WEBVTT 00:00.000 --> 00:17.600 Roma wines present Suspense. 00:17.600 --> 00:22.440 Roma wines made in California for enjoyment throughout the world. 00:22.440 --> 00:23.440 Salud. 00:23.440 --> 00:25.520 Your health, senor. 00:25.520 --> 00:27.480 Roma wines toast the world. 00:27.480 --> 00:32.720 The wine for your table is Roma wine made in California for enjoyment throughout the 00:32.720 --> 00:33.720 world. 00:33.720 --> 00:39.640 This is the man in black here for the Roma wine company of Fresno, California to introduce 00:39.640 --> 00:42.560 this weekly half hour of Suspense. 00:42.560 --> 00:47.720 Tonight from Hollywood, Roma wines bring you the remarkable actress whose performance in 00:47.720 --> 00:54.080 the Paramount picture for Whom the Bell Tolls won her an Academy Award, Katina Paxson. 00:54.080 --> 00:58.640 And so the woman in red and with the performance of Madame Paxson, we again hope to keep you 00:58.640 --> 01:09.100 in Suspense. 01:09.100 --> 01:14.080 In all of London, few houses were so fine, so correct, so austere, and yet gracious with 01:14.080 --> 01:17.480 age as number 30, Henrik Square. 01:17.480 --> 01:21.920 That was true of its reception room, true of its long, quiet hallway along which the young 01:21.920 --> 01:24.360 man led the girl. 01:24.360 --> 01:28.160 Antreta, this is Miss Julia Ross. 01:28.160 --> 01:31.800 The woman rested her knitting in her lap and slowly turned around. 01:31.800 --> 01:35.600 She was a giant of a woman, a woman of 60 in a bright red dress. 01:35.600 --> 01:39.640 For several seconds she stared fixedly across at Julia. 01:39.640 --> 01:43.320 Then in an instant a soft, gentle smile came on her face. 01:43.320 --> 01:44.320 Perfect. 01:44.320 --> 01:45.320 How perfect. 01:45.320 --> 01:46.320 I beg your pardon? 01:46.320 --> 01:47.320 Here. 01:47.320 --> 01:48.320 Come over here. 01:48.320 --> 01:53.520 Let me look at you. 01:53.520 --> 01:54.520 That's it. 01:54.520 --> 01:55.520 Over there, child. 01:55.520 --> 01:56.520 Sit there on the divan. 01:56.520 --> 01:57.520 And Karl, I think I shall have my milk now. 01:57.520 --> 01:58.520 And Miss Ross will have some with me. 01:58.520 --> 01:59.520 Will you want, Miss Ross? 01:59.520 --> 02:00.520 Some milk? 02:00.520 --> 02:01.520 Oh, but I never say. 02:01.520 --> 02:02.520 Some warm milk and a biscuit. 02:02.520 --> 02:03.520 Of course you will. 02:03.520 --> 02:04.520 I always find it difficult to get a cup of milk. 02:04.520 --> 02:05.520 And I think I'll have it. 02:05.520 --> 02:06.520 I'll have it. 02:06.520 --> 02:07.520 I'll have it. 02:07.520 --> 02:08.520 I'll have it. 02:08.520 --> 02:09.520 I'll have it. 02:09.520 --> 02:10.520 I'll have it. 02:10.520 --> 02:11.520 I'll have it. 02:11.520 --> 02:12.520 I'll have it. 02:12.520 --> 02:13.520 I'll have it. 02:13.520 --> 02:14.520 I'll have it. 02:14.520 --> 02:15.520 I'll have it. 02:15.520 --> 02:16.520 I'll have it. 02:16.520 --> 02:17.520 I'll have it. 02:17.520 --> 02:19.940 Yes, I always find it very sustaining. 02:19.940 --> 02:20.940 Karl! 02:20.940 --> 02:24.440 Have you heard the young lady? 02:24.440 --> 02:26.240 And stop staring at her. 02:26.240 --> 02:27.580 You've seen a pretty girl before. 02:27.580 --> 02:29.340 When I staring? 02:29.340 --> 02:30.640 Excuse me, Miss Ross. 02:30.640 --> 02:32.220 I am having now like a nice boy. 02:32.220 --> 02:33.860 Is he your secretary? 02:33.860 --> 02:40.380 Let us say that he has been substituting me, until I have found someone like you. 02:40.380 --> 02:42.080 You mean you think I will do? 02:42.080 --> 02:43.080 Don't you anyone else know that? 02:43.080 --> 02:44.080 Well, I... 02:44.080 --> 02:45.280 Don't you? 02:45.280 --> 02:48.280 Well, all I know is when I saw your advertisement 02:48.280 --> 02:51.800 in the paper, Miss Crable, I couldn't believe my eyes. 02:51.800 --> 02:54.480 Wanted secretary, Irish girl, blonde hair, 02:54.480 --> 02:57.520 age about 25, it was all so perfect. 02:57.520 --> 03:00.360 It sounded just, well, it was like me. 03:00.360 --> 03:02.480 And just like Sheila. 03:02.480 --> 03:04.680 That was my former secretary, Miss Ross, 03:04.680 --> 03:07.160 you who passed away just recently. 03:07.160 --> 03:08.000 Oh. 03:08.000 --> 03:09.880 She had been with me many years. 03:09.880 --> 03:10.720 I'm so sorry, Miss Crable. 03:10.720 --> 03:13.840 I had the feeling that my loss might be lessened 03:13.840 --> 03:16.480 if I could really replace her. 03:16.480 --> 03:19.080 An old lady's whim, of course, 03:19.080 --> 03:23.320 because no one is ever exactly like someone else. 03:23.320 --> 03:25.880 You, for example, I'm sure you have friends, 03:25.880 --> 03:30.240 acquaintances, relatives, perhaps, you see, now and then. 03:30.240 --> 03:31.240 Sheila didn't, but- 03:31.240 --> 03:32.680 But you see, I don't. 03:32.680 --> 03:34.720 What I mean is my parents aren't living, 03:34.720 --> 03:37.560 and so far as friends or acquaintances are concerned, 03:37.560 --> 03:41.080 I hadn't had much time lately. 03:41.080 --> 03:43.400 Well, my landlady, of course, I know her, but- 03:43.400 --> 03:47.920 Unbelievable, Miss Ross, because it's so perfect. 03:47.920 --> 03:51.120 You see, the less time you have for outside attractions, 03:51.120 --> 03:52.680 the more time you have for me. 03:52.680 --> 03:54.760 The milk, Aunt Rita, and the biscuits. 03:54.760 --> 03:56.080 Will this table do here? 03:56.080 --> 03:57.840 That will be fine, dear. 03:57.840 --> 03:59.520 And leave us alone. 03:59.520 --> 04:00.360 Very well. 04:00.360 --> 04:03.640 My aunt is a very domineering woman, Miss Ross. 04:03.640 --> 04:06.640 But also a generous one, I think. 04:06.640 --> 04:08.280 Your milk, dear. 04:08.280 --> 04:09.120 And the biscuit? 04:09.120 --> 04:10.920 Oh, just the milk, thank you. 04:10.920 --> 04:13.000 Miss Crabo, there's something you must know. 04:13.000 --> 04:15.160 Well, don't hesitate, child. 04:15.160 --> 04:18.640 Miss Crabo, I'm afraid I'm not quite what you think. 04:18.640 --> 04:22.360 I mean, I've never really done any secretarial work before. 04:22.360 --> 04:24.080 I've had some business training, 04:24.080 --> 04:27.080 a little, but not actual experience. 04:27.080 --> 04:31.000 I mean it, Miss Crabo, I lied in what I wrote you. 04:31.000 --> 04:33.280 I wanted the position and I needed it so much. 04:33.280 --> 04:35.720 You silly girl. 04:35.720 --> 04:37.640 You mean, you still want me? 04:37.640 --> 04:38.760 Certainly. 04:38.760 --> 04:41.160 Now finish your milk before it gets cold. 04:41.160 --> 04:42.000 Oh. 04:42.000 --> 04:43.040 As a matter of fact, 04:43.040 --> 04:46.080 there will be very little secretarial work for you to do. 04:46.080 --> 04:51.080 I shall want a sort of a, yes, a companion. 04:51.800 --> 04:54.960 Now, I shall want you to start immediately. 04:54.960 --> 04:56.960 You will, of course, live here in the house and... 04:56.960 --> 04:58.000 Live in the house? 04:58.000 --> 05:00.680 But of course, you are my companion. 05:00.680 --> 05:03.640 Oh, but I didn't understand that I... 05:03.640 --> 05:04.800 Yes. 05:04.800 --> 05:06.680 Well, then, I think perhaps 05:06.680 --> 05:08.880 I should make plans accordingly. 05:08.880 --> 05:10.320 I mean, I'd better leave now. 05:10.320 --> 05:12.240 I shall want to go to my boarding house 05:12.240 --> 05:13.080 and cancel my lodging. 05:13.080 --> 05:15.640 Oh, there will be plenty of time for that, child. 05:15.640 --> 05:18.080 Carl and I generally take an afternoon stroll 05:18.080 --> 05:19.200 and would like you to... 05:19.200 --> 05:21.600 But you see, there'll be other arrangements. 05:21.600 --> 05:22.600 People, I must say, and things to... 05:22.600 --> 05:23.720 People? 05:23.720 --> 05:25.640 But you said you knew no people. 05:25.640 --> 05:30.080 Oh, yes, well, Miss Crabo, 05:30.080 --> 05:32.080 I have no qualifications for this position. 05:32.080 --> 05:32.920 I... 05:32.920 --> 05:35.760 Oh. 05:35.760 --> 05:36.600 Why, child? 05:36.600 --> 05:37.920 What's the matter? 05:37.920 --> 05:39.760 I don't know. 05:39.760 --> 05:43.080 Suddenly, I feel so drowsy. 05:43.080 --> 05:48.080 Well, then, I would just lie back on the dais. 05:48.080 --> 05:51.080 But there's no reason for it. 05:51.080 --> 05:53.840 Oh, but there is, child. 05:53.840 --> 05:56.920 You are weary from the strain, the uncertainty, 05:56.920 --> 05:58.920 the ceaseless search for work 05:58.920 --> 06:00.920 in a strange and friendly city. 06:00.920 --> 06:03.920 The milk, there was something in it. 06:03.920 --> 06:06.920 And so you relax your nerves. 06:06.920 --> 06:09.920 They go to sleep. 06:09.920 --> 06:11.920 Yes. 06:11.920 --> 06:13.920 Sleep. 06:15.920 --> 06:16.920 Carl. 06:16.920 --> 06:17.920 Oh, Carl. 06:17.920 --> 06:19.920 Yes, Aunt Rita? 06:19.920 --> 06:20.920 Have you finished the note, dear? 06:20.920 --> 06:21.920 Oh, yes, only this moment. 06:21.920 --> 06:23.920 Well, don't just stand there. 06:23.920 --> 06:24.920 Let me see. 06:24.920 --> 06:27.920 Aunt Rita, please, she's so harmless. 06:27.920 --> 06:30.920 And so perfect. 06:30.920 --> 06:32.920 And now read me the note. 06:32.920 --> 06:34.920 To Department K.L. 06:34.920 --> 06:36.920 Southern Development. 06:36.920 --> 06:38.920 Living at once for Dublin, Ireland. 06:38.920 --> 06:40.920 Will communicate in ten days. 06:40.920 --> 06:41.920 Ten days, Carl? 06:41.920 --> 06:43.920 We won't need so much time. 06:43.920 --> 06:45.920 Make that five. 06:45.920 --> 06:47.920 Just as you say, Aunt Rita. 06:47.920 --> 06:49.920 Then sign it Sheila Campbell 06:49.920 --> 06:57.920 and post it to British Intelligence. 06:57.920 --> 06:58.920 Tonight for Suspense, 06:58.920 --> 07:01.920 Roma Wines bring you as star Madame Katina Paksinou, 07:01.920 --> 07:02.920 whom you have heard in the prologue 07:02.920 --> 07:05.920 to The Woman in Red by Anthony Gilbert. 07:05.920 --> 07:20.920 Tonight's adventure in Suspense. 07:20.920 --> 07:21.920 You remember the old saying, 07:21.920 --> 07:23.920 the grass is always greener in the other fellow's yard? 07:23.920 --> 07:25.920 Well, you might agree with the truth of that statement 07:25.920 --> 07:28.920 if you happen to overhear a conversation like this. 07:28.920 --> 07:30.920 Let's imagine we're seated in the smart and festive 07:30.920 --> 07:33.740 and 07:33.740 --> 07:36.740 in Havana, Cuba. 07:36.740 --> 07:37.740 An American has just complimented his Cuban friend 07:37.740 --> 07:39.740 on the fine quality of Havana tobacco. 07:39.740 --> 07:41.740 Graciously, the Cuban replies, 07:41.740 --> 07:44.740 but you of the United States need have no envy of us. 07:44.740 --> 07:47.740 Nature has made a great gift of perfection to your country too. 07:47.740 --> 07:50.740 The magnificent wine which we are all so fond of. 07:50.740 --> 07:54.740 It is Roma wine made in your own California. 07:54.740 --> 07:57.740 Friends, that little scene is typical of many countries 07:57.740 --> 08:00.740 where wine is truly a delicacy. 08:00.740 --> 08:03.740 Or in other lands, Roma wines must be imported 08:03.740 --> 08:06.740 over long distances from our own California. 08:06.740 --> 08:09.740 A luxury to be enjoyed on special occasions. 08:09.740 --> 08:12.740 While lucky you can enjoy these superb Roma wines 08:12.740 --> 08:15.740 as a daily delight with no import duty, 08:15.740 --> 08:19.740 no expensive shipping charges added to your cost for Roma wines. 08:19.740 --> 08:22.740 Whichever one of Roma wines, many different types, 08:22.740 --> 08:24.740 your own taste test names as favorite. 08:24.740 --> 08:27.740 You'll agree here is truly a great gift to you. 08:27.740 --> 08:30.740 And you'll say, no wonder Roma wines 08:30.740 --> 08:33.740 are America's largest selling wines. 08:33.740 --> 08:35.740 I'll spell out the name for you. 08:35.740 --> 08:39.740 R-O-M-A Roma wines made in California 08:39.740 --> 08:42.740 for enjoyment throughout the world. 08:42.740 --> 08:45.740 And now it is with pleasure that we bring back to our sound stage 08:45.740 --> 08:48.740 our star, Katina Paksinou, in the woman in red, 08:48.740 --> 08:51.740 a tale well-known in the world. 08:51.740 --> 08:54.740 And now, we are going to hear from her. 08:54.740 --> 08:57.740 Katina Paksinou, in the woman in red, 08:57.740 --> 09:00.740 a tale well calculated to keep you in suspense. 09:13.740 --> 09:16.740 Feeling better, Julia, after your little nap? 09:16.740 --> 09:18.740 No, no, I don't feel better. 09:18.740 --> 09:21.740 Well, the walk and a little something to eat 09:21.740 --> 09:23.740 will do wonders for you. 09:23.740 --> 09:25.740 I don't want anything to eat. 09:25.740 --> 09:27.740 And please don't hold onto my arm like that. 09:27.740 --> 09:29.740 Oh, now, child, is that a way to talk? 09:29.740 --> 09:31.740 You seemed a bit shaky, that's all. 09:31.740 --> 09:34.740 Here we are. Carl, you wait with Julia. 09:34.740 --> 09:37.740 I'll just look in first to see that it's not too clouded. 09:37.740 --> 09:39.740 And now you have to hold my arm. 09:39.740 --> 09:41.740 No, wait, Miss Ross, I don't have to hold... 09:41.740 --> 09:42.740 No, don't, don't! 09:42.740 --> 09:43.740 Let me go! 09:43.740 --> 09:45.740 What are you doing, Miss Ross? Why do you run like that? 09:45.740 --> 09:47.740 Please, don't you understand? 09:47.740 --> 09:49.740 If I'm to move in with Miss Craibouat, 09:49.740 --> 09:51.740 I've got to get in touch with my landlady. 09:51.740 --> 09:53.740 I'll give you plenty of time. 09:53.740 --> 09:55.740 Plenty of time? What do you want with me? 09:55.740 --> 09:56.740 Why are you both... 09:56.740 --> 09:57.740 Oh, Carl! 09:57.740 --> 09:58.740 Yes, Aunt Rita? 09:58.740 --> 09:59.740 Come along, you two. 09:59.740 --> 10:00.740 No. 10:00.740 --> 10:02.740 Please, you're making yourself worried about nothing. 10:02.740 --> 10:05.740 My aunt, it is just that she's a peculiar woman. 10:05.740 --> 10:06.740 Why, hurry, children! 10:06.740 --> 10:08.740 Then remember that I am here. 10:08.740 --> 10:09.740 I have already ordered for us. 10:09.740 --> 10:11.740 Oh, fine, Aunt Rita. 10:11.740 --> 10:13.740 Our table, this is it? 10:13.740 --> 10:16.740 Yes, sir, you're in the corner. Miss Craibouat. 10:16.740 --> 10:18.740 Thank you, Mr. James. 10:18.740 --> 10:20.740 And Sheila will sit here to my left. 10:20.740 --> 10:21.740 Of course. 10:21.740 --> 10:23.740 Miss Sheila. 10:23.740 --> 10:24.740 Miss Sheila. 10:24.740 --> 10:25.740 What? 10:25.740 --> 10:27.740 This is your place here, Miss Sheila. 10:27.740 --> 10:28.740 Sheila? 10:28.740 --> 10:30.740 Why are you calling me Sheila? 10:30.740 --> 10:32.740 What is it? Why are they laughing? 10:32.740 --> 10:35.740 Pay no attention, dear. Just sit down, please. 10:35.740 --> 10:37.740 This woman called me Sheila. You both did. My name is... 10:37.740 --> 10:39.740 I know, I know, dear. 10:39.740 --> 10:42.740 It is Julia. Everything is all right. 10:42.740 --> 10:44.740 Shall I serve the tea now? 10:44.740 --> 10:45.740 If you will, please. 10:45.740 --> 10:48.740 Now, Sheila, sit down, dear, like a nice girl. 10:48.740 --> 10:49.740 No. 10:49.740 --> 10:50.740 What, dear? 10:50.740 --> 10:52.740 I'm... I'm going to the restaurant. 10:52.740 --> 10:53.740 Sheila! 10:53.740 --> 10:55.740 It's all right, Miss Craibouat. Don't bother. 10:55.740 --> 10:57.740 There's no other exit from that room. 10:57.740 --> 11:00.740 Oh, I'm so sorry to impose on you, Mr. James. 11:00.740 --> 11:02.740 I had no idea she would be so difficult. 11:02.740 --> 11:04.740 Oh, don't give it a thought. 11:04.740 --> 11:07.740 Once you explained the situation, 11:07.740 --> 11:09.740 we were only too glad to help. 11:09.740 --> 11:12.740 Of course, I'd never seen your secretary. 11:12.740 --> 11:14.740 I had no idea that... 11:14.740 --> 11:16.740 It's only a recent development. 11:16.740 --> 11:17.740 Oh, yes. 11:17.740 --> 11:19.740 Shall I pour the young lady's tea now? 11:19.740 --> 11:21.740 No, thank you. I can manage. 11:21.740 --> 11:24.740 Yes. You know, I was just saying to Mrs. Blandon the other day. 11:24.740 --> 11:28.740 I says, I wonder if Miss Craibouat and her nephew are still in the neighbourhood, I says. 11:28.740 --> 11:30.740 Why, they haven't been in my shop for ages, I says. 11:30.740 --> 11:31.740 And she says, no, they... 11:31.740 --> 11:35.740 Ah, yes. You see, Mrs. James, we don't dare leave her for long. 11:35.740 --> 11:37.740 For her own protection, that is. 11:37.740 --> 11:38.740 Huh? Protection? 11:38.740 --> 11:41.740 Yes. We are a little worried about suicide. 11:41.740 --> 11:43.740 Oh. Oh, yes. 11:43.740 --> 11:44.740 Aunt Rita, Sheila's coming. 11:44.740 --> 11:46.740 Well, just call me in case I can help. 11:46.740 --> 11:48.740 Thank you. 11:48.740 --> 11:49.740 Oh, here you are, dear. 11:49.740 --> 11:51.740 Carl, help Sheila into her chair. 11:51.740 --> 11:53.740 Oh, yes. Sheila. 11:53.740 --> 11:55.740 Thank you, Carl. 11:55.740 --> 11:57.740 Relax now, dear, and drink your tea. 11:57.740 --> 11:59.740 It's all ready for you. 11:59.740 --> 12:01.740 My tea in this cup? 12:01.740 --> 12:02.740 No, I won't drink it. 12:02.740 --> 12:04.740 You won't drink it? 12:04.740 --> 12:06.740 Sheila, what? 12:06.740 --> 12:09.740 You're pouring... pouring it into your saucer. 12:09.740 --> 12:12.740 Dear, everybody's staring at you, laughing at you. 12:12.740 --> 12:14.740 There's nothing for them to laugh at. 12:14.740 --> 12:17.740 I simply prefer to pour my own cup of tea. 12:17.740 --> 12:19.740 And that's exactly what I shall do. 12:19.740 --> 12:20.740 But... but I... 12:20.740 --> 12:23.740 Dear, you don't think I... 12:23.740 --> 12:25.740 Do you really believe that I... 12:25.740 --> 12:27.740 I put something in that first cup of tea? 12:27.740 --> 12:29.740 Yes. Yes, I do. 12:29.740 --> 12:32.740 You did it before, and there's no reason to think you wouldn't do it again. 12:32.740 --> 12:33.740 Sheila! 12:33.740 --> 12:35.740 Very well, then. Drink your tea. 12:35.740 --> 12:38.740 Only hurry. I don't think I can endure much more. 12:38.740 --> 12:40.740 Never mind. I shall hurry. 12:40.740 --> 12:42.740 I'm just as eager to leave as you. 12:42.740 --> 12:43.740 And I'm going straight to the police. 12:43.740 --> 12:45.740 Oh, now. You're not starting that again. 12:45.740 --> 12:47.740 Are you insane? 12:47.740 --> 12:49.740 Do you think I'm helpless, that I can't get away from you, 12:49.740 --> 12:51.740 that I shall simply stand here and... 12:53.740 --> 12:55.740 Oh... 12:55.740 --> 12:58.740 It... it's happening. 12:58.740 --> 13:01.740 What, dear? What's happening? 13:01.740 --> 13:04.740 You... you had it in the tea pot. 13:04.740 --> 13:06.740 Oh, you're tired again, aren't you, child? 13:06.740 --> 13:08.740 This isn't something I can do, Miss Kraber. 13:08.740 --> 13:12.740 These attacks, Mrs. James, they leave her quite exhausted. 13:12.740 --> 13:15.740 If you... if you... if you'd be good enough to open the door. 13:15.740 --> 13:17.740 Of course, Miss Kraber. Of course. 13:17.740 --> 13:19.740 No. No. 13:19.740 --> 13:21.740 She must be taken straight to her room, Carl. 13:21.740 --> 13:24.740 Please, if you just give her a hand. 13:24.740 --> 13:27.740 That's it. That's fine. 13:27.740 --> 13:42.740 You are really such a help to me, Carl. 13:42.740 --> 13:48.740 Here we are, Sheila. Right here. 13:48.740 --> 13:51.740 Now, just go to bed, dear. 13:51.740 --> 13:53.740 Let me alone. 13:53.740 --> 13:55.740 Come along, then, Carl. 13:55.740 --> 13:58.740 She lays quite tired. Yes, Aunt Rita, I shall. 13:58.740 --> 14:01.740 You... you said you'd always be here. 14:01.740 --> 14:03.740 You've got to help me. 14:03.740 --> 14:04.740 What can I do? 14:04.740 --> 14:06.740 Here. I've had it in my pocket. 14:06.740 --> 14:08.740 A note. 14:08.740 --> 14:10.740 Are you coming, dear? Right away, Aunt Rita. 14:10.740 --> 14:11.740 It's to my landlady. 14:11.740 --> 14:13.740 I wrote it in the restroom at the tea shop. 14:13.740 --> 14:15.740 Here, mail it to her. It's my only chance. 14:15.740 --> 14:17.740 But I... I can't keep this. Oh, Carl! 14:17.740 --> 14:21.740 She's coming. Yes, Aunt Rita. 14:21.740 --> 14:25.740 You can do it. You've got to do it. 14:25.740 --> 14:30.740 Good night, Sheila. 14:30.740 --> 14:32.740 How very slow you are, Carl. 14:32.740 --> 14:34.740 Was I so very long? 14:34.740 --> 14:37.740 You like her, I can see that. 14:37.740 --> 14:39.740 A letter, I imagine. 14:39.740 --> 14:40.740 She gave you a letter to post? 14:40.740 --> 14:43.740 A letter? Oh, no, I was just locking the door. 14:43.740 --> 14:46.740 Ah, yes, of course. 14:46.740 --> 14:48.740 Perhaps I have letters on my mind, dear. 14:48.740 --> 14:51.740 After that episode with Sheila. 14:51.740 --> 14:54.740 The first Sheila Campbell that is... 14:54.740 --> 14:56.740 Dear, hand me my knitting. 14:56.740 --> 15:00.740 That's a nice boy. 15:00.740 --> 15:05.740 Do you know, I'm continually amazed at the stupidity of these English. 15:05.740 --> 15:07.740 Can you imagine that girl that's... 15:07.740 --> 15:12.740 that's supposedly a trained agent, dropping that note? 15:12.740 --> 15:16.740 And that rest, mind you, 15:16.740 --> 15:18.740 to the British intelligence. 15:18.740 --> 15:20.740 It was very alert of you, Carl, finding me. 15:20.740 --> 15:21.740 Thank you. 15:21.740 --> 15:23.740 Enough, excuse me, I'm rather tired. 15:23.740 --> 15:27.740 Yes, this espionage, it's not a restful service. 15:27.740 --> 15:31.740 Sometimes I wonder if Berlin really appreciates the risk we have taken. 15:31.740 --> 15:34.740 Yes, the girl had to be disposed of. 15:34.740 --> 15:36.740 There was no doubt of it. 15:36.740 --> 15:38.740 That was her report on us. 15:38.740 --> 15:41.740 All the facts... Aunt Rita, we've gone over this a thousand times. 15:41.740 --> 15:43.740 Really, I'm tired. 15:43.740 --> 15:48.740 You were right in realising what had to be done. 15:48.740 --> 15:50.740 It was just that you acted too... 15:50.740 --> 15:52.740 Please, Aunt Rita, explain. 15:52.740 --> 15:54.740 Too hastily, too thoughtfully, too violently. 15:54.740 --> 15:56.740 I couldn't help it, I tell you. 15:56.740 --> 15:58.740 She rushed into the telephone room out there. 15:58.740 --> 16:01.740 I ran after her and that stupid catch lock pinned us in. 16:01.740 --> 16:04.740 She went to pieces, pounding on the door, screaming, caring at me. 16:04.740 --> 16:06.740 I didn't know what I was doing. 16:06.740 --> 16:08.740 There was that bookend, the big one. 16:08.740 --> 16:10.740 I lost my head, that's all. 16:10.740 --> 16:12.740 It's all your fault. Why didn't you unlock the door? 16:12.740 --> 16:14.740 I told you. 16:14.740 --> 16:17.740 I simply want you to remember that every incident counts. 16:17.740 --> 16:20.740 Because of you, we cannot produce Sheila Campbell's remains. 16:20.740 --> 16:24.740 And we certainly can't allow the police to tear up the cellar to find them. 16:24.740 --> 16:27.740 Because of you, we shall have to produce a substitute body. 16:27.740 --> 16:31.740 A substitute Sheila Campbell, who will satisfy the authorities completely. 16:31.740 --> 16:36.740 We have her, and I don't intend to lose her. 16:36.740 --> 16:38.740 The note, please. 16:38.740 --> 16:39.740 The note? 16:39.740 --> 16:41.740 The one that girl just gave you to mail. 16:41.740 --> 16:43.740 I don't know what you're talking about. 16:43.740 --> 16:45.740 All I know is you don't have to use this girl. 16:45.740 --> 16:47.740 You could get somebody else, somebody just as good. 16:47.740 --> 16:49.740 She's not right for it. 16:49.740 --> 16:50.740 Not right for it? 16:50.740 --> 16:54.740 A girl who denies her identity, who shrieks of drug drinks. 16:54.740 --> 16:57.740 Persecution. She is ideal. 16:57.740 --> 17:01.740 The police will accept her as a suicide without giving it a second thought. 17:01.740 --> 17:04.740 Yes, yes, if they knew she was really insane, but she isn't. 17:04.740 --> 17:06.740 Don't you see? She isn't. 17:06.740 --> 17:07.740 She isn't. 17:07.740 --> 17:09.740 Just ask those people at this tea shop. 17:09.740 --> 17:11.740 And that foolish Mrs. James. 17:11.740 --> 17:13.740 She will tell you. 17:13.740 --> 17:15.740 She will tell the whole neighborhood. 17:15.740 --> 17:17.740 Oh, Mrs. James, a few neighborhood gossips. 17:17.740 --> 17:20.740 They aren't enough. You have to have someone professional and authority. 17:20.740 --> 17:22.740 Listen to me. 17:22.740 --> 17:27.740 Our note to British intelligence will divert them for just five days. 17:27.740 --> 17:30.740 Within that time, Julia Ross must commit suicide. 17:30.740 --> 17:33.740 And we will see that she does. 17:33.740 --> 17:35.740 No. No, I won't. 17:35.740 --> 17:37.740 I won't go through with it, I tell you. 17:37.740 --> 17:40.740 I see. 17:40.740 --> 17:47.740 What a pity it would be if the police learned who was the last person seen with the first Sheila Campbell. 17:47.740 --> 17:50.740 You wouldn't. You wouldn't turn me over. 17:50.740 --> 17:54.740 This espionage call, it's a very demanding trade. 17:54.740 --> 17:57.740 A note, please. 17:57.740 --> 17:59.740 Thank you. 17:59.740 --> 18:11.740 Thank you, dear. I knew it was an oversight. 18:23.740 --> 18:24.740 Yes, sir? 18:24.740 --> 18:26.740 Could you tell me if Mr. Crayball lives here? 18:26.740 --> 18:30.740 Miss Crayball? Yes, this is her home. 18:30.740 --> 18:32.740 She's rather busy upstairs, however. 18:32.740 --> 18:33.740 Oh, gosh. 18:33.740 --> 18:34.740 Yes, Andrita? 18:34.740 --> 18:38.740 Was that someone at the door? I thought... 18:38.740 --> 18:39.740 Oh. 18:39.740 --> 18:43.740 How do you do, Miss Crayball? My name is Turner, Dr. Turner. 18:43.740 --> 18:44.740 Dr. Turner? 18:44.740 --> 18:48.740 Yes, I happened to drop into the tea shop yesterday, Mrs. James' shop, you know, 18:48.740 --> 18:51.740 and she told me about your situation. 18:51.740 --> 18:52.740 Yes? 18:52.740 --> 18:54.740 Well, I thought I might be of some service. 18:54.740 --> 18:57.740 My field, you see, is psychiatry. 18:57.740 --> 19:00.740 Yes. Yes, I see. 19:00.740 --> 19:02.740 Oh, how very thoughtful, Doctor. 19:02.740 --> 19:04.740 Please, won't you come right up? 19:04.740 --> 19:05.740 Thank you. 19:05.740 --> 19:07.740 Miss Campbell's room is up in this floor, Doctor. 19:07.740 --> 19:09.740 I thought you might as well see her at once. 19:09.740 --> 19:12.740 I know how busy you must be. 19:12.740 --> 19:16.740 Yes. Well, the case has been quite difficult, Miss Crayball? 19:16.740 --> 19:18.740 In many ways, yes, Dr. Turner. 19:18.740 --> 19:22.740 Naturally, I feel that some day with professional guidance 19:22.740 --> 19:26.740 and with those things I can give her patience, understanding. 19:26.740 --> 19:28.740 I can bring her out of the darkness. 19:28.740 --> 19:30.740 Until then... 19:30.740 --> 19:33.740 Here we are. 19:33.740 --> 19:36.740 Sheila. 19:36.740 --> 19:38.740 Sheila, dear. 19:38.740 --> 19:40.740 That is Dr. Turner. 19:40.740 --> 19:43.740 Step right in, Doctor. 19:43.740 --> 19:45.740 He's coming to visit you, dear. 19:45.740 --> 19:48.740 How are you, Sheila? How do you feel? 19:48.740 --> 19:51.740 Doctor, I... I rather think my presence will interfere. 19:51.740 --> 19:54.740 Mrs. James has undoubtedly explained. 19:54.740 --> 19:55.740 If you don't mind... 19:55.740 --> 19:58.740 Yes, yes. That might be best. 19:58.740 --> 20:00.740 Won't you talk to me? 20:00.740 --> 20:02.740 It's all right, Sheila. 20:02.740 --> 20:04.740 Believe me, I'm a doctor. 20:04.740 --> 20:06.740 You're no doctor. 20:06.740 --> 20:07.740 Ah, no, Sheila. 20:07.740 --> 20:09.740 Don't call me Sheila. 20:09.740 --> 20:11.740 You're here to help her. 20:11.740 --> 20:13.740 Help her keep me prisoner here in this house. 20:13.740 --> 20:14.740 Ah, stop it. 20:14.740 --> 20:16.740 Help her drive me out of my mind. 20:16.740 --> 20:18.740 Help her. Yes, help her to murder me. 20:18.740 --> 20:19.740 Sheila, pull yourself together. 20:19.740 --> 20:20.740 She's told you everything. 20:20.740 --> 20:21.740 You can't act like this. 20:21.740 --> 20:22.740 Told you how to act. 20:22.740 --> 20:23.740 You must act. 20:23.740 --> 20:24.740 Why don't you leave me alone? 20:24.740 --> 20:25.740 Why don't you go away? 20:25.740 --> 20:27.740 Oh, excuse me, Dr. Turner, 20:27.740 --> 20:29.740 but I became a little bit uneasy. 20:29.740 --> 20:31.740 Yes, yes, I can understand. 20:31.740 --> 20:34.740 Well, Doctor? 20:34.740 --> 20:37.740 Yes, it's persecution mania, clearly enough. 20:37.740 --> 20:39.740 She has all the symptoms, 20:39.740 --> 20:41.740 the deep melancholia, 20:41.740 --> 20:43.740 the stubborn hysterical insistence 20:43.740 --> 20:45.740 that she's about to be done away with. 20:45.740 --> 20:46.740 Yes. 20:46.740 --> 20:49.740 I happen to be attached to the King James General Asylum, 20:49.740 --> 20:51.740 and I'm familiar with this type of case. 20:51.740 --> 20:54.740 There is one important thing, Miss Crabill. 20:54.740 --> 20:55.740 Over here, please. 20:55.740 --> 20:56.740 Yes, Doctor? 20:56.740 --> 20:59.740 The matter of Miss Campbell's protection. 20:59.740 --> 21:00.740 Her protection? 21:00.740 --> 21:02.740 Yes, from herself. 21:02.740 --> 21:04.740 You undoubtedly are not aware of it, 21:04.740 --> 21:08.740 but her type is often inclined toward suicide. 21:08.740 --> 21:10.740 How dreadful. 21:10.740 --> 21:13.740 In case those tendencies should become apparent, 21:13.740 --> 21:15.740 naturally you'd let me know. 21:15.740 --> 21:16.740 Naturally, Doctor. 21:16.740 --> 21:18.740 She would then require professional care. 21:18.740 --> 21:20.740 Meanwhile, I'm sure your own treatment 21:20.740 --> 21:22.740 will be as effective as any. 21:22.740 --> 21:24.740 Patience and understanding. 21:26.740 --> 21:28.740 Torture me like this, will they? 21:28.740 --> 21:29.740 Murder me here in this house. 21:29.740 --> 21:30.740 Sheila! 21:30.740 --> 21:31.740 No, I won't let them. 21:31.740 --> 21:32.740 I'll kill myself first. 21:32.740 --> 21:33.740 Miss Campbell! 21:33.740 --> 21:35.740 I'll kill myself, that's what I'll do. 21:35.740 --> 21:36.740 The window! Stop her! 21:36.740 --> 21:38.740 Carl, oh, Carl! 21:38.740 --> 21:39.740 Yes, the window. 21:39.740 --> 21:40.740 That's it, the window. 21:40.740 --> 21:41.740 I'll jump through the window. 21:41.740 --> 21:42.740 Young woman, control yourself. 21:42.740 --> 21:43.740 Let me go! 21:43.740 --> 21:44.740 Don't let me down! 21:44.740 --> 21:46.740 What's going on here? 21:46.740 --> 21:49.740 Rick, what... what happened? 21:49.740 --> 21:52.740 This girl, she just tried to kill herself. 21:52.740 --> 21:54.740 I'm afraid this changes things, Miss Crabill. 21:54.740 --> 21:55.740 She must be put away. 21:55.740 --> 21:56.740 Put away? 21:56.740 --> 21:57.740 Yes, as soon as possible. 21:57.740 --> 21:59.740 I'll have the men come at once. 21:59.740 --> 22:01.740 You mean take her away from me? 22:01.740 --> 22:03.740 But you can't! 22:03.740 --> 22:05.740 I've looked after her myself. 22:05.740 --> 22:07.740 Why can't I go on doing that? 22:07.740 --> 22:09.740 Because it's beyond you now, Miss Crabill. 22:09.740 --> 22:10.740 No, no, no. 22:10.740 --> 22:13.740 No, I'm sorry, but there's nothing else I can do. 22:13.740 --> 22:15.740 Would you be good enough to direct me to your telephone? 22:15.740 --> 22:16.740 Telephone? 22:16.740 --> 22:18.740 Yes, I wish to order a car. 22:18.740 --> 22:20.740 Some men from the asylum. 22:20.740 --> 22:22.740 Of course. 22:22.740 --> 22:24.740 There is a small telephone room right... 22:24.740 --> 22:26.740 right around the hall. 22:26.740 --> 22:27.740 This way, please. 22:27.740 --> 22:30.740 I know how you must feel, Miss Crabill. 22:30.740 --> 22:32.740 But you see, it's the same... 22:32.740 --> 22:35.740 The telephone, Dr. Turner, is in this room right here. 22:35.740 --> 22:37.740 Just sit down there at the desk. 22:37.740 --> 22:38.740 Well, thank you. 22:38.740 --> 22:41.740 You're sure the young man can handle the girl? 22:41.740 --> 22:42.740 I mean... 22:42.740 --> 22:44.740 I will go by myself. 22:44.740 --> 22:46.740 I will go by myself and take charge. 22:46.740 --> 22:48.740 Well, that will be safer, I'm sure. 22:48.740 --> 22:50.740 Excuse me. 22:50.740 --> 22:51.740 Hello? 22:51.740 --> 22:53.740 Turner speaking. 22:53.740 --> 22:54.740 It's Dr. Turner. 22:54.740 --> 22:56.740 I'd like you to send a car right away. 22:56.740 --> 22:58.740 And three men. 22:58.740 --> 23:00.740 The address? 23:00.740 --> 23:01.740 It's number 30... 23:01.740 --> 23:02.740 Just a moment. 23:02.740 --> 23:04.740 Miss Crabill. 23:04.740 --> 23:05.740 Miss Crabill! 23:05.740 --> 23:06.740 Yes, Dr. Turner? 23:06.740 --> 23:08.740 I can't open the door. It's locked. 23:08.740 --> 23:10.740 Oh, sorry, Doctor. 23:10.740 --> 23:12.740 I'll have to get the keys from Carl. 23:12.740 --> 23:14.740 Keys? To unlock this door? 23:14.740 --> 23:17.740 This very special lock, Dr. Turner. 23:17.740 --> 23:19.740 You don't need any keys. 23:19.740 --> 23:21.740 Just open the door from your side. 23:21.740 --> 23:22.740 Miss Crabill! Miss Crabill! 23:22.740 --> 23:24.740 Where are you? Miss Crabill! 23:24.740 --> 23:25.740 Andrito, she won't stop crying. 23:25.740 --> 23:27.740 I just can't get her to stop. 23:27.740 --> 23:28.740 I will get her to stop. 23:28.740 --> 23:30.740 A clever one, aren't you, child? 23:30.740 --> 23:33.740 Pretending to commit suicide so the doctor would take you away. 23:33.740 --> 23:34.740 The doctor? 23:34.740 --> 23:35.740 When is he? 23:35.740 --> 23:37.740 A splendid idea you had. 23:37.740 --> 23:38.740 Lifting out that window. 23:38.740 --> 23:40.740 We'll see if we can help you this time. 23:40.740 --> 23:42.740 No, don't come near me. 23:42.740 --> 23:45.740 Carl, we've only a very few seconds. 23:45.740 --> 23:46.740 Get her across into the window. 23:46.740 --> 23:47.740 No. 23:47.740 --> 23:49.740 Don't make me do it, Andrito. 23:49.740 --> 23:50.740 Please, you don't. 23:50.740 --> 23:52.740 You wretched, sniveling coward. 23:52.740 --> 23:54.740 Do you want us both to hang? 23:54.740 --> 23:57.740 Help me get this girl to that window. 23:57.740 --> 23:59.740 You'll be sorry you made me, Andrito. 23:59.740 --> 24:14.740 You will, you will! 24:14.740 --> 24:16.740 I couldn't help it, Dr. Turner. 24:16.740 --> 24:19.740 I couldn't help it. I couldn't help it. 24:19.740 --> 24:22.740 I just lost my head, that's all. 24:22.740 --> 24:23.740 But she made me do it. 24:23.740 --> 24:24.740 She made me do it. 24:24.740 --> 24:25.740 Don't you see? 24:25.740 --> 24:27.740 Don't you understand how it was? 24:27.740 --> 24:30.740 She made me do it. She drove me, Dr. Turner. 24:30.740 --> 24:32.740 All right, now settle down, settle down. 24:32.740 --> 24:35.740 And do stop calling me Dr. Turner. 24:35.740 --> 24:38.740 Stop calling you doctor? You? 24:38.740 --> 24:40.740 Well, no, I'm not a psychiatrist. 24:40.740 --> 24:42.740 But I'm going to see that you meet one. 24:42.740 --> 24:45.740 I happen to be from British Intelligence, Carl. 24:45.740 --> 24:48.740 I suppose I have you to thank for that letter. 24:48.740 --> 24:49.740 Letter? 24:49.740 --> 24:52.740 Yes, the one supposedly signed by Sheila Campbell, 24:52.740 --> 24:54.740 telling us she was off to Dublin, Ireland. 24:54.740 --> 24:55.740 Oh, yes. 24:55.740 --> 24:57.740 And would communicate with us in five days. 24:57.740 --> 25:00.740 Andrito, she made me do that too. 25:00.740 --> 25:03.740 Ah, that was an inexcusable mistake, Carl. 25:03.740 --> 25:06.740 You see, Sheila would never have written Dublin, Ireland. 25:06.740 --> 25:10.740 Now, an Irishman assumes that everybody knows where Dublin is. 25:10.740 --> 25:13.740 How about that, Miss Ross? Am I right? 25:13.740 --> 25:16.740 Well, I know where it is all right. 25:16.740 --> 25:18.740 And I'm going back there as fast as I can. 25:18.740 --> 25:22.740 Oh, now, Julia, London isn't as bad as all that, you know. 25:22.740 --> 25:26.740 Maybe not. I suppose it all depends upon the murderers you meet. 25:26.740 --> 25:30.740 Why, child, you wouldn't want to meet a nicer lad than Carl here. 25:30.740 --> 25:34.740 After all, it isn't everybody who'd pitch his aunt through a bedroom window 25:34.740 --> 25:36.740 just to save your life. 25:36.740 --> 25:40.740 Yes, he's really a very nice boy. 25:40.740 --> 25:43.740 Sergeant, you'd better take him down to Seller now 25:43.740 --> 25:46.740 and have him show you where he buried Sheila Campbell. 25:46.740 --> 25:48.740 Andrito, she made me do it. 25:48.740 --> 25:50.740 Oh, no, she made you do that too. 25:50.740 --> 25:53.740 A woman of character, Miss Crabo. 25:53.740 --> 25:56.740 I'm sure you'll miss her very much. 25:56.740 --> 25:58.740 But that's the way it goes. 25:58.740 --> 26:03.740 This espionage, Carl, is a very uncertain trade. 26:03.740 --> 26:08.740 And so closes The Woman in Red, starring Cartina Paxinou. 26:08.740 --> 26:12.740 Tonight's tale of suspense. 26:15.740 --> 26:18.740 Spotted about the globe, wherever wine grapes grow, 26:18.740 --> 26:23.740 there are a few wineries that are not as popular as the ones in the United States. 26:23.740 --> 26:26.740 And the most famous is the one in the United States, 26:26.740 --> 26:28.740 the New York Wine Show. 26:28.740 --> 26:33.740 Spotted about the globe, wherever wine grapes grow, there are a few wineries 26:33.740 --> 26:36.740 whose products are made for world enjoyment. 26:36.740 --> 26:41.740 Among such wineries right here in California are those of Roma. 26:41.740 --> 26:45.740 And we who live in America have the pleasure of enjoying Roma wine 26:45.740 --> 26:49.740 at exceptionally low cost, for we buy it free of duty 26:49.740 --> 26:52.740 and free of excessive shipping costs. 26:52.740 --> 26:58.740 For instance, Roma California Sherry is the queen of appetizer wines. 26:58.740 --> 27:01.740 And not only that, but a wine so delicious, 27:01.740 --> 27:06.740 it is suitable to serve at any time, cool or chilled. 27:06.740 --> 27:08.740 But no matter what your preference may be, 27:08.740 --> 27:13.740 you will find a Roma wine costing far less than you would expect to pay 27:13.740 --> 27:15.740 for such distinguished wine. 27:15.740 --> 27:19.740 In Roma you have the old world art of winemaking, 27:19.740 --> 27:23.740 plus the extra care, constant tasting and testing, 27:23.740 --> 27:26.740 which modern knowledge adds to that ageless art. 27:26.740 --> 27:30.740 That's why Roma wines have a universal appeal, 27:30.740 --> 27:34.740 why they are America's largest selling wines. 27:34.740 --> 27:36.740 I'll spell out the name for you. 27:36.740 --> 27:46.740 R-O-M-A, Roma wines, made in California for enjoyment throughout the world. 27:46.740 --> 27:50.740 This is Catina Paxinou. 27:50.740 --> 27:54.740 I hope you enjoyed our suspense play this evening 27:54.740 --> 27:57.740 and that you don't hate me too much. 27:57.740 --> 28:00.740 I'm not really as bad as that. 28:00.740 --> 28:03.740 Next week I know you will want to listen 28:03.740 --> 28:07.740 when Mr. Orson Welles will be your star. 28:07.740 --> 28:11.740 Suspense is produced and directed by William Spear. 28:11.740 --> 28:18.740 Don't forget then, next Thursday for Orson Welles in Suspense. 28:18.740 --> 28:23.740 Presented by Roma wines, R-O-M-A, 28:23.740 --> 28:27.740 made in California for enjoyment throughout the world. 28:57.740 --> 29:19.740 This is CBS, the Columbia Broadcasting System.