WEBVTT

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Roma wine presents Suspense.

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Roma wine made in California for enjoyment throughout the world.

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Salud!

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Your health, senor.

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Roma wine toasts the world.

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The wine for your table is Roma wine made in California for enjoyment throughout the world.

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This is the Man in Black, here to introduce this weekly half hour of Suspense.

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Tonight as stars we bring you two of Hollywood's outstanding actresses,

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Miss Ida Lupino and Miss Agnes Moorhead.

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And so with the remarkable tale of the sisters,

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and with the performances of Ida Lupino as Lydia Haskell and Agnes Moorhead as Ellie,

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Roma wines again hope to keep you in Suspense.

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Here is one I think would be very lovely.

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It has a far superior lining, pure silk, much heavier than the others we've looked at.

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Do you care for this one, Miss Haskell?

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Oh yes, that's very nice.

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I believe I'd like to see something perhaps even a little better.

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Of course, if you just step over this way, Miss Haskell.

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Now here, here is an exquisite casket, something that really does honor to the departed.

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Yes, it's beautiful.

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Now the interior is just the same as the last, but the casket itself is of bronze, solid bronze.

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Won't that be rather heavy?

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Yes, but not too heavy. Will there be six pallbearers?

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I don't know.

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Well, it doesn't matter really. Four men can carry this very easily.

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Miss Haskell, I want you to notice the floral design here, all hand wrought, every bit of it.

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And, oh yes, notice the seams in this casket, airtight and watertight guaranteed.

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You know of course how important that is.

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Yes.

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Yes, but this casket in a hundred years or even two hundred years will be just as strong and will look just as beautiful as it does on this stand today.

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You couldn't buy a finer piece of workmanship.

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How much is this one, please?

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Miss Haskell, a durable by the way, durable for durability we say in the trade.

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This casket is priced at, you see, $775, but we can't bring back the department.

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No, our only solace is the knowledge that we've done in the last possible honor.

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Very well. I'll take this one.

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I'm sure you're making a very wise choice. In all my years as a mortician, I've never found a family that regretted money spent on a durable.

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And now, let me see.

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I'll give you a check.

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Oh no, that won't be necessary. Not immediately. After the funeral will do.

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Oh, by the way, we haven't mentioned it. Are we handling the funeral arrangement?

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I really don't know yet.

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Oh, well, you want the casket delivered somewhere?

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No. I'd like you to hold it for a while, please.

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Hold it? But for how long?

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For three weeks.

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Three weeks? I don't understand. Who is the party, the deceased? Who is this casket for?

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It's for me.

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You have heard the prologue to this evening's suspense play, The Sisters.

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Before we return to the scene of our drama, here is a message from your host, the Roma Wine Company of Fresno, California.

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You remember the old saying, the grass is always greener in the other fellow's yard?

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You might agree with the truth of that statement if you happen to overhear a conversation that might easily be taking place at this moment in the smart and festive Club Montmartre in Havana, Cuba.

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An American has just complimented his Cuban friend on the fine quality of Havana tobacco.

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Graciously, the Cuban replies, but you of the United States need have no envy of us.

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Nature has made a great gift of perfection to your country, too, the magnificent wine which we also enjoy.

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It is Roma Wine, made in your own California.

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Friends, that little anecdote is typical of many countries where wine is truly enjoyed.

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For in other lands, Roma wines must be imported over long distances from our own California.

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A luxury to be enjoyed on special occasions, while lucky you can enjoy these superb Roma wines as a daily delight,

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with no import duty, no expensive shipping charges added to your cost for Roma wine.

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Whichever one of Roma Wine's many types, your own taste test names his favorite, you'll agree here is truly superb wine that could come only from truly choice wine districts.

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And you'll say, no wonder Roma wines are America's largest selling wines.

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I'll spell out the name for you, R-O-M-A, Roma Wine, made in California for enjoyment throughout the world.

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And now it is with pleasure that Roma wines bring back to our sound stage Ida Lupino as Lydia Haskell and Agnes Moorhead as Ellie in The Sisters.

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A tale well calculated to keep you in suspense.

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Lydia, Lydia, I thought I heard you come in. Where have you been, Lydia? You've been gone all afternoon.

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I've been shopping.

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What did you buy? Did you get the ribbons I asked for?

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No, I didn't have time.

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Oh, I wanted some new ribbons. My others are all worn out. See, Lydia?

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Ellie, I wish you'd stop putting ribbons in your hair like a schoolgirl. You're almost 40 years old.

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I know, Lydia. I know.

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Well, then try to act like it. Hand me my sewing and light the lamp. It's getting dark.

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I wonder why we have to grow old. Wouldn't it be wonderful if we had always stayed young like we used to be?

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Oh, did you remember when Mother used to send us to school with our ribbons matching and our dresses matching,

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and at the end of the day, no one would even guess we were sisters because I was always so must and you were always so clean?

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Oh, I wish we were young again, Lydia.

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Stop talking nonsense, Ellie.

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It is nonsense, isn't it? Oh, oh, the doorbell rang while you were out just before you came home?

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You did not say...

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Oh, no, you told me never to answer it. I just looked out of the upstairs window.

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Did you see who it was?

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Oh, yes. It was a man, a rather big man. He rang a long time and then he went away.

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Well, he didn't see you, did he?

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Oh, no. I just peeked ever so carefully from behind the curtains. Then I came down here and watched him going down the walk.

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You came downstairs?

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Yes, I did.

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I told you never to come down those stairs when I'm not in the house.

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It was all right, Lydia. I held on very tight to the balusters all the way and I didn't want to look down the stairwell,

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so I didn't get dizzy and I didn't want to jump.

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Well, don't do it again.

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It was just that I was lonely. I didn't think you were ever coming home.

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Lydia, you didn't tell me what you bought.

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Hmm? Oh, a duravo.

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What's that? What's a duravo?

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Don't ask so many questions, Ellie.

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All right. Lydia, I think I'll sew too. I could fix up one of these old ribbons. May I, Lydia?

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Yes. Yes, so. It'll be good for you.

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Thank you.

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I'm not a little girl.

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Lydia?

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Yes?

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Lydia, could I go shopping someday?

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Don't be a fool, Ellie.

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I'm sorry. I just thought, no, I suppose you're right. It wouldn't do. Not yet.

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Oh, yes.

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There wasn't any mail today.

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Wasn't there?

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No, I thought perhaps there'd be a letter from David.

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It's been such a long time since he's written. Hasn't it?

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I haven't noticed.

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Oh, yes, he used to write every week. One Tuesday.

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Then I'd get the letter on Thursday.

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But there wasn't one this week or last to the week before that.

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It's strange, isn't it? But perhaps he's been busy.

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Perhaps.

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Still, he never used to be too busy to write. I can't understand it. You suppose there's some other reason?

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What are you trying to say, Ellie? Are you hinting that perhaps I'm keeping your mail from you?

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Oh, no.

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Well, you seem to be. Why should I keep David's letters from you?

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But I didn't say that. I just said it was strange that David hadn't written. That's all. He wouldn't keep David's letters. I know that, Lydia.

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Go on with your sewing.

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Oh, yes, I want to finish these ribbons.

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He's coming by.

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All his friends.

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Stop singing that. Stop it.

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But Lydia, it's a hymn. I've always sung.

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I don't care. I said stop. Or learn something else.

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That's all you sing day and night, day and night. Same tune over and over and over. Now stop it.

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Lydia. Lydia, sometimes you frighten me the way you look at me.

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You make me think that perhaps I'm not getting well.

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Perhaps I'm still crazy. I'm not.

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I'm not still crazy, am I, Lydia?

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I'm not.

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I'm not.

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Yes?

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Evening. Are you Miss Lydia Haskell?

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Why, yes.

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Well, can I speak to you for a minute? I was here this afternoon, but there was no one home.

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What is it, please?

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Well, we had a call from Doan Brothers, the undertakers. I'm from the police department.

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Really? I don't see what the police could want with me. Come in if you wish.

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Thanks.

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Sit down.

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Thank you.

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There's nothing we want, Miss Haskell, except it's sort of unusual for a woman to order a casket for herself.

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Unusual? I've heard of many cases of that kind. People who are alone in the world and have no one else to look after things.

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Sure, I know. Only it's a little more unusual when you can name the date.

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The undertaker said you wanted the casket held for three weeks.

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Why three weeks? Must be some reason for it.

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Yes, there is. I'm going to die. I shall die in three weeks, or perhaps even before.

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There's no doubt of it in my mind, and that's why I ordered the casket. You may call it a premonition if you want.

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Maybe I could also call it suicide. That's why I'm here, Miss Haskell.

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I don't know whether you know it, but suicide is a crime in the eyes of the state.

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For which there is no punishment.

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Not if it's successful, no. But there is prevention.

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You see, I know I'm going to die. I feel it. But I have no intention of taking my own life. There's no need to do so.

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Mm-hmm. Miss Haskell, this premonition, as you call it, have you any idea what brought it on?

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No.

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You've been speaking to anyone, fortune tellers or anything like that?

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No.

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Well, what makes you so sure? How do you know you can trust this premonition?

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You're not an old woman. I'd say you're in pretty good health. You have a lot of good years ahead of you.

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I have a religion. Not a church religion, just one of my own.

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It preaches that people go on living until they've outgrown their usefulness, then they die.

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From one cause or another. When that time comes, the desire to live is gone.

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And you see, only desire keeps the body alive and breathing.

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I don't understand that.

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No, I'm sorry.

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Miss Haskell, you live alone here?

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Yes.

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No relatives? No housekeeper?

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I live alone here.

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Pretty large house for a person living alone.

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Yes. There are three floors and far too many rooms.

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It's on the outskirts of town and it's quiet.

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And it gives me the privacy I've been looking for.

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A privacy which you are invading for the first time since I moved here five years ago.

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Sorry, Miss Haskell, I'm only doing my job. I was told to look you up and find out why you bought that casket.

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Then I think we may assume your job is over.

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I guess so. But the office might ask me to drop back once in a while, you know, just to keep in touch.

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I won't be at home.

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Why? You don't go out very much.

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The folks in the town say they don't even see you more than once a week maybe.

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When you come, I won't be at home.

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All right. Sorry to bother you.

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Good night.

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Good night.

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Oh, Miss Haskell, how are you going to die?

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I don't know. Nor do I consider it important.

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Why should you?

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Good night.

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Lydia.

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Ellie, what are you doing down here?

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What are you doing sitting on the steps in the dark?

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Lydia.

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Haven't I told you never to come down here at night?

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Lydia.

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Oh, what do you want?

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I heard that man was here. Lydia, why did you buy the casket?

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Why are you going to die? You mustn't, Lydia, you mustn't die.

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I'd be alone if you died and you know what would happen?

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They'd send me away like they did once before.

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The people in the town would come and find me living here and they'd send me away.

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Go up to bed, Ellie, and go to sleep.

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How can I sleep? Oh, Lydia, you won't die. Promise me you won't.

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I promise you. I'll go to bed.

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But why did you buy the casket? And the things you said to that man is if you wanted to die.

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Why, Lydia? Why do you want to die? I don't want to die. No one does.

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No, you have such a lot to live for, haven't you, Ellie?

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Yes. I'd be happy, Lydia. You'll make me happy.

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And someday when I'm well again, I'll go back home and David will be waiting for me.

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You know he'll be there. You've always told me he'd be waiting.

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He'll see that I'm well again and he'll take me back.

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I'm not so old, am I? David won't see me as old.

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He told me that when I was well, no matter how long it took, he'd still see me as a young girl.

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That's why I'd be happy. Just waiting for the time I can go back to David.

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Ellie, haven't you learned yet?

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Don't you know yet that you're mad? And that you'll always be mad.

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Don't say that. I'm getting better, Lydia. You know I'm getting better.

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Yes. Putting bows in your hair, sewing ribbons all day long,

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sneaking about the house at night, spying on me, singing the same hymn over and over and over

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until I think I'm going mad too.

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Is that why you wanted I? To get away from me? I thought you loved me, Lydia.

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Why should I love you? Look what life has given me and tell me why.

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You've always spoiled everything for me, Ellie. Even from the time we were children.

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How could I spoil everything? We were just like the same charlity of twins.

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You were I and I was you.

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We looked the same, yes. We were born the same day, yes. And that's where it ended.

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You were the nice one. I used to hear them say so. You were even the prettiest, they said.

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As if they could see any difference between us. Whatever you wanted, you had.

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You smiled so beautifully. But I never smiled.

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Though I was the sullen one, the dark cloud in the house.

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You made it so, Lydia. We all loved you.

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When a doll was broken, they gave you mine. When you tore your dancing dress, you'd take mine.

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You gave it to me, Lydia. I remember you gave it to me.

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I've always given things to you, Ellie. I gave you the best of everything we had.

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I've given you my whole life. I even gave you David.

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Lydia, you were in love with David. He came to our house with you. He came to see.

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Oh, Lydia, I didn't know.

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No, you never knew. No one did. I had to stand by and watch you take him from me.

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And when you had your first attack, I was glad.

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People say what a shame it was. But I was very glad.

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Lydia.

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Because I knew then that he could never have you.

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Oh, yes, you were going to be cured and he was going to wait.

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It won't matter how long he waits.

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You will never be cured and he'll never have you. Never.

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You hate me. You've always hated me. I see it now.

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Even when you've been taking care of me. When we came to this town, you didn't bring me here so I'd be cured.

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You wanted to keep me this way, mad. That's why you took me out of that place. Because they might have made me well again.

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Go upstairs.

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You hate me. And now you're going to die and leave me without anyone.

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I told you I'm not going to die.

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Oh, Ellie. Ellie, I'm sorry we've had this quarrel.

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I didn't mean to upset you. Just that I'm upset myself. Tired.

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I didn't mean the things I said.

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You bought a casket.

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It was only an idea I had in case anything ever happened to me.

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You bought a casket. Lydia, was it for yourself or is it for me?

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Ellie. You wouldn't. You wouldn't, would you, Lydia?

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What are you talking about?

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Hold the lamp up. Hold it close to you. I want to see your face.

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Ellie, go off to bed.

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Yes, I can see it in your eyes. It is for me. You're going to kill me. You're going to murder me.

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Don't be a fool, Ellie.

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It's true you want to get rid of me because you hate me. You...

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Oh, now I see. I see you love David. You're going to kill me and they'll come and find me and bury me and they'll think it's you.

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Be quiet.

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They'll think it's you who is dead because no one knows I'm living here and then you'll go away.

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You'll go back to David and you'll say that Lydia has died and he'll think you're me and that you're well again and he'll marry you. You'll have him.

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You'll be Ellie. You'll have David in my place.

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Ellie. Ellie, stop it. Did you hear what I said?

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Be quiet. Be quiet.

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I'll go upstairs and get to bed.

19:14.000 --> 19:33.000
Oh, Lydia, Lydia, how can you be so wicked?

19:33.000 --> 19:35.000
Ellie.

19:35.000 --> 19:38.000
Ellie, are you awake?

19:38.000 --> 19:39.000
Ellie, dear.

19:39.000 --> 19:42.000
You mustn't think anymore about what we said tonight.

19:42.000 --> 19:48.000
Do you hear? It's not so, Ellie. It's just your imagination, dear.

19:48.000 --> 19:53.000
You mustn't think about it. It will be bad for you.

19:53.000 --> 19:58.000
Are you asleep, Ellie?

19:58.000 --> 20:01.000
She's not asleep.

20:01.000 --> 20:06.000
She's lying over there on the other side of the room staring at me through the dark.

20:06.000 --> 20:09.000
She knows it was the truth tonight.

20:09.000 --> 20:12.000
She's going to die and that I'm going to kill her.

20:12.000 --> 20:14.000
That quarrel.

20:14.000 --> 20:16.000
I shouldn't have let her know.

20:16.000 --> 20:18.000
I lost my temper.

20:18.000 --> 20:20.000
Stupid.

20:20.000 --> 20:23.000
I must think clearly.

20:23.000 --> 20:25.000
How am I going to kill her?

20:25.000 --> 20:29.000
It mustn't look like murder because they'll suspect things then.

20:29.000 --> 20:32.000
No, it must be suicide.

20:32.000 --> 20:35.000
How? When?

20:35.000 --> 20:47.000
It'll have to be soon now that she knows.

20:47.000 --> 20:49.000
There.

20:49.000 --> 20:53.000
Listen. She's starting again.

20:53.000 --> 20:57.000
She's singing that hymn again. That hymn.

20:57.000 --> 20:59.000
I must be calm.

20:59.000 --> 21:01.000
I mustn't get excited.

21:01.000 --> 21:03.000
I must think clearly.

21:03.000 --> 21:06.000
How am I going to kill her?

21:06.000 --> 21:08.000
I wish it were over.

21:08.000 --> 21:11.000
I could go back then. Back to David.

21:11.000 --> 21:15.000
How quickly she saw through that, but I'd go back in our place.

21:15.000 --> 21:17.000
He'll never suspect.

21:17.000 --> 21:19.000
Because I'll be Ellie to him.

21:19.000 --> 21:22.000
Ellie, cured and happy again.

21:22.000 --> 21:25.000
I learned to smile.

21:25.000 --> 21:28.000
First she must die.

21:28.000 --> 21:30.000
How?

21:30.000 --> 21:36.000
Stairs.

21:36.000 --> 21:39.000
Stairwell.

21:39.000 --> 21:42.000
She gets dizzy if she looks down into the stairwell.

21:42.000 --> 21:45.000
Yes, it could be so easy.

21:45.000 --> 21:48.000
In a day or two that policeman will come back to the house.

21:48.000 --> 21:51.000
They'll find her and they'll think it's me.

21:51.000 --> 21:53.000
Of course.

21:53.000 --> 21:55.000
The stairwell.

21:55.000 --> 21:57.000
Three floors from the attic here.

21:57.000 --> 22:01.000
Three floors straight down.

22:01.000 --> 22:03.000
So easy when you think clearly.

22:03.000 --> 22:06.000
The stairwell. Of course.

22:18.000 --> 22:21.000
Ellie. Ellie dear.

22:21.000 --> 22:23.000
Ellie, you mustn't cry anymore.

22:23.000 --> 22:26.000
Do you hear me?

22:26.000 --> 22:28.000
Are you afraid of the dark?

22:28.000 --> 22:32.000
I'll light the lamp for you dear.

22:32.000 --> 22:34.000
There.

22:34.000 --> 22:36.000
That's better isn't it?

22:36.000 --> 22:38.000
Why are you shivering?

22:38.000 --> 22:40.000
Are you cold?

22:40.000 --> 22:42.000
Come along, put your wrapper on.

22:42.000 --> 22:44.000
We'll go down to the parlour and light a fire.

22:44.000 --> 22:46.000
I'll make you a nice cup of hot milk.

22:46.000 --> 22:48.000
Come along Ellie.

22:48.000 --> 22:50.000
Ellie, stop acting like this.

22:50.000 --> 22:52.000
Now come dear.

22:52.000 --> 22:54.000
Here's your wrapper.

22:54.000 --> 22:56.000
That's the girl.

22:56.000 --> 22:58.000
Get up now.

22:58.000 --> 23:00.000
I'll carry the lamp.

23:00.000 --> 23:02.000
Give me your hand dear.

23:02.000 --> 23:04.000
You're as cold as ice.

23:04.000 --> 23:06.000
Now be careful.

23:06.000 --> 23:08.000
Walk slowly.

23:12.000 --> 23:14.000
There we are.

23:14.000 --> 23:16.000
Hold on to the banisters dear.

23:16.000 --> 23:18.000
That's right.

23:18.000 --> 23:21.000
I'll hold the lamp up high so you can see better.

23:21.000 --> 23:23.000
I'm afraid of the stairwell.

23:23.000 --> 23:25.000
That's right dear.

23:25.000 --> 23:27.000
I'm afraid.

23:27.000 --> 23:29.000
Ellie, you must get over that fear.

23:29.000 --> 23:31.000
Look Ellie.

23:31.000 --> 23:33.000
Just look down.

23:33.000 --> 23:35.000
There's nothing to frighten you.

23:35.000 --> 23:37.000
Look down the stairwell Ellie.

23:37.000 --> 23:39.000
No.

23:39.000 --> 23:41.000
I'm holding you dear.

23:41.000 --> 23:43.000
Just lean over and look down.

23:43.000 --> 23:45.000
You can see all the way.

23:45.000 --> 23:47.000
No, don't make me love.

23:47.000 --> 23:49.000
Nothing is it?

23:49.000 --> 23:51.000
Nothing at all?

23:51.000 --> 23:53.000
Are you dizzy dear?

23:53.000 --> 23:55.000
I'm holding you.

23:55.000 --> 23:57.000
Let me go. I can't stand it.

23:57.000 --> 23:59.000
Come closer dear.

23:59.000 --> 24:01.000
No.

24:01.000 --> 24:03.000
No.

24:03.000 --> 24:05.000
Let me get back.

24:05.000 --> 24:07.000
No.

24:07.000 --> 24:09.000
No.

24:09.000 --> 24:37.000
A very strange thing.

24:37.000 --> 24:41.000
It was brought to my mind of course because this is the house.

24:41.000 --> 24:43.000
Just here. The next one we're coming.

24:43.000 --> 24:45.000
Yes.

24:45.000 --> 24:47.000
She was in to see us just a few days ago.

24:47.000 --> 24:49.000
Came in to order the casket.

24:49.000 --> 24:51.000
She saw a casket she wanted.

24:51.000 --> 24:53.000
And then she told me it was for herself.

24:53.000 --> 24:55.000
Well.

24:55.000 --> 24:57.000
She must have had a premonition.

24:57.000 --> 24:59.000
Yes.

24:59.000 --> 25:01.000
I notified the police of course.

25:01.000 --> 25:03.000
She said she wanted me to hold the casket three weeks.

25:03.000 --> 25:05.000
Then just the day before yesterday.

25:05.000 --> 25:07.000
The police came back to the house here.

25:07.000 --> 25:09.000
And found her lying at the bottom of the stairwell.

25:09.000 --> 25:11.000
Dead.

25:11.000 --> 25:13.000
She'd been dead about two days.

25:13.000 --> 25:15.000
Funny how she knew.

25:15.000 --> 25:17.000
The banister up on the attic floor broke away.

25:17.000 --> 25:19.000
And she fell.

25:19.000 --> 25:21.000
Did she have any people?

25:21.000 --> 25:23.000
No.

25:23.000 --> 25:25.000
Little galoon they tell me.

25:25.000 --> 25:27.000
We're going to bury her tomorrow.

25:27.000 --> 25:29.000
Haskell in a way.

25:29.000 --> 25:31.000
Haskell.

25:31.000 --> 25:33.000
That's strange looking.

25:33.000 --> 25:35.000
That's strange living all by herself here.

25:35.000 --> 25:37.000
In a big three story frame house.

25:37.000 --> 25:39.000
Yes.

25:39.000 --> 25:41.000
Isn't it?

25:41.000 --> 25:43.000
Hey.

25:43.000 --> 25:45.000
What is it?

25:45.000 --> 25:47.000
My imagination I guess.

25:47.000 --> 25:49.000
Could have spawned us all light in the attic windows.

25:49.000 --> 25:51.000
What couldn't have been?

25:51.000 --> 25:53.000
The police have shut it up.

25:53.000 --> 25:55.000
Of course.

25:55.000 --> 25:57.000
That story of yours really gave me the creeps.

25:57.000 --> 25:59.000
Come on let's walk on.

25:59.000 --> 26:01.000
Hmm.

26:01.000 --> 26:03.000
What a queer thing the power of suggestion is to be sure.

26:03.000 --> 26:05.000
You conveyed it to me of course.

26:05.000 --> 26:07.000
You know just now I thought I could hear someone upstairs in there.

26:07.000 --> 26:09.000
A woman.

26:09.000 --> 26:11.000
A woman singing.

26:11.000 --> 26:13.000
A woman?

26:13.000 --> 26:15.000
Yes.

26:15.000 --> 26:17.000
Sort of crooning to herself.

26:17.000 --> 26:19.000
Some kind of a hymn.

26:19.000 --> 26:21.000
Sort of crooning to herself.

26:21.000 --> 26:23.000
Some kind of a hymn.

26:23.000 --> 26:25.000
Sort of crooning to herself.

26:25.000 --> 26:49.000
Sort of a hymn.

26:49.000 --> 27:13.000
And so closes the sisters presented by Roma Wines.

27:13.000 --> 27:17.000
And starring Ida Lupino and Agnes Moorhead.

27:17.000 --> 27:23.000
Tonight's tale of suspense.

27:23.000 --> 27:27.000
In just a moment we'll hear again from Miss Lupino.

27:27.000 --> 27:31.000
In the meantime here is a true life suspense drama.

27:31.000 --> 27:33.000
Your guests raise their wine glasses to their lips.

27:33.000 --> 27:37.000
Your reputation as a host hangs in the balance.

27:37.000 --> 27:39.000
Will they approve the wine of your selection?

27:39.000 --> 27:45.000
Well no need to feel the least bit concerned if you have elected to serve any of Roma Wines many different types of taste delighting california.

27:45.000 --> 27:51.000
Perhaps the tangy appetizing Roma Sherry.

27:51.000 --> 27:53.000
Or the richly satisfying Roma Burgundy.

27:53.000 --> 27:57.000
Or the delicately delicious Roma Sauternes.

27:57.000 --> 28:03.000
And notwithstanding your cost for any of these good Roma Wines is only pennies a glass.

28:03.000 --> 28:11.000
Your guests verdict is sure to agree with this verdict of wine connoisseurs of many lands.

28:11.000 --> 28:15.000
Roma Wines are truly magnificent.

28:15.000 --> 28:21.000
The Roma Wines are truly magnificent.

28:21.000 --> 28:25.000
Roma Wines are truly magnificent.

28:25.000 --> 28:27.000
Let me repeat the name please.

28:27.000 --> 28:35.000
R-O-M-A. Roma Wines. Made in California for enjoyment throughout the world.

28:35.000 --> 28:37.000
This is Ida Lupino.

28:37.000 --> 28:41.000
It is my sincere hope that you enjoyed our suspense play this evening.

28:41.000 --> 28:47.000
Ms. Moorhead and I trust you will join us in listening to suspense next week when Charles Ruggles is your star.

28:47.000 --> 28:50.000
One more word. Remember Americans.

28:50.000 --> 28:54.000
This is the critical year of the war calling for more of everything to win.

28:54.000 --> 28:57.000
You answer the call when you buy more war bonds.

28:57.000 --> 29:02.000
Ms. Lupino will soon be seen in the Warner Brothers picture in our time.

29:02.000 --> 29:08.000
Suspense is produced and directed by William Spear. Tonight's play was written by George Wells.

29:08.000 --> 29:16.000
Don't forget then next Monday same time Charles Ruggles will star in Suspense.

29:16.000 --> 29:23.000
Presented by Roma Wines. Made in California for enjoyment throughout the world.

29:23.000 --> 29:50.000
This is PBS, the Columbia Broadcasting System.

29:53.000 --> 29:55.000
Thank you.

