1 00:00:00,000 --> 00:00:12,520 Suspense! 2 00:00:12,520 --> 00:00:20,280 This is the man in black, here again to introduce Columbia's program, Suspense. 3 00:00:20,280 --> 00:00:27,000 Our star this evening is Miss Maureen O'Hara, whom you've seen rise to stardom in Hollywood 4 00:00:27,000 --> 00:00:30,240 within the short space of a year. 5 00:00:30,240 --> 00:00:36,440 Her performances in the 20th Century Fox production, How Green Was My Valley, then more recently 6 00:00:36,440 --> 00:00:42,840 in the Immortal Sergeant, and now currently in the RKO production, This Land Is Mine, 7 00:00:42,840 --> 00:00:49,360 have given her an enviable place in the ranks of America's new film favorites. 8 00:00:49,360 --> 00:00:54,640 Miss O'Hara makes her first appearance on our Suspense stage tonight as the heroine 9 00:00:54,640 --> 00:01:03,240 of a study in homicidal mania, The White Rose Murders by Cornell Woolrich, which is tonight's 10 00:01:03,240 --> 00:01:06,920 tale of Suspense. 11 00:01:06,920 --> 00:01:12,000 If you have been with us before, you will know that Suspense is compounded of mystery 12 00:01:12,000 --> 00:01:15,680 and suspicion and dangerous adventure. 13 00:01:15,680 --> 00:01:22,360 In this series are tales calculated to intrigue you, to stir your nerves, to offer you a precarious 14 00:01:22,360 --> 00:01:30,240 situation and then withhold the solution until the last possible moment. 15 00:01:30,240 --> 00:01:36,260 And so it is with The White Rose Murders and the performance of Maureen O'Hara, we again 16 00:01:36,260 --> 00:01:37,260 hope to keep you in. 17 00:01:37,260 --> 00:01:50,320 Suspense! 18 00:01:50,320 --> 00:01:52,320 He stood there waiting. 19 00:01:52,320 --> 00:01:56,240 He knew that presently they would come out of the second rate dance hall, out into the 20 00:01:56,240 --> 00:01:58,360 dimly lit street. 21 00:01:58,360 --> 00:02:05,200 He listened a while and smiled as the orchestra played that tune inside. 22 00:02:05,200 --> 00:02:11,080 And then they came out, the two girls, and still he waited, close enough to hear what 23 00:02:11,080 --> 00:02:12,080 they were saying. 24 00:02:12,080 --> 00:02:14,160 Well, I'll see you at the office tomorrow, Sally. 25 00:02:14,160 --> 00:02:17,080 Oh, I don't know how I'll get up. 26 00:02:17,080 --> 00:02:19,080 It's after one o'clock. 27 00:02:19,080 --> 00:02:20,560 Six hours sleep. 28 00:02:20,560 --> 00:02:22,840 Oh, I'll be dead tomorrow. 29 00:02:22,840 --> 00:02:23,840 Me too. 30 00:02:23,840 --> 00:02:28,600 Oh, gosh, I got to have at least eight hours or I'm no good at all. 31 00:02:28,600 --> 00:02:31,280 I wish I had someone to walk me to the bus. 32 00:02:31,280 --> 00:02:32,720 It's four long blocks. 33 00:02:32,720 --> 00:02:34,080 I'll walk you down, Sally. 34 00:02:34,080 --> 00:02:35,080 Oh, don't bother. 35 00:02:35,080 --> 00:02:36,080 We go in different directions. 36 00:02:36,080 --> 00:02:37,080 What's no trouble? 37 00:02:37,080 --> 00:02:38,080 Really, I don't mind. 38 00:02:38,080 --> 00:02:47,080 Really, it's not necessary. 39 00:02:47,080 --> 00:02:54,000 In a narrow alley that divides the dance hall from an ugly office building, he stood smiling. 40 00:02:54,000 --> 00:03:00,200 Just a little inside the alley, he stood stiffly against the wall, his head back, eyes closed, 41 00:03:00,200 --> 00:03:04,480 arms straight down, and in his left hand, a white rose. 42 00:03:04,480 --> 00:03:06,480 Well, all right then, Sally. 43 00:03:06,480 --> 00:03:07,480 Good night. 44 00:03:07,480 --> 00:03:08,480 Good night, Joan. 45 00:03:08,480 --> 00:03:09,480 See you in the morning. 46 00:03:09,480 --> 00:03:25,280 Oh, I hope I don't have to wait long for the bus. 47 00:03:25,280 --> 00:03:28,280 Who are you? 48 00:03:28,280 --> 00:03:30,280 Keep away. 49 00:03:30,280 --> 00:03:33,280 Keep away from me. 50 00:03:33,280 --> 00:03:36,280 Let me go. 51 00:03:36,280 --> 00:03:39,280 Let me go. 52 00:03:39,280 --> 00:03:42,960 The girl is dead. 53 00:03:42,960 --> 00:03:49,680 Tenderly, the figure straightens her hair and gently places the limp body on the ground. 54 00:03:49,680 --> 00:03:55,980 Then he opens her clenched fist and carefully so that the thorns will not bruise her flesh. 55 00:03:55,980 --> 00:04:00,680 He places in her hand the white rosebud. 56 00:04:00,680 --> 00:04:11,240 Pardon me, my good man. 57 00:04:11,240 --> 00:04:13,680 Is it true that you are the famous detective Terrence Riley? 58 00:04:13,680 --> 00:04:14,680 Huh? 59 00:04:14,680 --> 00:04:16,520 Oh, Ginny, I didn't see you come in. 60 00:04:16,520 --> 00:04:19,840 Well, now that I'm here, how about offering to buy a cup of coffee for the girl you're 61 00:04:19,840 --> 00:04:21,240 going to marry? 62 00:04:21,240 --> 00:04:23,240 You can never get up enough nerve to ask her. 63 00:04:23,240 --> 00:04:24,240 Oh, it's no use, Ginny. 64 00:04:24,240 --> 00:04:27,080 I guess we better call it quits. 65 00:04:27,080 --> 00:04:31,280 I'm just a dick on the homicide squad and that's all I'll ever be. 66 00:04:31,280 --> 00:04:33,160 And I'm a rich debutante. 67 00:04:33,160 --> 00:04:34,360 We don't belong together. 68 00:04:34,360 --> 00:04:37,560 Oh, you've been reading too many of those romantic stories, Terry. 69 00:04:37,560 --> 00:04:39,440 What is it this time? 70 00:04:39,440 --> 00:04:40,440 What's wrong? 71 00:04:40,440 --> 00:04:43,160 They call him the white rose killer. 72 00:04:43,160 --> 00:04:44,160 He's got to be caught. 73 00:04:44,160 --> 00:04:49,320 It's a general demotion coming on if he isn't and that's all I need to get back into uniform. 74 00:04:49,320 --> 00:04:50,880 Oh, don't worry, darling. 75 00:04:50,880 --> 00:04:52,840 You always look good in blue. 76 00:04:52,840 --> 00:04:54,220 Yeah. 77 00:04:54,220 --> 00:04:56,640 Just to match the way I feel. 78 00:04:56,640 --> 00:04:58,720 Tell me more about the white rose killer. 79 00:04:58,720 --> 00:04:59,720 What's he like? 80 00:04:59,720 --> 00:05:01,560 That's the stumble. 81 00:05:01,560 --> 00:05:03,360 He could be anybody. 82 00:05:03,360 --> 00:05:07,680 No one's ever seen him except the dead and they don't talk about it afterwards. 83 00:05:07,680 --> 00:05:12,040 He just slips out of the shadows and kills and then slips back again. 84 00:05:12,040 --> 00:05:13,480 How many has he murdered? 85 00:05:13,480 --> 00:05:14,480 Four. 86 00:05:14,480 --> 00:05:15,480 He's not through yet. 87 00:05:15,480 --> 00:05:19,040 It's going to be one of those chain things if he's allowed to keep on. 88 00:05:19,040 --> 00:05:20,920 Are you sure it's always the same one? 89 00:05:20,920 --> 00:05:21,920 Yeah. 90 00:05:21,920 --> 00:05:22,920 That part of it we're sure of. 91 00:05:22,920 --> 00:05:26,520 It's the same touch, the same way of operating every time. 92 00:05:26,520 --> 00:05:27,520 How do you know that? 93 00:05:27,520 --> 00:05:33,920 Well, it's a rose, a white rosebud, a death rose. 94 00:05:33,920 --> 00:05:36,560 Puts it into each victim's hand after he kills her. 95 00:05:36,560 --> 00:05:37,560 Her? 96 00:05:37,560 --> 00:05:38,560 Yep. 97 00:05:38,560 --> 00:05:40,560 It's always a woman. 98 00:05:40,560 --> 00:05:44,120 A young woman between 19 and 23. 99 00:05:44,120 --> 00:05:45,160 What's behind it? 100 00:05:45,160 --> 00:05:46,160 Do you have any idea? 101 00:05:46,160 --> 00:05:49,640 Well, I'm not sure. 102 00:05:49,640 --> 00:05:51,440 But here's what I figured out. 103 00:05:51,440 --> 00:05:55,160 You know what a rose stands for, symbolically I mean. 104 00:05:55,160 --> 00:05:59,040 Why yes, it's the flower of love. 105 00:05:59,040 --> 00:06:01,920 The white rose, the bud, has another meaning. 106 00:06:01,920 --> 00:06:06,640 Purity, loyalty, devotion, and especially it stands for a young girl. 107 00:06:06,640 --> 00:06:07,640 That's right. 108 00:06:07,640 --> 00:06:09,880 And that's about the way I see it. 109 00:06:09,880 --> 00:06:15,140 So maybe it's a double cross committed against our murderer by some young girl whom he worshipped 110 00:06:15,140 --> 00:06:16,720 and who betrayed his faith in her. 111 00:06:16,720 --> 00:06:18,720 You ought to be a detective, not me. 112 00:06:18,720 --> 00:06:19,880 Thanks, darling. 113 00:06:19,880 --> 00:06:21,880 I've got a very fine teacher. 114 00:06:21,880 --> 00:06:22,880 Sweet. 115 00:06:22,880 --> 00:06:25,400 There's another thing. 116 00:06:25,400 --> 00:06:30,640 The murders were all committed near places where there was music, dance halls, cabarets 117 00:06:30,640 --> 00:06:31,640 and the like. 118 00:06:31,640 --> 00:06:37,080 There's a song that brings back the original shock that gives him the final push over into 119 00:06:37,080 --> 00:06:38,080 the darkness. 120 00:06:38,080 --> 00:06:41,360 As far as we can figure out, it's the beer barrel polka. 121 00:06:41,360 --> 00:06:43,440 Well, how does he commit the murder? 122 00:06:43,440 --> 00:06:44,920 Is it always the same way? 123 00:06:44,920 --> 00:06:45,920 Always. 124 00:06:45,920 --> 00:06:50,000 Strangulation between the hands with a thumb into the windpipe to keep his victims from 125 00:06:50,000 --> 00:06:51,000 crying out. 126 00:06:51,000 --> 00:06:53,440 But isn't there anything else you know about him? 127 00:06:53,440 --> 00:06:56,400 No, that's why it's so hopeless. 128 00:06:56,400 --> 00:07:01,440 He's insane, of course, but there's only this one phase to his insanity. 129 00:07:01,440 --> 00:07:03,720 Probably perfectly normal in appearance and behavior. 130 00:07:03,720 --> 00:07:06,920 You could pass him on the street and even know it. 131 00:07:06,920 --> 00:07:12,240 Well, it's only when he sees someone vaguely like the girl he loved and hears that song 132 00:07:12,240 --> 00:07:17,640 that the one defective wire in him is jangled and short-circuited. 133 00:07:17,640 --> 00:07:18,640 But Terry, the flowers. 134 00:07:18,640 --> 00:07:20,340 Don't the flowers tell you? 135 00:07:20,340 --> 00:07:22,040 He must get them somewhere you could trace. 136 00:07:22,040 --> 00:07:23,800 We don't know where he gets them. 137 00:07:23,800 --> 00:07:25,840 Maybe he steals them or... 138 00:07:25,840 --> 00:07:28,640 Terry, what if you were the one to get him? 139 00:07:28,640 --> 00:07:33,040 Well, it would mean a citation and a promotion. 140 00:07:33,040 --> 00:07:36,640 And then all the things that stand between us would disappear? 141 00:07:36,640 --> 00:07:37,640 We could get married? 142 00:07:37,640 --> 00:07:40,640 Well, the chances would be a lot better anyway. 143 00:07:40,640 --> 00:07:42,680 But what chance have I? 144 00:07:42,680 --> 00:07:45,680 Everyone in the department has been working their heads off for weeks and they've all 145 00:07:45,680 --> 00:07:46,680 failed. 146 00:07:46,680 --> 00:07:47,680 Uh-huh. 147 00:07:47,680 --> 00:07:51,800 Uh, Terry, what were the girls like? 148 00:07:51,800 --> 00:07:52,800 The ones he killed? 149 00:07:52,800 --> 00:07:57,600 Well, as I told you, they were all between 19 and 23. 150 00:07:57,600 --> 00:07:59,160 Their heights were pretty much the same too. 151 00:07:59,160 --> 00:08:03,200 They were all tall girls, around five feet, six or seven. 152 00:08:03,200 --> 00:08:04,520 Little taller than you. 153 00:08:04,520 --> 00:08:06,120 And all dark-haired. 154 00:08:06,120 --> 00:08:07,520 How did they wear their hair? 155 00:08:07,520 --> 00:08:08,520 Why they... 156 00:08:08,520 --> 00:08:10,080 Say, what is this? 157 00:08:10,080 --> 00:08:11,080 Oh, nothing, darling. 158 00:08:11,080 --> 00:08:12,920 Just... just interested. 159 00:08:12,920 --> 00:08:13,920 How did they wear their hair? 160 00:08:13,920 --> 00:08:19,280 Well, from what I remember, they, uh, wore it sort of loose and curly down the back. 161 00:08:19,280 --> 00:08:23,120 I suppose each one had a resemblance to that long, dead love of his. 162 00:08:23,120 --> 00:08:24,520 That's probably it. 163 00:08:24,520 --> 00:08:27,840 Well, anyway, that's how the record stands. 164 00:08:27,840 --> 00:08:30,040 And we're all waiting for it to happen again. 165 00:08:30,040 --> 00:08:32,040 I see. 166 00:08:32,040 --> 00:08:35,640 Uh, Terry, um, I'd like to go home now. 167 00:08:35,640 --> 00:08:37,600 I shouldn't have told you all that stuff. 168 00:08:37,600 --> 00:08:38,600 I've given you the creeps. 169 00:08:38,600 --> 00:08:39,940 Oh, come on, Terry. 170 00:08:39,940 --> 00:08:40,940 Take me home. 171 00:08:40,940 --> 00:08:44,880 I'm going to bed. 172 00:08:44,880 --> 00:08:49,680 I'm going to bed. 173 00:08:49,680 --> 00:08:54,520 I'm going to bed. 174 00:08:54,520 --> 00:09:01,080 Later, Ginny stands by the window in her room, looking out, thinking. 175 00:09:01,080 --> 00:09:04,240 She doesn't move for a long time. 176 00:09:04,240 --> 00:09:10,400 Then suddenly, quickly, she goes to her closet and begins to rummage through her many pairs 177 00:09:10,400 --> 00:09:12,000 of shoes. 178 00:09:12,000 --> 00:09:15,880 Carefully, she picks one pair with three-inch heels. 179 00:09:15,880 --> 00:09:18,640 Five foot six or seven. 180 00:09:18,640 --> 00:09:24,560 Then she walks quickly to the dresser, opens a drawer, takes out a comb, and starts redoing 181 00:09:24,560 --> 00:09:25,560 her hair. 182 00:09:25,560 --> 00:09:28,960 Worn loose and curly down the back. 183 00:09:28,960 --> 00:09:32,200 Well, here we go. 184 00:09:32,200 --> 00:09:33,200 Edwards! 185 00:09:33,200 --> 00:09:34,200 Edwards! 186 00:09:34,200 --> 00:09:35,200 Yes, Miss? 187 00:09:35,200 --> 00:09:36,200 Is the car ready? 188 00:09:36,200 --> 00:09:37,200 Yes, Miss McGinnon. 189 00:09:37,200 --> 00:09:38,200 I've been waiting for you. 190 00:09:38,200 --> 00:09:39,200 Let's go. 191 00:09:39,200 --> 00:09:40,200 Let's go before Mother sees me. 192 00:09:40,200 --> 00:09:41,200 Your mother's been looking for you, Miss. 193 00:09:41,200 --> 00:09:42,200 I hope you didn't tell her. 194 00:09:42,200 --> 00:09:43,200 No, Miss McGinnon, I didn't. 195 00:09:43,200 --> 00:09:44,200 Good. 196 00:09:44,200 --> 00:09:45,200 Come on, Edwards. 197 00:09:45,200 --> 00:09:46,200 Where do you wish to go, Miss McGinnon? 198 00:09:46,200 --> 00:09:47,200 The Starlight Dance Hall on Grove and Second Street. 199 00:09:47,200 --> 00:09:48,200 The Starlight, Miss? 200 00:09:48,200 --> 00:09:49,200 Yes, Edwards, that's the place. 201 00:09:49,200 --> 00:09:50,200 I wouldn't go there unescorted if I were you, Miss. 202 00:09:50,200 --> 00:09:51,200 It's one of the worst places in the city. 203 00:09:51,200 --> 00:09:52,200 It has a very bad reputation. 204 00:09:52,200 --> 00:09:53,200 The Starlight Dance Hall, Edwards. 205 00:09:53,200 --> 00:09:54,200 Very good, Miss McGinnon. 206 00:09:54,200 --> 00:09:55,200 I'm going to bed. 207 00:09:55,200 --> 00:09:56,200 I'm going to bed. 208 00:09:56,200 --> 00:09:57,200 I'm going to bed. 209 00:09:57,200 --> 00:09:58,200 I'm going to bed. 210 00:09:58,200 --> 00:09:59,200 I'm going to bed. 211 00:09:59,200 --> 00:10:00,200 I'm going to bed. 212 00:10:00,200 --> 00:10:01,200 I'm going to bed. 213 00:10:01,200 --> 00:10:11,200 I'm going to bed. 214 00:10:11,200 --> 00:10:30,840 Ginny walks slowly around the low light of Dance Hall, trying to make herself conspicuous. 215 00:10:30,840 --> 00:10:38,040 A tall figure leaning against a pillar watches her intently as he idly smokes a cigarette. 216 00:10:38,040 --> 00:10:40,840 He doesn't seem to belong there. 217 00:10:40,840 --> 00:10:44,840 His clothes don't have the nastiness of a dance lover. 218 00:10:44,840 --> 00:10:47,520 Ginny pauses not far from him. 219 00:10:47,520 --> 00:10:53,680 Deliberately, he throws his cigarette on the floor, steps on it, and slowly walks over 220 00:10:53,680 --> 00:10:56,680 to her. 221 00:10:56,680 --> 00:10:58,680 Hello. 222 00:10:58,680 --> 00:11:02,040 Oh, hello. 223 00:11:02,040 --> 00:11:05,200 You're not with anyone, are you? 224 00:11:05,200 --> 00:11:07,120 Oh, no, I'm alone. 225 00:11:07,120 --> 00:11:08,120 I thought so. 226 00:11:08,120 --> 00:11:10,520 I've been watching you all the time. 227 00:11:10,520 --> 00:11:11,520 Have you? 228 00:11:11,520 --> 00:11:13,200 I haven't seen you dance yet. 229 00:11:13,200 --> 00:11:15,200 I don't know anyone here. 230 00:11:15,200 --> 00:11:16,760 How about dancing with me then? 231 00:11:16,760 --> 00:11:17,760 All right. 232 00:11:17,760 --> 00:11:18,760 Come on. 233 00:11:18,760 --> 00:11:19,760 Let's go out on the floor. 234 00:11:19,760 --> 00:11:21,760 Do you come here often? 235 00:11:21,760 --> 00:11:22,760 No. 236 00:11:22,760 --> 00:11:25,120 I never go to the same place twice. 237 00:11:25,120 --> 00:11:26,120 You don't? 238 00:11:26,120 --> 00:11:27,120 Why? 239 00:11:27,120 --> 00:11:29,040 I'm always looking for new faces. 240 00:11:29,040 --> 00:11:30,040 I'm restless. 241 00:11:30,040 --> 00:11:33,440 Do you find the faces you're looking for? 242 00:11:33,440 --> 00:11:34,440 Listen. 243 00:11:34,440 --> 00:11:37,680 Listen to that song. 244 00:11:37,680 --> 00:11:39,240 I like that. 245 00:11:39,240 --> 00:11:41,000 I like it very much. 246 00:11:41,000 --> 00:11:44,080 Yes, it is a nice song. 247 00:11:44,080 --> 00:11:48,760 You know, you remind me of someone I used to know. 248 00:11:48,760 --> 00:11:50,360 I'm trying to think who. 249 00:11:50,360 --> 00:11:51,360 I do? 250 00:11:51,360 --> 00:11:52,360 Yeah. 251 00:11:52,360 --> 00:11:56,160 Do you mind if we stop dancing and go over and get a drink? 252 00:11:56,160 --> 00:11:57,160 No. 253 00:11:57,160 --> 00:11:58,160 Let's go. 254 00:11:58,160 --> 00:11:59,160 Oh, look. 255 00:11:59,160 --> 00:12:01,160 They sell flowers here. 256 00:12:01,160 --> 00:12:03,160 Yes, I see. 257 00:12:03,160 --> 00:12:05,920 I'll get you some. 258 00:12:05,920 --> 00:12:06,920 What kind would you like? 259 00:12:06,920 --> 00:12:07,920 Oh, any kind. 260 00:12:07,920 --> 00:12:09,760 Any kind. 261 00:12:09,760 --> 00:12:10,760 You pick it out. 262 00:12:10,760 --> 00:12:11,760 All right. 263 00:12:11,760 --> 00:12:12,760 Let's see. 264 00:12:12,760 --> 00:12:18,120 There's something kind of innocent and young about you, different from most of the girls 265 00:12:18,120 --> 00:12:19,120 that come here. 266 00:12:19,120 --> 00:12:21,360 Can't we stay here a little longer? 267 00:12:21,360 --> 00:12:22,960 It's intermission now. 268 00:12:22,960 --> 00:12:25,040 They won't play again for 10 minutes. 269 00:12:25,040 --> 00:12:26,040 Come on. 270 00:12:26,040 --> 00:12:27,040 But I like it here. 271 00:12:27,040 --> 00:12:29,040 Let's stay a little while longer. 272 00:12:29,040 --> 00:12:31,160 Well, then let's go down for some air. 273 00:12:31,160 --> 00:12:32,960 We can come back in a few minutes. 274 00:12:32,960 --> 00:12:33,960 Come on. 275 00:12:33,960 --> 00:12:34,960 But... 276 00:12:34,960 --> 00:12:35,960 We'll be back before the music starts. 277 00:12:35,960 --> 00:12:37,880 Oh, you're hurting my arm. 278 00:12:37,880 --> 00:12:38,880 Am I? 279 00:12:38,880 --> 00:12:39,880 I'm sorry. 280 00:12:39,880 --> 00:12:44,880 Fresh air smells good, doesn't it? 281 00:12:44,880 --> 00:12:48,120 It's so dark here. 282 00:12:48,120 --> 00:12:50,880 Let's go back. 283 00:12:50,880 --> 00:12:53,520 You're not scared, are you? 284 00:12:53,520 --> 00:12:54,520 Oh, no. 285 00:12:54,520 --> 00:12:55,520 It's... 286 00:12:55,520 --> 00:12:56,520 Let's walk down this alley and back. 287 00:12:56,520 --> 00:12:57,520 Please. 288 00:12:57,520 --> 00:12:58,520 Please. 289 00:12:58,520 --> 00:12:59,520 I'm scared. 290 00:12:59,520 --> 00:13:00,520 I'm scared. 291 00:13:00,520 --> 00:13:01,520 I'm scared. 292 00:13:01,520 --> 00:13:02,520 I'm scared. 293 00:13:02,520 --> 00:13:03,520 I'm scared. 294 00:13:03,520 --> 00:13:04,520 I'm scared. 295 00:13:04,520 --> 00:13:05,520 I'm scared. 296 00:13:05,520 --> 00:13:06,520 I'm scared. 297 00:13:06,520 --> 00:13:07,520 I'm scared. 298 00:13:07,520 --> 00:13:08,520 Please. 299 00:13:08,520 --> 00:13:09,520 No, you're scared. 300 00:13:09,520 --> 00:13:10,520 Let me go. 301 00:13:10,520 --> 00:13:11,520 Thanks. 302 00:13:11,520 --> 00:13:13,200 That's a lovely necklace, beautiful. 303 00:13:13,200 --> 00:13:14,200 Why, you're just a cheap... 304 00:13:14,200 --> 00:13:15,200 Shut up. 305 00:13:15,200 --> 00:13:16,200 All you wanted was my necklace. 306 00:13:16,200 --> 00:13:17,200 So long, beautiful. 307 00:13:17,200 --> 00:13:18,200 Look out. 308 00:13:18,200 --> 00:13:19,200 What's the matter? 309 00:13:19,200 --> 00:13:20,200 Behind you. 310 00:13:20,200 --> 00:13:21,200 Look. 311 00:13:21,200 --> 00:13:22,200 Holy... 312 00:13:22,200 --> 00:13:23,200 She's dead. 313 00:13:23,200 --> 00:13:24,200 A girl. 314 00:13:24,200 --> 00:13:25,200 Murdered. 315 00:13:25,200 --> 00:13:30,200 With a white rosebud in her hand. 316 00:13:30,200 --> 00:13:40,800 Well, Ginny, it happened again last night. 317 00:13:40,800 --> 00:13:42,360 Just like the other times. 318 00:13:42,360 --> 00:13:45,720 A girl strangled in an alley and a white rose in her hand. 319 00:13:45,720 --> 00:13:47,200 Any news of the killer? 320 00:13:47,200 --> 00:13:48,200 No. 321 00:13:48,200 --> 00:13:51,040 He might just as well float through the air for all the trace he leaves. 322 00:13:51,040 --> 00:13:54,160 He must have bought the flower upstairs in the dance hall. 323 00:13:54,160 --> 00:13:56,440 He must have been there earlier, bought it and saved it until... 324 00:13:56,440 --> 00:13:58,980 No, it was only one rose sold up there all night. 325 00:13:58,980 --> 00:14:01,280 It was a man who had a different girl with him. 326 00:14:01,280 --> 00:14:03,280 We had the flower girl. 327 00:14:03,280 --> 00:14:07,800 How did you know that they sold flowers there? 328 00:14:07,800 --> 00:14:08,800 I didn't tell you. 329 00:14:08,800 --> 00:14:09,800 Well, I... 330 00:14:09,800 --> 00:14:11,800 I must have read it somewhere. 331 00:14:11,800 --> 00:14:12,800 You couldn't have. 332 00:14:12,800 --> 00:14:15,120 It wasn't in any of the papers. 333 00:14:15,120 --> 00:14:20,160 No details were given, just the statements that an unidentified body was found. 334 00:14:20,160 --> 00:14:21,160 Well, I... 335 00:14:21,160 --> 00:14:26,000 Well, I just imagined that they'd sell flowers in a place like that. 336 00:14:26,000 --> 00:14:29,680 Well, I'm glad you don't go near those dance halls. 337 00:14:29,680 --> 00:14:31,080 Why were this nut running around, Luce? 338 00:14:31,080 --> 00:14:33,200 Oh, don't bother about that. 339 00:14:33,200 --> 00:14:35,080 We'd better catch this killer. 340 00:14:35,080 --> 00:14:36,080 And fast. 341 00:14:36,080 --> 00:14:38,640 Wouldn't you get this wee stuff? 342 00:14:38,640 --> 00:14:41,760 To hear you talk, you'd think that you were on the case too. 343 00:14:41,760 --> 00:14:43,440 Wouldn't you think so? 344 00:14:43,440 --> 00:14:44,440 To hear me talk? 345 00:14:44,440 --> 00:15:05,440 Again, Jenny tours the low dives, hunting for the white rose killer. 346 00:15:05,440 --> 00:15:12,320 Her search carries her to the waterfront. 347 00:15:12,320 --> 00:15:28,760 And as she walks past each dingy bar, she listens to the jukebox music. 348 00:15:28,760 --> 00:15:33,760 A little after midnight, she passes a dirty windowed saloon. 349 00:15:33,760 --> 00:15:43,400 The thin music catches her ear. 350 00:15:43,400 --> 00:15:50,720 She pauses and listens, her eyes alive for some sign, some indication of the person she's 351 00:15:50,720 --> 00:15:53,000 looking for. 352 00:15:53,000 --> 00:16:00,440 Then suddenly her body becomes rigid as her eyes fall upon a figure huddled in the shadows. 353 00:16:00,440 --> 00:16:02,000 Someone's watching me. 354 00:16:02,000 --> 00:16:08,640 Suddenly she starts to walk up the street. 355 00:16:08,640 --> 00:16:15,120 Behind her, the heavy tread of a man's footsteps keep pace with hers. 356 00:16:15,120 --> 00:16:26,800 It's a quiet tread, unhurried but deliberate, for several blocks that keeps the exact distance. 357 00:16:26,800 --> 00:16:27,800 Jenny starts to walk faster. 358 00:16:27,800 --> 00:16:30,560 I've got to know if he's really following me. 359 00:16:30,560 --> 00:16:36,040 The man quickens his pace. 360 00:16:36,040 --> 00:16:37,840 Jenny starts across the street. 361 00:16:37,840 --> 00:16:39,240 The man follows. 362 00:16:39,240 --> 00:16:42,360 She's sure now, sure that the man is following her. 363 00:16:42,360 --> 00:16:44,360 She fumbles for something in her purse. 364 00:16:44,360 --> 00:16:45,960 Her hand closes around a gun. 365 00:16:45,960 --> 00:16:48,960 If he tries anything, I'll shoot. 366 00:16:48,960 --> 00:16:53,920 You in any trouble, lady? 367 00:16:53,920 --> 00:16:54,920 Oh, no, officer. 368 00:16:54,920 --> 00:16:55,920 It's all right. 369 00:16:55,920 --> 00:16:56,920 You scared him away. 370 00:16:56,920 --> 00:16:57,920 Scared who away? 371 00:16:57,920 --> 00:17:00,280 Oh, just a man who wanted to bring me flowers. 372 00:17:00,280 --> 00:17:01,280 That's all. 373 00:17:01,280 --> 00:17:03,960 Well, he brought you one anyhow, lady. 374 00:17:03,960 --> 00:17:04,960 What do you mean? 375 00:17:04,960 --> 00:17:06,960 Right there on the ground, right by your feet. 376 00:17:06,960 --> 00:17:15,960 A white rose. 377 00:17:15,960 --> 00:17:16,960 Coffee, Mabel. 378 00:17:16,960 --> 00:17:18,960 Sure, coming right up. 379 00:17:18,960 --> 00:17:20,960 Here you are. 380 00:17:20,960 --> 00:17:21,960 Terry. 381 00:17:21,960 --> 00:17:22,960 Terry. 382 00:17:22,960 --> 00:17:23,960 Hello, Jenny. 383 00:17:23,960 --> 00:17:24,960 Sit down. 384 00:17:24,960 --> 00:17:25,960 Thank you. 385 00:17:25,960 --> 00:17:27,480 Say, what's the matter with you? 386 00:17:27,480 --> 00:17:31,440 It's all right, darling. 387 00:17:31,440 --> 00:17:34,440 What daughter of a socially prominent family 388 00:17:34,440 --> 00:17:36,920 is that way about a detective 389 00:17:36,920 --> 00:17:39,360 and waits for him outside the station house 390 00:17:39,360 --> 00:17:43,120 in her limousine every night? 391 00:17:43,120 --> 00:17:48,440 Private chauffeur and all, but mama says no. 392 00:17:48,440 --> 00:17:49,720 That's not so funny. 393 00:17:49,720 --> 00:17:53,400 Oh, they held a big family war council over me just now. 394 00:17:53,400 --> 00:17:55,960 Indian powwow, feathered headdress and everything. 395 00:17:55,960 --> 00:17:57,840 They did, huh? 396 00:17:57,840 --> 00:18:00,240 Well, what did they decide? 397 00:18:00,240 --> 00:18:01,640 Oh, I was asked to give my word 398 00:18:01,640 --> 00:18:03,360 that I wouldn't see you anymore. 399 00:18:03,360 --> 00:18:05,960 I refused, of course, so I had to be exiled. 400 00:18:05,960 --> 00:18:06,960 Where to? 401 00:18:06,960 --> 00:18:08,120 Our summer home. 402 00:18:08,120 --> 00:18:09,640 It's just a few hours out of town, 403 00:18:09,640 --> 00:18:11,720 but I'll be there all by myself, 404 00:18:11,720 --> 00:18:13,720 just with Mrs. Crosby, the housekeeper. 405 00:18:13,720 --> 00:18:15,400 Oh, maybe they're right. 406 00:18:15,400 --> 00:18:17,000 Why don't you listen to them? 407 00:18:17,000 --> 00:18:18,360 Are you on their side too? 408 00:18:18,360 --> 00:18:19,360 No. 409 00:18:21,680 --> 00:18:22,840 When are you leaving? 410 00:18:22,840 --> 00:18:23,920 Right away. 411 00:18:23,920 --> 00:18:25,760 Edwards is driving me out. 412 00:18:25,760 --> 00:18:28,080 I just slipped out to let you know. 413 00:18:28,080 --> 00:18:29,680 Here's the address and phone number of the place 414 00:18:29,680 --> 00:18:31,720 in case you want to reach me. 415 00:18:31,720 --> 00:18:32,960 Don't lose it. 416 00:18:32,960 --> 00:18:34,600 I won't. 417 00:18:34,600 --> 00:18:38,080 Well, what's new and exciting about the white rose killer? 418 00:18:38,080 --> 00:18:41,040 Our famous lover of flowers. 419 00:18:41,040 --> 00:18:43,560 We're still trying to track him down. 420 00:18:43,560 --> 00:18:46,320 I suppose I'll go looking for him at the flower show 421 00:18:46,320 --> 00:18:47,480 that's just opened. 422 00:18:47,480 --> 00:18:49,920 Oh, a flower show just opened? 423 00:18:49,920 --> 00:18:51,480 Yeah. 424 00:18:51,480 --> 00:18:54,520 Well, goodbye now. 425 00:18:54,520 --> 00:18:56,000 I'll be seeing you. 426 00:19:05,720 --> 00:19:07,760 What floor is the flower show, please? 427 00:19:07,760 --> 00:19:09,440 Third floor, Miss. 428 00:19:09,440 --> 00:19:10,440 Three, please. 429 00:19:21,720 --> 00:19:23,080 Third floor. 430 00:19:23,080 --> 00:19:24,920 Where's the rose display, please? 431 00:19:24,920 --> 00:19:26,040 To your left, over there. 432 00:19:26,040 --> 00:19:27,840 See where the man in the gray coat is? 433 00:19:27,840 --> 00:19:29,280 In the gray coat? 434 00:19:29,280 --> 00:19:30,120 Yes, thank you. 435 00:19:38,400 --> 00:19:39,600 They are lovely, aren't they? 436 00:19:39,600 --> 00:19:42,200 Oh, you startled me. 437 00:19:42,200 --> 00:19:43,280 I'm sorry. 438 00:19:43,280 --> 00:19:45,120 I was just admiring the roses. 439 00:19:45,120 --> 00:19:46,960 Oh, yes, the nicest flowers here. 440 00:19:46,960 --> 00:19:49,520 I just can't keep my eyes off them. 441 00:19:49,520 --> 00:19:52,080 Yes, you can feel that way about some flowers. 442 00:19:52,080 --> 00:19:55,160 And that's the way I feel about white roses. 443 00:19:55,160 --> 00:19:56,320 Have you been here long? 444 00:19:56,320 --> 00:19:57,320 I really don't know. 445 00:19:57,320 --> 00:19:58,720 I suppose so. 446 00:19:58,720 --> 00:20:01,640 You see, I've come here every day since the show opened. 447 00:20:01,640 --> 00:20:05,280 I like to be near the roses, the white roses. 448 00:20:05,280 --> 00:20:07,200 Those big ones are nice. 449 00:20:07,200 --> 00:20:08,840 No, I like the little ones best, 450 00:20:08,840 --> 00:20:11,280 the little tightly curled rose buds. 451 00:20:11,280 --> 00:20:16,080 They're so little and innocent. 452 00:20:16,080 --> 00:20:17,800 Oh, well, I really better be going. 453 00:20:17,800 --> 00:20:18,760 Are you going down? 454 00:20:18,760 --> 00:20:28,520 Yes. 455 00:20:28,520 --> 00:20:29,480 Down, please. 456 00:20:33,560 --> 00:20:38,000 Here, Miss, I took a rose for you. 457 00:20:38,000 --> 00:20:39,320 Thank you. 458 00:20:39,320 --> 00:20:40,160 It's lovely. 459 00:20:45,200 --> 00:20:47,880 Would you care to have a drink with me? 460 00:20:47,880 --> 00:20:49,240 Why, yes, thank you. 461 00:20:49,240 --> 00:20:51,240 I know the little place a block or two down there. 462 00:20:51,240 --> 00:20:52,200 They have nice music. 463 00:20:52,200 --> 00:20:53,040 We'll go there. 464 00:20:53,040 --> 00:20:54,480 All right, whatever you say. 465 00:21:00,760 --> 00:21:01,960 This is it. 466 00:21:01,960 --> 00:21:03,200 Where's the music? 467 00:21:03,200 --> 00:21:04,960 Nickel in the jukebox, does it? 468 00:21:04,960 --> 00:21:07,080 Any special song you'd like? 469 00:21:07,080 --> 00:21:09,080 No, go ahead and pick one. 470 00:21:09,080 --> 00:21:10,080 OK. 471 00:21:10,080 --> 00:21:20,680 And there we are. 472 00:21:20,680 --> 00:21:23,240 Oh, that's my favorite song. 473 00:21:23,240 --> 00:21:27,800 Reminds me of a girl I used to know. 474 00:21:27,800 --> 00:21:31,640 Excuse me, I want to powder my nose. 475 00:21:31,640 --> 00:21:33,000 I'll be right back. 476 00:21:33,000 --> 00:21:33,520 Do you mind? 477 00:21:33,520 --> 00:21:52,240 No, of course not. 478 00:21:52,240 --> 00:21:55,080 7th Police Precinct, Sergeant Thomas speaking. 479 00:21:55,080 --> 00:21:57,640 Hello, is Terry Riley there? 480 00:21:57,640 --> 00:21:59,360 Just a moment, I'll see. 481 00:21:59,360 --> 00:22:02,200 Please hurry, it's important. 482 00:22:02,200 --> 00:22:05,240 Oh, sorry, Miss, Terry Riley's not here just now. 483 00:22:05,240 --> 00:22:11,800 Oh, will you tell him that I can't keep that date with him? 484 00:22:11,800 --> 00:22:12,800 Goodbye. 485 00:22:15,720 --> 00:22:17,080 Do you always go to the phone booth 486 00:22:17,080 --> 00:22:18,640 when you want to powder your nose? 487 00:22:18,640 --> 00:22:22,000 Why, I had to make a call. 488 00:22:22,000 --> 00:22:23,560 Uh-huh. 489 00:22:23,560 --> 00:22:25,080 I'm afraid I'll have to leave you. 490 00:22:25,080 --> 00:22:26,800 Oh, wait, let me come with you. 491 00:22:26,800 --> 00:22:29,160 I'm sorry, Miss, but I've got other things to do. 492 00:22:29,160 --> 00:22:30,440 Oh. 493 00:22:30,440 --> 00:22:31,680 What's the matter? 494 00:22:31,680 --> 00:22:33,400 That car, someone that knows me. 495 00:22:33,400 --> 00:22:34,400 Let's get away from here. 496 00:22:34,400 --> 00:22:37,040 That's just what I'm going to do. 497 00:22:37,040 --> 00:22:38,120 So long, lady. 498 00:22:38,120 --> 00:22:40,560 Wait, wait, please don't go. 499 00:22:40,560 --> 00:22:43,280 Miss Virginia, Miss Virginia. 500 00:22:43,280 --> 00:22:46,280 I'm sorry, Miss Virginia, but I must speak to you for a minute. 501 00:22:46,280 --> 00:22:47,960 Oh, Edwards, what do you want? 502 00:22:47,960 --> 00:22:50,320 I'm sorry, Miss, you'd better come with me at once. 503 00:22:50,320 --> 00:22:52,080 I've been looking for you everywhere. 504 00:22:52,080 --> 00:22:54,000 Your mother's been taken seriously ill. 505 00:22:54,000 --> 00:22:54,920 Mother? 506 00:22:54,920 --> 00:22:55,560 Where is she? 507 00:22:55,560 --> 00:22:57,240 She's out at the country place, Miss. 508 00:22:57,240 --> 00:22:59,640 I drove her there shortly before dinner. 509 00:22:59,640 --> 00:23:01,440 She wanted to pay you a surprise visit. 510 00:23:01,440 --> 00:23:02,280 Oh. 511 00:23:02,280 --> 00:23:04,800 I believe the shock of not finding you there upset her, Miss. 512 00:23:04,800 --> 00:23:05,800 Is she very bad? 513 00:23:05,800 --> 00:23:07,840 She had the doctor with her when I left. 514 00:23:07,840 --> 00:23:09,800 Mrs. Crosby has gone away for the day. 515 00:23:09,800 --> 00:23:11,160 Your mother needs you, Miss. 516 00:23:11,160 --> 00:23:11,920 Well, let's go. 517 00:23:11,920 --> 00:23:13,240 Hurry, Edwards, please. 518 00:23:13,240 --> 00:23:14,040 Right, Miss. 519 00:23:23,840 --> 00:23:24,800 Where is Mother Edwards? 520 00:23:24,800 --> 00:23:25,760 In her room, Miss. 521 00:23:25,760 --> 00:23:26,760 You'd better hurry. 522 00:23:26,760 --> 00:23:27,760 Mother? 523 00:23:27,760 --> 00:23:28,760 Mother? 524 00:23:28,760 --> 00:23:30,240 It's Ginny. 525 00:23:30,240 --> 00:23:32,560 Is the doctor in there with you? 526 00:23:32,560 --> 00:23:33,360 Mother? 527 00:23:36,160 --> 00:23:37,760 Why, there's no one here. 528 00:23:37,760 --> 00:23:39,360 The room's empty. 529 00:23:39,360 --> 00:23:40,760 The bed hasn't been touched. 530 00:23:46,560 --> 00:23:47,760 Edwards, what are you doing? 531 00:23:47,760 --> 00:23:48,960 Nearly playing a song, Miss. 532 00:23:48,960 --> 00:23:50,360 A favorite of mine. 533 00:23:50,360 --> 00:23:51,360 A favorite? 534 00:23:51,360 --> 00:23:52,760 Yes, Miss Virginia. 535 00:23:52,760 --> 00:23:53,760 Where is it? 536 00:23:53,760 --> 00:23:57,760 She's in the city, Miss. 537 00:23:57,760 --> 00:23:58,760 You lied to me. 538 00:23:58,760 --> 00:24:00,760 I'm afraid I did, Miss Virginia. 539 00:24:02,760 --> 00:24:03,760 Why are you locking the door? 540 00:24:03,760 --> 00:24:05,760 You know why, Miss Virginia. 541 00:24:05,760 --> 00:24:07,760 It can't be. 542 00:24:07,760 --> 00:24:08,760 You are not the... 543 00:24:08,760 --> 00:24:10,760 The white rose killer. 544 00:24:10,760 --> 00:24:12,760 But you see, I am, Miss Virginia. 545 00:24:12,760 --> 00:24:16,760 Driving you and your family around day after day. 546 00:24:16,760 --> 00:24:19,760 Sitting there right in front of you all the time. 547 00:24:19,760 --> 00:24:22,760 It was amusing to watch you hunting for me. 548 00:24:22,760 --> 00:24:26,760 Hunting for someone you saw several times a day. 549 00:24:26,760 --> 00:24:28,760 It can't be. 550 00:24:28,760 --> 00:24:29,760 You're not insane. 551 00:24:29,760 --> 00:24:30,760 Of course not. 552 00:24:30,760 --> 00:24:32,760 Who said I was? 553 00:24:32,760 --> 00:24:35,760 Edwards, you know I'm not the girl who betrayed you. 554 00:24:35,760 --> 00:24:37,760 Yes, I know that. 555 00:24:37,760 --> 00:24:39,760 Well, then unlock the door and let me out. 556 00:24:39,760 --> 00:24:40,760 Please, Edwards. 557 00:24:40,760 --> 00:24:42,760 I've killed five times. 558 00:24:42,760 --> 00:24:44,760 I've never regretted it. 559 00:24:44,760 --> 00:24:46,760 I'm going to kill you, Miss Virginia. 560 00:24:46,760 --> 00:24:48,760 Why, Edwards? Why? 561 00:24:48,760 --> 00:24:50,760 Because you've been so clever. 562 00:24:50,760 --> 00:24:51,760 Too clever. 563 00:24:51,760 --> 00:24:53,760 You made yourself look like her. 564 00:24:53,760 --> 00:24:55,760 The girl who deceived me. 565 00:24:55,760 --> 00:24:58,760 I could have killed you the day you first went out looking for me. 566 00:24:58,760 --> 00:25:00,760 But I had to be careful. 567 00:25:00,760 --> 00:25:03,760 I almost caught you that night at the waterfront. 568 00:25:03,760 --> 00:25:06,760 The night I dropped the white rose when that police car came. 569 00:25:06,760 --> 00:25:08,760 Edwards, I... 570 00:25:08,760 --> 00:25:10,760 I've never done you any harm. 571 00:25:10,760 --> 00:25:12,760 Your sweetheart, Terry. 572 00:25:12,760 --> 00:25:14,760 He loves you, doesn't he? 573 00:25:14,760 --> 00:25:15,760 Yes. 574 00:25:15,760 --> 00:25:17,760 That's good. 575 00:25:17,760 --> 00:25:21,760 Because now you won't be able to deceive him like my girl deceived me. 576 00:25:21,760 --> 00:25:23,760 Keep away, Edwards. 577 00:25:23,760 --> 00:25:25,760 Keep away or I'll... 578 00:25:25,760 --> 00:25:27,760 You thought you'd use your gun, eh? 579 00:25:27,760 --> 00:25:30,760 Well, don't think I was fool enough to overlook that. 580 00:25:30,760 --> 00:25:33,760 I took your gun out of your purse. 581 00:25:33,760 --> 00:25:35,760 It won't do you any good to kill me, Edwards. 582 00:25:35,760 --> 00:25:37,760 I didn't have anything to do with... 583 00:25:37,760 --> 00:25:41,760 No, and you're not going to have a chance to break another man's heart 584 00:25:41,760 --> 00:25:43,760 like she broke mine. 585 00:25:43,760 --> 00:25:45,760 Ginny, Ginny, where are you? 586 00:25:45,760 --> 00:25:46,760 Terry, Terry! 587 00:25:46,760 --> 00:25:48,760 It won't do you any good to call to him. 588 00:25:48,760 --> 00:25:51,760 He can't get in here without breaking down the door. 589 00:25:51,760 --> 00:25:53,760 Keep away from me. Terry! 590 00:25:53,760 --> 00:25:57,760 It'll be too late then, because I'm going to kill you now. 591 00:25:57,760 --> 00:25:58,760 Ginny, where are you? 592 00:25:58,760 --> 00:25:59,760 Terry! 593 00:25:59,760 --> 00:26:02,760 Just let me get my hands on that pretty white rose. 594 00:26:02,760 --> 00:26:04,760 Oh, keep away. Keep away from me. Terry! 595 00:26:09,760 --> 00:26:11,760 Ginny, are you all right? 596 00:26:11,760 --> 00:26:13,760 Yes, Terry, I... 597 00:26:13,760 --> 00:26:15,760 I'm all right. 598 00:26:15,760 --> 00:26:18,760 Take it easy. Here, sit down. 599 00:26:18,760 --> 00:26:21,760 Oh, Terry, I was so scared. 600 00:26:21,760 --> 00:26:25,760 There was nobody here but Edwards and I. 601 00:26:25,760 --> 00:26:28,760 How... how did you know where I was? 602 00:26:28,760 --> 00:26:30,760 Oh, it was simple. 603 00:26:30,760 --> 00:26:33,760 You were supposed to meet me at the coffee shop. 604 00:26:33,760 --> 00:26:36,760 You never broke an appointment, and when you didn't show up, 605 00:26:36,760 --> 00:26:38,760 I called the number you gave me. 606 00:26:38,760 --> 00:26:41,760 You told me the housekeeper was here all the time. 607 00:26:41,760 --> 00:26:43,760 And when there was no answer, 608 00:26:43,760 --> 00:26:46,760 you got suspicious and came down. 609 00:26:46,760 --> 00:26:49,760 Besides, when I got a message down at headquarters 610 00:26:49,760 --> 00:26:52,760 that you had to break a date with me, 611 00:26:52,760 --> 00:26:55,760 I knew something was wrong. 612 00:26:55,760 --> 00:26:57,760 Are you sure you're all right? 613 00:26:57,760 --> 00:26:59,760 Yes, I... 614 00:26:59,760 --> 00:27:02,760 I'm... 615 00:27:02,760 --> 00:27:04,760 Terry! 616 00:27:04,760 --> 00:27:06,760 Look. 617 00:27:06,760 --> 00:27:08,760 On the floor beside Edwards. 618 00:27:08,760 --> 00:27:11,760 A white rose. 619 00:27:11,760 --> 00:27:14,760 Must have fallen out of his pocket. 620 00:27:14,760 --> 00:27:16,760 That was meant for me. 621 00:27:16,760 --> 00:27:20,760 Oh, Terry, it... it's all crushed. 622 00:27:20,760 --> 00:27:22,760 Yeah. 623 00:27:22,760 --> 00:27:24,760 Crushed and dead. 624 00:27:24,760 --> 00:27:46,760 Just like the white rose killer. 625 00:27:46,760 --> 00:27:49,760 And so closes The White Rose Murders, 626 00:27:49,760 --> 00:27:52,760 starring Maureen O'Hara. 627 00:27:52,760 --> 00:27:55,760 Tonight's tale of... 628 00:27:55,760 --> 00:27:58,760 Suspense. 629 00:27:58,760 --> 00:28:01,760 This is your narrator, the man in black, 630 00:28:01,760 --> 00:28:03,760 who, speaking for Columbia, 631 00:28:03,760 --> 00:28:20,760 hopes you have enjoyed Miss O'Hara's performance and our play. 632 00:28:20,760 --> 00:28:23,760 Next week, because of a special broadcast 633 00:28:23,760 --> 00:28:25,760 of the All-Star Baseball Game, 634 00:28:25,760 --> 00:28:28,760 suspense will not be heard. 635 00:28:28,760 --> 00:28:30,760 But again the following week, 636 00:28:30,760 --> 00:28:33,760 we will be back with another play on this series 637 00:28:33,760 --> 00:28:37,760 and more of your Hollywood favorites. 638 00:28:37,760 --> 00:28:40,760 The producer of these broadcasts is William Spear, 639 00:28:40,760 --> 00:28:43,760 who with Ted Bliss, the director, 640 00:28:43,760 --> 00:28:46,760 Bernard Herrmann and Lucy Ann Marowick, 641 00:28:46,760 --> 00:28:48,760 conductor and composer, 642 00:28:48,760 --> 00:28:51,760 and Cornell Woolrich, the author, 643 00:28:51,760 --> 00:29:04,760 collaborated on tonight's Suspense. 644 00:29:04,760 --> 00:29:19,760 This is CBS, the Columbia Broadcasting System.