1 00:00:00,000 --> 00:00:18,360 Roma wines presents Suspense. 2 00:00:18,360 --> 00:00:23,280 Roma wines made in California for enjoyment throughout the world. 3 00:00:23,280 --> 00:00:24,280 Salud. 4 00:00:24,280 --> 00:00:26,120 Your health, senor. 5 00:00:26,120 --> 00:00:27,920 Roma wines toast the world. 6 00:00:27,920 --> 00:00:33,360 The wine for your table is Roma wine, made in California for enjoyment throughout the 7 00:00:33,360 --> 00:00:34,360 world. 8 00:00:34,360 --> 00:00:40,240 This is the man in black here for the Roma Wine Company of Fresno, California, to introduce 9 00:00:40,240 --> 00:00:44,080 this weekly half hour of Suspense. 10 00:00:44,080 --> 00:00:49,160 Tonight from Hollywood, Roma wines bring you Mr. Sonny Tufts in a suspense play that tells 11 00:00:49,160 --> 00:00:54,880 of a murder in Boston and a perilous adventure in Vermont's snow-covered hills. 12 00:00:54,880 --> 00:01:01,080 And so with Cat and Mouse, and with the performance of Sonny Tufts as John Guthrie, an engineer, 13 00:01:01,080 --> 00:01:07,760 we again hope to keep you in Suspense. 14 00:01:07,760 --> 00:01:24,800 W1QXL, W1QXL, W1QXL, this is W1, RBX calling W1QXL, W1QXL, this is WIR, Markov, Vovanov, 15 00:01:24,800 --> 00:01:27,240 Vermont calling and standing by. 16 00:01:27,240 --> 00:01:33,840 W1RBX, W1RBX, this is W1QXL in Boston returning. 17 00:01:33,840 --> 00:01:36,160 Hi, I got three, how you been? 18 00:01:36,160 --> 00:01:38,680 Signals clear, good signal, come in. 19 00:01:38,680 --> 00:01:43,080 W1QXL, W1QXL, W1RBX back. 20 00:01:43,080 --> 00:01:46,280 Hello Lockwood, I'm fine. 21 00:01:46,280 --> 00:01:48,280 Signals good up here, I got lots to tell you. 22 00:01:48,280 --> 00:01:50,240 Been trying to get in touch with you for the last couple of hours. 23 00:01:50,240 --> 00:01:51,240 Where you been? 24 00:01:51,240 --> 00:01:52,880 Out to dinner with Valentine? 25 00:01:52,880 --> 00:01:54,920 Go ahead. 26 00:01:54,920 --> 00:01:56,640 Sorry Guthrie, haven't seen Val today. 27 00:01:56,640 --> 00:01:57,960 She hasn't answered her phone. 28 00:01:57,960 --> 00:02:01,240 Guess she's awful tired of picking it up and hearing me on the other end proposing. 29 00:02:01,240 --> 00:02:03,240 Anyhow, I've been working hard. 30 00:02:03,240 --> 00:02:06,520 Oh, had a little excitement here at the laboratory an hour or so ago. 31 00:02:06,520 --> 00:02:09,200 Thought we had a prowler on the grounds. 32 00:02:09,200 --> 00:02:10,800 But guess it was a false alarm. 33 00:02:10,800 --> 00:02:12,720 Nerves, I guess. 34 00:02:12,720 --> 00:02:13,720 What's your news Guthrie? 35 00:02:13,720 --> 00:02:16,400 I've got a bit for you myself, but let's hear yours first. 36 00:02:16,400 --> 00:02:17,400 Go ahead. 37 00:02:17,400 --> 00:02:18,400 Okay. 38 00:02:18,400 --> 00:02:21,920 Well as far as I'm concerned kiddo, you can set up a date for demonstration for the Army 39 00:02:21,920 --> 00:02:24,720 Signal Corps and the Naval Ordnance people just as soon as you like. 40 00:02:24,720 --> 00:02:26,400 We're in the clear now for keeps. 41 00:02:26,400 --> 00:02:29,720 I got the last bug out of the screen this morning and it ought to make the prettiest 42 00:02:29,720 --> 00:02:30,960 little image you ever saw. 43 00:02:30,960 --> 00:02:34,800 If the brass hats put the steam on, I don't see why it shouldn't be in there fighting 44 00:02:34,800 --> 00:02:35,800 in a couple of months. 45 00:02:35,800 --> 00:02:37,280 Now let's hear about you. 46 00:02:37,280 --> 00:02:38,280 Go ahead. 47 00:02:38,280 --> 00:02:39,280 Boy, that sounds great. 48 00:02:39,280 --> 00:02:40,280 Hold it Guthrie, something going on here. 49 00:02:40,280 --> 00:02:41,280 Keep listening, I'll be back in a second. 50 00:02:41,280 --> 00:02:42,280 Who is it? 51 00:02:42,280 --> 00:02:43,280 Who's out there? 52 00:02:43,280 --> 00:02:44,280 Who's there? 53 00:02:44,280 --> 00:02:45,280 Get up there. 54 00:02:45,280 --> 00:02:52,280 I'll shoot. 55 00:02:52,280 --> 00:02:57,280 Come on. 56 00:02:57,280 --> 00:03:00,120 Stop. 57 00:03:00,120 --> 00:03:02,200 Stop. 58 00:03:02,200 --> 00:03:03,200 What is it Lockwood? 59 00:03:03,200 --> 00:03:04,200 Howard, what's the shooting? 60 00:03:04,200 --> 00:03:05,200 Is that you coughing? 61 00:03:05,200 --> 00:03:07,080 Lockwood, is that you? 62 00:03:07,080 --> 00:03:08,080 Go ahead. 63 00:03:08,080 --> 00:03:09,080 Hello. 64 00:03:09,080 --> 00:03:10,080 Hello Guthrie. 65 00:03:10,080 --> 00:03:12,480 I saw him that time. 66 00:03:12,480 --> 00:03:13,480 Almost got him with my rifle. 67 00:03:13,480 --> 00:03:15,480 Wonder what that guy can want. 68 00:03:15,480 --> 00:03:18,680 Well, I know one thing he's got and that's a sore throat. 69 00:03:18,680 --> 00:03:21,000 Boy, did you hear that cough? 70 00:03:21,000 --> 00:03:22,000 Go ahead. 71 00:03:22,000 --> 00:03:23,000 I'm worried Lockwood. 72 00:03:23,000 --> 00:03:25,360 Somebody must be getting wise to what we've got. 73 00:03:25,360 --> 00:03:27,720 We better arrange for more protection around the lab. 74 00:03:27,720 --> 00:03:30,040 Well, you've heard my say of it. 75 00:03:30,040 --> 00:03:32,120 How are you getting on with the blueprints? 76 00:03:32,120 --> 00:03:33,120 Go ahead. 77 00:03:33,120 --> 00:03:39,740 Did you hear me Howard? 78 00:03:39,740 --> 00:03:40,740 Go ahead. 79 00:03:40,740 --> 00:03:41,740 W1QXL. 80 00:03:41,740 --> 00:03:42,740 W1QXL. 81 00:03:42,740 --> 00:03:45,400 What's happened? 82 00:03:45,400 --> 00:03:46,680 Come back in. 83 00:03:46,680 --> 00:03:49,680 Go ahead. 84 00:03:49,680 --> 00:03:52,400 Hello. 85 00:03:52,400 --> 00:03:54,400 This is W1QXL. 86 00:03:54,400 --> 00:03:57,080 I am going away. 87 00:03:57,080 --> 00:03:58,480 I'm going skiing. 88 00:03:58,480 --> 00:04:03,040 I'm going skiing up in Sunbury, Vermont at the Phoenix Hotel. 89 00:04:03,040 --> 00:04:04,040 The Phoenix. 90 00:04:04,040 --> 00:04:06,040 Have you got that Frank? 91 00:04:06,040 --> 00:04:07,040 Frank? 92 00:04:07,040 --> 00:04:08,840 What's all this about you going skiing? 93 00:04:08,840 --> 00:04:10,840 You've never been on skis in your life. 94 00:04:10,840 --> 00:04:13,760 Besides, I'm coming up to see you and it's important. 95 00:04:13,760 --> 00:04:15,560 We'll get together now in the blueprints. 96 00:04:15,560 --> 00:04:16,560 Okay? 97 00:04:16,560 --> 00:04:18,680 At the Phoenix Hotel. 98 00:04:18,680 --> 00:04:23,760 Go ahead, Frank. 99 00:04:23,760 --> 00:04:25,200 What's this gag calling me Frank? 100 00:04:25,200 --> 00:04:26,200 What's going on? 101 00:04:26,200 --> 00:04:27,200 I hear voices behind you. 102 00:04:27,200 --> 00:04:28,200 Sounds like interference. 103 00:04:28,200 --> 00:04:30,280 You all right? 104 00:04:30,280 --> 00:04:32,700 I say are you all right? 105 00:04:32,700 --> 00:04:33,960 I'm leaving here for Boston in the morning. 106 00:04:33,960 --> 00:04:34,960 I'll bring the whole works. 107 00:04:34,960 --> 00:04:37,760 No, no don't. 108 00:04:37,760 --> 00:04:38,760 And don't contact Bell. 109 00:04:38,760 --> 00:04:44,180 If anything happens to me, the man with the cough, the man with the cough, the cough, the 110 00:04:44,180 --> 00:04:45,640 cough. 111 00:04:45,640 --> 00:04:47,240 Lockwood, what's up? 112 00:04:47,240 --> 00:04:48,240 Are you still there? 113 00:04:48,240 --> 00:04:51,200 Come in, come in Lockwood. 114 00:04:51,200 --> 00:04:54,320 Lockwood come in. 115 00:04:54,320 --> 00:04:58,280 Lockwood go ahead. 116 00:04:58,280 --> 00:05:00,760 W1QXL. 117 00:05:00,760 --> 00:05:02,920 W1QXL. 118 00:05:02,920 --> 00:05:07,840 This is W1RBX calling. 119 00:05:07,840 --> 00:05:08,840 Go ahead. 120 00:05:08,840 --> 00:05:13,840 W1QXL, W1QXL, this is W1, RBS. 121 00:05:13,840 --> 00:05:16,840 Go ahead. 122 00:05:16,840 --> 00:05:28,040 Tonight for Suspense, Roma wines bring you a star, Mr. Sonny Tufts, whom you have heard 123 00:05:28,040 --> 00:05:31,760 in the prologue to Cat and Mouse by Hugh Pentecost. 124 00:05:31,760 --> 00:05:41,240 It's adventure in Suspense. 125 00:05:41,240 --> 00:05:45,160 While the play scene changes, let me describe another scene that might even now be taking 126 00:05:45,160 --> 00:05:49,040 place in the handsome cafe of the Hotel Nacional de Cuba in Havana. 127 00:05:49,040 --> 00:05:53,700 An American visitor has remarked to his Cuban host what great enjoyment the Cuban music 128 00:05:53,700 --> 00:05:55,240 and the dancing gives him. 129 00:05:55,240 --> 00:05:59,880 Gracefully, the Cuban host returns the compliment saying, but your United States makes us a 130 00:05:59,880 --> 00:06:02,920 gift that gives great pleasure on many occasions. 131 00:06:02,920 --> 00:06:08,400 Your superb wine from the choice wine districts of your California, your Roma wine. 132 00:06:08,400 --> 00:06:13,400 Yes, for a wine to give great enjoyment, it must have greatness of character, and it's 133 00:06:13,400 --> 00:06:17,320 this that has spread the fame of Roma wines to other lands. 134 00:06:17,320 --> 00:06:22,920 Why otherwise would these countries import Roma wines to be enjoyed as a rare luxury? 135 00:06:22,920 --> 00:06:27,520 How fortunate then are you who can enjoy any of the Roma wines, many different delicious 136 00:06:27,520 --> 00:06:33,400 wine types, whenever you choose, without additional charge for import duty, with no high shipping 137 00:06:33,400 --> 00:06:37,240 costs added to your small cost for Roma wines. 138 00:06:37,240 --> 00:06:43,000 Yet, here is a quality so high, it is one international recognition, quality coupled 139 00:06:43,000 --> 00:06:48,760 with cost so modest, that Roma wines are America's largest selling wines. 140 00:06:48,760 --> 00:06:53,280 Why not make your own taste test of these good Roma wines and discover for yourself the 141 00:06:53,280 --> 00:06:58,120 fine wine qualities acclaimed by wine experts of many lands. 142 00:06:58,120 --> 00:07:05,280 I'll spell out the name for you, R-O-M-A, Roma wines, made in California for enjoyment 143 00:07:05,280 --> 00:07:08,280 throughout the world. 144 00:07:08,280 --> 00:07:13,560 And now it is with pleasure that we bring back to our sound stage, our star, Sonny Tufts, 145 00:07:13,560 --> 00:07:16,600 as engineer John Guthrie in Cat and Mouse. 146 00:07:16,600 --> 00:07:21,280 A tale well calculated to keep you in suspense. 147 00:07:21,280 --> 00:07:32,040 Well, that's about all the facts we know, Miss Amy. 148 00:07:32,040 --> 00:07:33,040 Yes. 149 00:07:33,040 --> 00:07:37,800 The bruises on Mr. Lockwood's head were a little hard to explain, as you pointed out. 150 00:07:37,800 --> 00:07:40,920 It was the explosion that killed him, that seems to be probably... 151 00:07:40,920 --> 00:07:44,840 Dr. Vaughan, yes, the explosion may have been what actually was the final cause of his death. 152 00:07:44,840 --> 00:07:47,280 I take a doctor's word like you for that. 153 00:07:47,280 --> 00:07:52,200 But those marks, bruises, suppose he'd been beaten, hit over the head in order to make 154 00:07:52,200 --> 00:07:53,200 him... 155 00:07:53,200 --> 00:07:55,200 In order to make him what? 156 00:07:55,200 --> 00:07:58,960 I can't say any more, Dr. Vaughan. 157 00:07:58,960 --> 00:08:01,520 I don't know quite what I'm talking about anyhow, I guess. 158 00:08:01,520 --> 00:08:04,520 You see, Howard had been experimenting with something. 159 00:08:04,520 --> 00:08:05,520 He had a collaborator. 160 00:08:05,520 --> 00:08:06,520 Collaborator? 161 00:08:06,520 --> 00:08:08,280 Yes, I don't know who. 162 00:08:08,280 --> 00:08:09,760 Howard would never... 163 00:08:09,760 --> 00:08:13,040 Well, he used to talk to this other man on shortwave. 164 00:08:13,040 --> 00:08:17,760 They both had shortwave sets, radio hams, you call them, those amateur radio operators. 165 00:08:17,760 --> 00:08:19,720 Yes, well, I must go. 166 00:08:19,720 --> 00:08:22,080 Oh, let me help you with your coat, Dr. Vaughan. 167 00:08:22,080 --> 00:08:23,080 Oh, thank you. 168 00:08:23,080 --> 00:08:29,160 I must say that after talking to you, I'm partly convinced, Miss Ames, but murder is 169 00:08:29,160 --> 00:08:32,200 a pretty difficult thing to prove, especially in this case. 170 00:08:32,200 --> 00:08:33,200 Oh, excuse me. 171 00:08:33,200 --> 00:08:34,800 I'll be going then. 172 00:08:34,800 --> 00:08:35,800 I... 173 00:08:35,800 --> 00:08:36,800 Hello? 174 00:08:36,800 --> 00:08:37,800 Yes? 175 00:08:37,800 --> 00:08:38,800 Who? 176 00:08:38,800 --> 00:08:39,800 Mr. Guthrie? 177 00:08:39,800 --> 00:08:43,360 Well... oh, I see. 178 00:08:43,360 --> 00:08:47,640 Well, if you were his friend, I... 179 00:08:47,640 --> 00:08:49,640 Where, in the drugstore? 180 00:08:49,640 --> 00:08:50,640 Yes, I'll wait. 181 00:08:50,640 --> 00:08:53,640 Just come right up to apartment 15E. 182 00:08:53,640 --> 00:08:54,640 Yes. 183 00:08:54,640 --> 00:08:55,640 Goodbye. 184 00:08:55,640 --> 00:08:59,440 Thank you again for your trouble, Dr. Vaughan. 185 00:08:59,440 --> 00:09:01,520 Well, please feel that you can cough... 186 00:09:01,520 --> 00:09:02,520 Cough... 187 00:09:02,520 --> 00:09:05,520 I'll get you some water. 188 00:09:05,520 --> 00:09:06,520 No, no, no. 189 00:09:06,520 --> 00:09:07,520 Don't bother. 190 00:09:07,520 --> 00:09:08,520 Too many cigars. 191 00:09:08,520 --> 00:09:09,520 Bad larynx. 192 00:09:09,520 --> 00:09:10,520 I'm awfully sorry. 193 00:09:10,520 --> 00:09:11,520 I'll say goodbye. 194 00:09:11,520 --> 00:09:12,520 Sure, you're all right? 195 00:09:12,520 --> 00:09:13,520 No, it was perfect. 196 00:09:13,520 --> 00:09:14,520 Don't worry. 197 00:09:14,520 --> 00:09:15,520 I'll keep in touch with you, Miss Ames. 198 00:09:15,520 --> 00:09:16,520 Yes. 199 00:09:16,520 --> 00:09:17,520 Well, goodbye now. 200 00:09:17,520 --> 00:09:18,520 Oh, just a minute. 201 00:09:18,520 --> 00:09:19,520 Hello. 202 00:09:19,520 --> 00:09:20,520 You must be Valentine Ames. 203 00:09:20,520 --> 00:09:21,520 Yes, I am. 204 00:09:21,520 --> 00:09:22,520 I'd recognize you anywhere. 205 00:09:22,520 --> 00:09:23,520 Well, I'm sorry. 206 00:09:23,520 --> 00:09:24,520 I'm sorry. 207 00:09:24,520 --> 00:09:25,520 I'm sorry. 208 00:09:25,520 --> 00:09:26,520 I'm sorry. 209 00:09:26,520 --> 00:09:27,520 I'm sorry. 210 00:09:27,520 --> 00:09:28,520 I'm sorry. 211 00:09:28,520 --> 00:09:29,520 I'm sorry. 212 00:09:29,520 --> 00:09:30,520 I'm sorry. 213 00:09:30,520 --> 00:09:31,520 I'm sorry. 214 00:09:31,520 --> 00:09:32,520 I'm sorry. 215 00:09:32,520 --> 00:09:33,520 I'm sorry. 216 00:09:33,520 --> 00:09:34,520 I'm sorry. 217 00:09:34,520 --> 00:09:35,520 I'm sorry. 218 00:09:35,520 --> 00:09:36,520 I'm sorry. 219 00:09:36,520 --> 00:09:37,520 I'm sorry. 220 00:09:37,520 --> 00:09:38,520 I'm sorry. 221 00:09:38,520 --> 00:09:39,520 Well, just, uh, are you Mr. Guthrie? 222 00:09:39,520 --> 00:09:40,520 Just throw your things in that chair there. 223 00:09:40,520 --> 00:09:41,520 Yeah, just as I pictured you. 224 00:09:41,520 --> 00:09:42,520 Lockwood spoke of you so often. 225 00:09:42,520 --> 00:09:43,520 How it spoke of me? 226 00:09:43,520 --> 00:09:44,520 Do you? 227 00:09:44,520 --> 00:09:45,520 Well, you were engaged to be married, weren't you? 228 00:09:45,520 --> 00:09:46,520 No, I was fond of him, but never that way. 229 00:09:46,520 --> 00:09:47,520 But he, he told me, that is, he said... 230 00:09:47,520 --> 00:09:48,520 Then you were his collaborator. 231 00:09:48,520 --> 00:09:49,520 Oh, please, Mr. Guthrie, you can trust me. 232 00:09:49,520 --> 00:09:50,520 I need help. 233 00:09:50,520 --> 00:09:51,520 They all say his death was an accident. 234 00:09:51,520 --> 00:09:52,520 The coroner, the newspapers, the police. 235 00:09:52,520 --> 00:09:53,520 But I know it wasn't. 236 00:09:53,520 --> 00:09:54,520 How do they say it happened? 237 00:09:54,520 --> 00:09:55,520 A woman died, a woman, a woman. 238 00:09:55,520 --> 00:09:56,520 A woman died on the same day as you. 239 00:09:56,520 --> 00:09:57,520 A woman died on the same day as you. 240 00:09:57,520 --> 00:10:00,520 Oh, please, Mr. Guthrie, you can trust me. I need help. 241 00:10:00,520 --> 00:10:02,520 They all say his death was an accident. 242 00:10:02,520 --> 00:10:05,520 The coroner, the newspapers, the police. 243 00:10:05,520 --> 00:10:07,520 But I know it wasn't. 244 00:10:07,520 --> 00:10:08,520 How do they say it happened? 245 00:10:08,520 --> 00:10:10,520 An explosion in his laboratory. 246 00:10:10,520 --> 00:10:12,520 Chemicals he was using in his experiments. 247 00:10:12,520 --> 00:10:14,520 Nonsense. Explosion. 248 00:10:14,520 --> 00:10:17,520 Wasn't anything more explosive in Lockwood's lab than a package of matches. 249 00:10:17,520 --> 00:10:19,520 Then you were his collaborator. 250 00:10:19,520 --> 00:10:20,520 Oh, please, trust me. 251 00:10:20,520 --> 00:10:22,520 Lockwood was murdered. I know it. 252 00:10:22,520 --> 00:10:23,520 You think so too, then? 253 00:10:23,520 --> 00:10:24,520 Yes. 254 00:10:24,520 --> 00:10:26,520 Well, then our job is to prove he was murdered. 255 00:10:26,520 --> 00:10:27,520 No, I'm sorry, Val. 256 00:10:27,520 --> 00:10:29,520 There's something more important that comes first. 257 00:10:29,520 --> 00:10:33,520 When they kill Lockwood, they stole half of our, well... 258 00:10:33,520 --> 00:10:34,520 Your invention? 259 00:10:34,520 --> 00:10:36,520 But having an invention is worthless. 260 00:10:36,520 --> 00:10:38,520 But I have the other half. 261 00:10:38,520 --> 00:10:39,520 In other words... 262 00:10:39,520 --> 00:10:40,520 Yeah. 263 00:10:40,520 --> 00:10:42,520 I'm next. We can count on that. 264 00:10:42,520 --> 00:10:44,520 But they don't know who you are. 265 00:10:44,520 --> 00:10:46,520 Maybe not yet. 266 00:10:46,520 --> 00:10:47,520 Hmm. 267 00:10:47,520 --> 00:10:52,520 That was why Lockwood kept calling me Frank when he was talking to me near the inn. 268 00:10:52,520 --> 00:10:54,520 He didn't want to give my name away to them. 269 00:10:54,520 --> 00:10:56,520 And you've no idea who they are. 270 00:10:56,520 --> 00:10:58,520 Just something we could start on. 271 00:10:58,520 --> 00:11:00,520 Well, just one thing. 272 00:11:00,520 --> 00:11:02,520 That night, the night he was killed, 273 00:11:02,520 --> 00:11:05,520 we were talking a short wave, and he'd been bothered by a prowler. 274 00:11:05,520 --> 00:11:06,520 He spoke of it. 275 00:11:06,520 --> 00:11:08,520 I even heard the fellow in the air. He was... 276 00:11:08,520 --> 00:11:10,520 Oh, hold on. 277 00:11:10,520 --> 00:11:12,520 Excuse me a second. 278 00:11:12,520 --> 00:11:14,520 Hello? 279 00:11:14,520 --> 00:11:15,520 Yes? 280 00:11:15,520 --> 00:11:16,520 Oh, Dr. Borbitt. 281 00:11:16,520 --> 00:11:18,520 Yes, it's nice of you to call me back, 282 00:11:18,520 --> 00:11:20,520 and thank you so much for sending Dr. Vaughn to see me. 283 00:11:20,520 --> 00:11:22,520 He certainly is... 284 00:11:22,520 --> 00:11:24,520 Dr. Vaughn. 285 00:11:24,520 --> 00:11:25,520 But... 286 00:11:25,520 --> 00:11:27,520 you sent him to see me about Dr. Lockwood. 287 00:11:27,520 --> 00:11:29,520 About... 288 00:11:29,520 --> 00:11:31,520 Dr. Edwin Vaughn? 289 00:11:31,520 --> 00:11:33,520 You're positive? 290 00:11:33,520 --> 00:11:35,520 I see. 291 00:11:35,520 --> 00:11:37,520 Well, thank you anyway. 292 00:11:37,520 --> 00:11:39,520 Bye. 293 00:11:39,520 --> 00:11:41,520 What's up? 294 00:11:41,520 --> 00:11:44,520 Someone just before you came, and Dr. Edwin Vaughn 295 00:11:44,520 --> 00:11:46,520 said he was with the coroner's office. 296 00:11:46,520 --> 00:11:48,520 Called on me. 297 00:11:48,520 --> 00:11:50,520 And the coroner's office never heard of him? Is that it? 298 00:11:50,520 --> 00:11:51,520 Never. 299 00:11:51,520 --> 00:11:52,520 Uh-huh. 300 00:11:52,520 --> 00:11:54,520 Who was he? I mean, what did he look like? 301 00:11:54,520 --> 00:11:56,520 Would you recognize him if you saw him again? 302 00:11:56,520 --> 00:11:58,520 Well, he was just a middle-aged fellow. 303 00:11:58,520 --> 00:12:00,520 Poor man had a terribly bad cough, 304 00:12:00,520 --> 00:12:02,520 one of the really hacking coughs. 305 00:12:02,520 --> 00:12:04,520 A cough? It's the same one. 306 00:12:04,520 --> 00:12:06,520 He came to Halley's lab the night of the killing. I heard him. 307 00:12:06,520 --> 00:12:07,520 You're sure? 308 00:12:07,520 --> 00:12:09,520 Positive. You see, it fits. He was looking for me. 309 00:12:09,520 --> 00:12:11,520 Figured I'd come here to see you. 310 00:12:11,520 --> 00:12:13,520 He wants my half an invention. 311 00:12:13,520 --> 00:12:15,520 Well, Val, they need what I've got, 312 00:12:15,520 --> 00:12:17,520 and I've got to get back what they've stolen, so... 313 00:12:17,520 --> 00:12:18,520 Where are you going? 314 00:12:18,520 --> 00:12:19,520 Skiing. 315 00:12:19,520 --> 00:12:21,520 I'm going back to Vermont to go skiing. 316 00:12:21,520 --> 00:12:23,520 I'll send you a card from the Phoenix Hotel. 317 00:12:35,520 --> 00:12:38,520 Next up is Sunbury, Vermont. 318 00:12:38,520 --> 00:12:40,520 Sunbury! 319 00:12:40,520 --> 00:12:42,520 Bring me an orangeade, Porter. 320 00:12:44,520 --> 00:12:46,520 Well, hello. You're new up here. 321 00:12:46,520 --> 00:12:48,520 Uh, beg your pardon? 322 00:12:48,520 --> 00:12:50,520 I'm sure going to the Phoenix Hotel, of course. 323 00:12:50,520 --> 00:12:52,520 Get so you know a skiing fan when you see one. 324 00:12:52,520 --> 00:12:54,520 I know almost all the Phoenix crowd. 325 00:12:54,520 --> 00:12:56,520 This must be your first trip to the Phoenix, huh? 326 00:12:56,520 --> 00:12:58,520 Yeah, it is. 327 00:12:58,520 --> 00:12:59,520 Name's O'Brien. 328 00:12:59,520 --> 00:13:01,520 Sean Guthrie. 329 00:13:01,520 --> 00:13:02,520 Excuse me. 330 00:13:02,520 --> 00:13:04,520 Do they serve drinks in this lounge car? 331 00:13:04,520 --> 00:13:05,520 Yes, they do. 332 00:13:05,520 --> 00:13:06,520 You're new, too. 333 00:13:06,520 --> 00:13:08,520 Yes, I've only been in the States a few weeks. 334 00:13:08,520 --> 00:13:12,520 Oh, no. I mean new to our weekend skiing contingent. 335 00:13:12,520 --> 00:13:13,520 Skiing contingent? 336 00:13:13,520 --> 00:13:14,520 Yeah. 337 00:13:14,520 --> 00:13:15,520 Oh, oh, yes. 338 00:13:15,520 --> 00:13:17,520 I'm O'Brien. That's Mr. Guthrie. 339 00:13:17,520 --> 00:13:19,520 What did you say your name was? 340 00:13:19,520 --> 00:13:20,520 Well, I... 341 00:13:20,520 --> 00:13:21,520 Thanks, Porter, thanks. 342 00:13:21,520 --> 00:13:23,520 And bring me a couple more cigars, will you? 343 00:13:23,520 --> 00:13:25,520 Here, take one of mine while you're waiting, Mr. O'Brien. 344 00:13:25,520 --> 00:13:26,520 Oh, thank you. 345 00:13:26,520 --> 00:13:28,520 Now, that's what I like about the Phoenix crowd. 346 00:13:28,520 --> 00:13:29,520 Associable. 347 00:13:29,520 --> 00:13:31,520 Everybody pals with everybody else. 348 00:13:31,520 --> 00:13:33,520 Sounds very pleasant. 349 00:13:33,520 --> 00:13:34,520 Yes, I suppose so. 350 00:13:34,520 --> 00:13:36,520 Well, Mr. uh... 351 00:13:36,520 --> 00:13:38,520 Well, anyway, you wait. 352 00:13:38,520 --> 00:13:41,520 By Monday, everyone in the place will be calling you by your first name. 353 00:13:41,520 --> 00:13:42,520 Oh, really? 354 00:13:42,520 --> 00:13:46,520 Well, I guess I'd better be getting back to my compartment. 355 00:13:46,520 --> 00:13:48,520 Very happy to have met you, gentlemen. 356 00:13:48,520 --> 00:13:50,520 See you later. 357 00:13:50,520 --> 00:13:52,520 Weird duck. 358 00:13:52,520 --> 00:13:54,520 Unsociable life. 359 00:13:54,520 --> 00:13:57,520 Now, I always say you take a fellow that won't mix. 360 00:13:57,520 --> 00:13:58,520 Be quiet a minute. 361 00:13:58,520 --> 00:14:00,520 What's the matter with you, Mr. Guthrie? 362 00:14:00,520 --> 00:14:02,520 You look like you'd seen a ghost. 363 00:14:02,520 --> 00:14:03,520 Good evening, Mr. Guthrie. 364 00:14:03,520 --> 00:14:05,520 I trust you're feeling refreshed now, sir. 365 00:14:05,520 --> 00:14:07,520 Yeah, three hours sleep and a long walk was just what I needed. 366 00:14:07,520 --> 00:14:09,520 Any messages for me? 367 00:14:09,520 --> 00:14:10,520 No, sir. 368 00:14:10,520 --> 00:14:11,520 Good evening, Mr. O'Brien. 369 00:14:11,520 --> 00:14:12,520 Hello there, hello. 370 00:14:12,520 --> 00:14:14,520 Ah, there you are. 371 00:14:14,520 --> 00:14:15,520 I've been looking for you everywhere. 372 00:14:15,520 --> 00:14:17,520 Want to introduce you around to some of the folks here. 373 00:14:17,520 --> 00:14:19,520 Well, thanks, Mr. O'Brien. 374 00:14:19,520 --> 00:14:21,520 I'm a little worried about you. 375 00:14:21,520 --> 00:14:22,520 I'm sorry. 376 00:14:22,520 --> 00:14:23,520 I'm sorry. 377 00:14:23,520 --> 00:14:24,520 I'm sorry. 378 00:14:24,520 --> 00:14:25,520 I'm sorry. 379 00:14:25,520 --> 00:14:26,520 I'm sorry. 380 00:14:26,520 --> 00:14:27,520 I'm sorry. 381 00:14:27,520 --> 00:14:28,520 I'm sorry. 382 00:14:28,520 --> 00:14:29,520 I'm sorry. 383 00:14:29,520 --> 00:14:30,520 I'm sorry. 384 00:14:30,520 --> 00:14:32,520 I'm sorry, but we've got folks here. 385 00:14:32,520 --> 00:14:33,520 Well, thanks, Mr. O'Brien. 386 00:14:33,520 --> 00:14:35,520 I would kind of like to get acquainted. 387 00:14:35,520 --> 00:14:37,520 Why, sure, be sociable. 388 00:14:37,520 --> 00:14:39,520 You see the old lady in the wheelchair? 389 00:14:39,520 --> 00:14:40,520 That's Mrs. Garvey. 390 00:14:40,520 --> 00:14:41,520 Mrs. Garvey, eh? 391 00:14:41,520 --> 00:14:42,520 Yeah. 392 00:14:42,520 --> 00:14:43,520 lambda here, too. 393 00:14:43,520 --> 00:14:45,520 Legs paralyze poor soul. 394 00:14:45,520 --> 00:14:47,520 Always sits and nits. 395 00:14:47,520 --> 00:14:49,520 The husky man's her husband. 396 00:14:49,520 --> 00:14:50,520 Well, hello there, folks. 397 00:14:50,520 --> 00:14:51,520 Hello, Irishman. 398 00:14:51,520 --> 00:14:52,520 Well? 399 00:14:52,520 --> 00:14:53,520 Ah, feels good here. 400 00:14:53,520 --> 00:14:55,520 So you're our newcomer? 401 00:14:55,520 --> 00:14:56,520 Only one of them, yeah. 402 00:14:56,520 --> 00:14:59,520 And this sweet soul, Mr. Guthrie, is Mrs. Garvey. 403 00:14:59,520 --> 00:15:07,340 Excuse my not shaking hands. I'm all tied up in this ball of wool when you can't walk you compensate by keeping the hands over busy 404 00:15:08,160 --> 00:15:12,020 That's very considered obvious make me feel at home here. Mrs. Garvey and mr. Garvey 405 00:15:12,960 --> 00:15:21,160 Surprised a strong young man like you isn't in the army really daddy you have to excuse him mr. Guthrie nosy and fresh 406 00:15:22,360 --> 00:15:27,000 Well, there's no harm done. Yeah, see I'm an engineer and they've deferred me there 407 00:15:27,000 --> 00:15:33,420 He is I'm doing my share as is I suppose. Yeah, I'm a promoter myself. Yeah daddy hold out your hand 408 00:15:33,420 --> 00:15:41,120 That's it. Now don't wiggle on my wool slip and I'm not in the army because I'm too old took advantage of the over 38 409 00:15:41,120 --> 00:15:43,120 Law, I'm 59 410 00:15:46,360 --> 00:15:53,400 Just what is a promoter mr. Garvey careful daddy those little needles almost stuck you then their special needles, mr 411 00:15:53,400 --> 00:15:59,780 Guthrie sharp why they could cut ice or pierce wood or kill a man. Yes 412 00:16:00,480 --> 00:16:06,320 Yes, I'd be careful mother. So you're an engineer. Mr. Guthrie. I knew an engineer fine boy 413 00:16:06,320 --> 00:16:10,920 Oh, I remember him. He was a dear boy anybody I know no 414 00:16:11,560 --> 00:16:16,040 Thought I'd try to get him to come up here was working on an experiment 415 00:16:16,040 --> 00:16:21,680 I was very much interested in wouldn't do business with me. Oh, yeah now bring your hands together daddy 416 00:16:21,680 --> 00:16:23,680 That's a good boy fine 417 00:16:24,120 --> 00:16:31,120 Daddy has such big strong hands yet. They're so gentle boys dead now met with an accident 418 00:16:31,120 --> 00:16:33,120 I think really 419 00:16:34,000 --> 00:16:39,280 What did you say his name was Howard Lockwood? Yes, not good. He had a collaborator 420 00:16:39,280 --> 00:16:44,360 I've been trying to locate me and I could really have a long talk same of the way Guthrie 421 00:16:44,360 --> 00:16:51,800 Have you seen that bird the unsociable one we came up in the train with no I haven't he's probably a big businessman 422 00:16:51,800 --> 00:16:57,040 He seems a nervous. I tell you doesn't pay be sociable business can always wait 423 00:16:57,440 --> 00:17:02,520 Definitely when I see how little you fellas get out of life. I thank heavens. I have the sense to retire 424 00:17:03,280 --> 00:17:10,080 How long have you been retired mr. O'brien? Hmm before years in June you were in business for yourself. No, no 425 00:17:10,080 --> 00:17:12,400 I was a professional man. Oh, I see 426 00:17:12,400 --> 00:17:16,080 Medicine no detective. I was with the FBI 427 00:17:27,280 --> 00:17:29,280 Come in 428 00:17:29,680 --> 00:17:35,400 Well, well Guthrie come in come in feel just like a nice sociable talk sit down sit down, mr. O'brien 429 00:17:35,400 --> 00:17:40,000 I'm in trouble and I need expert help and you were an FBI man. You can help me. Oh, oh 430 00:17:40,000 --> 00:17:44,880 I was afraid of that. I'm sorry Guthrie. I'm retired too old for the game 431 00:17:44,880 --> 00:17:49,320 You get a hold of the Boston office. They'll get someone up to help you in a jiffy call Jack Porter 432 00:17:49,320 --> 00:17:53,360 He's in charge now. They mentioned my name, but there's no time now. You see Boston is six hours from here 433 00:17:53,360 --> 00:17:59,280 I need help right now. Take it easy boy. Relax. I suppose you're another engineer with some gadget 434 00:17:59,280 --> 00:18:03,120 That's gonna win the war. That's a familiar one. Mr. O'brien. This is serious 435 00:18:03,120 --> 00:18:08,080 There's a murder in this hotel and if I don't get him he'll get me now now take it easy 436 00:18:08,080 --> 00:18:13,160 You'll just give me a hand. You know, I felt there was something going on here this weekend 437 00:18:13,160 --> 00:18:15,960 Things were things weren't sociable like they usually are 438 00:18:16,600 --> 00:18:19,320 Mm-hmm. What are you noticed? Nothing in particular 439 00:18:19,840 --> 00:18:21,840 Just people seemed to act funny 440 00:18:21,840 --> 00:18:26,040 You take that Garvey and his old wife and that bird with a cough that came up on the train with us 441 00:18:26,280 --> 00:18:30,840 What's he up to eating his meals in his room? Look, will you help me? Mr. O'brien? 442 00:18:30,840 --> 00:18:32,840 I do have an invention as it happens 443 00:18:32,840 --> 00:18:34,840 Excuse me a minute 444 00:18:34,840 --> 00:18:36,840 Hello 445 00:18:36,840 --> 00:18:39,640 Hello, Mr. Guthrie. Yes, he's here 446 00:18:40,560 --> 00:18:45,840 Hmm the gentleman 421 right now very well. Goodbye 447 00:18:46,360 --> 00:18:52,000 It's for you party in 421 want you to step in and see him. That's him that fake. Dr 448 00:18:52,000 --> 00:18:59,240 Vaughn. Well, this is it and you refuse to help. Oh now look I'd like to I guess but after all 449 00:18:59,680 --> 00:19:05,060 Alright O'brien, but look just this 421 is right down the hall. If I'm not back in ten minutes 450 00:19:05,060 --> 00:19:08,780 Will you knock on the door? Oh that much I'll do for you 451 00:19:11,380 --> 00:19:12,180 John 452 00:19:12,180 --> 00:19:15,340 Well, Valentine, what are you doing here? We agreed that you 453 00:19:15,340 --> 00:19:16,340 That's the hall John 454 00:19:16,340 --> 00:19:18,340 Open your door quickly before we're seen together 455 00:19:18,340 --> 00:19:23,340 Look, I've got something important to do wait in my room for me if I can only find a key 456 00:19:23,340 --> 00:19:25,340 The door is open 457 00:19:25,340 --> 00:19:27,340 It's funny. I locked it 458 00:19:29,340 --> 00:19:30,340 Look 459 00:19:30,340 --> 00:19:32,340 The room's been searched my papers the pillows my trunk 460 00:19:32,340 --> 00:19:34,340 Oh John, they know you 461 00:19:34,340 --> 00:19:36,340 Where is it? 462 00:19:36,340 --> 00:19:38,340 I didn't bring the blueprints with you here 463 00:19:38,340 --> 00:19:40,340 Not that dumb. Well, it's gone 464 00:19:40,340 --> 00:19:42,340 What? My gun 465 00:19:42,340 --> 00:19:44,340 Oh John, I'm afraid 466 00:19:44,340 --> 00:19:46,340 I feel as if I'd known you for a long time 467 00:19:46,340 --> 00:19:48,340 My dear 468 00:19:48,340 --> 00:19:50,340 Well, you know I love you don't you 469 00:19:50,340 --> 00:19:52,340 John, we shouldn't talk about that now 470 00:19:52,340 --> 00:19:58,340 But you see I've been in love with what I think you are. I've only known you for two days and 471 00:19:58,340 --> 00:20:00,340 What are you trying to ask me John? 472 00:20:00,340 --> 00:20:02,340 Why you came when we agreed that you shouldn't 473 00:20:02,340 --> 00:20:04,340 Because I was afraid that you 474 00:20:04,340 --> 00:20:07,340 And why I find you hiding near my door and find the door unlocked 475 00:20:07,340 --> 00:20:10,340 When I had locked it only ten minutes ago and then I come into my room and I find this 476 00:20:10,340 --> 00:20:12,340 Oh John, don't please don't 477 00:20:12,340 --> 00:20:14,340 I came because I wanted to help you 478 00:20:14,340 --> 00:20:18,340 I felt that if you were in danger it wasn't right for me to stay home safe 479 00:20:18,340 --> 00:20:20,340 Not knowing 480 00:20:20,340 --> 00:20:22,340 I'm sorry, I trust you 481 00:20:22,340 --> 00:20:24,340 Look, stay here. I'm going down the hall 482 00:20:24,340 --> 00:20:25,340 Somebody's waiting 483 00:20:25,340 --> 00:20:27,340 Oh, don't go John, don't please I'm afraid for you 484 00:20:27,340 --> 00:20:28,340 You got a gun, Belle? 485 00:20:28,340 --> 00:20:30,340 Yes, I thought I might need it 486 00:20:30,340 --> 00:20:32,340 I'll give it to him 487 00:20:32,340 --> 00:20:34,340 Now, kiss me 488 00:20:34,340 --> 00:20:36,340 Oh John 489 00:20:36,340 --> 00:20:38,340 Wait here 490 00:20:38,340 --> 00:20:40,340 If I'm not back in ten minutes get the police 491 00:20:40,340 --> 00:20:42,340 Where are you going? 492 00:20:42,340 --> 00:20:44,340 Room 421 to talk to a man about his cough 493 00:20:44,340 --> 00:20:46,340 I'm going with you 494 00:20:48,340 --> 00:20:50,340 This is his room 495 00:20:50,340 --> 00:20:52,340 I'm going in with you 496 00:20:52,340 --> 00:20:54,340 You're staying outside 497 00:20:54,340 --> 00:20:56,340 Step back, don't let him see you 498 00:20:56,340 --> 00:20:58,340 Open up 499 00:20:58,340 --> 00:21:00,340 Oh 500 00:21:00,340 --> 00:21:02,340 They're on the rug at the party 501 00:21:02,340 --> 00:21:04,340 Dr. Vaughn, he's dead 502 00:21:04,340 --> 00:21:06,340 Look, look at the gun 503 00:21:06,340 --> 00:21:08,340 He killed himself 504 00:21:08,340 --> 00:21:10,340 You mean he's supposed to look as if he killed himself 505 00:21:10,340 --> 00:21:12,340 He was shot in the back of the head, a bit too neat 506 00:21:12,340 --> 00:21:14,340 What do you mean? 507 00:21:14,340 --> 00:21:16,340 That gun in his hand 508 00:21:16,340 --> 00:21:18,340 It's mine 509 00:21:18,340 --> 00:21:20,340 Then if he wasn't the murderer 510 00:21:20,340 --> 00:21:22,340 Who was he? 511 00:21:22,340 --> 00:21:24,340 Oh John, the gun 512 00:21:24,340 --> 00:21:26,340 They'll think that you... 513 00:21:26,340 --> 00:21:28,340 Come in 514 00:21:28,340 --> 00:21:30,340 Well 515 00:21:30,340 --> 00:21:32,340 Oh Brian, look here 516 00:21:32,340 --> 00:21:34,340 This gun's mine, it's a plot to frame me 517 00:21:34,340 --> 00:21:36,340 What? 518 00:21:36,340 --> 00:21:38,340 That's not your killer Guthrie 519 00:21:38,340 --> 00:21:40,340 That's Hilary Lawrence of Scotland Yard 520 00:21:40,340 --> 00:21:42,340 Assigned to this case because his government, like ours 521 00:21:42,340 --> 00:21:44,340 Is keenly interested in your invention 522 00:21:44,340 --> 00:21:46,340 I should have listened to you before Guthrie 523 00:21:46,340 --> 00:21:48,340 You know about it then? 524 00:21:48,340 --> 00:21:50,340 I checked, called FBI office in Boston 525 00:21:50,340 --> 00:21:52,340 Talked to Porter 526 00:21:52,340 --> 00:21:54,340 Yes, your Dr. Vaughn was Hilary Lawrence of Scotland Yard 527 00:21:54,340 --> 00:21:56,340 He was the one you heard in Lockwood's lab the night he was killed 528 00:21:56,340 --> 00:21:58,340 He must have got a little too close in the tail of the real killers 529 00:21:58,340 --> 00:22:00,340 Mr. Garvey was... 530 00:22:00,340 --> 00:22:02,340 Well, I really don't know enough to talk 531 00:22:02,340 --> 00:22:04,340 I better shut my big mouth 532 00:22:04,340 --> 00:22:06,340 But I think I know 533 00:22:06,340 --> 00:22:08,340 You know the killer? 534 00:22:08,340 --> 00:22:10,340 But I have no proof 535 00:22:10,340 --> 00:22:12,340 Without proof Guthrie, you'll be held for the murder of Lawrence 536 00:22:12,340 --> 00:22:14,340 That's obvious 537 00:22:14,340 --> 00:22:16,340 We've got to get our other evidence before someone finds the body 538 00:22:16,340 --> 00:22:18,340 Yeah 539 00:22:18,340 --> 00:22:20,340 You know there must be a hideout around here they operate from 540 00:22:20,340 --> 00:22:22,340 There's a cabin about a mile to the left from the top of the skeet 541 00:22:22,340 --> 00:22:24,340 I saw it one day when I got lost 542 00:22:24,340 --> 00:22:26,340 I've got a funny hunch it might be the place 543 00:22:26,340 --> 00:22:28,340 If we can get there and find something involving them 544 00:22:28,340 --> 00:22:30,340 Before the hotel people find this body and arrest you 545 00:22:30,340 --> 00:22:32,340 We'll be... 546 00:22:32,340 --> 00:22:34,340 What are you waiting for? Come on, let's go 547 00:22:34,340 --> 00:22:36,340 Come on back to my room, Val 548 00:22:36,340 --> 00:22:38,340 See you downstairs in five minutes, O'Brien 549 00:22:38,340 --> 00:22:40,340 If we don't find proof, John, what then? 550 00:22:40,340 --> 00:22:54,340 Then we get murdered or get held for murder 551 00:22:54,340 --> 00:22:56,340 The cabin's dark 552 00:22:56,340 --> 00:22:58,340 One of these keys must fit 553 00:22:58,340 --> 00:23:00,340 Ah, that one does it 554 00:23:00,340 --> 00:23:02,340 Softly now 555 00:23:02,340 --> 00:23:04,340 Mr. Guthrie, I'll take Miss Ames' gun 556 00:23:04,340 --> 00:23:06,340 You're too impulsive 557 00:23:06,340 --> 00:23:08,340 Thanks 558 00:23:08,340 --> 00:23:10,340 Well, there's no one here 559 00:23:10,340 --> 00:23:12,340 Draw the shade, please 560 00:23:12,340 --> 00:23:14,340 I'd better keep a lookout on the road 561 00:23:14,340 --> 00:23:16,340 Someone may come 562 00:23:16,340 --> 00:23:18,340 That's a good idea 563 00:23:18,340 --> 00:23:20,340 Now, this is what I call a real sociable evening 564 00:23:20,340 --> 00:23:22,340 Look, a note, it's addressed to me 565 00:23:22,340 --> 00:23:24,340 Well, we're in the right place then 566 00:23:24,340 --> 00:23:26,340 Read it 567 00:23:26,340 --> 00:23:30,340 Guthrie, 200,000 in cash for your blueprints 568 00:23:30,340 --> 00:23:32,340 And you can get the cash first 569 00:23:32,340 --> 00:23:34,340 Wherever you designate 570 00:23:34,340 --> 00:23:36,340 With no questions asked 571 00:23:36,340 --> 00:23:38,340 As to what government gets them 572 00:23:38,340 --> 00:23:40,340 Why do you... 573 00:23:40,340 --> 00:23:42,340 Calmly, my boy 574 00:23:42,340 --> 00:23:44,340 You don't have the prints here, do you? 575 00:23:44,340 --> 00:23:46,340 No, they're in a safety vault 576 00:23:46,340 --> 00:23:48,340 And my name is San Francisco 577 00:23:48,340 --> 00:23:50,340 What's that there, that panel? 578 00:23:50,340 --> 00:23:52,340 It's a radio rig 579 00:23:52,340 --> 00:23:54,340 Sending and receiving 580 00:23:54,340 --> 00:23:56,340 Someone's coming 581 00:23:56,340 --> 00:23:58,340 Oh, quick, turn up that light 582 00:23:58,340 --> 00:24:00,340 Look, John, here, through the window 583 00:24:00,340 --> 00:24:02,340 It's Garvey, and he's alone 584 00:24:02,340 --> 00:24:04,340 Alone? Are you sure? 585 00:24:04,340 --> 00:24:06,340 He's alone, all right 586 00:24:06,340 --> 00:24:08,340 I knew she was a phony 587 00:24:08,340 --> 00:24:10,340 She does too much knitting 588 00:24:10,340 --> 00:24:12,340 I wonder where she is 589 00:24:12,340 --> 00:24:14,340 All right, Miss Ames, out you go, quickly 590 00:24:14,340 --> 00:24:16,340 Get to the foot of the road before he does 591 00:24:16,340 --> 00:24:18,340 It's your car, understand? 592 00:24:18,340 --> 00:24:20,340 You're lost, looking for a way back to the Phoenix 593 00:24:20,340 --> 00:24:22,340 Delay him from coming in here 594 00:24:22,340 --> 00:24:24,340 I'll go outside, you search the place, I'll brine with Val 595 00:24:24,340 --> 00:24:26,340 No, let the girl go, her best weapon is her charm 596 00:24:26,340 --> 00:24:28,340 Hurry now, stall him as long as you can 597 00:24:28,340 --> 00:24:30,340 Good luck 598 00:24:30,340 --> 00:24:32,340 Don't worry, I can see them from here 599 00:24:32,340 --> 00:24:34,340 You got it, short way, yeah 600 00:24:34,340 --> 00:24:36,340 With this outfit, Garvey could hear Lockwood and me 601 00:24:36,340 --> 00:24:38,340 Talking over our work 602 00:24:38,340 --> 00:24:40,340 Pretty clever operator, I'd say 603 00:24:40,340 --> 00:24:42,340 Can you see Val? 604 00:24:42,340 --> 00:24:44,340 She's getting near him now 605 00:24:44,340 --> 00:24:46,340 Brave girl, that one 606 00:24:46,340 --> 00:24:48,340 There she is, he's seen her 607 00:24:48,340 --> 00:24:50,340 Let me have a look 608 00:24:50,340 --> 00:24:52,340 See them, over my finger, between that row of trees 609 00:24:52,340 --> 00:24:54,340 Yeah, she's talking to Garvey now 610 00:24:54,340 --> 00:24:56,340 She'll stall him 611 00:24:56,340 --> 00:24:58,340 Hey, come on, O'Brien, let's start searching his place 612 00:24:58,340 --> 00:25:00,340 Wait a minute, wait a minute 613 00:25:00,340 --> 00:25:02,340 The two of them 614 00:25:02,340 --> 00:25:04,340 Well, I should have known 615 00:25:04,340 --> 00:25:06,340 Val, oh no, it can't be 616 00:25:06,340 --> 00:25:08,340 Sorry, Guthrie, but you're seeing right 617 00:25:08,340 --> 00:25:10,340 The girl's with Garvey 618 00:25:10,340 --> 00:25:12,340 But she loves me, I know it, she's honest, I swear it 619 00:25:12,340 --> 00:25:14,340 They're coming up the path 620 00:25:14,340 --> 00:25:16,340 You stand behind the door, I'll stand up on the balcony 621 00:25:16,340 --> 00:25:18,340 And cover them from behind with a gun 622 00:25:20,340 --> 00:25:22,340 You all set, Guthrie? 623 00:25:22,340 --> 00:25:24,340 All set 624 00:25:24,340 --> 00:25:26,340 You spring out on them as they close the door and I'll cover you from here 625 00:25:26,340 --> 00:25:28,340 Val, Garvey, duck, he's got the gun 626 00:25:28,340 --> 00:25:30,340 Above 627 00:25:30,340 --> 00:25:32,340 My arm 628 00:25:32,340 --> 00:25:34,340 O'Brien 629 00:25:34,340 --> 00:25:36,340 All of you reach, don't stoop for that gun, Guthrie 630 00:25:36,340 --> 00:25:38,340 Up with your arms 631 00:25:38,340 --> 00:25:40,340 The three of you are going to join the late Mr. Lockwood 632 00:25:40,340 --> 00:25:42,340 The girl and Mr. Garvey of the FBI 633 00:25:42,340 --> 00:25:44,340 Who poked his nose in a boot too far 634 00:25:44,340 --> 00:25:46,340 You're out of your mind, O'Brien 635 00:25:46,340 --> 00:25:48,340 What will you get by killing us? 636 00:25:48,340 --> 00:25:50,340 I've got the information you want and if I'm dead you'll never get it 637 00:25:50,340 --> 00:25:52,340 I'm fighting for my life now, not your invention 638 00:25:52,340 --> 00:25:54,340 With you three out of the way I've got a chance 639 00:25:54,340 --> 00:25:56,340 A fire in this lovely cabin will do the job nicely 640 00:25:56,340 --> 00:25:58,340 Now get into that closet all of you 641 00:25:58,340 --> 00:26:00,340 Get started 642 00:26:00,340 --> 00:26:02,340 You're missing one, O'Brien 643 00:26:02,340 --> 00:26:04,340 My wife 644 00:26:04,340 --> 00:26:06,340 I'm not worrying about that, O'Brien 645 00:26:06,340 --> 00:26:08,340 Drop your gun, Mr. O'Brien 646 00:26:08,340 --> 00:26:10,340 That point you feel in your back is my knitting needle 647 00:26:10,340 --> 00:26:12,340 Drop it 648 00:26:12,340 --> 00:26:14,340 Remember it can crack ice, pierce wood or kill a man 649 00:26:16,340 --> 00:26:18,340 Okay, Mrs. Garvey 650 00:26:18,340 --> 00:26:20,340 It's really nice to see you again 651 00:26:20,340 --> 00:26:22,340 Nice job, Guthrie 652 00:26:22,340 --> 00:26:24,340 You tipped us off just in time 653 00:26:24,340 --> 00:26:26,340 Sit down, Mother 654 00:26:26,340 --> 00:26:28,340 You look tired 655 00:26:28,340 --> 00:26:30,340 You must be standing behind the kitchen door for an hour 656 00:26:30,340 --> 00:26:32,340 Look here, you... 657 00:26:32,340 --> 00:26:34,340 Just be quiet, Mr. O'Brien 658 00:26:34,340 --> 00:26:36,340 Formerly of the FBI 659 00:26:36,340 --> 00:26:38,340 Kicked out for improper conduct, he was 660 00:26:38,340 --> 00:26:40,340 The service has had its eye on you ever since, my friend 661 00:26:40,340 --> 00:26:42,340 You see, you made a slight error, O'Brien 662 00:26:42,340 --> 00:26:44,340 When you said you'd call the porter of the Boston FBI office 663 00:26:46,340 --> 00:26:48,340 The outgoing lines from the hotel have been out of order since 5 o'clock 664 00:26:48,340 --> 00:26:50,340 Oh, your arm, Daddy 665 00:26:50,340 --> 00:26:52,340 Here, let me bandage it 666 00:26:52,340 --> 00:26:54,340 You'd better get going and have it looked after 667 00:26:54,340 --> 00:26:56,340 Oh, it's bleeding 668 00:26:56,340 --> 00:26:58,340 I think I'm going to faint 669 00:26:58,340 --> 00:27:00,340 Faint ahead, Val 670 00:27:00,340 --> 00:27:02,340 I got a pair of arms that aren't doing a thing 671 00:27:02,340 --> 00:27:04,340 And so closes Cat and Mouse 672 00:27:04,340 --> 00:27:06,340 Starring Sonny Tufts, tonight's tale of... 673 00:27:06,340 --> 00:27:08,340 Suspense 674 00:27:08,340 --> 00:27:10,340 Mr. Tufts appeared through the courtesy of Paramount Pictures 675 00:27:10,340 --> 00:27:12,340 And will soon be seen in the Paramount Picture 676 00:27:12,340 --> 00:27:14,340 I Love a Soldier 677 00:27:14,340 --> 00:27:16,340 Youth parts of the globe 678 00:27:16,340 --> 00:27:18,340 The world's most beautiful 679 00:27:18,340 --> 00:27:20,340 The world's most beautiful 680 00:27:20,340 --> 00:27:22,340 The world's most beautiful 681 00:27:22,340 --> 00:27:24,340 The world's most beautiful 682 00:27:24,340 --> 00:27:26,340 The world's most beautiful 683 00:27:26,340 --> 00:27:28,340 The world's most beautiful 684 00:27:28,340 --> 00:27:30,340 The world's most beautiful 685 00:27:30,340 --> 00:27:32,340 I Love a Soldier 686 00:27:32,340 --> 00:27:34,340 Youth parts of the globe boast the unique and perfect combination of nature's gifts 687 00:27:34,340 --> 00:27:36,340 Which makes possible truly good wine 688 00:27:36,340 --> 00:27:38,340 Wine which the whole world can enjoy 689 00:27:38,340 --> 00:27:40,340 Wine which the whole world can enjoy 690 00:27:40,340 --> 00:27:42,340 But wine experts will tell you that among these fortunate spots 691 00:27:42,340 --> 00:27:44,340 None can surpass the vineyards of our own California 692 00:27:44,340 --> 00:27:46,340 None can surpass the vineyards of our own California 693 00:27:46,340 --> 00:27:48,340 From these renowned California vineyards come Roma wines 694 00:27:48,340 --> 00:27:50,340 From these renowned California vineyards come Roma wines 695 00:27:50,340 --> 00:27:52,340 Wine so perfect in flavor 696 00:27:52,340 --> 00:27:54,340 Wine so perfect in flavor 697 00:27:54,340 --> 00:27:56,340 So delightful that they are enjoyed in many countries of the world 698 00:27:56,340 --> 00:27:58,340 To us in America, Roma wines are an everyday treat 699 00:27:58,340 --> 00:28:00,340 To us in America, Roma wines are an everyday treat 700 00:28:00,340 --> 00:28:02,340 For we may buy them at an astonishingly low price 701 00:28:02,340 --> 00:28:04,340 For we may buy them at an astonishingly low price 702 00:28:04,340 --> 00:28:06,340 Since we pay no import duties 703 00:28:06,340 --> 00:28:08,340 Or expensive shipping costs 704 00:28:08,340 --> 00:28:10,340 Do you enjoy a delicious, tangy Sherry? 705 00:28:10,340 --> 00:28:12,340 Well tomorrow treat yourself to a glass of Roma California Sherry 706 00:28:12,340 --> 00:28:14,340 Well tomorrow treat yourself to a glass of Roma California Sherry 707 00:28:14,340 --> 00:28:16,340 We're sure you will agree that you have never tasted finer 708 00:28:16,340 --> 00:28:18,340 We're sure you will agree that you have never tasted finer 709 00:28:18,340 --> 00:28:20,340 With your first sip 710 00:28:20,340 --> 00:28:22,340 You'll understand why Roma wines are America's largest selling wines 711 00:28:22,340 --> 00:28:24,340 You'll understand why Roma wines are America's largest selling wines 712 00:28:24,340 --> 00:28:26,340 I'll repeat the name 713 00:28:26,340 --> 00:28:34,340 A. Roma wine. Tomorrow ask your dealer for your favorite type of Roma wine. Made in California 714 00:28:34,340 --> 00:28:37,400 for enjoyment throughout the world. 715 00:28:37,400 --> 00:28:41,380 This is Sonny Tufts and I hope you enjoyed our suspense play this evening. I know I had 716 00:28:41,380 --> 00:28:46,520 a good time. I'm looking forward to next week's show and I know you must be when that remarkable 717 00:28:46,520 --> 00:28:52,860 actress, the Academy Award winner, Madame Catina Paxino, will be the star of Suspense. 718 00:28:52,860 --> 00:28:58,260 This is produced and directed by William Spear. Next Thursday, same time, you will hear Catina 719 00:28:58,260 --> 00:29:01,260 Paxino in Suspense. 720 00:29:01,260 --> 00:29:08,260 Presented by Roma Wines. Made in California for enjoyment throughout the world. 721 00:29:08,260 --> 00:29:15,260 This is CBS, the Columbia Broadcasting System.