1 00:00:00,000 --> 00:00:21,080 Roma wines present, Suspense. 2 00:00:21,080 --> 00:00:25,760 Roma wines made in California for enjoyment throughout the world. 3 00:00:25,760 --> 00:00:26,760 Salud. 4 00:00:26,760 --> 00:00:28,880 Your health, Signor. 5 00:00:28,880 --> 00:00:30,880 Roma wines toast the world. 6 00:00:30,880 --> 00:00:36,520 The wine for your table is Roma wine, made in California for enjoyment throughout the 7 00:00:36,520 --> 00:00:37,520 world. 8 00:00:37,520 --> 00:00:43,480 This is the man in black here for the Roma Wine Company of Fresno, California, to introduce 9 00:00:43,480 --> 00:00:46,720 this weekly half hour of Suspense. 10 00:00:46,720 --> 00:00:52,920 Tonight from Hollywood, Roma wines bring you a star, Mr. Ed Gardner, better known to you 11 00:00:52,920 --> 00:00:58,920 perhaps as Archie, the proprietor of Duffy's Tavern, where the elite are won to meet to 12 00:00:58,920 --> 00:00:59,920 eat. 13 00:00:59,920 --> 00:01:03,080 Mr. Gardner tonight makes his debut as a dramatic actor. 14 00:01:03,080 --> 00:01:08,120 He will not appear tonight as Archie, but in a role entirely different from any he has 15 00:01:08,120 --> 00:01:09,120 ever played before. 16 00:01:09,120 --> 00:01:14,880 And so with a Suspense play called The Palmer Method, and with the performance of Ed Gardner 17 00:01:14,880 --> 00:01:19,960 as a pen pushing gentleman named Joe Palmer, we again hope to keep you in Suspense. 18 00:01:19,960 --> 00:01:26,520 Then I will be back at eight o'clock. 19 00:01:26,520 --> 00:01:28,360 Okay, that'll be okay. 20 00:01:28,360 --> 00:01:29,360 You will be waiting for me? 21 00:01:29,360 --> 00:01:30,360 Oh, don't worry, babe. 22 00:01:30,360 --> 00:01:31,360 I'll be here. 23 00:01:31,360 --> 00:01:38,360 Oh, will I be here? 24 00:01:38,360 --> 00:01:49,080 Dear friend Harry. 25 00:01:49,080 --> 00:01:54,400 I'm sitting here the last 10 minutes knocking myself out laughing and wishing for somebody 26 00:01:54,400 --> 00:01:55,840 to tell it to. 27 00:01:55,840 --> 00:01:57,600 And then I get to thinking of you. 28 00:01:57,600 --> 00:02:00,040 So I'm going to write you the whole story. 29 00:02:00,040 --> 00:02:03,880 Harry, you got to admit that yours truly is one smart guy. 30 00:02:03,880 --> 00:02:07,480 Because in about an hour, they're going to bring me so much dough, they got to bring 31 00:02:07,480 --> 00:02:08,480 it in in a suitcase. 32 00:02:08,480 --> 00:02:09,480 No kidding. 33 00:02:09,480 --> 00:02:14,640 Of course, it's the Spanish mula, but even in the United States, it comes to about 10 34 00:02:14,640 --> 00:02:15,640 grand. 35 00:02:15,640 --> 00:02:18,600 But I better start from the beginning so you can get the whole play. 36 00:02:18,600 --> 00:02:24,920 And if you don't say that your old pal is one smart guy, I am a monkey's uncle. 37 00:02:24,920 --> 00:02:29,680 It all begins about four months ago in New York when I'm on a lamb and expecting any 38 00:02:29,680 --> 00:02:33,640 minute that heavy hand is going to fall on my shoulders and I'm trying to think of something 39 00:02:33,640 --> 00:02:35,840 to do about it, you know. 40 00:02:35,840 --> 00:02:40,200 Happens I'm down to about three bucks, which makes the thinking a very tough proposition, 41 00:02:40,200 --> 00:02:42,520 even for a bright guy like me. 42 00:02:42,520 --> 00:02:47,760 Anyways, things being what they are, I naturally only go out at night. 43 00:02:47,760 --> 00:02:52,640 So one night I'm walking through the park in Union Square, but still thinking, not getting 44 00:02:52,640 --> 00:02:53,640 very far. 45 00:02:53,640 --> 00:02:54,640 Election entry here. 46 00:02:54,640 --> 00:02:55,640 FDR, a landslide. 47 00:02:55,640 --> 00:02:56,640 Landon Swarthin, 46th stage. 48 00:02:56,640 --> 00:02:57,640 Election extra paper, mister. 49 00:02:57,640 --> 00:02:58,640 Huh? 50 00:02:58,640 --> 00:02:59,640 Yeah, what a paper? 51 00:02:59,640 --> 00:03:00,640 Latest election returns. 52 00:03:00,640 --> 00:03:01,640 What election? 53 00:03:01,640 --> 00:03:02,640 Are you kidding? 54 00:03:02,640 --> 00:03:03,640 The election for president. 55 00:03:03,640 --> 00:03:04,640 Roosevelt and Landon. 56 00:03:04,640 --> 00:03:05,640 Here, get a paper and wise up. 57 00:03:05,640 --> 00:03:06,640 For a punk like you, I should do it. 58 00:03:06,640 --> 00:03:07,640 I'm not going to do it. 59 00:03:07,640 --> 00:03:08,640 I'm going to do it. 60 00:03:08,640 --> 00:03:09,640 I'm going to do it. 61 00:03:09,640 --> 00:03:10,640 I'm going to do it. 62 00:03:10,640 --> 00:03:11,640 I'm going to do it. 63 00:03:11,640 --> 00:03:12,640 I'm going to do it. 64 00:03:12,640 --> 00:03:13,640 I'm going to do it. 65 00:03:13,640 --> 00:03:14,640 I'm going to do it. 66 00:03:14,640 --> 00:03:15,640 I'm going to do it. 67 00:03:15,640 --> 00:03:16,640 I'm going to do it. 68 00:03:16,640 --> 00:03:19,960 For a punk like you, I should go all excited every time they have an election. 69 00:03:19,960 --> 00:03:21,280 That wouldn't strain your mind, none. 70 00:03:21,280 --> 00:03:23,280 They only happen once every four years. 71 00:03:23,280 --> 00:03:25,080 Eh, don't be such a wise kid. 72 00:03:25,080 --> 00:03:26,680 You want a paper or don't you? 73 00:03:26,680 --> 00:03:27,680 Ah, sure. 74 00:03:27,680 --> 00:03:28,680 Give me one. 75 00:03:28,680 --> 00:03:29,680 Here, keep the change. 76 00:03:29,680 --> 00:03:30,680 Ah, gee, thanks. 77 00:03:30,680 --> 00:03:34,880 And let that be a lesson to you, not to get wise with guys that might do you some good 78 00:03:34,880 --> 00:03:35,880 someday. 79 00:03:35,880 --> 00:03:36,880 Well, thanks anyway. 80 00:03:36,880 --> 00:03:37,880 Ficks free FDR, a landslide. 81 00:03:37,880 --> 00:03:38,880 Landon Swarthin, 46th stage. 82 00:03:38,880 --> 00:03:39,880 Landon Swarthin, 46th stage. 83 00:03:39,880 --> 00:03:40,880 Landon Swarthin, 46th stage. 84 00:03:40,880 --> 00:03:41,880 Landon Swarthin, 46th stage. 85 00:03:41,880 --> 00:03:42,880 Landon Swarthin, 46th stage. 86 00:03:42,880 --> 00:03:43,880 Landon Swarthin, 46th stage. 87 00:03:43,880 --> 00:04:00,120 Landon, there are locations at North 88 00:04:00,120 --> 00:04:02,120 Hey, you there. 89 00:04:02,120 --> 00:04:04,120 You thinking of me? 90 00:04:04,120 --> 00:04:06,120 Yeah, yeah. What's that guy all wound up about? 91 00:04:06,120 --> 00:04:10,120 He's asking for volunteers for the Spanish Loyalist Army. 92 00:04:10,120 --> 00:04:12,120 Oh, who are they fighting? 93 00:04:12,120 --> 00:04:14,120 What's the matter? Don't you read the papers? 94 00:04:14,120 --> 00:04:16,120 They're fighting a fascist revolt. 95 00:04:16,120 --> 00:04:19,120 Listen, I got a paper here. You think I'm illiterate? 96 00:04:19,120 --> 00:04:21,120 I just get kind of mixed up once in a while. 97 00:04:21,120 --> 00:04:25,120 Yeah, they put out a lot of propaganda to confuse you. 98 00:04:25,120 --> 00:04:27,120 With Hitler and Mussolini on Franco's side, 99 00:04:27,120 --> 00:04:30,120 anybody can see what the score is now. 100 00:04:30,120 --> 00:04:32,120 Oh, sure, sure. Anybody. 101 00:04:32,120 --> 00:04:34,120 Fascist bomb Madrid. 102 00:04:34,120 --> 00:04:37,120 I just wish sometimes I didn't have a wife and kids. 103 00:04:37,120 --> 00:04:41,120 I'd go over there and get me a couple of licks at those guys. 104 00:04:41,120 --> 00:04:43,120 Over to Spain, huh? Yeah. 105 00:04:43,120 --> 00:04:47,120 They send you over there, buy you a ticket and all like that, don't they? 106 00:04:47,120 --> 00:04:49,120 Sure, they pay for your transportation. 107 00:04:49,120 --> 00:04:51,120 They raise quite a little money for that. 108 00:04:51,120 --> 00:04:56,120 Hmm. You don't happen to know where they sign up for this army, do you? 109 00:04:56,120 --> 00:04:58,120 Well, he'll sign you up right there. 110 00:04:58,120 --> 00:05:00,120 Hey, you want to go? 111 00:05:00,120 --> 00:05:04,120 Could be. Yeah. Why not? 112 00:05:04,120 --> 00:05:06,120 Sure, why not? 113 00:05:14,120 --> 00:05:17,120 You get to play, Harry? Not so dumb, huh? 114 00:05:17,120 --> 00:05:21,120 I not only land out of the country till I cool off, but I get a free ticket. 115 00:05:21,120 --> 00:05:25,120 It's what I always say, Harry, a guy with real brains can always get by. 116 00:05:25,120 --> 00:05:28,120 Of course, I know strictly from nothing about this war, 117 00:05:28,120 --> 00:05:32,120 but I naturally figure it's just one of them tango revolutions, you know, 118 00:05:32,120 --> 00:05:35,120 like you see in the movies with a couple of guys riding around, 119 00:05:35,120 --> 00:05:38,120 shooting off their rods at nothing in particular, 120 00:05:38,120 --> 00:05:40,120 and pretty soon everybody goes home. 121 00:05:40,120 --> 00:05:45,120 But sometimes I wish I had read more of the front pages of the papers a little more, 122 00:05:45,120 --> 00:05:49,120 but when I get off the boat at Spain at a boat by the name of Barcelona, 123 00:05:49,120 --> 00:05:52,120 I find out this ain't such a funny war after all. 124 00:05:52,120 --> 00:05:55,120 This fascist mob is really knocking a joint around. 125 00:05:55,120 --> 00:05:59,120 They're shooting going on and they're dropping bombs from airplanes, 126 00:05:59,120 --> 00:06:02,120 and the next thing you know they got me in a uniform. 127 00:06:02,120 --> 00:06:06,120 So I'm standing there on the railroad station with a bunch of other guys, 128 00:06:06,120 --> 00:06:10,120 a whole mob of us, you know, it looked like the $2 winter at Belmont. 129 00:06:10,120 --> 00:06:13,120 It seems that we're going away somewhere, honey. 130 00:06:17,120 --> 00:06:20,120 Max, step up here, please. Max, your name, please? 131 00:06:20,120 --> 00:06:22,120 Padway, George Padway. 132 00:06:22,120 --> 00:06:26,120 Padway, jar number 336, car 7, compartment 3. Next, please. 133 00:06:26,120 --> 00:06:28,120 Palmer, Joe Palmer. 134 00:06:28,120 --> 00:06:30,120 How did you spell it, please? 135 00:06:30,120 --> 00:06:34,120 P-A-L-M-E-R, like the Palmer method. 136 00:06:34,120 --> 00:06:39,120 Oh, James Palmer, jar 337, car 7, compartment 3, with Padway. 137 00:06:39,120 --> 00:06:41,120 Next, please, step up, please. 138 00:06:41,120 --> 00:06:43,120 Hey, you, Padway. 139 00:06:43,120 --> 00:06:45,120 Is someone calling me? 140 00:06:45,120 --> 00:06:47,120 Yeah, come here. Look, my name is Joe Palmer. 141 00:06:47,120 --> 00:06:50,120 You know, we're supposed to ride in the same compartment or something? 142 00:06:50,120 --> 00:06:53,120 Oh, splendid. That's car 7. It's down this way, I imagine. 143 00:06:53,120 --> 00:06:57,120 Well, glad you know. I can't make head in the tail out of these stinky rat lessons. 144 00:06:57,120 --> 00:06:59,120 Of course. You're American, aren't you? 145 00:06:59,120 --> 00:07:00,120 What else? 146 00:07:00,120 --> 00:07:02,120 Here, let me give you a hand with your gear. 147 00:07:02,120 --> 00:07:06,120 Oh, yeah. Thanks. 148 00:07:06,120 --> 00:07:10,120 Hey, these guys over here take this war pretty serious, don't they? 149 00:07:10,120 --> 00:07:12,120 Well, rather. What did you expect? 150 00:07:12,120 --> 00:07:15,120 Yeah, yeah. From what I see around this bar saloon, 151 00:07:15,120 --> 00:07:17,120 they're not supposed to mean like, if they ain't careful, 152 00:07:17,120 --> 00:07:19,120 somebody's apt to labelled to get killed here. 153 00:07:19,120 --> 00:07:21,120 Well, if you think this is bad, what about Madrid? 154 00:07:21,120 --> 00:07:23,120 They're dying up there by the thousands. 155 00:07:23,120 --> 00:07:27,120 Yeah. Hey, wait a minute. Madrid? Ain't that where this train is going? 156 00:07:27,120 --> 00:07:30,120 Of course. They're sending us up to keep them out of University City, if we can. 157 00:07:30,120 --> 00:07:32,120 And you say they're knocking them off up there by the thousands? 158 00:07:32,120 --> 00:07:34,120 I'm afraid so. 159 00:07:34,120 --> 00:07:35,120 That ain't good. 160 00:07:35,120 --> 00:07:37,120 You're not worried, are you, old man? 161 00:07:37,120 --> 00:07:40,120 Well, no, no, but I'm just thinking that... 162 00:07:40,120 --> 00:07:43,120 Papers, please. Padway, 336. 163 00:07:43,120 --> 00:07:45,120 No, no, no. I'm... 164 00:07:45,120 --> 00:07:46,120 All in order. 165 00:07:46,120 --> 00:07:48,120 Hey, wait a minute. You got us mixed up. 166 00:07:48,120 --> 00:07:50,120 Papers! 167 00:07:50,120 --> 00:07:52,120 Well, how do you like that? 168 00:07:52,120 --> 00:07:54,120 It seemed they got us mixed up, what? 169 00:07:54,120 --> 00:07:55,120 Yeah, yeah. 170 00:07:55,120 --> 00:07:57,120 That would be funny, wouldn't it, if they got us mixed up? 171 00:07:57,120 --> 00:07:59,120 You, Padway, and me. 172 00:07:59,120 --> 00:08:02,120 Yeah, yeah, that would be funny, all right. 173 00:08:02,120 --> 00:08:04,120 That would be very funny. 174 00:08:04,120 --> 00:08:06,120 Tonight, for Suspense, 175 00:08:06,120 --> 00:08:08,120 Roma wines bring you as star 176 00:08:08,120 --> 00:08:11,120 radio's famous archie, Ed Gardner, 177 00:08:11,120 --> 00:08:13,120 whom you've heard in the prologue to The Palmer Method 178 00:08:13,120 --> 00:08:16,120 by Ernest Martin and Robert L. Richards. 179 00:08:16,120 --> 00:08:18,120 Tonight's adventure in... 180 00:08:18,120 --> 00:08:20,120 Suspense. 181 00:08:26,120 --> 00:08:28,120 In this brief introduction, 182 00:08:28,120 --> 00:08:28,120 we'll be talking about the 183 00:08:28,120 --> 00:08:34,120 Roma wine of the year. 184 00:08:34,120 --> 00:08:36,120 In this brief intermission in the play, 185 00:08:36,120 --> 00:08:38,120 let us journey in fancy to Havana 186 00:08:38,120 --> 00:08:41,120 and sit at a table in the gay restaurant Paris. 187 00:08:41,120 --> 00:08:43,120 At the next table, we see a farewell party 188 00:08:43,120 --> 00:08:45,120 given for an American visitor. 189 00:08:45,120 --> 00:08:47,120 The American is wondering how he'll be able to repay 190 00:08:47,120 --> 00:08:51,120 in his own country the hospitality shown him in Cuba. 191 00:08:51,120 --> 00:08:53,120 Reassuringly, his Cuban host remarks, 192 00:08:53,120 --> 00:08:55,120 es muy fácil, amigo. 193 00:08:55,120 --> 00:08:57,120 Just be sure to serve wonderful Roma wine. 194 00:08:57,120 --> 00:09:02,120 This is wine imported by us from your own country, Roma wine. 195 00:09:02,120 --> 00:09:04,120 Indeed, Americans can well be proud 196 00:09:04,120 --> 00:09:06,120 that judges of fine wines in so many lands 197 00:09:06,120 --> 00:09:08,120 now acclaim the wines of California 198 00:09:08,120 --> 00:09:11,120 among the world's most enjoyable of all time. 199 00:09:11,120 --> 00:09:13,120 Of these truly superb wines, 200 00:09:13,120 --> 00:09:18,120 Roma wines are America's largest selling wines. 201 00:09:18,120 --> 00:09:20,120 If you aren't already one of the millions 202 00:09:20,120 --> 00:09:22,120 enjoying Roma wines regularly, 203 00:09:22,120 --> 00:09:24,120 as a delicious beverage any time, 204 00:09:24,120 --> 00:09:26,120 to add sparkle to any meal, 205 00:09:26,120 --> 00:09:28,120 or to entertain your entertaining, 206 00:09:28,120 --> 00:09:31,120 make your own taste test to choose your favorite, 207 00:09:31,120 --> 00:09:34,120 choosing from Roma wines many different wine types. 208 00:09:34,120 --> 00:09:37,120 When you learn their modest cost here in America, 209 00:09:37,120 --> 00:09:39,120 with no import duty to pay, 210 00:09:39,120 --> 00:09:41,120 no expensive shipping charges to absorb, 211 00:09:41,120 --> 00:09:43,120 you'll know why we say Roma wines 212 00:09:43,120 --> 00:09:45,120 are for your daily enjoyment. 213 00:09:45,120 --> 00:09:47,120 I'll spell out the name for you. 214 00:09:47,120 --> 00:09:49,120 R-O-M-A. 215 00:09:49,120 --> 00:09:51,120 Roma wines. 216 00:09:51,120 --> 00:09:56,120 In California for enjoyment throughout the world. 217 00:09:56,120 --> 00:09:59,120 And now let us return to Joe Palmer 218 00:09:59,120 --> 00:10:02,120 as he sits in a hotel room in Spain writing a letter. 219 00:10:02,120 --> 00:10:05,120 Ed Gardner is our star in The Palmer Method, 220 00:10:05,120 --> 00:10:10,120 a tail-well calculator to keep you in suspense. 221 00:10:10,120 --> 00:10:22,120 Well, Harry, there I was, 222 00:10:22,120 --> 00:10:24,120 on a train heading straight for Madrid 223 00:10:24,120 --> 00:10:26,120 where they're knocking guys off every five minutes, 224 00:10:26,120 --> 00:10:28,120 which is naturally a little upsetting 225 00:10:28,120 --> 00:10:30,120 to a sensitive person like me. 226 00:10:30,120 --> 00:10:33,120 And anyways, I get to thinking about this pad-way guy 227 00:10:33,120 --> 00:10:35,120 I'm riding with. 228 00:10:35,120 --> 00:10:37,120 I can see there's something different about him 229 00:10:37,120 --> 00:10:39,120 from the rest of these guys, 230 00:10:39,120 --> 00:10:41,120 and I get to thinking about a plane. 231 00:10:46,120 --> 00:10:48,120 I say, what in the world are you doing there? 232 00:10:48,120 --> 00:10:50,120 You've been working your way at it the last half an hour. 233 00:10:50,120 --> 00:10:52,120 Eh, I'm just practicing. 234 00:10:52,120 --> 00:10:53,120 Practicing what? 235 00:10:53,120 --> 00:10:54,120 The Palmer Method. 236 00:10:54,120 --> 00:10:56,120 What in heaven's name is the Palmer Method? 237 00:10:56,120 --> 00:10:58,120 You never heard of the Palmer Method? 238 00:10:58,120 --> 00:10:59,120 It's penmanship, you know, 239 00:10:59,120 --> 00:11:01,120 the way they learned you to write when you were a kid. 240 00:11:01,120 --> 00:11:04,120 Some guy named Palmer invented it, you see. 241 00:11:04,120 --> 00:11:06,120 You make these ovals and lines, 242 00:11:06,120 --> 00:11:09,120 and pretty soon it'll teach you how to use your whole arm. 243 00:11:09,120 --> 00:11:11,120 See? Makes you write and very pretty. 244 00:11:11,120 --> 00:11:13,120 Aren't you a little old for that sort of thing? 245 00:11:13,120 --> 00:11:15,120 Well, it depends on how you look at it. 246 00:11:15,120 --> 00:11:17,120 With me, it's a business. 247 00:11:17,120 --> 00:11:19,120 You're an instructor in penmanship? 248 00:11:19,120 --> 00:11:22,120 Yeah, yeah, that's it. 249 00:11:22,120 --> 00:11:24,120 Instructor in penmanship. 250 00:11:24,120 --> 00:11:25,120 What's so funny? 251 00:11:25,120 --> 00:11:28,120 Well, look, when I was a punk kid in P.S. 4, you know, 252 00:11:28,120 --> 00:11:31,120 the only subject I can pass is penmanship. 253 00:11:31,120 --> 00:11:33,120 I'm a wizard, you know, so naturally, 254 00:11:33,120 --> 00:11:34,120 my name being Palmer and all, 255 00:11:34,120 --> 00:11:36,120 it's kind of a standard joke in a school, you know, 256 00:11:36,120 --> 00:11:37,120 the kids that holler, 257 00:11:37,120 --> 00:11:40,120 don't permit, he flunks in everything but writing. 258 00:11:40,120 --> 00:11:41,120 That's the Palmer Method. 259 00:11:41,120 --> 00:11:42,120 Oh, I see. 260 00:11:42,120 --> 00:11:43,120 Yeah, that's how it started, 261 00:11:43,120 --> 00:11:46,120 but now I still like to keep in practice, 262 00:11:46,120 --> 00:11:48,120 because, well, like I say, 263 00:11:48,120 --> 00:11:50,120 by this time, with me, it's a business. 264 00:11:50,120 --> 00:11:53,120 But I still don't quite see how it can be much of a business. 265 00:11:53,120 --> 00:11:55,120 You ask a lot of questions, don't you? 266 00:11:55,120 --> 00:11:56,120 I'm terribly sorry, old man. 267 00:11:56,120 --> 00:11:58,120 I don't mean to pry, you know. 268 00:11:58,120 --> 00:11:59,120 Oh, it's all right. 269 00:11:59,120 --> 00:12:00,120 What about you? 270 00:12:00,120 --> 00:12:01,120 Me? 271 00:12:01,120 --> 00:12:03,120 Yeah, how about me asking you a couple of questions? 272 00:12:03,120 --> 00:12:05,120 Why, of course, anything you like. 273 00:12:05,120 --> 00:12:06,120 You're English, eh? 274 00:12:06,120 --> 00:12:07,120 That's right. 275 00:12:07,120 --> 00:12:08,120 Yeah, I could tell that right away. 276 00:12:08,120 --> 00:12:09,120 Really? 277 00:12:09,120 --> 00:12:12,120 Yeah, I could also tell that you're not exactly a stumble bum. 278 00:12:12,120 --> 00:12:14,120 I bet your old man is in the chips, eh? 279 00:12:14,120 --> 00:12:16,120 You mean wealthy? 280 00:12:16,120 --> 00:12:17,120 Matter of fact, he is, rather. 281 00:12:17,120 --> 00:12:19,120 Hmm, maybe even a lord or something? 282 00:12:19,120 --> 00:12:21,120 Oh, no, nothing like that, really. 283 00:12:21,120 --> 00:12:23,120 Lesser nobility, you know. 284 00:12:23,120 --> 00:12:24,120 Hmm, I thought so. 285 00:12:24,120 --> 00:12:25,120 Big shot, huh? 286 00:12:25,120 --> 00:12:27,120 You ever been to this Madrid before? 287 00:12:27,120 --> 00:12:28,120 No, never have. 288 00:12:28,120 --> 00:12:29,120 You know anybody there? 289 00:12:29,120 --> 00:12:31,120 Not a soul, as a matter of fact. 290 00:12:31,120 --> 00:12:32,120 Hmm. 291 00:12:32,120 --> 00:12:34,120 At it again, I see. 292 00:12:34,120 --> 00:12:37,120 I say, you know, you never did tell me about that Palmer business. 293 00:12:37,120 --> 00:12:39,120 You mean, how come it's a business with me? 294 00:12:39,120 --> 00:12:40,120 Mm-hmm. 295 00:12:40,120 --> 00:12:42,120 I write checks. 296 00:12:42,120 --> 00:12:43,120 Write checks? 297 00:12:43,120 --> 00:12:45,120 Yeah, with other people's names on them. 298 00:12:45,120 --> 00:12:48,120 I might add that I'm about the top man in the profession, too. 299 00:12:48,120 --> 00:12:50,120 Oh, you're a... 300 00:12:50,120 --> 00:12:53,120 Yeah, I guess they call it the same thing in England, don't they? 301 00:12:53,120 --> 00:13:02,120 Forgery? 302 00:13:02,120 --> 00:13:04,120 Oh, sure, I told him, so what? 303 00:13:04,120 --> 00:13:06,120 He don't know anybody in this Madrid, 304 00:13:06,120 --> 00:13:09,120 and I figure he ain't gonna know much about me, 305 00:13:09,120 --> 00:13:11,120 and he ain't gonna say much, anyhow. 306 00:13:11,120 --> 00:13:14,120 Although I still don't know quite how I'm gonna do it. 307 00:13:14,120 --> 00:13:16,120 But then I get one of them breaks, Harry, 308 00:13:16,120 --> 00:13:18,120 that even a smart guy needs sometimes. 309 00:13:18,120 --> 00:13:20,120 By this time, it's night, 310 00:13:20,120 --> 00:13:22,120 and we're rattling along with the lights out, 311 00:13:22,120 --> 00:13:24,120 blackening the inside of a nickel cigar, 312 00:13:24,120 --> 00:13:28,120 and I wait to see if maybe Padway will go to sleep or something. 313 00:13:28,120 --> 00:13:32,120 Well, the next thing I know, I must have dozed off myself. 314 00:13:32,120 --> 00:13:35,120 As I hear a noise and as I look out, 315 00:13:35,120 --> 00:13:38,120 I see it's daylight already, and we're coming to a big burg. 316 00:13:38,120 --> 00:13:42,120 Padway's awake too, and he's looking over at me. 317 00:13:42,120 --> 00:13:44,120 You... you dropped something, Palmer? 318 00:13:44,120 --> 00:13:46,120 No, I thought you did. 319 00:13:46,120 --> 00:13:48,120 No? Well, oh, hello. 320 00:13:48,120 --> 00:13:50,120 We must be getting into Madrid. 321 00:13:50,120 --> 00:13:52,120 Sure enough, pulling into the station now. 322 00:13:52,120 --> 00:13:54,120 Oh, that's great. That's fine. 323 00:13:54,120 --> 00:13:56,120 I say, old boy, you look a bit peagas. 324 00:13:56,120 --> 00:13:59,120 Anything wrong? No, no, no, I'm fine. 325 00:14:00,120 --> 00:14:02,120 Hey, what was that? 326 00:14:02,120 --> 00:14:04,120 A bomb, most likely. A bomb? 327 00:14:04,120 --> 00:14:06,120 Yep. That's it, all right. 328 00:14:06,120 --> 00:14:08,120 They're bombing the city, I suppose. 329 00:14:08,120 --> 00:14:11,120 Yeah, hey, hey, hey, hey, they ain't gonna bomb us, are they? 330 00:14:11,120 --> 00:14:13,120 Why, Joe, I think they are. 331 00:14:13,120 --> 00:14:15,120 What do we do, Padway? What do we do now? 332 00:14:15,120 --> 00:14:17,120 Keep down on the floor and hope for the best. 333 00:14:17,120 --> 00:14:19,120 The best better be awful good. 334 00:14:19,120 --> 00:14:21,120 Oh, I must say. 335 00:14:21,120 --> 00:14:23,120 Uh-oh, watch out for this one. 336 00:14:28,120 --> 00:14:30,120 We do it. 337 00:14:30,120 --> 00:14:32,120 Padway! Padway! 338 00:14:41,120 --> 00:14:44,120 Honest, Harry, what happens to that train 339 00:14:44,120 --> 00:14:46,120 should happen to Sing Sing present. 340 00:14:46,120 --> 00:14:49,120 I look around and there's Padway over by the door, 341 00:14:49,120 --> 00:14:51,120 out like a light. 342 00:14:51,120 --> 00:14:54,120 I can see that he ain't long for this world, the poor guy. 343 00:14:54,120 --> 00:14:57,120 Me, I'm lucky I don't have a scratch. 344 00:14:57,120 --> 00:14:59,120 So naturally, now is when I go to work. 345 00:14:59,120 --> 00:15:02,120 I go through his pockets and take out his papers. 346 00:15:02,120 --> 00:15:04,120 There's a passport, some letters, and a wallet 347 00:15:04,120 --> 00:15:06,120 with quite a bit of dough in it. 348 00:15:06,120 --> 00:15:09,120 So I take a couple of things out of my own pocket 349 00:15:09,120 --> 00:15:11,120 and I put them in his. 350 00:15:11,120 --> 00:15:14,120 Only just then, Padway starts coming out of it. 351 00:15:14,120 --> 00:15:17,120 Well, Harry, what would you do if you were me? 352 00:15:17,120 --> 00:15:21,120 Like I say, I am opposed to violence as much as anybody. 353 00:15:21,120 --> 00:15:23,120 But there he is, looking at me. 354 00:15:23,120 --> 00:15:26,120 And the guy ain't gonna live long anyway. 355 00:15:26,120 --> 00:15:31,120 So I grab me rifle and I tap him on the noggin. 356 00:15:31,120 --> 00:15:35,120 Sure enough, he's gone again, but for good this time. 357 00:15:35,120 --> 00:15:37,120 And not too soon because there's some guys 358 00:15:37,120 --> 00:15:39,120 coming down to the rescue. 359 00:15:39,120 --> 00:15:41,120 One of the guys pokes his head in the McDoor. 360 00:15:41,120 --> 00:15:43,120 Come again? 361 00:15:43,120 --> 00:15:45,120 You all right in here? 362 00:15:45,120 --> 00:15:47,120 Yeah, I guess so. What happened? 363 00:15:47,120 --> 00:15:49,120 Don't you know? You're lucky to be alive. 364 00:15:49,120 --> 00:15:51,120 Oh, yeah, yeah, I know, but this guy here, 365 00:15:51,120 --> 00:15:53,120 he wasn't so lucky. 366 00:15:53,120 --> 00:15:56,120 Huh? Oh. Dead, all right. 367 00:15:56,120 --> 00:15:58,120 Do you know him? 368 00:15:58,120 --> 00:16:01,120 Yeah, yeah, but I forget what name he told me. 369 00:16:01,120 --> 00:16:03,120 He's got his papers on him, I think. 370 00:16:03,120 --> 00:16:05,120 Oh, let me see here. 371 00:16:05,120 --> 00:16:08,120 Oh, yes, Joseph Aloisius Palmer. 372 00:16:08,120 --> 00:16:10,120 Oh, yeah, that was it, Palmer, yeah. 373 00:16:10,120 --> 00:16:13,120 Poor fellow. Why? 374 00:16:13,120 --> 00:16:15,120 He died in a good cause. 375 00:16:15,120 --> 00:16:18,120 You're right there, brother. He certainly died in a good cause. 376 00:16:26,120 --> 00:16:28,120 You get it, Harry? 377 00:16:28,120 --> 00:16:31,120 Joe Palmer, who was wanted by the New York cops, is dead. 378 00:16:31,120 --> 00:16:35,120 And George Padway, the big shot Englishman, is me. 379 00:16:35,120 --> 00:16:39,120 So I duck out quick to a hotel, I get me a change of clothes, 380 00:16:39,120 --> 00:16:43,120 and I figure maybe I better take a look through the rest of Padway stuff 381 00:16:43,120 --> 00:16:45,120 to see if maybe I can get an angle. 382 00:16:45,120 --> 00:16:50,120 Well, I find this letter on him from some guy named E. Valencos. 383 00:16:50,120 --> 00:16:53,120 This letter says Valencos looks forward to meeting Padway 384 00:16:53,120 --> 00:16:55,120 and names a time and a place. 385 00:16:55,120 --> 00:16:59,120 Now, anybody else, Harry, this letter might have true for quite a loss, 386 00:16:59,120 --> 00:17:04,120 but not yours truly, because I know that Valencos has never seen Padway. 387 00:17:04,120 --> 00:17:07,120 The letter practically says that, and Padway himself has told me 388 00:17:07,120 --> 00:17:10,120 he don't know nobody in Madrid. You catch on? 389 00:17:10,120 --> 00:17:14,120 And I figure this Valencos is probably just a guy to get me out of this army. 390 00:17:14,120 --> 00:17:16,120 So what do I do? 391 00:17:16,120 --> 00:17:19,120 I simply take me pen and hand and I write a letter, 392 00:17:19,120 --> 00:17:23,120 very nice and neat, in George Padway's handwriting. 393 00:17:23,120 --> 00:17:27,120 Dear Valencos, I says, I will likewise look forward to meeting you 394 00:17:27,120 --> 00:17:32,120 at the time and place you say. Signed, George Padway. 395 00:17:32,120 --> 00:17:35,120 So the next night I go to keep the date. 396 00:17:35,120 --> 00:17:38,120 No fooling, Harry, this Madrid is really in tough shape 397 00:17:38,120 --> 00:17:40,120 since this fascist mob has been giving it the business. 398 00:17:40,120 --> 00:17:44,120 People is all poor and hungry, especially the women and kids, 399 00:17:44,120 --> 00:17:48,120 so naturally I feel sorry for them as I brush them off 400 00:17:48,120 --> 00:17:50,120 and walk into this hot spot. 401 00:17:50,120 --> 00:17:54,120 Well, I take a corner table and I tell the waiter 402 00:17:54,120 --> 00:17:56,120 I'm expecting a Mr. Valencos. 403 00:17:56,120 --> 00:17:59,120 So I'm sitting there practicing with me pencil and pencil 404 00:17:59,120 --> 00:18:02,120 and paper, making me lines and circles, 405 00:18:02,120 --> 00:18:05,120 and the next thing you know I ain't alone. 406 00:18:06,120 --> 00:18:07,120 Hello. 407 00:18:07,120 --> 00:18:10,120 Oh, hello, Toots, what's cooking? 408 00:18:11,120 --> 00:18:12,120 What are you doing? 409 00:18:12,120 --> 00:18:14,120 Just practicing. 410 00:18:14,120 --> 00:18:18,120 Ah, what is it? A secret code? 411 00:18:18,120 --> 00:18:21,120 Yeah, yeah, that's right, the palma code. 412 00:18:21,120 --> 00:18:24,120 I like it. It's pretty. 413 00:18:24,120 --> 00:18:27,120 Yeah, you ain't so unpretty yourself, do you? 414 00:18:27,120 --> 00:18:30,120 You ain't so unpretty yourself, babe. 415 00:18:30,120 --> 00:18:32,120 Only I got some business tonight. 416 00:18:32,120 --> 00:18:36,120 Oh, aren't you going to ask me to have a drink? 417 00:18:36,120 --> 00:18:41,120 Yeah, yeah, but look, how about getting out of here 418 00:18:41,120 --> 00:18:43,120 and going someplace else for it, though, huh? 419 00:18:43,120 --> 00:18:46,120 What about your business? 420 00:18:46,120 --> 00:18:48,120 Well, with a babe like you around, 421 00:18:48,120 --> 00:18:50,120 I'm afraid the business will have to wait a little. 422 00:18:50,120 --> 00:18:53,120 Well, where shall we go? 423 00:18:53,120 --> 00:18:56,120 How about going up to my hotel room? 424 00:18:56,120 --> 00:19:00,120 You mean room 359? 425 00:19:00,120 --> 00:19:03,120 Yeah. Hey, wait a minute. How did you know? 426 00:19:03,120 --> 00:19:04,120 What is your name, senor? 427 00:19:04,120 --> 00:19:06,120 George Padway. So what? 428 00:19:06,120 --> 00:19:09,120 You are well known, senor. 429 00:19:09,120 --> 00:19:11,120 Well, sure, but... 430 00:19:11,120 --> 00:19:12,120 My name is Elena. 431 00:19:12,120 --> 00:19:15,120 That's fine, Elena, but now about... 432 00:19:15,120 --> 00:19:17,120 My last name is Villancos. 433 00:19:17,120 --> 00:19:20,120 Villancos? Well, I'll be your monkey's uncle. 434 00:19:20,120 --> 00:19:23,120 Oh, no, I do not think so. 435 00:19:23,120 --> 00:19:26,120 So you're the Villancos I'm supposed to meet here. 436 00:19:26,120 --> 00:19:30,120 Well, in that case, Elena, just call me George. 437 00:19:30,120 --> 00:19:33,120 Of course, George. 438 00:19:33,120 --> 00:19:36,120 But now, George, I think perhaps we had better go 439 00:19:36,120 --> 00:19:38,120 to that hotel room of yours after all, huh? 440 00:19:38,120 --> 00:19:41,120 Oh, sure, sure. It'd be a good idea. 441 00:19:41,120 --> 00:19:43,120 But only for business, George. 442 00:19:43,120 --> 00:19:45,120 Of course, naturally. 443 00:19:45,120 --> 00:19:47,120 But there is one thing I cannot wait to do. 444 00:19:47,120 --> 00:19:48,120 What's that? 445 00:19:48,120 --> 00:19:50,120 Congratulate you. 446 00:19:50,120 --> 00:19:53,120 Oh, thanks. For what? 447 00:19:53,120 --> 00:19:56,120 For that troop train job, of course. 448 00:19:56,120 --> 00:19:59,120 Oh, well, it wasn't nothing, really. 449 00:19:59,120 --> 00:20:04,120 But there is still something I do not understand. 450 00:20:04,120 --> 00:20:05,120 What's that, baby? 451 00:20:05,120 --> 00:20:07,120 How did you manage to blow it up 452 00:20:07,120 --> 00:20:09,120 while you yourself were on it? 453 00:20:09,120 --> 00:20:11,120 Uh, uh... 454 00:20:11,120 --> 00:20:15,120 Well, uh, look, let's go up to the room. 455 00:20:15,120 --> 00:20:20,120 We'll talk it all over, huh? 456 00:20:23,120 --> 00:20:25,120 George, you still have not told me 457 00:20:25,120 --> 00:20:28,120 how you blew up the train and did not get killed yourself. 458 00:20:28,120 --> 00:20:30,120 Well, do I have to tell you everything? 459 00:20:30,120 --> 00:20:33,120 Oh, perhaps that is why you are so successful, huh? 460 00:20:33,120 --> 00:20:35,120 You have your little secrets. 461 00:20:35,120 --> 00:20:37,120 Hmm, trade secrets. 462 00:20:37,120 --> 00:20:39,120 There's secrets in every trade, you know. 463 00:20:39,120 --> 00:20:41,120 But of course I forget. 464 00:20:41,120 --> 00:20:44,120 You got your training with the Gestapo in Berlin. 465 00:20:44,120 --> 00:20:46,120 They, uh, yeah, yeah, yeah. 466 00:20:46,120 --> 00:20:48,120 They taught me a couple of things. 467 00:20:48,120 --> 00:20:51,120 Tell me, were you in contact 468 00:20:51,120 --> 00:20:54,120 with the firm of Krupp when you were in Berlin? 469 00:20:54,120 --> 00:20:57,120 Well, I saw something of them, naturally. 470 00:20:57,120 --> 00:20:59,120 And what about Deutsche Farbenindustrie? 471 00:20:59,120 --> 00:21:02,120 Uh, very fine firm. 472 00:21:02,120 --> 00:21:05,120 I guess there's a lot of dough on our side, huh? 473 00:21:05,120 --> 00:21:09,120 Oh, but of course we have the money. 474 00:21:09,120 --> 00:21:11,120 The others, uh, the scum. 475 00:21:11,120 --> 00:21:13,120 They have the rags on their backs. 476 00:21:13,120 --> 00:21:16,120 And a few rifles they get from the Bolsheviks. 477 00:21:16,120 --> 00:21:18,120 Yeah, sure, but about this money. 478 00:21:18,120 --> 00:21:20,120 Yes, George? 479 00:21:20,120 --> 00:21:23,120 You see, the fact is I'm a little short myself. 480 00:21:23,120 --> 00:21:26,120 Well, we always have more work for you to do. 481 00:21:26,120 --> 00:21:29,120 Oh, sure, but first, don't you think that... 482 00:21:29,120 --> 00:21:33,120 Ah, so that is why you are so suspicious with me. 483 00:21:33,120 --> 00:21:35,120 You want first the money. 484 00:21:35,120 --> 00:21:37,120 Well, that's the usual way, ain't it? 485 00:21:37,120 --> 00:21:39,120 But of course I can arrange that. 486 00:21:39,120 --> 00:21:41,120 How much do you want? 487 00:21:41,120 --> 00:21:43,120 I figure this job is worth. 488 00:21:43,120 --> 00:21:47,120 Well, perhaps as much as 50,000 pesetas. 489 00:21:47,120 --> 00:21:49,120 How much is that in United States dollars? 490 00:21:49,120 --> 00:21:51,120 I mean pounds. 491 00:21:51,120 --> 00:21:53,120 About a thousand pounds? 492 00:21:53,120 --> 00:21:54,120 A thousand. 493 00:21:54,120 --> 00:21:57,120 I don't think I can do for that kind of dough. 494 00:21:57,120 --> 00:21:59,120 A thousand pounds is a lot of money, George. 495 00:21:59,120 --> 00:22:01,120 Yeah, but think of the expenses. 496 00:22:01,120 --> 00:22:02,120 What expenses? 497 00:22:02,120 --> 00:22:06,120 Well, things like, well, this dynamite, for instance. 498 00:22:06,120 --> 00:22:08,120 You know, you don't get that stuff for peanuts. 499 00:22:08,120 --> 00:22:11,120 Oh, George, you are teasing me. 500 00:22:11,120 --> 00:22:14,120 I will get you all the dynamite you want for nothing. 501 00:22:14,120 --> 00:22:17,120 Well, how about the element of personal risk? 502 00:22:17,120 --> 00:22:21,120 This racket ain't exactly the healthiest in the world, neither, you know. 503 00:22:21,120 --> 00:22:23,120 There you are right, George. 504 00:22:23,120 --> 00:22:27,120 It is a risky profession to be a fascist saboteur. 505 00:22:27,120 --> 00:22:29,120 That's what I'm telling you. 506 00:22:29,120 --> 00:22:31,120 How much do you want? 507 00:22:31,120 --> 00:22:37,120 Well, I don't see how I can play ball for less than 100,000 of them pesetas. 508 00:22:37,120 --> 00:22:39,120 Very well, we will pay it. 509 00:22:39,120 --> 00:22:41,120 Well, that's well, you toots. 510 00:22:41,120 --> 00:22:43,120 How soon can I have the dough? 511 00:22:43,120 --> 00:22:44,120 I will have it here within an hour. 512 00:22:44,120 --> 00:22:45,120 Okay, it's a deal. 513 00:22:45,120 --> 00:22:49,120 And then maybe you and me will still have time to go out on a little bender, huh? 514 00:22:49,120 --> 00:22:54,120 Yes, perhaps we will. 515 00:22:54,120 --> 00:22:56,120 And look, make it small bills, will you? 516 00:22:56,120 --> 00:22:57,120 They're easier to handle. 517 00:22:57,120 --> 00:23:02,120 It's a lot of money, but my friends and I will bring it in a suitcase. 518 00:23:02,120 --> 00:23:09,120 Well, and one thing, Alina, for this next job, you might have to help me get out of the country for a little while. 519 00:23:09,120 --> 00:23:11,120 You know, I got certain arrangements that I got to make. 520 00:23:11,120 --> 00:23:14,120 There will be no trouble there, I can assure you. 521 00:23:14,120 --> 00:23:17,120 Well, that's a real pal, Alina. I won't forget it, neither. 522 00:23:17,120 --> 00:23:19,120 I know you won't, George. 523 00:23:19,120 --> 00:23:20,120 Oh, George, there is one thing. 524 00:23:20,120 --> 00:23:23,120 Just a little formality so I can be sure to get the money. 525 00:23:23,120 --> 00:23:25,120 Oh, sure, babe, anything you say. 526 00:23:25,120 --> 00:23:30,120 Will you write a little note for me so they will know I contacted you, you see? 527 00:23:30,120 --> 00:23:33,120 A note? What does the note say? 528 00:23:33,120 --> 00:23:43,120 Oh, just something like, I, Padwee, have contacted Alina Biljankos and we are agreed on future procedure. 529 00:23:43,120 --> 00:23:45,120 Well, I guess that'll be all right. 530 00:23:45,120 --> 00:24:04,120 Okay, I have contacted Alina Biljankos and we are agreed on future procedure. 531 00:24:04,120 --> 00:24:07,120 Sign, George Padwee. 532 00:24:07,120 --> 00:24:09,120 There you are, okay. 533 00:24:09,120 --> 00:24:10,120 Thank you, George. 534 00:24:10,120 --> 00:24:12,120 Well, I think you better run along now, huh? 535 00:24:12,120 --> 00:24:15,120 Then I will be back at eight o'clock. 536 00:24:15,120 --> 00:24:16,120 Okay, that'll be okay. 537 00:24:16,120 --> 00:24:18,120 You will be waiting for me? 538 00:24:18,120 --> 00:24:20,120 Don't worry, babe, I'll be here. 539 00:24:20,120 --> 00:24:31,120 Oh, brother, will I be here? 540 00:24:31,120 --> 00:24:37,120 So now, Harry, you can see why I'm practically killing myself laughing while I'm writing this letter. 541 00:24:37,120 --> 00:24:44,120 Of course, while I'm writing that note and Padwee's handwriting, I can hardly keep my face straight, you know, it's so right up me alley. 542 00:24:44,120 --> 00:24:49,120 Only thing that worries me a little is me conscience, if you can call that what I got a conscience on. 543 00:24:49,120 --> 00:24:54,120 It kind of really makes me sort of where this fascist mob I'm hooked up with is kicking the rest of the people around. 544 00:24:54,120 --> 00:25:00,120 However, I'm in up to me ears now too, so I got to think about yours truly first, right? 545 00:25:00,120 --> 00:25:06,120 But maybe when I get in a clear someday, I'll figure out a way to get a crack at these guys myself when I kind of believe me, Harry. 546 00:25:06,120 --> 00:25:09,120 I think a fascist is really a bunch of no good crumbs. 547 00:25:09,120 --> 00:25:12,120 And I guess that'll even have to go for a leaner. 548 00:25:12,120 --> 00:25:17,120 But now the hour's about up and I think I hear somebody coming down the hall now. 549 00:25:17,120 --> 00:25:20,120 I'll tell you the payoff for all this when I see you in a little old New York. 550 00:25:20,120 --> 00:25:30,120 In the meantime, Harry, keep your shirt on and try not to die from envy of your old friend Joe Palmer. 551 00:25:30,120 --> 00:25:32,120 Okay, babe, I'm coming. 552 00:25:32,120 --> 00:25:34,120 Well, right on time, huh? 553 00:25:34,120 --> 00:25:37,120 Yes, then your pathway. This is in your Martinez, then your frontier. 554 00:25:37,120 --> 00:25:40,120 Oh, hi, you got the old suitcase. 555 00:25:40,120 --> 00:25:42,120 I have any trouble getting a dough. 556 00:25:42,120 --> 00:25:44,120 No, no trouble. 557 00:25:44,120 --> 00:25:46,120 Well, maybe we better open it up and count it. 558 00:25:46,120 --> 00:25:48,120 You know, just in case. 559 00:25:48,120 --> 00:25:50,120 Yes, I think we should go on. 560 00:25:50,120 --> 00:25:51,120 Open it. 561 00:25:51,120 --> 00:25:53,120 Yes, you know, I never would. 562 00:25:53,120 --> 00:25:56,120 Hey, what's that Tommy gun doing in there? 563 00:25:56,120 --> 00:25:57,120 Where's the dough? 564 00:25:57,120 --> 00:25:58,120 What's the matter? 565 00:25:58,120 --> 00:25:59,120 Are you afraid? 566 00:25:59,120 --> 00:26:00,120 My fascist friend? 567 00:26:00,120 --> 00:26:01,120 What? 568 00:26:01,120 --> 00:26:02,120 What about you? 569 00:26:02,120 --> 00:26:03,120 Thank you. 570 00:26:03,120 --> 00:26:08,120 Ah, not quite. I am an agent of the Republic of Spain, Senor Padway. 571 00:26:08,120 --> 00:26:14,120 We have been waiting a long time to trap you, my friend, but now we bring you your reward. 572 00:26:14,120 --> 00:26:17,120 Elena, wait a minute, wait a minute. Tell that guy to put that gun away. 573 00:26:17,120 --> 00:26:21,120 You got to let me explain. I ain't no fascist. My name ain't even Padway. 574 00:26:21,120 --> 00:26:26,120 My name is Joe Palmer. I'm an American guy. I just come over here to fight for your side. 575 00:26:26,120 --> 00:26:29,120 No, no kidding. You can find it out from your friends in New York. 576 00:26:29,120 --> 00:26:31,120 I'm the guy that even killed Padway. 577 00:26:31,120 --> 00:26:40,120 Who wrote the letter to me? Who wrote the note for me tonight in the handwriting that we even compared with all our other correspondents with Padway just to make sure? 578 00:26:40,120 --> 00:26:45,120 Well, I did, sure, but that's me racket, handwriting, forgery. I'm telling you, I'm Joe Palmer. 579 00:26:45,120 --> 00:26:46,120 Can you prove it? 580 00:26:46,120 --> 00:26:47,120 Sure I can. 581 00:26:50,120 --> 00:26:51,120 I guess maybe I can't, huh? 582 00:26:51,120 --> 00:26:53,120 The handwriting. 583 00:26:53,120 --> 00:27:01,120 Yeah, it's like I said to Padway, I'm the best in the business. It's kind of funny now, ain't it? 584 00:27:01,120 --> 00:27:02,120 We're wasting time. 585 00:27:02,120 --> 00:27:09,120 Okay. Guess there's no use talking. Guess I've been a heel. I outsmarted myself. 586 00:27:09,120 --> 00:27:16,120 But I want you to know one thing. I was really kind of on a level in my own way towards the end, but oh, what's the difference? 587 00:27:16,120 --> 00:27:24,120 Just one thing I want you to know for your own information. I'm swearing. The guy you're bumping off is Joe Palmer of the International Big Grade. 588 00:27:24,120 --> 00:27:26,120 Palmer? Like the... 589 00:27:26,120 --> 00:27:27,120 Oh, I'm not finished. 590 00:27:29,120 --> 00:27:31,120 Palmer. 591 00:27:39,120 --> 00:27:42,120 A smart agent. One must say that for him. 592 00:27:42,120 --> 00:27:47,120 Yes, she was very, very smart. 593 00:28:01,120 --> 00:28:06,120 And so closes The Palmer Method starring Ed Gardner, tonight's tale of suspense. 594 00:28:06,120 --> 00:28:16,120 Before Mr. Gardner returns to our microphone, let me give you a suggestion that you will find can add to the success of your next dinner party at home. 595 00:28:16,120 --> 00:28:21,120 At one end of the dining table, place a bottle of Roma wine's hearty full-bodied burgundy. 596 00:28:21,120 --> 00:28:26,120 At the other table end, place a bottle of Roma wine's delicately delicious sauternes. 597 00:28:26,120 --> 00:28:30,120 Then let each of your guests select the Roma wine to his liking. 598 00:28:30,120 --> 00:28:38,120 You will know that whatever the individual choice of a guest, both of these Roma California wines will delight by their superb quality. 599 00:28:38,120 --> 00:28:44,120 The quality that has made Roma wines America's largest selling wines. 600 00:28:44,120 --> 00:28:52,120 In Roma, you have the old world art of winemaking, plus the extra care, constant tasting and testing, which modern knowledge adds. 601 00:28:52,120 --> 00:29:02,120 While the superb quality of these good Roma wines will win your full accord with the judgment of wine experts of many lands that Roma wines are truly magnificent. 602 00:29:02,120 --> 00:29:11,120 Let me repeat the name, R-O-M-A Roma wines, made in California for enjoyment throughout the world. 603 00:29:11,120 --> 00:29:14,120 Well, this is Ed Gardner, earlier Saatchi speaking again. 604 00:29:14,120 --> 00:29:18,120 It's been a great pleasure to be on suspense on account of it's one of my favorite shows. 605 00:29:18,120 --> 00:29:27,120 Next week, I hope you'll all be listening into the show like the gang of toughies all will be when the star will be Gene Kelly. Thank you. 606 00:29:27,120 --> 00:29:33,120 Suspense is produced and directed by William Spear. Don't forget then next Thursday for Gene Kelly in Suspense. 607 00:29:33,120 --> 00:29:39,120 Presented by Roma wines, R-O-M-A, made in California for enjoyment throughout the world. 608 00:29:39,120 --> 00:29:48,120 This is CBS, the Columbia Broadcasting System.