WEBVTT 00:00.000 --> 00:01.000 Suspense. 00:01.000 --> 00:29.360 This is the man in black, here to introduce Columbia's program, Suspense. 00:29.360 --> 00:35.360 In Hollywood this evening, our star is the young American actor who within a single year 00:35.360 --> 00:40.360 has become one of the most provocative of Hollywood's leading men, Mr. Gene Kelly. 00:40.360 --> 00:47.640 Mr. Kelly appears tonight as a gentleman named Art Kramer, a gentleman of most uncertain scruples, 00:47.640 --> 00:54.240 engaged with other gentlemen of similar disrespectability in distinctly unlawful practices. 00:54.240 --> 01:02.240 Our Suspense play by Robert L. Richards is called Thieves Fall Out, and in it in support of our star, 01:02.240 --> 01:09.640 you will hear Hans Conrad as a racetrack devotee by name Kennelly, and William Johnstone as Sam 01:09.640 --> 01:14.600 Gross. And so with Thieves Fall Out and with the performance of Gene Kelly as Art Kramer, 01:14.600 --> 01:34.600 we again hope to keep you in Suspense. 01:34.600 --> 01:39.600 ABC Enterprises. No, he's not in. No, I don't know where you can locate him. 01:39.600 --> 01:45.600 Yes, I'll tell him you called. ABC Enterprises, ABC Enterprises. Why does he give all these guys 01:45.600 --> 01:47.600 his phone number if he wants to keep his business so quiet? 01:47.600 --> 01:53.600 Yeah, you know, wants to do favors with people he meets in bars, brags, how he can get things for them, you know. 01:53.600 --> 01:56.600 Sure, I know. The next day I have to get him the brush off. 01:56.600 --> 02:01.600 He's gonna brag to the wrong guy someday. Hi, Yachty. 02:01.600 --> 02:06.600 Hello. 02:06.600 --> 02:07.600 Hello, Arthur. 02:07.600 --> 02:08.600 Hiya, babe. 02:08.600 --> 02:10.600 Where you been the last couple of days? 02:10.600 --> 02:14.600 Ducking all the guys I owe money to. What time is Sam getting the boys together? 02:14.600 --> 02:18.600 About half an hour down at the warehouse. He better start down there pretty soon. 02:18.600 --> 02:23.600 What's the difference? I won't get enough out of it to buy a round trip to Coney Island. Any calls? 02:23.600 --> 02:25.600 Yeah, Kennelly called a little while ago. 02:25.600 --> 02:29.600 That punk. Another guy I once know I haven't got. Just Stalem? 02:29.600 --> 02:31.600 I tried, but he said he was coming up anyway. 02:31.600 --> 02:34.600 What'd you let him do that for? You know I don't want to see that guy. 02:34.600 --> 02:36.600 I couldn't help it. He knows the way he... 02:36.600 --> 02:38.600 Okay, okay. Anything else? 02:38.600 --> 02:43.600 No. Arthur, if you're not going down right away, can I talk to you for a minute? 02:43.600 --> 02:44.600 What about? 02:44.600 --> 02:48.600 Oh, something. Joe, watch this switchboard for me, will you, while I talk to Arthur in the next room? 02:48.600 --> 02:50.600 What's he got that I haven't got? 02:50.600 --> 02:53.600 No cracks out of you. Please, Arthur. 02:53.600 --> 02:57.600 All right, but make it snappy. 02:57.600 --> 02:58.600 Now what? 02:58.600 --> 03:01.600 Oh, Arthur, what's the matter lately? 03:01.600 --> 03:03.600 You know what's been the matter. Everything. 03:03.600 --> 03:04.600 Me too. 03:04.600 --> 03:06.600 Don't start that again. Read. It's no use. 03:06.600 --> 03:09.600 Look, you're a good kid, but it's no use. 03:09.600 --> 03:11.600 You didn't used to say that. 03:11.600 --> 03:14.600 All right. So now I owe nearly ten grand around this town. 03:14.600 --> 03:16.600 And there's some plenty tough monkeys. 03:16.600 --> 03:18.600 If I don't get it up pretty soon, it's going to be too bad. 03:18.600 --> 03:21.600 On top of that, I had a loaded truck and a trailer hijacked last week, 03:21.600 --> 03:24.600 and there goes my take for the month and more. 03:24.600 --> 03:26.600 And you want to know what's the matter. 03:26.600 --> 03:29.600 Arthur, honey, why don't you quit? Why don't you get out while you still can? 03:29.600 --> 03:31.600 Why don't I quit? What are you talking about? 03:31.600 --> 03:33.600 You used to have a decent business, Arthur. 03:33.600 --> 03:35.600 Sure, sure, and I didn't eat. 03:35.600 --> 03:37.600 What about now? It's making a wreck of you. 03:37.600 --> 03:39.600 It's dangerous. You know what's going to happen. 03:39.600 --> 03:42.600 This whole black market thing's going to crack pretty soon, and when it does... 03:42.600 --> 03:44.600 Don't be silly. Yeah? 03:44.600 --> 03:46.600 Cannelli's outside to see, Addy. 03:46.600 --> 03:49.600 That punk. All right, let him come in. What's one more? 03:49.600 --> 03:51.600 Okay. 03:51.600 --> 03:53.600 Better let me talk to him alone, baby. 03:53.600 --> 03:56.600 All right. Think about what I said, will you? 03:56.600 --> 04:05.600 Sure. 04:05.600 --> 04:07.600 Hi, Addy. I thought I might catch you. 04:07.600 --> 04:10.600 Yeah, I'll bet. Close the door. 04:10.600 --> 04:12.600 Sure. 04:12.600 --> 04:14.600 Hey, listen, Arthur, I need that dough. 04:14.600 --> 04:16.600 Well, I haven't got it. I told you that. 04:16.600 --> 04:18.600 No, no, no, look, I don't want there to be no trouble. 04:18.600 --> 04:20.600 There's not going to be any trouble. 04:20.600 --> 04:22.600 Take it easy. I didn't mean that. 04:22.600 --> 04:24.600 But I took them bets from you on my own, 04:24.600 --> 04:26.600 and now my boss is after me. 04:26.600 --> 04:29.600 If I don't get that dough by Monday, I'm going to be in trouble. 04:29.600 --> 04:32.600 Well, I haven't got it, and I won't have it for another month. 04:32.600 --> 04:34.600 Can't you get it from Sam? 04:34.600 --> 04:36.600 No, I'm into him as far as I can be now. 04:36.600 --> 04:40.600 What do you mean? Sam must have plenty soldered down in some safe deposit vault by now. 04:40.600 --> 04:42.600 It is an inner vault. It's up at his place in Connecticut. 04:42.600 --> 04:44.600 Anyway, he won't give me any more. 04:44.600 --> 04:47.600 Connecticut, huh? I didn't know he had a place in Connecticut. 04:47.600 --> 04:50.600 Near Riverside. It's a hideout, way away from everything. 04:50.600 --> 04:53.600 McPhail has one, too, about five miles away. 04:53.600 --> 04:55.600 When's he go there? 04:55.600 --> 04:58.600 He's hardly ever there. Nobody's there. What do you care? 04:58.600 --> 05:01.600 You're thinking of the days when you used to climb through second-story windows? 05:01.600 --> 05:03.600 Oh, you should know to say that, Art. 05:03.600 --> 05:05.600 I don't even know where the journey is. 05:05.600 --> 05:07.600 No, I was kidding. 05:07.600 --> 05:10.600 Anyway, listen, I'm sorry about the dough, but you'll have to wait. 05:10.600 --> 05:12.600 Art, you don't know the spot. I mean... 05:12.600 --> 05:14.600 You'll get it from me when I've got it. I'm leaving. 05:14.600 --> 05:15.600 Art, listen... 05:15.600 --> 05:16.600 You're coming? 05:16.600 --> 05:17.600 Where are you going? 05:17.600 --> 05:23.600 To the warehouse to watch my share of last month's take go down the drain. 05:29.600 --> 05:30.600 Where is it? 05:30.600 --> 05:31.600 Artie! 05:31.600 --> 05:33.600 Okay. 05:34.600 --> 05:35.600 You late? 05:35.600 --> 05:39.600 Yeah, I stopped in at the office. Hi, McPhail. Hi, Mo. 05:39.600 --> 05:43.600 You weren't waiting just for me to hand out the chips, were you? 05:43.600 --> 05:45.600 You're right. We weren't. 05:45.600 --> 05:47.600 I just wanted you to know how it worked out. 05:47.600 --> 05:49.600 It was a good month, Art. 05:49.600 --> 05:50.600 Except for you. 05:50.600 --> 05:51.600 I know, I know. 05:51.600 --> 05:54.600 Come on, Sam, come on. Pass around the sugar. 05:54.600 --> 05:55.600 Let's get it over with. 05:55.600 --> 05:56.600 Well, here it is. 05:56.600 --> 05:57.600 And cash. 05:57.600 --> 05:59.600 Total take was 53 grand. 05:59.600 --> 06:01.600 17 goes to you, McPhail. 06:01.600 --> 06:03.600 And you got the figures all here if you want to see. 06:03.600 --> 06:07.600 I know you wouldn't double-cross me, Sam. 06:07.600 --> 06:09.600 I wouldn't double-cross anybody. 06:09.600 --> 06:10.600 And don't forget it. 06:10.600 --> 06:12.600 Here's your dough. 06:12.600 --> 06:15.600 Oh, yours is six. 06:15.600 --> 06:17.600 You understand you didn't bring in as much business as McPhail. 06:17.600 --> 06:18.600 I ain't complaining. 06:18.600 --> 06:21.600 I get 21. Part of that is paying expenses. 06:21.600 --> 06:23.600 The rest is my percentage. 06:23.600 --> 06:24.600 Don't I get anything? 06:24.600 --> 06:28.600 What? Your cut would have been nine grand. 06:28.600 --> 06:30.600 But there was that truck and trailer. 06:30.600 --> 06:32.600 Those things cost dough, you know. 06:32.600 --> 06:34.600 You say nothing of a whole load of prime meat. 06:34.600 --> 06:35.600 You have to take it all out now? 06:35.600 --> 06:37.600 I already have. 06:37.600 --> 06:39.600 I'll give you 500 to keep going on. 06:39.600 --> 06:41.600 Oh, that's fine. 500. 06:41.600 --> 06:42.600 Listen, Sam, I need dough. 06:42.600 --> 06:44.600 You always need dough and never have none. 06:44.600 --> 06:45.600 Listen, you... 06:45.600 --> 06:46.600 He's right, Art. 06:46.600 --> 06:49.600 You got to get yourself straightened out. 06:49.600 --> 06:51.600 If I give you any more, it'll just go to the bookies 06:51.600 --> 06:53.600 and gambling joints like the rest of us. 06:53.600 --> 06:55.600 Listen, Sam, I tell you, I got a habit. 06:55.600 --> 06:56.600 That guy's after me. 06:56.600 --> 06:57.600 I think he's jealous, Sam. 06:57.600 --> 06:59.600 You keep your big mouth out of this. 06:59.600 --> 07:01.600 I was a respectable businessman when you were running 07:01.600 --> 07:03.600 a lousy clip joint on Sanson. 07:03.600 --> 07:04.600 Yeah, yeah, and you're starved. 07:04.600 --> 07:05.600 And you're still starving. 07:05.600 --> 07:07.600 Because you're in the guts to keep a couple of mugs 07:07.600 --> 07:09.600 from hijacking your stuff. 07:09.600 --> 07:10.600 Why, you... 07:10.600 --> 07:12.600 Cut it out now. Cut it out. 07:12.600 --> 07:15.600 There's not going to be any trouble in this organization. 07:15.600 --> 07:17.600 It's plenty for everybody. 07:17.600 --> 07:18.600 Now, listen, Art. 07:18.600 --> 07:19.600 Yeah? 07:19.600 --> 07:21.600 Why don't you go up to my place in Connecticut 07:21.600 --> 07:22.600 for a few days? 07:22.600 --> 07:23.600 Take it easy. 07:23.600 --> 07:26.600 And let me talk to these guys who are looking for you. 07:26.600 --> 07:27.600 I know who they are. 07:27.600 --> 07:29.600 They don't want any more talk. 07:29.600 --> 07:31.600 Anyway, I go nuts up there in the country. 07:31.600 --> 07:32.600 Go on. 07:32.600 --> 07:33.600 Pick up my car at the station. 07:33.600 --> 07:34.600 No, thanks. 07:34.600 --> 07:35.600 Well, hell, I'm going. 07:35.600 --> 07:38.600 I'm going out to the country and tend them a victory garden. 07:38.600 --> 07:40.600 Your victory garden? 07:40.600 --> 07:41.600 Yeah. 07:41.600 --> 07:42.600 I see about Tuesday. 07:42.600 --> 07:44.600 Okay. 07:44.600 --> 07:45.600 Hey, Mac. 07:45.600 --> 07:46.600 Yeah? 07:46.600 --> 07:47.600 Wait a minute. 07:47.600 --> 07:48.600 So long, Art. 07:48.600 --> 07:49.600 So long. 07:51.600 --> 07:55.600 Say, uh, Mac, I'm sorry I made any cracks. 07:55.600 --> 07:56.600 Forget it. 07:56.600 --> 07:59.600 Uh, Mac, you going up to the country? 07:59.600 --> 08:00.600 Yeah, bet your life. 08:00.600 --> 08:03.600 Going down and get on the 520 right now. 08:03.600 --> 08:06.600 Say, uh, you know, I think I'll take Mac up. 08:06.600 --> 08:09.600 Uh, Mac, I, uh, I kind of need a rest. 08:09.600 --> 08:10.600 I think... 08:10.600 --> 08:11.600 Yeah, yeah, you'll need something. 08:11.600 --> 08:14.600 Uh, do you mind if I ride up on the train with you? 08:14.600 --> 08:15.600 Why not? 08:15.600 --> 08:16.600 Why not? 08:16.600 --> 08:17.600 It's a public train. 08:17.600 --> 08:20.600 Oh, you know, uh, Mac, I was sorry about that. 08:20.600 --> 08:21.600 Say, Artie, Artie. 08:21.600 --> 08:22.600 Yeah? 08:22.600 --> 08:23.600 Don't mind me. 08:23.600 --> 08:24.600 I talk a lot. 08:24.600 --> 08:25.600 And I don't mean it. 08:25.600 --> 08:26.600 Oh, forget it, Mac. 08:26.600 --> 08:27.600 I know. 08:27.600 --> 08:29.600 Say, you want to see my victory garden? 08:29.600 --> 08:30.600 Are you kidding? 08:30.600 --> 08:32.600 No, no, I got a garden. 08:32.600 --> 08:34.600 It's a beaut, too. 08:34.600 --> 08:35.600 Want to see it? 08:35.600 --> 08:36.600 Sure, sure I would. 08:36.600 --> 08:38.600 I, I always like gardens. 08:38.600 --> 08:44.600 Well, well, in that case, you'll have to stop over at my place on your, on your way to Sam's, huh? 08:44.600 --> 08:46.600 It'll be a pleasure. 08:57.600 --> 08:59.600 Come on in, Artie. 08:59.600 --> 09:04.600 I want to put this door in the safe, and then I'll, then I'll show you around. 09:04.600 --> 09:05.600 Sure. 09:05.600 --> 09:11.600 When the war is over, and I'm legitimate, I'm going to build onto it. 09:11.600 --> 09:16.600 Have a lot of lawn, gardener, real country gentleman. 09:16.600 --> 09:18.600 What's this, your office? 09:18.600 --> 09:20.600 I do a little business here once in a while. 09:20.600 --> 09:24.600 Keep my dough in the safe there until I bank it. 09:24.600 --> 09:26.600 Know anything about safes? 09:26.600 --> 09:27.600 No. 09:27.600 --> 09:29.600 That's good. 09:29.600 --> 09:30.600 That's good. 09:30.600 --> 09:33.600 Not that I don't trust you, Artie. 09:33.600 --> 09:35.600 There. 09:35.600 --> 09:37.600 There she is. 09:37.600 --> 09:38.600 Put them up, Mac. 09:38.600 --> 09:39.600 What? 09:39.600 --> 09:40.600 You heard me. 09:40.600 --> 09:41.600 They're not a move either. 09:41.600 --> 09:42.600 A stick up, huh? 09:42.600 --> 09:43.600 Why, you yellow little rat. 09:43.600 --> 09:45.600 You don't think you can pull this on me and live, do you? 09:45.600 --> 09:46.600 It's not a stick up, Mac. 09:46.600 --> 09:49.600 I just want you to do me a little favor, and I want to be sure you do it. 09:49.600 --> 09:50.600 Yeah? 09:50.600 --> 09:51.600 Yeah, get on that phone. 09:51.600 --> 09:52.600 This had better be a gag. 09:52.600 --> 09:55.600 It won't be unless you do exactly what I tell you. 09:55.600 --> 09:56.600 What? 09:56.600 --> 09:57.600 Call Reed in town. 09:57.600 --> 09:59.600 Ask her what Sam has lined up for Tuesday. 09:59.600 --> 10:02.600 Say you called me over at Sam's house just now and talked to me. 10:02.600 --> 10:03.600 But I didn't know. 10:03.600 --> 10:05.600 Go on, get going. 10:08.600 --> 10:11.600 Edward at 3-5562. 10:11.600 --> 10:15.600 Listen, Art, I'm no guy to get around with. 10:15.600 --> 10:16.600 And I don't like this. 10:16.600 --> 10:17.600 Talk. 10:17.600 --> 10:18.600 There. 10:18.600 --> 10:21.600 Rita, this is Mac. 10:21.600 --> 10:23.600 What Sam could line up for Tuesday. 10:23.600 --> 10:26.600 I just talked to Artie over at Sam's place. 10:26.600 --> 10:27.600 Yeah. 10:27.600 --> 10:29.600 Yeah, up here in the country. 10:29.600 --> 10:32.600 He said he didn't know and he'd call you. 10:32.600 --> 10:33.600 Oh, I see. 10:33.600 --> 10:34.600 Let's show it. 10:34.600 --> 10:37.600 No, no, no, never mind. 10:37.600 --> 10:40.600 Okay. 10:40.600 --> 10:41.600 All right. 10:41.600 --> 10:43.600 Now it's a gag. 10:43.600 --> 10:46.600 You never were very smart, were you, Mac? 10:46.600 --> 10:48.600 That's my alibi. 10:48.600 --> 10:50.600 You just told Rita you talked to me at Sam's place. 10:50.600 --> 10:51.600 You get it? 10:51.600 --> 11:02.600 Boy, you duck. 11:02.600 --> 11:04.600 Neatly done, Art Kramer. 11:04.600 --> 11:06.600 Virtually a perfect alibi. 11:06.600 --> 11:17.600 And $17,000 in cold cash. 11:17.600 --> 11:20.600 But there was someone else who thought he had a perfect setup, too. 11:20.600 --> 11:25.600 Cannelli, the little bookie, whose former occupations were even less savory. 11:25.600 --> 11:29.600 It wasn't hard for Cannelli to find where Sam's place was in Connecticut. 11:29.600 --> 11:34.600 In New York's underground of petty crime, he could find out anything. 11:34.600 --> 11:40.600 And it wasn't hard to jimmy a window, and that often enough. 11:40.600 --> 11:42.600 And then to find the money. 11:42.600 --> 11:45.600 There was a wad of money here at Sam's place somewhere. 11:45.600 --> 11:48.600 Art Kramer had said so, probably in a safe. 11:48.600 --> 11:50.600 That wouldn't be any trouble either. 11:50.600 --> 11:52.600 Not in the living room, of course. 11:52.600 --> 11:54.600 Yes, maybe this room. 11:54.600 --> 11:57.600 An office, a desk and phone. 11:57.600 --> 11:59.600 And a safe there in the wall. 11:59.600 --> 12:02.600 And just as he'd thought, old fashioned, easy to crack. 12:02.600 --> 12:06.600 First to drill a little hole, then the soup. 12:06.600 --> 12:10.600 There'd be a quick, neat explosion, and the safe would fall apart in his hands. 12:10.600 --> 12:14.600 But wait, what's that? 12:14.600 --> 12:15.600 A car driving up. 12:15.600 --> 12:16.600 Stopping. 12:16.600 --> 12:17.600 Who? 12:17.600 --> 12:20.600 Art Kramer had said nobody ever came up here. 12:20.600 --> 12:22.600 But it was leaving now, driving away. 12:22.600 --> 12:24.600 Probably just a mistake. 12:24.600 --> 12:26.600 No, no, steps outside. 12:26.600 --> 12:28.600 Somebody coming in. 12:28.600 --> 12:30.600 What to do? Escape cut off. 12:30.600 --> 12:32.600 Hide here in the office behind the door. 12:32.600 --> 12:33.600 Hide the bag of tools quick. 12:33.600 --> 12:35.600 He's coming in here. 12:41.600 --> 12:42.600 Operator. 12:42.600 --> 12:47.600 I want New York City at water 35562. 12:47.600 --> 12:49.600 Yeah, that's right. 12:50.600 --> 12:51.600 Hello, Rita. 12:51.600 --> 12:52.600 Sam. 12:52.600 --> 12:54.600 Listen, Rita, get a hold of everybody. 12:54.600 --> 12:56.600 Artie, Mac, Moore, everybody you can. 12:56.600 --> 12:58.600 I've got a tip off. There's gonna be a raid. 12:58.600 --> 12:59.600 Yeah, cops. 12:59.600 --> 13:00.600 Tell the boys to duck. 13:00.600 --> 13:02.600 Lay low until they hear from me. 13:02.600 --> 13:05.600 Find out where they're gonna be and call me right back as soon as you contact everybody. 13:05.600 --> 13:06.600 Got it? 13:06.600 --> 13:07.600 Yeah? 13:07.600 --> 13:09.600 Oh, okay. 13:09.600 --> 13:12.600 I'll get hold of Mac myself as long as he's up here. 13:12.600 --> 13:14.600 Artie, too? 13:14.600 --> 13:16.600 Well, I'm calling from my place now. 13:16.600 --> 13:18.600 I don't see him anywhere. 13:18.600 --> 13:20.600 He must have changed his mind. 13:20.600 --> 13:22.600 I didn't look in the garage. He came by cab. 13:22.600 --> 13:24.600 He's probably around someplace, yeah. 13:24.600 --> 13:25.600 Well, I'll wait for your call, then. 13:25.600 --> 13:26.600 Okay, Rita. 13:26.600 --> 13:28.600 And make it snappy now. 13:30.600 --> 13:31.600 Hey. 13:31.600 --> 13:32.600 Cannelli. 13:32.600 --> 13:33.600 What are you doing here? 13:33.600 --> 13:34.600 Listen, Sam, Art used to ca... 13:34.600 --> 13:35.600 They're safe. 13:35.600 --> 13:36.600 Why are you... 13:36.600 --> 13:39.600 No, no, you... 13:46.600 --> 13:47.600 Sam. 13:47.600 --> 13:49.600 Sam. 13:49.600 --> 13:51.600 Hit him too hard. 13:51.600 --> 13:53.600 He's dead. 13:58.600 --> 14:01.600 Dead. Yes, hit him too hard. 14:01.600 --> 14:03.600 Murder. 14:03.600 --> 14:06.600 That's a lot different from housebreaking. Murder. 14:06.600 --> 14:07.600 The phone. 14:07.600 --> 14:09.600 Somebody calling Sam. 14:09.600 --> 14:11.600 Fear, blind unreasoning fear. 14:11.600 --> 14:13.600 Smash it. Rip it out of the wall. 14:13.600 --> 14:17.600 So whoever was on the other end could actually hear, actually see what was in this room. 14:17.600 --> 14:19.600 Murder and a murderer. 14:19.600 --> 14:21.600 There. 14:21.600 --> 14:23.600 Why, oh, why had he done that? 14:23.600 --> 14:25.600 Foolish. Just nerves. 14:25.600 --> 14:26.600 Get hold of yourself. 14:26.600 --> 14:28.600 Think, think, think. What now? 14:28.600 --> 14:29.600 The money. 14:29.600 --> 14:30.600 Yes, have to have the money now. 14:30.600 --> 14:31.600 Make it get away. 14:31.600 --> 14:32.600 Mexico, South America, 14:32.600 --> 14:33.600 maybe Sam. 14:33.600 --> 14:34.600 Yes, the body. 14:34.600 --> 14:35.600 He do even touch him. 14:35.600 --> 14:37.600 But turn him over. 14:37.600 --> 14:39.600 There, the wallet. 14:39.600 --> 14:40.600 Empty. 14:40.600 --> 14:41.600 That's funny. 14:41.600 --> 14:42.600 Where are the pockets? 14:42.600 --> 14:43.600 No, no, nothing. 14:43.600 --> 14:44.600 They're safe then. 14:44.600 --> 14:45.600 Finish the job quick. 14:45.600 --> 14:46.600 Then get out. 14:46.600 --> 14:47.600 Find the drill again. 14:47.600 --> 14:49.600 Hurry. 14:49.600 --> 14:51.600 Again, somebody coming. 14:51.600 --> 14:52.600 Never mind. 14:52.600 --> 14:54.600 Not going to be caught this time. 14:54.600 --> 14:55.600 Can't be. 14:55.600 --> 14:56.600 A murderer. 14:56.600 --> 14:57.600 Close the door. 14:57.600 --> 14:58.600 Lock it quick. 14:58.600 --> 14:59.600 Pocket key. 14:59.600 --> 15:00.600 Hide it. 15:00.600 --> 15:02.600 Maybe whoever it is will go away. 15:02.600 --> 15:05.600 Then come back and get the money later. 15:05.600 --> 15:06.600 Here he is. 15:06.600 --> 15:07.600 Hide quickly. 15:07.600 --> 15:08.600 Kitchen. 15:08.600 --> 15:09.600 Get out the back window again if you have to. 15:09.600 --> 15:10.600 Wait, wait. 15:10.600 --> 15:11.600 He's not following. 15:11.600 --> 15:12.600 I wonder who it is. 15:12.600 --> 15:13.600 Just have a look. 15:13.600 --> 15:16.600 Do the crack of the door. 15:16.600 --> 15:19.600 Careful here. 15:19.600 --> 15:20.600 Art. 15:20.600 --> 15:21.600 Art Kramer. 15:21.600 --> 15:24.600 The suitcase must be going to stay. 15:24.600 --> 15:25.600 But wait, why not? 15:25.600 --> 15:27.600 Art wouldn't know anything. 15:27.600 --> 15:30.600 Couldn't with the office door locked. 15:30.600 --> 15:31.600 Give him a plausible story. 15:31.600 --> 15:32.600 Stay overnight. 15:32.600 --> 15:33.600 And get the money when he's asleep. 15:33.600 --> 15:34.600 A chance. 15:34.600 --> 15:35.600 But have to take it. 15:35.600 --> 15:36.600 Have to have the money now. 15:36.600 --> 15:37.600 Why not tell Art he'd come looking for Sam to borrow? 15:37.600 --> 15:38.600 Then looking through the house for him. 15:38.600 --> 15:39.600 Call him. 15:39.600 --> 15:40.600 Yes, make it look natural. 15:40.600 --> 15:41.600 He can't answer now. 15:41.600 --> 15:42.600 Call him. 15:42.600 --> 15:43.600 Sam. 15:43.600 --> 15:44.600 Sam. 15:44.600 --> 15:45.600 Hello, anybody here? 15:45.600 --> 15:46.600 Hello. 15:46.600 --> 15:47.600 Hello. 15:47.600 --> 15:48.600 Hello. 15:48.600 --> 15:49.600 Hello. 15:49.600 --> 15:50.600 Hello. 15:50.600 --> 15:51.600 Hello. 15:51.600 --> 15:52.600 Hello. 15:52.600 --> 15:53.600 Hello. 15:53.600 --> 15:54.600 Hello. 15:54.600 --> 15:55.600 Hello. 15:55.600 --> 15:56.600 Hello. 15:56.600 --> 15:57.600 Hello. 15:57.600 --> 15:58.600 Who is it? 15:58.600 --> 15:59.600 Who is it yourself? 15:59.600 --> 16:02.600 I'm looking for Mr. Gross, Sam Gross. 16:02.600 --> 16:06.600 Well, what are you doing here? 16:06.600 --> 16:07.600 Hello, Arthur. 16:07.600 --> 16:08.600 I was looking for Sam. 16:08.600 --> 16:11.600 I thought you didn't know where this place was. 16:11.600 --> 16:13.600 I found out. 16:13.600 --> 16:14.600 Yeah? 16:14.600 --> 16:16.600 What made you think Sam was going to be up here? 16:16.600 --> 16:18.600 Why, I heard a tip in town. 16:18.600 --> 16:19.600 There might be some trouble. 16:19.600 --> 16:22.600 I figured he might come up here to dock out. 16:22.600 --> 16:23.600 What kind of trouble? 16:23.600 --> 16:24.600 Cops. 16:24.600 --> 16:25.600 Yeah? 16:25.600 --> 16:26.600 I didn't hear anything. 16:26.600 --> 16:29.600 I don't know, but I had to do something. 16:29.600 --> 16:31.600 You know, I need dough the worst way. 16:31.600 --> 16:33.600 I figured Sam might let me have a little. 16:33.600 --> 16:35.600 He paid off today, didn't he? 16:35.600 --> 16:36.600 That's right. 16:36.600 --> 16:37.600 Arthur, did you get any? 16:37.600 --> 16:38.600 Me? 16:38.600 --> 16:42.600 Well, if you did, I don't like to keep asking you, but I need it, Arthur. 16:42.600 --> 16:44.600 Why, uh, why, uh... 16:44.600 --> 16:45.600 Look, Cannelli. 16:45.600 --> 16:46.600 Huh? 16:46.600 --> 16:48.600 You know, I meant to get in touch with you about that. 16:48.600 --> 16:50.600 I wanted to talk to you this afternoon. 16:50.600 --> 16:51.600 You mean you got somewhere? 16:51.600 --> 16:52.600 Uh, come on inside. 16:52.600 --> 16:53.600 I'll tell you. 16:53.600 --> 16:54.600 Oh, sure. 16:54.600 --> 16:57.600 I, uh, got an idea. 16:57.600 --> 16:59.600 An idea? 16:59.600 --> 17:02.600 It came like a flash to Art Kramer. 17:02.600 --> 17:06.600 Frame Cannelli for the murder of McPhail. 17:06.600 --> 17:09.600 Plan some of McPhail's money on him as evidence. 17:09.600 --> 17:11.600 And who would ever believe Cannelli's word, 17:11.600 --> 17:14.600 a man with a criminal record against Art's? 17:14.600 --> 17:16.600 Why, Rita would swear that McPhail himself 17:16.600 --> 17:18.600 had said Art was at Sam's place, 17:18.600 --> 17:21.600 simply denied that he'd ever seen Cannelli. 17:21.600 --> 17:24.600 And Cannelli would be McPhail's murderer, 17:24.600 --> 17:27.600 and Art Kramer would be safe forever. 17:27.600 --> 17:29.600 Now, uh, about that money. 17:29.600 --> 17:30.600 Yeah. 17:30.600 --> 17:32.600 As a matter of fact, I did get some. 17:32.600 --> 17:33.600 Not much, understand? 17:33.600 --> 17:35.600 Well, even a little would help. 17:35.600 --> 17:37.600 How much do I owe you altogether? 17:37.600 --> 17:39.600 Nearly 4,000, huh? 17:39.600 --> 17:41.600 Well, suppose I gave you two. 17:41.600 --> 17:43.600 I shouldn't give you that much, the way I'm fixed. 17:43.600 --> 17:46.600 Well, it ain't what I need, but it would help. 17:46.600 --> 17:48.600 Okay, here's two grand on account, then. 17:48.600 --> 17:49.600 Oh. 17:49.600 --> 17:51.600 You know, it doesn't leave me with much. 17:51.600 --> 17:53.600 I appreciate it, Art, really. 17:53.600 --> 17:56.600 Say, uh, you're really on a spot, huh? 17:56.600 --> 17:57.600 Yeah. 17:57.600 --> 17:59.600 How much more do you need? 17:59.600 --> 18:02.600 Oh, not a four or five anyway. 18:02.600 --> 18:05.600 Oh, well, uh, you know, I just thought I'd know 18:05.600 --> 18:07.600 where you can get it if you work it right. 18:07.600 --> 18:08.600 You do? 18:08.600 --> 18:09.600 Yeah. 18:09.600 --> 18:11.600 You know McPhail? 18:11.600 --> 18:13.600 Oh, I know him. Not well. 18:13.600 --> 18:16.600 Well, I do. He took in plenty this month. 18:16.600 --> 18:17.600 How good is that to me? 18:17.600 --> 18:19.600 I tell you, I know the guy. 18:19.600 --> 18:21.600 He's the softest touch in the world. 18:21.600 --> 18:23.600 He'd give the shirt off his back to anybody 18:23.600 --> 18:25.600 if they told him the right story. 18:25.600 --> 18:27.600 Yeah? How come you don't put the bite on it? 18:27.600 --> 18:29.600 He doesn't like me, but anyone else. 18:29.600 --> 18:31.600 You mean, uh, I just ask him? 18:29.600 --> 18:31.600 Sure. 18:31.600 --> 18:33.600 You get anything you want. I'm not kidding. 18:33.600 --> 18:36.600 If he asked for 10, even 20, you'd get it if he had it. 18:36.600 --> 18:37.600 No, four. 18:37.600 --> 18:39.600 Sure. He's up here in the country now, too. 18:39.600 --> 18:42.600 Right up this same back road, four and a half miles. 18:42.600 --> 18:44.600 Hey, uh, how do I recognize the place? 18:44.600 --> 18:46.600 It's a big place on the right. 18:46.600 --> 18:48.600 It's the only house for a mile. You can't miss it. 18:48.600 --> 18:51.600 Say, I'd run up there if I were you. 18:51.600 --> 18:55.600 Maybe I will, huh? Maybe I will. 18:56.600 --> 18:58.600 A break. 18:58.600 --> 19:00.600 The kind of break Cannelli had prayed for. 19:00.600 --> 19:02.600 Get the money from McPhail. 19:02.600 --> 19:05.600 Yes, quicker and safer than trying to get back in that room 19:05.600 --> 19:07.600 with a dead body on the floor. 19:07.600 --> 19:09.600 Get it from McPhail and have a good head start. 19:09.600 --> 19:13.600 Art won't find Sam's body in there for at least a day or two. 19:13.600 --> 19:15.600 The door's locked and Cannelli has the key. 19:15.600 --> 19:17.600 He can be on a plane with McPhail's money 19:17.600 --> 19:19.600 and be out of the country by tomorrow. 19:19.600 --> 19:21.600 A break, the perfect break. 19:21.600 --> 19:24.600 Well, thanks for the tip, Art. 19:24.600 --> 19:26.600 You sure McPhail's up there? 19:26.600 --> 19:28.600 Sure, he's always there every weekend. 19:28.600 --> 19:31.600 He's got a garden, a victory garden. 19:31.600 --> 19:33.600 That's a lot. 19:33.600 --> 19:36.600 Well, I guess I better get going, huh? 19:36.600 --> 19:38.600 Look around the grounds for him first. 19:38.600 --> 19:40.600 If he isn't outside, just walk right in. 19:40.600 --> 19:42.600 The door's always open. He's a simple guy. 19:42.600 --> 19:43.600 Trust anybody. 19:43.600 --> 19:46.600 Well, okay. Thanks, Art. 19:46.600 --> 19:49.600 Skip it. Maybe someday you can do the same for me. 19:49.600 --> 19:53.600 Yeah. Yeah, maybe someday I can. 19:53.600 --> 19:54.600 Well, so long. 19:54.600 --> 19:56.600 So long. 19:58.600 --> 20:01.600 And now Art has a job to finish. 20:01.600 --> 20:02.600 Phone the cops. 20:02.600 --> 20:04.600 From here? No, better not. 20:04.600 --> 20:05.600 They might trace it. 20:05.600 --> 20:07.600 The gas station at the crossroad. Plenty of time. 20:07.600 --> 20:09.600 Cannelli will be there five or ten minutes 20:09.600 --> 20:14.600 before he finds what he'll find as the cops find him. 20:14.600 --> 20:16.600 How easy he fell for it. 20:16.600 --> 20:19.600 But never mind that now. The gas station. The phone. 20:29.600 --> 20:31.600 Hello. I want the police. 20:31.600 --> 20:33.600 Hurry, please. 20:34.600 --> 20:36.600 Hello. Riverside Police? 20:36.600 --> 20:39.600 Listen, I was just driving down 9-mile road. 20:39.600 --> 20:42.600 I was going by the old MacPhail place. 20:42.600 --> 20:44.600 You know the place I mean? 20:44.600 --> 20:46.600 Yeah, yeah, that's the one. 20:46.600 --> 20:48.600 I was going slow and I heard something. 20:48.600 --> 20:50.600 It sounded like someone was being killed. 20:50.600 --> 20:52.600 Yeah, yes, a murder. 20:52.600 --> 20:55.600 There were shots and somebody screaming and more shots. 20:55.600 --> 20:57.600 A man's voice. Oh, it was terrible. 20:57.600 --> 20:59.600 You better get up there right away. 20:59.600 --> 21:03.600 Oh, never mind who I am. I don't want to get in any trouble. 21:03.600 --> 21:05.600 No, but get up there. 21:05.600 --> 21:07.600 Yes, murder. 21:09.600 --> 21:11.600 Did you call all right, sir? 21:11.600 --> 21:13.600 Yeah, thanks. 21:23.600 --> 21:25.600 ABC Enterprises. 21:25.600 --> 21:27.600 Yes, did you locate him yet? 21:27.600 --> 21:29.600 We'll keep trying and call me back. 21:29.600 --> 21:31.600 Joe, I'm worried. 21:31.600 --> 21:33.600 Don't worry about him. 21:33.600 --> 21:35.600 You can't find Moe, neither can the cops. 21:35.600 --> 21:38.600 I'm not thinking about him. I'm worried about Sam and Arthur. 21:38.600 --> 21:39.600 Maybe they went out. 21:39.600 --> 21:41.600 Sam said he'd wait for my call. It isn't that. 21:41.600 --> 21:44.600 The phone's dead. I've got to get in touch with him somehow. 21:44.600 --> 21:45.600 Can it wait? 21:45.600 --> 21:47.600 No, it can't. Not with the cops raiding the warehouse 21:47.600 --> 21:49.600 and arresting everyone in sight. 21:49.600 --> 21:50.600 Well, how about a telegram? 21:50.600 --> 21:51.600 Oh, too slow. 21:51.600 --> 21:53.600 I hate to send anyone around to the house, 21:53.600 --> 21:55.600 but Sam will understand this time. 21:55.600 --> 21:56.600 What are you going to do? 21:56.600 --> 21:58.600 Get the telephone company to help. 21:58.600 --> 22:02.600 Hello? I want the Riverside, Connecticut traffic operator, please. 22:02.600 --> 22:03.600 Yes. 22:03.600 --> 22:05.600 You know, it's funny about that phone. 22:05.600 --> 22:08.600 It rang two or three times, and then suddenly it went dead. 22:08.600 --> 22:10.600 Oh, hello, traffic operator? 22:10.600 --> 22:14.600 Have you a phone listed under the name of Gross? Samuel Gross. 22:14.600 --> 22:16.600 Well, there's something wrong with it, 22:16.600 --> 22:19.600 and it's very important that I get in touch with Mr. Gross right away. 22:19.600 --> 22:20.600 I'm his secretary. 22:20.600 --> 22:22.600 Will you send a man up right away? 22:22.600 --> 22:23.600 Thanks. 22:23.600 --> 22:26.600 And would you tell Mr. Gross that I've been trying to reach him? 22:26.600 --> 22:28.600 Thank you. 22:28.600 --> 22:31.600 See? When Sam finds out there's something wrong with his phone, 22:31.600 --> 22:33.600 he can phone me from outside. 22:33.600 --> 22:35.600 You're a pretty smart girl sometimes, Rita. 22:35.600 --> 22:36.600 Yeah. 22:36.600 --> 22:37.600 Don't you believe me? 22:37.600 --> 22:39.600 I just wish I was smart enough to get some sense across 22:39.600 --> 22:41.600 to that guy Art Kramer once in a while. 22:41.600 --> 22:43.600 You kind of like him, don't you? 22:43.600 --> 22:44.600 Cut it out. 22:44.600 --> 22:46.600 Don't worry about Artie. He'll be all right. 22:46.600 --> 23:01.600 Sure, I suppose. I suppose he'll be all right. 23:01.600 --> 23:03.600 Mr. Gross, I'm from the telephone company. 23:03.600 --> 23:05.600 Mr. Gross isn't here. 23:05.600 --> 23:07.600 Oh, well, we just got word from New York 23:07.600 --> 23:09.600 that his secretary's been trying to reach him, 23:09.600 --> 23:10.600 but his phone is out of order. 23:10.600 --> 23:11.600 I was sent up to look at it. 23:11.600 --> 23:13.600 Sure, go right ahead. 23:13.600 --> 23:15.600 I'm a friend of Mr. Gross. I know he'd want you to fix it. 23:15.600 --> 23:17.600 Okay. Where is it? 23:17.600 --> 23:19.600 First door to your right. 23:19.600 --> 23:22.600 Well, looks like we've got more visitors. 23:22.600 --> 23:23.600 Yeah, cops. 23:23.600 --> 23:25.600 Well, I'd better get after this phone here. 23:25.600 --> 23:26.600 I'm sorry to trouble you. 23:26.600 --> 23:28.600 I wonder if we could use your phone. 23:28.600 --> 23:29.600 It's out of order, I'm afraid. 23:29.600 --> 23:31.600 There's a man here fixing it now. 23:31.600 --> 23:33.600 What's the matter, officer? Trouble? 23:33.600 --> 23:35.600 Yeah, a little killing up the road. 23:35.600 --> 23:37.600 We didn't want to handle the phone there. 23:37.600 --> 23:39.600 Might be fingerprints on it. 23:39.600 --> 23:40.600 Murder? 23:40.600 --> 23:41.600 That's right. 23:41.600 --> 23:42.600 The old McPhail place. 23:42.600 --> 23:44.600 Got the guy red-handed. Murder and robbery. 23:44.600 --> 23:46.600 We even found the door on him. 23:46.600 --> 23:48.600 Yeah? Who did it? 23:48.600 --> 23:50.600 Says his name is Cannelli from New York. 23:50.600 --> 23:53.600 I wouldn't tell you all this, except it's an open-shut case. 23:53.600 --> 23:55.600 Couldn't explain what he was doing there 23:55.600 --> 23:57.600 or how he got the money or anything. 23:57.600 --> 23:59.600 Well, you'll read about it in the papers tomorrow. 23:59.600 --> 24:01.600 You'll have him outside now? 24:01.600 --> 24:03.600 Yep. Well, we'd better be going. 24:03.600 --> 24:04.600 Hey, mister. 24:04.600 --> 24:06.600 That door you got, it's locked. You got a key? 24:06.600 --> 24:08.600 Why, no. 24:08.600 --> 24:10.600 Well, what's the matter? You lost a key someplace? 24:10.600 --> 24:13.600 Well, I must have. The room with the phone in it. 24:13.600 --> 24:15.600 Oh, maybe I can help you out. 24:15.600 --> 24:17.600 I got a little gimmick here that might open it. 24:17.600 --> 24:18.600 Thanks. 24:18.600 --> 24:21.600 We gotta have things like that in this line of business, you know. 24:21.600 --> 24:23.600 This the door? 24:23.600 --> 24:25.600 Yeah, that's it. 24:27.600 --> 24:28.600 There you are. 24:28.600 --> 24:29.600 Thanks. 24:29.600 --> 24:32.600 You don't need me in there for anything, do you? 24:32.600 --> 24:33.600 No, sir. 24:33.600 --> 24:34.600 Well, good night. 24:34.600 --> 24:35.600 Good night. 24:35.600 --> 24:37.600 Hey, say, officer. 24:37.600 --> 24:38.600 Yeah? 24:38.600 --> 24:39.600 You better come in here a minute. 24:39.600 --> 24:41.600 Wait a second, will you, Jim? 24:41.600 --> 24:42.600 Sure. 24:42.600 --> 24:44.600 What's the matter? 24:44.600 --> 24:46.600 Hey, mister. 24:46.600 --> 24:47.600 You've been here all day? 24:47.600 --> 24:49.600 That's right. Why? 24:49.600 --> 24:51.600 Nobody else been here all afternoon? 24:51.600 --> 24:52.600 No, sir. 24:52.600 --> 24:53.600 Oh. 24:53.600 --> 24:55.600 What's this? You find something wrong in there? 24:55.600 --> 24:57.600 You said it, mister. Put up your hands. 24:57.600 --> 24:58.600 Hey, what's the idea? 24:58.600 --> 24:59.600 You don't know, huh? Jim. 24:59.600 --> 25:00.600 Take a look at what we got here. 25:00.600 --> 25:01.600 Yeah. 25:01.600 --> 25:02.600 Well, well. 25:02.600 --> 25:03.600 Cover him, Jim. 25:03.600 --> 25:04.600 Okay. 25:04.600 --> 25:05.600 Oh, what a... 25:05.600 --> 25:06.600 Hey, let me see that. 25:06.600 --> 25:07.600 Sure. 25:07.600 --> 25:09.600 Sam. 25:09.600 --> 25:10.600 No. 25:10.600 --> 25:11.600 Robbery, too. 25:11.600 --> 25:13.600 Been through his wallet and started on the safe. 25:13.600 --> 25:14.600 Just like the other guy. 25:14.600 --> 25:15.600 Let's risk him. 25:15.600 --> 25:16.600 No, no. 25:16.600 --> 25:17.600 I didn't do this. 25:17.600 --> 25:18.600 I didn't do it, I tell you. 25:18.600 --> 25:19.600 Here's the dough, all right. 25:19.600 --> 25:21.600 A roll big enough to choke a horse. 25:21.600 --> 25:22.600 Look, you guys. 25:22.600 --> 25:23.600 I tell you, I didn't do this. 25:23.600 --> 25:24.600 Yeah. 25:24.600 --> 25:25.600 Kind of interrupted you, didn't we? 25:25.600 --> 25:26.600 Come on. 25:26.600 --> 25:28.600 Look, I didn't do this, I tell you. 25:28.600 --> 25:29.600 I didn't. 25:29.600 --> 25:30.600 I didn't do this. 25:30.600 --> 25:32.600 I did, I did. 25:32.600 --> 25:33.600 I didn't do this. 25:33.600 --> 25:43.600 I didn't do this. 25:43.600 --> 25:50.600 And the story ends with a newspaper clipping. 25:50.600 --> 25:53.600 I'll read it to you. 25:53.600 --> 25:54.600 Bridgeport, Connecticut. 25:54.600 --> 26:00.600 Arthur Kramer and George Kennelly were executed here today within 10 minutes of each other, 26:00.600 --> 26:06.120 to bring to a fitting conclusion one of the strangest series of coincidences in the criminal 26:06.120 --> 26:08.520 records of this state. 26:08.520 --> 26:13.440 Both men committed the same crime, murder and robbery within a few miles of each other 26:13.440 --> 26:17.560 on the same day and at almost the same time. 26:17.560 --> 26:20.840 Both victims were operators in the New York black market. 26:20.840 --> 26:23.960 Kramer was convicted of the murder of Samuel Gross. 26:23.960 --> 26:26.400 Kennelly killed Edward McPhail. 26:26.400 --> 26:30.560 Both killers were caught on the scene of the crime, were arrested by the same officers, 26:30.560 --> 26:34.240 taken together in the same police car to the same jail. 26:34.240 --> 26:38.560 Both proclaimed their innocence, yet pleaded guilty in the face of the overwhelming evidence 26:38.560 --> 26:39.560 against them. 26:39.560 --> 26:45.120 A curious factor in the case was that though both men denied knowing the other, they tried 26:45.120 --> 26:49.600 repeatedly to attack each other in the prison yard until guards were forced to keep them 26:49.600 --> 26:52.480 out of sight of each other at all times. 26:52.480 --> 26:56.880 Police have always believed there was some connection between the two crimes, but have 26:56.880 --> 27:14.720 never been able to find out what it was. 27:14.720 --> 27:18.280 And so closes Thieves Fall Out, starring Gene Kelly. 27:18.280 --> 27:25.200 Tonight's tale of suspense, appearing with Gene Kelly, who is to be seen currently in 27:25.200 --> 27:30.960 Metro Golden Mayor's Technicolor musical Thousands Cheer, where Hans Connery, Daz Kennelly, 27:30.960 --> 27:33.000 and William Johnstone are Sam Gross. 27:33.000 --> 27:38.000 This is the man in black who conveys to you Columbia's invitation to spend this half hour 27:38.000 --> 27:43.760 in suspense with us again next week same time, when our star will be Mr. Vincent Price. 27:43.760 --> 27:48.440 Mr. Price will be heard in a suspense play by E. Jack Newman, dealing with the Gestapo, 27:48.440 --> 27:51.560 and called The Strange Death of Charles Umberstein. 27:51.560 --> 27:56.400 The producer and director of suspense is William Spear, who with Ludgluskin and Lucian 27:56.400 --> 28:01.040 Malowick, conductor and composer, and Robert L. Richards, the author, collaborated on 28:01.040 --> 28:06.600 tonight's Suspense. 28:06.600 --> 28:10.960 Don't miss Suspense when this series moves to a new day in time, the day Thursdays, beginning 28:10.960 --> 28:16.840 December the 2nd, the time 8 p.m. Eastern wartime and 7 p.m. Central wartime. 28:16.840 --> 28:21.400 In the Mountain and Pacific time zones, listeners will hear Suspense on Mondays, beginning December 28:21.400 --> 28:25.480 the 6th at 9 p.m. Pacific wartime. 28:25.480 --> 28:43.560 This is CBS, the Columbia Broadcasting System.