look at you. Blood. 424 00:20:57,000 --> 00:20:59,000 Blood all over your shirt. 425 00:20:59,000 --> 00:21:02,000 Him? Oh, he's all right. 426 00:21:02,000 --> 00:21:06,000 Put him in the closet. Yeah, lock the door. 427 00:21:06,000 --> 00:21:08,000 Be right in your pocket. 428 00:21:08,000 --> 00:21:13,000 Sure, I'll be right back. Be right back. Be right back. 429 00:21:19,000 --> 00:21:20,000 Here he is. 430 00:21:20,000 --> 00:21:21,000 You? Yeah, me. 431 00:21:21,000 --> 00:21:23,000 What are you gonna do with him, Froggy? 432 00:21:23,000 --> 00:21:25,000 Get him in the other room until his copper friend misses him and starts looking. 433 00:21:25,000 --> 00:21:27,000 Listen, I don't want to be in on anything like this. 434 00:21:27,000 --> 00:21:30,000 Shut up. You're in it up to your neck already. 435 00:21:30,000 --> 00:21:32,000 Come on, you. Come on, get up. 436 00:21:32,000 --> 00:21:34,000 Okay. And get going. 437 00:21:34,000 --> 00:21:36,000 Get going up the hall. 438 00:21:36,000 --> 00:21:38,000 Open the other door, Joe. 439 00:21:38,000 --> 00:21:40,000 Sure. 440 00:21:40,000 --> 00:21:42,000 Get in there. 441 00:21:43,000 --> 00:21:45,000 Is that the guy, Frog? Yeah, yeah. 442 00:21:45,000 --> 00:21:47,000 Listen, Froggy, this don't look so good. 443 00:21:47,000 --> 00:21:49,000 There were people who knew you were getting ready to give it a doil. 444 00:21:49,000 --> 00:21:51,000 Sure, that's why I framed this guy. 445 00:21:51,000 --> 00:21:55,000 Oh, that trouble I went to. Doped him and brought doil in there while he was out. 446 00:21:55,000 --> 00:21:58,000 Planted the key on him, bloodied him up, put the knife in his head. 447 00:21:58,000 --> 00:22:01,000 I still don't see how he ever come to in time. 448 00:22:01,000 --> 00:22:03,000 Yeah, but he did. 449 00:22:03,000 --> 00:22:05,000 So what? We frame him again. 450 00:22:05,000 --> 00:22:07,000 Music. Yeah. 451 00:22:07,000 --> 00:22:09,000 You like music, don't you? 452 00:22:09,000 --> 00:22:11,000 You're pretty sweet about music, huh? 453 00:22:11,000 --> 00:22:15,000 Well, for your information, that's how Monica Hale rehearsed for the night. 454 00:22:15,000 --> 00:22:17,000 And in this room, it comes through the window. 455 00:22:17,000 --> 00:22:19,000 On the counter, there is a window. 456 00:22:19,000 --> 00:22:21,000 But in the other room, it comes through the walls. 457 00:22:21,000 --> 00:22:23,000 On the counter, there ain't no window. 458 00:22:23,000 --> 00:22:24,000 Catch on. 459 00:22:24,000 --> 00:22:26,000 Better close the window, Joe. 460 00:22:26,000 --> 00:22:28,000 Wait a minute. I do like music. 461 00:22:28,000 --> 00:22:31,000 You mind if a guy on a spot like I am hears a little music? 462 00:22:31,000 --> 00:22:32,000 What about it, Froggy? 463 00:22:32,000 --> 00:22:34,000 Sure, sure, sure. Leave it open. Leave it open. 464 00:22:34,000 --> 00:22:36,000 Let's have some music while we work. 465 00:22:36,000 --> 00:22:39,000 He'll cover up the noise if he makes any fuss. 466 00:22:39,000 --> 00:22:40,000 So what's the new angle? 467 00:22:40,000 --> 00:22:42,000 Knock him out, dump him in the park. 468 00:22:42,000 --> 00:22:44,000 Dead by his own hand. 469 00:22:44,000 --> 00:22:46,000 Yeah. Remorse. 470 00:22:46,000 --> 00:22:50,000 We leave the gun be signed up and plant some doil stuff on him. 471 00:22:50,000 --> 00:22:51,000 I got it. 472 00:22:51,000 --> 00:22:52,000 All right, get going, get going. Tie him up. 473 00:22:52,000 --> 00:22:55,000 Put a handkerchief at least, and a coat of coat around him. 474 00:22:55,000 --> 00:22:57,000 He's sick, see? We're taking care of him. 475 00:22:57,000 --> 00:22:58,000 Okay. 476 00:22:58,000 --> 00:22:59,000 Where's the car? 477 00:22:59,000 --> 00:23:01,000 It's around the back. It's around the back. 478 00:23:01,000 --> 00:23:03,000 Nobody else see us going out that way. You ready? 479 00:23:03,000 --> 00:23:04,000 Yeah. 480 00:23:04,000 --> 00:23:05,000 Take a look out the door. 481 00:23:05,000 --> 00:23:06,000 Okay. 482 00:23:07,000 --> 00:23:08,000 All clear? 483 00:23:08,000 --> 00:23:09,000 Yeah, yeah. 484 00:23:09,000 --> 00:23:11,000 Let's go, let's go. Lock the door after we go out. 485 00:23:11,000 --> 00:23:12,000 Okay. 486 00:23:13,000 --> 00:23:14,000 Down the hall to the back. 487 00:23:14,000 --> 00:23:15,000 All right. 488 00:23:15,000 --> 00:23:16,000 Hey, hey, what? 489 00:23:16,000 --> 00:23:17,000 Stop those guns and put them up. 490 00:23:17,000 --> 00:23:18,000 Cover them up, you guys. 491 00:23:18,000 --> 00:23:19,000 I got him. 492 00:23:19,000 --> 00:23:20,000 Hey, what is this? 493 00:23:20,000 --> 00:23:22,000 You'll find out, Grutziani. 494 00:23:22,000 --> 00:23:24,000 Get the gag out of the kid's mouth and untie him, Mike. 495 00:23:24,000 --> 00:23:25,000 Yeah, sure. 496 00:23:25,000 --> 00:23:26,000 Denny. 497 00:23:26,000 --> 00:23:27,000 Yeah, kid, I heard the music. 498 00:23:27,000 --> 00:23:29,000 I hoped you would. I asked him to leave the window open. 499 00:23:29,000 --> 00:23:31,000 I heard the conversation too. Enough. 500 00:23:31,000 --> 00:23:33,000 Okay, boys, okay. Take him down. 501 00:23:33,000 --> 00:23:35,000 All right, all right. Come on, man. 502 00:23:35,000 --> 00:23:36,000 You don't need to cut me into it. 503 00:23:36,000 --> 00:23:38,000 Boy, who are they? 504 00:23:38,000 --> 00:23:40,000 Grutziani's a mobster. 505 00:23:40,000 --> 00:23:42,000 Doyle was one of his boys who double-crossed him. 506 00:23:42,000 --> 00:23:43,000 How you feeling, kid? 507 00:23:43,000 --> 00:23:44,000 Okay, I guess. 508 00:23:44,000 --> 00:23:45,000 It's kind of close. 509 00:23:45,000 --> 00:23:46,000 Yeah. 510 00:23:46,000 --> 00:23:48,000 All the way around. 511 00:23:48,000 --> 00:23:49,000 Yeah. 512 00:23:49,000 --> 00:23:50,000 Look, kid, uh... 513 00:23:50,000 --> 00:23:52,000 Oh, skip it. 514 00:23:52,000 --> 00:23:55,000 I'm...I'm sorry, Tommy. 515 00:23:55,000 --> 00:23:58,000 Honest, I am. I...I thought you did it. 516 00:23:58,000 --> 00:24:02,000 Denny, until just now, so did I. 517 00:24:02,000 --> 00:24:07,000 And so closes The Singing Wall, starring Van Johnson. 518 00:24:07,000 --> 00:24:09,000 Tonight's study in... 519 00:24:09,000 --> 00:24:11,000 Suspense. 520 00:24:11,000 --> 00:24:15,000 Suspense is produced and directed by William Spear. 521 00:24:15,000 --> 00:24:17,000 And now, further to entreat you, 522 00:24:17,000 --> 00:24:19,000 we have a special guest, 523 00:24:19,000 --> 00:24:21,000 the famous actor, 524 00:24:21,000 --> 00:24:24,000 who has been a great actor for many years. 525 00:24:24,000 --> 00:24:26,000 He's a great actor, 526 00:24:26,000 --> 00:24:28,000 and he's been a great actor for many years. 527 00:24:28,000 --> 00:24:30,000 He's been a great actor, 528 00:24:30,000 --> 00:24:32,000 and now, further to intrigue you, 529 00:24:32,000 --> 00:24:34,000 we of Suspense present a special preview 530 00:24:34,000 --> 00:24:36,000 of our next exciting tale. 531 00:24:36,000 --> 00:24:38,000 And here it is, 532 00:24:38,000 --> 00:24:40,000 a tantalizing glimpse of our next adventure 533 00:24:40,000 --> 00:24:42,000 in Suspense. 534 00:24:47,000 --> 00:24:48,000 Hola, Johnny. 535 00:24:48,000 --> 00:24:49,000 Ah? 536 00:24:49,000 --> 00:24:50,000 Que de nuevo? 537 00:24:50,000 --> 00:24:52,000 Que de nuevo, Johnny? 538 00:24:52,000 --> 00:24:53,000 Ah, sure, here. 539 00:24:53,000 --> 00:24:54,000 Sombero? 540 00:24:54,000 --> 00:24:56,000 Yeah, check the sombero. 541 00:24:56,000 --> 00:24:57,000 Good evening, Mr. Winnington. 542 00:24:57,000 --> 00:24:58,000 Do you wish a table? 543 00:24:58,000 --> 00:24:59,000 No, thanks. 544 00:24:59,000 --> 00:25:00,000 No, I'm just browsing. 545 00:25:00,000 --> 00:25:01,000 Is, uh, Ronaldo... 546 00:25:01,000 --> 00:25:03,000 Oh, there he is now. 547 00:25:03,000 --> 00:25:04,000 Oh. 548 00:25:04,000 --> 00:25:05,000 Hello, Johnny. Hello. 549 00:25:05,000 --> 00:25:06,000 Hi, Ronaldo. 550 00:25:06,000 --> 00:25:07,000 Well, um, sit down. 551 00:25:07,000 --> 00:25:09,000 Have a little supper with me, huh? 552 00:25:09,000 --> 00:25:10,000 Oh, no, thanks. I'm not hungry. 553 00:25:10,000 --> 00:25:12,000 Well, come on, come on. Sit down anyway. 554 00:25:12,000 --> 00:25:14,000 All right. Anything to please you, sweetheart. 555 00:25:14,000 --> 00:25:16,000 Tell me, how's business? 556 00:25:16,000 --> 00:25:17,000 Oh, fine, great. 557 00:25:17,000 --> 00:25:20,000 Every time I get a bad break nowadays, Johnny, 558 00:25:20,000 --> 00:25:22,000 I get two good ones right after. 559 00:25:22,000 --> 00:25:23,000 Ha, ha, ha. 560 00:25:23,000 --> 00:25:25,000 Say, when did you ever get a bad break? 561 00:25:25,000 --> 00:25:27,000 Well, you know Jackie, my little singer. 562 00:25:27,000 --> 00:25:28,000 Yeah, sure, I know. 563 00:25:28,000 --> 00:25:29,000 Yeah, of course you do. 564 00:25:29,000 --> 00:25:31,000 Well, Jackie is quitting. 565 00:25:31,000 --> 00:25:33,000 Oh, that's too bad. 566 00:25:33,000 --> 00:25:34,000 And who do you suppose I'm getting, 567 00:25:34,000 --> 00:25:36,000 just by the merest accident? 568 00:25:36,000 --> 00:25:38,000 Who do you suppose I'm getting to take her place, huh? 569 00:25:38,000 --> 00:25:40,000 All right, I'll bite. 570 00:25:40,000 --> 00:25:41,000 Lor Nadine. 571 00:25:41,000 --> 00:25:43,000 Lor Nadine? Oh, you're kidding. 572 00:25:43,000 --> 00:25:46,000 Oh, what do you think of that, huh? 573 00:25:46,000 --> 00:25:47,000 Pretty good, huh? 574 00:25:47,000 --> 00:25:49,000 Well, if you'll excuse the aspersions, Ronaldo, 575 00:25:49,000 --> 00:25:52,000 I think what does a dame with an international reputation 576 00:25:52,000 --> 00:25:54,000 like Lor Nadine want to be singing 577 00:25:54,000 --> 00:25:55,000 in a third-rate cabaret like this for? 578 00:25:55,000 --> 00:25:57,000 Oh, no, no, second-rate maybe, 579 00:25:57,000 --> 00:25:59,000 but third-rate, no, no, no. 580 00:25:59,000 --> 00:26:01,000 All right, all right, second-rate. 581 00:26:01,000 --> 00:26:04,000 But you can't pay her a tenth of what she's used to getting. 582 00:26:04,000 --> 00:26:07,000 And what is she doing down here in Buenos Aires anyway? 583 00:26:07,000 --> 00:26:10,000 Oh, now, what you want to ask a lot of questions for. 584 00:26:10,000 --> 00:26:11,000 She's going to sing. 585 00:26:11,000 --> 00:26:12,000 That's good enough for me. 586 00:26:12,000 --> 00:26:14,000 Yeah, I guess it is. 587 00:26:14,000 --> 00:26:15,000 She's terrific, all right. 588 00:26:15,000 --> 00:26:16,000 Tell me, when does she start? 589 00:26:16,000 --> 00:26:18,000 Uh, two weeks from tonight. 590 00:26:18,000 --> 00:26:20,000 Why, uh, why did Jackie quit? 591 00:26:20,000 --> 00:26:22,000 It was kind of sudden, wasn't it? 592 00:26:22,000 --> 00:26:23,000 Oh, I don't know. 593 00:26:23,000 --> 00:26:25,000 She's, uh, nervous lately. 594 00:26:25,000 --> 00:26:27,000 She wants to go back to the States, I guess. 595 00:26:27,000 --> 00:26:28,000 Oh. 596 00:26:28,000 --> 00:26:30,000 Say, uh, Johnny. 597 00:26:30,000 --> 00:26:31,000 Yeah? 598 00:26:31,000 --> 00:26:33,000 Uh, when are you going back? 599 00:26:33,000 --> 00:26:34,000 To the States? 600 00:26:33,000 --> 00:26:34,000 Mm-hmm. 601 00:26:34,000 --> 00:26:38,000 Oh, six months a year, two years, whenever this war is over. 602 00:26:38,000 --> 00:26:40,000 Don't you think you better, uh, 603 00:26:40,000 --> 00:26:42,000 better go home maybe a little sooner, huh? 604 00:26:42,000 --> 00:26:44,000 Look, I don't want any lectures on my patriotism, 605 00:26:44,000 --> 00:26:45,000 if that's what you mean. 606 00:26:45,000 --> 00:26:47,000 Well, who's giving lectures? 607 00:26:47,000 --> 00:26:50,000 Down here, we are, uh, well, we are neutral. 608 00:26:50,000 --> 00:26:51,000 Yeah? 609 00:26:51,000 --> 00:26:53,000 Well, all right, that's what I am. 610 00:26:53,000 --> 00:26:55,000 The U.S. is okay, it's fine. 611 00:26:55,000 --> 00:26:57,000 It just happens that it never did so much for me 612 00:26:57,000 --> 00:26:59,000 that I feel like getting knocked off for it, that's all. 613 00:26:59,000 --> 00:27:01,000 Sure, sure, I don't want you to get knocked off. 614 00:27:01,000 --> 00:27:03,000 That's what I'm talking about. 615 00:27:03,000 --> 00:27:05,000 What are you talking about? 616 00:27:05,000 --> 00:27:07,000 Your health, Johnny. 617 00:27:07,000 --> 00:27:09,000 Do I take that two ways or only one? 618 00:27:09,000 --> 00:27:10,000 One. 619 00:27:10,000 --> 00:27:13,000 Listen, Johnny, listen, I see these things before. 620 00:27:13,000 --> 00:27:15,000 Sometimes, folks stay around these places so long, 621 00:27:15,000 --> 00:27:17,000 they forget all about home. 622 00:27:17,000 --> 00:27:19,000 And then one day, pfft, finish. 623 00:27:19,000 --> 00:27:21,000 I pay my bills, don't I, eventually? 624 00:27:21,000 --> 00:27:23,000 Johnny, don't talk that way. 625 00:27:23,000 --> 00:27:25,000 It's only because I like you, you know that. 626 00:27:25,000 --> 00:27:27,000 All right, all right, cut it, cut it. 627 00:27:27,000 --> 00:27:28,000 Okay, okay. 628 00:27:28,000 --> 00:27:30,000 Ah, here comes Jackie now. 629 00:27:30,000 --> 00:27:32,000 Ha-ha. 630 00:27:32,000 --> 00:27:35,000 Al-ma 631 00:27:35,000 --> 00:27:41,000 De la frica lejana 632 00:27:41,000 --> 00:27:44,000 Ye-na 633 00:27:44,000 --> 00:27:46,000 Mi pecho, mi... 634 00:27:46,000 --> 00:27:48,000 What's wrong? 635 00:27:48,000 --> 00:27:50,000 What's happening? 636 00:27:50,000 --> 00:27:52,000 Come on, Ronaldo. 637 00:27:52,000 --> 00:27:54,000 I can't understand. 638 00:27:54,000 --> 00:27:56,000 She wasn't feeling well. Why didn't she tell me? 639 00:27:56,000 --> 00:27:58,000 She didn't have to go on. 640 00:27:58,000 --> 00:28:00,000 Coming through, please, please. 641 00:28:00,000 --> 00:28:02,000 Please stand back, please stand back. 642 00:28:02,000 --> 00:28:04,000 What's the matter here? 643 00:28:04,000 --> 00:28:06,000 This woman has been drugged, apparently. 644 00:28:06,000 --> 00:28:08,000 I am a doctor. 645 00:28:08,000 --> 00:28:10,000 Please let me through. 646 00:28:10,000 --> 00:28:12,000 Mr. Ronaldo. 647 00:28:12,000 --> 00:28:14,000 What do you want? I have no time now. 648 00:28:14,000 --> 00:28:16,000 I want the job, now. 649 00:28:16,000 --> 00:28:18,000 Job? Oh, it's you, Miss Dean. 650 00:28:18,000 --> 00:28:20,000 You got the poor kid over before coming here. 651 00:28:20,000 --> 00:28:22,000 Did I ask you anything? 652 00:28:22,000 --> 00:28:24,000 Look, Mr. Ronaldo, I'm sorry for the girl, 653 00:28:24,000 --> 00:28:26,000 but I'm a singer, not a sob sister. 654 00:28:26,000 --> 00:28:28,000 I was going to start in two weeks anyway. 655 00:28:28,000 --> 00:28:30,000 I might as well start now. 656 00:28:30,000 --> 00:28:32,000 Well, all right then, until Jackie can come back 657 00:28:32,000 --> 00:28:34,000 to finish off. 658 00:28:34,000 --> 00:28:36,000 Oh, yeah? It'll be about the longest run on record, then. 659 00:28:36,000 --> 00:28:38,000 What do you mean? 660 00:28:38,000 --> 00:28:40,000 This young lady is right, Senor Ronaldo. 661 00:28:40,000 --> 00:28:42,000 This girl is dead. 662 00:28:42,000 --> 00:28:44,000 Dead? 663 00:28:44,000 --> 00:28:46,000 Do you still want the job, Miss Dean? 664 00:28:46,000 --> 00:28:48,000 I still want the job. 665 00:28:54,000 --> 00:28:56,000 And so until our next performance, 666 00:28:56,000 --> 00:28:58,000 when you will hear the rest of this exciting tale, 667 00:28:58,000 --> 00:29:00,000 we keep you in... 668 00:29:00,000 --> 00:29:16,000 Suspense! 669 00:29:30,000 --> 00:29:32,000 Suspense! 670 00:30:00,000 --> 00:30:02,000 Suspense! 671 00:30:02,000 --> 00:30:18,000 This is the Armed Forces Radio Service. 672 00:30:32,000 --> 00:30:34,000 The Armed Forces Radio Service. 673 00:31:02,000 --> 00:31:04,000 The Armed Forces Radio Service.