WEBVTT 00:00.000 --> 00:18.360 Roma wines presents Suspense. 00:18.360 --> 00:23.280 Roma wines made in California for enjoyment throughout the world. 00:23.280 --> 00:24.280 Salud. 00:24.280 --> 00:26.120 Your health, senor. 00:26.120 --> 00:27.920 Roma wines toast the world. 00:27.920 --> 00:33.360 The wine for your table is Roma wine, made in California for enjoyment throughout the 00:33.360 --> 00:34.360 world. 00:34.360 --> 00:40.240 This is the man in black here for the Roma Wine Company of Fresno, California, to introduce 00:40.240 --> 00:44.080 this weekly half hour of Suspense. 00:44.080 --> 00:49.160 Tonight from Hollywood, Roma wines bring you Mr. Sonny Tufts in a suspense play that tells 00:49.160 --> 00:54.880 of a murder in Boston and a perilous adventure in Vermont's snow-covered hills. 00:54.880 --> 01:01.080 And so with Cat and Mouse, and with the performance of Sonny Tufts as John Guthrie, an engineer, 01:01.080 --> 01:07.760 we again hope to keep you in Suspense. 01:07.760 --> 01:24.800 W1QXL, W1QXL, W1QXL, this is W1, RBX calling W1QXL, W1QXL, this is WIR, Markov, Vovanov, 01:24.800 --> 01:27.240 Vermont calling and standing by. 01:27.240 --> 01:33.840 W1RBX, W1RBX, this is W1QXL in Boston returning. 01:33.840 --> 01:36.160 Hi, I got three, how you been? 01:36.160 --> 01:38.680 Signals clear, good signal, come in. 01:38.680 --> 01:43.080 W1QXL, W1QXL, W1RBX back. 01:43.080 --> 01:46.280 Hello Lockwood, I'm fine. 01:46.280 --> 01:48.280 Signals good up here, I got lots to tell you. 01:48.280 --> 01:50.240 Been trying to get in touch with you for the last couple of hours. 01:50.240 --> 01:51.240 Where you been? 01:51.240 --> 01:52.880 Out to dinner with Valentine? 01:52.880 --> 01:54.920 Go ahead. 01:54.920 --> 01:56.640 Sorry Guthrie, haven't seen Val today. 01:56.640 --> 01:57.960 She hasn't answered her phone. 01:57.960 --> 02:01.240 Guess she's awful tired of picking it up and hearing me on the other end proposing. 02:01.240 --> 02:03.240 Anyhow, I've been working hard. 02:03.240 --> 02:06.520 Oh, had a little excitement here at the laboratory an hour or so ago. 02:06.520 --> 02:09.200 Thought we had a prowler on the grounds. 02:09.200 --> 02:10.800 But guess it was a false alarm. 02:10.800 --> 02:12.720 Nerves, I guess. 02:12.720 --> 02:13.720 What's your news Guthrie? 02:13.720 --> 02:16.400 I've got a bit for you myself, but let's hear yours first. 02:16.400 --> 02:17.400 Go ahead. 02:17.400 --> 02:18.400 Okay. 02:18.400 --> 02:21.920 Well as far as I'm concerned kiddo, you can set up a date for demonstration for the Army 02:21.920 --> 02:24.720 Signal Corps and the Naval Ordnance people just as soon as you like. 02:24.720 --> 02:26.400 We're in the clear now for keeps. 02:26.400 --> 02:29.720 I got the last bug out of the screen this morning and it ought to make the prettiest 02:29.720 --> 02:30.960 little image you ever saw. 02:30.960 --> 02:34.800 If the brass hats put the steam on, I don't see why it shouldn't be in there fighting 02:34.800 --> 02:35.800 in a couple of months. 02:35.800 --> 02:37.280 Now let's hear about you. 02:37.280 --> 02:38.280 Go ahead. 02:38.280 --> 02:39.280 Boy, that sounds great. 02:39.280 --> 02:40.280 Hold it Guthrie, something going on here. 02:40.280 --> 02:41.280 Keep listening, I'll be back in a second. 02:41.280 --> 02:42.280 Who is it? 02:42.280 --> 02:43.280 Who's out there? 02:43.280 --> 02:44.280 Who's there? 02:44.280 --> 02:45.280 Get up there. 02:45.280 --> 02:52.280 I'll shoot. 02:52.280 --> 02:57.280 Come on. 02:57.280 --> 03:00.120 Stop. 03:00.120 --> 03:02.200 Stop. 03:02.200 --> 03:03.200 What is it Lockwood? 03:03.200 --> 03:04.200 Howard, what's the shooting? 03:04.200 --> 03:05.200 Is that you coughing? 03:05.200 --> 03:07.080 Lockwood, is that you? 03:07.080 --> 03:08.080 Go ahead. 03:08.080 --> 03:09.080 Hello. 03:09.080 --> 03:10.080 Hello Guthrie. 03:10.080 --> 03:12.480 I saw him that time. 03:12.480 --> 03:13.480 Almost got him with my rifle. 03:13.480 --> 03:15.480 Wonder what that guy can want. 03:15.480 --> 03:18.680 Well, I know one thing he's got and that's a sore throat. 03:18.680 --> 03:21.000 Boy, did you hear that cough? 03:21.000 --> 03:22.000 Go ahead. 03:22.000 --> 03:23.000 I'm worried Lockwood. 03:23.000 --> 03:25.360 Somebody must be getting wise to what we've got. 03:25.360 --> 03:27.720 We better arrange for more protection around the lab. 03:27.720 --> 03:30.040 Well, you've heard my say of it. 03:30.040 --> 03:32.120 How are you getting on with the blueprints? 03:32.120 --> 03:33.120 Go ahead. 03:33.120 --> 03:39.740 Did you hear me Howard? 03:39.740 --> 03:40.740 Go ahead. 03:40.740 --> 03:41.740 W1QXL. 03:41.740 --> 03:42.740 W1QXL. 03:42.740 --> 03:45.400 What's happened? 03:45.400 --> 03:46.680 Come back in. 03:46.680 --> 03:49.680 Go ahead. 03:49.680 --> 03:52.400 Hello. 03:52.400 --> 03:54.400 This is W1QXL. 03:54.400 --> 03:57.080 I am going away. 03:57.080 --> 03:58.480 I'm going skiing. 03:58.480 --> 04:03.040 I'm going skiing up in Sunbury, Vermont at the Phoenix Hotel. 04:03.040 --> 04:04.040 The Phoenix. 04:04.040 --> 04:06.040 Have you got that Frank? 04:06.040 --> 04:07.040 Frank? 04:07.040 --> 04:08.840 What's all this about you going skiing? 04:08.840 --> 04:10.840 You've never been on skis in your life. 04:10.840 --> 04:13.760 Besides, I'm coming up to see you and it's important. 04:13.760 --> 04:15.560 We'll get together now in the blueprints. 04:15.560 --> 04:16.560 Okay? 04:16.560 --> 04:18.680 At the Phoenix Hotel. 04:18.680 --> 04:23.760 Go ahead, Frank. 04:23.760 --> 04:25.200 What's this gag calling me Frank? 04:25.200 --> 04:26.200 What's going on? 04:26.200 --> 04:27.200 I hear voices behind you. 04:27.200 --> 04:28.200 Sounds like interference. 04:28.200 --> 04:30.280 You all right? 04:30.280 --> 04:32.700 I say are you all right? 04:32.700 --> 04:33.960 I'm leaving here for Boston in the morning. 04:33.960 --> 04:34.960 I'll bring the whole works. 04:34.960 --> 04:37.760 No, no don't. 04:37.760 --> 04:38.760 And don't contact Bell. 04:38.760 --> 04:44.180 If anything happens to me, the man with the cough, the man with the cough, the cough, the 04:44.180 --> 04:45.640 cough. 04:45.640 --> 04:47.240 Lockwood, what's up? 04:47.240 --> 04:48.240 Are you still there? 04:48.240 --> 04:51.200 Come in, come in Lockwood. 04:51.200 --> 04:54.320 Lockwood come in. 04:54.320 --> 04:58.280 Lockwood go ahead. 04:58.280 --> 05:00.760 W1QXL. 05:00.760 --> 05:02.920 W1QXL. 05:02.920 --> 05:07.840 This is W1RBX calling. 05:07.840 --> 05:08.840 Go ahead. 05:08.840 --> 05:13.840 W1QXL, W1QXL, this is W1, RBS. 05:13.840 --> 05:16.840 Go ahead. 05:16.840 --> 05:28.040 Tonight for Suspense, Roma wines bring you a star, Mr. Sonny Tufts, whom you have heard 05:28.040 --> 05:31.760 in the prologue to Cat and Mouse by Hugh Pentecost. 05:31.760 --> 05:41.240 It's adventure in Suspense. 05:41.240 --> 05:45.160 While the play scene changes, let me describe another scene that might even now be taking 05:45.160 --> 05:49.040 place in the handsome cafe of the Hotel Nacional de Cuba in Havana. 05:49.040 --> 05:53.700 An American visitor has remarked to his Cuban host what great enjoyment the Cuban music 05:53.700 --> 05:55.240 and the dancing gives him. 05:55.240 --> 05:59.880 Gracefully, the Cuban host returns the compliment saying, but your United States makes us a 05:59.880 --> 06:02.920 gift that gives great pleasure on many occasions. 06:02.920 --> 06:08.400 Your superb wine from the choice wine districts of your California, your Roma wine. 06:08.400 --> 06:13.400 Yes, for a wine to give great enjoyment, it must have greatness of character, and it's 06:13.400 --> 06:17.320 this that has spread the fame of Roma wines to other lands. 06:17.320 --> 06:22.920 Why otherwise would these countries import Roma wines to be enjoyed as a rare luxury? 06:22.920 --> 06:27.520 How fortunate then are you who can enjoy any of the Roma wines, many different delicious 06:27.520 --> 06:33.400 wine types, whenever you choose, without additional charge for import duty, with no high shipping 06:33.400 --> 06:37.240 costs added to your small cost for Roma wines. 06:37.240 --> 06:43.000 Yet, here is a quality so high, it is one international recognition, quality coupled 06:43.000 --> 06:48.760 with cost so modest, that Roma wines are America's largest selling wines. 06:48.760 --> 06:53.280 Why not make your own taste test of these good Roma wines and discover for yourself the 06:53.280 --> 06:58.120 fine wine qualities acclaimed by wine experts of many lands. 06:58.120 --> 07:05.280 I'll spell out the name for you, R-O-M-A, Roma wines, made in California for enjoyment 07:05.280 --> 07:08.280 throughout the world. 07:08.280 --> 07:13.560 And now it is with pleasure that we bring back to our sound stage, our star, Sonny Tufts, 07:13.560 --> 07:16.600 as engineer John Guthrie in Cat and Mouse. 07:16.600 --> 07:21.280 A tale well calculated to keep you in suspense. 07:21.280 --> 07:32.040 Well, that's about all the facts we know, Miss Amy. 07:32.040 --> 07:33.040 Yes. 07:33.040 --> 07:37.800 The bruises on Mr. Lockwood's head were a little hard to explain, as you pointed out. 07:37.800 --> 07:40.920 It was the explosion that killed him, that seems to be probably... 07:40.920 --> 07:44.840 Dr. Vaughan, yes, the explosion may have been what actually was the final cause of his death. 07:44.840 --> 07:47.280 I take a doctor's word like you for that. 07:47.280 --> 07:52.200 But those marks, bruises, suppose he'd been beaten, hit over the head in order to make 07:52.200 --> 07:53.200 him... 07:53.200 --> 07:55.200 In order to make him what? 07:55.200 --> 07:58.960 I can't say any more, Dr. Vaughan. 07:58.960 --> 08:01.520 I don't know quite what I'm talking about anyhow, I guess. 08:01.520 --> 08:04.520 You see, Howard had been experimenting with something. 08:04.520 --> 08:05.520 He had a collaborator. 08:05.520 --> 08:06.520 Collaborator? 08:06.520 --> 08:08.280 Yes, I don't know who. 08:08.280 --> 08:09.760 Howard would never... 08:09.760 --> 08:13.040 Well, he used to talk to this other man on shortwave. 08:13.040 --> 08:17.760 They both had shortwave sets, radio hams, you call them, those amateur radio operators. 08:17.760 --> 08:19.720 Yes, well, I must go. 08:19.720 --> 08:22.080 Oh, let me help you with your coat, Dr. Vaughan. 08:22.080 --> 08:23.080 Oh, thank you. 08:23.080 --> 08:29.160 I must say that after talking to you, I'm partly convinced, Miss Ames, but murder is 08:29.160 --> 08:32.200 a pretty difficult thing to prove, especially in this case. 08:32.200 --> 08:33.200 Oh, excuse me. 08:33.200 --> 08:34.800 I'll be going then. 08:34.800 --> 08:35.800 I... 08:35.800 --> 08:36.800 Hello? 08:36.800 --> 08:37.800 Yes? 08:37.800 --> 08:38.800 Who? 08:38.800 --> 08:39.800 Mr. Guthrie? 08:39.800 --> 08:43.360 Well... oh, I see. 08:43.360 --> 08:47.640 Well, if you were his friend, I... 08:47.640 --> 08:49.640 Where, in the drugstore? 08:49.640 --> 08:50.640 Yes, I'll wait. 08:50.640 --> 08:53.640 Just come right up to apartment 15E. 08:53.640 --> 08:54.640 Yes. 08:54.640 --> 08:55.640 Goodbye. 08:55.640 --> 08:59.440 Thank you again for your trouble, Dr. Vaughan. 08:59.440 --> 09:01.520 Well, please feel that you can cough... 09:01.520 --> 09:02.520 Cough... 09:02.520 --> 09:05.520 I'll get you some water. 09:05.520 --> 09:06.520 No, no, no. 09:06.520 --> 09:07.520 Don't bother. 09:07.520 --> 09:08.520 Too many cigars. 09:08.520 --> 09:09.520 Bad larynx. 09:09.520 --> 09:10.520 I'm awfully sorry. 09:10.520 --> 09:11.520 I'll say goodbye. 09:11.520 --> 09:12.520 Sure, you're all right? 09:12.520 --> 09:13.520 No, it was perfect. 09:13.520 --> 09:14.520 Don't worry. 09:14.520 --> 09:15.520 I'll keep in touch with you, Miss Ames. 09:15.520 --> 09:16.520 Yes. 09:16.520 --> 09:17.520 Well, goodbye now. 09:17.520 --> 09:18.520 Oh, just a minute. 09:18.520 --> 09:19.520 Hello. 09:19.520 --> 09:20.520 You must be Valentine Ames. 09:20.520 --> 09:21.520 Yes, I am. 09:21.520 --> 09:22.520 I'd recognize you anywhere. 09:22.520 --> 09:23.520 Well, I'm sorry. 09:23.520 --> 09:24.520 I'm sorry. 09:24.520 --> 09:25.520 I'm sorry. 09:25.520 --> 09:26.520 I'm sorry. 09:26.520 --> 09:27.520 I'm sorry. 09:27.520 --> 09:28.520 I'm sorry. 09:28.520 --> 09:29.520 I'm sorry. 09:29.520 --> 09:30.520 I'm sorry. 09:30.520 --> 09:31.520 I'm sorry. 09:31.520 --> 09:32.520 I'm sorry. 09:32.520 --> 09:33.520 I'm sorry. 09:33.520 --> 09:34.520 I'm sorry. 09:34.520 --> 09:35.520 I'm sorry. 09:35.520 --> 09:36.520 I'm sorry. 09:36.520 --> 09:37.520 I'm sorry. 09:37.520 --> 09:38.520 I'm sorry. 09:38.520 --> 09:39.520 Well, just, uh, are you Mr. Guthrie? 09:39.520 --> 09:40.520 Just throw your things in that chair there. 09:40.520 --> 09:41.520 Yeah, just as I pictured you. 09:41.520 --> 09:42.520 Lockwood spoke of you so often. 09:42.520 --> 09:43.520 How it spoke of me? 09:43.520 --> 09:44.520 Do you? 09:44.520 --> 09:45.520 Well, you were engaged to be married, weren't you? 09:45.520 --> 09:46.520 No, I was fond of him, but never that way. 09:46.520 --> 09:47.520 But he, he told me, that is, he said... 09:47.520 --> 09:48.520 Then you were his collaborator. 09:48.520 --> 09:49.520 Oh, please, Mr. Guthrie, you can trust me. 09:49.520 --> 09:50.520 I need help. 09:50.520 --> 09:51.520 They all say his death was an accident. 09:51.520 --> 09:52.520 The coroner, the newspapers, the police. 09:52.520 --> 09:53.520 But I know it wasn't. 09:53.520 --> 09:54.520 How do they say it happened? 09:54.520 --> 09:55.520 A woman died, a woman, a woman. 09:55.520 --> 09:56.520 A woman died on the same day as you. 09:56.520 --> 09:57.520 A woman died on the same day as you. 09:57.520 --> 10:00.520 Oh, please, Mr. Guthrie, you can trust me. I need help. 10:00.520 --> 10:02.520 They all say his death was an accident. 10:02.520 --> 10:05.520 The coroner, the newspapers, the police. 10:05.520 --> 10:07.520 But I know it wasn't. 10:07.520 --> 10:08.520 How do they say it happened? 10:08.520 --> 10:10.520 An explosion in his laboratory. 10:10.520 --> 10:12.520 Chemicals he was using in his experiments. 10:12.520 --> 10:14.520 Nonsense. Explosion. 10:14.520 --> 10:17.520 Wasn't anything more explosive in Lockwood's lab than a package of matches. 10:17.520 --> 10:19.520 Then you were his collaborator. 10:19.520 --> 10:20.520 Oh, please, trust me. 10:20.520 --> 10:22.520 Lockwood was murdered. I know it. 10:22.520 --> 10:23.520 You think so too, then? 10:23.520 --> 10:24.520 Yes. 10:24.520 --> 10:26.520 Well, then our job is to prove he was murdered. 10:26.520 --> 10:27.520 No, I'm sorry, Val. 10:27.520 --> 10:29.520 There's something more important that comes first. 10:29.520 --> 10:33.520 When they kill Lockwood, they stole half of our, well... 10:33.520 --> 10:34.520 Your invention? 10:34.520 --> 10:36.520 But having an invention is worthless. 10:36.520 --> 10:38.520 But I have the other half. 10:38.520 --> 10:39.520 In other words... 10:39.520 --> 10:40.520 Yeah. 10:40.520 --> 10:42.520 I'm next. We can count on that. 10:42.520 --> 10:44.520 But they don't know who you are. 10:44.520 --> 10:46.520 Maybe not yet. 10:46.520 --> 10:47.520 Hmm. 10:47.520 --> 10:52.520 That was why Lockwood kept calling me Frank when he was talking to me near the inn. 10:52.520 --> 10:54.520 He didn't want to give my name away to them. 10:54.520 --> 10:56.520 And you've no idea who they are. 10:56.520 --> 10:58.520 Just something we could start on. 10:58.520 --> 11:00.520 Well, just one thing. 11:00.520 --> 11:02.520 That night, the night he was killed, 11:02.520 --> 11:05.520 we were talking a short wave, and he'd been bothered by a prowler. 11:05.520 --> 11:06.520 He spoke of it. 11:06.520 --> 11:08.520 I even heard the fellow in the air. He was... 11:08.520 --> 11:10.520 Oh, hold on. 11:10.520 --> 11:12.520 Excuse me a second. 11:12.520 --> 11:14.520 Hello? 11:14.520 --> 11:15.520 Yes? 11:15.520 --> 11:16.520 Oh, Dr. Borbitt. 11:16.520 --> 11:18.520 Yes, it's nice of you to call me back, 11:18.520 --> 11:20.520 and thank you so much for sending Dr. Vaughn to see me. 11:20.520 --> 11:22.520 He certainly is... 11:22.520 --> 11:24.520 Dr. Vaughn. 11:24.520 --> 11:25.520 But... 11:25.520 --> 11:27.520 you sent him to see me about Dr. Lockwood. 11:27.520 --> 11:29.520 About... 11:29.520 --> 11:31.520 Dr. Edwin Vaughn? 11:31.520 --> 11:33.520 You're positive? 11:33.520 --> 11:35.520 I see. 11:35.520 --> 11:37.520 Well, thank you anyway. 11:37.520 --> 11:39.520 Bye. 11:39.520 --> 11:41.520 What's up? 11:41.520 --> 11:44.520 Someone just before you came, and Dr. Edwin Vaughn 11:44.520 --> 11:46.520 said he was with the coroner's office. 11:46.520 --> 11:48.520 Called on me. 11:48.520 --> 11:50.520 And the coroner's office never heard of him? Is that it? 11:50.520 --> 11:51.520 Never. 11:51.520 --> 11:52.520 Uh-huh. 11:52.520 --> 11:54.520 Who was he? I mean, what did he look like? 11:54.520 --> 11:56.520 Would you recognize him if you saw him again? 11:56.520 --> 11:58.520 Well, he was just a middle-aged fellow. 11:58.520 --> 12:00.520 Poor man had a terribly bad cough, 12:00.520 --> 12:02.520 one of the really hacking coughs. 12:02.520 --> 12:04.520 A cough? It's the same one. 12:04.520 --> 12:06.520 He came to Halley's lab the night of the killing. I heard him. 12:06.520 --> 12:07.520 You're sure? 12:07.520 --> 12:09.520 Positive. You see, it fits. He was looking for me. 12:09.520 --> 12:11.520 Figured I'd come here to see you. 12:11.520 --> 12:13.520 He wants my half an invention. 12:13.520 --> 12:15.520 Well, Val, they need what I've got, 12:15.520 --> 12:17.520 and I've got to get back what they've stolen, so... 12:17.520 --> 12:18.520 Where are you going? 12:18.520 --> 12:19.520 Skiing. 12:19.520 --> 12:21.520 I'm going back to Vermont to go skiing. 12:21.520 --> 12:23.520 I'll send you a card from the Phoenix Hotel. 12:35.520 --> 12:38.520 Next up is Sunbury, Vermont. 12:38.520 --> 12:40.520 Sunbury! 12:40.520 --> 12:42.520 Bring me an orangeade, Porter. 12:44.520 --> 12:46.520 Well, hello. You're new up here. 12:46.520 --> 12:48.520 Uh, beg your pardon? 12:48.520 --> 12:50.520 I'm sure going to the Phoenix Hotel, of course. 12:50.520 --> 12:52.520 Get so you know a skiing fan when you see one. 12:52.520 --> 12:54.520 I know almost all the Phoenix crowd. 12:54.520 --> 12:56.520 This must be your first trip to the Phoenix, huh? 12:56.520 --> 12:58.520 Yeah, it is. 12:58.520 --> 12:59.520 Name's O'Brien. 12:59.520 --> 13:01.520 Sean Guthrie. 13:01.520 --> 13:02.520 Excuse me. 13:02.520 --> 13:04.520 Do they serve drinks in this lounge car? 13:04.520 --> 13:05.520 Yes, they do. 13:05.520 --> 13:06.520 You're new, too. 13:06.520 --> 13:08.520 Yes, I've only been in the States a few weeks. 13:08.520 --> 13:12.520 Oh, no. I mean new to our weekend skiing contingent. 13:12.520 --> 13:13.520 Skiing contingent? 13:13.520 --> 13:14.520 Yeah. 13:14.520 --> 13:15.520 Oh, oh, yes. 13:15.520 --> 13:17.520 I'm O'Brien. That's Mr. Guthrie. 13:17.520 --> 13:19.520 What did you say your name was? 13:19.520 --> 13:20.520 Well, I... 13:20.520 --> 13:21.520 Thanks, Porter, thanks. 13:21.520 --> 13:23.520 And bring me a couple more cigars, will you? 13:23.520 --> 13:25.520 Here, take one of mine while you're waiting, Mr. O'Brien. 13:25.520 --> 13:26.520 Oh, thank you. 13:26.520 --> 13:28.520 Now, that's what I like about the Phoenix crowd. 13:28.520 --> 13:29.520 Associable. 13:29.520 --> 13:31.520 Everybody pals with everybody else. 13:31.520 --> 13:33.520 Sounds very pleasant. 13:33.520 --> 13:34.520 Yes, I suppose so. 13:34.520 --> 13:36.520 Well, Mr. uh... 13:36.520 --> 13:38.520 Well, anyway, you wait. 13:38.520 --> 13:41.520 By Monday, everyone in the place will be calling you by your first name. 13:41.520 --> 13:42.520 Oh, really? 13:42.520 --> 13:46.520 Well, I guess I'd better be getting back to my compartment. 13:46.520 --> 13:48.520 Very happy to have met you, gentlemen. 13:48.520 --> 13:50.520 See you later. 13:50.520 --> 13:52.520 Weird duck. 13:52.520 --> 13:54.520 Unsociable life. 13:54.520 --> 13:57.520 Now, I always say you take a fellow that won't mix. 13:57.520 --> 13:58.520 Be quiet a minute. 13:58.520 --> 14:00.520 What's the matter with you, Mr. Guthrie? 14:00.520 --> 14:02.520 You look like you'd seen a ghost. 14:02.520 --> 14:03.520 Good evening, Mr. Guthrie. 14:03.520 --> 14:05.520 I trust you're feeling refreshed now, sir. 14:05.520 --> 14:07.520 Yeah, three hours sleep and a long walk was just what I needed. 14:07.520 --> 14:09.520 Any messages for me? 14:09.520 --> 14:10.520 No, sir. 14:10.520 --> 14:11.520 Good evening, Mr. O'Brien. 14:11.520 --> 14:12.520 Hello there, hello. 14:12.520 --> 14:14.520 Ah, there you are. 14:14.520 --> 14:15.520 I've been looking for you everywhere. 14:15.520 --> 14:17.520 Want to introduce you around to some of the folks here. 14:17.520 --> 14:19.520 Well, thanks, Mr. O'Brien. 14:19.520 --> 14:21.520 I'm a little worried about you. 14:21.520 --> 14:22.520 I'm sorry. 14:22.520 --> 14:23.520 I'm sorry. 14:23.520 --> 14:24.520 I'm sorry. 14:24.520 --> 14:25.520 I'm sorry. 14:25.520 --> 14:26.520 I'm sorry. 14:26.520 --> 14:27.520 I'm sorry. 14:27.520 --> 14:28.520 I'm sorry. 14:28.520 --> 14:29.520 I'm sorry. 14:29.520 --> 14:30.520 I'm sorry. 14:30.520 --> 14:32.520 I'm sorry, but we've got folks here. 14:32.520 --> 14:33.520 Well, thanks, Mr. O'Brien. 14:33.520 --> 14:35.520 I would kind of like to get acquainted. 14:35.520 --> 14:37.520 Why, sure, be sociable. 14:37.520 --> 14:39.520 You see the old lady in the wheelchair? 14:39.520 --> 14:40.520 That's Mrs. Garvey. 14:40.520 --> 14:41.520 Mrs. Garvey, eh? 14:41.520 --> 14:42.520 Yeah. 14:42.520 --> 14:43.520 lambda here, too. 14:43.520 --> 14:45.520 Legs paralyze poor soul. 14:45.520 --> 14:47.520 Always sits and nits. 14:47.520 --> 14:49.520 The husky man's her husband. 14:49.520 --> 14:50.520 Well, hello there, folks. 14:50.520 --> 14:51.520 Hello, Irishman. 14:51.520 --> 14:52.520 Well? 14:52.520 --> 14:53.520 Ah, feels good here. 14:53.520 --> 14:55.520 So you're our newcomer? 14:55.520 --> 14:56.520 Only one of them, yeah. 14:56.520 --> 14:59.520 And this sweet soul, Mr. Guthrie, is Mrs. Garvey. 14:59.520 --> 15:07.340 Excuse my not shaking hands. I'm all tied up in this ball of wool when you can't walk you compensate by keeping the hands over busy 15:08.160 --> 15:12.020 That's very considered obvious make me feel at home here. Mrs. Garvey and mr. Garvey 15:12.960 --> 15:21.160 Surprised a strong young man like you isn't in the army really daddy you have to excuse him mr. Guthrie nosy and fresh 15:22.360 --> 15:27.000 Well, there's no harm done. Yeah, see I'm an engineer and they've deferred me there 15:27.000 --> 15:33.420 He is I'm doing my share as is I suppose. Yeah, I'm a promoter myself. Yeah daddy hold out your hand 15:33.420 --> 15:41.120 That's it. Now don't wiggle on my wool slip and I'm not in the army because I'm too old took advantage of the over 38 15:41.120 --> 15:43.120 Law, I'm 59 15:46.360 --> 15:53.400 Just what is a promoter mr. Garvey careful daddy those little needles almost stuck you then their special needles, mr 15:53.400 --> 15:59.780 Guthrie sharp why they could cut ice or pierce wood or kill a man. Yes 16:00.480 --> 16:06.320 Yes, I'd be careful mother. So you're an engineer. Mr. Guthrie. I knew an engineer fine boy 16:06.320 --> 16:10.920 Oh, I remember him. He was a dear boy anybody I know no 16:11.560 --> 16:16.040 Thought I'd try to get him to come up here was working on an experiment 16:16.040 --> 16:21.680 I was very much interested in wouldn't do business with me. Oh, yeah now bring your hands together daddy 16:21.680 --> 16:23.680 That's a good boy fine 16:24.120 --> 16:31.120 Daddy has such big strong hands yet. They're so gentle boys dead now met with an accident 16:31.120 --> 16:33.120 I think really 16:34.000 --> 16:39.280 What did you say his name was Howard Lockwood? Yes, not good. He had a collaborator 16:39.280 --> 16:44.360 I've been trying to locate me and I could really have a long talk same of the way Guthrie 16:44.360 --> 16:51.800 Have you seen that bird the unsociable one we came up in the train with no I haven't he's probably a big businessman 16:51.800 --> 16:57.040 He seems a nervous. I tell you doesn't pay be sociable business can always wait 16:57.440 --> 17:02.520 Definitely when I see how little you fellas get out of life. I thank heavens. I have the sense to retire 17:03.280 --> 17:10.080 How long have you been retired mr. O'brien? Hmm before years in June you were in business for yourself. No, no 17:10.080 --> 17:12.400 I was a professional man. Oh, I see 17:12.400 --> 17:16.080 Medicine no detective. I was with the FBI 17:27.280 --> 17:29.280 Come in 17:29.680 --> 17:35.400 Well, well Guthrie come in come in feel just like a nice sociable talk sit down sit down, mr. O'brien 17:35.400 --> 17:40.000 I'm in trouble and I need expert help and you were an FBI man. You can help me. Oh, oh 17:40.000 --> 17:44.880 I was afraid of that. I'm sorry Guthrie. I'm retired too old for the game 17:44.880 --> 17:49.320 You get a hold of the Boston office. They'll get someone up to help you in a jiffy call Jack Porter 17:49.320 --> 17:53.360 He's in charge now. They mentioned my name, but there's no time now. You see Boston is six hours from here 17:53.360 --> 17:59.280 I need help right now. Take it easy boy. Relax. I suppose you're another engineer with some gadget 17:59.280 --> 18:03.120 That's gonna win the war. That's a familiar one. Mr. O'brien. This is serious 18:03.120 --> 18:08.080 There's a murder in this hotel and if I don't get him he'll get me now now take it easy 18:08.080 --> 18:13.160 You'll just give me a hand. You know, I felt there was something going on here this weekend 18:13.160 --> 18:15.960 Things were things weren't sociable like they usually are 18:16.600 --> 18:19.320 Mm-hmm. What are you noticed? Nothing in particular 18:19.840 --> 18:21.840 Just people seemed to act funny 18:21.840 --> 18:26.040 You take that Garvey and his old wife and that bird with a cough that came up on the train with us 18:26.280 --> 18:30.840 What's he up to eating his meals in his room? Look, will you help me? Mr. O'brien? 18:30.840 --> 18:32.840 I do have an invention as it happens 18:32.840 --> 18:34.840 Excuse me a minute 18:34.840 --> 18:36.840 Hello 18:36.840 --> 18:39.640 Hello, Mr. Guthrie. Yes, he's here 18:40.560 --> 18:45.840 Hmm the gentleman 421 right now very well. Goodbye 18:46.360 --> 18:52.000 It's for you party in 421 want you to step in and see him. That's him that fake. Dr 18:52.000 --> 18:59.240 Vaughn. Well, this is it and you refuse to help. Oh now look I'd like to I guess but after all 18:59.680 --> 19:05.060 Alright O'brien, but look just this 421 is right down the hall. If I'm not back in ten minutes 19:05.060 --> 19:08.780 Will you knock on the door? Oh that much I'll do for you 19:11.380 --> 19:12.180 John 19:12.180 --> 19:15.340 Well, Valentine, what are you doing here? We agreed that you 19:15.340 --> 19:16.340 That's the hall John 19:16.340 --> 19:18.340 Open your door quickly before we're seen together 19:18.340 --> 19:23.340 Look, I've got something important to do wait in my room for me if I can only find a key 19:23.340 --> 19:25.340 The door is open 19:25.340 --> 19:27.340 It's funny. I locked it 19:29.340 --> 19:30.340 Look 19:30.340 --> 19:32.340 The room's been searched my papers the pillows my trunk 19:32.340 --> 19:34.340 Oh John, they know you 19:34.340 --> 19:36.340 Where is it? 19:36.340 --> 19:38.340 I didn't bring the blueprints with you here 19:38.340 --> 19:40.340 Not that dumb. Well, it's gone 19:40.340 --> 19:42.340 What? My gun 19:42.340 --> 19:44.340 Oh John, I'm afraid 19:44.340 --> 19:46.340 I feel as if I'd known you for a long time 19:46.340 --> 19:48.340 My dear 19:48.340 --> 19:50.340 Well, you know I love you don't you 19:50.340 --> 19:52.340 John, we shouldn't talk about that now 19:52.340 --> 19:58.340 But you see I've been in love with what I think you are. I've only known you for two days and 19:58.340 --> 20:00.340 What are you trying to ask me John? 20:00.340 --> 20:02.340 Why you came when we agreed that you shouldn't 20:02.340 --> 20:04.340 Because I was afraid that you 20:04.340 --> 20:07.340 And why I find you hiding near my door and find the door unlocked 20:07.340 --> 20:10.340 When I had locked it only ten minutes ago and then I come into my room and I find this 20:10.340 --> 20:12.340 Oh John, don't please don't 20:12.340 --> 20:14.340 I came because I wanted to help you 20:14.340 --> 20:18.340 I felt that if you were in danger it wasn't right for me to stay home safe 20:18.340 --> 20:20.340 Not knowing 20:20.340 --> 20:22.340 I'm sorry, I trust you 20:22.340 --> 20:24.340 Look, stay here. I'm going down the hall 20:24.340 --> 20:25.340 Somebody's waiting 20:25.340 --> 20:27.340 Oh, don't go John, don't please I'm afraid for you 20:27.340 --> 20:28.340 You got a gun, Belle? 20:28.340 --> 20:30.340 Yes, I thought I might need it 20:30.340 --> 20:32.340 I'll give it to him 20:32.340 --> 20:34.340 Now, kiss me 20:34.340 --> 20:36.340 Oh John 20:36.340 --> 20:38.340 Wait here 20:38.340 --> 20:40.340 If I'm not back in ten minutes get the police 20:40.340 --> 20:42.340 Where are you going? 20:42.340 --> 20:44.340 Room 421 to talk to a man about his cough 20:44.340 --> 20:46.340 I'm going with you 20:48.340 --> 20:50.340 This is his room 20:50.340 --> 20:52.340 I'm going in with you 20:52.340 --> 20:54.340 You're staying outside 20:54.340 --> 20:56.340 Step back, don't let him see you 20:56.340 --> 20:58.340 Open up 20:58.340 --> 21:00.340 Oh 21:00.340 --> 21:02.340 They're on the rug at the party 21:02.340 --> 21:04.340 Dr. Vaughn, he's dead 21:04.340 --> 21:06.340 Look, look at the gun 21:06.340 --> 21:08.340 He killed himself 21:08.340 --> 21:10.340 You mean he's supposed to look as if he killed himself 21:10.340 --> 21:12.340 He was shot in the back of the head, a bit too neat 21:12.340 --> 21:14.340 What do you mean? 21:14.340 --> 21:16.340 That gun in his hand 21:16.340 --> 21:18.340 It's mine 21:18.340 --> 21:20.340 Then if he wasn't the murderer 21:20.340 --> 21:22.340 Who was he? 21:22.340 --> 21:24.340 Oh John, the gun 21:24.340 --> 21:26.340 They'll think that you... 21:26.340 --> 21:28.340 Come in 21:28.340 --> 21:30.340 Well 21:30.340 --> 21:32.340 Oh Brian, look here 21:32.340 --> 21:34.340 This gun's mine, it's a plot to frame me 21:34.340 --> 21:36.340 What? 21:36.340 --> 21:38.340 That's not your killer Guthrie 21:38.340 --> 21:40.340 That's Hilary Lawrence of Scotland Yard 21:40.340 --> 21:42.340 Assigned to this case because his government, like ours 21:42.340 --> 21:44.340 Is keenly interested in your invention 21:44.340 --> 21:46.340 I should have listened to you before Guthrie 21:46.340 --> 21:48.340 You know about it then? 21:48.340 --> 21:50.340 I checked, called FBI office in Boston 21:50.340 --> 21:52.340 Talked to Porter 21:52.340 --> 21:54.340 Yes, your Dr. Vaughn was Hilary Lawrence of Scotland Yard 21:54.340 --> 21:56.340 He was the one you heard in Lockwood's lab the night he was killed 21:56.340 --> 21:58.340 He must have got a little too close in the tail of the real killers 21:58.340 --> 22:00.340 Mr. Garvey was... 22:00.340 --> 22:02.340 Well, I really don't know enough to talk 22:02.340 --> 22:04.340 I better shut my big mouth 22:04.340 --> 22:06.340 But I think I know 22:06.340 --> 22:08.340 You know the killer? 22:08.340 --> 22:10.340 But I have no proof 22:10.340 --> 22:12.340 Without proof Guthrie, you'll be held for the murder of Lawrence 22:12.340 --> 22:14.340 That's obvious 22:14.340 --> 22:16.340 We've got to get our other evidence before someone finds the body 22:16.340 --> 22:18.340 Yeah 22:18.340 --> 22:20.340 You know there must be a hideout around here they operate from 22:20.340 --> 22:22.340 There's a cabin about a mile to the left from the top of the skeet 22:22.340 --> 22:24.340 I saw it one day when I got lost 22:24.340 --> 22:26.340 I've got a funny hunch it might be the place 22:26.340 --> 22:28.340 If we can get there and find something involving them 22:28.340 --> 22:30.340 Before the hotel people find this body and arrest you 22:30.340 --> 22:32.340 We'll be... 22:32.340 --> 22:34.340 What are you waiting for? Come on, let's go 22:34.340 --> 22:36.340 Come on back to my room, Val 22:36.340 --> 22:38.340 See you downstairs in five minutes, O'Brien 22:38.340 --> 22:40.340 If we don't find proof, John, what then? 22:40.340 --> 22:54.340 Then we get murdered or get held for murder 22:54.340 --> 22:56.340 The cabin's dark 22:56.340 --> 22:58.340 One of these keys must fit 22:58.340 --> 23:00.340 Ah, that one does it 23:00.340 --> 23:02.340 Softly now 23:02.340 --> 23:04.340 Mr. Guthrie, I'll take Miss Ames' gun 23:04.340 --> 23:06.340 You're too impulsive 23:06.340 --> 23:08.340 Thanks 23:08.340 --> 23:10.340 Well, there's no one here 23:10.340 --> 23:12.340 Draw the shade, please 23:12.340 --> 23:14.340 I'd better keep a lookout on the road 23:14.340 --> 23:16.340 Someone may come 23:16.340 --> 23:18.340 That's a good idea 23:18.340 --> 23:20.340 Now, this is what I call a real sociable evening 23:20.340 --> 23:22.340 Look, a note, it's addressed to me 23:22.340 --> 23:24.340 Well, we're in the right place then 23:24.340 --> 23:26.340 Read it 23:26.340 --> 23:30.340 Guthrie, 200,000 in cash for your blueprints 23:30.340 --> 23:32.340 And you can get the cash first 23:32.340 --> 23:34.340 Wherever you designate 23:34.340 --> 23:36.340 With no questions asked 23:36.340 --> 23:38.340 As to what government gets them 23:38.340 --> 23:40.340 Why do you... 23:40.340 --> 23:42.340 Calmly, my boy 23:42.340 --> 23:44.340 You don't have the prints here, do you? 23:44.340 --> 23:46.340 No, they're in a safety vault 23:46.340 --> 23:48.340 And my name is San Francisco 23:48.340 --> 23:50.340 What's that there, that panel? 23:50.340 --> 23:52.340 It's a radio rig 23:52.340 --> 23:54.340 Sending and receiving 23:54.340 --> 23:56.340 Someone's coming 23:56.340 --> 23:58.340 Oh, quick, turn up that light 23:58.340 --> 24:00.340 Look, John, here, through the window 24:00.340 --> 24:02.340 It's Garvey, and he's alone 24:02.340 --> 24:04.340 Alone? Are you sure? 24:04.340 --> 24:06.340 He's alone, all right 24:06.340 --> 24:08.340 I knew she was a phony 24:08.340 --> 24:10.340 She does too much knitting 24:10.340 --> 24:12.340 I wonder where she is 24:12.340 --> 24:14.340 All right, Miss Ames, out you go, quickly 24:14.340 --> 24:16.340 Get to the foot of the road before he does 24:16.340 --> 24:18.340 It's your car, understand? 24:18.340 --> 24:20.340 You're lost, looking for a way back to the Phoenix 24:20.340 --> 24:22.340 Delay him from coming in here 24:22.340 --> 24:24.340 I'll go outside, you search the place, I'll brine with Val 24:24.340 --> 24:26.340 No, let the girl go, her best weapon is her charm 24:26.340 --> 24:28.340 Hurry now, stall him as long as you can 24:28.340 --> 24:30.340 Good luck 24:30.340 --> 24:32.340 Don't worry, I can see them from here 24:32.340 --> 24:34.340 You got it, short way, yeah 24:34.340 --> 24:36.340 With this outfit, Garvey could hear Lockwood and me 24:36.340 --> 24:38.340 Talking over our work 24:38.340 --> 24:40.340 Pretty clever operator, I'd say 24:40.340 --> 24:42.340 Can you see Val? 24:42.340 --> 24:44.340 She's getting near him now 24:44.340 --> 24:46.340 Brave girl, that one 24:46.340 --> 24:48.340 There she is, he's seen her 24:48.340 --> 24:50.340 Let me have a look 24:50.340 --> 24:52.340 See them, over my finger, between that row of trees 24:52.340 --> 24:54.340 Yeah, she's talking to Garvey now 24:54.340 --> 24:56.340 She'll stall him 24:56.340 --> 24:58.340 Hey, come on, O'Brien, let's start searching his place 24:58.340 --> 25:00.340 Wait a minute, wait a minute 25:00.340 --> 25:02.340 The two of them 25:02.340 --> 25:04.340 Well, I should have known 25:04.340 --> 25:06.340 Val, oh no, it can't be 25:06.340 --> 25:08.340 Sorry, Guthrie, but you're seeing right 25:08.340 --> 25:10.340 The girl's with Garvey 25:10.340 --> 25:12.340 But she loves me, I know it, she's honest, I swear it 25:12.340 --> 25:14.340 They're coming up the path 25:14.340 --> 25:16.340 You stand behind the door, I'll stand up on the balcony 25:16.340 --> 25:18.340 And cover them from behind with a gun 25:20.340 --> 25:22.340 You all set, Guthrie? 25:22.340 --> 25:24.340 All set 25:24.340 --> 25:26.340 You spring out on them as they close the door and I'll cover you from here 25:26.340 --> 25:28.340 Val, Garvey, duck, he's got the gun 25:28.340 --> 25:30.340 Above 25:30.340 --> 25:32.340 My arm 25:32.340 --> 25:34.340 O'Brien 25:34.340 --> 25:36.340 All of you reach, don't stoop for that gun, Guthrie 25:36.340 --> 25:38.340 Up with your arms 25:38.340 --> 25:40.340 The three of you are going to join the late Mr. Lockwood 25:40.340 --> 25:42.340 The girl and Mr. Garvey of the FBI 25:42.340 --> 25:44.340 Who poked his nose in a boot too far 25:44.340 --> 25:46.340 You're out of your mind, O'Brien 25:46.340 --> 25:48.340 What will you get by killing us? 25:48.340 --> 25:50.340 I've got the information you want and if I'm dead you'll never get it 25:50.340 --> 25:52.340 I'm fighting for my life now, not your invention 25:52.340 --> 25:54.340 With you three out of the way I've got a chance 25:54.340 --> 25:56.340 A fire in this lovely cabin will do the job nicely 25:56.340 --> 25:58.340 Now get into that closet all of you 25:58.340 --> 26:00.340 Get started 26:00.340 --> 26:02.340 You're missing one, O'Brien 26:02.340 --> 26:04.340 My wife 26:04.340 --> 26:06.340 I'm not worrying about that, O'Brien 26:06.340 --> 26:08.340 Drop your gun, Mr. O'Brien 26:08.340 --> 26:10.340 That point you feel in your back is my knitting needle 26:10.340 --> 26:12.340 Drop it 26:12.340 --> 26:14.340 Remember it can crack ice, pierce wood or kill a man 26:16.340 --> 26:18.340 Okay, Mrs. Garvey 26:18.340 --> 26:20.340 It's really nice to see you again 26:20.340 --> 26:22.340 Nice job, Guthrie 26:22.340 --> 26:24.340 You tipped us off just in time 26:24.340 --> 26:26.340 Sit down, Mother 26:26.340 --> 26:28.340 You look tired 26:28.340 --> 26:30.340 You must be standing behind the kitchen door for an hour 26:30.340 --> 26:32.340 Look here, you... 26:32.340 --> 26:34.340 Just be quiet, Mr. O'Brien 26:34.340 --> 26:36.340 Formerly of the FBI 26:36.340 --> 26:38.340 Kicked out for improper conduct, he was 26:38.340 --> 26:40.340 The service has had its eye on you ever since, my friend 26:40.340 --> 26:42.340 You see, you made a slight error, O'Brien 26:42.340 --> 26:44.340 When you said you'd call the porter of the Boston FBI office 26:46.340 --> 26:48.340 The outgoing lines from the hotel have been out of order since 5 o'clock 26:48.340 --> 26:50.340 Oh, your arm, Daddy 26:50.340 --> 26:52.340 Here, let me bandage it 26:52.340 --> 26:54.340 You'd better get going and have it looked after 26:54.340 --> 26:56.340 Oh, it's bleeding 26:56.340 --> 26:58.340 I think I'm going to faint 26:58.340 --> 27:00.340 Faint ahead, Val 27:00.340 --> 27:02.340 I got a pair of arms that aren't doing a thing 27:02.340 --> 27:04.340 And so closes Cat and Mouse 27:04.340 --> 27:06.340 Starring Sonny Tufts, tonight's tale of... 27:06.340 --> 27:08.340 Suspense 27:08.340 --> 27:10.340 Mr. Tufts appeared through the courtesy of Paramount Pictures 27:10.340 --> 27:12.340 And will soon be seen in the Paramount Picture 27:12.340 --> 27:14.340 I Love a Soldier 27:14.340 --> 27:16.340 Youth parts of the globe 27:16.340 --> 27:18.340 The world's most beautiful 27:18.340 --> 27:20.340 The world's most beautiful 27:20.340 --> 27:22.340 The world's most beautiful 27:22.340 --> 27:24.340 The world's most beautiful 27:24.340 --> 27:26.340 The world's most beautiful 27:26.340 --> 27:28.340 The world's most beautiful 27:28.340 --> 27:30.340 The world's most beautiful 27:30.340 --> 27:32.340 I Love a Soldier 27:32.340 --> 27:34.340 Youth parts of the globe boast the unique and perfect combination of nature's gifts 27:34.340 --> 27:36.340 Which makes possible truly good wine 27:36.340 --> 27:38.340 Wine which the whole world can enjoy 27:38.340 --> 27:40.340 Wine which the whole world can enjoy 27:40.340 --> 27:42.340 But wine experts will tell you that among these fortunate spots 27:42.340 --> 27:44.340 None can surpass the vineyards of our own California 27:44.340 --> 27:46.340 None can surpass the vineyards of our own California 27:46.340 --> 27:48.340 From these renowned California vineyards come Roma wines 27:48.340 --> 27:50.340 From these renowned California vineyards come Roma wines 27:50.340 --> 27:52.340 Wine so perfect in flavor 27:52.340 --> 27:54.340 Wine so perfect in flavor 27:54.340 --> 27:56.340 So delightful that they are enjoyed in many countries of the world 27:56.340 --> 27:58.340 To us in America, Roma wines are an everyday treat 27:58.340 --> 28:00.340 To us in America, Roma wines are an everyday treat 28:00.340 --> 28:02.340 For we may buy them at an astonishingly low price 28:02.340 --> 28:04.340 For we may buy them at an astonishingly low price 28:04.340 --> 28:06.340 Since we pay no import duties 28:06.340 --> 28:08.340 Or expensive shipping costs 28:08.340 --> 28:10.340 Do you enjoy a delicious, tangy Sherry? 28:10.340 --> 28:12.340 Well tomorrow treat yourself to a glass of Roma California Sherry 28:12.340 --> 28:14.340 Well tomorrow treat yourself to a glass of Roma California Sherry 28:14.340 --> 28:16.340 We're sure you will agree that you have never tasted finer 28:16.340 --> 28:18.340 We're sure you will agree that you have never tasted finer 28:18.340 --> 28:20.340 With your first sip 28:20.340 --> 28:22.340 You'll understand why Roma wines are America's largest selling wines 28:22.340 --> 28:24.340 You'll understand why Roma wines are America's largest selling wines 28:24.340 --> 28:26.340 I'll repeat the name 28:26.340 --> 28:34.340 A. Roma wine. Tomorrow ask your dealer for your favorite type of Roma wine. Made in California 28:34.340 --> 28:37.400 for enjoyment throughout the world. 28:37.400 --> 28:41.380 This is Sonny Tufts and I hope you enjoyed our suspense play this evening. I know I had 28:41.380 --> 28:46.520 a good time. I'm looking forward to next week's show and I know you must be when that remarkable 28:46.520 --> 28:52.860 actress, the Academy Award winner, Madame Catina Paxino, will be the star of Suspense. 28:52.860 --> 28:58.260 This is produced and directed by William Spear. Next Thursday, same time, you will hear Catina 28:58.260 --> 29:01.260 Paxino in Suspense. 29:01.260 --> 29:08.260 Presented by Roma Wines. Made in California for enjoyment throughout the world. 29:08.260 --> 29:15.260 This is CBS, the Columbia Broadcasting System.