1 00:00:00,000 --> 00:00:05,000 Now, Roma Wines present... 2 00:00:10,000 --> 00:00:13,000 Suspense! 3 00:00:17,000 --> 00:00:22,000 Tonight, Dateline Lisbon, starring John Hodiac. 4 00:00:22,000 --> 00:00:27,000 Suspense is presented for your enjoyment by Roma Wines. 5 00:00:27,000 --> 00:00:31,000 That's R-O-M-A, Roma Wines. 6 00:00:31,000 --> 00:00:36,000 Those excellent California wines that can add so much pleasantness to the way you live. 7 00:00:36,000 --> 00:00:39,000 To your happiness and entertaining guests. 8 00:00:39,000 --> 00:00:42,000 To your enjoyment of everyday meals. 9 00:00:42,000 --> 00:00:46,000 Yes, right now a glass full would be very pleasant. 10 00:00:46,000 --> 00:00:48,000 As Roma Wines bring you... 11 00:00:48,000 --> 00:00:52,000 Suspense! 12 00:00:53,000 --> 00:00:57,000 This is the man in black, here for the Roma Wine Company of Fresno, California. 13 00:00:57,000 --> 00:01:02,000 Who tonight from Hollywood bring you a star, the rising new film personality, 14 00:01:02,000 --> 00:01:04,000 whose performance you admired in Lifeboat, 15 00:01:04,000 --> 00:01:08,000 and whom you will soon be seeing co-starring with Lana Turner in MGM's 16 00:01:08,000 --> 00:01:12,000 Marriage is a Private Affair, Mr. John Hodiac. 17 00:01:12,000 --> 00:01:17,000 For our suspense play this evening, we ask you to project your 18 00:01:17,000 --> 00:01:20,000 time into the not too distant future. 19 00:01:20,000 --> 00:01:26,000 And so with Dateline Lisbon, and with the performance of John Hodiac as William Baldwin, 20 00:01:26,000 --> 00:01:28,000 we again hope to keep you in... 21 00:01:28,000 --> 00:01:31,000 Suspense! 22 00:01:35,000 --> 00:01:37,000 Your name? 23 00:01:37,000 --> 00:01:38,000 William Baldwin. 24 00:01:38,000 --> 00:01:40,000 Occupation? 25 00:01:40,000 --> 00:01:42,000 I was a foreign correspondent. 26 00:01:42,000 --> 00:01:44,000 At the time that is of the murder of which you were charged? 27 00:01:44,000 --> 00:01:45,000 Around that time, yes. 28 00:01:45,000 --> 00:01:47,000 I see. 29 00:01:47,000 --> 00:01:52,000 Now Mr. Baldwin, would you be good enough to tell the court where you were on October the 5th, 1944? 30 00:01:52,000 --> 00:01:54,000 I was in Lisbon, Portugal. 31 00:01:54,000 --> 00:01:55,000 Can't you be more specific? 32 00:01:55,000 --> 00:02:00,000 Look, when you say I was in Lisbon during the invasion, you've told most of your story right there. 33 00:02:00,000 --> 00:02:01,000 You know the place. 34 00:02:01,000 --> 00:02:03,000 Yes, we know it. 35 00:02:03,000 --> 00:02:06,000 I should say that at one time or another during the course of the war, 36 00:02:06,000 --> 00:02:09,000 most of us here had occasion to pass through that port. 37 00:02:09,000 --> 00:02:11,000 That was the big way station, all right. 38 00:02:11,000 --> 00:02:14,000 The neutral terminal for the boys who worked for the Allies, 39 00:02:14,000 --> 00:02:16,000 those lined up with the Axis. 40 00:02:16,000 --> 00:02:20,000 You'd see a crowd from the Soviet, anxious to get back to the Eastern Front 41 00:02:20,000 --> 00:02:22,000 and the sound of the Internationale. 42 00:02:22,000 --> 00:02:26,000 You'd see right behind them maybe a delegation of Nazis, 43 00:02:26,000 --> 00:02:30,000 glad to be away from any front and sick of the hoarse whistles. 44 00:02:30,000 --> 00:02:34,000 The lads from London with their briefcases and striped trousers 45 00:02:34,000 --> 00:02:36,000 and ruled Britannia very clear in their ears. 46 00:02:36,000 --> 00:02:38,000 They were there too. 47 00:02:38,000 --> 00:02:40,000 So were the guys from Warsaw. 48 00:02:40,000 --> 00:02:46,000 The clothes getting a little threadbare, but the polonaise sounding as fresh and strong as it did four years before. 49 00:02:46,000 --> 00:02:49,000 And the French, not the Vichyites, 50 00:02:49,000 --> 00:02:52,000 but the ones who might be at the very next table, the free ones, 51 00:02:52,000 --> 00:02:55,000 who never stopped hearing La Marseillaise. 52 00:02:55,000 --> 00:02:58,000 Brass hats, underground agents, refugees and heels. 53 00:02:58,000 --> 00:03:00,000 That was Lisbon. 54 00:03:00,000 --> 00:03:04,260 The 55 00:03:08,000 --> 00:03:12,000 It was about five or six in the evening when I walked into the lobby of the Hotel de Gamma. 56 00:03:12,000 --> 00:03:15,000 You know the place, right in the center of town. 57 00:03:15,000 --> 00:03:22,000 Anyway, I happened to glance up and I saw this girl standing about midway on that big marble staircase that leads down from the mezzanine. 58 00:03:22,000 --> 00:03:26,000 She had a Leica camera up to her face and was drawing a bead on the whole lobby. 59 00:03:26,000 --> 00:03:30,000 Suddenly a little fella yelled up to her to stop. 60 00:03:30,000 --> 00:03:33,000 And as he did, a fat guy standing at the desk whipped around. 61 00:03:33,000 --> 00:03:35,000 He spotted the girl too. 62 00:03:35,000 --> 00:03:38,000 The next second he was the scaredest looking character I'd ever seen. 63 00:03:38,000 --> 00:03:42,000 He whirled back away from the camera, but she'd already clicked the shutter. 64 00:03:42,000 --> 00:03:45,000 In another second I got a shock myself. 65 00:03:45,000 --> 00:03:48,000 The girl lowered the camera from her face and 66 00:03:48,000 --> 00:03:51,000 yeah, it had to be her. 67 00:03:51,000 --> 00:03:54,000 She came down the staircase, winding up the film and the Leica, 68 00:03:54,000 --> 00:03:57,000 then started across the lobby and I was sure it was Terry. 69 00:03:57,000 --> 00:03:59,000 I hadn't seen her since I'd left New York. 70 00:03:59,000 --> 00:04:03,000 But you couldn't mistake that stride, not even after all those years. 71 00:04:03,000 --> 00:04:08,000 I walked across the lobby, worked with the little guy, the one who'd yelled, had a head start. 72 00:04:08,000 --> 00:04:12,000 It was difficult for the nerves next to the house. 73 00:04:12,000 --> 00:04:16,000 It was very so, señor. But I haven't the faintest idea what you're talking about. 74 00:04:16,000 --> 00:04:19,000 Ah, American. 75 00:04:19,000 --> 00:04:23,000 Three thousand pardons, ah, Mrs. 76 00:04:23,000 --> 00:04:27,000 I simply wish to apologize for my outburst. 77 00:04:27,000 --> 00:04:28,000 Clearly it was... 78 00:04:28,000 --> 00:04:33,000 Outburst? I'm sorry, señor, but I don't get it, even in English. 79 00:04:33,000 --> 00:04:35,000 It was when you were on the staircase he yelled at you. 80 00:04:35,000 --> 00:04:36,000 At me? But what on earth for? 81 00:04:36,000 --> 00:04:38,000 I don't think he wanted you to take that picture. 82 00:04:38,000 --> 00:04:41,000 Are you serious? Why should... No. 83 00:04:41,000 --> 00:04:42,000 Hello, Terry. 84 00:04:42,000 --> 00:04:44,000 Bill Baldwin. It must be. 85 00:04:44,000 --> 00:04:45,000 Twelve years. 86 00:04:45,000 --> 00:04:49,000 I didn't mean that. I meant since I've even heard about you. 87 00:04:49,000 --> 00:04:51,000 I've heard about you, though. You've been doing all right. 88 00:04:51,000 --> 00:04:52,000 I've been busy. 89 00:04:52,000 --> 00:04:54,000 Terry Moore covers the Burma front. 90 00:04:54,000 --> 00:04:56,000 Terry Moore turns candid camera on allied leaders. 91 00:04:56,000 --> 00:04:59,000 Terry Moore shoots Parade Magazine Picture of the Week. 92 00:04:59,000 --> 00:05:01,000 You've been getting more publicity than Hitler. 93 00:05:01,000 --> 00:05:03,000 I work for a better concern. 94 00:05:03,000 --> 00:05:06,000 Bill, what on earth are you doing here? There's so much... 95 00:05:06,000 --> 00:05:08,000 We're being rude to your little friend. 96 00:05:08,000 --> 00:05:12,000 Oh, excuse me, señor. You objected to my taking the picture? 97 00:05:12,000 --> 00:05:18,000 Oh, no, Mrs. Not at all. That is the point I wish to clear up. 98 00:05:18,000 --> 00:05:24,000 Oh, permit me. I am Don Luis Fernando Sanchez Jesus de la Castellano Cristobar III. 99 00:05:24,000 --> 00:05:25,000 How do you do? 100 00:05:25,000 --> 00:05:28,000 But my friends call me Mosca. 101 00:05:28,000 --> 00:05:29,000 I can understand why. 102 00:05:29,000 --> 00:05:35,000 Yes. Mrs., I should very much like to buy that picture. 103 00:05:35,000 --> 00:05:36,000 Buy it? 104 00:05:36,000 --> 00:05:37,000 Precisely. 105 00:05:37,000 --> 00:05:38,000 Well, that won't be necessary. 106 00:05:38,000 --> 00:05:41,000 I happen to have a developing outfit upstairs in my room. 107 00:05:41,000 --> 00:05:43,000 I'll run you off a copy myself. 108 00:05:43,000 --> 00:05:46,000 That's in case you can't wait till you see it in the magazine. 109 00:05:46,000 --> 00:05:49,000 This picture you took, will it be published? 110 00:05:49,000 --> 00:05:51,000 Oh, yes. Simply a shot to display the... 111 00:05:51,000 --> 00:05:54,000 Well, the color of the city, the hotel. 112 00:05:54,000 --> 00:06:02,000 Oh, I see. Mrs., this may at first appear to be a somewhat extraordinary request. 113 00:06:02,000 --> 00:06:07,000 The fact is I am a great admirer of your work, and I wondered if perhaps... 114 00:06:07,000 --> 00:06:09,000 You could have the original, the negative. 115 00:06:09,000 --> 00:06:13,000 Well, yes, señor. I did have that in mind. 116 00:06:13,000 --> 00:06:20,000 Oh, do not be concerned. I'm quite prepared to go as high as, let us say, $5,000 in cash. 117 00:06:20,000 --> 00:06:22,000 Oh, come now. 118 00:06:22,000 --> 00:06:24,000 Well, then let us say 10. 119 00:06:24,000 --> 00:06:26,000 What is this, a rib? 120 00:06:26,000 --> 00:06:29,000 Oh, no, Mrs. It is an offer. 121 00:06:29,000 --> 00:06:35,000 $10,000? You know something, señor? You're insane. But I'm not, and I'll take it. 122 00:06:35,000 --> 00:06:37,000 Wait a second, Terry. I don't think I do that. 123 00:06:37,000 --> 00:06:40,000 Forgive me, but my proposition was Mrs. Only. 124 00:06:40,000 --> 00:06:42,000 You could put it more plainly. 125 00:06:42,000 --> 00:06:45,000 Now, listen, you don't think he wants to pay a silly price like that for just a good view of the lobby? 126 00:06:45,000 --> 00:06:47,000 He could get that on one of those penny postcards around here. 127 00:06:47,000 --> 00:06:49,000 I don't care what he wants it for. All I know... 128 00:06:49,000 --> 00:06:52,000 You don't care what he wants it for because you don't even know what's in it. 129 00:06:52,000 --> 00:06:56,000 For all you know, you've got the hottest picture of your whole career right in that camera of yours. 130 00:06:56,000 --> 00:07:00,000 Mrs., it is necessary that we completely trade without any further discussion. 131 00:07:00,000 --> 00:07:03,000 $10,000 in exchange for the negative. 132 00:07:03,000 --> 00:07:04,000 That is good. 133 00:07:04,000 --> 00:07:08,000 If you don't mind, señor, perhaps I had better think it over for a while. 134 00:07:08,000 --> 00:07:11,000 I'm afraid that will not be possible. The offer is good only now. 135 00:07:11,000 --> 00:07:13,000 Then adios, señor. 136 00:07:13,000 --> 00:07:19,000 Let us trust you are making no mistake. Hasta la vista, Mrs. 137 00:07:19,000 --> 00:07:22,000 Buenas noches, señor. 138 00:07:22,000 --> 00:07:25,000 Well, was that stupid enough to suit you? 139 00:07:25,000 --> 00:07:27,000 $10,000 right down the drain. 140 00:07:27,000 --> 00:07:29,000 How would you like to make $50,000? 141 00:07:29,000 --> 00:07:30,000 What? 142 00:07:30,000 --> 00:07:32,000 I said how would you like to make $50,000? 143 00:07:32,000 --> 00:07:35,000 There's another guy around here who'd go for that negative. A fat fellow. 144 00:07:35,000 --> 00:07:39,000 He was standing over there by the desk right in the center of your camera when you clicked the shutter. 145 00:07:39,000 --> 00:07:41,000 I never saw any... 146 00:07:41,000 --> 00:07:43,000 I did. I saw him try to dodge. 147 00:07:43,000 --> 00:07:47,000 From where I was standing, it looked like a $50,000 dodge. 148 00:07:47,000 --> 00:07:51,000 Why, you rock. You were holding out for a bigger price, a bigger cut for you, I suppose. 149 00:07:51,000 --> 00:07:53,000 Do you believe that? 150 00:07:53,000 --> 00:07:56,000 I don't know. After all, I haven't much to go on, have I? 151 00:07:56,000 --> 00:08:01,000 12 years is a long time. How do I know what you're like now? What you've become? 152 00:08:01,000 --> 00:08:05,000 I mention the fat man, Terry, because I think that picture's more important than you'll be willing to believe. 153 00:08:05,000 --> 00:08:09,000 Bill, listen to me. I want to know what happened to you. 154 00:08:09,000 --> 00:08:13,000 Your articles, your pieces about Europe, they just stopped. 155 00:08:13,000 --> 00:08:15,000 So did your letters. 156 00:08:15,000 --> 00:08:17,000 There's something you've got to understand, Terry. 157 00:08:17,000 --> 00:08:18,000 Your pardon, please. 158 00:08:18,000 --> 00:08:19,000 Senorita Moore? 159 00:08:19,000 --> 00:08:21,000 Yes, I'm Terry Moore. 160 00:08:21,000 --> 00:08:23,000 Yes, you are wanted at the front desk, please. 161 00:08:23,000 --> 00:08:25,000 Front desk? What for? 162 00:08:25,000 --> 00:08:27,000 I do not know, Senorita, if you will follow me. 163 00:08:27,000 --> 00:08:29,000 Want me to hold your camera? 164 00:08:29,000 --> 00:08:35,000 Thanks, but I think I'll feel better taking care of it myself. 165 00:08:35,000 --> 00:08:39,000 Okay, Terry. Hurry back. I'll be right here waiting for you. 166 00:08:47,000 --> 00:08:51,000 I've been standing there about a minute, gentlemen, when I looked up and saw the fat guy. 167 00:08:51,000 --> 00:08:55,000 He stepped out of one of the lobby phone booths and headed for the cocktail lounge. 168 00:08:55,000 --> 00:08:58,000 I didn't want to lose track of him, so I followed him. 169 00:08:58,000 --> 00:09:02,000 Pretty soon out came Terry. She had a funny look on her face. 170 00:09:02,000 --> 00:09:05,000 Okay, so you're right, and I hope you're satisfied. 171 00:09:05,000 --> 00:09:07,000 What happened? Get a better offer? 172 00:09:07,000 --> 00:09:08,000 Yes, my life. 173 00:09:08,000 --> 00:09:09,000 Your life? 174 00:09:09,000 --> 00:09:14,000 In return for leaving my camera on the third floor fire escape within the next 20 minutes, 175 00:09:14,000 --> 00:09:17,000 I shall be permitted to go on living. Otherwise... 176 00:09:17,000 --> 00:09:20,000 No, don't sit down. Who told you all that? 177 00:09:20,000 --> 00:09:21,000 I don't know. 178 00:09:21,000 --> 00:09:23,000 That's a silly remark you don't know. 179 00:09:23,000 --> 00:09:27,000 The call was waiting for me at the desk. It was somebody on the other end of the telephone. 180 00:09:27,000 --> 00:09:29,000 Oh, excuse me. 181 00:09:29,000 --> 00:09:32,000 My friend, you at the table. 182 00:09:32,000 --> 00:09:34,000 Stone deaf. 183 00:09:34,000 --> 00:09:35,000 And then this door. 184 00:09:35,000 --> 00:09:38,000 Well, how did you learn to speak... 185 00:09:38,000 --> 00:09:39,000 Yeah, yeah, well... 186 00:09:39,000 --> 00:09:41,000 Mind if we join you? 187 00:09:41,000 --> 00:09:43,000 No, I don't speak English. 188 00:09:43,000 --> 00:09:45,000 Sound like the voice on the telephone. 189 00:09:45,000 --> 00:09:47,000 How can I tell him he doesn't speak English? What did he say? 190 00:09:47,000 --> 00:09:49,000 He said he doesn't speak English. 191 00:09:49,000 --> 00:09:51,000 Wait a second. 192 00:09:51,000 --> 00:09:55,000 Excuse me, pal, but I'd like you to meet the young lady you talked to on the phone. She... 193 00:09:55,000 --> 00:09:58,000 Now, you better speak English. 194 00:09:58,000 --> 00:10:01,000 Every time she hears German, she goes to pieces. It creates a terrific scene. 195 00:10:01,000 --> 00:10:05,000 You will be good enough to leave me alone. I do not wish your company. 196 00:10:05,000 --> 00:10:08,000 Thank you. What about that, Terry? 197 00:10:08,000 --> 00:10:10,000 I'm pretty sure that's it. 198 00:10:10,000 --> 00:10:11,000 Good. Have a seat. 199 00:10:11,000 --> 00:10:15,000 Oh, that's all right. Don't get up here. I don't believe I caught your name. 200 00:10:15,000 --> 00:10:19,000 Look, if you do not leave at once, I shall call the manager. 201 00:10:19,000 --> 00:10:21,000 I'll be glad to do it for you. 202 00:10:21,000 --> 00:10:27,000 You know, my friend, now that I've got a good look at you, I can't help feeling I've seen you before somewhere. 203 00:10:27,000 --> 00:10:30,000 Yes. Yes, I was thinking the same thing. 204 00:10:30,000 --> 00:10:33,000 Nidia's Foreline, you are very much mistaken. 205 00:10:33,000 --> 00:10:36,000 Oh, not with photographs, I'm not. I've studied too many of them. 206 00:10:36,000 --> 00:10:38,000 And that's where I've seen you, in a photograph. 207 00:10:38,000 --> 00:10:45,000 Now, let me tell you something. You have never seen me before. That's my advice to you. 208 00:10:45,000 --> 00:10:50,000 Except that there's something different. The clothes, I think. The white collar. 209 00:10:50,000 --> 00:10:54,000 Yes. You're right, Terry. The civilian clothes. I've got them spotted too. 210 00:10:54,000 --> 00:10:56,000 And not in a photograph. 211 00:10:56,000 --> 00:11:01,000 I'm going by a man I've seen a hundred times at the head of a parade on a day in a public square. 212 00:11:01,000 --> 00:11:05,000 Now, listen. In the back seat of an open touring car with guards on either side. 213 00:11:05,000 --> 00:11:09,000 You are a fool. I tell you for a fact, you are a fool. 214 00:11:09,000 --> 00:11:12,000 You see, I used to cover Poland for a number of American papers. 215 00:11:12,000 --> 00:11:14,000 And you granted me an interview once. 216 00:11:14,000 --> 00:11:15,000 Bill, he isn't the general. 217 00:11:15,000 --> 00:11:20,000 General, yes. General von Klaus, one of the most prolific executioners the Fuhrer ever had. 218 00:11:22,000 --> 00:11:27,000 What stupid people you must be. Why did you not stop when I advised you? 219 00:11:27,000 --> 00:11:35,000 Don't you see? There's nothing I can do now except take the Freuland's camera and kill the two of you. 220 00:11:35,000 --> 00:11:39,000 Look, I happen to have a gun too, so you can put that thing away. 221 00:11:39,000 --> 00:11:41,000 Anyway, you're not crazy enough to kill us here. 222 00:11:41,000 --> 00:11:45,000 No, senor. He is not that crazy. 223 00:11:45,000 --> 00:11:46,000 Maska. 224 00:11:46,000 --> 00:11:47,000 You will please put the gun away. 225 00:11:47,000 --> 00:11:48,000 But I must... 226 00:11:48,000 --> 00:11:50,000 You will put the gun out of sight. 227 00:11:50,000 --> 00:11:54,000 So, you will now follow me from this room. 228 00:11:54,000 --> 00:11:57,000 No. No, I will not leave these people and permit them to. 229 00:11:57,000 --> 00:12:01,000 Quiet. Do you want to bring everyone to this table? Do you wish a special spotlight for yourself? 230 00:12:01,000 --> 00:12:04,000 No, listen to me. I am the one in danger. 231 00:12:04,000 --> 00:12:07,000 I am the one in charge. You will do as I tell you to do. 232 00:12:07,000 --> 00:12:09,000 Or you won't get him out of Europe. 233 00:12:09,000 --> 00:12:12,000 You see, you see, he knows. 234 00:12:12,000 --> 00:12:13,000 All right, shut the mouth. 235 00:12:13,000 --> 00:12:16,000 What are you charging him, Maska? Every cent he ever stole? 236 00:12:16,000 --> 00:12:21,000 It's worth it, you know. If the Poles knew this character was here, they'd tear him limb from limb. 237 00:12:21,000 --> 00:12:23,000 You talk a great deal, senor. 238 00:12:23,000 --> 00:12:26,000 One class, you will please get up from the chair. 239 00:12:28,000 --> 00:12:32,000 You must understand that nothing can be accomplished so long as we are here. 240 00:12:32,000 --> 00:12:38,000 We shall continue our negotiations with these charming people at some other time and place. 241 00:12:38,000 --> 00:12:40,000 At the German embassy, let's say? 242 00:12:40,000 --> 00:12:41,000 No, no. 243 00:12:41,000 --> 00:12:43,000 How would you like that, Herr General? 244 00:12:43,000 --> 00:12:47,000 My friends, you first must get to the embassy. 245 00:12:48,000 --> 00:12:53,000 Again, Mrs. Hasta la vista and adios, senor. 246 00:12:53,000 --> 00:12:56,000 The German embassy, Bill? But he's a Nazi, a big one. 247 00:12:56,000 --> 00:12:58,000 That's right, and he's also taking it on a lamb. 248 00:12:58,000 --> 00:13:01,000 The final squeeze is about to begin and the general is deserting his post. 249 00:13:01,000 --> 00:13:03,000 The Germans are killing him as soon as the Poles. 250 00:13:03,000 --> 00:13:06,000 Yes, that's why he can't afford to have us talk. 251 00:13:06,000 --> 00:13:08,000 And Moska can't afford to lose his feet. 252 00:13:08,000 --> 00:13:10,000 Bill, what'll we do? You heard what he said. 253 00:13:10,000 --> 00:13:12,000 They'll be watching every exit for the rest of the night. 254 00:13:12,000 --> 00:13:14,000 Good. Meanwhile, we'll go dancing. 255 00:13:14,000 --> 00:13:15,000 Dancing? 256 00:13:15,000 --> 00:13:18,000 Yep. Cross the floor to that door on the other side of the bank. 257 00:13:18,000 --> 00:13:21,000 And we're going to slip through that door up the service stairs and into your room. 258 00:13:21,000 --> 00:13:22,000 My room? 259 00:13:22,000 --> 00:13:36,000 That's right, and you're going to develop the general's picture. 260 00:13:36,000 --> 00:13:41,000 Tonight for Suspense, Roma wines are bringing you a star, Mr. John Hodiac, 261 00:13:41,000 --> 00:13:46,000 whom you have heard in the prologue to Dateline, Lisbon, by Harold Medford. 262 00:13:46,000 --> 00:13:57,000 Tonight's tale of suspense. 263 00:13:57,000 --> 00:14:03,000 Yes, it is true that our own wonderful vineyard country in California produces in Roma 264 00:14:03,000 --> 00:14:09,000 wines that discriminating people in many foreign lands esteem as an imported delicacy. 265 00:14:09,000 --> 00:14:16,000 Yet you here at home can enjoy these distinguished Roma wines for mere pennies a glass full. 266 00:14:16,000 --> 00:14:22,000 Daily with your meals or when entertaining or any time, you can delight yourself and your guests 267 00:14:22,000 --> 00:14:29,000 with a wonderful taste that comes from age-old winemaking traditions perfected by modern knowledge. 268 00:14:29,000 --> 00:14:34,000 For a treat you are certain to enjoy, place on the table with dinner tomorrow night 269 00:14:34,000 --> 00:14:39,000 a cool bottle of hearty, rich red Roma California Burgundy. 270 00:14:39,000 --> 00:14:44,000 It doesn't matter what the meal is or what kind of glasses you use to serve Roma. 271 00:14:44,000 --> 00:14:47,000 It's good in any glass with any meal. 272 00:14:47,000 --> 00:14:52,000 Your family, your guests, will find new pleasure in even the simplest foods. 273 00:14:52,000 --> 00:14:58,000 For Roma wine makes any meal a feast at only pennies a glass. 274 00:14:58,000 --> 00:15:00,000 Try it yourself tomorrow. 275 00:15:00,000 --> 00:15:05,000 Ask your dealer for R-O-M-A Roma wine. 276 00:15:05,000 --> 00:15:15,000 Remember, more Americans enjoy Roma than any other wine. 277 00:15:15,000 --> 00:15:21,000 And now it is with pleasure that we bring back to our sound stage Mr. John Hodiac as William Baldwin 278 00:15:21,000 --> 00:15:26,000 a man on trial before a jury of his peers in Dateline, Lisbon. 279 00:15:26,000 --> 00:15:31,000 A tale well calculated to keep you in suspense. 280 00:15:36,000 --> 00:15:40,000 You were testifying, Mr. Baldwin, that you and the young lady started up for her room. 281 00:15:40,000 --> 00:15:43,000 That's right, the rear way, up the service stairs. 282 00:15:43,000 --> 00:15:45,000 I see. 283 00:15:45,000 --> 00:15:49,000 Mr. Baldwin, since you've already admitted the murder, are you sure there's a need for such detail? 284 00:15:49,000 --> 00:15:51,000 I wanted you to have your records straight. 285 00:15:51,000 --> 00:15:54,000 There isn't much more of it though, very well. 286 00:15:54,000 --> 00:15:56,000 And so you got the girl up to her room, eh? 287 00:15:56,000 --> 00:15:59,000 Yes. I remember very clearly. 288 00:15:59,000 --> 00:16:02,000 We stepped into her room. 289 00:16:05,000 --> 00:16:09,000 I shoved the bolt across the door. She switched on the light. 290 00:16:09,000 --> 00:16:12,000 And she went straight to her developing stuff. 291 00:16:12,000 --> 00:16:17,000 The tray, an MQ tube, the hypo, the usual paraphernalia, and went to work. 292 00:16:17,000 --> 00:16:19,000 I knew what was in her mind. 293 00:16:19,000 --> 00:16:24,000 She was going to develop that picture and get out of there as fast as she possibly could. 294 00:16:24,000 --> 00:16:26,000 She was scared, I guess. 295 00:16:26,000 --> 00:16:29,000 And while I stood there watching her, she stopped. 296 00:16:29,000 --> 00:16:32,000 For about half a minute stared into space. 297 00:16:34,000 --> 00:16:35,000 Bill. 298 00:16:35,000 --> 00:16:37,000 What is it, Terry? 299 00:16:37,000 --> 00:16:42,000 You haven't said anything about going home, going back to America. 300 00:16:42,000 --> 00:16:44,000 You've been over here so long, I... 301 00:16:44,000 --> 00:16:48,000 Yeah, say you'll want those lights off when you start to develop that thing, won't you? 302 00:16:48,000 --> 00:16:49,000 Yes. 303 00:16:49,000 --> 00:16:51,000 Well, give me the signal when you're ready, eh? 304 00:16:51,000 --> 00:16:53,000 I think I'm ready now. 305 00:16:53,000 --> 00:16:54,000 Okay. 306 00:16:54,000 --> 00:16:56,000 Bill, there's something I've got... 307 00:16:56,000 --> 00:16:57,000 What's that? 308 00:16:57,000 --> 00:16:58,000 What's what? 309 00:16:58,000 --> 00:17:00,000 That noise then. 310 00:17:00,000 --> 00:17:03,000 Oh, I was just trying the door to be sure it was locked. 311 00:17:03,000 --> 00:17:05,000 Little jumpy, aren't you? 312 00:17:05,000 --> 00:17:06,000 I wouldn't be. 313 00:17:06,000 --> 00:17:09,000 There's not a soul who can get to you, Terry. 314 00:17:09,000 --> 00:17:11,000 So just relax. 315 00:17:11,000 --> 00:17:13,000 You were asking me something. 316 00:17:13,000 --> 00:17:15,000 Yes, Bill. 317 00:17:15,000 --> 00:17:17,000 What are you doing here? 318 00:17:17,000 --> 00:17:18,000 In Lisbon? 319 00:17:18,000 --> 00:17:19,000 Yes. 320 00:17:19,000 --> 00:17:20,000 I'm waiting. 321 00:17:20,000 --> 00:17:21,000 I've been waiting for months. 322 00:17:21,000 --> 00:17:23,000 You mean to get home. 323 00:17:23,000 --> 00:17:26,000 I can't go back to America, Terry. 324 00:17:26,000 --> 00:17:28,000 I'm on the list. 325 00:17:28,000 --> 00:17:29,000 I was surprised you didn't know that. 326 00:17:29,000 --> 00:17:30,000 Oh, no. 327 00:17:30,000 --> 00:17:32,000 Yeah, I've been waiting for a chance to escape. 328 00:17:32,000 --> 00:17:34,000 Your hunch is right. 329 00:17:34,000 --> 00:17:36,000 I stayed over here too long. 330 00:17:36,000 --> 00:17:39,000 I lost the feel of my country and the sense of what she was. 331 00:17:39,000 --> 00:17:43,000 And when they got around to repatriating the correspondence, I elected to stay behind. 332 00:17:43,000 --> 00:17:44,000 I'd been inoculated, Terry. 333 00:17:44,000 --> 00:17:45,000 I had the germ. 334 00:17:45,000 --> 00:17:47,000 So help me, I went for that spiel about the new order of things. 335 00:17:47,000 --> 00:17:49,000 But you could... 336 00:17:49,000 --> 00:17:51,000 You don't mean you worked for them? 337 00:17:51,000 --> 00:17:52,000 I worked for them. 338 00:17:52,000 --> 00:17:54,000 There were a thousand things a guy in my position could help them with. 339 00:17:54,000 --> 00:17:59,000 And now that the heat's on, now that the walls are beginning to melt, you're making your getaway. 340 00:17:59,000 --> 00:18:00,000 That's right. 341 00:18:00,000 --> 00:18:03,000 Before the courts come to session and the sentences are handed out. 342 00:18:03,000 --> 00:18:04,000 A traitor. 343 00:18:04,000 --> 00:18:05,000 A coward. 344 00:18:05,000 --> 00:18:07,000 You and Von Claus, you're cowards, both of you. 345 00:18:07,000 --> 00:18:08,000 You're two of a kind. 346 00:18:08,000 --> 00:18:10,000 Yeah, we ought to make fine traveling companions. 347 00:18:10,000 --> 00:18:12,000 South America, I imagine. 348 00:18:12,000 --> 00:18:15,000 Oh, he and Mosca don't know it yet, but that's how it's going to work. 349 00:18:15,000 --> 00:18:20,000 You see, the way I look at it, if Mosca can arrange an escape from Von Claus, he can certainly arrange one for me. 350 00:18:20,000 --> 00:18:23,000 You got the money to pay for it, huh? 351 00:18:23,000 --> 00:18:24,000 No, but I've got the picture. 352 00:18:24,000 --> 00:18:26,000 Your picture. 353 00:18:26,000 --> 00:18:30,000 If that thing's published and if the story gets out, the Signor's Underground Railroad is dead. 354 00:18:30,000 --> 00:18:33,000 He'll make a deal for that picture all right. Let's not worry about that. 355 00:18:33,000 --> 00:18:34,000 No, Bill. 356 00:18:34,000 --> 00:18:38,000 Surely you understand I'm going to tell this story, every part of it. 357 00:18:38,000 --> 00:18:40,000 I was afraid you'd feel that way. 358 00:18:40,000 --> 00:18:42,000 I'll have to make sure you don't. 359 00:18:42,000 --> 00:18:45,000 Oh, I see. 360 00:18:45,000 --> 00:18:48,000 All right, but you're not going to get this. 361 00:18:48,000 --> 00:18:50,000 Terry, get away from that picture. 362 00:18:50,000 --> 00:18:52,000 The door. Somebody's opened the door. 363 00:18:52,000 --> 00:18:55,000 A bird, it's a picture. Do you have it? 364 00:18:55,000 --> 00:18:57,000 Von Claus. 365 00:18:57,000 --> 00:19:00,000 It's safe, General, and put away. 366 00:19:00,000 --> 00:19:03,000 You'll find the light switch there by the door, left side. 367 00:19:03,000 --> 00:19:05,000 And Mosca. 368 00:19:05,000 --> 00:19:07,000 But that door was locked. How did you open it? 369 00:19:07,000 --> 00:19:10,000 We didn't, Mrs. We opened this door. 370 00:19:10,000 --> 00:19:13,000 The closet. Then you were there all the time. You were listening. 371 00:19:13,000 --> 00:19:15,000 We were there when you entered the room. 372 00:19:15,000 --> 00:19:17,000 Then you've already heard my proposition. 373 00:19:17,000 --> 00:19:20,000 What do you say, Mosca? Is it a deal? 374 00:19:20,000 --> 00:19:24,000 But of course, Signor, of course. 375 00:19:24,000 --> 00:19:27,000 And now if you will turn over the photograph. 376 00:19:27,000 --> 00:19:29,000 Yes, Signor. 377 00:19:29,000 --> 00:19:34,000 You get the photograph when I'm on my way with Von Claus with the right kind of passport and tickets. 378 00:19:34,000 --> 00:19:37,000 Incidentally, how soon can you get me those? I'm in something of a rush. 379 00:19:37,000 --> 00:19:40,000 I understand, Signor. I would tomorrow... 380 00:19:40,000 --> 00:19:44,000 Let's say tonight in about 30 minutes in the lobby. 381 00:19:44,000 --> 00:19:49,000 Look, why the hesitation? It's very simple. I've got the photograph and I've got a gun. What'll it be? 382 00:19:49,000 --> 00:19:53,000 You must know the answer, Signor. 383 00:19:53,000 --> 00:19:55,000 It is a deal. 384 00:19:55,000 --> 00:19:58,000 Okay. You can leave now. I've got some work to do. 385 00:19:58,000 --> 00:20:00,000 Very well. 386 00:20:00,000 --> 00:20:03,000 It shall be as you say, Signor. 387 00:20:03,000 --> 00:20:06,000 30 minutes from now in the lobby. 388 00:20:06,000 --> 00:20:08,000 Von Claus? 389 00:20:08,000 --> 00:20:11,000 There is just one thing unsettled. 390 00:20:11,000 --> 00:20:12,000 Yes? 391 00:20:12,000 --> 00:20:14,000 The Fräulein. 392 00:20:14,000 --> 00:20:17,000 Now for the sake of security of all, I must insist she be silenced at once. 393 00:20:17,000 --> 00:20:20,000 You don't have to insist. I'm taking care of it myself. 394 00:20:20,000 --> 00:20:25,000 Now you understand, Herr Baldwin. In my present situation, I must be very sure of things. 395 00:20:25,000 --> 00:20:28,000 Yeah, sure. Meanwhile, I told you to clear out of here. 396 00:20:28,000 --> 00:20:29,000 Not till the Fräulein is silenced. 397 00:20:29,000 --> 00:20:33,000 Don't be stupid. This isn't the time for that on the place either. We can't... 398 00:20:33,000 --> 00:20:35,000 No? 399 00:20:35,000 --> 00:20:41,000 Then why did you select this time, Signor, and also select this place? 400 00:20:41,000 --> 00:20:47,000 Yeah. We heard you only a minute ago, preparing to shoot this girl. 401 00:20:47,000 --> 00:20:51,000 Then why do you delay her, Baldwin? Why do you not proceed? 402 00:20:51,000 --> 00:20:54,000 That gun again? Come on, General, put it away. 403 00:20:54,000 --> 00:20:58,000 For what reason? What does it matter whose weapon we use? 404 00:20:58,000 --> 00:21:04,000 And, uh, why don't you make me put it away? 405 00:21:04,000 --> 00:21:05,000 She has no weapon. 406 00:21:05,000 --> 00:21:06,000 No. 407 00:21:06,000 --> 00:21:08,000 Ha ha. He has no weapon. 408 00:21:08,000 --> 00:21:11,000 I think you better make sure. Go on, he is cocked. 409 00:21:11,000 --> 00:21:16,000 Your arms, Signor. Hold them away, so. 410 00:21:16,000 --> 00:21:18,000 There's nothing there. 411 00:21:18,000 --> 00:21:24,000 And now I like to know, Herr Baldwin, how you expected to kill the Fräulein if you did not have a gun. 412 00:21:24,000 --> 00:21:29,000 Very simple. He did not expect to kill her. Nothing in that pocket. 413 00:21:29,000 --> 00:21:30,000 Then why did he say... 414 00:21:30,000 --> 00:21:35,000 Why? Ha. Because he heard the noise from the closet and he knew that we were here. 415 00:21:35,000 --> 00:21:39,000 You remember the moment, Mrs., he said he was trying the door? 416 00:21:39,000 --> 00:21:44,000 He knew we had guessed you would come to this room. He knew we were here to finish you both. 417 00:21:44,000 --> 00:21:46,000 He was playing for time. He was bluffing. 418 00:21:46,000 --> 00:21:48,000 About the Nazis? About escaping? 419 00:21:48,000 --> 00:21:50,000 Lies. A stupid fable to hold us off. 420 00:21:50,000 --> 00:21:54,000 Is that not so, Signor? Is not everything I say the truth, ha? 421 00:21:54,000 --> 00:21:57,000 You're an awfully little guy to talk so big. 422 00:21:57,000 --> 00:22:03,000 Oh, I can afford to talk big, Signor. I am sure now that you have no gun. 423 00:22:03,000 --> 00:22:04,000 You are, ha? 424 00:22:04,000 --> 00:22:07,000 What's this? What are you doing? 425 00:22:07,000 --> 00:22:09,000 Turn loose of him, Baldwin. 426 00:22:09,000 --> 00:22:10,000 I'll fire. 427 00:22:10,000 --> 00:22:11,000 Go of me. 428 00:22:11,000 --> 00:22:15,000 That's it. Just face one clous. 429 00:22:15,000 --> 00:22:19,000 There. You see, right in his hand. There's my gun, Signor. 430 00:22:19,000 --> 00:22:21,000 Okay, General, go on and fire. 431 00:22:21,000 --> 00:22:22,000 No, no, no, wait. 432 00:22:22,000 --> 00:22:26,000 Go on. And the way I'm lined up now, your bullet will go straight through Moska first. 433 00:22:26,000 --> 00:22:29,000 Stop moving, Moska. He will seize the gun. He will... 434 00:22:29,000 --> 00:22:38,000 Now listen to me. Listen, I say to you now, Baldwin, if you do not release him in exactly five minutes, I shall shoot the Freyland death. 435 00:22:38,000 --> 00:22:41,000 Go on. Meanwhile, I'll work on Moska. 436 00:22:41,000 --> 00:22:44,000 It'll take not quite more than five minutes to strangle him. 437 00:22:44,000 --> 00:22:47,000 And you'll have plenty of time to fire. 438 00:22:47,000 --> 00:22:49,000 But the chances are great you'll hit him. 439 00:22:49,000 --> 00:22:50,000 Are you insane? 440 00:22:50,000 --> 00:22:52,000 And he's your only means of escape. 441 00:22:52,000 --> 00:22:53,000 Change your hands from his clothes. 442 00:22:53,000 --> 00:22:55,000 You're one single lifeline, von Claus. 443 00:22:55,000 --> 00:22:56,000 Oh, Barney. 444 00:22:56,000 --> 00:22:58,000 The only guy who knows the ropes in his time is running out. 445 00:22:58,000 --> 00:23:01,000 Now wait, wait, listen. We can make some arrangements. 446 00:23:01,000 --> 00:23:05,000 All right. All right, von Claus, put your gun on the table. We'll go on from there. 447 00:23:05,000 --> 00:23:07,000 No, his gun, no. 448 00:23:07,000 --> 00:23:11,000 Your life's going fast, von Claus. The one man who can save your neck's getting pretty limp. Put your gun on the table. 449 00:23:11,000 --> 00:23:16,000 Whatever else you listen. Money, what is it? Your prize. How much? 450 00:23:16,000 --> 00:23:18,000 Oh, my God, stop. 451 00:23:18,000 --> 00:23:22,000 There. It's on the table now. Let him go, Baldwin. Please let him go. 452 00:23:22,000 --> 00:23:23,000 Terry, the gun. 453 00:23:23,000 --> 00:23:25,000 Here, Bill. Here it is. 454 00:23:25,000 --> 00:23:26,000 Thanks. 455 00:23:30,000 --> 00:23:31,000 He'll be okay in a minute. 456 00:23:31,000 --> 00:23:33,000 But the gun, what are you... 457 00:23:33,000 --> 00:23:37,000 Never mind that. Just tell me your full name. 458 00:23:37,000 --> 00:23:39,000 I, uh, I do not understand what... 459 00:23:39,000 --> 00:23:42,000 Answer the question. What's your full name? 460 00:23:42,000 --> 00:23:44,000 Maximilian Reinhard von Claus. 461 00:23:44,000 --> 00:23:45,000 Occupation? 462 00:23:45,000 --> 00:23:48,000 Occupation, I said. What's your occupation? 463 00:23:48,000 --> 00:23:54,000 I, uh, I was divisional commander of police for the district of Warsaw in Poland. 464 00:23:54,000 --> 00:23:56,000 At the time, that is, of the slaughter. 465 00:23:56,000 --> 00:23:58,000 The slaughter? 466 00:23:58,000 --> 00:24:01,000 The mass executions of May 9th in the year 1940. 467 00:24:01,000 --> 00:24:05,000 When your men at your order went into the homes of those who weren't cooperative enough and machine-gunned the women and children. 468 00:24:05,000 --> 00:24:07,000 What is this? 469 00:24:07,000 --> 00:24:09,000 Your standing trial for murder. 470 00:24:09,000 --> 00:24:12,000 Standing trial for... You are mad. 471 00:24:12,000 --> 00:24:15,000 There can be no trial, there's no judge, no... 472 00:24:15,000 --> 00:24:18,000 I'm the judge, von Claus, and those two the jury, Terry Moore and Mosca. 473 00:24:18,000 --> 00:24:21,000 But, uh, our arrangements, you said, if I put the gun on the table... 474 00:24:21,000 --> 00:24:23,000 I'd turn loose of your little pal. 475 00:24:23,000 --> 00:24:25,000 Well, I did. That was our only arrangement. 476 00:24:25,000 --> 00:24:29,000 And now I want to know how you plead, guilty or not guilty, for the execution of those families. 477 00:24:29,000 --> 00:24:32,000 Those families? How would I know those families? 478 00:24:32,000 --> 00:24:34,000 You wouldn't know, but I would. 479 00:24:34,000 --> 00:24:36,000 That's been my business all these years. 480 00:24:36,000 --> 00:24:40,000 Gathering the names of victims, keeping records on murderers like you. 481 00:24:40,000 --> 00:24:42,000 Baldwin, wait, wait, give me a chance. 482 00:24:42,000 --> 00:24:45,000 A chance? Those Poles didn't even have a trial. 483 00:24:45,000 --> 00:24:48,000 You had them shot in cold blood without even passing sentence. 484 00:24:49,000 --> 00:24:51,000 But you're getting all of that, von Claus. 485 00:24:51,000 --> 00:24:53,000 You're really getting the works. 486 00:24:53,000 --> 00:24:55,000 But you must understand those measures are... 487 00:24:55,000 --> 00:24:58,000 Look, I will show you, it's a... it's a Met-House administration. 488 00:24:58,000 --> 00:25:00,000 Did you or did you not have those people killed? 489 00:25:00,000 --> 00:25:04,000 I'm trying to explain to you. It was military expediency. 490 00:25:04,000 --> 00:25:08,000 The entire procedure, it's part of the war, it had to be done, I'll tell you that. 491 00:25:08,000 --> 00:25:10,000 In other words, you did. 492 00:25:10,000 --> 00:25:12,000 Yes, but... 493 00:25:13,000 --> 00:25:15,000 That's all I wanted to hear. 494 00:25:15,000 --> 00:25:17,000 Your verdict, Terry, what is it? 495 00:25:17,000 --> 00:25:18,000 Please... 496 00:25:18,000 --> 00:25:20,000 I say the man is guilty. 497 00:25:20,000 --> 00:25:23,000 Mosca's not able to vote right now, so I'll have to do it for him. 498 00:25:23,000 --> 00:25:25,000 And I say you're guilty, von Claus. 499 00:25:25,000 --> 00:25:28,000 So for the crime of multiple murder, I sentence you to death. 500 00:25:28,000 --> 00:25:38,000 No! No, please! 501 00:25:53,000 --> 00:25:57,000 Gentlemen of the jury, the commission of murder has been very plainly established. 502 00:25:57,000 --> 00:26:02,000 So in the case of the World Democracies versus the defendant William Baldwin, 503 00:26:02,000 --> 00:26:04,000 what will your verdict be? 504 00:26:04,000 --> 00:26:09,000 Your Honor, we find the defendant guilty. 505 00:26:09,000 --> 00:26:11,000 Guilty? 506 00:26:11,000 --> 00:26:16,000 And direct that he be freed at once to receive the court's commendation. 507 00:26:19,000 --> 00:26:21,000 Thank you, gentlemen. 508 00:26:21,000 --> 00:26:25,000 In view of the somewhat irregular circumstances, we see no reason to dissent. 509 00:26:25,000 --> 00:26:27,000 There is, however, a question. 510 00:26:27,000 --> 00:26:32,000 We know, of course, that this Mosca has been imprisoned since the collapse of the Axis powers. 511 00:26:32,000 --> 00:26:37,000 But that picture, Mr. Baldwin, Terry Moore's photograph of von Claus, 512 00:26:37,000 --> 00:26:39,000 what ever became of that? 513 00:26:39,000 --> 00:26:44,000 Oh, well, ever since we've been married, it's the one thing I don't dare mention. 514 00:26:44,000 --> 00:26:45,000 She's pretty touchy about it. 515 00:26:45,000 --> 00:26:48,000 Yes, but you did develop it finally. 516 00:26:48,000 --> 00:26:50,000 Oh, sure, and it was... 517 00:26:50,000 --> 00:26:55,000 Well, sir, the thing was just a blur. 518 00:27:05,000 --> 00:27:10,000 And so closes Dateline Lisbon, starring John Hodiac. 519 00:27:10,000 --> 00:27:12,000 Tonight's study in... 520 00:27:12,000 --> 00:27:14,000 Suspense! 521 00:27:14,000 --> 00:27:18,000 Suspense is produced and directed by William Spear. 522 00:27:18,000 --> 00:27:25,000 If you are one who does not yet know how much and how delightfully Roma wines can add to your meals, 523 00:27:25,000 --> 00:27:30,000 well, let me urge you not to miss out any longer on such a treat as this. 524 00:27:30,000 --> 00:27:32,000 There's nothing complicated about it. 525 00:27:32,000 --> 00:27:38,000 Just get and serve Roma wine with meals or anytime in any kind of glass you wish. 526 00:27:38,000 --> 00:27:43,000 Try the many different kinds of Roma wine until you find those you like best of all. 527 00:27:43,000 --> 00:27:49,000 Try Roma California Sherry with its wonderful nut-like flavor as an appetizer. 528 00:27:49,000 --> 00:27:56,000 Then, hearty Roma Burgundy or the deliciously delicate Roma Sauternes with the meal. 529 00:27:56,000 --> 00:28:00,000 These superb wines make even the simplest meal a feast. 530 00:28:00,000 --> 00:28:04,000 Yet, they cost you only pennies a glass full. 531 00:28:04,000 --> 00:28:06,000 Get some tomorrow. 532 00:28:06,000 --> 00:28:10,000 And if your dealer is temporarily out of Roma, please try again soon. 533 00:28:10,000 --> 00:28:14,000 Ask for R-O-M-A, Roma wines. 534 00:28:14,000 --> 00:28:21,000 Remember, more Americans enjoy Roma than any other wine. 535 00:28:21,000 --> 00:28:25,000 Our government wishes us to pass along to you an important reminder. 536 00:28:25,000 --> 00:28:31,000 Winter is just around the corner, a winter in which every kind of fuel for home heating will be extremely scarce. 537 00:28:31,000 --> 00:28:35,000 It is to your essential interest to ensure fuel savings right now. 538 00:28:35,000 --> 00:28:38,000 Arrange for your fuel supply immediately. 539 00:28:38,000 --> 00:28:40,000 Check all your heating equipment now. 540 00:28:40,000 --> 00:28:48,000 If possible, protect yourself against loss of heat by seeing to proper insulation, storm sash, and weather stripping. 541 00:28:48,000 --> 00:28:54,000 If you don't prepare now for heavier weather, you may be in for a cold, uncomfortable winter. 542 00:28:54,000 --> 00:29:02,000 Next Thursday, same time, you will hear Mr. Reginald Gardner as star of Suspense. 543 00:29:02,000 --> 00:29:13,000 Presented by Roma wines, R-O-M-A. Made in California for enjoyment throughout the world. 544 00:29:13,000 --> 00:29:33,000 This is CBS, the Columbia Broadcasting System. 545 00:29:43,000 --> 00:29:45,000 Thank you.