1 00:00:00,000 --> 00:00:21,160 Roma wines presents Suspense. Roma wines made in California for enjoyment throughout the 2 00:00:21,160 --> 00:00:28,000 world. Salud. For your health, senor. Roma wines toast the world. The wine for your table 3 00:00:28,000 --> 00:00:35,600 is Roma wine, made in California for enjoyment throughout the world. This is the man in black 4 00:00:35,600 --> 00:00:42,600 here for the Roma wine company of Fresno, California, to introduce this weekly half hour of Suspense. 5 00:00:42,600 --> 00:00:49,440 Tonight from Hollywood, Roma wines bring you a star, Mr. Gene Kelly, in a suspense play that 6 00:00:49,440 --> 00:00:56,080 tells of fear and suspicion and dangerous adventure on the long highway from California to New York. 7 00:00:56,080 --> 00:01:02,160 And so with death went along for the ride and with the performance of Gene Kelly as a man 8 00:01:02,160 --> 00:01:07,320 named George Javery, we again hope to keep you in Suspense. 9 00:01:07,320 --> 00:01:23,920 Take Mr. Brown to 314. Yes, sir. I want a room. The name, sir. George Javery, 10 00:01:23,920 --> 00:01:28,600 but I haven't got a reservation. Oh, well, I think we can fix you up, Mr. Javery. If you'll sign, 11 00:01:28,600 --> 00:01:34,720 please. Sure. Excuse me, friend. Yes? I couldn't help hearing your name, Javery. 12 00:01:34,720 --> 00:01:40,000 Well, that's right. In the relation to Frank Javery of Cincinnati? Well, not that I know of. 13 00:01:40,000 --> 00:01:46,720 Kind of a funny name, no offense, you understand, but I just thought, you know. Sure, I know. 14 00:01:46,720 --> 00:01:53,640 Been doing quite a lot of traveling, haven't you, Mr. Javery? I see all them stickers on your bags. 15 00:01:53,640 --> 00:01:59,200 Oh, oh, yes, I've been out of the country. Room 610, 450 a day. Will that be all right, Mr. Javery? 16 00:01:59,200 --> 00:02:07,680 Sure. You going to stay in Reno very long? Just overnight. Going east? Uh-huh. You driving? 17 00:02:07,680 --> 00:02:15,960 Yeah. Say, what do you want to know? I thought I'd tip you off to a good place to eat, see. You like 18 00:02:15,960 --> 00:02:22,240 steaks? When I get them? Better stop at Harry's place then. Best steaks between here and Chicago. 19 00:02:22,240 --> 00:02:27,000 Here's the address. I wrote it down for another fellow this morning, but he left before I could 20 00:02:27,000 --> 00:02:36,680 give it to him. Oh, well, thanks. You driving back east alone? Yes. Say, what did you say your name 21 00:02:36,680 --> 00:02:43,440 was? I didn't, but it's Brown, Steve Brown. Well, look, Mr. Brown, if you want a free ride east, 22 00:02:43,440 --> 00:02:49,240 why don't you just... Oh, me? No, no, no. I'm heading up to Portland, see. Oh, well, have a good trip, Mr. Brown. 23 00:02:49,240 --> 00:02:54,000 Same to you, Mr. Javery. Thanks. Don't forget to stop at Harry's place, Mr. Javery. I think you'll 24 00:02:54,000 --> 00:03:03,840 find it a very interesting spot. Very interesting. Mr. Javery. What is it? Did you notice a fellow 25 00:03:03,840 --> 00:03:07,840 with only one arm? No. Where? I didn't think you did. He said he was a friend of yours, 26 00:03:07,840 --> 00:03:12,520 but don't have nothing to do with him, Mr. Javery. He's no friend of yours. He's no friend of anybody. 27 00:03:12,520 --> 00:03:20,480 Don't have nothing to do with him. Oh, here's your drink, Mr. Javery. Thanks. Oh, did your friend find you, 28 00:03:20,480 --> 00:03:25,480 Mr. Javery? What friend? One arm fella. He was looking for you. He said I should keep my eye out 29 00:03:25,480 --> 00:03:32,120 for you. A one arm fri... a one arm man, Mr. Javery? I know. There's no guest at the hotel that answers 30 00:03:32,120 --> 00:03:43,880 that description. I tell you, I seen him coming out of your room, Mr. Javery. I don't know how he got in there, but I seen him coming out. 31 00:03:43,880 --> 00:03:47,880 You heard me. I'm checking out. If there's anything wrong... No, there's nothing wrong. I'm just checking out, 32 00:03:47,880 --> 00:03:51,800 that's all. But at three o'clock in the morning... Look, I said I'm checking out. Now, please get my 33 00:03:51,800 --> 00:04:01,680 bags out to the car. Just put them in the back of the car. Yes, sir. Now, look, kid. 34 00:04:01,680 --> 00:04:07,680 I've been waiting for the last time. Do you know? I don't know nothing, Mr. Javery. Honest. I don't know nothing. Okay, okay. Here. 35 00:04:07,680 --> 00:04:18,680 Gee, look, here he comes now. Hey, hey, wait a minute. Thanks, Mr. Javery. You going east, Mr.? Oh, oh, it's you, huh? 36 00:04:18,680 --> 00:04:26,680 Say, what's the big idea? What big idea? Now listen to me, my one armed friend. I can't help having one arm, Mr. 37 00:04:26,680 --> 00:04:30,680 All right, all right. But what's the idea of following me around? You've been following me ever since I got here. 38 00:04:30,680 --> 00:04:39,680 Oh, well, I'm sorry about that, Mr. So am I. Now, what about it? Well, you see, I'm kind of down on my luck, so I'm hitchhiking. 39 00:04:39,680 --> 00:04:48,680 I gotta get east, and I heard you were going east, so... Ah, you are going east, ain't you, Mr.? Well, yes. Yes, I am. 40 00:04:48,680 --> 00:05:04,680 Do you mind if I come along a piece? Oh, all right, hop in. Say, there's one thing you haven't explained to me yet. 41 00:05:04,680 --> 00:05:12,680 What's that? What were you doing in my room? Hitchhiking? I was never in your room. The bellboy said he saw you come out. 42 00:05:12,680 --> 00:05:20,680 I don't know what he said, but I was never in your room. Oh. That's kind of late to start driving, I guess. 43 00:05:20,680 --> 00:05:31,680 I don't mind. I am used to night work. Oh. Say, I don't think I got your name. Jones. One armed Jones, they call me mostly. 44 00:05:31,680 --> 00:05:43,680 You traveling far, Mr. Jones? As far as St. Louis. Have you been in San Francisco lately? No. No, I came by way of San Diego. 45 00:05:43,680 --> 00:05:52,680 Why do you ask, Mr. Javery? Oh, nothing. I thought I might have seen... What's the matter? How did you know my name? 46 00:05:52,680 --> 00:06:02,680 Your name? That's an old hitchhiker's gag. Hang around a hotel lobby and find out who's who and maybe where he's heading, see? 47 00:06:02,680 --> 00:06:12,680 Yeah. See? There doesn't seem to be much traffic tonight, does there? No. Are you looking for something? 48 00:06:12,680 --> 00:06:20,680 Oh, just reaching for a cigar. Get your hand out of your pocket! Get it out, I said! You don't have to pull a gun out. 49 00:06:20,680 --> 00:06:27,680 All right, Mr. Jones. Come on, let's have it. What's your game? Game? Yeah, your game. Come on, spill it. I don't get it. Neither do I. 50 00:06:27,680 --> 00:06:34,680 I suppose you haven't been tailing me ever since I checked into that hotel. Well, I explained about the hitchhiker. Get out! Out of the car? You heard me. 51 00:06:34,680 --> 00:06:51,680 Okay. But Mr. Javery? What? Don't be too surprised if you see me again sometime. Good night, Mr. Javery. 52 00:06:51,680 --> 00:07:02,680 Tonight for suspense, Roma wines bring you a star, Mr. Gene Kelly, whom you have heard in the prologue to Death Went Along for the Ride by Henry Denker and Ralph Berkey. 53 00:07:02,680 --> 00:07:12,680 Tonight's adventure in suspense. 54 00:07:12,680 --> 00:07:19,680 In this brief intermission in the play, let's imagine we're listening to a conversation taking place at the Smart Coral Beach and Tennis Club in Bermuda. 55 00:07:19,680 --> 00:07:29,680 An American about to depart for the States thanks his Bermudian friend for the gracious hospitality shown him, and in particular for the especially enjoyable wine his friend served. 56 00:07:29,680 --> 00:07:42,680 He remarks how much he'd like to be able to get some of that same wine at home. The Bermudian chuckles as he says, but my friend, that wine you enjoyed so much, it comes from the great wine districts of your own California. 57 00:07:42,680 --> 00:07:54,680 It is Roma wine. Yes, friends, many Americans are still not aware that Roma wines are so highly rated in many foreign lands that they are imported to be enjoyed as rare luxuries. 58 00:07:54,680 --> 00:08:07,680 But here in America, we can still enjoy the superb Roma wines as a daily pleasure, well within reach of the most modest purse, with no high import duty, no expensive shipping costs included. 59 00:08:07,680 --> 00:08:23,680 That's why Roma wines cost you so little. Have you been overlooking the enjoyment these richly satisfying Roma wines offer, as a delectable beverage at any time, as the addition that can make any meal an occasion, as a sure-to-be-appreciated offering to your guests when you entertain? 60 00:08:23,680 --> 00:08:34,680 You get some idea of the great worth of these fine Roma wines when you learn Roma wines are America's largest selling wines. I'll spell the name for you. 61 00:08:34,680 --> 00:08:41,680 R-O-M-A, Roma wines, made in California for enjoyment throughout the world. 62 00:08:41,680 --> 00:08:56,680 And now it is with pleasure that we bring back to our sound stage our star, Gene Kelly, as George Javery, in Death Went Along for the Ride, a tale well calculated to keep you in suspense. 63 00:09:11,680 --> 00:09:18,680 All right, put them up. Come on, get them up and step out in front of those headlights where I can see you. 64 00:09:18,680 --> 00:09:20,680 Come on before I let you... 65 00:09:20,680 --> 00:09:22,680 Oh shoot, mister. 66 00:09:22,680 --> 00:09:25,680 Well, what do you want? 67 00:09:25,680 --> 00:09:28,680 Not to get shot right now. 68 00:09:28,680 --> 00:09:31,680 Oh, I'm sorry. 69 00:09:31,680 --> 00:09:33,680 Kind of jumpy, aren't you? 70 00:09:33,680 --> 00:09:36,680 Yeah, maybe. Were you going in at his joint here? 71 00:09:36,680 --> 00:09:38,680 Well, I was. 72 00:09:38,680 --> 00:09:41,680 Well, come on, I'll buy you a cup of coffee. 73 00:09:41,680 --> 00:09:44,680 I think I earned it at that. 74 00:09:44,680 --> 00:09:48,680 Well, howdy, folks. Good to see somebody out kind of late, eh? 75 00:09:48,680 --> 00:09:51,680 Yeah, yeah, yeah, yeah. Black coffee, huh? How about you? 76 00:09:51,680 --> 00:09:53,680 The same, I guess. 77 00:09:53,680 --> 00:09:57,680 Look, I'm sorry, I frighten you. Say, what's your name? 78 00:09:57,680 --> 00:10:00,680 Eileen. Eileen Harrison. What's yours? 79 00:10:00,680 --> 00:10:07,680 George Javery. Say, what are you doing walking along a million miles from no place at this time of night? 80 00:10:07,680 --> 00:10:12,680 I started driving east in a $50 jalopy yesterday like a fool. It just fell apart on me. 81 00:10:12,680 --> 00:10:15,680 I was coming in here to phone or something. 82 00:10:15,680 --> 00:10:17,680 How far east are you going? 83 00:10:17,680 --> 00:10:18,680 Greenwich, Connecticut. 84 00:10:18,680 --> 00:10:21,680 I'm going to New York myself. You're welcome. I mean... 85 00:10:21,680 --> 00:10:22,680 Well, I... 86 00:10:22,680 --> 00:10:28,680 Oh, look, if you don't like me, you can always get out and start to walk again. What have you got to lose? 87 00:10:28,680 --> 00:10:31,680 Well, all right. Thanks. 88 00:10:31,680 --> 00:10:34,680 And I could use a little company right now. 89 00:10:34,680 --> 00:10:38,680 There you are. Piece of pie? Piece of pie, bud? 90 00:10:38,680 --> 00:10:40,680 Huh? Oh, oh, no. 91 00:10:40,680 --> 00:10:43,680 How about a hamburger? We got good hamburgers, you know. We got... 92 00:10:43,680 --> 00:10:45,680 No, no. No, just be quiet a minute, will you? 93 00:10:45,680 --> 00:10:46,680 Be quiet? Yeah. 94 00:10:46,680 --> 00:10:47,680 What's the matter? 95 00:10:47,680 --> 00:10:49,680 Shh. Shut up, another tovey. 96 00:10:49,680 --> 00:10:51,680 Sure, anything you say. 97 00:10:51,680 --> 00:10:53,680 Say, what's the matter with you? 98 00:10:53,680 --> 00:10:54,680 I'm listening for something, that's all. 99 00:10:54,680 --> 00:10:56,680 What? 100 00:10:56,680 --> 00:10:57,680 There he comes. 101 00:10:57,680 --> 00:10:59,680 Hey, where are you going? 102 00:10:59,680 --> 00:11:01,680 I wasn't it. 103 00:11:01,680 --> 00:11:03,680 Then what's going on, bud? You hot or something? 104 00:11:03,680 --> 00:11:06,680 No, there's a car out there. It's been following me for the last 200 miles. 105 00:11:06,680 --> 00:11:07,680 Yeah? How'd you know? 106 00:11:07,680 --> 00:11:10,680 I know it. I took a side road. He did too. 107 00:11:10,680 --> 00:11:14,680 I tried to duck him and he hung on. He kept following me. I'm sure that... 108 00:11:14,680 --> 00:11:17,680 Listen, listen, that must be it now. 109 00:11:19,680 --> 00:11:22,680 He's not coming in. He's waiting. 110 00:11:22,680 --> 00:11:24,680 For what? Me. 111 00:11:24,680 --> 00:11:27,680 Look, look, Eileen, here are the keys to the car. Go out and get it. 112 00:11:27,680 --> 00:11:29,680 I'll be waiting at the door. 113 00:11:29,680 --> 00:11:32,680 All right. No, no, go ahead. He won't hurt you. Hurry. 114 00:11:32,680 --> 00:11:33,680 Okay. 115 00:11:33,680 --> 00:11:36,680 Hey, mister, you ain't in trouble, are you? I don't want no trouble. 116 00:11:36,680 --> 00:11:39,680 Keep your shirt on. You'll be all right. Here. 117 00:11:39,680 --> 00:11:42,680 Don't you want your change? No, I'll keep it. 118 00:11:42,680 --> 00:11:45,680 Hop in. I'll slide over. Thanks. 119 00:11:48,680 --> 00:11:51,680 Look back now, baby. It seems that other car followed us. 120 00:11:51,680 --> 00:11:53,680 I don't think so. 121 00:11:53,680 --> 00:11:57,680 Say, look, pal, I don't want to be nosy, but... 122 00:11:57,680 --> 00:12:00,680 Eileen, I wouldn't kid you. I don't know what it is. 123 00:12:00,680 --> 00:12:02,680 Is anyone following us? 124 00:12:02,680 --> 00:12:05,680 No, I don't think so. Uh-oh. 125 00:12:05,680 --> 00:12:07,680 Lights. 126 00:12:07,680 --> 00:12:10,680 Well, that doesn't necessarily mean it's someone following us. 127 00:12:10,680 --> 00:12:13,680 No? How fast are we going now? 128 00:12:13,680 --> 00:12:16,680 About 60. All right, watch. 129 00:12:16,680 --> 00:12:20,680 Hey, please be careful, George. 130 00:12:20,680 --> 00:12:23,680 George? I'll be careful. Is he coming? 131 00:12:23,680 --> 00:12:26,680 Uh-huh. I think he's gaining on us. 132 00:12:26,680 --> 00:12:29,680 Yeah, I thought so. Well, we'll see how much this guy wants to play. 133 00:12:29,680 --> 00:12:31,680 He had a pretty big car, you know. 134 00:12:31,680 --> 00:12:34,680 Yeah, I know. Is he still gaining? 135 00:12:34,680 --> 00:12:36,680 He's closing up pretty fast. 136 00:12:36,680 --> 00:12:39,680 I can't stand this much longer, and I'm going to do something about it. 137 00:12:39,680 --> 00:12:42,680 What are you going to do? I'm going to pull to one side, slam on the brakes, and see what happens. 138 00:12:42,680 --> 00:12:46,680 George! I'll force him into the ditch if I have to. It's what he's trying to do to us. 139 00:12:46,680 --> 00:12:48,680 Hang on. George! 140 00:12:48,680 --> 00:12:50,680 He's passing. He's going to hit us. 141 00:12:50,680 --> 00:12:51,680 I'm trying to. 142 00:12:51,680 --> 00:12:53,680 He's going to turn over. 143 00:12:59,680 --> 00:13:01,680 Come on, let's get out of here. 144 00:13:01,680 --> 00:13:04,680 He... He must have been killed. 145 00:13:04,680 --> 00:13:07,680 Yeah. Did you see him as we hit? 146 00:13:07,680 --> 00:13:09,680 Just for a second. 147 00:13:09,680 --> 00:13:11,680 You notice anything about him? 148 00:13:11,680 --> 00:13:12,680 Not much. 149 00:13:12,680 --> 00:13:18,680 Well, I did. He was a man with only one arm. 150 00:13:29,680 --> 00:13:32,680 Well, this is that Harry's place that guy told me about. 151 00:13:32,680 --> 00:13:33,680 You sure you like steak? 152 00:13:33,680 --> 00:13:34,680 Who doesn't? 153 00:13:34,680 --> 00:13:38,680 Well, this is the place for you then. Find a steak beside Chicago, they tell me. 154 00:13:38,680 --> 00:13:42,680 Come on. 155 00:13:45,680 --> 00:13:46,680 Table for two, sir? 156 00:13:46,680 --> 00:13:47,680 Yeah, please. 157 00:13:47,680 --> 00:13:49,680 Right this way. 158 00:13:52,680 --> 00:13:54,680 Right here. Here's a nice table right by the window. 159 00:13:54,680 --> 00:13:55,680 That's fine. Thanks. 160 00:13:55,680 --> 00:13:56,680 And, madame? 161 00:13:56,680 --> 00:13:57,680 Thank you. 162 00:13:57,680 --> 00:14:00,680 Two steaks, please. Both medium rare. All right? 163 00:14:00,680 --> 00:14:04,680 Yes, sir. Thank you, sir. 164 00:14:04,680 --> 00:14:08,680 George, to get back to our little problem. 165 00:14:08,680 --> 00:14:09,680 Our little problem? 166 00:14:09,680 --> 00:14:12,680 All right, so it's your problem and I'm stuck with it. 167 00:14:12,680 --> 00:14:15,680 Are you sure you don't have any enemies? 168 00:14:15,680 --> 00:14:18,680 How could I have been out of the country for over a year? 169 00:14:18,680 --> 00:14:20,680 I didn't have any when I left. 170 00:14:20,680 --> 00:14:24,680 Well, could there be any connection with that work you were doing with the Chinese government? 171 00:14:24,680 --> 00:14:26,680 Oh, not a chance. I... 172 00:14:26,680 --> 00:14:31,680 Well, look, I don't know any secret plans and I'm no agent, X-9, and all that's out. 173 00:14:31,680 --> 00:14:34,680 Well, maybe it's all just a coincidence. 174 00:14:34,680 --> 00:14:39,680 Oh, sure. One armed guy tags me all over Reno, then says he's a poor hitchhiker. 175 00:14:39,680 --> 00:14:41,680 Then he acts like he's trying to pull a stick up, 176 00:14:41,680 --> 00:14:43,680 and then a hundred miles beyond where I've dropped him, 177 00:14:43,680 --> 00:14:46,680 he shows up in a big Cadillac. Just a coincidence. 178 00:14:46,680 --> 00:14:47,680 Call for Mr. Javery. 179 00:14:47,680 --> 00:14:48,680 George. 180 00:14:48,680 --> 00:14:52,680 Telephone for Mr. Javery. Call for George Javery. 181 00:14:52,680 --> 00:14:55,680 Yeah, another coincidence. 182 00:14:55,680 --> 00:14:56,680 What are you supposing? 183 00:14:56,680 --> 00:14:57,680 I don't know, but I'm going to find out. 184 00:14:57,680 --> 00:14:58,680 George, don't. 185 00:14:58,680 --> 00:15:00,680 Come on, we'll both go answer it. 186 00:15:00,680 --> 00:15:01,680 Are you Mr. Javery? 187 00:15:01,680 --> 00:15:02,680 Yeah. 188 00:15:02,680 --> 00:15:05,680 Well, that's good. They've been trying to reach you all day. 189 00:15:05,680 --> 00:15:06,680 All day? 190 00:15:06,680 --> 00:15:08,680 Yes, this is about the tenth call we've had for you. 191 00:15:08,680 --> 00:15:10,680 The phone booth is right this way. 192 00:15:10,680 --> 00:15:13,680 One little coincidence after another. 193 00:15:13,680 --> 00:15:16,680 Calling me all day at a joint I've never been in before in my life. 194 00:15:16,680 --> 00:15:18,680 George, don't answer it. 195 00:15:18,680 --> 00:15:20,680 Now, look, you just keep an eye out while I'm in the booth. 196 00:15:20,680 --> 00:15:21,680 All right. 197 00:15:21,680 --> 00:15:23,680 Oh, pardon me. 198 00:15:23,680 --> 00:15:25,680 Why, of course. 199 00:15:25,680 --> 00:15:27,680 Hello. 200 00:15:27,680 --> 00:15:29,680 Hello. 201 00:15:29,680 --> 00:15:31,680 Hello. 202 00:15:31,680 --> 00:15:33,680 Can I help you, sir? 203 00:15:33,680 --> 00:15:35,680 Yes, I had a call in this wire. 204 00:15:35,680 --> 00:15:37,680 I'm sorry, but your party seems to have disconnected. 205 00:15:37,680 --> 00:15:39,680 Did you call them? 206 00:15:39,680 --> 00:15:43,680 No, no, no, forget it. 207 00:15:43,680 --> 00:15:45,680 What was it, George? 208 00:15:45,680 --> 00:15:49,680 Come on, let's go out to the car. 209 00:15:49,680 --> 00:15:50,680 Well, what was it? 210 00:15:50,680 --> 00:15:51,680 I don't know. 211 00:15:51,680 --> 00:15:53,680 Whoever it was, as soon as I answered, they hung up. 212 00:15:53,680 --> 00:15:55,680 Come on, come on, there's a guy following us. 213 00:15:55,680 --> 00:15:58,680 The guy I bumped into at the phone booth. 214 00:15:58,680 --> 00:16:03,680 Oh, that's what that phone call was for. 215 00:16:03,680 --> 00:16:05,680 Get in the car quick. 216 00:16:05,680 --> 00:16:07,680 Here he comes. 217 00:16:07,680 --> 00:16:09,680 Oh, oh, Mr. Jeffrey. 218 00:16:09,680 --> 00:16:10,680 George, he's pointing something. 219 00:16:10,680 --> 00:16:11,680 It's a camera. 220 00:16:11,680 --> 00:16:12,680 Thanks, Mr. Jeffrey. 221 00:16:12,680 --> 00:16:14,680 Hey, what's the idea of taking pictures of me? 222 00:16:14,680 --> 00:16:15,680 It's a hobby. 223 00:16:15,680 --> 00:16:33,680 I'll send you a print at the morgue. 224 00:16:33,680 --> 00:16:35,680 Come on, George, have fun. 225 00:16:35,680 --> 00:16:38,680 This is one of the really bright spots of old Chicago. 226 00:16:38,680 --> 00:16:42,680 Yeah, a little too bright. 227 00:16:42,680 --> 00:16:51,680 Ladies and gentlemen, ladies and gentlemen, ladies and gentlemen, we present, direct from 228 00:16:51,680 --> 00:16:55,680 10 weeks' run in New York, the world-famed sharpshooter, Professor Glittenheimer. 229 00:16:55,680 --> 00:16:59,680 This is going to be all right, George. 230 00:16:59,680 --> 00:17:00,680 He's good. 231 00:17:00,680 --> 00:17:01,680 I saw his act in Hollywood. 232 00:17:01,680 --> 00:17:02,680 He's quite a comedian. 233 00:17:02,680 --> 00:17:03,680 That's swell. 234 00:17:03,680 --> 00:17:04,680 A little comedy would come in handy now. 235 00:17:04,680 --> 00:17:05,680 Oh, George, you promised me. 236 00:17:05,680 --> 00:17:06,680 Come on, relax. 237 00:17:06,680 --> 00:17:07,680 Okay. 238 00:17:07,680 --> 00:17:08,680 He shoots with the light bulbs, and whether he hits them or not, he's a good shooter. 239 00:17:08,680 --> 00:17:13,680 And now, ladies and gentlemen, blindfolded. 240 00:17:13,680 --> 00:17:16,680 He didn't even aim at it. 241 00:17:16,680 --> 00:17:17,680 Sure, that's the point. 242 00:17:17,680 --> 00:17:18,680 The lady who's going to shoot straight up in the back of him will break. 243 00:17:18,680 --> 00:17:19,680 And now over my shoulder, the left shoulder, no, not the right shoulder. 244 00:17:19,680 --> 00:17:20,680 That's harder, yeah. 245 00:17:20,680 --> 00:17:21,680 It's funny, isn't it? 246 00:17:21,680 --> 00:17:42,960 George, your glass, it's shattered. 247 00:17:42,960 --> 00:17:43,960 Come on, Eileen, we're leaving. 248 00:17:43,960 --> 00:17:44,960 Ladies and gentlemen, please, the performance will continue. 249 00:17:44,960 --> 00:17:45,960 Please, please, please, wait, sir. 250 00:17:45,960 --> 00:17:46,960 Don't leave. 251 00:17:46,960 --> 00:17:47,960 I'm terribly sorry. 252 00:17:47,960 --> 00:17:48,960 Won't you stay in your seat? 253 00:17:48,960 --> 00:17:49,960 I'm sorry. 254 00:17:49,960 --> 00:17:50,960 I'm sorry. 255 00:17:50,960 --> 00:17:51,960 I'm sorry. 256 00:17:51,960 --> 00:17:52,960 Won't you stay and finish your dinner? 257 00:17:52,960 --> 00:17:53,960 Please, sir, our apologies. 258 00:17:53,960 --> 00:17:55,400 A most regrettable accident. 259 00:17:55,400 --> 00:17:57,000 Yeah, only it wasn't. 260 00:17:57,000 --> 00:17:58,000 Wasn't? 261 00:17:58,000 --> 00:18:00,080 Wasn't an accident that coming up there shoots blank cartridges. 262 00:18:00,080 --> 00:18:01,080 Well, of course, but... 263 00:18:01,080 --> 00:18:03,680 Yes, and what broke my glass was a bullet. 264 00:18:03,680 --> 00:18:06,680 And it didn't come from the stage. 265 00:18:06,680 --> 00:18:09,680 One dollar. 266 00:18:09,680 --> 00:18:21,640 Thank you. 267 00:18:21,640 --> 00:18:25,640 Good old Bear Mountain Bridge. 268 00:18:25,640 --> 00:18:27,640 We're almost there. 269 00:18:27,640 --> 00:18:28,640 Yep. 270 00:18:28,640 --> 00:18:30,840 With any luck, we ought to be in New York by 10 o'clock. 271 00:18:30,840 --> 00:18:34,320 And the way you've been driving, I don't see how anyone could have followed us. 272 00:18:34,320 --> 00:18:36,520 Why do you think I was driving that way? 273 00:18:36,520 --> 00:18:39,520 Gee, it's a beautiful night. 274 00:18:39,520 --> 00:18:42,520 Look at that moon. 275 00:18:42,520 --> 00:18:43,520 Yeah. 276 00:18:43,520 --> 00:18:44,520 Let's stop a minute. 277 00:18:44,520 --> 00:18:45,520 Why? 278 00:18:45,520 --> 00:18:46,520 Oh, I don't know. 279 00:18:46,520 --> 00:18:49,520 Just to look down at the water. 280 00:18:49,520 --> 00:18:50,520 All right. 281 00:18:50,520 --> 00:18:54,960 It's been a long time since I've seen the old Hudson River. 282 00:18:54,960 --> 00:18:57,560 I guess I'd better turn off the lights. 283 00:18:57,560 --> 00:19:00,560 I'm not sure I'm allowed to stop in the middle of the bridge. 284 00:19:00,560 --> 00:19:03,560 Come over here by the rail, George. 285 00:19:03,560 --> 00:19:05,560 Gosh, isn't it lovely? 286 00:19:05,560 --> 00:19:07,560 Yeah, that really is. 287 00:19:07,560 --> 00:19:09,560 Oh, look at that boat down there. 288 00:19:09,560 --> 00:19:10,560 It looks a little... 289 00:19:10,560 --> 00:19:13,560 I wonder how far it is down to that water from here. 290 00:19:13,560 --> 00:19:17,560 I guess about 150 feet or so. 291 00:19:17,560 --> 00:19:20,560 I'm awfully glad you decided to come this way. 292 00:19:20,560 --> 00:19:21,560 Why didn't you? 293 00:19:21,560 --> 00:19:26,560 Oh, it's less traffic and not as many cars as on the George Washington Bridge or the 294 00:19:26,560 --> 00:19:27,560 tunnel. 295 00:19:27,560 --> 00:19:30,560 And, well, it's less chance of being spotted. 296 00:19:30,560 --> 00:19:32,560 You still thinking of that? 297 00:19:32,560 --> 00:19:34,560 That's kind of hard to forget, isn't it? 298 00:19:34,560 --> 00:19:36,560 Just the same I wish you would. 299 00:19:36,560 --> 00:19:37,560 What are you not doing? 300 00:19:37,560 --> 00:19:38,560 Look. 301 00:19:38,560 --> 00:19:39,560 What? 302 00:19:39,560 --> 00:19:40,560 It's a car. 303 00:19:40,560 --> 00:19:41,560 It looks like it's going to pull up behind us. 304 00:19:41,560 --> 00:19:42,560 George, you don't think... 305 00:19:42,560 --> 00:19:45,560 I don't know, but if some monkey's looking for trouble, he's going to get it because I've 306 00:19:45,560 --> 00:19:46,560 had enough. 307 00:19:46,560 --> 00:19:47,560 What are you going to do? 308 00:19:47,560 --> 00:19:49,560 Now, look, I'll crouch down in front of the car here where he can't see me. 309 00:19:49,560 --> 00:19:51,560 He'll pull up behind us to his headlights, to be honest, if he's up to anything funny. 310 00:19:51,560 --> 00:19:53,560 He's beginning to pull over now. 311 00:19:53,560 --> 00:19:54,560 Now, look, okay. 312 00:19:54,560 --> 00:19:55,560 Okay, you talk to him. 313 00:19:55,560 --> 00:19:56,560 Stall him. 314 00:19:56,560 --> 00:19:57,560 Then we'll see. 315 00:19:57,560 --> 00:19:58,560 All right. 316 00:19:58,560 --> 00:19:59,560 But George... 317 00:19:59,560 --> 00:20:00,560 Hey. 318 00:20:00,560 --> 00:20:05,560 Don't you know you're not allowed to stop in the middle of the bridge? 319 00:20:05,560 --> 00:20:06,560 Why? 320 00:20:06,560 --> 00:20:09,560 I just stopped a minute to look at the water. 321 00:20:09,560 --> 00:20:10,560 You alone? 322 00:20:10,560 --> 00:20:11,560 Why, yes. 323 00:20:11,560 --> 00:20:14,560 I thought I saw a man standing here with you just now. 324 00:20:14,560 --> 00:20:15,560 No. 325 00:20:15,560 --> 00:20:18,560 There's a California plate on your car, ain't there? 326 00:20:18,560 --> 00:20:21,560 Yes, I just drove through from the coast. 327 00:20:21,560 --> 00:20:23,560 Pick up any hitchhikers on the way? 328 00:20:23,560 --> 00:20:25,560 Anybody that looks like this? 329 00:20:25,560 --> 00:20:26,560 Like what? 330 00:20:26,560 --> 00:20:27,560 Like the guy in this picture. 331 00:20:27,560 --> 00:20:30,560 That's the picture someone took at... 332 00:20:30,560 --> 00:20:31,560 I thought so. 333 00:20:31,560 --> 00:20:33,560 All right, sister, where is he? 334 00:20:33,560 --> 00:20:34,560 Right here, bud. 335 00:20:34,560 --> 00:20:35,560 George has caught him. 336 00:20:35,560 --> 00:20:36,720 He's got a gun. 337 00:20:36,720 --> 00:20:37,720 Why, you! 338 00:20:37,720 --> 00:20:39,560 Now, let's see how good you are with that gun. 339 00:20:39,560 --> 00:20:42,560 George, the railing, he's trying to throw you over. 340 00:20:42,560 --> 00:20:43,560 He's dead! 341 00:20:43,560 --> 00:20:44,560 Come on. 342 00:20:44,560 --> 00:20:45,560 Let's go. 343 00:20:45,560 --> 00:20:50,560 I'll reverse the spirit. 344 00:20:50,560 --> 00:21:06,680 Well, we made it. Home at last. 345 00:21:06,680 --> 00:21:09,040 Home? This is the Bancroft Hotel. 346 00:21:09,040 --> 00:21:11,240 It's the only home I ever had in New York. 347 00:21:11,240 --> 00:21:15,760 Boy, take these bags. Now, sir, if you leave the key, I'll have your car garage for you. 348 00:21:15,760 --> 00:21:16,760 Yeah, sure. Here you are. 349 00:21:16,760 --> 00:21:17,760 Thank you. 350 00:21:17,760 --> 00:21:20,480 George, I could go home, you know. 351 00:21:20,480 --> 00:21:23,720 Travel out to Connecticut this time of night? 352 00:21:23,720 --> 00:21:24,720 It isn't that far. 353 00:21:24,720 --> 00:21:26,440 Come on, you get a good night's rest right here. 354 00:21:26,440 --> 00:21:28,480 Then you can catch an early train in the morning. 355 00:21:28,480 --> 00:21:29,480 Well, all right. 356 00:21:29,480 --> 00:21:32,040 Yes, sir. You'll wish a room then, sir? 357 00:21:32,040 --> 00:21:33,040 Two rooms, please. 358 00:21:33,040 --> 00:21:36,240 Yes, sir. Will you sign here, please? 359 00:21:36,240 --> 00:21:39,800 Thank you, Mr. Ja... Oh, Mr. George Javery. 360 00:21:39,800 --> 00:21:40,800 What about it? 361 00:21:40,800 --> 00:21:43,480 Nothing, sir. Only, uh, we have your reservations. 362 00:21:43,480 --> 00:21:46,480 Reservation? But I... 363 00:21:46,480 --> 00:21:49,360 Oh, I get it. 364 00:21:49,360 --> 00:21:50,640 It's a coincidence. 365 00:21:50,640 --> 00:21:51,640 Sir? 366 00:21:51,640 --> 00:21:52,640 Uh, Skibbit. 367 00:21:52,640 --> 00:21:53,640 George. 368 00:21:53,640 --> 00:21:56,680 Eileen, look, maybe you're right. You... you better go on home. 369 00:21:56,680 --> 00:21:58,280 George, you're coming home with me. 370 00:21:58,280 --> 00:22:02,880 I... I'm sorry, Eileen, but this is journey's end and I'm gonna see it through. 371 00:22:02,880 --> 00:22:05,160 Well then, so am I. 372 00:22:05,160 --> 00:22:06,160 Eileen. 373 00:22:06,160 --> 00:22:07,160 Please, George. 374 00:22:07,160 --> 00:22:08,160 Okay. Okay, come on. 375 00:22:08,160 --> 00:22:09,160 Well, what do you know? 376 00:22:09,160 --> 00:22:10,160 What? 377 00:22:10,160 --> 00:22:11,160 Our friend sitting over there. 378 00:22:11,160 --> 00:22:12,160 Oh, I see. 379 00:22:12,160 --> 00:22:13,160 I'm sorry. 380 00:22:13,160 --> 00:22:14,160 I'm sorry. 381 00:22:14,160 --> 00:22:15,160 I'm sorry. 382 00:22:15,160 --> 00:22:16,160 I'm sorry. 383 00:22:16,160 --> 00:22:17,160 I'm sorry. 384 00:22:17,160 --> 00:22:18,160 I'm sorry. 385 00:22:18,160 --> 00:22:19,160 I'm sorry. 386 00:22:19,160 --> 00:22:20,600 Oh, that security說 that I met her in her room, uh, sitting over there by that post. 387 00:22:20,600 --> 00:22:22,800 The man who took the picture. 388 00:22:22,800 --> 00:22:23,800 Yeah. Yeah. 389 00:22:23,800 --> 00:22:25,340 Last act coming up. 390 00:22:25,340 --> 00:22:26,340 Oh, clerk. 391 00:22:26,340 --> 00:22:27,340 Yes, sir. 392 00:22:27,340 --> 00:22:28,820 Uh, what room do I have? 393 00:22:28,820 --> 00:22:29,820 706, sir. 394 00:22:29,820 --> 00:22:31,320 Oh, that's fine, the lady. 395 00:22:31,320 --> 00:22:32,320 Yes, sir. 396 00:22:32,320 --> 00:22:33,440 Room 614 for her. 397 00:22:33,440 --> 00:22:34,440 Front four. 398 00:22:34,440 --> 00:22:35,440 This way, Mr. Javery. 399 00:22:35,440 --> 00:22:36,440 Going out? 400 00:22:36,440 --> 00:22:37,440 Six, please. 401 00:22:37,440 --> 00:22:43,860 George, shouldn't you call the police or something? 402 00:22:43,860 --> 00:22:47,340 Tell them what? 403 00:22:47,340 --> 00:22:49,340 Oh, I... I don't know. 404 00:22:49,340 --> 00:22:52,340 Now, look, honey, you get a good night's sleep, I'll be okay. 405 00:22:52,340 --> 00:22:54,340 I mean, after all, this is New York. 406 00:22:54,340 --> 00:22:56,340 Six out. 407 00:22:58,340 --> 00:23:00,340 Good night, darling. 408 00:23:01,340 --> 00:23:03,340 Good night. 409 00:23:07,340 --> 00:23:08,340 Seven. 410 00:23:08,340 --> 00:23:10,340 It's right this way, sir, to the left. 411 00:23:10,340 --> 00:23:12,340 Here we are, sir. 412 00:23:14,340 --> 00:23:16,340 Just put the bags over there, son. 413 00:23:16,340 --> 00:23:18,340 Will that be all, sir? 414 00:23:18,340 --> 00:23:20,340 Yep, here you are. 415 00:23:20,340 --> 00:23:22,340 Thank you, sir. 416 00:23:24,340 --> 00:23:26,340 Hello, George Javery. 417 00:23:32,340 --> 00:23:34,340 Took you longer than I expected. 418 00:23:34,340 --> 00:23:36,340 Brown. 419 00:23:36,340 --> 00:23:38,340 I'm sorry, sir. 420 00:23:38,340 --> 00:23:40,340 I didn't expect it. 421 00:23:40,340 --> 00:23:42,340 Brown, the man I met in Reno. 422 00:23:42,340 --> 00:23:44,340 What are you doing here? 423 00:23:44,340 --> 00:23:46,340 Waiting for you. 424 00:23:46,340 --> 00:23:48,340 And the name ain't Brown, it's Javery. 425 00:23:48,340 --> 00:23:50,340 Javery? 426 00:23:50,340 --> 00:23:52,340 Yeah, George Javery. 427 00:23:52,340 --> 00:23:54,340 Javery, I can't thank you enough for what you've done for me. 428 00:23:54,340 --> 00:23:56,340 What I've done for you? 429 00:23:56,340 --> 00:23:58,340 Sure, you've been a great help. 430 00:23:58,340 --> 00:24:00,340 All right, let's have it. 431 00:24:00,340 --> 00:24:02,340 Look, Javery, you've come to the end of the road. 432 00:24:02,340 --> 00:24:04,340 But I think you're entitled to know why. 433 00:24:04,340 --> 00:24:06,340 You don't know me, do you? 434 00:24:06,340 --> 00:24:08,340 I'm Bill Malone. 435 00:24:08,340 --> 00:24:10,340 Oh, Scarface Malone. 436 00:24:10,340 --> 00:24:12,340 Yeah, only I don't have scars anymore, see? 437 00:24:12,340 --> 00:24:14,340 That's the point. 438 00:24:14,340 --> 00:24:16,340 Took me two years and a lot of pain to get a new face. 439 00:24:16,340 --> 00:24:18,340 And I didn't get it just to look good in a coffin. 440 00:24:18,340 --> 00:24:20,340 Know what I mean? 441 00:24:20,340 --> 00:24:22,340 No, I'm afraid I don't. 442 00:24:22,340 --> 00:24:24,340 After a guy in my business has been away for a year or two, 443 00:24:24,340 --> 00:24:26,340 he's not always welcomed back, see? 444 00:24:26,340 --> 00:24:28,340 And he generally finds out about it with a bullet in the back. 445 00:24:28,340 --> 00:24:30,340 That's why you struck me as a good idea. 446 00:24:30,340 --> 00:24:32,340 Oh, I did, did I? 447 00:24:32,340 --> 00:24:34,340 Yeah, I don't believe in taking chances. 448 00:24:34,340 --> 00:24:36,340 I don't believe in taking chances, see? 449 00:24:36,340 --> 00:24:40,340 The boys thought I was coming east under the name of George Javery. 450 00:24:40,340 --> 00:24:44,340 Oh, so the one-armed guy and all the rest... 451 00:24:44,340 --> 00:24:46,340 No, he was one of my boys. 452 00:24:46,340 --> 00:24:48,340 You were kind of rough with him, Mr. Javery. 453 00:24:48,340 --> 00:24:50,340 Well, he wasn't exactly playing beanbag himself. 454 00:24:50,340 --> 00:24:52,340 Jerry, he wouldn't hurt you. 455 00:24:52,340 --> 00:24:56,340 I just sent him to tell you so I'd have a line on where you were. 456 00:24:56,340 --> 00:25:00,340 After you dusted him off, it was just a break for me that you went to that steakhouse. 457 00:25:00,340 --> 00:25:02,340 Otherwise, I might have lost you. 458 00:25:02,340 --> 00:25:04,340 You're a candid cameraman, too, I suppose. 459 00:25:04,340 --> 00:25:06,340 Yeah. 460 00:25:06,340 --> 00:25:08,340 After I lost Jerry, I figured I wouldn't take any chances. 461 00:25:08,340 --> 00:25:10,340 I sent a picture around to the boys, 462 00:25:10,340 --> 00:25:13,340 like the guy that took a pot at you in Chicago, 463 00:25:13,340 --> 00:25:15,340 and the guy you tossed over the bridge, 464 00:25:15,340 --> 00:25:17,340 the boys that were out to get me, see? 465 00:25:17,340 --> 00:25:19,340 Only they didn't know all the time it was you. 466 00:25:19,340 --> 00:25:21,340 No chances, know what I mean? 467 00:25:21,340 --> 00:25:25,340 Yeah, only I can't exactly say I'm glad to have been of service. 468 00:25:25,340 --> 00:25:27,340 So if you drop that gun, I'll go. 469 00:25:27,340 --> 00:25:29,340 Not yet, Javery. 470 00:25:29,340 --> 00:25:31,340 There's just one thing more you can do. 471 00:25:31,340 --> 00:25:32,340 Yeah? 472 00:25:32,340 --> 00:25:33,340 Stand over by that window. 473 00:25:33,340 --> 00:25:34,340 What for? 474 00:25:34,340 --> 00:25:36,340 Stand over there and drop your hands. 475 00:25:36,340 --> 00:25:39,340 The boys wouldn't quite understand if you had your hands up. 476 00:25:39,340 --> 00:25:40,340 The boys? 477 00:25:39,340 --> 00:25:40,340 Yeah. 478 00:25:40,340 --> 00:25:42,340 The ones I've been telling you about. 479 00:25:42,340 --> 00:25:44,340 When I pull up that shade, 480 00:25:44,340 --> 00:25:46,340 they're going to take a pot shot at me through that window. 481 00:25:46,340 --> 00:25:48,340 When they do, they'll get me. 482 00:25:48,340 --> 00:25:49,340 Only it'll be you. 483 00:25:49,340 --> 00:25:51,340 They'll never know the difference. 484 00:25:51,340 --> 00:25:52,340 Now, over to that window. 485 00:25:52,340 --> 00:25:54,340 They know you're already here, so move. 486 00:25:54,340 --> 00:25:58,340 You don't mind if I sort of stroll, do you? 487 00:25:58,340 --> 00:26:00,340 After all, this is a surprise. 488 00:26:00,340 --> 00:26:01,340 Come on. 489 00:26:01,340 --> 00:26:02,340 Over to that window. 490 00:26:02,340 --> 00:26:03,340 And if I don't? 491 00:26:03,340 --> 00:26:04,340 I'll plug you. 492 00:26:04,340 --> 00:26:06,340 And if I do? 493 00:26:06,340 --> 00:26:09,340 You see, Malone, that's a trouble with your system. 494 00:26:09,340 --> 00:26:10,340 No incentive. 495 00:26:10,340 --> 00:26:11,340 You know what I... 496 00:26:11,340 --> 00:26:13,340 Don't make a move. 497 00:26:13,340 --> 00:26:15,340 George, is anything wrong? 498 00:26:15,340 --> 00:26:17,340 Get over there in that corner. 499 00:26:17,340 --> 00:26:18,340 Don't hurt her, Malone. 500 00:26:18,340 --> 00:26:20,340 He's going to lock the door, that's all. 501 00:26:20,340 --> 00:26:22,340 Taking no chances, see? 502 00:26:25,340 --> 00:26:27,340 Then here's some light so you can see what you're doing. 503 00:26:27,340 --> 00:26:28,340 What are you... 504 00:26:28,340 --> 00:26:30,340 What the fuck? 505 00:26:32,340 --> 00:26:33,340 George! 506 00:26:34,340 --> 00:26:35,340 Oh, George! 507 00:26:35,340 --> 00:26:37,340 Oh, it's all right, Eileen. 508 00:26:37,340 --> 00:26:39,340 It's all right, darling. 509 00:26:41,340 --> 00:26:44,340 Well, there lies our nemesis, 510 00:26:44,340 --> 00:26:47,340 the late Mr. Scarface Malone. 511 00:26:48,340 --> 00:26:51,340 Otherwise known as the guy who never took chances. 512 00:26:51,340 --> 00:26:53,340 But he's dead. 513 00:26:53,340 --> 00:26:55,340 Yeah, yeah, smart guy. 514 00:26:55,340 --> 00:26:57,340 But he made just one mistake. 515 00:26:57,340 --> 00:27:01,340 He forgot that the door is right in line of fire with a window. 516 00:27:02,340 --> 00:27:05,340 George, what are you going to do? 517 00:27:05,340 --> 00:27:08,340 I'm going to call the police and explain this little drama to them. 518 00:27:08,340 --> 00:27:13,340 After all, I think it's about time people stop taking plot shots at your future husband. 519 00:27:13,340 --> 00:27:27,340 Don't you? 520 00:27:27,340 --> 00:27:31,340 And so closes Death Went Along for the Ride, starring Gene Kelly. 521 00:27:31,340 --> 00:27:33,340 Tonight's tale of... 522 00:27:33,340 --> 00:27:35,340 Suspense! 523 00:27:35,340 --> 00:27:38,340 Mr. Kelly appeared through courtesy of Metro-Goldwyn-Mayer, 524 00:27:38,340 --> 00:27:40,340 producers of The White Cliffs of Dover. 525 00:27:40,340 --> 00:27:45,340 When entertaining guests at your home, are you able to go into your aroma wine cellar and say, 526 00:27:45,340 --> 00:27:49,340 which would you prefer, this delightful sherry or this sweeter, heavier port? 527 00:27:49,340 --> 00:27:55,340 Whichever of these or any others of the many equally fine Roma California wines you offered your guests, 528 00:27:55,340 --> 00:27:59,340 they would find you would pour a world of satisfaction into their glasses. 529 00:27:59,340 --> 00:28:03,340 If you are not one of the millions already enjoying these good Roma wines, 530 00:28:03,340 --> 00:28:06,340 don't put off this great treat another day. 531 00:28:06,340 --> 00:28:11,340 You'll be surprised at the tiny cost your Roma wine dealer will ask for such great enjoyment, 532 00:28:11,340 --> 00:28:14,340 only pennies a glass by actual check. 533 00:28:14,340 --> 00:28:19,340 Now you can boast of your own private wine cellar, your private Roma wine cellar. 534 00:28:19,340 --> 00:28:22,340 And then, inspired by the great qualities of Roma wines, 535 00:28:22,340 --> 00:28:26,340 you'll add your voice to the swelling international chorus that says, 536 00:28:26,340 --> 00:28:29,340 Roma wines are truly magnificent. 537 00:28:29,340 --> 00:28:33,340 Let me repeat the name, R-O-M-A, Roma wines, 538 00:28:33,340 --> 00:28:37,340 made in California for enjoyment throughout the world. 539 00:28:37,340 --> 00:28:41,340 This is Gene Kelly. I hope you enjoyed our suspense show this evening. 540 00:28:41,340 --> 00:28:45,340 I always feel that it's a pleasure and privilege for me to appear here, 541 00:28:45,340 --> 00:28:51,340 because most of us who act for a living consider this to be radio's outstanding theater of thrills. 542 00:28:51,340 --> 00:28:56,340 Next week, I know you will want to be listening when your star will be Mr. Orson Welles, 543 00:28:56,340 --> 00:29:00,340 who will appear in The Dark Tower, a play written by those two very distinguished gentlemen, 544 00:29:00,340 --> 00:29:03,340 Alexander Walcott and George S. Kaufman. 545 00:29:03,340 --> 00:29:05,340 And now just one more word. 546 00:29:05,340 --> 00:29:09,340 Fellow Americans, the attack for victory is on. 547 00:29:09,340 --> 00:29:15,340 You help make the victory more certain and bring it sooner when you buy more war bonds. 548 00:29:15,340 --> 00:29:18,340 Suspense is produced and directed by William Spear. 549 00:29:18,340 --> 00:29:24,340 Next Thursday, same time, you will hear Orson Welles in Suspense. 550 00:29:24,340 --> 00:29:29,340 Presented by Roma wines, made in California for enjoyment throughout the world. 551 00:29:29,340 --> 00:29:32,340 This is CBS, the Columbia Broadcasting System.