WEBVTT

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Now, Roma Wines presents...

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Suspense!

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Tonight, Banquo's Chair, starring Donald Crisp and John Loder.

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Suspense is presented for your enjoyment by Roma Wines. That's R-O-M-A, Roma Wines.

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Those excellent California wines that can add so much pleasantness to the way you live, to your happiness and entertaining guests, to your enjoyment of everyday meals.

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Yes, right now a glass full would be very pleasant, as Roma Wines bring you...

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Suspense!

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This is the Man in Black, here to introduce this weekly half hour of...

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Suspense!

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This evening, Roma Wines bring you as stars two distinguished gentlemen from the Hollywood Sound stages, Donald Crisp and John Loder.

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Mr. Crisp and Mr. Loder are here to enact for us a strange and startling drama, in which they, in the interests of justice, made use of an unusual method to wring a confession of guilt from a criminal.

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But before we raise the curtain on Rupert Croft Cook's story, Banquo's Chair, which is tonight's study in Suspense, here is a message from your host.

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Let us picture a scene beneath a radiant Caribbean moon, at the fashionable Hotel Nacional de Cuba in Havana.

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An American dinner guest has just raised his glass in a toast to Havana. Its traditions, its beauty, the superb dinner, the wine.

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His Cuban host replies, true, the traditions, the scenery, and the food you enjoy, they are Cuban.

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But the wine of which you speak so highly, that is of your country. It is the famed Roma Wine, made in your own California.

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Yes, it may surprise you that California produces Roma Wines of such uniformly superb quality, that they are imported by many foreign countries.

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But millions of Americans do know and enjoy the excellence of Roma Wines daily, with meals and when entertaining.

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These millions have made Roma America's largest selling wines. They know too that Roma Wines are amazingly inexpensive, only pennies a glass, for wines of such distinguished character.

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That's because here in America you pay no high import duty, no expensive shipping charges for Roma Wines that combine age-old winemaking skill with modern testing and quality control.

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So ask for R-O-M-A, Roma Wines, made in California for enjoyment throughout the world.

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And now with Banquo's chair, and with the performances of Donald Crisp as Sir William Brent, and John Loder as Arthur Grain, Sir William's friend who relates the story to us, we again hope to keep you in suspense.

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I would like you to look at this photograph. It's the picture of Sir William Brent, ex-head of the English Criminal Investigation.

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I knew Sir William well, and he always terrified me. Not in the sense that he was brutal or evil, he was none of that, but look at that cold face, particularly his eyes.

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When he looked at you, you flushed with guilt. Every misdeed you ever committed in your life floated over your face. A glance from him made you feel as if you were stark naked. He saw you with all your defenses down.

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I'm going to tell you about Sir William's last case, a case that, well, even recalling it sends real shudders through me. I swear it's true. I wish I never had, but I saw it with my own eyes. I witnessed it in all its dreadful details.

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One night about 11 in the evening at the club, a boy came up to me, telegram for you, sir. I ripped open the envelope and read the telegram. Dear Arthur, will you come and dine with me at Turret House, Sydenham on Thursday?

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There will be several guests, and I think I can promise you an unforgettable evening, signed William Brent. I was annoyed. I don't like to receive telegrams so late in the evening.

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And Sir William could easily have phoned, unless he didn't want to go into details with me. I decided to phone him.

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Hello? Hello?

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This is Arthur Grange calling.

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Yes, I know. Did you receive my telegram?

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Yes, Sir William. What's all the mystery about?

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I'll tell you about that on Thursday. Are you coming?

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Yes, I'll be there.

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Very good. I particularly want you to be there.

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You sound so mysterious. I'm thinking of coming armed or bringing a couple of bodyguards.

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No, it wouldn't be necessary to bring bodyguards. But you had better come armed, well armed. Yes, bring a revolver. Good night.

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Early Thursday evening I made my way to Turret House. A windy November rain slashed at the streets. Turret House is a huge red brick, unpleasantly somber mansion.

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An ugly product of Queen Victoria's time. There it squatted, back of the road, almost hidden from view by several dripping pine trees.

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The neighborhood had seen better days. I walked up along the unkept path until I reached the great oak and gall.

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Good evening, Mr. Grange. I was waiting for you.

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Hello, Len. Nasty night, sir, isn't it?

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It's not much warmer in here.

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There's a power in the dining room.

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Good. What ever made Sir William move into this drafty dungeon?

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Oh, we haven't moved in, sir. It's only temporary. Sir William just rented it. We still live in the West End.

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Oh, I see. Have any of the other guests arrived?

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Yes, Mr. Grange. Miss Stone is here.

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Oh, hello there.

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Oh, you must be Roberta Stone, the mystery writer. I'm Arthur Grange.

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How do you do, Mr. Grange?

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I've read all of your stories, Miss Stone, and enjoyed them tremendously.

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Oh, that's very nice of you. Thank you so much.

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Listen, just what's going on here tonight?

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I don't know. Sir William sounded awfully mysterious.

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Didn't he, though? He told me to come armed.

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He told me the same thing. Here's my gun. I must admit I've never fired it in my life. It scares me to death.

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Why do you suppose he picked a spot like this to give a dinner party?

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Oh, it's the scene of the crime.

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Huh? What crime?

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Murder. A particularly unpleasant one.

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Really? I must say the murderer couldn't have picked a more ideal setting.

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Well, good evening, Roberta. Arthur. I'm glad you're both on time.

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Hello, Sir William.

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What a nice apartment you have here. A sort of mausoleum and dining room combined.

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You're a bit afraid, aren't you?

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Of course not. Why should I be?

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Your eyes give you away.

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What's all this about? You invite us to this godforsaken damp dungeon and tell us to come armed?

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Now, don't be upset, Arthur. It's only a precaution.

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Who's the other guest, Sir William?

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Well, there are two more guests. But first, I'll tell you all about it.

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Lane, will you serve the drinks?

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Yes, Sir William.

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I'll tell you what's going to happen tonight. This house, Turrett House, was the scene of the Sydenham murder, a very famous case.

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Yes, of course. I remember it.

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That's right. No offense, old man, but wasn't it the only case you never solved?

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Arthur, I solved the Sydenham case, but I couldn't bring the criminal to justice because of insufficient evidence.

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You mean you knew who the murderer was?

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Yes, of course. It was the nephew.

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The nephew? Then why in the world didn't you put him in...

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Because the nephew had an absolute and unimpeachable alibi.

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To have arrested him would have meant a waste of time and money, and a release in the end.

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Besides, according to English law, a man acquitted can never be arrested again on the same murder charge.

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The nephew, John Bedford, will be here to dine with us. And, oh yes, the victim, Miss Ferguson.

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What? Hey, wait. Do you mean Miss Ferguson wasn't actually murdered?

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Miss Ferguson is quite dead. Has been dead these two years.

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You mean you're going to have the body of Miss Ferguson here while we eat?

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Well, this promises to be a very gay dinner.

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Now, see here, as you both know, I've never lost a case except the Sydenham murder, which will be finished tonight.

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Now, I'm an egotist. I don't believe there's a criminal in all England that can outwit me.

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And as a matter of fact, I've resigned from the criminal investigation for the sole purpose of trapping Mr. John Bedford.

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You have an awful lot of patience.

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Infinite patience. I devoted two years to this case, and now that my moment of triumph has arrived, I wanted to have some witnesses.

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A writer who will record the event, and an admirer who will applaud with awe the cleverness of my scheme.

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If it's as gruesome as I think it is, I won't be here to watch it.

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Oh, I think you will. Horror has a way of fascinating and hypnotizing people.

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Besides, Arthur, you'd be ashamed to run out now.

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I'll stay, of course.

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So will I.

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Oh, good. Now, before I tell you my scheme, let me first acquaint you with the details of the murder.

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Well, exactly two years ago tonight, in this very house,

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Oh, Miss Ferguson.

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Hilda. Hilda, where are you? Oh, where is that foolish maid?

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Yes, Miss Ferguson.

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Why don't you answer when I call?

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Well, I was in the kitchen, Mum.

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It's after ten o'clock. You should be on your way home.

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Well, I was just about to leave. Has my nephew called?

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No, Mum. Mr. Bedford hasn't called since yesterday. I told him he couldn't come in, just like you said.

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I don't ever want to see him again. He's no good. He's an evil man who will come to an evil end.

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You're never to let him in here, Hilda.

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He won't ever come in this house if I can help it.

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No, Mum.

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Now you'd better run along and make sure all the doors are bolted.

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Yes, Mum.

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Hmm. I'll change my will. Won't leave him a penny, I won't.

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Good night, Miss Ferguson.

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Oh, good night, Hilda.

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Good night.

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Who does he think he is? In the morning I'll change the will. That's what I...

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Who's there? Who is it?

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It's I, Aunt Martha, your own affectionate nephew.

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What are you doing in my house?

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You're not at all pleased to see me. You're only living relative, too.

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I'd like you to leave at once or I'll call the police.

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I'd rather not, Auntie. I want to have a talk with you.

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You don't want to talk to me. All you want is money.

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Yes, Auntie. I want money and lots of it.

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You've got all the money you'll ever get out of me.

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You won't even get a penny after I die. I'll see to that.

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Perhaps you'll appreciate the value of money after you've worked for it.

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Why are you wearing gloves?

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I've made up my mind, Auntie.

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What are you doing? Keep away!

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You're an old woman, Auntie. All that money is no good for you. You can't ever use it.

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I'm young. Money means life to me, a rich and gay life.

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You're old, Auntie, and you're going to die soon anyway.

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No! It can't be! You're not going to do that!

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Yes, Auntie, I am!

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You don't want to live anyway, Auntie. You're lonely, sick and old.

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I'm doing you a favour!

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Nobody can hear you, Auntie.

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I'm your heir, your only heir, Auntie. Your next of kin.

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Your stage is going to be mine, Auntie. All of it.

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Now, don't you worry, Auntie. We'll have a fine funeral for you.

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The

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The

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The

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The

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Yes, yes, that's pretty much the way old Mrs Ferguson was murdered.

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Hilda found the body the next morning.

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I immediately went to work on the case. All the evidence pointed to John Bedford.

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Everyone believed he committed the crime. He almost admitted it himself.

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I had him brought into my office for questioning.

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How do you do, Sir William?

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Cigarette. Thank you.

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Well, how does it feel to kill your own aunt?

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May I have a light, please? Yes, of course.

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Thank you. I wouldn't know, Sir William. You see, I never killed anyone. Have you?

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I have, Mr Bedford. I've sent quite a few to the gallows.

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So I understand.

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What was your relationship to Miss Ferguson?

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She was my aunt. Don't be slippant.

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Well, to tell you the truth, sir, my aunt didn't like me.

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She thought I was a spendthrift and a useless parasite, and she was quite right.

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Now, I believe it's customary to ask the accused his whereabouts on the night of the crime.

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Yes, it is. And won't you tell me?

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In jail. I had a little too much and got into a bit of a tiff with someone.

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That's quite an alibi. Quite a fact.

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It was hardly possible for me to be in jail and kill my aunt at the same time.

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Unless, of course, my aunt came into my cell and allowed me to murder her,

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after which she walked back to the Tullet House as a ghost dragging her body behind her.

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Hardly possible.

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Don't you think you ought to check my story?

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I already have. You've done a very skillful job.

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Too bad you couldn't use your talents for something constructive.

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Well, then, why don't you arrest me, Sir William?

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No, Mr Bedford, I have time. Plenty of time.

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Well, you'd better work fast.

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If you get around to me, I'll have spent all of my aunt's beautiful money.

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It's not the money we're after. It's you and your beautiful life.

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Good day, Mr Bedford.

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That's how the matter stood. I refused to let my men arrest him.

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But how in the world could he have murdered his aunt when he was in jail?

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Perhaps he bribed the prison guard to let him out for an hour.

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That's excellent, Roberta. I believe that's exactly what happened.

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Unfortunately, the guard died of pneumonia soon afterwards,

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which left us no further source of evidence.

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As far as I can see, Sir William, you haven't a leg to stand on.

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You're quite right, Arthur. I haven't.

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Except that every man, particularly a criminal, has an Achilles heel.

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I discovered John Bedford's weakness.

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Sounds like I'm going to have a good story.

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What is it?

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He's very superstitious.

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How did you learn that?

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I've never suffered a defeat in my life.

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John Bedford was the first setback.

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Here was a clever, calloused criminal who laughed at me.

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No one had ever done that before.

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Bedford knew I could do him no harm, and he made the most of it.

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Carefully and patiently, I thought it over.

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I looked upon Bedford as you would look upon a Chinese puzzle.

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There is no such thing as an impregnable defense.

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A few months later, I went to visit Bedford.

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Sir William, what a surprise. Would you come in, please?

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Thank you, Mr. Bedford.

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I'm really honored to have the great Sir William Brent pay me a visit.

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You're not after any more clues, I hope.

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It does get rather tedious.

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Not at all. I know when I'm licked.

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I don't want to appear smug, sir, but everyone has his Waterloo.

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Would you have a drink?

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No, thanks. I suppose you're curious about why I came here.

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Well, I hardly imagined it was a friendly visit.

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I've resigned from the criminal investigation.

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I'm a private citizen now.

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Yes, I heard about that.

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You know, most people misunderstand me.

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It wasn't my love for justice that made me pursue my profession

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with such tenacity and success.

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Yes?

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Of course, with the sole exception of your case, of course.

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It was a game of skill to me.

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My wits against all comers.

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I lost in your case.

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But then we've all got to lose some time.

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I don't believe you, Sir William.

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You're still after me. But I'm afraid it's no go.

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I've kept out of trouble so far, Nuck Wood.

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That's an odd habit for a man like you, Bedford.

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You're not superstitious, are you?

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Of course not.

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Well, now as to the reason for my visit.

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I noticed in the papers that you're looking for a tenant for Tarrant House.

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Why, yes, I am. I'd like to rent it.

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Well, the scene of the crime, huh?

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Well, of course, why not? There's no harm in it.

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As a matter of fact, I'll let you have it very cheaply.

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And that's how I rented this house.

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The house where the murder was committed.

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What's your plan?

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It had better be a good one. Mr. Bedford sounds like a hard customer.

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Yes, it's a strange plan, but an effective one.

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I saw Bedford frequently.

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Our acquaintance blossomed into a kind of friendship.

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An armed friendship, of course.

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He knew I was out to get him, and I wanted him to know that.

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He's vain, very vain. And this game intrigued him.

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I also learned he's a very superstitious.

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Tonight is the anniversary of the murder.

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And tonight Mr. Bedford dines with us at eight o'clock.

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It's nearly eight now.

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Now, this is the plan. You and Rume Wakefield, of course.

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Naturally, the Shakespearean actor.

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That's right.

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Now, during dinner, Miss Wakefield will enter the room

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in the precise likeness of Miss Ferguson, the murdered woman.

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We, of course, will pretend not to see her.

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We remain outwardly unconscious of her.

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Only Bedford will be aware of her presence.

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I believe Bedford will confess.

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But this is the anniversary. I'd imagine you'd keep away on this night.

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He's giddy with success on also the fact that Roberta Stone,

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the famous writer, is here with us.

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Tweaks his vanity. He'll be here and promptly.

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I don't like this.

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Well, this is just like one of your stories.

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It doesn't become you to be frightened.

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I won't run away.

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Now, there's one more thing.

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During dinner, the electric lights will be switched off at the main,

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and candles will be lit.

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We must have the correct atmosphere.

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You understand now. You are not to see May Wakefield.

18:54.000 --> 18:56.000
She doesn't exist for us. Is that clear?

18:56.000 --> 18:57.000
Well, I'll look right through her.

18:57.000 --> 18:59.000
Oh, it gives me the creeps.

18:59.000 --> 19:02.000
Ah, that's Bedford.

19:05.000 --> 19:09.000
The appearance of John Bedford suddenly made the whole scene grimly real.

19:09.000 --> 19:12.000
He was a tall, well-built man in his late thirties,

19:12.000 --> 19:15.000
immaculately dressed and perfectly groomed.

19:15.000 --> 19:18.000
At first sight, his face seemed pleasant enough,

19:18.000 --> 19:22.000
but on closer scrutiny, his gray eyes were hard and cold.

19:22.000 --> 19:26.000
He looked all of us over with arrogance and superiority.

19:26.000 --> 19:28.000
I heartily wished I was elsewhere.

19:28.000 --> 19:32.000
This was one scene I had no desire to witness.

19:32.000 --> 19:35.000
After the introductions were over, we sat down to dinner.

19:35.000 --> 19:37.000
Is it still nasty outside, Mr. Bedford?

19:37.000 --> 19:39.000
Oh, getting worse.

19:39.000 --> 19:41.000
Looks like we're in for a few days of this.

19:41.000 --> 19:42.000
That's too bad.

19:42.000 --> 19:44.000
I was going to do some writing tomorrow.

19:44.000 --> 19:46.000
Mmm, the soup is excellent.

19:46.000 --> 19:49.000
Oh, yes, yes, indeed. Your cook should be congratulated, sir.

19:49.000 --> 19:51.000
The soup is a masterpiece.

19:51.000 --> 19:54.000
Poor Alice. She's been my cook for 20 years,

19:54.000 --> 19:56.000
but she's given me notice.

19:56.000 --> 19:58.000
Absolutely refuses to stay here.

19:58.000 --> 20:00.000
Says this house is haunted.

20:00.000 --> 20:03.000
Roberta, you might make an interesting story for you.

20:03.000 --> 20:04.000
You might speak to her.

20:04.000 --> 20:05.000
Oh, really?

20:05.000 --> 20:09.000
Alice swears that she's seen the figure of an elderly lady

20:09.000 --> 20:13.000
with finger marks on her throat walking about the house.

20:13.000 --> 20:17.000
Come now, Sir William. This is too good.

20:17.000 --> 20:20.000
What an obvious attempt to frighten me.

20:20.000 --> 20:23.000
Sir William is convinced that I murdered my aunt.

20:23.000 --> 20:25.000
But please, Sir William, a little more subtlety.

20:25.000 --> 20:27.000
Surely I deserve it.

20:27.000 --> 20:29.000
Perhaps the cook did see the figure.

20:29.000 --> 20:31.000
It might interest you to know, Mr. Bedford,

20:31.000 --> 20:33.000
that I don't believe in ghosts.

20:33.000 --> 20:36.000
And I'm sure my cook never saw this elderly figure.

20:36.000 --> 20:37.000
It's all in her mind.

20:37.000 --> 20:40.000
I am afraid your little attempt didn't work, sir,

20:40.000 --> 20:43.000
but I must admit your graceful admission of its failure.

20:43.000 --> 20:46.000
Yes, I suppose I'd better give up, shouldn't I?

20:46.000 --> 20:48.000
Oh, no, no, no, never give up.

20:48.000 --> 20:51.000
If at first you don't succeed, you know...

20:51.000 --> 20:53.000
Do you live very far from here, Mr. Bedford?

20:53.000 --> 20:54.000
Thank you, Miss Stone.

20:54.000 --> 20:56.000
There's really no need to change the topic.

20:56.000 --> 20:59.000
I hope you find this game as amusing as I do.

20:59.000 --> 21:00.000
I'm sorry, Mr. Bedford,

21:00.000 --> 21:03.000
but this isn't my idea of pleasant dinner conversation.

21:03.000 --> 21:05.000
Well, we'll talk of pleasant things, then, eh?

21:05.000 --> 21:07.000
I saw a very exciting play last night.

21:07.000 --> 21:09.000
Excuse me a moment. It's really fearfully hot in here.

21:09.000 --> 21:11.000
Do you mind if we get a little air, sir?

21:11.000 --> 21:13.000
Oh, I'm sorry. It is rather warm.

21:13.000 --> 21:15.000
Lane, open the windows, please.

21:15.000 --> 21:18.000
Yes, sir.

21:20.000 --> 21:21.000
What terrible weather.

21:21.000 --> 21:23.000
I don't know how we'll ever get home in this.

21:23.000 --> 21:24.000
It's a bad month of the year.

21:24.000 --> 21:27.000
I had intended to go to the Riviera after the season, but you...

21:27.000 --> 21:30.000
Lane, what on earth is wrong with the lights?

21:30.000 --> 21:32.000
I don't know, sir.

21:32.000 --> 21:34.000
Well, don't stand there. Light the candles.

21:34.000 --> 21:36.000
We can't sit here in the darkness.

21:36.000 --> 21:37.000
And get the chauffeur.

21:37.000 --> 21:39.000
He knows something about the electric lights.

21:39.000 --> 21:41.000
I'll call the chauffeur right away, sir.

21:41.000 --> 21:43.000
Yes, I'm terribly sorry about this.

21:43.000 --> 21:45.000
We've had trouble with the wiring before.

21:45.000 --> 21:47.000
The chauffeur will have it fixed in a few minutes.

21:47.000 --> 21:49.000
Now, let's go on with our dinner.

21:49.000 --> 21:51.000
This is one of your tricks, Sir William.

21:51.000 --> 21:53.000
Have some more wine, Mr. Bedford.

21:53.000 --> 21:55.000
Thank you.

21:56.000 --> 21:58.000
It was a tense and terrible moment.

21:58.000 --> 22:01.000
I looked at Roberta. She was pale and frightened.

22:01.000 --> 22:04.000
Bedford, for all his poise, was uneasy.

22:04.000 --> 22:07.000
He didn't know whether Sir William was planning anything,

22:07.000 --> 22:09.000
or whether this was really an accident.

22:09.000 --> 22:11.000
My heart was pounding away,

22:11.000 --> 22:13.000
and my palms were wet with perspiration.

22:13.000 --> 22:15.000
Only Sir William appeared cool.

22:15.000 --> 22:18.000
There was not a trace of emotion in his face.

22:18.000 --> 22:22.000
Oh, Mr. Bedford, you were saying about visiting the Riviera.

22:22.000 --> 22:25.000
It's quite a change from England at this time of year.

22:25.000 --> 22:28.000
Well, I suppose I'll make the trip next month, but I...

22:29.000 --> 22:31.000
What's the matter, Mr. Bedford?

22:31.000 --> 22:33.000
Nothing. Nothing at all.

22:33.000 --> 22:36.000
I wish we could have some light. It's rather difficult to see.

22:36.000 --> 22:39.000
Yes, I'm terribly sorry. I just had to have my... just a dinner.

22:39.000 --> 22:41.000
Have a little more wine, Mr. Bedford.

22:41.000 --> 22:43.000
Oh, yes. Here's, thank you.

22:45.000 --> 22:47.000
The figure of a woman had entered the room.

22:47.000 --> 22:50.000
She had come in silently, like a ghost.

22:50.000 --> 22:52.000
We all saw her,

22:52.000 --> 22:55.000
but not one of us moved or made a sign of recognition.

22:55.000 --> 22:59.000
In the dim candlelight, she looked ghostly and unreal.

22:59.000 --> 23:03.000
Bedford looked at all of us to see if we had also seen the figure before his eyes.

23:03.000 --> 23:05.000
But we ate our dinner grimly.

23:05.000 --> 23:07.000
He looked again,

23:07.000 --> 23:09.000
then shook his head and gulped more wine.

23:11.000 --> 23:13.000
Don't any of you see anything?

23:13.000 --> 23:15.000
See what, Mr. Bedford?

23:15.000 --> 23:17.000
There's another one of your tricks.

23:17.000 --> 23:19.000
Can't any of you see her?

23:19.000 --> 23:21.000
What's got into you, Bedford?

23:21.000 --> 23:24.000
It's my aunt. My aunt.

23:24.000 --> 23:26.000
Your aunt's dead, Mr. Bedford.

23:26.000 --> 23:28.000
You're not seeing ghosts, I hope.

23:28.000 --> 23:30.000
Maybe I had...

23:30.000 --> 23:32.000
She's... she's coming to old me.

23:32.000 --> 23:35.000
Now calm yourself. I've never seen you like this.

23:35.000 --> 23:37.000
There's no one else here.

23:37.000 --> 23:39.000
Do you see anyone, Roberta?

23:39.000 --> 23:41.000
No. No, Sir William.

23:41.000 --> 23:43.000
I don't either.

23:43.000 --> 23:45.000
Let me out of here.

23:45.000 --> 23:47.000
I can't make you out, Bedford. There's no one here.

23:47.000 --> 23:50.000
My nephew.

23:50.000 --> 23:55.000
You're not wearing gloves today, John.

23:55.000 --> 23:57.000
She's real.

23:57.000 --> 23:59.000
Can't any of you see her? Can't you hear her?

23:59.000 --> 24:01.000
What's come over you, Bedford?

24:01.000 --> 24:03.000
I'm leaving here.

24:03.000 --> 24:05.000
I'm going to the door. She won't let me out.

24:05.000 --> 24:08.000
I'm an old woman.

24:08.000 --> 24:12.000
Money is no good for me.

24:12.000 --> 24:16.000
I'm lonely, John.

24:16.000 --> 24:18.000
I'm lonely.

24:18.000 --> 24:21.000
Let me by, old Martha, out of my way.

24:21.000 --> 24:23.000
There's no one in your way, Bedford. Please sit down.

24:23.000 --> 24:26.000
Get away from that door! I'll murder you again!

24:26.000 --> 24:29.000
You hear that, Mother? I'll murder you again, you old witch!

24:29.000 --> 24:31.000
I'll murder you again!

24:31.000 --> 24:33.000
All right. Switch on the lights.

24:33.000 --> 24:35.000
I'll murder you again.

24:35.000 --> 24:37.000
Officer Graham, arrest him.

24:37.000 --> 24:39.000
You heard the confession.

24:39.000 --> 24:41.000
Put the handcuffs on him.

24:41.000 --> 24:45.000
I've never seen anything so horrible.

24:45.000 --> 24:47.000
Let me out of here.

24:47.000 --> 24:51.000
Well, Bedford, it seems that I've finally caught up with you.

24:51.000 --> 24:54.000
I'll kill her again. I'll kill her again!

24:54.000 --> 24:57.000
That wasn't your aunt. It was Miss Wakefield, the actress.

24:57.000 --> 25:01.000
I'll kill her again! I'll kill her again!

25:01.000 --> 25:05.000
Take him away, Graham. He's in a state of shock.

25:11.000 --> 25:13.000
Shall we continue with our dinner?

25:13.000 --> 25:16.000
I hope you're fully satisfied, Sir William.

25:16.000 --> 25:19.000
Quite. It's been a long job.

25:19.000 --> 25:22.000
But it has ended as I knew it would.

25:22.000 --> 25:24.000
I'm most grateful to you both for your help.

25:24.000 --> 25:26.000
I thought it was a pretty grim affair.

25:26.000 --> 25:28.000
I must say you know your job.

25:28.000 --> 25:30.000
May Wakefield certainly knew hers.

25:30.000 --> 25:33.000
That was the finest piece of acting I've ever seen.

25:33.000 --> 25:36.000
Yes. Her make-up was incredibly good.

25:36.000 --> 25:39.000
I must congratulate her. She's probably gone to her room.

25:39.000 --> 25:40.000
Oh, Elaine.

25:40.000 --> 25:41.000
Yes, Sir?

25:41.000 --> 25:42.000
Please call Miss Wakefield.

25:42.000 --> 25:43.000
Miss Wakefield, Sir?

25:43.000 --> 25:45.000
Yes, the lady who's been assisting us this evening.

25:45.000 --> 25:48.000
I haven't seen her, Sir, but I look for her, Sir.

25:48.000 --> 25:50.000
Yes, well, tell her to come down and join us.

25:50.000 --> 25:52.000
We have a fine dinner waiting for her.

25:52.000 --> 25:55.000
Oh, excuse me, Sir, but this telegram came a little while ago.

25:55.000 --> 25:58.000
I didn't want to disturb you during dinner.

25:58.000 --> 26:00.000
Let me have it.

26:06.000 --> 26:08.000
Sir William, what's wrong?

26:08.000 --> 26:09.000
Good.

26:11.000 --> 26:13.000
I'll read it to you.

26:14.000 --> 26:16.000
Extremely sorry.

26:16.000 --> 26:22.000
Severe influenza makes it impossible for me to leave my bed tonight.

26:22.000 --> 26:25.000
Will tomorrow night do.

26:25.000 --> 26:28.000
Signed, May Wakefield.

26:29.000 --> 26:31.000
Lord, help us.

26:31.000 --> 26:36.000
If it wasn't May Wakefield, then who was that figure here tonight?

26:37.000 --> 26:39.000
There was no answer.

26:39.000 --> 26:42.000
I looked at Sir William staring at the telegram.

26:42.000 --> 26:45.000
His face was gray and stony.

26:45.000 --> 26:48.000
On his left temple a crooked blue vein stood out.

26:48.000 --> 26:51.000
It twitched once or twice, and then was motionless.

26:51.000 --> 26:53.000
He looked.

26:53.000 --> 26:56.000
He looked as though he'd seen a ghost.

27:07.000 --> 27:11.000
And so closes Banquo's Chair, starring Donald Crisp and John Loder.

27:11.000 --> 27:15.000
Tonight's tale of Suspense.

27:15.000 --> 27:19.000
Suspense is produced and directed by William Spear.

27:19.000 --> 27:25.000
Have you discovered, as thousands have, how much Roma wines add to the enjoyment of your meals?

27:25.000 --> 27:30.000
How their superb flavor makes special occasion feasts out of everyday meals?

27:30.000 --> 27:32.000
Well, find out for yourself.

27:32.000 --> 27:37.000
Start off the meal with that delightful appetizer, Roma California Sherry.

27:37.000 --> 27:41.000
Then place on the table a well-chilled bottle of Roma California table wine.

27:41.000 --> 27:46.000
Delicate Sauternes, Hearty Burgundy, or Tarte Tasty Claret.

27:46.000 --> 27:51.000
You'll be amazed at the tremendous difference Roma wine makes in the enjoyment of your foods.

27:51.000 --> 27:56.000
Now don't overlook this easy, inexpensive way to add thrilling extra enjoyment to everyday living.

27:56.000 --> 28:00.000
Remember, Roma wines cost only pennies a glass.

28:00.000 --> 28:06.000
So take a tip from the millions who enjoy Roma wines at meals or when entertaining.

28:06.000 --> 28:10.000
Ask for R-O-M-A, Roma wines.

28:10.000 --> 28:17.000
America's largest selling wines, made in California for enjoyment throughout the world.

28:17.000 --> 28:19.000
This is John Loder.

28:19.000 --> 28:23.000
There is no program that Mr. Crisp and I admire more than Suspense.

28:23.000 --> 28:28.000
And I know I speak for him as well as myself in saying how thoroughly we have enjoyed our appearance here this evening.

28:28.000 --> 28:34.000
Now, with the request of our government, I want to pass this information along on behalf of the Merchant Marine.

28:34.000 --> 28:39.000
Six ships a day instead of five soon will be coming off the ways of our shipyards.

28:39.000 --> 28:43.000
The United States shipbuilding program is being increased rather than cut.

28:43.000 --> 28:48.000
A few days ago, contracts were awarded for 262 additional new ships.

28:48.000 --> 28:54.000
Every one of them must be manned by 40 to 50 men, most of them with previous sea experience.

28:54.000 --> 29:06.000
The longer Pacific distances and expanding supply problems on every front will call for the continuous employment of large numbers of men and ships until Japan is totally defeated.

29:06.000 --> 29:15.000
The universal demand for a strong post-war Merchant Marine makes post-war opportunities in these jobs fully as great as in any American industry today.

29:15.000 --> 29:22.000
Next Thursday, same time, you will hear Mr. Charles Lawton as star of Suspense.

29:22.000 --> 29:32.000
Presented by the Roma Wine Company of Fresno, California, Roma wines, R-O-M-A, made in California for enjoyment throughout the world.

29:32.000 --> 29:36.000
This is CBS, the Columbia Broadcasting System.

