WEBVTT 00:00.000 --> 00:25.800 Suspense. 00:25.800 --> 00:31.520 This is the Man in Black, here again to introduce Columbia's program, Suspense. 00:31.520 --> 00:34.960 Tonight heading our Hollywood cast are two noted leading men. 00:34.960 --> 00:40.960 One Mr. Preston Foster, a star long established, the hero of many an adventurous film, the 00:40.960 --> 00:45.560 latest, the 20th Century Fox production, Guadalcanal Diary. 00:45.560 --> 00:50.320 The other Mr. Dane Clark, a newcomer to the screen, whose auspicious debut in Action in 00:50.320 --> 00:54.560 the North Atlantic has made him warmly welcome in these parts. 00:54.560 --> 00:58.800 Mr. Clark appears tonight as a young man who awoke one morning to find himself in a very 00:58.800 --> 01:00.080 serious jam. 01:00.080 --> 01:06.040 And Mr. Foster is the San Francisco homicide detective who is willing to help his friend, 01:06.040 --> 01:07.880 up to a point. 01:07.880 --> 01:13.000 The play called The Singing Walls by Robert L. Richards, adapted from a story by Cornell 01:13.000 --> 01:16.760 Woolrich, is tonight's tale of Suspense. 01:16.760 --> 01:20.800 If you've been with us before, you will know that Suspense is compounded of mystery and 01:20.800 --> 01:23.440 suspicion and dangerous adventure. 01:23.440 --> 01:29.120 In this series are tales calculated to intrigue you, to stir your nerves, to offer you a precarious 01:29.120 --> 01:35.360 situation and then withhold the solution until the last possible moment. 01:35.360 --> 01:39.880 And so it is with the performances of Preston Foster as Detective Denny Sullivan and Dane 01:39.880 --> 01:45.880 Clark as young Tom Cochran, we again hope to keep you in Suspense. 01:45.880 --> 01:53.800 Have another. 01:53.800 --> 01:57.000 No, drink it all. 01:57.000 --> 01:58.000 There's lots more. 01:58.000 --> 02:01.360 So a guy named Joe brought you, huh? 02:01.360 --> 02:03.920 You come up here from Joe's place? 02:03.920 --> 02:04.920 What's that? 02:04.920 --> 02:09.360 Oh, you don't even know where Joe lives, huh? 02:09.360 --> 02:10.360 Me? 02:10.360 --> 02:13.240 No, I don't know either. 02:13.240 --> 02:19.840 I never seen Joe before in my life. 02:19.840 --> 02:21.840 How you feeling now, kid, huh? 02:21.840 --> 02:24.080 Sure, have a little more. 02:24.080 --> 02:26.080 It's good for what ills you. 02:26.080 --> 02:28.080 Ah, that's nothing. 02:28.080 --> 02:30.080 You're all right. 02:30.080 --> 02:32.560 Sure, I know. 02:32.560 --> 02:33.800 Let's get out of here. 02:33.800 --> 02:34.800 I know a better place. 02:34.800 --> 02:35.800 Come on, come on, I'll help you. 02:35.800 --> 02:45.600 No, that's not a window. 02:45.600 --> 02:46.600 It's bricked up. 02:46.600 --> 02:49.200 They put a building up right behind this one. 02:49.200 --> 02:50.240 That's right. 02:50.240 --> 02:52.640 It comes right out of the walls. 02:52.640 --> 02:53.640 Singing walls. 02:53.640 --> 02:54.640 Yeah. 02:54.640 --> 02:59.000 We got hot and cold running water here and singing walls. 02:59.000 --> 03:06.000 Have another. 03:06.000 --> 03:15.320 Sure, bottoms up. 03:15.320 --> 03:17.120 That's the idea. 03:17.120 --> 03:19.120 Make yourself right at home. 03:19.120 --> 03:20.120 Hey, lie down. 03:20.120 --> 03:23.120 Lie down and take a little snooze. 03:23.120 --> 03:30.640 I'll be right back. 03:30.640 --> 03:31.880 What's the matter? 03:31.880 --> 03:34.240 Have a little trouble in here while I was gone? 03:34.240 --> 03:36.240 What's blood? 03:36.240 --> 03:38.400 Sure, blood. 03:38.400 --> 03:40.400 All over your shirt. 03:40.400 --> 03:41.400 Oh him? 03:41.400 --> 03:42.400 Oh, he's all right. 03:42.400 --> 03:43.400 Just put him in the closet. 03:43.400 --> 03:44.400 Lock the door. 03:44.400 --> 03:45.400 Like that, see? 03:45.400 --> 03:46.400 Now you put the key right in your pocket so you'll know just where to find it. 03:46.400 --> 03:53.400 Don't worry, he'll be all right. 03:53.400 --> 04:00.280 No, I'm not going anyplace. 04:00.280 --> 04:02.280 I'll be back in just a minute. 04:02.280 --> 04:03.280 Here. 04:03.280 --> 04:04.280 Have another. 04:04.280 --> 04:05.280 Have another. 04:05.280 --> 04:08.280 I'll be back in just a minute. 04:08.280 --> 04:09.280 No. 04:09.280 --> 04:10.280 No, no. 04:10.280 --> 04:11.280 Let me out. 04:11.280 --> 04:12.280 Let me out of here. 04:12.280 --> 04:17.280 Tommy. 04:17.280 --> 04:22.280 Tommy. 04:22.280 --> 04:27.280 Tommy. 04:27.280 --> 04:34.280 Tommy, wake up. 04:34.280 --> 04:35.280 What? 04:35.280 --> 04:36.280 What is it? 04:36.280 --> 04:40.840 I've been knocking at your door the longest time. 04:40.840 --> 04:44.080 You were having a dream or something. 04:44.080 --> 04:45.480 Yeah, I... 04:45.480 --> 04:46.480 What time is it? 04:46.480 --> 04:48.560 It's way afternoon. 04:48.560 --> 04:50.560 You came in pretty late. 04:50.560 --> 04:51.560 Did I? 04:51.560 --> 04:54.520 Toss me in my bathroom, will you, sis? 04:54.520 --> 04:56.280 Don't you know what time you got in? 04:56.280 --> 04:57.280 Not exactly. 04:57.280 --> 04:59.440 Oh, Tommy. 04:59.440 --> 05:02.700 I know it's tough not having a job all these months. 05:02.700 --> 05:03.700 And I know you've tried. 05:03.700 --> 05:06.000 But this isn't doing you any good. 05:06.000 --> 05:10.360 I know, sis, but last night was the first time in a month in any way. 05:10.360 --> 05:11.360 It was different. 05:11.360 --> 05:14.960 I had a few drinks, but it was different. 05:14.960 --> 05:15.960 Something happened. 05:15.960 --> 05:16.960 What do you mean something happened? 05:16.960 --> 05:18.440 Well, it wasn't just the drinks. 05:18.440 --> 05:19.440 They were doped or something. 05:19.440 --> 05:20.440 Oh, Tommy. 05:20.440 --> 05:22.120 No, look, sis, it's not just an alibi. 05:22.120 --> 05:23.720 I don't remember where I was or anything. 05:23.720 --> 05:26.320 Only just now I seem to be dreaming about it. 05:26.320 --> 05:27.320 About what? 05:27.320 --> 05:28.320 About last night. 05:28.320 --> 05:30.840 I could hear you banging on the door all the time I was dreaming. 05:30.840 --> 05:36.480 And then it seemed as though I wasn't dreaming at all, that I was remembering a lot of things. 05:36.480 --> 05:37.480 What sort of things? 05:37.480 --> 05:38.480 It was all mixed up. 05:38.480 --> 05:42.920 There was a guy with a kind of a frog voice that kept giving me drinks. 05:42.920 --> 05:45.760 And I was sort of floating. 05:45.760 --> 05:49.400 Then there was a place that music came out of the walls. 05:49.400 --> 05:52.000 There was something about blood on my shirt. 05:52.000 --> 05:53.000 The key to a closet. 05:53.000 --> 05:55.480 But Tommy, you're shaking like a leaf. 05:55.480 --> 05:56.480 Yeah. 05:56.480 --> 05:59.480 It was a pretty scary dream. 05:59.480 --> 06:02.880 If it was a dream. 06:02.880 --> 06:04.680 What you need is some good hot coffee. 06:04.680 --> 06:07.480 Now hurry up and get dressed and come on downstairs. 06:07.480 --> 06:09.960 Here, I'll get you out a clean shirt. 06:09.960 --> 06:10.960 I'd better wear the old one. 06:10.960 --> 06:11.960 I've only worn it once. 06:11.960 --> 06:12.960 But it's all messy. 06:12.960 --> 06:14.960 Yeah, it does look kind of... 06:14.960 --> 06:15.960 Mildred. 06:15.960 --> 06:16.960 What? 06:16.960 --> 06:17.960 My shirt. 06:17.960 --> 06:18.960 Give it to me. 06:18.960 --> 06:19.960 Now what's the matter? 06:19.960 --> 06:20.960 Look, Mildred, that's blood. 06:20.960 --> 06:21.960 Well, I guess it is. 06:21.960 --> 06:22.960 I know it is. 06:22.960 --> 06:23.960 Just like it was in the dream. 06:23.960 --> 06:24.960 Oh, Tommy, don't be so silly. 06:24.960 --> 06:25.960 You must have hurt yourself somewhere. 06:25.960 --> 06:26.960 But I didn't. 06:26.960 --> 06:27.960 Look, there isn't a scratch on me. 06:27.960 --> 06:28.960 Well, then you got in a fight. 06:28.960 --> 06:29.960 Maybe. 06:29.960 --> 06:30.960 What else could it have been? 06:30.960 --> 06:31.960 Well, that's what I'm trying to think. 06:31.960 --> 06:37.960 Well, stop thinking and hurry up and get dressed. 06:37.960 --> 06:43.960 My goodness, look at the way you threw your clothes around last night. 06:43.960 --> 06:45.960 Trousers on the floor. 06:45.960 --> 06:46.960 Here. 06:46.960 --> 06:49.960 Oh dear, everything's falling out of the pocket. 06:49.960 --> 06:50.960 I'll pick it up. 06:50.960 --> 06:51.960 You get dressed. 06:51.960 --> 06:52.960 Thanks. 06:52.960 --> 06:54.960 You didn't come home with much, did you? 06:54.960 --> 06:56.960 Well, I didn't have much to start with. 06:56.960 --> 06:58.960 Well, I'll put it all up here on the bureau. 06:58.960 --> 07:00.960 25 cents in change and your keys. 07:00.960 --> 07:01.960 Now hurry. 07:01.960 --> 07:02.960 What did you say? 07:02.960 --> 07:03.960 I said hurry. 07:03.960 --> 07:04.960 No, no, no. 07:04.960 --> 07:05.960 Before that, what did you say? 07:05.960 --> 07:08.960 I said I'd put your change and your keys up in the bureau. 07:08.960 --> 07:09.960 Keys? 07:09.960 --> 07:10.960 Yes. 07:10.960 --> 07:15.960 Mildred, I only have one key. 07:15.960 --> 07:16.960 Well, there are two there now. 07:16.960 --> 07:17.960 I know. 07:17.960 --> 07:18.960 Let me see them. 07:18.960 --> 07:19.960 Here. 07:19.960 --> 07:21.960 One's the key to the front door. 07:21.960 --> 07:22.960 Yeah, but the other one. 07:22.960 --> 07:25.960 It doesn't belong to any door in this house. 07:25.960 --> 07:26.960 It's the key to the closet. 07:26.960 --> 07:27.960 What closet? 07:27.960 --> 07:28.960 Last night it wasn't a dream. 07:28.960 --> 07:33.960 Tommy, what are you talking about? 07:33.960 --> 07:36.960 Mildred, you better call Denny right away. 07:36.960 --> 07:37.960 But he's on duty. 07:37.960 --> 07:39.960 I know, but get him over here right away. 07:39.960 --> 07:41.960 Tommy, what is it? 07:41.960 --> 07:59.960 Last night, I think I killed a man. 07:59.960 --> 08:00.960 Let me look at your eyes. 08:00.960 --> 08:01.960 Listen, Denny, I... 08:01.960 --> 08:03.960 You were doped all right. 08:03.960 --> 08:04.960 Well, I didn't know what it was. 08:04.960 --> 08:05.960 Why remind that now? 08:05.960 --> 08:06.960 How much do you remember? 08:06.960 --> 08:09.960 Look, Denny, I hated to bring you in on this and I... 08:09.960 --> 08:10.960 I didn't know who else to go to. 08:10.960 --> 08:11.960 Skip it. 08:11.960 --> 08:15.960 What's the use of having a brother-in-law who's a cop if he can't help you once in a while? 08:15.960 --> 08:16.960 How much do you remember? 08:16.960 --> 08:17.960 Well, just what I've told you. 08:17.960 --> 08:20.960 Just like it wasn't a dream, only it wasn't a dream. 08:20.960 --> 08:25.960 You see, there was this guy, Joe, just some guy I'd known from someplace. 08:25.960 --> 08:26.960 I don't know where. 08:26.960 --> 08:28.960 See, I met him on the street and he took me to the party. 08:28.960 --> 08:31.960 And then the guy with the frog voice began giving me drinks. 08:31.960 --> 08:33.960 And then everything got confused. 08:33.960 --> 08:39.960 And I was in another place with the singing walls and some harmonica playing or something. 08:39.960 --> 08:43.960 I don't even know whether it was in the same apartment even, but that's where the closet was. 08:43.960 --> 08:44.960 What about the guy you... 08:44.960 --> 08:45.960 The dead guy. 08:45.960 --> 08:48.960 Well, at first he wasn't there and then he was. 08:48.960 --> 08:50.960 He was sort of slumped over in a big armchair. 08:50.960 --> 08:52.960 Then frog voice put him in the closet. 08:52.960 --> 08:53.960 That's what I remember. 08:53.960 --> 08:54.960 And then he left. 08:54.960 --> 08:58.960 And then I suddenly seemed to realize that the guy in the closet was dead and that's why I got out of there. 08:58.960 --> 08:59.960 I don't know how. 08:59.960 --> 09:01.960 You don't have any idea where it was? 09:01.960 --> 09:03.960 No, no, I don't even know where the party was. 09:03.960 --> 09:05.960 You'd never seen any of these people before? 09:05.960 --> 09:07.960 Except this guy, Joe, who took me to the party. 09:07.960 --> 09:09.960 And that's all I know about him, Denny. 09:09.960 --> 09:12.960 Just a guy named Joe that I knew by sight from someplace. 09:12.960 --> 09:14.960 I don't know where or his last name or anything. 09:14.960 --> 09:17.960 Not much to go on, is there, kid? 09:17.960 --> 09:18.960 No, not much. 09:18.960 --> 09:23.960 A guy named Joe singing walls in a closet, another guy with a froggy voice... 09:23.960 --> 09:27.960 But I'd recognize him or his voice if I ever saw him again. 09:27.960 --> 09:29.960 Tommy, you're in a jam. 09:29.960 --> 09:33.960 The way it looks right now, there's a dead man in a closet somewhere in this town. 09:33.960 --> 09:34.960 And you killed him. 09:34.960 --> 09:35.960 Oh, but Denny, I... 09:35.960 --> 09:39.960 If we find him before somebody else does, maybe we can figure out what did happen. 09:39.960 --> 09:42.960 The way it stands now, you're it. 09:42.960 --> 09:43.960 I know. 09:43.960 --> 09:45.960 We haven't got much time, either. 09:45.960 --> 09:46.960 The place is an apartment. 09:46.960 --> 09:49.960 They probably would have found the body already, and I'd know about it. 09:49.960 --> 09:50.960 It's a hotel. 09:50.960 --> 09:52.960 They check the guests out by six o'clock. 09:52.960 --> 09:54.960 That gives us about four hours. 09:54.960 --> 09:56.960 Four hours. 09:56.960 --> 09:59.960 For the murderer to find the guy he murdered. 09:59.960 --> 10:01.960 It's kind of crazy, isn't it? 10:01.960 --> 10:04.960 Tommy, you know how I feel about Mildred. 10:04.960 --> 10:06.960 You know I don't exactly hate you, either. 10:06.960 --> 10:09.960 You know I'll do everything in the world I possibly can to clear you. 10:09.960 --> 10:11.960 Sure, Denny, I know. 10:11.960 --> 10:13.960 But I'm a cop, Tommy. 10:13.960 --> 10:16.960 If you did it, you know I'm gonna turn you in, don't you? 10:16.960 --> 10:18.960 Sure. I know that, too. 10:18.960 --> 10:19.960 Okay, kid. 10:19.960 --> 10:21.960 Now, let's start from the beginning. 10:21.960 --> 10:22.960 What about this Joe? 10:22.960 --> 10:24.960 I... I don't know anything about him. 10:24.960 --> 10:26.960 You know his name, you know his face. 10:26.960 --> 10:27.960 Think, Tommy, think. 10:27.960 --> 10:29.960 I'm trying to. 10:29.960 --> 10:31.960 If I could only remember. 10:31.960 --> 10:33.960 If I could only remember. 10:33.960 --> 10:37.960 So a guy named Joe brought you, huh? 10:37.960 --> 10:39.960 You come up here from Joe's place? 10:39.960 --> 10:41.960 What's that? 10:41.960 --> 10:45.960 Oh, you don't even know where Joe lives, huh? 10:45.960 --> 10:46.960 Me? 10:46.960 --> 10:49.960 No, I don't know, either. 10:49.960 --> 11:04.960 I never seen Joe before in my life. 11:04.960 --> 11:06.960 You still don't get it, Tommy? 11:06.960 --> 11:07.960 No, no, I don't. 11:07.960 --> 11:09.960 You told me where Joe is. 11:09.960 --> 11:10.960 I have? 11:10.960 --> 11:12.960 Sure, you see the sign over that saloon? 11:12.960 --> 11:13.960 I don't know. 11:13.960 --> 11:14.960 I don't know. 11:14.960 --> 11:15.960 I don't know. 11:15.960 --> 11:16.960 I don't know. 11:16.960 --> 11:17.960 I don't know. 11:17.960 --> 11:19.960 I don't know. 11:19.960 --> 11:21.960 Yeah, it's Joe's place. 11:21.960 --> 11:22.960 But how do you know that... 11:22.960 --> 11:25.960 Tommy, you were playing with bad boys last night. 11:25.960 --> 11:29.960 And this is where bad boys hang out, among other places. 11:29.960 --> 11:30.960 It's got a name. 11:30.960 --> 11:32.960 It's run by a guy named Joe. 11:32.960 --> 11:34.960 He minds his own business as far as we know, 11:34.960 --> 11:35.960 but his customers don't. 11:35.960 --> 11:36.960 So? 11:36.960 --> 11:38.960 It all clicked when I remembered you said the guy 11:38.960 --> 11:40.960 with the frog voice asked you if you came up there 11:40.960 --> 11:42.960 from Joe's place. 11:42.960 --> 11:44.960 He didn't mean where Joe lived or anything. 11:44.960 --> 11:45.960 He meant this place. 11:45.960 --> 11:47.960 He thought maybe you were one of the boys. 11:47.960 --> 11:49.960 Yeah, but how did I ever meet this Joe? 11:49.960 --> 11:50.960 I've never been here in my life. 11:50.960 --> 11:52.960 He runs another joint, a respectable saloon. 11:52.960 --> 11:55.960 A sort of cover, about three blocks from our house, 11:55.960 --> 11:56.960 the town tavern. 11:56.960 --> 11:58.960 Hey, that's right. 11:58.960 --> 11:59.960 Remember? 11:59.960 --> 12:01.960 Joe may or may not be in on this. 12:01.960 --> 12:04.960 Frog voice made a big play to you that he didn't know Joe. 12:04.960 --> 12:06.960 Never seen him before in his life. 12:06.960 --> 12:07.960 His customers always cover him. 12:07.960 --> 12:09.960 It's better for them that way. 12:09.960 --> 12:12.960 If my hunch is right, Joe is going to be plenty surprised 12:12.960 --> 12:13.960 when he sees you walk in there. 12:13.960 --> 12:14.960 Me? 12:14.960 --> 12:15.960 Walk in there? 12:15.960 --> 12:16.960 Don't worry. 12:16.960 --> 12:18.960 Walk in and sit down at the bar. 12:18.960 --> 12:19.960 If you're not out in a couple of minutes, 12:19.960 --> 12:22.960 I'll know you recognize the guy and we're on the right track. 12:22.960 --> 12:23.960 I'll come in as though I didn't see you 12:23.960 --> 12:24.960 and go into the phone booth. 12:24.960 --> 12:25.960 And then what? 12:25.960 --> 12:27.960 Then we'll see. 12:27.960 --> 12:28.960 Okay, kid? 12:28.960 --> 12:29.960 Okay. 12:29.960 --> 12:30.960 Oh, one thing. 12:30.960 --> 12:32.960 If he offers you a drink on the house, take it. 12:32.960 --> 12:34.960 Sure. 12:34.960 --> 12:35.960 Oh, here goes. 12:41.960 --> 12:42.960 What'll it be, Mac? 12:42.960 --> 12:43.960 Beer. 12:43.960 --> 12:44.960 Oh, it doesn't matter. 12:44.960 --> 12:46.960 Suit yourself. 12:48.960 --> 12:50.960 Well, well, what do you know? 12:50.960 --> 12:51.960 Tell me. 12:51.960 --> 12:52.960 Hiya, Joe. 12:52.960 --> 12:55.960 Hey, what are you doing down in this part of town, kid? 12:55.960 --> 12:59.960 Oh, I had to come down to see a guy. 12:59.960 --> 13:00.960 I didn't know you had this place. 13:00.960 --> 13:02.960 Oh, just a little sideline? 13:02.960 --> 13:04.960 It's where our place started, you know. 13:04.960 --> 13:05.960 Sure, I know. 13:05.960 --> 13:06.960 One beer, that'll be ten cents. 13:06.960 --> 13:08.960 Hey, no, no, none of that. 13:08.960 --> 13:10.960 You gotta have one on me, kid. 13:10.960 --> 13:11.960 A real drink. 13:11.960 --> 13:12.960 What'll you have? 13:12.960 --> 13:13.960 Well, I... 13:13.960 --> 13:14.960 Scotch? 13:14.960 --> 13:15.960 Okay. 13:15.960 --> 13:17.960 Scotch for the gentleman, Larry. 13:17.960 --> 13:18.960 The very best. 13:18.960 --> 13:19.960 You understand? 13:19.960 --> 13:21.960 Oh, yeah, sure. 13:21.960 --> 13:23.960 I'll take rye. 13:23.960 --> 13:24.960 Hey, Tommy. 13:24.960 --> 13:26.960 There was some party last night, huh? 13:26.960 --> 13:27.960 Party? 13:27.960 --> 13:28.960 Yeah. 13:28.960 --> 13:30.960 Hey, where'd you disappear to? 13:30.960 --> 13:32.960 I was looking all over for you. 13:32.960 --> 13:35.960 You know, that's a funny thing I don't even remember. 13:35.960 --> 13:36.960 I get it. 13:36.960 --> 13:39.960 Well, a guy has to cut loose once in a while, huh? 13:39.960 --> 13:40.960 Yeah, yeah. 13:40.960 --> 13:42.960 One Scotch, the very best. 13:42.960 --> 13:43.960 One rye. 13:43.960 --> 13:45.960 Well, here's to you. 13:45.960 --> 13:46.960 Wait a minute. 13:46.960 --> 13:47.960 Hey, who are you? 13:47.960 --> 13:50.960 Uh, uh, this is my brother-in-law. 13:50.960 --> 13:51.960 Denny, this is Joe. 13:51.960 --> 13:53.960 Say, you must have got those drinks mixed up. 13:53.960 --> 13:55.960 You never drink Scotch, Tommy. 13:55.960 --> 13:57.960 You only drink rye. 13:57.960 --> 13:58.960 Yeah, that's right. 13:58.960 --> 14:00.960 Yeah, you take the rye and give Joe the Scotch, 14:00.960 --> 14:01.960 and I'll take your beer. 14:01.960 --> 14:02.960 I don't like Scotch. 14:02.960 --> 14:03.960 I never touch it. 14:03.960 --> 14:04.960 Okay, I'll take it. 14:04.960 --> 14:05.960 Thanks. 14:05.960 --> 14:07.960 By the way, Joe, you haven't got a little bottle 14:07.960 --> 14:09.960 I could pour this into, have you? 14:09.960 --> 14:11.960 Say, who do you think you're kidding, bud? 14:11.960 --> 14:12.960 I'm from headquarters. 14:12.960 --> 14:13.960 There's my badge. 14:13.960 --> 14:15.960 Oh, oh, now wait a minute. 14:15.960 --> 14:16.960 I didn't know that you... 14:16.960 --> 14:18.960 I suppose you don't know what I'd find in this drink 14:18.960 --> 14:20.960 if I took it down to be analyzed either. 14:20.960 --> 14:21.960 Hey, now, look, I don't want any trouble. 14:21.960 --> 14:22.960 I never had any. 14:22.960 --> 14:24.960 They can tell you down at headquarters. 14:24.960 --> 14:26.960 Of course, it's a matter of dough. 14:26.960 --> 14:28.960 You can't buy your way out of this one, chum. 14:28.960 --> 14:29.960 I want talk, and I want it quick. 14:29.960 --> 14:30.960 What kind of talk? 14:30.960 --> 14:32.960 Where'd you take Tommy last night? 14:32.960 --> 14:34.960 It was just a little party, a private party. 14:34.960 --> 14:37.960 Yeah, and they slipped things in people's drinks there, too. 14:37.960 --> 14:39.960 Now, I don't know anything about that. 14:39.960 --> 14:41.960 Now, honestly, I hardly know the people. 14:41.960 --> 14:42.960 Who's the guy with the frog voice? 14:42.960 --> 14:43.960 Voice? 14:43.960 --> 14:45.960 I don't know any guy with a frog voice. 14:45.960 --> 14:47.960 Now, look, I told you I don't want any trouble. 14:47.960 --> 14:48.960 They can tell you that down at headquarters. 14:48.960 --> 14:50.960 Listen, there's a narcotics wrap in this for somebody, 14:50.960 --> 14:51.960 and it could be you. 14:51.960 --> 14:53.960 Where was the party? 14:54.960 --> 14:56.960 Courtney Square West, number 75. 14:56.960 --> 14:58.960 Some people named Sorelle... 14:58.960 --> 14:59.960 Come on, Tommy. 14:59.960 --> 15:16.960 You're coming, too, Joe, just in case. 15:16.960 --> 15:17.960 Sorelle, A.J. 15:17.960 --> 15:19.960 Does this look like the place, Tommy? 15:19.960 --> 15:21.960 Well, it looks like it. 15:21.960 --> 15:22.960 Could be. 15:22.960 --> 15:24.960 Everything has been so confused since last night. 15:24.960 --> 15:26.960 Well, this is it. 15:26.960 --> 15:27.960 It better be. 15:27.960 --> 15:28.960 Mrs. Sorelle? 15:28.960 --> 15:29.960 Yes? 15:29.960 --> 15:30.960 I'm from police headquarters. 15:30.960 --> 15:31.960 Oh? 15:31.960 --> 15:32.960 Mind if we come in and look around? 15:32.960 --> 15:33.960 I'm... no. 15:33.960 --> 15:34.960 Come on, Tommy. 15:34.960 --> 15:35.960 You, too, Joe. 15:35.960 --> 15:37.960 By the way, you two know each other? 15:37.960 --> 15:39.960 Oh, his face familiar. 15:39.960 --> 15:40.960 I think he's been here on a couple of parties. 15:40.960 --> 15:42.960 We kind of get crazy parties. 15:42.960 --> 15:44.960 All kinds of people wander in and out. 15:44.960 --> 15:45.960 Is that what the trouble is? 15:45.960 --> 15:46.960 It might be. 15:46.960 --> 15:48.960 You know anyone with a froggy voice? 15:48.960 --> 15:49.960 No. 15:49.960 --> 15:51.960 Not that I can remember. 15:51.960 --> 15:52.960 Okay. 15:52.960 --> 15:53.960 Let's look at the apartment. 15:53.960 --> 15:55.960 Well, this is the hall, of course. 15:55.960 --> 15:56.960 And here's the living room. 15:56.960 --> 15:58.960 Joe, you stay here in the hall. 15:58.960 --> 16:00.960 And you better be here when I get back. 16:00.960 --> 16:02.960 I'll be here. 16:02.960 --> 16:04.960 So this is the living room. 16:04.960 --> 16:05.960 Uh-huh. 16:05.960 --> 16:06.960 This is the bedroom. 16:06.960 --> 16:07.960 Looks kind of messy now. 16:07.960 --> 16:08.960 See anything? 16:08.960 --> 16:09.960 No. 16:09.960 --> 16:10.960 Over here's the kitchenette. 16:10.960 --> 16:11.960 I see. 16:11.960 --> 16:13.960 That's about all there is to it. 16:13.960 --> 16:14.960 What's that room there? 16:14.960 --> 16:17.960 Oh, that's just a sort of store room. 16:17.960 --> 16:18.960 Well, I think we'd better look at it, though. 16:18.960 --> 16:19.960 Come on. 16:19.960 --> 16:20.960 All right. 16:20.960 --> 16:21.960 You... 16:21.960 --> 16:22.960 There. 16:22.960 --> 16:23.960 See? 16:23.960 --> 16:24.960 Nothing much in it. 16:24.960 --> 16:26.960 An old armchair and a bed. 16:26.960 --> 16:28.960 We use it as a guest room sometimes. 16:28.960 --> 16:29.960 Denny, that closet. 16:29.960 --> 16:30.960 Oh, there's nothing in there. 16:30.960 --> 16:32.960 Just a lot of old odds and ends. 16:32.960 --> 16:33.960 Open it. 16:33.960 --> 16:34.960 Well, it's locked. 16:34.960 --> 16:35.960 All right. 16:35.960 --> 16:36.960 Unlock it. 16:36.960 --> 16:37.960 I'm not sure where the key is. 16:37.960 --> 16:39.960 And, lady, you better find it. 16:39.960 --> 16:40.960 Well, I'll try. 16:40.960 --> 16:43.960 Be right back. 16:43.960 --> 16:44.960 Is this it, Tommy? 16:44.960 --> 16:46.960 Oh, there was a closet like that. 16:46.960 --> 16:48.960 And a window just over there where that one is. 16:48.960 --> 16:49.960 And the armchair and the bed. 16:49.960 --> 16:50.960 Don't you remember? 16:50.960 --> 16:51.960 I... 16:51.960 --> 16:52.960 I can't, Denny. 16:52.960 --> 16:53.960 Let me have that key. 16:53.960 --> 16:54.960 Wait a minute. 16:54.960 --> 16:55.960 Here she comes. 16:55.960 --> 16:56.960 I think this is it. 16:56.960 --> 16:57.960 Try it. 16:57.960 --> 16:58.960 Sort of stick sometimes. 16:58.960 --> 16:59.960 I'll help you. 16:59.960 --> 17:00.960 Here she comes. 17:00.960 --> 17:01.960 See? 17:01.960 --> 17:04.960 Just a lot of old junk. 17:04.960 --> 17:05.960 Uh-huh. 17:05.960 --> 17:06.960 Oh, come on, Denny. 17:06.960 --> 17:07.960 You sure? 17:07.960 --> 17:08.960 Sure, I'm sure. 17:08.960 --> 17:09.960 Come on. 17:09.960 --> 17:11.960 Well, I guess that's all, Mr. Sorrell. 17:11.960 --> 17:13.960 Thanks for showing us around. 17:13.960 --> 17:14.960 That's all right. 17:14.960 --> 17:15.960 Hello, Joe. 17:15.960 --> 17:16.960 Still here, huh? 17:16.960 --> 17:19.960 You don't mind if I stay here and visit a while, do you? 17:19.960 --> 17:20.960 No, I guess not. 17:20.960 --> 17:21.960 Well, good-bye. 17:21.960 --> 17:22.960 Bye. 17:22.960 --> 17:23.960 Thanks again. 17:23.960 --> 17:25.960 Well, good-bye and good luck, Hopper. 17:28.960 --> 17:29.960 I'm sorry, Denny. 17:29.960 --> 17:31.960 That was a try. 17:32.960 --> 17:33.960 Well, what do we do now? 17:33.960 --> 17:34.960 I don't know, Tommy. 17:34.960 --> 17:35.960 I don't know. 17:36.960 --> 17:37.960 Think, Tommy. 17:37.960 --> 17:38.960 Think. 17:38.960 --> 17:39.960 We found Joe. 17:39.960 --> 17:41.960 Now what about those singing walls? 17:46.960 --> 17:48.960 No, that's what's over there. 17:48.960 --> 17:49.960 That's right. 17:49.960 --> 17:52.960 It comes right out of the walls. 17:52.960 --> 17:55.960 We got hot and cold running water here 17:55.960 --> 17:57.960 and singing walls. 18:02.960 --> 18:03.960 Denny. 18:03.960 --> 18:04.960 Yeah? 18:04.960 --> 18:05.960 Listen. 18:05.960 --> 18:06.960 What? 18:06.960 --> 18:07.960 That's it, the singing walls, the music I heard last night. 18:07.960 --> 18:08.960 You sure? 18:08.960 --> 18:09.960 Sure, I remember the piece, the harmonica and everything. 18:09.960 --> 18:10.960 It's coming from right around here someplace. 18:10.960 --> 18:12.960 Denny, it's coming from their apartment, the one we just left, Sorrell's. 18:12.960 --> 18:13.960 Well, come on. 18:14.960 --> 18:15.960 This must be the place, Tommy. 18:15.960 --> 18:17.960 The closet and now the music. 18:17.960 --> 18:19.960 They must have been pulling a fast one on us. 18:19.960 --> 18:20.960 Well? 18:20.960 --> 18:21.960 All right, quit stalling. 18:21.960 --> 18:22.960 Come on, Tommy. 18:22.960 --> 18:23.960 Stalling? 18:23.960 --> 18:24.960 You heard me. 18:24.960 --> 18:25.960 You two brushed us off pretty slick, didn't you? 18:25.960 --> 18:27.960 Hey, now listen, I told you I don't know anything about this, but if you... 18:27.960 --> 18:28.960 Where's the music coming from? 18:28.960 --> 18:29.960 Well, from the radio. 18:29.960 --> 18:30.960 The radio? 18:30.960 --> 18:33.960 Yes, I turned it on in the kitchen just now when I started to fix dinner. 18:33.960 --> 18:34.960 It's a little portable. 18:35.960 --> 18:36.960 From here, see? 18:37.960 --> 18:38.960 Okay. 18:38.960 --> 18:39.960 I don't get it. 18:39.960 --> 18:40.960 What did you mean by... 18:40.960 --> 18:41.960 Skip it. 18:41.960 --> 18:42.960 Well, Tommy, here we go again. 18:42.960 --> 18:43.960 I don't care. 18:43.960 --> 18:45.960 That was the music I heard. 18:45.960 --> 18:46.960 And that's the same number 18:46.960 --> 18:47.960 and it sounds like the same band. 18:47.960 --> 18:48.960 Hey, wait a minute. 18:48.960 --> 18:49.960 Now what? 18:49.960 --> 18:50.960 Where's your phone? 18:50.960 --> 18:51.960 On the desk. 18:51.960 --> 18:53.960 Tommy, go and see what station that's coming over. 18:53.960 --> 18:54.960 All right. 18:55.960 --> 18:56.960 WBTA. 18:56.960 --> 18:57.960 It's a local station. 18:57.960 --> 18:58.960 Thanks. 18:59.960 --> 19:00.960 Hello? 19:00.960 --> 19:01.960 Operator? 19:01.960 --> 19:03.960 Get me station WBTA. 19:03.960 --> 19:05.960 A radio station. 19:05.960 --> 19:06.960 I don't know what the number is. 19:06.960 --> 19:07.960 Just get it. 19:07.960 --> 19:08.960 This is a police call. 19:09.960 --> 19:10.960 Thanks. 19:10.960 --> 19:12.960 May be wrong, Tommy, but I got a hunch. 19:13.960 --> 19:14.960 Hello? 19:14.960 --> 19:15.960 WBTA? 19:15.960 --> 19:17.960 What's that band you've got on now? 19:18.960 --> 19:20.960 I don't care if it's an electrical transcription 19:20.960 --> 19:21.960 or a Mickey Mouse cartoon. 19:21.960 --> 19:22.960 What's that guy's name? 19:23.960 --> 19:24.960 What? 19:24.960 --> 19:25.960 Turn off that radio. 19:26.960 --> 19:27.960 Now, what was that guy's name? 19:28.960 --> 19:29.960 Yeah. 19:31.960 --> 19:32.960 Well, where can we get a hold of this guy? 19:32.960 --> 19:33.960 Where does he hang out? 19:34.960 --> 19:35.960 I see. 19:36.960 --> 19:37.960 Five nights a week, huh? 19:37.960 --> 19:38.960 That include tonight? 19:39.960 --> 19:40.960 Thanks. 19:41.960 --> 19:42.960 He's a small-time band leader, Tom. 19:42.960 --> 19:44.960 Armonica Hall and his harmoniers, he calls himself. 19:44.960 --> 19:46.960 And he plays at a place called the Silver Slipper 19:46.960 --> 19:47.960 out in the concourse. 19:47.960 --> 19:48.960 Come on. 19:48.960 --> 19:49.960 Coming. 19:50.960 --> 19:51.960 You better get on that phone, Joe. 19:51.960 --> 19:54.960 You dumb, you would have to turn on that radio. 20:07.960 --> 20:08.960 There's the Silver Slipper right over there. 20:09.960 --> 20:10.960 Okay, let us out here. 20:10.960 --> 20:12.960 Right. 20:12.960 --> 20:13.960 There you are. 20:14.960 --> 20:15.960 Thank you, sir. 20:22.960 --> 20:24.960 Look familiar to you around here, Tommy? 20:24.960 --> 20:25.960 No. 20:25.960 --> 20:27.960 Oh, I'm afraid it's a bum's steer, Denny. 20:27.960 --> 20:30.960 Look, kid, here's the way I figure this music deal. 20:30.960 --> 20:31.960 You may have heard a recording of this band 20:31.960 --> 20:33.960 the way you did a little while ago. 20:33.960 --> 20:36.960 But there's a good chance you actually heard the guy himself. 20:37.960 --> 20:38.960 You know what time it was when you heard it? 20:38.960 --> 20:40.960 Well, it was just night, that's all I know. 20:40.960 --> 20:41.960 All right. 20:41.960 --> 20:44.960 They don't make recordings often of unknown bands. 20:44.960 --> 20:46.960 And this Silver Slipper isn't on the air. 20:46.960 --> 20:49.960 So maybe you were out here someplace and heard the band itself. 20:49.960 --> 20:50.960 Maybe. 20:51.960 --> 20:52.960 I know it's kind of a long shot, kid, 20:52.960 --> 20:54.960 but right now it's the best we got. 20:54.960 --> 20:55.960 Let's case the joint. 20:56.960 --> 20:57.960 Okay. 20:58.960 --> 21:01.960 Don't look like there are any rooms with closets in a Silver Slipper. 21:01.960 --> 21:04.960 Say, what about that crummy-looking hotel next to it? 21:04.960 --> 21:06.960 Yeah, I was just thinking. 21:06.960 --> 21:08.960 If you were in a room in a closet and all that, 21:08.960 --> 21:10.960 and you really did hear this band, 21:10.960 --> 21:12.960 that hotel's the only place you could have been. 21:12.960 --> 21:14.960 Oh, I wish I could remember something. 21:14.960 --> 21:16.960 The shape you were in, you probably signed your own name, too. 21:16.960 --> 21:17.960 Come on. 21:18.960 --> 21:19.960 By the way, what time you got? 21:19.960 --> 21:20.960 Uh, 10 to 6. 21:20.960 --> 21:22.960 10 to 6. 21:22.960 --> 21:24.960 Deadline's pretty close, kid. 21:24.960 --> 21:25.960 Yeah. 21:25.960 --> 21:27.960 This better be right. 21:28.960 --> 21:30.960 What a dump. 21:30.960 --> 21:31.960 I can only remember. 21:31.960 --> 21:33.960 Well, there's a clerk, we'll see. 21:33.960 --> 21:35.960 Say, you got a guy named Tom Cochran here? 21:35.960 --> 21:37.960 Tom Cochran? I don't know. 21:37.960 --> 21:39.960 It's all right. We're friends of his. 21:39.960 --> 21:41.960 Let's see. When did he register? 21:41.960 --> 21:42.960 Last night. 21:42.960 --> 21:46.960 Sure, here it is. Tom Cochran and Ben Doyle, room 209. 21:46.960 --> 21:47.960 I don't think they're in now. 21:47.960 --> 21:48.960 No? 21:48.960 --> 21:51.960 No. I've been ringing to see if they were going to check out by 6. 21:51.960 --> 21:52.960 I was just going to send somebody up. 21:52.960 --> 21:54.960 Well, they were out at a big party last night. 21:54.960 --> 21:56.960 Probably haven't pulled themselves together yet. 21:56.960 --> 21:58.960 As a matter of fact, that's where we came to see them. 21:58.960 --> 21:59.960 Should I ring again? 21:59.960 --> 22:00.960 No, we're sort of surprised. 22:00.960 --> 22:02.960 Okay, right up those stairs. 22:02.960 --> 22:04.960 But they've got to be out by 6 or pay for another night. 22:04.960 --> 22:06.960 We'll take care of that. Let's go, Tom. 22:08.960 --> 22:11.960 Denny, did you see that handwriting on the register? 22:11.960 --> 22:12.960 Yeah. 22:13.960 --> 22:14.960 It was mine all right. 22:14.960 --> 22:16.960 This is it, Tommy. One way or another. 22:16.960 --> 22:17.960 Yeah. 22:17.960 --> 22:19.960 Here's 209. 22:19.960 --> 22:21.960 Don't put your hand on that doorknob. 22:21.960 --> 22:23.960 Fingerprints. Use your handkerchief. 22:24.960 --> 22:25.960 Slak. 22:25.960 --> 22:26.960 I got some keys. 22:27.960 --> 22:28.960 It's an easy lock. 22:28.960 --> 22:32.960 Here we go, kid. 22:33.960 --> 22:34.960 Denny, this is it. 22:34.960 --> 22:35.960 Close that door. 22:35.960 --> 22:37.960 Yeah. There's a closet. 22:37.960 --> 22:38.960 Give me the key. 22:39.960 --> 22:41.960 Here, you better hold my gun on that door just in case. 22:41.960 --> 22:42.960 All right. 22:43.960 --> 22:44.960 Denny, look out! 22:45.960 --> 22:48.960 He was just falling. He's dead. 22:48.960 --> 22:50.960 Oh, gee, this is awful. 22:50.960 --> 22:51.960 You remember now? 22:52.960 --> 22:53.960 Yeah. 22:54.960 --> 22:55.960 But I can't put it together. 22:55.960 --> 22:56.960 Let's have a look. 22:56.960 --> 22:57.960 Oh. 22:58.960 --> 22:59.960 Stabbed. 22:59.960 --> 23:01.960 Here's his driver's license. 23:01.960 --> 23:03.960 Benjamin Doyle. 23:03.960 --> 23:04.960 What's going on, Dad? 23:04.960 --> 23:05.960 Give me it. 23:06.960 --> 23:07.960 Hello? 23:07.960 --> 23:09.960 Oh, yeah, we found him, all right. 23:09.960 --> 23:11.960 Oh, they're going to keep the room for another night. 23:11.960 --> 23:13.960 No, no, no. There's not a thing we want. 23:14.960 --> 23:16.960 We're in for it now, kid. 23:16.960 --> 23:18.960 Denny, look on the floor over there. 23:18.960 --> 23:20.960 Class knife. Covered with blood. 23:20.960 --> 23:21.960 That's what did it, all right. 23:21.960 --> 23:22.960 Yeah. 23:22.960 --> 23:23.960 Hey. 23:23.960 --> 23:24.960 Yeah, yeah, I know. It's mine. 23:24.960 --> 23:26.960 Tommy, why didn't you tell me? 23:26.960 --> 23:29.960 Honest, Denny, I didn't even know I'd lost it until I just saw it there now. 23:29.960 --> 23:31.960 Fingerprints all over. 23:31.960 --> 23:33.960 It's clear as other than made in ceiling wax. 23:34.960 --> 23:35.960 Right-handed, aren't you, Tommy? 23:35.960 --> 23:36.960 Yeah, right-handed. 23:36.960 --> 23:37.960 Let me see your right hand. 23:39.960 --> 23:41.960 Doesn't take an expert to read these. 23:41.960 --> 23:43.960 Those prints are yours, all right, kid. 23:43.960 --> 23:44.960 Yeah, I guess they are. 23:44.960 --> 23:46.960 And you still don't remember? 23:46.960 --> 23:48.960 Honest, Denny, I don't. 23:48.960 --> 23:50.960 Can you think of any other explanation? 23:50.960 --> 23:52.960 No. There's the guy with the frog voice, 23:52.960 --> 23:55.960 but I must have just dreamed them up. 23:55.960 --> 23:56.960 I don't know. 23:57.960 --> 23:59.960 Well, kid, I guess this is it. 24:00.960 --> 24:02.960 You did all you could, Denny. Don't feel bad. 24:02.960 --> 24:04.960 We can plead insanity or something. 24:04.960 --> 24:05.960 Maybe we can prove you were doped. 24:05.960 --> 24:06.960 Maybe. 24:07.960 --> 24:09.960 You better call headquarters, Denny. Let's get it over. 24:09.960 --> 24:10.960 All right. 24:10.960 --> 24:11.960 So where are you going? 24:11.960 --> 24:13.960 I don't have a phone from here. The clerk will listen in. 24:13.960 --> 24:16.960 It's no use getting all the wolves on us before we have to. 24:16.960 --> 24:17.960 Aren't you afraid that I'll... 24:17.960 --> 24:18.960 No, no. 24:18.960 --> 24:19.960 Oh, I won't. 24:19.960 --> 24:21.960 I just haven't sent a detective car. 24:21.960 --> 24:23.960 You won't have to go in the wagon. 24:23.960 --> 24:24.960 Thanks. 24:24.960 --> 24:26.960 Better let me have my gun. 24:26.960 --> 24:27.960 Sure. 24:27.960 --> 24:28.960 I'll be back. 24:28.960 --> 24:30.960 Lie down for a couple of minutes. 24:30.960 --> 24:32.960 You look kind of sick. 24:32.960 --> 24:33.960 I am. 24:41.960 --> 24:44.960 That's the idea. Take a little snooze. 24:44.960 --> 24:46.960 I won't be gone long. 24:46.960 --> 24:49.960 Get a little sleep. Do your good. 24:49.960 --> 24:50.960 I'll be right back. 24:54.960 --> 24:56.960 Have a little trouble in here? 24:56.960 --> 24:57.960 Blood. 24:57.960 --> 24:59.960 Sure, blood. 24:59.960 --> 25:01.960 All over your shirt. 25:01.960 --> 25:03.960 Oh, he's all right. 25:03.960 --> 25:06.960 Put him in the closet. Lock the door. 25:06.960 --> 25:08.960 Key right in your pocket. 25:08.960 --> 25:10.960 I'm not going anyplace. 25:10.960 --> 25:12.960 Back in just a minute. 25:12.960 --> 25:14.960 Sure, I'll be right back. 25:14.960 --> 25:16.960 Be right back. 25:24.960 --> 25:25.960 Here he is. 25:25.960 --> 25:26.960 You? 25:26.960 --> 25:27.960 Yeah, me. 25:27.960 --> 25:28.960 Hey, what are you going to do with him, Froggy? 25:28.960 --> 25:30.960 Get him in the other room until his copper friend misses him 25:30.960 --> 25:31.960 and starts looking. 25:31.960 --> 25:33.960 Now listen, I don't want to be in anything like this. 25:33.960 --> 25:34.960 Shut up. 25:34.960 --> 25:36.960 You're in it up to your neck. 25:36.960 --> 25:37.960 Come on, you. Get up. 25:37.960 --> 25:38.960 Okay. 25:38.960 --> 25:39.960 Get going. 25:40.960 --> 25:41.960 Up to your neck. 25:41.960 --> 25:44.960 Get going. Up to your neck. 25:47.960 --> 25:48.960 Open the other door, Joe. 25:48.960 --> 25:49.960 Sure. 25:51.960 --> 25:52.960 Get in there. 25:56.960 --> 25:57.960 That's the guy, Frog? 25:57.960 --> 25:58.960 Yeah. 25:58.960 --> 26:00.960 Listen, Froggy, this don't look so good. 26:00.960 --> 26:02.960 There was people who knew you were getting ready to give it to Doyle. 26:02.960 --> 26:05.960 Sure, sure. That's why I framed this guy. 26:05.960 --> 26:07.960 All the trouble I went through, 26:07.960 --> 26:09.960 doped him and brought Doyle in there when he was out. 26:09.960 --> 26:11.960 Planted the key on him, bloodied him up, 26:11.960 --> 26:12.960 put the knife in his hand. 26:12.960 --> 26:15.960 I still don't see how he ever came to in time. 26:15.960 --> 26:17.960 Yeah, but he did. 26:17.960 --> 26:18.960 So what? 26:18.960 --> 26:20.960 We frame him again. 26:20.960 --> 26:21.960 Music? 26:21.960 --> 26:23.960 You like music, don't you? 26:23.960 --> 26:25.960 You're pretty sweet about music, ain't you? 26:25.960 --> 26:29.960 Well, for your information, that's harmonica hell rehearsing for the night. 26:29.960 --> 26:32.960 And in this room, it comes through the window. 26:32.960 --> 26:34.960 On account of the reservoir window. 26:34.960 --> 26:36.960 But in the other room, it comes through the walls. 26:36.960 --> 26:38.960 On account of the rate no window. 26:38.960 --> 26:39.960 Catch on. 26:39.960 --> 26:40.960 Better close the window, Joe. 26:40.960 --> 26:42.960 No, no, wait a minute. 26:42.960 --> 26:44.960 Yeah, I do like music. 26:44.960 --> 26:48.960 You mind if a guy in a spot like I am hears a little music? 26:48.960 --> 26:49.960 What about it, Froggy? 26:49.960 --> 26:51.960 Sure, sure, leave it up. 26:51.960 --> 26:53.960 Let's have music while we work. 26:53.960 --> 26:56.960 It'll cover up the noise if he makes any fuss. 26:56.960 --> 26:57.960 So what's the new angle? 26:57.960 --> 26:58.960 Knock him off. 26:58.960 --> 27:00.960 Dump him in the park. 27:00.960 --> 27:02.960 Dead by his own hand. 27:02.960 --> 27:04.960 Remorse. 27:04.960 --> 27:07.960 We leave the gun beside him and plant some of Doyle's stuff on him. 27:07.960 --> 27:08.960 Yeah, yeah, I got it. 27:08.960 --> 27:10.960 All right, get going, get going, tie him up. 27:10.960 --> 27:11.960 Yeah. 27:11.960 --> 27:13.960 Put a hand on his mouth. 27:13.960 --> 27:14.960 Yeah. 27:14.960 --> 27:15.960 Put a card around him. 27:15.960 --> 27:16.960 He's drunk, see? 27:16.960 --> 27:18.960 And we're taking care of him. 27:18.960 --> 27:19.960 Okay. 27:19.960 --> 27:20.960 Where's the card? 27:20.960 --> 27:21.960 Round it back. 27:21.960 --> 27:23.960 Nobody will see us going out that way. 27:23.960 --> 27:25.960 All right, all right, you ready? 27:25.960 --> 27:26.960 Just a minute. 27:26.960 --> 27:27.960 All right, take a look. 27:27.960 --> 27:28.960 Okay. 27:28.960 --> 27:29.960 All right. 27:29.960 --> 27:30.960 Take a look out that door. 27:30.960 --> 27:31.960 Okay. 27:33.960 --> 27:34.960 All clear? 27:34.960 --> 27:35.960 Yeah. 27:35.960 --> 27:36.960 Let's go. 27:36.960 --> 27:38.960 Lock the door after we go in. 27:38.960 --> 27:39.960 Okay. 27:42.960 --> 27:44.960 Down the hall to the back stairs. 27:44.960 --> 27:45.960 Hey, what the? 27:45.960 --> 27:47.960 All right, drop those guns and drop them up. 27:47.960 --> 27:48.960 Cover him, you guys. 27:48.960 --> 27:49.960 I got it. 27:49.960 --> 27:50.960 You'll find out, Graziano. 27:50.960 --> 27:52.960 Get that gag out of the guy's mouth and untie him. 27:52.960 --> 27:53.960 Sure. 27:54.960 --> 27:56.960 Jenny, I heard the music. 27:57.960 --> 27:58.960 I hoped you would. 27:58.960 --> 28:00.960 I asked him to leave the window open. 28:00.960 --> 28:02.960 I heard the conversation too. 28:02.960 --> 28:03.960 Enough. 28:03.960 --> 28:05.960 Okay, boys, take him down. 28:05.960 --> 28:07.960 All right, come on, come on. 28:12.960 --> 28:15.960 Say, who are those guys? 28:15.960 --> 28:16.960 Graziano's a mobster. 28:16.960 --> 28:19.960 Doyle was one of his boys who double crossed him. 28:19.960 --> 28:20.960 How you feeling? 28:20.960 --> 28:21.960 Okay, I guess. 28:21.960 --> 28:22.960 That was kind of close. 28:22.960 --> 28:24.960 Yeah, all the way around. 28:24.960 --> 28:25.960 Yeah. 28:25.960 --> 28:26.960 Look, kid, I... 28:26.960 --> 28:27.960 Skip it, Denny. 28:27.960 --> 28:28.960 I'm sorry, Tommy. 28:28.960 --> 28:29.960 Honest. 28:29.960 --> 28:30.960 I thought you did it. 28:30.960 --> 28:35.960 Denny, until just now, so did I. 28:53.960 --> 28:58.960 And so closes The Singing Walls starring Preston Foster with Dane Clark. 28:58.960 --> 29:00.960 Tonight's tale of... 29:01.960 --> 29:03.960 Suspense. 29:03.960 --> 29:11.960 This is your narrator, the man in black, who conveys to you Columbia's invitation to spend this half hour in suspense with us again next week at this same time, 29:11.960 --> 29:18.960 when Miss Lillian Gish and Mr. Otto Krueger, who star in the suspense play, marry for murder. 29:18.960 --> 29:25.960 The producer of these broadcasts is William Spear, who with Ted Bliss, the director, Bernard Herman and Lucy Ann Marowick, conductor and composer, 29:25.960 --> 29:30.960 and Robert L. Richards, the radio author, collaborated on tonight's Suspense. 29:30.960 --> 29:56.960 This is CBS, the Columbia broadcasting system.