1 00:00:00,000 --> 00:00:17,600 Roma wines present Suspense. 2 00:00:17,600 --> 00:00:22,440 Roma wines made in California for enjoyment throughout the world. 3 00:00:22,440 --> 00:00:23,440 Salud. 4 00:00:23,440 --> 00:00:25,520 Your health, senor. 5 00:00:25,520 --> 00:00:27,480 Roma wines toast the world. 6 00:00:27,480 --> 00:00:32,720 The wine for your table is Roma wine made in California for enjoyment throughout the 7 00:00:32,720 --> 00:00:33,720 world. 8 00:00:33,720 --> 00:00:39,640 This is the man in black here for the Roma wine company of Fresno, California to introduce 9 00:00:39,640 --> 00:00:42,560 this weekly half hour of Suspense. 10 00:00:42,560 --> 00:00:47,720 Tonight from Hollywood, Roma wines bring you the remarkable actress whose performance in 11 00:00:47,720 --> 00:00:54,080 the Paramount picture for Whom the Bell Tolls won her an Academy Award, Katina Paxson. 12 00:00:54,080 --> 00:00:58,640 And so the woman in red and with the performance of Madame Paxson, we again hope to keep you 13 00:00:58,640 --> 00:01:09,100 in Suspense. 14 00:01:09,100 --> 00:01:14,080 In all of London, few houses were so fine, so correct, so austere, and yet gracious with 15 00:01:14,080 --> 00:01:17,480 age as number 30, Henrik Square. 16 00:01:17,480 --> 00:01:21,920 That was true of its reception room, true of its long, quiet hallway along which the young 17 00:01:21,920 --> 00:01:24,360 man led the girl. 18 00:01:24,360 --> 00:01:28,160 Antreta, this is Miss Julia Ross. 19 00:01:28,160 --> 00:01:31,800 The woman rested her knitting in her lap and slowly turned around. 20 00:01:31,800 --> 00:01:35,600 She was a giant of a woman, a woman of 60 in a bright red dress. 21 00:01:35,600 --> 00:01:39,640 For several seconds she stared fixedly across at Julia. 22 00:01:39,640 --> 00:01:43,320 Then in an instant a soft, gentle smile came on her face. 23 00:01:43,320 --> 00:01:44,320 Perfect. 24 00:01:44,320 --> 00:01:45,320 How perfect. 25 00:01:45,320 --> 00:01:46,320 I beg your pardon? 26 00:01:46,320 --> 00:01:47,320 Here. 27 00:01:47,320 --> 00:01:48,320 Come over here. 28 00:01:48,320 --> 00:01:53,520 Let me look at you. 29 00:01:53,520 --> 00:01:54,520 That's it. 30 00:01:54,520 --> 00:01:55,520 Over there, child. 31 00:01:55,520 --> 00:01:56,520 Sit there on the divan. 32 00:01:56,520 --> 00:01:57,520 And Karl, I think I shall have my milk now. 33 00:01:57,520 --> 00:01:58,520 And Miss Ross will have some with me. 34 00:01:58,520 --> 00:01:59,520 Will you want, Miss Ross? 35 00:01:59,520 --> 00:02:00,520 Some milk? 36 00:02:00,520 --> 00:02:01,520 Oh, but I never say. 37 00:02:01,520 --> 00:02:02,520 Some warm milk and a biscuit. 38 00:02:02,520 --> 00:02:03,520 Of course you will. 39 00:02:03,520 --> 00:02:04,520 I always find it difficult to get a cup of milk. 40 00:02:04,520 --> 00:02:05,520 And I think I'll have it. 41 00:02:05,520 --> 00:02:06,520 I'll have it. 42 00:02:06,520 --> 00:02:07,520 I'll have it. 43 00:02:07,520 --> 00:02:08,520 I'll have it. 44 00:02:08,520 --> 00:02:09,520 I'll have it. 45 00:02:09,520 --> 00:02:10,520 I'll have it. 46 00:02:10,520 --> 00:02:11,520 I'll have it. 47 00:02:11,520 --> 00:02:12,520 I'll have it. 48 00:02:12,520 --> 00:02:13,520 I'll have it. 49 00:02:13,520 --> 00:02:14,520 I'll have it. 50 00:02:14,520 --> 00:02:15,520 I'll have it. 51 00:02:15,520 --> 00:02:16,520 I'll have it. 52 00:02:16,520 --> 00:02:17,520 I'll have it. 53 00:02:17,520 --> 00:02:19,940 Yes, I always find it very sustaining. 54 00:02:19,940 --> 00:02:20,940 Karl! 55 00:02:20,940 --> 00:02:24,440 Have you heard the young lady? 56 00:02:24,440 --> 00:02:26,240 And stop staring at her. 57 00:02:26,240 --> 00:02:27,580 You've seen a pretty girl before. 58 00:02:27,580 --> 00:02:29,340 When I staring? 59 00:02:29,340 --> 00:02:30,640 Excuse me, Miss Ross. 60 00:02:30,640 --> 00:02:32,220 I am having now like a nice boy. 61 00:02:32,220 --> 00:02:33,860 Is he your secretary? 62 00:02:33,860 --> 00:02:40,380 Let us say that he has been substituting me, until I have found someone like you. 63 00:02:40,380 --> 00:02:42,080 You mean you think I will do? 64 00:02:42,080 --> 00:02:43,080 Don't you anyone else know that? 65 00:02:43,080 --> 00:02:44,080 Well, I... 66 00:02:44,080 --> 00:02:45,280 Don't you? 67 00:02:45,280 --> 00:02:48,280 Well, all I know is when I saw your advertisement 68 00:02:48,280 --> 00:02:51,800 in the paper, Miss Crable, I couldn't believe my eyes. 69 00:02:51,800 --> 00:02:54,480 Wanted secretary, Irish girl, blonde hair, 70 00:02:54,480 --> 00:02:57,520 age about 25, it was all so perfect. 71 00:02:57,520 --> 00:03:00,360 It sounded just, well, it was like me. 72 00:03:00,360 --> 00:03:02,480 And just like Sheila. 73 00:03:02,480 --> 00:03:04,680 That was my former secretary, Miss Ross, 74 00:03:04,680 --> 00:03:07,160 you who passed away just recently. 75 00:03:07,160 --> 00:03:08,000 Oh. 76 00:03:08,000 --> 00:03:09,880 She had been with me many years. 77 00:03:09,880 --> 00:03:10,720 I'm so sorry, Miss Crable. 78 00:03:10,720 --> 00:03:13,840 I had the feeling that my loss might be lessened 79 00:03:13,840 --> 00:03:16,480 if I could really replace her. 80 00:03:16,480 --> 00:03:19,080 An old lady's whim, of course, 81 00:03:19,080 --> 00:03:23,320 because no one is ever exactly like someone else. 82 00:03:23,320 --> 00:03:25,880 You, for example, I'm sure you have friends, 83 00:03:25,880 --> 00:03:30,240 acquaintances, relatives, perhaps, you see, now and then. 84 00:03:30,240 --> 00:03:31,240 Sheila didn't, but- 85 00:03:31,240 --> 00:03:32,680 But you see, I don't. 86 00:03:32,680 --> 00:03:34,720 What I mean is my parents aren't living, 87 00:03:34,720 --> 00:03:37,560 and so far as friends or acquaintances are concerned, 88 00:03:37,560 --> 00:03:41,080 I hadn't had much time lately. 89 00:03:41,080 --> 00:03:43,400 Well, my landlady, of course, I know her, but- 90 00:03:43,400 --> 00:03:47,920 Unbelievable, Miss Ross, because it's so perfect. 91 00:03:47,920 --> 00:03:51,120 You see, the less time you have for outside attractions, 92 00:03:51,120 --> 00:03:52,680 the more time you have for me. 93 00:03:52,680 --> 00:03:54,760 The milk, Aunt Rita, and the biscuits. 94 00:03:54,760 --> 00:03:56,080 Will this table do here? 95 00:03:56,080 --> 00:03:57,840 That will be fine, dear. 96 00:03:57,840 --> 00:03:59,520 And leave us alone. 97 00:03:59,520 --> 00:04:00,360 Very well. 98 00:04:00,360 --> 00:04:03,640 My aunt is a very domineering woman, Miss Ross. 99 00:04:03,640 --> 00:04:06,640 But also a generous one, I think. 100 00:04:06,640 --> 00:04:08,280 Your milk, dear. 101 00:04:08,280 --> 00:04:09,120 And the biscuit? 102 00:04:09,120 --> 00:04:10,920 Oh, just the milk, thank you. 103 00:04:10,920 --> 00:04:13,000 Miss Crabo, there's something you must know. 104 00:04:13,000 --> 00:04:15,160 Well, don't hesitate, child. 105 00:04:15,160 --> 00:04:18,640 Miss Crabo, I'm afraid I'm not quite what you think. 106 00:04:18,640 --> 00:04:22,360 I mean, I've never really done any secretarial work before. 107 00:04:22,360 --> 00:04:24,080 I've had some business training, 108 00:04:24,080 --> 00:04:27,080 a little, but not actual experience. 109 00:04:27,080 --> 00:04:31,000 I mean it, Miss Crabo, I lied in what I wrote you. 110 00:04:31,000 --> 00:04:33,280 I wanted the position and I needed it so much. 111 00:04:33,280 --> 00:04:35,720 You silly girl. 112 00:04:35,720 --> 00:04:37,640 You mean, you still want me? 113 00:04:37,640 --> 00:04:38,760 Certainly. 114 00:04:38,760 --> 00:04:41,160 Now finish your milk before it gets cold. 115 00:04:41,160 --> 00:04:42,000 Oh. 116 00:04:42,000 --> 00:04:43,040 As a matter of fact, 117 00:04:43,040 --> 00:04:46,080 there will be very little secretarial work for you to do. 118 00:04:46,080 --> 00:04:51,080 I shall want a sort of a, yes, a companion. 119 00:04:51,800 --> 00:04:54,960 Now, I shall want you to start immediately. 120 00:04:54,960 --> 00:04:56,960 You will, of course, live here in the house and... 121 00:04:56,960 --> 00:04:58,000 Live in the house? 122 00:04:58,000 --> 00:05:00,680 But of course, you are my companion. 123 00:05:00,680 --> 00:05:03,640 Oh, but I didn't understand that I... 124 00:05:03,640 --> 00:05:04,800 Yes. 125 00:05:04,800 --> 00:05:06,680 Well, then, I think perhaps 126 00:05:06,680 --> 00:05:08,880 I should make plans accordingly. 127 00:05:08,880 --> 00:05:10,320 I mean, I'd better leave now. 128 00:05:10,320 --> 00:05:12,240 I shall want to go to my boarding house 129 00:05:12,240 --> 00:05:13,080 and cancel my lodging. 130 00:05:13,080 --> 00:05:15,640 Oh, there will be plenty of time for that, child. 131 00:05:15,640 --> 00:05:18,080 Carl and I generally take an afternoon stroll 132 00:05:18,080 --> 00:05:19,200 and would like you to... 133 00:05:19,200 --> 00:05:21,600 But you see, there'll be other arrangements. 134 00:05:21,600 --> 00:05:22,600 People, I must say, and things to... 135 00:05:22,600 --> 00:05:23,720 People? 136 00:05:23,720 --> 00:05:25,640 But you said you knew no people. 137 00:05:25,640 --> 00:05:30,080 Oh, yes, well, Miss Crabo, 138 00:05:30,080 --> 00:05:32,080 I have no qualifications for this position. 139 00:05:32,080 --> 00:05:32,920 I... 140 00:05:32,920 --> 00:05:35,760 Oh. 141 00:05:35,760 --> 00:05:36,600 Why, child? 142 00:05:36,600 --> 00:05:37,920 What's the matter? 143 00:05:37,920 --> 00:05:39,760 I don't know. 144 00:05:39,760 --> 00:05:43,080 Suddenly, I feel so drowsy. 145 00:05:43,080 --> 00:05:48,080 Well, then, I would just lie back on the dais. 146 00:05:48,080 --> 00:05:51,080 But there's no reason for it. 147 00:05:51,080 --> 00:05:53,840 Oh, but there is, child. 148 00:05:53,840 --> 00:05:56,920 You are weary from the strain, the uncertainty, 149 00:05:56,920 --> 00:05:58,920 the ceaseless search for work 150 00:05:58,920 --> 00:06:00,920 in a strange and friendly city. 151 00:06:00,920 --> 00:06:03,920 The milk, there was something in it. 152 00:06:03,920 --> 00:06:06,920 And so you relax your nerves. 153 00:06:06,920 --> 00:06:09,920 They go to sleep. 154 00:06:09,920 --> 00:06:11,920 Yes. 155 00:06:11,920 --> 00:06:13,920 Sleep. 156 00:06:15,920 --> 00:06:16,920 Carl. 157 00:06:16,920 --> 00:06:17,920 Oh, Carl. 158 00:06:17,920 --> 00:06:19,920 Yes, Aunt Rita? 159 00:06:19,920 --> 00:06:20,920 Have you finished the note, dear? 160 00:06:20,920 --> 00:06:21,920 Oh, yes, only this moment. 161 00:06:21,920 --> 00:06:23,920 Well, don't just stand there. 162 00:06:23,920 --> 00:06:24,920 Let me see. 163 00:06:24,920 --> 00:06:27,920 Aunt Rita, please, she's so harmless. 164 00:06:27,920 --> 00:06:30,920 And so perfect. 165 00:06:30,920 --> 00:06:32,920 And now read me the note. 166 00:06:32,920 --> 00:06:34,920 To Department K.L. 167 00:06:34,920 --> 00:06:36,920 Southern Development. 168 00:06:36,920 --> 00:06:38,920 Living at once for Dublin, Ireland. 169 00:06:38,920 --> 00:06:40,920 Will communicate in ten days. 170 00:06:40,920 --> 00:06:41,920 Ten days, Carl? 171 00:06:41,920 --> 00:06:43,920 We won't need so much time. 172 00:06:43,920 --> 00:06:45,920 Make that five. 173 00:06:45,920 --> 00:06:47,920 Just as you say, Aunt Rita. 174 00:06:47,920 --> 00:06:49,920 Then sign it Sheila Campbell 175 00:06:49,920 --> 00:06:57,920 and post it to British Intelligence. 176 00:06:57,920 --> 00:06:58,920 Tonight for Suspense, 177 00:06:58,920 --> 00:07:01,920 Roma Wines bring you as star Madame Katina Paksinou, 178 00:07:01,920 --> 00:07:02,920 whom you have heard in the prologue 179 00:07:02,920 --> 00:07:05,920 to The Woman in Red by Anthony Gilbert. 180 00:07:05,920 --> 00:07:20,920 Tonight's adventure in Suspense. 181 00:07:20,920 --> 00:07:21,920 You remember the old saying, 182 00:07:21,920 --> 00:07:23,920 the grass is always greener in the other fellow's yard? 183 00:07:23,920 --> 00:07:25,920 Well, you might agree with the truth of that statement 184 00:07:25,920 --> 00:07:28,920 if you happen to overhear a conversation like this. 185 00:07:28,920 --> 00:07:30,920 Let's imagine we're seated in the smart and festive 186 00:07:30,920 --> 00:07:33,740 and 187 00:07:33,740 --> 00:07:36,740 in Havana, Cuba. 188 00:07:36,740 --> 00:07:37,740 An American has just complimented his Cuban friend 189 00:07:37,740 --> 00:07:39,740 on the fine quality of Havana tobacco. 190 00:07:39,740 --> 00:07:41,740 Graciously, the Cuban replies, 191 00:07:41,740 --> 00:07:44,740 but you of the United States need have no envy of us. 192 00:07:44,740 --> 00:07:47,740 Nature has made a great gift of perfection to your country too. 193 00:07:47,740 --> 00:07:50,740 The magnificent wine which we are all so fond of. 194 00:07:50,740 --> 00:07:54,740 It is Roma wine made in your own California. 195 00:07:54,740 --> 00:07:57,740 Friends, that little scene is typical of many countries 196 00:07:57,740 --> 00:08:00,740 where wine is truly a delicacy. 197 00:08:00,740 --> 00:08:03,740 Or in other lands, Roma wines must be imported 198 00:08:03,740 --> 00:08:06,740 over long distances from our own California. 199 00:08:06,740 --> 00:08:09,740 A luxury to be enjoyed on special occasions. 200 00:08:09,740 --> 00:08:12,740 While lucky you can enjoy these superb Roma wines 201 00:08:12,740 --> 00:08:15,740 as a daily delight with no import duty, 202 00:08:15,740 --> 00:08:19,740 no expensive shipping charges added to your cost for Roma wines. 203 00:08:19,740 --> 00:08:22,740 Whichever one of Roma wines, many different types, 204 00:08:22,740 --> 00:08:24,740 your own taste test names as favorite. 205 00:08:24,740 --> 00:08:27,740 You'll agree here is truly a great gift to you. 206 00:08:27,740 --> 00:08:30,740 And you'll say, no wonder Roma wines 207 00:08:30,740 --> 00:08:33,740 are America's largest selling wines. 208 00:08:33,740 --> 00:08:35,740 I'll spell out the name for you. 209 00:08:35,740 --> 00:08:39,740 R-O-M-A Roma wines made in California 210 00:08:39,740 --> 00:08:42,740 for enjoyment throughout the world. 211 00:08:42,740 --> 00:08:45,740 And now it is with pleasure that we bring back to our sound stage 212 00:08:45,740 --> 00:08:48,740 our star, Katina Paksinou, in the woman in red, 213 00:08:48,740 --> 00:08:51,740 a tale well-known in the world. 214 00:08:51,740 --> 00:08:54,740 And now, we are going to hear from her. 215 00:08:54,740 --> 00:08:57,740 Katina Paksinou, in the woman in red, 216 00:08:57,740 --> 00:09:00,740 a tale well calculated to keep you in suspense. 217 00:09:13,740 --> 00:09:16,740 Feeling better, Julia, after your little nap? 218 00:09:16,740 --> 00:09:18,740 No, no, I don't feel better. 219 00:09:18,740 --> 00:09:21,740 Well, the walk and a little something to eat 220 00:09:21,740 --> 00:09:23,740 will do wonders for you. 221 00:09:23,740 --> 00:09:25,740 I don't want anything to eat. 222 00:09:25,740 --> 00:09:27,740 And please don't hold onto my arm like that. 223 00:09:27,740 --> 00:09:29,740 Oh, now, child, is that a way to talk? 224 00:09:29,740 --> 00:09:31,740 You seemed a bit shaky, that's all. 225 00:09:31,740 --> 00:09:34,740 Here we are. Carl, you wait with Julia. 226 00:09:34,740 --> 00:09:37,740 I'll just look in first to see that it's not too clouded. 227 00:09:37,740 --> 00:09:39,740 And now you have to hold my arm. 228 00:09:39,740 --> 00:09:41,740 No, wait, Miss Ross, I don't have to hold... 229 00:09:41,740 --> 00:09:42,740 No, don't, don't! 230 00:09:42,740 --> 00:09:43,740 Let me go! 231 00:09:43,740 --> 00:09:45,740 What are you doing, Miss Ross? Why do you run like that? 232 00:09:45,740 --> 00:09:47,740 Please, don't you understand? 233 00:09:47,740 --> 00:09:49,740 If I'm to move in with Miss Craibouat, 234 00:09:49,740 --> 00:09:51,740 I've got to get in touch with my landlady. 235 00:09:51,740 --> 00:09:53,740 I'll give you plenty of time. 236 00:09:53,740 --> 00:09:55,740 Plenty of time? What do you want with me? 237 00:09:55,740 --> 00:09:56,740 Why are you both... 238 00:09:56,740 --> 00:09:57,740 Oh, Carl! 239 00:09:57,740 --> 00:09:58,740 Yes, Aunt Rita? 240 00:09:58,740 --> 00:09:59,740 Come along, you two. 241 00:09:59,740 --> 00:10:00,740 No. 242 00:10:00,740 --> 00:10:02,740 Please, you're making yourself worried about nothing. 243 00:10:02,740 --> 00:10:05,740 My aunt, it is just that she's a peculiar woman. 244 00:10:05,740 --> 00:10:06,740 Why, hurry, children! 245 00:10:06,740 --> 00:10:08,740 Then remember that I am here. 246 00:10:08,740 --> 00:10:09,740 I have already ordered for us. 247 00:10:09,740 --> 00:10:11,740 Oh, fine, Aunt Rita. 248 00:10:11,740 --> 00:10:13,740 Our table, this is it? 249 00:10:13,740 --> 00:10:16,740 Yes, sir, you're in the corner. Miss Craibouat. 250 00:10:16,740 --> 00:10:18,740 Thank you, Mr. James. 251 00:10:18,740 --> 00:10:20,740 And Sheila will sit here to my left. 252 00:10:20,740 --> 00:10:21,740 Of course. 253 00:10:21,740 --> 00:10:23,740 Miss Sheila. 254 00:10:23,740 --> 00:10:24,740 Miss Sheila. 255 00:10:24,740 --> 00:10:25,740 What? 256 00:10:25,740 --> 00:10:27,740 This is your place here, Miss Sheila. 257 00:10:27,740 --> 00:10:28,740 Sheila? 258 00:10:28,740 --> 00:10:30,740 Why are you calling me Sheila? 259 00:10:30,740 --> 00:10:32,740 What is it? Why are they laughing? 260 00:10:32,740 --> 00:10:35,740 Pay no attention, dear. Just sit down, please. 261 00:10:35,740 --> 00:10:37,740 This woman called me Sheila. You both did. My name is... 262 00:10:37,740 --> 00:10:39,740 I know, I know, dear. 263 00:10:39,740 --> 00:10:42,740 It is Julia. Everything is all right. 264 00:10:42,740 --> 00:10:44,740 Shall I serve the tea now? 265 00:10:44,740 --> 00:10:45,740 If you will, please. 266 00:10:45,740 --> 00:10:48,740 Now, Sheila, sit down, dear, like a nice girl. 267 00:10:48,740 --> 00:10:49,740 No. 268 00:10:49,740 --> 00:10:50,740 What, dear? 269 00:10:50,740 --> 00:10:52,740 I'm... I'm going to the restaurant. 270 00:10:52,740 --> 00:10:53,740 Sheila! 271 00:10:53,740 --> 00:10:55,740 It's all right, Miss Craibouat. Don't bother. 272 00:10:55,740 --> 00:10:57,740 There's no other exit from that room. 273 00:10:57,740 --> 00:11:00,740 Oh, I'm so sorry to impose on you, Mr. James. 274 00:11:00,740 --> 00:11:02,740 I had no idea she would be so difficult. 275 00:11:02,740 --> 00:11:04,740 Oh, don't give it a thought. 276 00:11:04,740 --> 00:11:07,740 Once you explained the situation, 277 00:11:07,740 --> 00:11:09,740 we were only too glad to help. 278 00:11:09,740 --> 00:11:12,740 Of course, I'd never seen your secretary. 279 00:11:12,740 --> 00:11:14,740 I had no idea that... 280 00:11:14,740 --> 00:11:16,740 It's only a recent development. 281 00:11:16,740 --> 00:11:17,740 Oh, yes. 282 00:11:17,740 --> 00:11:19,740 Shall I pour the young lady's tea now? 283 00:11:19,740 --> 00:11:21,740 No, thank you. I can manage. 284 00:11:21,740 --> 00:11:24,740 Yes. You know, I was just saying to Mrs. Blandon the other day. 285 00:11:24,740 --> 00:11:28,740 I says, I wonder if Miss Craibouat and her nephew are still in the neighbourhood, I says. 286 00:11:28,740 --> 00:11:30,740 Why, they haven't been in my shop for ages, I says. 287 00:11:30,740 --> 00:11:31,740 And she says, no, they... 288 00:11:31,740 --> 00:11:35,740 Ah, yes. You see, Mrs. James, we don't dare leave her for long. 289 00:11:35,740 --> 00:11:37,740 For her own protection, that is. 290 00:11:37,740 --> 00:11:38,740 Huh? Protection? 291 00:11:38,740 --> 00:11:41,740 Yes. We are a little worried about suicide. 292 00:11:41,740 --> 00:11:43,740 Oh. Oh, yes. 293 00:11:43,740 --> 00:11:44,740 Aunt Rita, Sheila's coming. 294 00:11:44,740 --> 00:11:46,740 Well, just call me in case I can help. 295 00:11:46,740 --> 00:11:48,740 Thank you. 296 00:11:48,740 --> 00:11:49,740 Oh, here you are, dear. 297 00:11:49,740 --> 00:11:51,740 Carl, help Sheila into her chair. 298 00:11:51,740 --> 00:11:53,740 Oh, yes. Sheila. 299 00:11:53,740 --> 00:11:55,740 Thank you, Carl. 300 00:11:55,740 --> 00:11:57,740 Relax now, dear, and drink your tea. 301 00:11:57,740 --> 00:11:59,740 It's all ready for you. 302 00:11:59,740 --> 00:12:01,740 My tea in this cup? 303 00:12:01,740 --> 00:12:02,740 No, I won't drink it. 304 00:12:02,740 --> 00:12:04,740 You won't drink it? 305 00:12:04,740 --> 00:12:06,740 Sheila, what? 306 00:12:06,740 --> 00:12:09,740 You're pouring... pouring it into your saucer. 307 00:12:09,740 --> 00:12:12,740 Dear, everybody's staring at you, laughing at you. 308 00:12:12,740 --> 00:12:14,740 There's nothing for them to laugh at. 309 00:12:14,740 --> 00:12:17,740 I simply prefer to pour my own cup of tea. 310 00:12:17,740 --> 00:12:19,740 And that's exactly what I shall do. 311 00:12:19,740 --> 00:12:20,740 But... but I... 312 00:12:20,740 --> 00:12:23,740 Dear, you don't think I... 313 00:12:23,740 --> 00:12:25,740 Do you really believe that I... 314 00:12:25,740 --> 00:12:27,740 I put something in that first cup of tea? 315 00:12:27,740 --> 00:12:29,740 Yes. Yes, I do. 316 00:12:29,740 --> 00:12:32,740 You did it before, and there's no reason to think you wouldn't do it again. 317 00:12:32,740 --> 00:12:33,740 Sheila! 318 00:12:33,740 --> 00:12:35,740 Very well, then. Drink your tea. 319 00:12:35,740 --> 00:12:38,740 Only hurry. I don't think I can endure much more. 320 00:12:38,740 --> 00:12:40,740 Never mind. I shall hurry. 321 00:12:40,740 --> 00:12:42,740 I'm just as eager to leave as you. 322 00:12:42,740 --> 00:12:43,740 And I'm going straight to the police. 323 00:12:43,740 --> 00:12:45,740 Oh, now. You're not starting that again. 324 00:12:45,740 --> 00:12:47,740 Are you insane? 325 00:12:47,740 --> 00:12:49,740 Do you think I'm helpless, that I can't get away from you, 326 00:12:49,740 --> 00:12:51,740 that I shall simply stand here and... 327 00:12:53,740 --> 00:12:55,740 Oh... 328 00:12:55,740 --> 00:12:58,740 It... it's happening. 329 00:12:58,740 --> 00:13:01,740 What, dear? What's happening? 330 00:13:01,740 --> 00:13:04,740 You... you had it in the tea pot. 331 00:13:04,740 --> 00:13:06,740 Oh, you're tired again, aren't you, child? 332 00:13:06,740 --> 00:13:08,740 This isn't something I can do, Miss Kraber. 333 00:13:08,740 --> 00:13:12,740 These attacks, Mrs. James, they leave her quite exhausted. 334 00:13:12,740 --> 00:13:15,740 If you... if you... if you'd be good enough to open the door. 335 00:13:15,740 --> 00:13:17,740 Of course, Miss Kraber. Of course. 336 00:13:17,740 --> 00:13:19,740 No. No. 337 00:13:19,740 --> 00:13:21,740 She must be taken straight to her room, Carl. 338 00:13:21,740 --> 00:13:24,740 Please, if you just give her a hand. 339 00:13:24,740 --> 00:13:27,740 That's it. That's fine. 340 00:13:27,740 --> 00:13:42,740 You are really such a help to me, Carl. 341 00:13:42,740 --> 00:13:48,740 Here we are, Sheila. Right here. 342 00:13:48,740 --> 00:13:51,740 Now, just go to bed, dear. 343 00:13:51,740 --> 00:13:53,740 Let me alone. 344 00:13:53,740 --> 00:13:55,740 Come along, then, Carl. 345 00:13:55,740 --> 00:13:58,740 She lays quite tired. Yes, Aunt Rita, I shall. 346 00:13:58,740 --> 00:14:01,740 You... you said you'd always be here. 347 00:14:01,740 --> 00:14:03,740 You've got to help me. 348 00:14:03,740 --> 00:14:04,740 What can I do? 349 00:14:04,740 --> 00:14:06,740 Here. I've had it in my pocket. 350 00:14:06,740 --> 00:14:08,740 A note. 351 00:14:08,740 --> 00:14:10,740 Are you coming, dear? Right away, Aunt Rita. 352 00:14:10,740 --> 00:14:11,740 It's to my landlady. 353 00:14:11,740 --> 00:14:13,740 I wrote it in the restroom at the tea shop. 354 00:14:13,740 --> 00:14:15,740 Here, mail it to her. It's my only chance. 355 00:14:15,740 --> 00:14:17,740 But I... I can't keep this. Oh, Carl! 356 00:14:17,740 --> 00:14:21,740 She's coming. Yes, Aunt Rita. 357 00:14:21,740 --> 00:14:25,740 You can do it. You've got to do it. 358 00:14:25,740 --> 00:14:30,740 Good night, Sheila. 359 00:14:30,740 --> 00:14:32,740 How very slow you are, Carl. 360 00:14:32,740 --> 00:14:34,740 Was I so very long? 361 00:14:34,740 --> 00:14:37,740 You like her, I can see that. 362 00:14:37,740 --> 00:14:39,740 A letter, I imagine. 363 00:14:39,740 --> 00:14:40,740 She gave you a letter to post? 364 00:14:40,740 --> 00:14:43,740 A letter? Oh, no, I was just locking the door. 365 00:14:43,740 --> 00:14:46,740 Ah, yes, of course. 366 00:14:46,740 --> 00:14:48,740 Perhaps I have letters on my mind, dear. 367 00:14:48,740 --> 00:14:51,740 After that episode with Sheila. 368 00:14:51,740 --> 00:14:54,740 The first Sheila Campbell that is... 369 00:14:54,740 --> 00:14:56,740 Dear, hand me my knitting. 370 00:14:56,740 --> 00:15:00,740 That's a nice boy. 371 00:15:00,740 --> 00:15:05,740 Do you know, I'm continually amazed at the stupidity of these English. 372 00:15:05,740 --> 00:15:07,740 Can you imagine that girl that's... 373 00:15:07,740 --> 00:15:12,740 that's supposedly a trained agent, dropping that note? 374 00:15:12,740 --> 00:15:16,740 And that rest, mind you, 375 00:15:16,740 --> 00:15:18,740 to the British intelligence. 376 00:15:18,740 --> 00:15:20,740 It was very alert of you, Carl, finding me. 377 00:15:20,740 --> 00:15:21,740 Thank you. 378 00:15:21,740 --> 00:15:23,740 Enough, excuse me, I'm rather tired. 379 00:15:23,740 --> 00:15:27,740 Yes, this espionage, it's not a restful service. 380 00:15:27,740 --> 00:15:31,740 Sometimes I wonder if Berlin really appreciates the risk we have taken. 381 00:15:31,740 --> 00:15:34,740 Yes, the girl had to be disposed of. 382 00:15:34,740 --> 00:15:36,740 There was no doubt of it. 383 00:15:36,740 --> 00:15:38,740 That was her report on us. 384 00:15:38,740 --> 00:15:41,740 All the facts... Aunt Rita, we've gone over this a thousand times. 385 00:15:41,740 --> 00:15:43,740 Really, I'm tired. 386 00:15:43,740 --> 00:15:48,740 You were right in realising what had to be done. 387 00:15:48,740 --> 00:15:50,740 It was just that you acted too... 388 00:15:50,740 --> 00:15:52,740 Please, Aunt Rita, explain. 389 00:15:52,740 --> 00:15:54,740 Too hastily, too thoughtfully, too violently. 390 00:15:54,740 --> 00:15:56,740 I couldn't help it, I tell you. 391 00:15:56,740 --> 00:15:58,740 She rushed into the telephone room out there. 392 00:15:58,740 --> 00:16:01,740 I ran after her and that stupid catch lock pinned us in. 393 00:16:01,740 --> 00:16:04,740 She went to pieces, pounding on the door, screaming, caring at me. 394 00:16:04,740 --> 00:16:06,740 I didn't know what I was doing. 395 00:16:06,740 --> 00:16:08,740 There was that bookend, the big one. 396 00:16:08,740 --> 00:16:10,740 I lost my head, that's all. 397 00:16:10,740 --> 00:16:12,740 It's all your fault. Why didn't you unlock the door? 398 00:16:12,740 --> 00:16:14,740 I told you. 399 00:16:14,740 --> 00:16:17,740 I simply want you to remember that every incident counts. 400 00:16:17,740 --> 00:16:20,740 Because of you, we cannot produce Sheila Campbell's remains. 401 00:16:20,740 --> 00:16:24,740 And we certainly can't allow the police to tear up the cellar to find them. 402 00:16:24,740 --> 00:16:27,740 Because of you, we shall have to produce a substitute body. 403 00:16:27,740 --> 00:16:31,740 A substitute Sheila Campbell, who will satisfy the authorities completely. 404 00:16:31,740 --> 00:16:36,740 We have her, and I don't intend to lose her. 405 00:16:36,740 --> 00:16:38,740 The note, please. 406 00:16:38,740 --> 00:16:39,740 The note? 407 00:16:39,740 --> 00:16:41,740 The one that girl just gave you to mail. 408 00:16:41,740 --> 00:16:43,740 I don't know what you're talking about. 409 00:16:43,740 --> 00:16:45,740 All I know is you don't have to use this girl. 410 00:16:45,740 --> 00:16:47,740 You could get somebody else, somebody just as good. 411 00:16:47,740 --> 00:16:49,740 She's not right for it. 412 00:16:49,740 --> 00:16:50,740 Not right for it? 413 00:16:50,740 --> 00:16:54,740 A girl who denies her identity, who shrieks of drug drinks. 414 00:16:54,740 --> 00:16:57,740 Persecution. She is ideal. 415 00:16:57,740 --> 00:17:01,740 The police will accept her as a suicide without giving it a second thought. 416 00:17:01,740 --> 00:17:04,740 Yes, yes, if they knew she was really insane, but she isn't. 417 00:17:04,740 --> 00:17:06,740 Don't you see? She isn't. 418 00:17:06,740 --> 00:17:07,740 She isn't. 419 00:17:07,740 --> 00:17:09,740 Just ask those people at this tea shop. 420 00:17:09,740 --> 00:17:11,740 And that foolish Mrs. James. 421 00:17:11,740 --> 00:17:13,740 She will tell you. 422 00:17:13,740 --> 00:17:15,740 She will tell the whole neighborhood. 423 00:17:15,740 --> 00:17:17,740 Oh, Mrs. James, a few neighborhood gossips. 424 00:17:17,740 --> 00:17:20,740 They aren't enough. You have to have someone professional and authority. 425 00:17:20,740 --> 00:17:22,740 Listen to me. 426 00:17:22,740 --> 00:17:27,740 Our note to British intelligence will divert them for just five days. 427 00:17:27,740 --> 00:17:30,740 Within that time, Julia Ross must commit suicide. 428 00:17:30,740 --> 00:17:33,740 And we will see that she does. 429 00:17:33,740 --> 00:17:35,740 No. No, I won't. 430 00:17:35,740 --> 00:17:37,740 I won't go through with it, I tell you. 431 00:17:37,740 --> 00:17:40,740 I see. 432 00:17:40,740 --> 00:17:47,740 What a pity it would be if the police learned who was the last person seen with the first Sheila Campbell. 433 00:17:47,740 --> 00:17:50,740 You wouldn't. You wouldn't turn me over. 434 00:17:50,740 --> 00:17:54,740 This espionage call, it's a very demanding trade. 435 00:17:54,740 --> 00:17:57,740 A note, please. 436 00:17:57,740 --> 00:17:59,740 Thank you. 437 00:17:59,740 --> 00:18:11,740 Thank you, dear. I knew it was an oversight. 438 00:18:23,740 --> 00:18:24,740 Yes, sir? 439 00:18:24,740 --> 00:18:26,740 Could you tell me if Mr. Crayball lives here? 440 00:18:26,740 --> 00:18:30,740 Miss Crayball? Yes, this is her home. 441 00:18:30,740 --> 00:18:32,740 She's rather busy upstairs, however. 442 00:18:32,740 --> 00:18:33,740 Oh, gosh. 443 00:18:33,740 --> 00:18:34,740 Yes, Andrita? 444 00:18:34,740 --> 00:18:38,740 Was that someone at the door? I thought... 445 00:18:38,740 --> 00:18:39,740 Oh. 446 00:18:39,740 --> 00:18:43,740 How do you do, Miss Crayball? My name is Turner, Dr. Turner. 447 00:18:43,740 --> 00:18:44,740 Dr. Turner? 448 00:18:44,740 --> 00:18:48,740 Yes, I happened to drop into the tea shop yesterday, Mrs. James' shop, you know, 449 00:18:48,740 --> 00:18:51,740 and she told me about your situation. 450 00:18:51,740 --> 00:18:52,740 Yes? 451 00:18:52,740 --> 00:18:54,740 Well, I thought I might be of some service. 452 00:18:54,740 --> 00:18:57,740 My field, you see, is psychiatry. 453 00:18:57,740 --> 00:19:00,740 Yes. Yes, I see. 454 00:19:00,740 --> 00:19:02,740 Oh, how very thoughtful, Doctor. 455 00:19:02,740 --> 00:19:04,740 Please, won't you come right up? 456 00:19:04,740 --> 00:19:05,740 Thank you. 457 00:19:05,740 --> 00:19:07,740 Miss Campbell's room is up in this floor, Doctor. 458 00:19:07,740 --> 00:19:09,740 I thought you might as well see her at once. 459 00:19:09,740 --> 00:19:12,740 I know how busy you must be. 460 00:19:12,740 --> 00:19:16,740 Yes. Well, the case has been quite difficult, Miss Crayball? 461 00:19:16,740 --> 00:19:18,740 In many ways, yes, Dr. Turner. 462 00:19:18,740 --> 00:19:22,740 Naturally, I feel that some day with professional guidance 463 00:19:22,740 --> 00:19:26,740 and with those things I can give her patience, understanding. 464 00:19:26,740 --> 00:19:28,740 I can bring her out of the darkness. 465 00:19:28,740 --> 00:19:30,740 Until then... 466 00:19:30,740 --> 00:19:33,740 Here we are. 467 00:19:33,740 --> 00:19:36,740 Sheila. 468 00:19:36,740 --> 00:19:38,740 Sheila, dear. 469 00:19:38,740 --> 00:19:40,740 That is Dr. Turner. 470 00:19:40,740 --> 00:19:43,740 Step right in, Doctor. 471 00:19:43,740 --> 00:19:45,740 He's coming to visit you, dear. 472 00:19:45,740 --> 00:19:48,740 How are you, Sheila? How do you feel? 473 00:19:48,740 --> 00:19:51,740 Doctor, I... I rather think my presence will interfere. 474 00:19:51,740 --> 00:19:54,740 Mrs. James has undoubtedly explained. 475 00:19:54,740 --> 00:19:55,740 If you don't mind... 476 00:19:55,740 --> 00:19:58,740 Yes, yes. That might be best. 477 00:19:58,740 --> 00:20:00,740 Won't you talk to me? 478 00:20:00,740 --> 00:20:02,740 It's all right, Sheila. 479 00:20:02,740 --> 00:20:04,740 Believe me, I'm a doctor. 480 00:20:04,740 --> 00:20:06,740 You're no doctor. 481 00:20:06,740 --> 00:20:07,740 Ah, no, Sheila. 482 00:20:07,740 --> 00:20:09,740 Don't call me Sheila. 483 00:20:09,740 --> 00:20:11,740 You're here to help her. 484 00:20:11,740 --> 00:20:13,740 Help her keep me prisoner here in this house. 485 00:20:13,740 --> 00:20:14,740 Ah, stop it. 486 00:20:14,740 --> 00:20:16,740 Help her drive me out of my mind. 487 00:20:16,740 --> 00:20:18,740 Help her. Yes, help her to murder me. 488 00:20:18,740 --> 00:20:19,740 Sheila, pull yourself together. 489 00:20:19,740 --> 00:20:20,740 She's told you everything. 490 00:20:20,740 --> 00:20:21,740 You can't act like this. 491 00:20:21,740 --> 00:20:22,740 Told you how to act. 492 00:20:22,740 --> 00:20:23,740 You must act. 493 00:20:23,740 --> 00:20:24,740 Why don't you leave me alone? 494 00:20:24,740 --> 00:20:25,740 Why don't you go away? 495 00:20:25,740 --> 00:20:27,740 Oh, excuse me, Dr. Turner, 496 00:20:27,740 --> 00:20:29,740 but I became a little bit uneasy. 497 00:20:29,740 --> 00:20:31,740 Yes, yes, I can understand. 498 00:20:31,740 --> 00:20:34,740 Well, Doctor? 499 00:20:34,740 --> 00:20:37,740 Yes, it's persecution mania, clearly enough. 500 00:20:37,740 --> 00:20:39,740 She has all the symptoms, 501 00:20:39,740 --> 00:20:41,740 the deep melancholia, 502 00:20:41,740 --> 00:20:43,740 the stubborn hysterical insistence 503 00:20:43,740 --> 00:20:45,740 that she's about to be done away with. 504 00:20:45,740 --> 00:20:46,740 Yes. 505 00:20:46,740 --> 00:20:49,740 I happen to be attached to the King James General Asylum, 506 00:20:49,740 --> 00:20:51,740 and I'm familiar with this type of case. 507 00:20:51,740 --> 00:20:54,740 There is one important thing, Miss Crabill. 508 00:20:54,740 --> 00:20:55,740 Over here, please. 509 00:20:55,740 --> 00:20:56,740 Yes, Doctor? 510 00:20:56,740 --> 00:20:59,740 The matter of Miss Campbell's protection. 511 00:20:59,740 --> 00:21:00,740 Her protection? 512 00:21:00,740 --> 00:21:02,740 Yes, from herself. 513 00:21:02,740 --> 00:21:04,740 You undoubtedly are not aware of it, 514 00:21:04,740 --> 00:21:08,740 but her type is often inclined toward suicide. 515 00:21:08,740 --> 00:21:10,740 How dreadful. 516 00:21:10,740 --> 00:21:13,740 In case those tendencies should become apparent, 517 00:21:13,740 --> 00:21:15,740 naturally you'd let me know. 518 00:21:15,740 --> 00:21:16,740 Naturally, Doctor. 519 00:21:16,740 --> 00:21:18,740 She would then require professional care. 520 00:21:18,740 --> 00:21:20,740 Meanwhile, I'm sure your own treatment 521 00:21:20,740 --> 00:21:22,740 will be as effective as any. 522 00:21:22,740 --> 00:21:24,740 Patience and understanding. 523 00:21:26,740 --> 00:21:28,740 Torture me like this, will they? 524 00:21:28,740 --> 00:21:29,740 Murder me here in this house. 525 00:21:29,740 --> 00:21:30,740 Sheila! 526 00:21:30,740 --> 00:21:31,740 No, I won't let them. 527 00:21:31,740 --> 00:21:32,740 I'll kill myself first. 528 00:21:32,740 --> 00:21:33,740 Miss Campbell! 529 00:21:33,740 --> 00:21:35,740 I'll kill myself, that's what I'll do. 530 00:21:35,740 --> 00:21:36,740 The window! Stop her! 531 00:21:36,740 --> 00:21:38,740 Carl, oh, Carl! 532 00:21:38,740 --> 00:21:39,740 Yes, the window. 533 00:21:39,740 --> 00:21:40,740 That's it, the window. 534 00:21:40,740 --> 00:21:41,740 I'll jump through the window. 535 00:21:41,740 --> 00:21:42,740 Young woman, control yourself. 536 00:21:42,740 --> 00:21:43,740 Let me go! 537 00:21:43,740 --> 00:21:44,740 Don't let me down! 538 00:21:44,740 --> 00:21:46,740 What's going on here? 539 00:21:46,740 --> 00:21:49,740 Rick, what... what happened? 540 00:21:49,740 --> 00:21:52,740 This girl, she just tried to kill herself. 541 00:21:52,740 --> 00:21:54,740 I'm afraid this changes things, Miss Crabill. 542 00:21:54,740 --> 00:21:55,740 She must be put away. 543 00:21:55,740 --> 00:21:56,740 Put away? 544 00:21:56,740 --> 00:21:57,740 Yes, as soon as possible. 545 00:21:57,740 --> 00:21:59,740 I'll have the men come at once. 546 00:21:59,740 --> 00:22:01,740 You mean take her away from me? 547 00:22:01,740 --> 00:22:03,740 But you can't! 548 00:22:03,740 --> 00:22:05,740 I've looked after her myself. 549 00:22:05,740 --> 00:22:07,740 Why can't I go on doing that? 550 00:22:07,740 --> 00:22:09,740 Because it's beyond you now, Miss Crabill. 551 00:22:09,740 --> 00:22:10,740 No, no, no. 552 00:22:10,740 --> 00:22:13,740 No, I'm sorry, but there's nothing else I can do. 553 00:22:13,740 --> 00:22:15,740 Would you be good enough to direct me to your telephone? 554 00:22:15,740 --> 00:22:16,740 Telephone? 555 00:22:16,740 --> 00:22:18,740 Yes, I wish to order a car. 556 00:22:18,740 --> 00:22:20,740 Some men from the asylum. 557 00:22:20,740 --> 00:22:22,740 Of course. 558 00:22:22,740 --> 00:22:24,740 There is a small telephone room right... 559 00:22:24,740 --> 00:22:26,740 right around the hall. 560 00:22:26,740 --> 00:22:27,740 This way, please. 561 00:22:27,740 --> 00:22:30,740 I know how you must feel, Miss Crabill. 562 00:22:30,740 --> 00:22:32,740 But you see, it's the same... 563 00:22:32,740 --> 00:22:35,740 The telephone, Dr. Turner, is in this room right here. 564 00:22:35,740 --> 00:22:37,740 Just sit down there at the desk. 565 00:22:37,740 --> 00:22:38,740 Well, thank you. 566 00:22:38,740 --> 00:22:41,740 You're sure the young man can handle the girl? 567 00:22:41,740 --> 00:22:42,740 I mean... 568 00:22:42,740 --> 00:22:44,740 I will go by myself. 569 00:22:44,740 --> 00:22:46,740 I will go by myself and take charge. 570 00:22:46,740 --> 00:22:48,740 Well, that will be safer, I'm sure. 571 00:22:48,740 --> 00:22:50,740 Excuse me. 572 00:22:50,740 --> 00:22:51,740 Hello? 573 00:22:51,740 --> 00:22:53,740 Turner speaking. 574 00:22:53,740 --> 00:22:54,740 It's Dr. Turner. 575 00:22:54,740 --> 00:22:56,740 I'd like you to send a car right away. 576 00:22:56,740 --> 00:22:58,740 And three men. 577 00:22:58,740 --> 00:23:00,740 The address? 578 00:23:00,740 --> 00:23:01,740 It's number 30... 579 00:23:01,740 --> 00:23:02,740 Just a moment. 580 00:23:02,740 --> 00:23:04,740 Miss Crabill. 581 00:23:04,740 --> 00:23:05,740 Miss Crabill! 582 00:23:05,740 --> 00:23:06,740 Yes, Dr. Turner? 583 00:23:06,740 --> 00:23:08,740 I can't open the door. It's locked. 584 00:23:08,740 --> 00:23:10,740 Oh, sorry, Doctor. 585 00:23:10,740 --> 00:23:12,740 I'll have to get the keys from Carl. 586 00:23:12,740 --> 00:23:14,740 Keys? To unlock this door? 587 00:23:14,740 --> 00:23:17,740 This very special lock, Dr. Turner. 588 00:23:17,740 --> 00:23:19,740 You don't need any keys. 589 00:23:19,740 --> 00:23:21,740 Just open the door from your side. 590 00:23:21,740 --> 00:23:22,740 Miss Crabill! Miss Crabill! 591 00:23:22,740 --> 00:23:24,740 Where are you? Miss Crabill! 592 00:23:24,740 --> 00:23:25,740 Andrito, she won't stop crying. 593 00:23:25,740 --> 00:23:27,740 I just can't get her to stop. 594 00:23:27,740 --> 00:23:28,740 I will get her to stop. 595 00:23:28,740 --> 00:23:30,740 A clever one, aren't you, child? 596 00:23:30,740 --> 00:23:33,740 Pretending to commit suicide so the doctor would take you away. 597 00:23:33,740 --> 00:23:34,740 The doctor? 598 00:23:34,740 --> 00:23:35,740 When is he? 599 00:23:35,740 --> 00:23:37,740 A splendid idea you had. 600 00:23:37,740 --> 00:23:38,740 Lifting out that window. 601 00:23:38,740 --> 00:23:40,740 We'll see if we can help you this time. 602 00:23:40,740 --> 00:23:42,740 No, don't come near me. 603 00:23:42,740 --> 00:23:45,740 Carl, we've only a very few seconds. 604 00:23:45,740 --> 00:23:46,740 Get her across into the window. 605 00:23:46,740 --> 00:23:47,740 No. 606 00:23:47,740 --> 00:23:49,740 Don't make me do it, Andrito. 607 00:23:49,740 --> 00:23:50,740 Please, you don't. 608 00:23:50,740 --> 00:23:52,740 You wretched, sniveling coward. 609 00:23:52,740 --> 00:23:54,740 Do you want us both to hang? 610 00:23:54,740 --> 00:23:57,740 Help me get this girl to that window. 611 00:23:57,740 --> 00:23:59,740 You'll be sorry you made me, Andrito. 612 00:23:59,740 --> 00:24:14,740 You will, you will! 613 00:24:14,740 --> 00:24:16,740 I couldn't help it, Dr. Turner. 614 00:24:16,740 --> 00:24:19,740 I couldn't help it. I couldn't help it. 615 00:24:19,740 --> 00:24:22,740 I just lost my head, that's all. 616 00:24:22,740 --> 00:24:23,740 But she made me do it. 617 00:24:23,740 --> 00:24:24,740 She made me do it. 618 00:24:24,740 --> 00:24:25,740 Don't you see? 619 00:24:25,740 --> 00:24:27,740 Don't you understand how it was? 620 00:24:27,740 --> 00:24:30,740 She made me do it. She drove me, Dr. Turner. 621 00:24:30,740 --> 00:24:32,740 All right, now settle down, settle down. 622 00:24:32,740 --> 00:24:35,740 And do stop calling me Dr. Turner. 623 00:24:35,740 --> 00:24:38,740 Stop calling you doctor? You? 624 00:24:38,740 --> 00:24:40,740 Well, no, I'm not a psychiatrist. 625 00:24:40,740 --> 00:24:42,740 But I'm going to see that you meet one. 626 00:24:42,740 --> 00:24:45,740 I happen to be from British Intelligence, Carl. 627 00:24:45,740 --> 00:24:48,740 I suppose I have you to thank for that letter. 628 00:24:48,740 --> 00:24:49,740 Letter? 629 00:24:49,740 --> 00:24:52,740 Yes, the one supposedly signed by Sheila Campbell, 630 00:24:52,740 --> 00:24:54,740 telling us she was off to Dublin, Ireland. 631 00:24:54,740 --> 00:24:55,740 Oh, yes. 632 00:24:55,740 --> 00:24:57,740 And would communicate with us in five days. 633 00:24:57,740 --> 00:25:00,740 Andrito, she made me do that too. 634 00:25:00,740 --> 00:25:03,740 Ah, that was an inexcusable mistake, Carl. 635 00:25:03,740 --> 00:25:06,740 You see, Sheila would never have written Dublin, Ireland. 636 00:25:06,740 --> 00:25:10,740 Now, an Irishman assumes that everybody knows where Dublin is. 637 00:25:10,740 --> 00:25:13,740 How about that, Miss Ross? Am I right? 638 00:25:13,740 --> 00:25:16,740 Well, I know where it is all right. 639 00:25:16,740 --> 00:25:18,740 And I'm going back there as fast as I can. 640 00:25:18,740 --> 00:25:22,740 Oh, now, Julia, London isn't as bad as all that, you know. 641 00:25:22,740 --> 00:25:26,740 Maybe not. I suppose it all depends upon the murderers you meet. 642 00:25:26,740 --> 00:25:30,740 Why, child, you wouldn't want to meet a nicer lad than Carl here. 643 00:25:30,740 --> 00:25:34,740 After all, it isn't everybody who'd pitch his aunt through a bedroom window 644 00:25:34,740 --> 00:25:36,740 just to save your life. 645 00:25:36,740 --> 00:25:40,740 Yes, he's really a very nice boy. 646 00:25:40,740 --> 00:25:43,740 Sergeant, you'd better take him down to Seller now 647 00:25:43,740 --> 00:25:46,740 and have him show you where he buried Sheila Campbell. 648 00:25:46,740 --> 00:25:48,740 Andrito, she made me do it. 649 00:25:48,740 --> 00:25:50,740 Oh, no, she made you do that too. 650 00:25:50,740 --> 00:25:53,740 A woman of character, Miss Crabo. 651 00:25:53,740 --> 00:25:56,740 I'm sure you'll miss her very much. 652 00:25:56,740 --> 00:25:58,740 But that's the way it goes. 653 00:25:58,740 --> 00:26:03,740 This espionage, Carl, is a very uncertain trade. 654 00:26:03,740 --> 00:26:08,740 And so closes The Woman in Red, starring Cartina Paxinou. 655 00:26:08,740 --> 00:26:12,740 Tonight's tale of suspense. 656 00:26:15,740 --> 00:26:18,740 Spotted about the globe, wherever wine grapes grow, 657 00:26:18,740 --> 00:26:23,740 there are a few wineries that are not as popular as the ones in the United States. 658 00:26:23,740 --> 00:26:26,740 And the most famous is the one in the United States, 659 00:26:26,740 --> 00:26:28,740 the New York Wine Show. 660 00:26:28,740 --> 00:26:33,740 Spotted about the globe, wherever wine grapes grow, there are a few wineries 661 00:26:33,740 --> 00:26:36,740 whose products are made for world enjoyment. 662 00:26:36,740 --> 00:26:41,740 Among such wineries right here in California are those of Roma. 663 00:26:41,740 --> 00:26:45,740 And we who live in America have the pleasure of enjoying Roma wine 664 00:26:45,740 --> 00:26:49,740 at exceptionally low cost, for we buy it free of duty 665 00:26:49,740 --> 00:26:52,740 and free of excessive shipping costs. 666 00:26:52,740 --> 00:26:58,740 For instance, Roma California Sherry is the queen of appetizer wines. 667 00:26:58,740 --> 00:27:01,740 And not only that, but a wine so delicious, 668 00:27:01,740 --> 00:27:06,740 it is suitable to serve at any time, cool or chilled. 669 00:27:06,740 --> 00:27:08,740 But no matter what your preference may be, 670 00:27:08,740 --> 00:27:13,740 you will find a Roma wine costing far less than you would expect to pay 671 00:27:13,740 --> 00:27:15,740 for such distinguished wine. 672 00:27:15,740 --> 00:27:19,740 In Roma you have the old world art of winemaking, 673 00:27:19,740 --> 00:27:23,740 plus the extra care, constant tasting and testing, 674 00:27:23,740 --> 00:27:26,740 which modern knowledge adds to that ageless art. 675 00:27:26,740 --> 00:27:30,740 That's why Roma wines have a universal appeal, 676 00:27:30,740 --> 00:27:34,740 why they are America's largest selling wines. 677 00:27:34,740 --> 00:27:36,740 I'll spell out the name for you. 678 00:27:36,740 --> 00:27:46,740 R-O-M-A, Roma wines, made in California for enjoyment throughout the world. 679 00:27:46,740 --> 00:27:50,740 This is Catina Paxinou. 680 00:27:50,740 --> 00:27:54,740 I hope you enjoyed our suspense play this evening 681 00:27:54,740 --> 00:27:57,740 and that you don't hate me too much. 682 00:27:57,740 --> 00:28:00,740 I'm not really as bad as that. 683 00:28:00,740 --> 00:28:03,740 Next week I know you will want to listen 684 00:28:03,740 --> 00:28:07,740 when Mr. Orson Welles will be your star. 685 00:28:07,740 --> 00:28:11,740 Suspense is produced and directed by William Spear. 686 00:28:11,740 --> 00:28:18,740 Don't forget then, next Thursday for Orson Welles in Suspense. 687 00:28:18,740 --> 00:28:23,740 Presented by Roma wines, R-O-M-A, 688 00:28:23,740 --> 00:28:27,740 made in California for enjoyment throughout the world. 689 00:28:57,740 --> 00:29:19,740 This is CBS, the Columbia Broadcasting System.