1 00:00:00,000 --> 00:00:04,000 Now, Roma Wines present... 2 00:00:04,000 --> 00:00:13,000 Suspense! 3 00:00:13,000 --> 00:00:23,000 Black Path of Fear, starring Brian Donlevy. 4 00:00:23,000 --> 00:00:30,000 Suspense is presented for your enjoyment by Roma Wines. That's R-O-M-A. Roma Wines. 5 00:00:30,000 --> 00:00:35,000 Those excellent California wines that can add so much pleasantness to the way you live. 6 00:00:35,000 --> 00:00:40,000 To your happiness and entertaining guests. To your enjoyment of everyday meals. 7 00:00:40,000 --> 00:00:46,000 Yes, right now a glass full would be very pleasant as Roma Wines bring you... 8 00:00:46,000 --> 00:00:49,000 Suspense! 9 00:00:49,000 --> 00:00:55,000 This is the Man in Black, here for the Roma Wine Company of Fresno, California. 10 00:00:55,000 --> 00:00:59,000 Who tonight from Hollywood bring you as star, Mr. Brian Donlevy. 11 00:00:59,000 --> 00:01:04,000 And so with the performance of Mr. Donlevy as Bill Scott in the Cornell Woolrich bestseller... 12 00:01:04,000 --> 00:01:09,000 The Black Path of Fear. We again hope to keep you in... 13 00:01:09,000 --> 00:01:12,000 Suspense! 14 00:01:12,000 --> 00:01:22,000 Suspense! 15 00:01:22,000 --> 00:01:27,000 It was our first day in Havana. We'd taken a hack, an open horse-drawn carriage... 16 00:01:27,000 --> 00:01:33,000 And spent the afternoon driving around to see the sights. She was always crazy about jade. 17 00:01:33,000 --> 00:01:38,000 So, in Chinatown we stopped in a little curiosity shop the driver steered us to. 18 00:01:38,000 --> 00:01:42,000 So we bought a few gadgets there and started back towards the main part of the town. 19 00:01:42,000 --> 00:01:47,000 It was getting dark and she snuggled up close to me and the carriage... 20 00:01:47,000 --> 00:01:49,000 It's been a wonderful day, Scotty. 21 00:01:49,000 --> 00:01:50,000 Yeah. 22 00:01:50,000 --> 00:01:55,000 I was scared at first. A couple of times I thought I saw him in the crowds there. Chinatown. 23 00:01:55,000 --> 00:01:57,000 I guess it was just my imagination. 24 00:01:57,000 --> 00:02:01,000 Sure it was. He wouldn't try any rough stuff this far from his home base. 25 00:02:01,000 --> 00:02:05,000 He may be a little Caesar around the night clubs back in Florida, but here in Cuba... 26 00:02:05,000 --> 00:02:09,000 He's just another alien who'd better not get caught packing a rod. 27 00:02:09,000 --> 00:02:12,000 He said he'd get me if I ever left him. No matter where I went. 28 00:02:12,000 --> 00:02:15,000 Well, he sent us a radiogram wishing us luck. 29 00:02:15,000 --> 00:02:18,000 That's what worries me. He didn't say which kind of luck. 30 00:02:18,000 --> 00:02:21,000 I told you! 31 00:02:21,000 --> 00:02:23,000 Hey, what's this driver? 32 00:02:23,000 --> 00:02:27,000 A sloppy joe, senor. Big attraction of Havana. 33 00:02:27,000 --> 00:02:31,000 Of course. Sloppy joes. Want to go in, darling? 34 00:02:31,000 --> 00:02:35,000 Why not? We can only die once. 35 00:02:35,000 --> 00:02:39,000 So I paid the coachman and we went into Sloppy Joe's. 36 00:02:39,000 --> 00:02:44,000 The place was jammed to the sidewalk line and so noisy you couldn't hear yourself think. 37 00:02:44,000 --> 00:02:49,000 It was like a football scrimmage when you moved and like sardines in a can when you stood still. 38 00:02:49,000 --> 00:02:54,000 Then suddenly the crowd divided in front of us like the Red Sea and a little photographer came through... 39 00:02:54,000 --> 00:02:58,000 using an old-fashioned tripod for a battering ram. 40 00:02:58,000 --> 00:03:01,000 He set up his camera and pointed it in our direction. 41 00:03:01,000 --> 00:03:06,000 Senor and the lady would like a picture for to show their friends back in the estate. 42 00:03:06,000 --> 00:03:09,000 Oh, please, Scotty. We've never had a picture taken together. 43 00:03:09,000 --> 00:03:13,000 Together? With 40,000 people jammed up against us on all sides? 44 00:03:13,000 --> 00:03:19,000 Well, it's that maybe to come to my studio. Calle Barrios. Calle Barrios. It's not far. 45 00:03:19,000 --> 00:03:21,000 No, no. Go on. Shoot it here. Go ahead. 46 00:03:21,000 --> 00:03:25,000 Make pose, please. Mucho love. Si, como no? 47 00:03:25,000 --> 00:03:30,000 Hold it. No. That is all. I have the picture. 48 00:03:30,000 --> 00:03:35,000 Well, he's taking us now, darling. Oh, come on, honey. Everybody's looking at us. 49 00:03:35,000 --> 00:03:38,000 Don't rush me, Scotty. Huh? Give me time. 50 00:03:38,000 --> 00:03:42,000 What is it? Why are you so limpy? I knew we wouldn't make it. 51 00:03:42,000 --> 00:03:46,000 Why do we care? Part of a night's better than none of all. 52 00:03:46,000 --> 00:03:49,000 Eve! Just stay with me a minute. 53 00:03:49,000 --> 00:03:52,000 Or take long. Darling, what happened? What happened? 54 00:03:52,000 --> 00:03:56,000 Scotty, that was the first picture we ever had taken together. Huh? 55 00:03:56,000 --> 00:03:59,000 Let me know how it turns out. 56 00:03:59,000 --> 00:04:04,000 Eve. Eve, darling. She's dead. 57 00:04:04,000 --> 00:04:07,000 She doesn't move anymore. Somebody do something. Would you? 58 00:04:07,000 --> 00:04:10,000 She's been knifed right here in my arms. 59 00:04:10,000 --> 00:04:13,000 Murder in Sloppy Joe's. 60 00:04:13,000 --> 00:04:18,000 Murder that is the start of man, twisting and turning down the black path of fear. 61 00:04:18,000 --> 00:04:21,000 Brian Don Levy is our star this evening. 62 00:04:21,000 --> 00:04:24,000 You have heard him in the prologue to tonight's tale of... 63 00:04:24,000 --> 00:04:41,000 Suspense. 64 00:04:41,000 --> 00:04:46,000 In Havana, one gathering place of fashionable people is the charming Pan American Club. 65 00:04:46,000 --> 00:04:51,000 A dinner party is in progress, and a Cuban host has just risen to return a compliment, 66 00:04:51,000 --> 00:04:54,000 which has been paid him by a guest from the United States. 67 00:04:54,000 --> 00:04:58,000 Lifting his glass, he says, thank you, my friends. 68 00:04:58,000 --> 00:05:02,000 Thank you also for telling us about the perfect climate and soil of California, 69 00:05:02,000 --> 00:05:05,000 from which come these delightful Roma wines. 70 00:05:05,000 --> 00:05:08,000 Now we can understand how such perfection is possible, 71 00:05:08,000 --> 00:05:13,000 such magnificent quality as we enjoy in Roma wines. 72 00:05:13,000 --> 00:05:19,000 Well, such praise of Roma wines in foreign lands can only mean that they are truly magnificent in quality. 73 00:05:19,000 --> 00:05:26,000 But remember, you here in the United States can enjoy these distinguished wines at remarkably low cost, 74 00:05:26,000 --> 00:05:28,000 only pennies a glass. 75 00:05:28,000 --> 00:05:33,000 Roma wines bring you a unique combination of California's perfect soil and climate, 76 00:05:33,000 --> 00:05:38,000 age-old winemaking skill, plus modern tests and controls, 77 00:05:38,000 --> 00:05:43,000 which make Roma so constant in quality, so uniformly fine. 78 00:05:43,000 --> 00:05:46,000 Discover for yourself the delightful flavor and goodness 79 00:05:46,000 --> 00:05:50,000 which have made Roma wines America's largest selling wines. 80 00:05:50,000 --> 00:06:00,000 Ask for R-O-M-A, Roma wines, made in California for enjoyment throughout the world. 81 00:06:00,000 --> 00:06:06,000 And now it is with pleasure that we bring back to our sound stage Mr. Brian Donlevy, 82 00:06:06,000 --> 00:06:12,000 who in The Person of Bill Scott continues his narrative of the Black Path of Fear, 83 00:06:12,000 --> 00:06:16,000 tonight's tale of suspense. 84 00:06:16,000 --> 00:06:22,000 Havana is a fast town for anything, love, life, and death too. 85 00:06:22,000 --> 00:06:26,000 A minute ago I'd been half of a honeymoon couple getting their first picture snapped 86 00:06:26,000 --> 00:06:29,000 by a little Cuban photographer in sloppy Joe's. 87 00:06:29,000 --> 00:06:18,180 Now I'm in the middle of a 88 00:06:18,180 --> 00:06:28,180 The Person of Bill Scott 89 00:06:28,180 --> 00:06:34,180 Havana is a fast town for anything, love, life, and death too. 90 00:06:34,180 --> 00:06:38,180 A minute ago I'd been half of a honeymoon couple getting their first picture snapped 91 00:06:38,180 --> 00:06:41,180 by a little Cuban photographer in sloppy Joe's. 92 00:06:41,180 --> 00:06:45,180 Now I was alone with a corpse in an empty saloon. 93 00:06:45,180 --> 00:06:50,180 But that didn't go on for long either. There were cops there in half a minute and finally a detective. 94 00:06:50,180 --> 00:06:51,180 This woman is dead. 95 00:06:51,180 --> 00:06:52,180 Yeah, I know. 96 00:06:52,180 --> 00:06:53,180 You were the man with her? 97 00:06:53,180 --> 00:06:55,180 I was the man with her. 98 00:06:55,180 --> 00:06:56,180 Your name? 99 00:06:56,180 --> 00:06:57,180 Scott, Bill Scott. 100 00:06:57,180 --> 00:06:59,180 Mr. Scott, how long have you been in Havana? 101 00:06:59,180 --> 00:07:00,180 Four hours. 102 00:07:00,180 --> 00:07:01,180 You quarreled with this girl here in this bar? 103 00:07:01,180 --> 00:07:02,180 No, no. 104 00:07:02,180 --> 00:07:04,180 You were traveling together? 105 00:07:04,180 --> 00:07:05,180 Yes, that's right. 106 00:07:05,180 --> 00:07:08,180 Her name on her tour card is Mrs. Edward Espanelli. 107 00:07:08,180 --> 00:07:09,180 Yeah. 108 00:07:09,180 --> 00:07:10,180 Where is Mr. Espanelli? 109 00:07:10,180 --> 00:07:13,180 Not where I'd like him to be, which is roasting. 110 00:07:13,180 --> 00:07:15,180 You are not being very cooperative, Mr. Scott. 111 00:07:15,180 --> 00:07:18,180 Okay, okay. I'll tell you the whole story. 112 00:07:18,180 --> 00:07:21,180 She was a singer in a nightclub in Tampa, Florida. 113 00:07:21,180 --> 00:07:23,180 Espanelli owned the nightclub. 114 00:07:23,180 --> 00:07:25,180 He was a killer. 115 00:07:25,180 --> 00:07:28,180 He gave her the choice between getting killed and marrying him. 116 00:07:28,180 --> 00:07:29,180 So she married him. 117 00:07:29,180 --> 00:07:31,180 And how did you meet her? 118 00:07:31,180 --> 00:07:35,180 I worked for Espanelli too. I drove his car. 119 00:07:35,180 --> 00:07:39,180 You are not a chauffeur by profession, are you, Mr. Scott? 120 00:07:39,180 --> 00:07:40,180 No, no. 121 00:07:40,180 --> 00:07:42,180 I took the job to get her away from him. 122 00:07:42,180 --> 00:07:43,180 Is there anything wrong in that? 123 00:07:43,180 --> 00:07:46,180 The murder weapon, this knife. What do you know about it? 124 00:07:46,180 --> 00:07:47,180 What are you driving at? 125 00:07:47,180 --> 00:07:49,180 Is this your knife, Mr. Scott? 126 00:07:49,180 --> 00:07:51,180 No, but it's a pretty close match. 127 00:07:51,180 --> 00:07:54,180 I bought one just like it this afternoon in a curiosity shop. 128 00:07:54,180 --> 00:07:56,180 Wait a minute. I'll show you. I've got it in my pocket right here. 129 00:07:56,180 --> 00:07:57,180 Cuidado, carlo. 130 00:07:57,180 --> 00:08:00,180 Wait a minute. Don't get so excited. 131 00:08:00,180 --> 00:08:02,180 All right, it's in that pocket right there. 132 00:08:02,180 --> 00:08:05,180 Fish it out yourself if you want to. 133 00:08:05,180 --> 00:08:07,180 There is no knife here. 134 00:08:07,180 --> 00:08:08,180 But there's got to be. 135 00:08:08,180 --> 00:08:11,180 It was a knife with a jade handle like this, 136 00:08:11,180 --> 00:08:13,180 one with a monkey carved on it, 137 00:08:13,180 --> 00:08:17,180 but the monkey on the one I bought was holding its hands over its ears. 138 00:08:17,180 --> 00:08:18,180 There were three of them in the shop. 139 00:08:18,180 --> 00:08:21,180 You know, the type, see no evil, hear no evil, speak no evil. 140 00:08:21,180 --> 00:08:23,180 I only know that you bought a knife this afternoon, 141 00:08:23,180 --> 00:08:24,180 that you no longer have a knife 142 00:08:24,180 --> 00:08:26,180 and that a knife has been used to stab this woman. 143 00:08:26,180 --> 00:08:29,180 But it's not the same knife, I tell you. I can prove it. 144 00:08:29,180 --> 00:08:30,180 Give me a chance to prove it, will you? 145 00:08:30,180 --> 00:08:33,180 All right, Mr. Scott. I will give you a chance. 146 00:08:33,180 --> 00:08:36,180 So we went back to the shop where I bought the knife, back to Chinatown. 147 00:08:36,180 --> 00:08:39,180 Inspector Acosta, that was the Cuban detective's name, 148 00:08:39,180 --> 00:08:41,180 questioned the old duck who sold it to me. 149 00:08:41,180 --> 00:08:44,180 You remember this man buying something in here this afternoon, Viejo? 150 00:08:44,180 --> 00:08:46,180 Yes. 151 00:08:46,180 --> 00:08:50,180 Gentleman buy knife, ornamental knife, 152 00:08:50,180 --> 00:08:52,180 knife with jade handle. 153 00:08:52,180 --> 00:08:54,180 Describe the jade handle. 154 00:08:54,180 --> 00:08:58,180 Jade handle have many different names. 155 00:08:58,180 --> 00:09:03,180 Describe the jade handle. 156 00:09:03,180 --> 00:09:04,180 Jade handle have monkey. 157 00:09:04,180 --> 00:09:06,180 We know that. Describe the monkey. 158 00:09:06,180 --> 00:09:11,180 Pretty sure of monkey hiding eyes, a soul, see no evil. 159 00:09:11,180 --> 00:09:13,180 You're crazy. What's the matter with you? 160 00:09:13,180 --> 00:09:14,180 What are you trying to do to me? 161 00:09:14,180 --> 00:09:16,180 I bought the one holding its ears. You know it. 162 00:09:16,180 --> 00:09:19,180 Viejo Chin, this man's life may depend on what you are saying, 163 00:09:19,180 --> 00:09:21,180 but you are absolutely sure. 164 00:09:21,180 --> 00:09:25,180 Come by trees. First one is sold to this gentleman, 165 00:09:25,180 --> 00:09:28,180 others still got. Can show you. 166 00:09:28,180 --> 00:09:30,180 Can lie in your teeth. 167 00:09:30,180 --> 00:09:33,180 Listen Acosta, so what if he shows you the set with that one missing? 168 00:09:33,180 --> 00:09:35,180 He's probably got a hundred sets in the store room. 169 00:09:35,180 --> 00:09:40,180 Only one set imported. Can show customs invoice. 170 00:09:40,180 --> 00:09:45,180 How did this man and this woman act when they came into the shop? 171 00:09:45,180 --> 00:09:49,180 Oh, they act scare, very scare. 172 00:09:49,180 --> 00:09:51,180 I told you she was afraid Spinelli was going to have her bumped off. 173 00:09:51,180 --> 00:09:56,180 Well, he did it. And this guy has been paid to frame me. Can't you see that? 174 00:09:56,180 --> 00:09:59,180 I am sorry Mr. Escort, but I must place you under arrest 175 00:09:59,180 --> 00:10:02,180 for the murder of Mrs. Eve Spinelli. 176 00:10:10,180 --> 00:10:13,180 As we threaded our way back through Chinatown in the police car, 177 00:10:13,180 --> 00:10:16,180 I thought the whole thing over. I came to a decision. 178 00:10:16,180 --> 00:10:19,180 The car fitted in the narrow lane like a cork in a bottle. 179 00:10:19,180 --> 00:10:22,180 If it should come to a halt in front of the door of a building, 180 00:10:22,180 --> 00:10:25,180 and finally it did, just that, I bolted. 181 00:10:25,180 --> 00:10:30,180 They came after me fast. The door I ducked into opened into a pitch black hallway. 182 00:10:30,180 --> 00:10:34,180 I groped around until I found a flight of stairs and I started climbing. 183 00:10:35,180 --> 00:10:37,180 Out, out, I shoot. 184 00:10:37,180 --> 00:10:39,180 Fire and shoot. 185 00:10:39,180 --> 00:10:41,180 I ducked back in the shadows. 186 00:10:41,180 --> 00:10:43,180 Turned the knob at the nearest door. 187 00:10:43,180 --> 00:10:45,180 I tossed my hat over at the foot of the roof ladder 188 00:10:45,180 --> 00:10:48,180 to make it look as if I'd lost it while climbing. 189 00:10:48,180 --> 00:10:50,180 I backed through the door into a room. 190 00:10:50,180 --> 00:10:53,180 I shoot. I shoot. 191 00:10:53,180 --> 00:10:56,180 I shoot. I shoot. 192 00:10:56,180 --> 00:10:59,180 In the dark room I stood very still and listened. 193 00:10:59,180 --> 00:11:02,180 They were separating the case, the roof along the block. 194 00:11:02,180 --> 00:11:04,180 I was safe for a few minutes anyway. 195 00:11:04,180 --> 00:11:06,180 Tried to figure out where I was. 196 00:11:06,180 --> 00:11:08,180 Room, a dark room. 197 00:11:08,180 --> 00:11:10,180 I strained my eyes into the blackness. 198 00:11:10,180 --> 00:11:14,180 Then something cold and metallic found the side of my neck. 199 00:11:14,180 --> 00:11:18,180 It was the business edge of a knife, blade. 200 00:11:18,180 --> 00:11:20,180 A light snapped on. 201 00:11:20,180 --> 00:11:21,180 Bueno. 202 00:11:21,180 --> 00:11:24,180 I, uh, no hablo espanol. 203 00:11:24,180 --> 00:11:25,180 No se mueva. 204 00:11:25,180 --> 00:11:26,180 Oh, take it easy, take it easy, will you? 205 00:11:26,180 --> 00:11:29,180 I can't talk your language. Put that knife down, will you? 206 00:11:29,180 --> 00:11:30,180 Te quiero estar aquí. 207 00:11:30,180 --> 00:11:32,180 Polizia. 208 00:11:32,180 --> 00:11:34,180 Understand? Understand? 209 00:11:34,180 --> 00:11:36,180 Compré? 210 00:11:36,180 --> 00:11:39,180 Look, out there on the stairs, I don't know how to say it. 211 00:11:39,180 --> 00:11:41,180 Polizia. They're after me. Cops. 212 00:11:41,180 --> 00:11:43,180 Cops? Why didn't you say so before? 213 00:11:43,180 --> 00:11:44,180 I hate cops. 214 00:11:44,180 --> 00:11:45,180 Oh, you talk English? 215 00:11:45,180 --> 00:11:48,180 I ought to have been in enough of your jails to take out naturalization papers. 216 00:11:48,180 --> 00:11:51,180 Hey, get over here. I do what I can for you. 217 00:11:51,180 --> 00:11:53,180 They're coming back. I better get out of here. 218 00:11:53,180 --> 00:11:54,180 Don't be a fool. 219 00:11:54,180 --> 00:11:56,180 There's 20 of them down in the street now. 220 00:11:56,180 --> 00:11:58,180 They sure must want you bad, Chico. 221 00:11:58,180 --> 00:12:01,180 They say I killed my girl. 222 00:12:01,180 --> 00:12:02,180 They say wrong? 223 00:12:02,180 --> 00:12:04,180 They say very wrong. 224 00:12:04,180 --> 00:12:06,180 Another man took her away from you? 225 00:12:06,180 --> 00:12:08,180 No, I took her away from another man. 226 00:12:08,180 --> 00:12:11,180 Ah, then any fool of a policeman knows you did not kill her. 227 00:12:11,180 --> 00:12:13,180 You never kill what does not belong to you. 228 00:12:13,180 --> 00:12:15,180 Only what does. 229 00:12:15,180 --> 00:12:17,180 You tell them that. 230 00:12:17,180 --> 00:12:19,180 Oh, here comes Patey. 231 00:12:19,180 --> 00:12:21,180 Quickly, get into the car there. 232 00:12:21,180 --> 00:12:22,180 Cover yourself up. 233 00:12:22,180 --> 00:12:23,180 What? But... 234 00:12:23,180 --> 00:12:24,180 Do as I tell you. Take off that shirt. 235 00:12:24,180 --> 00:12:26,180 Don't stop for the buttons. Tear it off. 236 00:12:26,180 --> 00:12:27,180 Well... 237 00:12:27,180 --> 00:12:29,180 Now then, face the wall. 238 00:12:29,180 --> 00:12:30,180 Wait a minute. What are you doing? 239 00:12:30,180 --> 00:12:31,180 Keep perfectly still. 240 00:12:31,180 --> 00:12:33,180 Don't rub against the covers. 241 00:12:33,180 --> 00:12:35,180 Now, don't move. 242 00:12:35,180 --> 00:12:37,180 Dispense, senora. 243 00:12:37,180 --> 00:12:41,180 Ha visto usted un hombre alto, macizo, americano? 244 00:12:41,180 --> 00:12:43,180 No he visto a nadie. 245 00:12:43,180 --> 00:12:44,180 Quien es ese? 246 00:12:44,180 --> 00:12:46,180 Mi hombre, mi marido. 247 00:12:46,180 --> 00:12:48,180 Via Moslo. 248 00:12:48,180 --> 00:12:49,180 Está muy enfermo. 249 00:12:49,180 --> 00:12:50,180 Vuela. 250 00:12:50,180 --> 00:12:51,180 Vuela? 251 00:12:51,180 --> 00:12:52,180 Sí, vuela. 252 00:12:52,180 --> 00:12:53,180 Ve a la cuarentena. 253 00:12:53,180 --> 00:12:55,180 He's a real vual. 254 00:12:55,180 --> 00:12:57,180 Dispense, senora. Buenas noches. 255 00:12:57,180 --> 00:12:58,180 Buenas noches. 256 00:12:58,180 --> 00:13:00,180 What was all that about? 257 00:13:00,180 --> 00:13:01,180 Shh! 258 00:13:01,180 --> 00:13:06,180 What are all these red spots on me? 259 00:13:06,180 --> 00:13:08,180 I put them there with lipstick. 260 00:13:08,180 --> 00:13:10,180 I told the cops you were my husband. 261 00:13:10,180 --> 00:13:11,180 You have smallpox. 262 00:13:11,180 --> 00:13:12,180 And they believed it? 263 00:13:12,180 --> 00:13:13,180 Why not? 264 00:13:13,180 --> 00:13:16,180 I showed them the quarantine sign on the door. 265 00:13:16,180 --> 00:13:20,180 Manolito, that was my man. 266 00:13:20,180 --> 00:13:22,180 He died of smallpox in this room. 267 00:13:22,180 --> 00:13:23,180 Huh? 268 00:13:23,180 --> 00:13:24,180 Oh, do not be alarmed. 269 00:13:24,180 --> 00:13:26,180 It has been disinfected. 270 00:13:26,180 --> 00:13:28,180 Oh, let's see. 271 00:13:28,180 --> 00:13:29,180 Thank you. 272 00:13:29,180 --> 00:13:31,180 Oh, let's see. 273 00:13:31,180 --> 00:13:32,180 Thanks. 274 00:13:32,180 --> 00:13:35,180 But why did you go to bed for me like that anyway? 275 00:13:35,180 --> 00:13:38,180 Different reasons. 276 00:13:38,180 --> 00:13:40,180 Flowers on a grave, I guess. 277 00:13:40,180 --> 00:13:41,180 Flower? 278 00:13:41,180 --> 00:13:42,180 What do you mean? 279 00:13:42,180 --> 00:13:44,180 It's hard to explain. 280 00:13:44,180 --> 00:13:49,180 It's my way of doing something for somebody that's not around anymore, I guess. 281 00:13:49,180 --> 00:13:50,180 It's the only way I have. 282 00:13:50,180 --> 00:13:53,180 I do not know any other way. 283 00:13:53,180 --> 00:13:58,180 You see, I know what it is to lose someone you love, too. 284 00:13:58,180 --> 00:14:00,180 Just like you. 285 00:14:00,180 --> 00:14:01,180 Manolito? 286 00:14:01,180 --> 00:14:03,180 He got smallpox in jail. 287 00:14:03,180 --> 00:14:05,180 Then he come back here to me. 288 00:14:05,180 --> 00:14:07,180 To die. 289 00:14:07,180 --> 00:14:11,180 Hey, what is your name, wapo? 290 00:14:11,180 --> 00:14:12,180 Bill Scott. 291 00:14:12,180 --> 00:14:13,180 A Scott? 292 00:14:13,180 --> 00:14:16,180 No, no, no, Scott with an S. 293 00:14:16,180 --> 00:14:18,180 It's too hard to say. 294 00:14:18,180 --> 00:14:19,180 I call you wapo. 295 00:14:19,180 --> 00:14:20,180 Wapo? 296 00:14:20,180 --> 00:14:23,180 That means handsome. 297 00:14:23,180 --> 00:14:25,180 Well, thanks. 298 00:14:25,180 --> 00:14:27,180 What'll I call you? 299 00:14:27,180 --> 00:14:30,180 Around this neighborhood they call me Medianoche. 300 00:14:30,180 --> 00:14:31,180 Medi-er... 301 00:14:31,180 --> 00:14:33,180 It means midnight. 302 00:14:33,180 --> 00:14:35,180 Try it that way. 303 00:14:35,180 --> 00:14:37,180 Okay, midnight. 304 00:14:37,180 --> 00:14:44,180 They call me that because now I always hang around late by myself since he's gone. 305 00:14:44,180 --> 00:14:49,180 Well, midnight I don't know what to say to you except thanks. 306 00:14:49,180 --> 00:14:52,180 Another flowers on a grave. 307 00:14:52,180 --> 00:14:54,180 Yeah. 308 00:14:54,180 --> 00:14:56,180 Well, I guess I better get going. 309 00:14:56,180 --> 00:14:58,180 What do you want to throw away all my hard work for? 310 00:14:58,180 --> 00:15:00,180 They spot you at the next corner. 311 00:15:00,180 --> 00:15:03,180 Well, I can't hang around here for the rest of the night. 312 00:15:03,180 --> 00:15:08,180 Was the matter with it here? 313 00:15:08,180 --> 00:15:13,180 You know, if I could only get hold of that photographer. 314 00:15:13,180 --> 00:15:14,180 Photographer? 315 00:15:14,180 --> 00:15:16,180 Yeah, I was a photographer in Sloppy Joe's. 316 00:15:16,180 --> 00:15:19,180 He was snapping a picture of us just when it happened. 317 00:15:19,180 --> 00:15:23,180 Oh, you think maybe in this picture is the man who killed your sweetheart? 318 00:15:23,180 --> 00:15:25,180 Yeah, I'm pretty sure of it. 319 00:15:25,180 --> 00:15:27,180 Think, Wapo. 320 00:15:27,180 --> 00:15:29,180 What do you remember about this photographer? 321 00:15:29,180 --> 00:15:33,180 Oh, he's just a typical cheap photographer of tourists. 322 00:15:33,180 --> 00:15:34,180 Wait a minute. 323 00:15:34,180 --> 00:15:35,180 Wait a minute. 324 00:15:35,180 --> 00:15:38,180 He said something about having a studio somewhere near Sloppy's. 325 00:15:38,180 --> 00:15:39,180 Callebaryos? 326 00:15:39,180 --> 00:15:41,180 That's it, Callebaryos. 327 00:15:41,180 --> 00:15:43,180 Look, do you know this guy? 328 00:15:43,180 --> 00:15:46,180 Sales go there with the girls to get their pictures taken. 329 00:15:46,180 --> 00:15:48,180 His name is Pepe Campos. 330 00:15:48,180 --> 00:15:50,180 I've got to get that picture midnight. 331 00:15:50,180 --> 00:15:51,180 I'll have to risk it. 332 00:15:51,180 --> 00:15:52,180 Un momentito. 333 00:15:52,180 --> 00:15:55,180 I first get you some other clothes. 334 00:15:55,180 --> 00:15:56,180 Here. 335 00:15:56,180 --> 00:15:58,180 I think this fit you. 336 00:15:58,180 --> 00:15:59,180 What? 337 00:15:59,180 --> 00:16:02,180 Manolito was one big sailor. 338 00:16:02,180 --> 00:16:03,180 And now listen. 339 00:16:03,180 --> 00:16:06,180 I tell you how to get from here over to the Callebaryos, 340 00:16:06,180 --> 00:16:08,180 so maybe the police don't see you. 341 00:16:08,180 --> 00:16:11,180 You go down to the mouth of the alley. 342 00:16:11,180 --> 00:16:12,180 You turn to the right. 343 00:16:12,180 --> 00:16:14,180 That is this hand here. 344 00:16:14,180 --> 00:16:22,180 Just a few steps from there. 345 00:16:22,180 --> 00:16:26,180 It was so dark, I almost had to feel my way along the streets. 346 00:16:26,180 --> 00:16:31,180 Suddenly out of nowhere came a voice. 347 00:16:31,180 --> 00:16:34,180 There were two of them there, keeping the alley covered. 348 00:16:34,180 --> 00:16:37,180 I looked back the way I had come. 349 00:16:37,180 --> 00:16:40,180 Someone was coming toward me through the blackness. 350 00:16:40,180 --> 00:16:42,180 I waited there paralyzed. 351 00:16:42,180 --> 00:16:44,180 What's up, Marinetto? 352 00:16:44,180 --> 00:16:46,180 What? 353 00:16:46,180 --> 00:16:48,180 Out of your lonesome? 354 00:16:48,180 --> 00:16:50,180 Yeah. 355 00:16:50,180 --> 00:16:52,180 Yeah. 356 00:16:52,180 --> 00:16:55,180 Hey, you want a drink, sister? 357 00:16:55,180 --> 00:16:57,180 Look, walk close to me like this. 358 00:16:57,180 --> 00:16:58,180 Huh? 359 00:16:58,180 --> 00:16:59,180 No, no, lean up closer. 360 00:16:59,180 --> 00:17:01,180 Get your face up under mine, honey. 361 00:17:01,180 --> 00:17:02,180 That's it. 362 00:17:02,180 --> 00:17:04,180 Give me a little more affection. 363 00:17:04,180 --> 00:17:05,180 Yeah. 364 00:17:05,180 --> 00:17:06,180 That's the stuff. 365 00:17:06,180 --> 00:17:07,180 Now look. 366 00:17:07,180 --> 00:17:09,180 Walk down this way with me. 367 00:17:09,180 --> 00:17:10,180 Just past the corner. 368 00:17:10,180 --> 00:17:12,180 You said it, big boy. 369 00:17:12,180 --> 00:17:13,180 You said it. 370 00:17:13,180 --> 00:17:15,180 What do you want to drink, honey? 371 00:17:15,180 --> 00:17:17,180 You said it. 372 00:17:17,180 --> 00:17:18,180 That's good. 373 00:17:18,180 --> 00:17:20,180 Here's the turn. 374 00:17:20,180 --> 00:17:21,180 Goodbye, sister. 375 00:17:21,180 --> 00:17:23,180 Chip, skip. Chip, skip. 376 00:17:23,180 --> 00:17:24,180 Sister, no. 377 00:17:24,180 --> 00:17:25,180 They are gone. 378 00:17:25,180 --> 00:17:26,180 They are gone. 379 00:17:26,180 --> 00:17:27,180 They are gone. 380 00:17:27,180 --> 00:17:28,180 They are gone. 381 00:17:28,180 --> 00:17:29,180 They are gone. 382 00:17:29,180 --> 00:17:30,180 They are gone. 383 00:17:30,180 --> 00:17:31,180 They are gone. 384 00:17:31,180 --> 00:17:32,180 I was afraid of yelling. 385 00:17:32,180 --> 00:17:35,180 I had to track the cops, so I took off down the street, 386 00:17:35,180 --> 00:17:38,180 and then I ducked into the alley to catch my breath. 387 00:17:38,180 --> 00:17:40,180 I looked up. 388 00:17:40,180 --> 00:17:42,180 There was a sign on the shop. 389 00:17:42,180 --> 00:17:46,180 Campos, retratos, y fotografías. 390 00:17:46,180 --> 00:17:47,180 At first, I didn't get it. 391 00:17:47,180 --> 00:17:49,180 Then, all of a sudden, I knew. 392 00:17:49,180 --> 00:17:51,180 I was there. 393 00:17:51,180 --> 00:17:53,180 I opened the door and walked in. 394 00:17:53,180 --> 00:17:54,180 Sí, señor. 395 00:17:54,180 --> 00:17:55,180 Look. 396 00:17:55,180 --> 00:18:01,180 You took a picture this evening of me and a lady in sloppy Joe's. 397 00:18:01,180 --> 00:18:02,180 I want that picture. 398 00:18:02,180 --> 00:18:04,180 Cuando me recuerdo, es de una dracolsa. 399 00:18:04,180 --> 00:18:06,180 Now look, there was trouble right afterwards. 400 00:18:06,180 --> 00:18:07,180 You know, a lot of noise. 401 00:18:07,180 --> 00:18:09,180 Oh, sí, sí. 402 00:18:09,180 --> 00:18:10,180 I remember. 403 00:18:10,180 --> 00:18:13,180 I am just developing the pictures I have taken today. 404 00:18:13,180 --> 00:18:15,180 Come with me. 405 00:18:15,180 --> 00:18:17,180 This is my dark room. 406 00:18:17,180 --> 00:18:19,180 The very latest equipment. 407 00:18:19,180 --> 00:18:20,180 Yeah, yeah, yeah. 408 00:18:20,180 --> 00:18:21,180 But where is that picture? 409 00:18:21,180 --> 00:18:23,180 Oh, right here. 410 00:18:23,180 --> 00:18:24,180 In the bath. 411 00:18:24,180 --> 00:18:26,180 Oh. 412 00:18:26,180 --> 00:18:28,180 Yeah. 413 00:18:28,180 --> 00:18:29,180 It's beginning to come through. 414 00:18:29,180 --> 00:18:30,180 Sí, sí. 415 00:18:30,180 --> 00:18:31,180 Yeah. 416 00:18:31,180 --> 00:18:33,180 Yeah, that size. 417 00:18:33,180 --> 00:18:34,180 Oh. 418 00:18:34,180 --> 00:18:36,180 Someone leans over the lady's shoulder, no? 419 00:18:36,180 --> 00:18:37,180 Yeah. 420 00:18:37,180 --> 00:18:40,180 Yeah, let's have some more light on the subject, will you? 421 00:18:40,180 --> 00:18:41,180 Sí, sí. 422 00:18:41,180 --> 00:18:43,180 This is someone you know, señor. 423 00:18:43,180 --> 00:18:45,180 It's someone I know, all right. 424 00:18:45,180 --> 00:18:46,180 His name is... 425 00:18:46,180 --> 00:18:48,180 Never mind the name, Scotty. 426 00:18:48,180 --> 00:18:50,180 I'll introduce myself. 427 00:18:50,180 --> 00:18:51,180 Spinelli. 428 00:18:51,180 --> 00:18:53,180 Stand over against the wall, Scotty. 429 00:18:53,180 --> 00:18:56,180 You too. 430 00:18:56,180 --> 00:18:58,180 Well, I'm glad you found this picture, Scotty. 431 00:18:58,180 --> 00:19:02,180 I was kind of nervous about having a thing like this floating around. 432 00:19:02,180 --> 00:19:04,180 You can understand my feelings. 433 00:19:04,180 --> 00:19:06,180 You've surprised me, Spinelli. 434 00:19:06,180 --> 00:19:10,180 I didn't think you even had the guts to stab a woman in the back 435 00:19:10,180 --> 00:19:12,180 without your gorillas around to protect you. 436 00:19:12,180 --> 00:19:14,180 Don't make me angry, Scotty. 437 00:19:14,180 --> 00:19:16,180 I'm in a bad mood. 438 00:19:16,180 --> 00:19:18,180 I didn't know you were smart like you are either, Spinelli. 439 00:19:18,180 --> 00:19:20,180 I apologize. 440 00:19:20,180 --> 00:19:24,180 You know, that was a cute trick, hiring a cab driver 441 00:19:24,180 --> 00:19:26,180 to steer us into that shop in Chinatown, 442 00:19:26,180 --> 00:19:31,180 but what I still can't figure out is how you switched those knives. 443 00:19:31,180 --> 00:19:33,180 I didn't. 444 00:19:33,180 --> 00:19:36,180 I still have the knife you bought. 445 00:19:36,180 --> 00:19:39,180 I first got out of your pocket. 446 00:19:39,180 --> 00:19:42,180 Now I'm going to give it back to you. 447 00:19:42,180 --> 00:19:45,180 Would you like to see it first? 448 00:19:45,180 --> 00:19:47,180 There. 449 00:19:47,180 --> 00:19:49,180 It's pretty, ain't it? 450 00:19:49,180 --> 00:19:51,180 You've always had an eye for jades. 451 00:19:51,180 --> 00:19:53,180 This is definitely the best of the three. 452 00:19:53,180 --> 00:19:55,180 It's a pity to spoil such a pretty knife, 453 00:19:55,180 --> 00:20:00,180 but the revolver, that makes too much noise. 454 00:20:00,180 --> 00:20:03,180 Yeah, I think I'll use the knife on you too. 455 00:20:03,180 --> 00:20:06,180 I like things symmetrical. 456 00:20:06,180 --> 00:20:09,180 Like Romeo and Juliet, ain't it? 457 00:20:09,180 --> 00:20:11,180 What's that? Don't move, Scotty. 458 00:20:11,180 --> 00:20:13,180 Guapo. 459 00:20:13,180 --> 00:20:15,180 Guapo, are you in here? 460 00:20:15,180 --> 00:20:18,180 His sweetheart not dead an hour and already he has another. 461 00:20:18,180 --> 00:20:21,180 Midnight. Get out of here quick. This man is a killer. 462 00:20:21,180 --> 00:20:24,180 Oh, I'm not afraid of you, big boy. 463 00:20:24,180 --> 00:20:26,180 Keep away from me and don't try any funny business. 464 00:20:26,180 --> 00:20:28,180 Oh, my hombre, he was just like you. 465 00:20:28,180 --> 00:20:30,180 He talk very mean. 466 00:20:30,180 --> 00:20:32,180 But you don't hurt me. 467 00:20:32,180 --> 00:20:34,180 Not one little bit. 468 00:20:34,180 --> 00:20:37,180 I don't only talk, big sister. 469 00:20:37,180 --> 00:20:39,180 I got a job to do here. 470 00:20:39,180 --> 00:20:41,180 I'll talk to you when I shut your boyfriend's trap for good. 471 00:20:41,180 --> 00:20:43,180 My boyfriend? Are you kidding? 472 00:20:43,180 --> 00:20:45,180 Go ahead, finish him off. 473 00:20:45,180 --> 00:20:47,180 He took a powder on me. 474 00:20:47,180 --> 00:20:49,180 I come after him only to collect. 475 00:20:49,180 --> 00:20:51,180 On the cuff, huh? 476 00:20:51,180 --> 00:20:53,180 Oh, Scotty, you ought to be ashamed of yourself. 477 00:20:53,180 --> 00:20:55,180 On the cuff. 478 00:20:55,180 --> 00:20:57,180 Hey, you are rich, huh? 479 00:20:57,180 --> 00:20:59,180 You got big diamonds. 480 00:20:59,180 --> 00:21:01,180 Say I like you, mister. 481 00:21:01,180 --> 00:21:03,180 Stop mooching around. 482 00:21:03,180 --> 00:21:05,180 Midnight, I tell you, this guy is a killer. Watch out. 483 00:21:05,180 --> 00:21:07,180 Ah, shut up. 484 00:21:07,180 --> 00:21:09,180 How about it, big boy? 485 00:21:09,180 --> 00:21:11,180 Come on. 486 00:21:11,180 --> 00:21:13,180 Stick around, baby. 487 00:21:13,180 --> 00:21:15,180 I can use talent like yours. 488 00:21:15,180 --> 00:21:17,180 Kiss me, big boy. 489 00:21:17,180 --> 00:21:19,180 Later, later. 490 00:21:19,180 --> 00:21:21,180 Now. All right, yell very loud. 491 00:21:21,180 --> 00:21:23,180 Make big trouble. 492 00:21:23,180 --> 00:21:25,180 You're pretty hot stuff, ain't you? 493 00:21:25,180 --> 00:21:27,180 You don't know the half of it, big boy, huh? 494 00:21:27,180 --> 00:21:29,180 Come here. 495 00:21:31,180 --> 00:21:33,180 Now, you scum. 496 00:21:33,180 --> 00:21:35,180 You dirty little stupid. 497 00:21:35,180 --> 00:21:37,180 Shut up, Spinelli. 498 00:21:37,180 --> 00:21:39,180 I've got the gun now. 499 00:21:39,180 --> 00:21:41,180 Scotty, I was only 500 00:21:41,180 --> 00:21:43,180 throwing a scare into you. 501 00:21:43,180 --> 00:21:45,180 I would have knocked you off right away. 502 00:21:45,180 --> 00:21:47,180 That's what I meant to do, wouldn't I? 503 00:21:47,180 --> 00:21:49,180 What's it worth to you to stay alive, Spinelli? 504 00:21:49,180 --> 00:21:51,180 Scotty, a hundred thousand dollars. 505 00:21:51,180 --> 00:21:53,180 In the bank right here in the van. 506 00:21:53,180 --> 00:21:55,180 Just let me go over that table there. 507 00:21:55,180 --> 00:21:57,180 Check the bearer. No strings. 508 00:21:57,180 --> 00:21:59,180 Spinelli, I want Eve 509 00:21:59,180 --> 00:22:01,180 back again. 510 00:22:01,180 --> 00:22:03,180 Two hundred thousand. Chicago account thrown in. 511 00:22:03,180 --> 00:22:05,180 Two hundred and fifty thousand. That's a quarter of a million, Scotty. 512 00:22:05,180 --> 00:22:07,180 I want Eve. 513 00:22:07,180 --> 00:22:09,180 You can't bring the dead to life, Scotty. 514 00:22:09,180 --> 00:22:11,180 But you can be rich. 515 00:22:11,180 --> 00:22:13,180 Kill me and you get nothing but a murder rap. 516 00:22:13,180 --> 00:22:15,180 The picture don't show me sticking the knife in there. 517 00:22:15,180 --> 00:22:17,180 The knife don't mean anything. Chin and the driver never talk. 518 00:22:17,180 --> 00:22:19,180 You're just fixing up a nice 519 00:22:19,180 --> 00:22:21,180 murder rap for yourself, Scotty. 520 00:22:21,180 --> 00:22:23,180 Stand over 521 00:22:23,180 --> 00:22:25,180 under the lights, Spinelli. 522 00:22:25,180 --> 00:22:27,180 I don't want to miss. 523 00:22:27,180 --> 00:22:29,180 Scotty. 524 00:22:29,180 --> 00:22:31,180 Don't do it, Scotty. Scotty. 525 00:22:31,180 --> 00:22:33,180 Ah! 526 00:22:33,180 --> 00:22:53,180 Wind...truck! 527 00:22:53,180 --> 00:22:55,180 So, that's the story, 528 00:22:55,180 --> 00:22:57,180 Inspector. I... 529 00:22:57,180 --> 00:22:59,180 I've come to give myself up 530 00:22:59,180 --> 00:23:01,180 for the murder of Ed Spinelli. 531 00:23:01,180 --> 00:23:03,180 Well, 532 00:23:03,180 --> 00:23:05,180 what are you going to do about it, Inspector? 533 00:23:05,180 --> 00:23:07,180 About what? 534 00:23:07,180 --> 00:23:09,180 About what? 535 00:23:09,180 --> 00:23:11,180 About what I just told you, the murder. 536 00:23:11,180 --> 00:23:13,180 I don't speak English so good. 537 00:23:13,180 --> 00:23:15,180 I often miss hearing things that are said, 538 00:23:15,180 --> 00:23:17,180 especially when they are said too fast. 539 00:23:17,180 --> 00:23:19,180 All right, I can say it slower. 540 00:23:19,180 --> 00:23:21,180 I just killed a man 541 00:23:21,180 --> 00:23:23,180 named Ed Spinelli. 542 00:23:23,180 --> 00:23:25,180 My English stinks today. 543 00:23:25,180 --> 00:23:27,180 I don't understand. 544 00:23:27,180 --> 00:23:29,180 You don't understand? I said... 545 00:23:29,180 --> 00:23:31,180 I don't know what you said. 546 00:23:31,180 --> 00:23:33,180 Why should you get word from the Commissioner 547 00:23:33,180 --> 00:23:35,180 to all the man named Scot for murder? 548 00:23:35,180 --> 00:23:37,180 That would be different. It would be in my language. 549 00:23:37,180 --> 00:23:39,180 Unless that should happen and it isn't, 550 00:23:39,180 --> 00:23:41,180 please, would you mind not coming in here and mumbling 551 00:23:41,180 --> 00:23:43,180 in this English of yours that I don't understand? 552 00:23:43,180 --> 00:23:45,180 But, 553 00:23:45,180 --> 00:23:47,180 Signior Scot, this girl, 554 00:23:47,180 --> 00:23:49,180 this Medianocci... 555 00:23:49,180 --> 00:23:51,180 Mid...midnight? 556 00:23:51,180 --> 00:23:53,180 What about her? Do you know where she is? 557 00:23:53,180 --> 00:23:55,180 That girl, that woman, 558 00:23:55,180 --> 00:23:57,180 she's been raising cane in my jail all night, 559 00:23:57,180 --> 00:23:59,180 all day yesterday. 560 00:23:59,180 --> 00:24:01,180 What she charged with? My foolish over this questioner 561 00:24:01,180 --> 00:24:03,180 and then they didn't know any better that they put down 562 00:24:03,180 --> 00:24:05,180 some charge other than the book. 563 00:24:05,180 --> 00:24:07,180 Signior Scot, we have been stuck with her 564 00:24:07,180 --> 00:24:09,180 ever since. She's like a hurricane. 565 00:24:09,180 --> 00:24:11,180 Well, I'll agree with you there. 566 00:24:11,180 --> 00:24:13,180 Signior Scot, if you have not enough 567 00:24:13,180 --> 00:24:15,180 to bail her out, I'll pay another 568 00:24:15,180 --> 00:24:39,180 to my own pocket anything to get her out. 569 00:24:39,180 --> 00:24:41,180 Well, midnight, 570 00:24:41,180 --> 00:24:43,180 it's all over. 571 00:24:43,180 --> 00:24:45,180 Yes, guapo. 572 00:24:45,180 --> 00:24:47,180 It is over. 573 00:24:47,180 --> 00:24:49,180 Have you any 574 00:24:49,180 --> 00:24:51,180 idea where we're headed for? 575 00:24:51,180 --> 00:24:53,180 Es la pey jos. 576 00:24:53,180 --> 00:24:55,180 The feet of an American in Havana 577 00:24:55,180 --> 00:24:57,180 walk always 578 00:24:57,180 --> 00:24:59,180 in the direction of es la pey jos. 579 00:24:59,180 --> 00:25:01,180 No? 580 00:25:01,180 --> 00:25:03,180 Yeah. 581 00:25:03,180 --> 00:25:05,180 Yeah, I can hear it already. 582 00:25:05,180 --> 00:25:07,180 I... 583 00:25:07,180 --> 00:25:09,180 I'd like to ask in for a drink 584 00:25:09,180 --> 00:25:11,180 midnight. No, guapo. 585 00:25:11,180 --> 00:25:13,180 You go in 586 00:25:13,180 --> 00:25:15,180 alone. Oh, won't you 587 00:25:15,180 --> 00:25:17,180 just have one with me, please? 588 00:25:17,180 --> 00:25:19,180 No. Why not? 589 00:25:19,180 --> 00:25:21,180 There's someone 590 00:25:21,180 --> 00:25:23,180 waiting for you in there. 591 00:25:23,180 --> 00:25:25,180 Oh, that's crazy. Midnight 592 00:25:25,180 --> 00:25:27,180 I don't know anybody in Havana, except 593 00:25:27,180 --> 00:25:29,180 you. Someone is waiting for you 594 00:25:29,180 --> 00:25:31,180 in there, guapo. 595 00:25:31,180 --> 00:25:33,180 How do you say 596 00:25:33,180 --> 00:25:35,180 flowers on a grave? 597 00:25:35,180 --> 00:25:37,180 No? 598 00:25:37,180 --> 00:25:39,180 Flowers on a grave? 599 00:25:39,180 --> 00:25:41,180 And sloppy joes? 600 00:25:41,180 --> 00:25:43,180 Love makes any place beautiful. 601 00:25:43,180 --> 00:25:45,180 Even a sloppy 602 00:25:45,180 --> 00:25:47,180 joes. Go on, 603 00:25:47,180 --> 00:25:49,180 guapo. Buy her a drink 604 00:25:49,180 --> 00:25:51,180 at the bar and tell her how 605 00:25:51,180 --> 00:25:53,180 that picture you took together turned out. 606 00:25:53,180 --> 00:25:55,180 You promised you would. 607 00:25:55,180 --> 00:25:57,180 Remember? 608 00:25:57,180 --> 00:25:59,180 How do you tell something to somebody 609 00:25:59,180 --> 00:26:01,180 that's dead? 610 00:26:01,180 --> 00:26:03,180 In your mind, guapo. 611 00:26:03,180 --> 00:26:05,180 Where she will always be. 612 00:26:05,180 --> 00:26:07,180 Oh. 613 00:26:07,180 --> 00:26:09,180 I'll try and tell her 614 00:26:09,180 --> 00:26:11,180 midnight. I'll tell her about 615 00:26:11,180 --> 00:26:13,180 you, too. No. 616 00:26:13,180 --> 00:26:15,180 No, she will be jealous. Oh, no. Not when 617 00:26:15,180 --> 00:26:17,180 I tell her. Oh, you do not know women, 618 00:26:17,180 --> 00:26:19,180 guapo. Well, 619 00:26:19,180 --> 00:26:21,180 maybe not. 620 00:26:21,180 --> 00:26:23,180 Well, 621 00:26:23,180 --> 00:26:25,180 adios, 622 00:26:25,180 --> 00:26:27,180 guapo. 623 00:26:27,180 --> 00:26:39,180 Goodbye, midnight. 624 00:26:39,180 --> 00:26:41,180 And so closes the Black 625 00:26:41,180 --> 00:26:43,180 Path of Fear, starring Brian 626 00:26:43,180 --> 00:26:45,180 Donlevy. Tonight's study in 627 00:26:45,180 --> 00:26:47,180 Suspense. 628 00:26:47,180 --> 00:26:49,180 Suspense is 629 00:26:49,180 --> 00:26:51,180 produced and directed by 630 00:26:51,180 --> 00:26:53,180 William Spear. Have you 631 00:26:53,180 --> 00:26:55,180 discovered the secret of lovers of 632 00:26:55,180 --> 00:26:57,180 wine food? Namely, how 633 00:26:57,180 --> 00:26:59,180 good wine makes even the simplest, 634 00:26:59,180 --> 00:27:01,180 most inexpensive meals really 635 00:27:01,180 --> 00:27:03,180 exciting events. 636 00:27:03,180 --> 00:27:05,180 Well, the next time you serve any of the red meats, 637 00:27:05,180 --> 00:27:07,180 stews, fish, or poultry, 638 00:27:07,180 --> 00:27:09,180 place on the table a well-chilled 639 00:27:09,180 --> 00:27:11,180 bottle of Roma California 640 00:27:11,180 --> 00:27:13,180 Table Wine. Delicious sautern, 641 00:27:13,180 --> 00:27:15,180 hearty, burgundy, or tasty 642 00:27:15,180 --> 00:27:17,180 claret. You will be amazed 643 00:27:17,180 --> 00:27:19,180 at how much Roma wine, in 644 00:27:19,180 --> 00:27:21,180 bringing out all the appetizing goodness 645 00:27:21,180 --> 00:27:23,180 of even the simplest foods, 646 00:27:23,180 --> 00:27:25,180 adds to the pleasure of the meal. 647 00:27:25,180 --> 00:27:27,180 How it makes even a simple meal 648 00:27:27,180 --> 00:27:29,180 a feast. And remember, 649 00:27:29,180 --> 00:27:31,180 Roma wines cost you 650 00:27:31,180 --> 00:27:33,180 only pennies a glass full. 651 00:27:33,180 --> 00:27:35,180 So any home can afford the pleasure 652 00:27:35,180 --> 00:27:37,180 they give to everyday living. 653 00:27:37,180 --> 00:27:39,180 Ask for R.O.M.A. 654 00:27:39,180 --> 00:27:41,180 Roma Wines, 655 00:27:41,180 --> 00:27:43,180 America's largest selling 656 00:27:43,180 --> 00:27:45,180 wines, made in California 657 00:27:45,180 --> 00:27:47,180 for enjoyment 658 00:27:47,180 --> 00:27:49,180 throughout the world. 659 00:27:49,180 --> 00:27:51,180 This is Brian 660 00:27:51,180 --> 00:27:53,180 Levy. Our government has 661 00:27:53,180 --> 00:27:55,180 asked us to bring to the attention 662 00:27:55,180 --> 00:27:57,180 of women listeners a very important message. 663 00:27:57,180 --> 00:27:59,180 In spite of our wonderful 664 00:27:59,180 --> 00:28:01,180 victories on all the fighting fronts, 665 00:28:01,180 --> 00:28:03,180 we must remember that the war is by no 666 00:28:03,180 --> 00:28:05,180 means over or nearly over. 667 00:28:05,180 --> 00:28:07,180 Hundreds of thousands of women must 668 00:28:07,180 --> 00:28:09,180 get into war work this year. 669 00:28:09,180 --> 00:28:11,180 You are desperately needed, both 670 00:28:11,180 --> 00:28:13,180 because you are admirably fitted 671 00:28:13,180 --> 00:28:15,180 for these jobs, and because 672 00:28:15,180 --> 00:28:17,180 you represent the only adequate source 673 00:28:17,180 --> 00:28:19,180 of labor to replace the men 674 00:28:19,180 --> 00:28:21,180 in the armed forces and in the heavy war industries. 675 00:28:21,180 --> 00:28:23,180 Go to the United States 676 00:28:23,180 --> 00:28:25,180 Employment Service Office 677 00:28:25,180 --> 00:28:27,180 and ask for information about the kinds 678 00:28:27,180 --> 00:28:29,180 of full-time or part-time jobs 679 00:28:29,180 --> 00:28:31,180 for which you are best suited. 680 00:28:31,180 --> 00:28:33,180 Brian Don Levy will soon 681 00:28:33,180 --> 00:28:35,180 be seen in the starring role of 682 00:28:35,180 --> 00:28:37,180 Metro-Goldwyn-Mayer's Technicolor Production, 683 00:28:37,180 --> 00:28:39,180 An American Romance. 684 00:28:39,180 --> 00:28:41,180 Next Thursday, 685 00:28:41,180 --> 00:28:43,180 same time, Olivia 686 00:28:43,180 --> 00:28:45,180 de Havilland and Reginald Gardner 687 00:28:45,180 --> 00:28:47,180 will be your stars of 688 00:28:47,180 --> 00:28:49,180 suspense. 689 00:28:51,180 --> 00:28:53,180 Presented by Roma Wines, 690 00:28:53,180 --> 00:28:55,180 R-O-M-A, 691 00:28:55,180 --> 00:28:57,180 made in California 692 00:28:57,180 --> 00:28:59,180 for enjoyment 693 00:28:59,180 --> 00:29:19,180 throughout the world. 694 00:29:19,180 --> 00:29:21,180 This is CBS, 695 00:29:21,180 --> 00:29:37,180 the Columbia Broadcasting System.